Ewbanks Summer Fine Catalogue 25th/26th June

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Summer Fine Antiques Auction25th & 26th June 2014

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Cover Lot 622 Inside Front Cover Lot 757 Back Cover Lot 547

Chris Ewbank, FRICS ASFAVSenior [email protected]

John Snape, BA [email protected]

Andrew Delve, MA [email protected]

Andrew Ewbank, [email protected]

Tim Duggan, [email protected]

Alastair McCrea, MAPartner [email protected]

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Surrey’s premier antique and fine art auction rooms

Celebrating 20 years at Burnt Common

SUMMER FINE ANTIQUES AUCTIONJewellery; Watches; Coins; Silver; Silver Plate; Clocks; Contemporary Art;

Oil Paintings, Watercolours and Prints; British and Continental Ceramics and Glass; Objects and Works of Art; Rudyard Kipling Archive; Asian Art; Textiles;

Cars; Rugs and Antique Furniture.

This Sale is on Wednesday and Thursday 25th and 26th June 2014 commencing at 10.30 am

VIEWING:Saturday 21st June 10.00am–2.00pm Monday 23rd June 10.00 am–5.00 pmTuesday 24th June 10.00 am–8.00 pmAnd Mornings of Sale 9.30-10.30 am

For the fully illustrated catalogue and Registration for Live internet bidding go towww.ewbankauctions.co.uk

There is a separate catalogue for The Michael Compton Collection of Post War and Contemporary Art to be sold at 7pm on Friday 27th June.

The Burnt Common Auction RoomsLondon Road, Send, Surrey GU23 7LN

Tel +44 (0)1483 223101E-mail: [email protected]

Buyers Premium 25.2% inclusive of VAT

MEMBERS OF THE SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

FOUNDER MEMBERS OF THE ASSOCIATION OF ACCREDITED AUCTIONEERS

SUMMER FINE ANTIQUES AUCTION

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https://twitter.com/EwbankAuctions www.facebook.com/Ewbanks1

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INFORMATION FOR BUYERS1 Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms.

All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2 Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3 Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4 Buyers Premium. The Conditions of Sale oblige buyers to pay a buyer’s premium at 25.2% inclusive of VAT on the hammer price of each lot purchased.

5 VAT. (†) indicates that VAT is payable by the purchaser at the standard rate (presently 20%) on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6 Conditions of lots. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Intending buyers have ample opportunity form inspection of goods and neither the seller nor we as the auctioneers accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in specified circumstances lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 2 week limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7 Condition reports. We may be able to assist buyers unable to view by providing a condition report, but these reports are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending buyers are strongly encouraged to view. (Please see our Conditions of Sale). All sizes are approximate.

8 Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory. Ask us if you need help.

9 Bidding. Bidders may be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10 Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or Email.

11 Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). We accept card payments provided that your registered address is the same as the card address. There is a surcharge of 2.5% plus VAT on credit cards but no charge on debit cards.

12 Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges which are currently set at £5 plus VAT per lot per day.

EXPLANATION OF PICTURE CATALOGUING TERMSAny statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of representation of fact. The Auctioneers reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.The forename(s) and surname of the artist: In our opinion a work by the artist.The initials of the forename(s) and the surname of the artist: In our opinion a work of the period of the artist which may be wholly or in part his work. The surname only of the artist: In our opinion a work of the school or by one of the followers of the artist or in his style and of uncertain date. English School’, ‘Italian School’: etc: In our opinion a work executed at a later date that the style may suggest.Signed’: Has a signature which in our opinion is a recognised signature.Dated’: Is so dated and in our opinion was executed at that date.The term ‘bears’ a signature and/or date and/or an inscription: Means that in our opinion the artist’s name and/or date and/or inscription have been added by another hand.Measurements: Height precedes width.

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WEDNESDAY 25TH JUNE 10:30AM

Timings are approximate

Jewellery 10:30am page 4

Costume Jewellery 12.20pm page 19

Watches 12.40pm page 20

Silver 12.55pm page 22

Silver plate 3.10pm page 38

Clocks and Instruments 3.15pm page 38

Cars 3.35pm page 42

Lot 118

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1 A large cameo brooch, well carved with mother and two small children, 9 ct gold mount

£300-500 See Illustration.

2 A portrait cameo brooch in 14 ct gold mount and another with lady and dogs £180-220

See Illustration.

3 Victorian cameo depicting the three graces with cherubs, in yellow metal mount, the frame testing as 9ct gold, with base metal inner frame and pin.


4 19th C cameo finely carved with figure of Cephalus in a horse drawn chariot guided by Cupid towards Aurora 5.8 x 7.5 cm in 9ct gold mount £200-300

See Illustration.

5 Victorian shell cameo, onyx and pearl brooch and a gold mounted cameo ring £120-150

See Illustration.

6 Cameo brooch depicting a rose in unmarked yellow metal, marks indistinct £50-80

See Illustration.

7 Greek key design hinged bangle 18 ct gold, stamped 750. £250-350

8 Gold bangle, stamped 21 K testing as 18ct gold minimum. £200-300

9 18ct gold wedding ring, another wedding ring and an imitation pearl and gilt necklace. £60-80

10 Modern opal set ring 9ct gold £50-80

11 Oval opal set ring in flower setting and a gold ring set with synthetic stones £70-100

12 Tessiers Royal Artillery Company diamond set sweetheart brooch mixed, unmarked white gold


13 Edwardian brooch set with three tear drop aquamarines and diamonds, in Tessier case metal unmarked £200-300

See Illustration.

14 Edwardian bar brooch set with a pear shaped black opal opal measures 1.5 x .8 cm , 9ct gold

£100-150

15 Edwardian brooch set with amethyst, others with turquoise stone carved with Egyptian hieroglyph , and carved panther head all 9ct gold (3 )

£100-150

There will be an addendum for late entries which will be available on the viewing days; all lots are posted with images

on our web-site www.ewbankauctions.co.uk

This sale is on Wednesday and Thursday 25th and 26th June commencing at 10.30 am

SUMMER FINE ANTIQUES AUCTION

Commencing 10.30 am Wednesday 25th June

JEWELLERY

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19 Diamond solitaire ring in 18ct white gold, estimated diamond weight 0.30ct. £300-500

20 Art Deco diamond plaque brooch set in platinum total diamond weight approximately 4.2 carats

£1,200-1,500 See Illustration.

21 Gold ring set with garnet in rub over setting£50-80

22 Gold collar necklace of interwoven ribbons 1970’s in green case £400-600

23 Rose cut diamond hart brooch. Diamond weight estimated in excess of 1ct. rose coloured metal .


24 Gold box link chain stamped 375 £200-300

25 A gold signet ring with engraved emblem and another set with black stone marks worn £50-80

26 Double string of cultured pearls with amethyst set gold clasp £200-300

See Illustration.

27 1950’s gold brooch in the form of a stylised flowerhead set with diamonds and sapphires


16 An Edwardian emerald and diamond set brooch, a gold bird pendant and earrings, brooch unmarked, pendant and earrings stamped10ct £150-250

See Illustration.

17 Gold necklace with hearts, paste set crown brooch, three gold rings, Victorian turquoise set heart drop, coral pearl necklace heart necklace 18ct , rings, earrings, and pendants 9 ct , £150-250

18 Diamond cluster ring in platinum and yellow gold mount estimated diamond weight 1.58 carat

£500-800

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28 Pair of fine gold cufflinks in the form of daggers in sheaths unmarked testing as 18ct + £100-150

See Illustration.

29 Edwardian pearl brooch, a silver and cultured pearl brooch and another £80-120

30 Ruby and diamond ring in 18ct gold scroll setting£200-300

31 Dress ring with cabochon turquoise and diamonds 18ct gold , stamped £150-250

32 Early 20th c gold and turquoise stone necklace set with one aqua coloured and six green stones with chain and bar link , stamped 9 ct £100-150

33 Edwardian gold brooch with six millgrain set diamonds and two pearls, and a gold coronet brooch £150-250

34 An Edwardian bar brooch with millgrain set cornflower blue sapphire and two diamonds and two amethyst set brooches ,( the sapphire brooch unmarked, others 9 ct) £150-250

35 Victorian gold seed pearl ring, modern smoky topaz ring, two paste set rings (one ring unmarked, others marked 9ct) £100-150

36 White gold, diamond and sapphire dress ring£300-500

37 19th century possibly Russian mother or pearl and pink enamelled parasol handle in original tooled green leather presentation box retail mark A Risler & Carre Paris 13” long £400-600

38 Gold tie pin in the form of a Purdy rifle hallmarked 9ct, £80-120

See Illustration.

39 Ruby set dragonfly brooch in yellow metal testing as 14ct gold. £150-250

See Illustration.

40 Art Deco jabot with carved jade plaques and rose cut diamonds in unmarked white metal testing as 18ct gold. £200-300

See Illustration.

41 Modern ring inset with opal amethyst and diamonds, stamped 14k. £100-150

42 Emerald and diamond ring in wide mount stamped 18k. Ring size N. £180-220

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49 Heart shaped amethyst and diamond cluster pendant with diamond set bail . Amethyst dimensions 20mm x 18mm x 8mm, estimated calculated weight 12ct. Approximate old cut diamond weight 2.80ct. £1,000-2,000

See Illustration.

50 Gold bar link bracelet , 15 ct £150-250

51 French gold ring set with ruby £80-120

52 Rose gold fetter link chain with a Victorian seal of a snake entwined lyre, testing as a combination of 18ct and 14ct gold. £250-350

53 Belle Epoch diamond pendant brooch approximately 3.5cts of old cut diamonds set in unhallmarked white metal testing as 18ct gold.

£700-1,000 See Illustration.

54 Circular gold locket set with a single diamond, on gold chain 9ct, locket 15ct , diamond approx .25 carat £120-160

55 Three gold set pendants on chains, amethyst, nephrite jade, and opal and an Edwardian bar brooch £100-150

56 George V gold sovereign 1912 and a half sovereign 1914 £200-300

43 Cabochon sapphire and diamond ring in 18ct white gold, ring size L1/2. £150-200

44 Edwardian opal and diamond cluster ring, a rose cut diamond wishbone brooch and a diamond and pearl bar brooch £150-250

45 A white gold and diamond ring in floral setting unmarked, testing as 9ct gold £120-150

46 Gold plated locket with chased decoration on a 9ct gold chain £70-100

47 Art Deco diamond set cocktail watch 18ct white gold on a 9ct white gold flat chain bracelet .


48 Edwardian white gold necklace of chain and bar links interspersed with pearls 80 cm length, 9ct

£100-150

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57 Diamond and sapphire ring with oval brilliant cut sapphire in gold and white metal £250-350

58 Two pairs of gold cufflinks and two gold bars from Albert chains £120-140

59 An Emerald and diamond ring set in 18ct gold table cut emerald by repute from the Sandawana mines in Zimbabwe, approx .8 carat , shoulders set with six brilliant cut diamonds total weight approx .5 carats £500-800

See Illustration.

60 Bohemian garnet cluster ring and a similar circular brooch £100-150

61 Gold brooch with pearl set crown and a similar oval citrine brooch £100-150

62 Continental silver bracelet mounted with a porcelain plaque set with seed pearls and red stones c 1900 £100-150

63 A Thai white metal belt, the clasp embossed with figures and flowers £80-120

64 Brooch comprised of a gold sovereign 1896 and two half sovereigns 1908 and 1910 £300-500

65 Victorian marquise form diamond ring, estimated total diamond weight 1.60 - 1.80ct. Ring size R.


66 A micro mosaic brooch depicting the Coliseum and another with flowers in ornate gilt metal mount £150-250

See Illustration.

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67 Indian panel brooch painted on ivory and depicting Qutb Minar Dehli dated 16th Nov 1862 unmarked yellow metal £200-400

See Illustration.

68 Bohemian garnet necklace in floral setting , late 19th C and a 9ct gold bracelet with heart clasp unmarked yellow metal £80-120

69 Art Deco diamond brooch. Transitional cut diamonds millgrain set in a geometric design, total diamond weight in excess of 2ct. £1,500-2,500

See Illustration.

70 Art Deco diamond and sapphire ring in a two row cluster style with calibre cut sapphires and diamond shoulders. Ring size M. £600-1,200

See Illustration.

71 Jade jewellery comprising a jade fringe necklace, jade bar brooch and aventurine quartz earrings

£300-500

72 Continental silver, blue guilloche enamelled and gilt floral decorated circular box, maker’s mark ‘EK’ import marks for London, 1913, 2” diameter, 2in. (5cm) £200-300

See Illustration.

73 Two row cultured pearl necklace of creamy colour pearls (68,76) strung knotted to a white metal clasp set with round and baguette diamonds. Pearls graduate from 6mm to 9mm. £350-450

See Illustration.

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74 Gold jewellery comprising 22ct hallmarked wedding ring, pair of cufflinks stamped 18ct, 9ct gold single earring, 9ct gold clasp for pearls, and unhallmarked chain, cufflinks, charm and stud earrings £240-300

75 Blue zircon and diamond ring in a cluster style with diamond shoulders, unmarked white metal mount testing as 18ct gold £200-300

See Illustration.

76 Blue zircon and diamond brooch in a double fan design with pave set diamonds, in unmarked white metal testing as 18ct gold £100-200

77 Georgian diamond ring comprising seven diamonds set in silver cut down collets as a band on unmarked shank testing as 15ct gold. £80-120

78 Diamond three stone ring and diamond half eternity ring both in unhallmarked white metal, the three diamonds weighing an estimated 0.80ct in total. £200-400

79 1966 gold sovereign in mount £150-200

80 US Five Dollar coin, 1899, contained in a modern mount. Gross weight 11.82g. £200-300

81 Russian gold coin, 1899, contained in a modern gold pendant mount, gross weight 11.27g.

£200-300

82 Two stone old cut diamond crossover style ring, estimated total diamond weight 1.97ct, in white metal mount stamped Plat £1,000-1,500

See Illustration.

83 Diamond half eternity ring eight stones in nine stone setting, unmarked white metal £80-120

84 Solitaire diamond gypsy set ring, old cut diamond estimated weight 1.37ct, in heavy yellow metal mount. £600-800

See Illustration.

85 Diamond solitaire ring claw set in yellow metal mount stamped 750. Estimated diamond weight 0.75ct, ring size J. £300-600

See Illustration.75

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105 9ct gold charm bracelet with various charms most hallmarked 9ct gold, and four loose charms in box, two gold, two not gold. £500-800

106 Single stone diamond ring, 18 ct gold £100-150

107 Greek key design gold necklace bracelet and earrings All stamped 14 ct or 585 £500-800

108 Heart form tigers eye pendant on gold rope chain mount 9ct, chain 14 ct £100-150

109 Gold hinged bangle and a two colour gold necklace both 14ct gold £80-120

110 Fancy yellow heart shape diamond brilliant cut, 1.05 carat , with certificate from GIA

£1,800-2,200

111 Fancy coloured diamond, pear shape, yellow to brown 0.55 carat brilliant cut , with GIA certificate £1,000-1,500

112 Pair of gold cufflinks set with large turquoise cabochon stones testing as 18 ct £100-150

113 Late Victorian seed pearl and peridot pendant necklace, the necklace of floral design with detachable pendant , stamped 15ct, in fitted case


86 Edwardian locket set with diamond with a later 18ct gold chain £200-300

87 Edwardian ring set with a diamond 18ct gold£100-150

88 Victorian gold ring with seed pearl and diamond and another with garnet and diamond £100-150

89 Pearl and garnet floral ring, 9 ct gold £50-80

90 Gold ring set with a diamond and two rubies, unmarked £200-300

91 Victorian gold heart locket on bar link chain£80-120

92 Gold locket with Art Nouveau floral design inset with tiger’s eye stone, marked T & C., with a later fancy link chain £100-150

93 Pair of gold cufflinks 9ct gold, cased £50-80

94 Diamond ring, the central stone in star shaped setting marked 18ct gold £100-150

95 Two colour gold rope chain with tassels, 9ct gold£150-250

96 Pair of 15ct. gold cufflinks, three gold buttons and single gold cufflink £60-80

97 W.S.C centenary set of twelve limited edition ingots, 22ct gold on solid Sterling silver, 674g 195/500, in fitted case, £150-250

98 Gold charm bracelet with Victorian heart, hardstone drops and various others including three loose £250-350

99 Contemporary Lalique brooch with two butterflies£50-80

100 Gold gate link bracelet with two masonic pendants £200-300

101 9ct gold charm bracelet with various gold charms most hallmarked 9ct gold £300-500

102 Late Victorian gold brooch set with seed pearls a pair of faux pearl drop earrings and a bloodstone and cornelian fob pendant brooch unmarked , earrings and fob stamped 9ct £100-150

103 Solitaire diamond ring set in unmarked white metal, approx diamond weight 0.50ct. Ring size N.

£150-250

104 A diamond and emerald half eternity ring and a gold ring with synthetic stone Eternity ring tests as 18ct gold. Ring size O. £80-120

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116 Austro Hungarian silver gilt and enamel choker£150-250

117 Victorian gold hinged bangle set with pearls within an enamel border, in unmarked yellow metal testing as 18ct gold. £250-350

See Illustration.

118 Belle Epoch sapphire and diamond oval plaque ring set with a natural sapphire approx weight 5.4 carat , four principle diamonds within a border of 22 , total diamond weight est 2 ct £2,000-3,000

See Illustration.

119 Gold brooch set with a large citrine within a pearl border £100-150

120 Victorian gold pendant set with a heart form garnet and diamond in star setting with a locket back, the setting foliate engraved, unmarked yellow metal testing as 18ct gold £250-350

See Illustration.

121 Gold ring the central cabochon garnet with diamond in star setting, border of channel set sapphires, 18ct £300-500

See Illustration.

114 Early 20th C diamond and emerald bracelet and matching earrings, designed as flowers each set with six diamonds and emerald centre stone and emerald set double bar links £800-1,200

See Illustration.

115 Early 20th c diamond and pearl necklace single row of pearls with diamond clasp and nineteen graduating diamond set drops each terminating in an oval pearl, in unmarked metal testing as silver and gold. £1,000-1,500

See Illustration.

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127 Edwardian brooch set with blue sapphire stones in two colours £200-300

128 Emerald and ruby floral brooch, the setting mounted on agate within a diamond border


122 Portrait pin brooch with seed pearl border£100-150

123 Plaque pendant depicting a cherub with paste stones surround £100-150

124 Victorian blue enamel brooch set with rose cut diamonds, estimated total weight 1.00ct


125 18 carat gold ring set with yellow stone stamped 750 £100-150

126 Gold ring inset with an early coin £200-300

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129 Micro mosaic plaque ring depicting a dove in unmarked pink and yellow mixed metal, the shank testing as 18ct gold, the head testing as 15ct gold.


130 Victorian seed pearl bracelet and brooch£120-160

131 Austro Hungarian pendant necklace with green stone and pearl and a Maltese cross brooch and fancy watch chain £100-150

132 A pair of gold earrings, engraved hoops and a pair of modernist style gold earrings £150-250

133 A Victorian gold brooch with pearl and ruby and another with amethyst cased £100-150

134 Edwardian paste set bug brooch £50-80

135 Four gold rings citrine, diamond, and two with blue stones all 9ct £150-250

136 Gold heart shape foliate engraved cufflinks and stud set, cased £30-50

137 Diamond set cocktail on rope bracelet watch platinum , bracelet stamped 9ct £300-500

138 Nephrite jade lily of the valley brooch set with seed pearls, cased , cultured pearl necklace and earrings £60-80

139 Pair of 18ct gold double cufflinks set with four oval brilliant cut citrines £200-300

See Illustration.

140 Early 20th C Portugese brooch set with diamonds and a pair matching earrings in white and yellow metal, unmarked £300-500

141 Diamond cluster ring set in white gold stamped 18 ct £200-300

142 Pair of gold , black star chalcedony set earrings and a matching ring in 18 ct gold £150-250

143 White gold orchid brooch set with large mabe pearl stamped 14 ct £200-300

See Illustration.

144 Pair of pearl and diamond drop earrings set in 14 ct white gold £250-350

145 A gold pendant set with baroque south sea pearl and diamonds in 18ct gold £150-250

See Illustration.

146 Art Deco style bombe ring with central ruby and milligrain set diamonds in unmarked white gold, ruby 6.45 carat , diamond 1.35 carat


147 South sea island pearl set ring with marquise and baguette form diamonds set in unmarked white gold, diamond weight approx 2.1 carat pearl size 17 x 9 mm £1,500-2,500

See Illustration.

148 Two gold chains white 18ct stamped 750 and yellow gold unmarked £100-150

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155 Art Deco diamond set brooch in the form of an arrow milligrain set in white and yellow metal , 5.5 cm £300-500

See Illustration.

156 Late Victorian gypsy ring set with diamond and two seed pearls 18 ct gold £100-150

157 Fancy yellow diamond set ring, central diamond cushion shape surrounded by old and single cut diamonds in bark effect mount 1970’s yellow diamond estimated weight 2.35 carat , hall marked 1974,18ct gold gross weight 18.19 grams


158 19th C brooch set with red spinel and diamond points in closed back setting, unmarked yellow metal £80-120

159 Diamond set expanding ring gold wires with diamond set links , designer label of interlinked circles, otherwise unmarked £160-180

160 Regency gold pendant set with foil backed pink topaz, blue stones and pearls in a cannetille setting


161 French Art Nouveau foliate gold pendant brooch with pearl and diamond point £200-300

162 Late Victorian double heart brooch set with blue moonstone and seed pearls stamped 9ct £150-250

149 A pair of chandelier earrings set with Sri Lankan sapphires and diamonds the drops detachable, unmarked white gold £400-600

See Illustration.

150 Edwardian single strand of pearls with diamond set clasp £120-150

151 Cultured pearl necklace graduated size with diamond and sapphire set floral clasp in case c 1930 £150-250

See Illustration.

152 Necklace of graduated yellow amber beads£100-150

153 Hessonite garnet and diamond dress ring set in platinum and 18ct gold, ring size L. £100-150

154 Early 20th C golf club brooch with six channel set emeralds and a seed pearl . marks indistinct,


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163 Gold ring set with diamond and sapphire in naturalistic setting £80-120

164 Triangular diamond solitaire ring estimated weight 1.50ct, in hallmarked 18ct yellow and white gold mount. Ring size K1/2. £1,500-2,500

See Illustration.

165 Trilliant cut diamond solitaire ring estimated diamond weight 2ct, set in unhallmarked white metal mount testing as 18ct gold. Ring size N.


166 An Art Deco diamond plaque ring set in platinum total diamond weight approx 2.4 carat Formerly in the collection of actress Anne Castle and Director Alan Bridges £1,500-2,500

See Illustration.

167 Two colour gold ring with diamonds and a cameo ring both 9ct £100-150

168 A gold bracelet with heart clasp, Edwardian bar brooch sapphire and moonstone ring and three others £150-250

169 Three modern gem set rings all 9ct gold £100-150

170 Tanzanite set pendant on chain and matching ring Ring 18ct gold , pendant , chain 14 ct £150-250

171 Sapphire and diamond set dress ring unmarked, two gold and three silver rings £100-150

172 Edwardian three stone diamond ring , another illusion set and a Zircon set ring £150-250

173 19th century gold mounted oval portrait miniature of a gentleman in a brown coat, painted on ivory, 3.5” x 3”, £300-500

174 Solitaire diamond stud earrings in white metal testing as 18ct gold, diamond weight approximately 1 carat £400-600

175 1960’s ruby and diamond dress ring in white metal testing as 14ct gold £150-250

176 Citrine and pearl cluster ring in hallmarked 9ct yellow gold mount, 1960. £80-120

177 Floral spray gold brooch set with pearl and garnet, hallmarked 9ct yellow gold mount £100-150

178 Pearl and diamond three stone ring, cultured pearl set between illusion-set diamonds, total approximate weight 0.80ct, in a yellow metal mount testing as 18ct gold £300-500

179 Cornflower blue sapphire ring , with ten diamonds in daisy setting Diamonds weight in excess of 1ct, sapphire weight estimated as 2.25ct, in unmarked mount testing as 14ct gold. £700-1,000

See Illustration.

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180 Box of 45 loose diamonds mainly round brilliant cuts, ranging in diameter from 2mm to 2.7mm, total weight 2.37ct £400-600

181 Box of approximately 100 diamonds, mainly round brilliant cut, ranging in diameter from 1.03mm to 2.4mm. Total weight 2.79ct. £400-600

182 Three row cultured pearl necklace on 9ct gold, amethyst and pearl cluster clasp £250-350

See also lots 929, and 944 to 958 for additional jewellery lots

COSTUME JEWELLERY

This section of the sale will not commence before 12.20pm Wednesday 25th June

183 Two amber bead necklaces, a tribal necklace of bone glass and leather encased cowrie shells, and other items £100-150

184 Small amount of costume jewellery in case and a Victoria Golden jubilee bronze medal by Boehm & Leighton 1887 £70-100

185 Victorian jet necklace, ivory beads and 19th C Dieppe Ivory plaque £50-80

186 Silver cuff bangle with engraved foliate decoration and a pair of cufflinks made from coins South Africa 1892 £80-120

187 Victorian coral bead necklace, an agate seal and a seed pearl set brooch £80-120

188 Victorian silver bangle with chased decoration, silver chain mail bag, locket, Albert and charm bracelet £150-250

189 Silver bangles, Rotary watch charm bracelet Victorian gilt metal bangles £100-150

190 Gilt metal bracelet with cabouchon stones and similar ring £80-120

191 Victorian jet bracelet with ivory grapes, three necklaces and an amber necklace £100-150

192 Collection of costume jewellery including a white metal buckle bangle, filigree Maltese cross and paste items £50-80

193 Turquoise bead necklaces with ebony, cut steel, another on belcher chain, tribal necklace with seed heads and some loose beads, late 19th/early 20th century £80-120

194 Amethyst set gold and silver ring, mother of pearl shirt buttons and silver bangle £70-100

195 Coral bead necklace and earrings amber brooch and earrings and others including 9 ct gold pearl studs £100-150

196 Victorian carved jet bangle and brooch, Venetian glass bead necklace and 19th century brooch with religious scene £80-120

197 Art Deco red bead necklace with paste set silver, Renel Paris clips and a 19th century paste brooch

£100-150

198 Collection of costume jewellery in a Victorian leather jewellery case with fitted compartments

£200-300

199 Mixed bag of jewellery and a gold pen comprising a continental white metal open face fob watch, pen stamped 14kt gold, citrine pendant stamped 14kt gold, Victorian pinchbeck seal set with a white agate, gold plated twisted rope chain and a rhodonite bead necklace. £70-100

200 Edwardian silver watch on chain, pair of millennium cufflinks and silver ingot £100-150

201 Bentina watch and a collection of costume jewellery £80-120

202 Two colour gold and turquoise brooch, butterfly brooch and other items of costume jewellery

£60-80

203 Ethnic jewellery including a green stone and bone pendant a white metal necklace £50-80

204 Mixed group of jewellery to include a gold pearl and leaf wreath brooch gold elephant pendant a moonstone, Cartier key ring small intaglio cut seal and other items £100-200

205 Heavy silver bracelet, an enamelled necklace of triangular sections and another silver necklace.

£50-80

206 Group of Art Deco costume jewellery including a flapper girl necklace and pen in enamelled case

£100-150

207 Small collection of amber including and black beads with silver, stag beatle and other brooches and earrings gilt metal mounts with Russian stamps, mid 20th C £200-300

208 Gold wedding ring, four Victorian brooches a locket, ornate silver spoon, pocket watch and other items ring 22 ct £120-160

209 Malachite earrings in the form of bunches of grapes , bead drop earrings two brooches and a pair earrings set with aventurine £70-100

210 Rose quartz, cornelian, and agate necklaces and two faux pearl £30-50

20

211 Group of costume jewellery including French jet, filigree bracelet silver locket and paste items and a silver backed brush £50-80

212 Three RAF brooches, a Austro-Hungarian brooch and other items of costume jewellery £70-100

WATCHES


213 19th century German 15ct gold full hunter pocket watch and a yellow and silk locket £800-1,200

See Illustration.

214 Rare gun metal presentation “Calendrier Brevete” pocket watch of German manufacture and with Royal provenance with lever movement, the reverse with calendar including days of the week and date, the face with second hand and phases of the moon, presentation inscription “presented to T. Cowd by H..R.H Prince of Wales on Leaving The Yacht, As A Token of His Esteem, August 13 1888” NOTE; Probably by J Verhagen & Co Koeln - Calendrier Brevete German Manufactury


215 T. F. Cooper, London, 18ct gold pocket watch, the white enamelled dial with Roman numerals and subsidiary seconds dial, in original fitted case, £200-300

216 Stoddart 18ct gold pocket watch, the engine turned dial with Roman numerals, the case borders with scrolling decoration, case hallmarked London 1908. £400-600

See Illustration.

217 Silver half-hunter pocket watch, the white enamelled dial with Roman numerals and subsidiary seconds dial, movement marked ‘310315’, in fitted case, £80-120

218 Longines gold ladies bracelet watch stamped 375 on clasp £150-250

219 18ct gold gentlemens wrist watch by Ernest Borel in fitted Harrods box £100-150

220 9ct gold Longines gentleman’s wristwatch£400-600

221 Ladies wrist watch 14 ct. gold engraved cased lacking strap £70-100

213

216

214

21

222 18ct gold ladies pocket watch with white enamelled dial, £200-300

223 French 18 ct gold pocket watch and chain Clasp not gold, chain tests as 18ct gold. Chain length approx 128cm. £300-500

See Illustration.

224 14ct gold ladies pocket watch, gold plated pocket watch and gold plated chain £60-100

225 18ct . gold open faced pocket watch with engraved dial £800-1,200

See Illustration.

226 Lady’s 9ct white gold Omega watch in original presentation case £100-150

227 Ladies blue Enamel and silver pocket watch, c1920 £60-80

See Illustration.

228 Gold watch with Waltham USA movement, 1920’s/ 1930s secondary dial , brown leather strap

£100-150

229 9ct gold ladies Omega wristwatch £100-150

230 Waltham full hunter 14ct gold pocket watch£600-1,000

231 George III silver pair cased pocket watch, London 1810 with fusee movement inset with old cut diamond, indistinctly signed Upjohn numbered 1295, diameter 2.25” £50-100

232 John Walker(London) Gentleman’s railway pocket watch, marked for G.I.P.R., together with another similar 50in. (127cm) £50-100

223

227

225

22

233 French gold pocket watch, the white enamelled dial with Roman numerals and subsidiary seconds dial, the case with moulded scrolling decoration,


SILVER


234 George IV silver vinaigrette on silver plated chain, of Maltese cross form, with pierced floral decorated grille, by Joseph Willmore, Birmingham, 1821. £150-250

See Illustration.

235 George III silver meat skewer, maker’s mark ‘WS’, London, 1793, 1.5oz, 10.75” long, £40-60

236 Set of three Victorian silver fiddle pattern sauce ladles, by Robert Wallis, London, 1841, 7oz,

£70-100

237 Set of six Victorian silver fruit knives and forks with pistol handles and shell terminals, by James Dixon & Sons Ltd., Sheffield, 1897, £100-200

238 Pair of George III silver Old English pattern tablespoons, by Hester Bateman, London, 1784, 5oz, £150-250

239 Paul de Lamerie silver marrow scoop, maker’s mark only, 7” long, £200-300

See Illustration.

240 George III Irish silver spoon/marrow scoop, by Joseph Cullen, Dublin, no date mark, £80-120

241 Victorian silver sauce ladle, by H. J. Lias & Son, London, 1852, set of twelve silver apostle teaspoons, Victorian silver fish knife, other small silver flatware including two cased sets of six coffee spoons, and a silver plated sauce ladle and skewer, £120-180

242 Cauldon gilt decorated coffee service in pierced silver holders, London 1934 £100-150

243 Matched silver three piece tea service of oval form with gadrooned lower body, the teapot with ebonised knop and handle, London and Sheffield hallmarks circa 1915 and 1927, 31oz £250-300

233

234

239

23

244 Pair of silver salts with blue glass liners, London 1898 and silver spoon, cased, four silver napkin rings, six silver teaspoons, cased and a silver sugar caster, Birmingham 1973, 8 ozs weighable silver

£60-100

245 Set of fifteen George IV silver and ivory handled fruit knives and forks, by Aaron Hadfield, Sheffield, circa 1822, £400-600

246 Modern silver four piece tea and coffee service, with gadrooned and scrolling decoration, comprising tea pot, coffee pot, cream jug and sugar bowl, maker’s mark ‘MT’, Sheffield, 1972, gross weight 65oz, in fitted wooden case,

£550-650

247 Pair of modern silver candlesticks with knopped stems on round bases, by Harrison Brothers & Howson Ltd., Birmingham, 1989, £60-100

See Illustration.

248 Set of four modern silver Corinthian column candlesticks with swag and bow decoration, on square bases, maker’s mark ‘WW’, Birmingham, 1990, (loaded bases), £400-600

See Illustration.

249 Victorian silver teapot with engraved decoration, William Wrangham Williams London 1860, Lambert & Rawlings - Coventry St., 20oz, 5 x 11 x 7in. (13 x 28 x 18cm) £200-300

See Illustration.

250 George III silver cream jug, London, 1809, makers mark rubbed, 4oz, 3½ x 5½ x 3in. (8 x 13 x 8cm)

£50-80

251 1000 years of British Monarchy, Sterling silver proof edition, set no 2597, together with certificate and book 105oz £700-1,000

See Illustration.

252 Sewing interest , a novelty tape measure dispenser in the form of a pig, silver napkin holder Birmingham 1928, silver cigarette holder and plated stamp case £80-120

247

251

248

249

24

253 Christofle of Paris silver plated hobnail cut lemonade jug with separate ice holder with white metal mounts 10in. (25cm) £100-150

See Illustration.

254 Royal Mint Golden Wedding Anniversary Coin Collection, comprising eleven silver proof coins, in fitted case, 8.5oz, £100-200

255 Hallmark Replicas Sterling silver ‘The Stamps of Royalty’, full set in fitted case, marked ‘925’, 2581/10,000, 16oz, £200-300

256 Modern silver rose bowl with pierced rim and base, by Mappin & Webb, Birmingham, 1982, and a small assortment of silver cutlery, weighable silver, 11.5oz, £70-100

257 Victorian silver goblet with embossed decoration, knopped stem on beaded circular base, maker’s mark rubbed, Birmingham, 1866, 8oz, £150-250

See Illustration.

258 French silver sugar sifter with embossed decoration on round foot, marks to base, 8.5oz,


253257

258

25

259 Pair of silver candlesticks, Birmingham 1915£100-150

260 Six modern silver Armada style dishes, all 2000, various makers, and sizes, 46oz, £400-600

See Illustration.

261 Modern silver bowl on round foot, by Practical Silverware, London, 2000, 2oz, £20-30

262 No lot263 No lot264 No lot

265 No lot266 No lot267 No lot268 No lot269 No lot270 No lot271 No lot272 No lot273 No lot274 No lot275 No lot276 No lot

260

26

277 No lot278 No lot279 No lot280 No lot281 No lot282 No lot

283 George V silver rat-tail pattern cutlery comprising six soup spoons, six dessert spoons, two sauce ladles, six tablespoons, six dinner forks and six dessert forks, by Atkin Brothers, Sheffield, 1914 and six teaspoons, by Goldsmiths & Silversmiths Co., London, 1899, 72oz, £600-800

284 Edward VII ten piece dressing table set, comprising four brushes, mirror, comb, shoehorn, button hook, and two jars, Birmingham, 1909,

£80-120

285 George V silver three piece tea service, comprising teapot, cream jug and sugar bowl, with beaded decoration, by Roberts & Belk, Sheffield, 1912, and a pair of sugar nips, gross weight 36oz,

£250-350

286 Early 20th century silver teapot of serpentine form, marks rubbed, and a mustard pot and cover with spoon, gross weight 11oz £80-120

See Illustration.

287 Pair of Victorian silver candlesticks with spiralling foliate decoration and beaded bases, by Hawksworth, Eyre & Co., Ltd., Sheffield, 1892,

£60-100

288 George V silver sugar sifter, by S. Blackensee & Sons Ltd., Birmingham, 1930, 3.5oz, £30-50

289 George V silver teapot with gadrooned border on four bun feet, by Walker & Hall Sheffield, 1921, a matched cream and pair of sugar nips, gross weight 33oz, £150-250

See Illustration.

290 Four George IV and later silver fiddle pattern tablespoons and two Victorian Old English pattern tablespoons, 13oz, £80-120

291 Dutch silver Etui with embossed scrolling decoration, with pen knife, pen ruler etc., 3½in. (8cm) £150-250

292 Victorian silver snuff box with engine turned decoration, by Edward Smith, Birmingham, 1855, 1.5oz, £80-120

293 Modern set of six King’s pattern silver handled fruit knives, by Harrison Brothers, Sheffield, 1971, set of silver handled fruit forks, coffee spoons and steel fish knives and forks, £50-80

294 20th century silver kings pattern matched service comprising, 8 table spoons, 13 table forks, 9 dessert spoons, 8 dessert forks, 8 tea spoons, 6 coffee spoons, 9 large silver handled knives, 10 silver handled small knives, various dates and makers, weight of silver excluding knives c 108 ozs £800-1,200

295 Continental silver cutlery comprising twenty-five dinner forks and twenty-one spoons with scrolling foliate decorated handles, £300-500

296 George VI silver sauce boat with scrolling foliate handle, by S. Blackensee & Sons Ltd., Birmingham, 1939, 8oz, £150-250

297 Pair of George III silver salts with gadrooned rims on rectangular feet, by Rebecca Emes and Edward Barnard I, London, 1811 and two later salt spoons, 6.5oz, £150-250

298 Edward VII silver navette shaped bowl on four scroll supports, by John Edward Wilmot, Birmingham, 1907, 9oz, £100-150

299 George V silver oval box, Silver Medal for The institute of clay workers medal cream jug, other small silver and silver plated items and a set of guinness buttons £100-200

See Illustration.

286

289

27

300 Edward VII silver serpentine tea caddy on four scroll feet, by James Dixon & Sons Ltd., Sheffield, 1907 and two silver dishes inset with coins, 17oz,


301 Set of six Swedish silver table spoons by A G Sundberg date mark for 1898 £100-200

See Illustration.

302 George III silver salver with floral decoration, shell and scroll borders on three hoof feet, by Ebenezer Coker, London, 1760, 27oz, £300-500

See Illustration.

303 Edward VII silver salver with pie crust rim on three scroll feet, by The Alexander Clark manufacturing Co., Sheffield, 1906, 21oz,


304 Set of George V silver and mother of pearl handled fish knives and forks for six, by James Deakin & Sons, Sheffield, 1911, £200-300

305 Matched set of twelve George III to William IV silver fiddle pattern tablespoons, various dates and makers, 28oz, £250-350

306 Matched set of twelve William IV to Victoria silver fiddle pattern dessert spoons, six by Samuel Hayne & Dudley Carter, London, 1849 and six others various dates and makers, 18oz, £150-250

299

300

301

302

303

28

313

307 Twelve George III and later silver fiddle pattern teaspoons, various dates and makers, 8oz, £50-80

308 Matched set of twelve Victorian silver fiddle pattern dinner forks, comprising six by Josiah Williams & Co., Exeter, 1856, and six by Chawner & Co., London, 1861, 29oz, £250-350

309 Set of twelve Victorian silver fiddle pattern dessert forks, by Chawner & Co., London, ten 1844, two 1861, 17oz, £150-250

310 Victorian Britannia Standard silver sugar sifter, by Daniel & John Wellby, London, 1898, 14oz


311 Set of three George III silver berry spoons, by Solomon Hougham, London, 1809, 5oz, £40-60

See Illustration.

312 Pair of Victorian silver vestas with engine turned decoration, by Frederic Purnell, London, 1874, 1.5oz, £30-50

See Illustration.

313 Edward VII novelty silver table lighter in the form of a grenade, maker’s mark rubbed, Birmingham, 1907, (weighted) £50-80

See Illustration.

310

311

312

29

314 Set of six George V silver lobster picks, by Goldsmiths & Silversmiths Co., Ltd., London, 1920, 7oz, £50-80

315 Pair of modern silver grape scissors, maker’s mark rubbed, Sheffield, 1959, 4oz £40-60

See Illustration.

316 Pair of Victorian silver pepperettes with gadrooned decoration each on three ball feet, by Horace Woodward & Co., London, 1886, two small silver dishes, two mustard pots, and an assortment of spoons, some with enamelled decoration, gross weight 20oz, £150-250

317 Silver and enamel rouge pot, two glass jars with silver tops, a plain circular box and gilt metal box inset with agate £80-120

315

318

319

320

318 Victorian silver castle top card case depicting Windsor and Kenilworth castles, by Taylor & Perry, Birmingham, 1843, in burgundy leather fitted case, £500-800

See Illustration.

319 Victorian silver card case/ aide memoire, with bright cut scrolling decoration, by Frederick Marson, Birmingham, 1870, £80-120

See Illustration.

320 Victorian silver card case with bright cut foliate and banded decoration, by Colin Hewer Cheshire, Birmingham, 1880, £80-120

See Illustration.

30

326

324

326 George V silver Arts & Crafts style caddy spoon with hammered decoration, maker’s mark rubbed, Birmingham, 1926, £80-120

See Illustration.

327 George VI Scottish silver caddy spoon with celtic knotwork decoration, Edinburgh, 1942 £30-50

328 George III silver and ivory handled travelling apple corer, by Joseph Taylor, Birmingham, 1801

£80-120

329 Edward VII silver novelty pin cushion in the form of an elephant, maker’s mark rubbed, Birmingham, 1905, £80-120

330 Edward VII novelty silver pin cushion in the form of a pig, by Adie & Lovekin Ltd., Birmingham, 1906 £80-120

331 Victorian silver pen cleaner in the form of a boot scraper, by Sampson Morden & Co., London, 1893, £80-120

332 Victorian silver novelty vesta with a compass in a heart-shaped mount, by W. H. Haseler, Birmingham, 1919, £40-60

322

323

321 Victorian silver card case with bright cut foliate decoration, by Deacon Brothers, Birmingham, 1898, £40-60

322 Victorian silver card case with embossed sunburst spiral decoration, by Adie & Lovekin, Birmingham, 1888, £30-50

See Illustration.

323 Edward VII silver card case/ aide memoire, with bright cut floral decoration, by Charles Cooke, Chester, 1901, £80-120

See Illustration.

324 William IV/ Victorian silver chamberstick and snuffer in the form of a leaf, by Joseph Willmore, Birmingham, circa 1830 £80-120

See Illustration.

325 Continental silver chamberstick with embossed putti decoration, scrolling ring handle on square base, ‘800’ standard, £30-50

31

333 Early 20th century novelty white metal and tortoiseshell vesta in the form of a turtle £30-50

334 Edward VII silver vesta with engraved decoration and blue enamelled ‘Good Luck’ motif with horseshoe, by Horton & Allday, Birmingham 1908, £30-50

335 Edward VII silver vesta and wax jack, by S & Co., Birmingham, 1906, £30-50

336 Pair of Edward VII silver and mother-of-pearl knife rests in the form of buffalo horns on circular bases, maker’s mark ‘RTW’, Birmingham, 1909, in fitted case, £80-120

337 Pair of George V silver candlesticks, Birmingham,1919, 10in. (25cm) £80-120

338 Pair of modern silver pedestal bon bon dishes, ALC, Birmingham, 1971, £50-80

339 Modern novelty golfing silver pencil in the form of a tee with matching marker, Birmingham, 1980

£20-40

340 Edward VII silver caddy/canister, William Comyns, London, 1903 £40-60

341 Victorian silver quaich, Hilliard & Thomson, Birmingham, 1896 £20-40

342 Pair modern of Peter Piper silver salt and pepper grinders, PHV& Co, Birmingham, 1993 £40-60

343 Victorian silver sifter ladle, John & Henry Lias, London, 1843 £20-40

See Illustration.

344 Victorian silver sauce ladle, Charles Boyton, London, 1852 £20-40

See Illustration.

345 Three pairs of silver napkin rings, one boxed, one cased, Chester 1904, Birmingham 1913, London 1997 £50-80

346 George III silver cream jug, boxed, Henry Chawner, London, 1789 £40-60

347 George V silver bon bon dish, Birmingham,1915£20-40

348 Pair of Swedish silver cups with hammered finish, by Ceson £30-50

349 Edward VII silver swing handled cake or fruit basket, Goldsmiths & Silversmiths, London, 1905, 8oz, £100-150

See Illustration.

395 400 367 401 344 403 343

349

32

350 Cased set of four Victorian silver salts, A Bros, Birmingham, 1899 £40-60

351 Two silver toast racks both four division of oval and square designs, Birmingham, 1910, 1946

£40-60

352 Set of six silver fiddle pattern American coin spoons £20-40

353 George V silver table bell, GM&Co, Birmingham, 1919 £40-60

354 Edward VII pierced silver bon bon dish in the form of a quaich, HCP, London, 1909 £20-40

355 George V silver hip flask, London, 1912 £40-60

356 George III silver caddy spoon with double fluted bowl, London, 1822 £30-50

357 George III square bowl long stem silver caddy spoon, W Eley, London, 1815 £20-40

358 Danish silver caddy spoon, three tower mark, 1949£20-40

359 George III Scottish silver caddy spoon, maker’s mark ‘IS’, circa 1790, £30-50

360 Cased pair of modern silver tot cups in the form of goblets, OHV&Co, Birmingham, 1975 £30-50

361 George V silver sauce boat, RGH, Birmingham, 1931 £30-50

362 George V silver vesta case, S Blanckensee & Son, Chester, 1916 £20-40

363 Silver vesta case with tennis theme £20-40 See Illustration.

364 Victorian silver sovereign case, AW, Birmingham, 1894 £40-60

365 Pair of George V silver round pierced bon bon dishes, GM&Co, Birmingham, 1911, £30-50

366 Boxed trio of gilt Russian silver vodka cups£30-50

367 Dutch Silver wine spoon with embossed fishing scene to the bowl, import marks of London, 1890


368 Edward VII silver rabbit name place/menu holder, S Mordan & Co, London 1905 with a scottie dog menu holder, CPB, Birmingham, 1903 £20-40

See Illustration.

386

377

368368

384 384

363

385

370

369

412

33

369 Silver menu holder of unusual design with import marks together with a military menu holder, Goldsmiths & Silversmiths £20-40

See Illustration.

370 Silver Scottish menu holder set with amethyst together with a fleur de lys pattern menu holder


371 Salt and pepper pots, Deakin & Francis, Birmingham, 1971, silver photoframe, London, 1990 and silver cream jug, Birmingham, 1938

£30-50

372 George V silver framed desk calendar, Birmingham, 1928 £20-40

373 George V cased set of silver coffee spoons with multi coloured beans to stem, Birmingham, 1934

£20-40

374 Victorian silver dish with embossed yachting scene, London, 1886 £20-40

375 Three George V cased silver christening sets Harrods, London, 1922, Birmingham 1924 and London, 1923 £40-60

376 Novelty silver table lighter in the form of Aladdin’s lamp with a birds neck handle, Birmingham, 1960 £60-100

377 Silver mounted cased six piece manicure set, Boots pure drug company, Birmingham, 1917


378 Silver viking ship mounted on quartz base paperweight £20-40

379 George VI silver bon bon dish with pierced panels and pedestal base, Birmingham, 1943 £30-50

380 Art Deco silver mesh evening purse, FWC, Birmingham, 1930 £30-50

381 Silver and blue guilloche enamel bedside clock, MM&M Co, Birmingham, 1931 £40-60

382 Swedish silver and blue enamelled candle holder£20-40

383 Two silver rimmed match strikes, one ball form, London, 1898 and other in cauldron form, William Comyns, London, 1903 and a silver rimmed cup

£30-50

384 Novelty cast silver salt and pepper pots in the form of mice, WW, Birmingham, 2002 £80-120

See Illustration.

385 Edward VII novelty silver pepperette in the form of a saucepan, Chester, 1902 £30-50

See Illustration.

386 Pair of Edward VII novelty silver pepper pots in the form of milk churns, Birmingham, 1901


387 Irish silver heart shaped trinket dish, JM Co, Dublin, 1969 £30-50

388 George V silver cased carriage clock with engine turned finish, Cohen & Cheshire, Chester, 1913

£80-120

389 Egyptian silver chamber stick with fish handle£30-50

390 William IV silver mug with acanthus, floral and shell lower body and foot, I T, London, 1836

£50-80

391 Art Deco cased silver cocktail sticks with cherry finials £30-50

392 Novelty silver drinking cup in the form of a large thimble “just a thimble full” FH, London, 1977

£20-40

393 Edward VII silver mounted marble photo frame in the form of a three leaf clover, Birmingham, 1907

£20-40

394 Silver photo frame with embossed silver golf caddy, JBLd, London,1993 £20-40

See Illustration.

395 George III Scottish silver sauce ladle, William & Patrick Cunningham, Edinburgh, 1790, together with small Danish ladle £30-50

See Illustration.

396 George III silver crested ladle, TWJM, London, 1816 £20-40

394

34

404 Victorian silver decanter label in the form of an ‘S’ with brightcut decoration, Rawlings & Summers, London, 1842 £30-50

405 George III silver ‘Sherry’ decanter label, Phipps Robinson and Phipps, London, 1815 £20-40

406 Edward VII large silver vesta case, Cohen & Cheshire, Chester, 1904 £20-40

407 Silver Art Deco christening cup, no inscriptions, Birmingham, 1967 £30-50

408 Silver pedestal bon bon dish with fluted panels, Birmingham, 1966 £30-50

409 George V silver oval desk clock, Birmingham, 1925 £40-60

See Illustration.

410 Novelty silver Scottish guard pin cushion with bearskin hat, Chester, 1961 £40-60

411 Five piece silver miniature teaset, cased, Birmingham, 1971 £50-80

412 Novelty silver Australian sterling silver letter opener in the form of a boomerang with mounted emu £40-60

See Illustration.

413 George V silver four piece tea service of serpentine form on scroll feet comprising, teapot, hotwater jug, cream jug and sugar bowl, by John Turton & Co., Birmingham, 1933, gross weight 56oz, £400-600

See Illustration.

414 George III silver wine funnel, by Robert Hennell I & David Hennell II, London, 1795, 2oz £120-150

415 Three foreign silver dishes, two spoons, and a pair of fish servers £50-80

416 George V silver three piece tea service comprising teapot, hotwater jug and cream jug of octagonal section and floral decorated borders, maker’s mark ‘CE’, London, 1927, gross weight 41oz, £300-500

See Illustration.

409

413

416

397 William IV silver snuff box with mounted blood agate top and scroll thumb lift, J S, London, 1836

£120-180

398 George III novelty silver snuff box in the form of a book, C & B, Birmingham, 1815 £80-120

399 Pair of George III silver wine tasters, Aidie Brothers, Birmingham, 1815 £40-60

400 George III silver caddy spoon with fluted bowl, London, 1792 £30-50

See Illustration.

401 George III silver caddy spoon with bright cut decoration, London, 1802 £30-50

See Illustration.

402 Victorian crested silver caddy spoon with square bowl, SHDG, London, 1856 £20-40

403 Edward VII silver spoon with large bowl decorated with milk maid scene, import Chester, 1909


35

417 George III silver waiter with shell and scroll border on three hoof feet, by Ebenezer Coker, London, 1761, 6.5oz, £50-80

418 Silver pocket watch, spoon, silver sixpences and a silver cover, £30-50

419 Pair of Victorian silver fiddle, thread and shell pattern tablespoons by John & Henry Lias, London, 1846, 6oz, £60-100

420 William IV silver serpentine entree dish by Benjamin Smith III, London, 1830, 65oz


421 19th century French silver circular dish and cover, the shaped cover with floral decoration, maker’s mark ‘JJ’, 32oz, £300-500

See Illustration.

422 German silver pierced and embossed swing handled basket, ‘800’ standard, 19oz,


423 Continental white metal twin-handled serpentine bowl with grapevine decoration, on four scroll feet, 8.5oz, £70-100

424 German silver mug, beaker, pair of sugar tongs and other small items, ‘800’ standard, 9oz,

£60-100

425 Part canteen of German silver cutlery, comprising twelve lobster picks, six dinner forks, six fish knives and forks, six tablespoons, five dessert forks, six pickle forks, two teaspoons, 70oz, six dinner knives, two fish servers, six fruit knives and six butter knives, £500-800

426 Eleven German silver teaspoons, by H. Mau, six coffee spoons, and a white metal sifter spoon, 14oz, £100-200

427 Set of six German silver leaf moulded teaspoons and a matching serving spoon, ‘800’ standard, 6oz,

£40-60

428 Set of German silver cutlery comprising fifteen fish forks and seventeen fish knives, 50oz, fish server and two other knives, £400-600

429 Seventeen German silver lobster picks by Sy & Wagner, ‘800’ standard, 18oz, £150-250

430 Eleven German silver schnappes measures ‘800’ standard, 8oz, £60-80

431 Set of four German silver dishes with beaded and foliate decoration, and another ‘800’ standard, 19oz, £150-250

432 Pair of German silver sandwich servers with moulded scrolling decoration, two sifter spoons and a caddy spoon, ‘800’ standard, 6oz, £40-60

433 Three German silver napkin rings, spoon, fork, ‘800’ standard, and other items, £50-80

434 Continental white metal slice with mask and scrolling decoration and turned wooden handle,

£50-80

420

421

422

36

436

441

442

445

438

435 German silver tray with shaped border and floral and beaded decoration, ‘800’ standard, 34oz,

£300-500

436 Victorian silver rose bowl with embossed gadrooned decoration and mask and shell rim, by Charles Stuart Harris, London, 1896, 27oz,


437 Continental silver tazza, probably Italian, with pierced and embossed putti and mask decoration, 4½in. (10cm) £250-350

438 19th century continental silver beaker modelled as a chick breaking out of a shell, maker’s mark ‘SHC’, import marks for London, 1888, 3oz,


439 19th century George III style silver and mahogany handled toasting fork, the turned handle with scrolling terminal, 25” long, Marks rubbed

£200-300

440 Victorian silver napkin ring with embossed putti decoration, Birmingham 1897, five others and a pair of small silver beakers, 5oz, £40-60

441 Set of four white metal plaques enamelled with historic buildings, each 3” x 3”, £100-150

See Illustration.

442 George V silver three piece tea service, by Harrison Brothers & Howson, Sheffield, 1925, gross weight 25oz, £200-300

See Illustration.

443 Pair of modern Mappin & Webb silver photograph frames with scrolling decoration, Sheffield, 1992,

£100-200

444 Four modern silver photograph frames, various dates and marks, £100-200

445 Pair of George V silver candlesticks with knopped stems on octagonal bases, maker’s mark rubbed, Birmingham, 1931, (loaded bases), £150-250

See Illustration.

37

Militaria AuctionWednesday 30th July 10:30

To commemorate the Centenary of the First World War with a donation of commission

going to Help For Heroes

Galien-Laloue(1854-1941), 'Mesnil Les Hurlus'.

38

SILVER PLATE


446 Quantity of silver plate to include a plated meat dish cover with stag finial, a plated beaker Hampton Regatta 1854, a plated entree dish, liner and cover and sundry other plate £80-120

447 Elkington silver plated novelty Edwardian presentation cruet set mounted on plated horse shoe £150-250

448 Pair of silver plated entree dishes and covers, small oval galleried dish and six silver plated dinner forks, £40-60

449 19th century silver plated table centre piece decorated with grapes on a scroll column support

£150-250

450 Oak canteen of Mappin & Webb silver plated cutlery for twelve plus loose matching fish knives and forks, £200-300

451 Silver plated kettle on stand with engraved decoration on four scrolling supports and shell feet, £150-200

CLOCKS AND INSTRUMENTS


452 Late 18th century eight day mahogany longcase clock by Robert Ward of London, brass face with silvered chapter ring, subsidiary second and date dials, twin train movement striking on a bell 78½ x 18 x 9in. (198 x 46 x 23cm) £1,500-2,000

See Illustration.

453 18th century eight day long case clock by Mary Cottage painted dial with sudsidiary date and second dials striking on bell in mahogany case 79 x 17in. (201 x 43cm) £300-500

See Illustration.

454 Early 19th century W & S Jones brass adjustable microscope with folding tripod foot, engraved ‘Jones, 30 Holborn London’ in mahogany case


455 Brass repeating carriage clock with cylinder

movement striking on a chime 8in. (20cm)£300-500

See Illustration.

456 19th century French porcelain enamelled and gilt metal mantel clock central turquoise ground panel with a cartouche of figures in a garden setting, twin train movement striking on bell and stamped Hersant Paris number 578, Case all stamped 578H 21in. (53cm) £1,800-2,500

See Illustration.

454

452 453

39

457 Black forest carved oak clock, movement encased in a barrel form with enamel numerals, carving with a cockerel, hens and chicks 41 cm


458 Edwardian Eureka balloon mantel clock in mahogany case inlaid with a shell Face inscribed 1000 day electric clock , 36 x 21 x 13.5 cm


459 Early 20th century mahogany fusee mantel clock with silvered dial retail mark for Webster Qn Victoria Street London 11in. (28cm) £200-300

See Illustration.

455

459 460458

456 457

460 Barraud Cornhill London double fusee mantel clock with silvered dial in later oak case 18in. (46cm) £500-1,000

See Illustration.

461 Eight day long case clock face and movement, lacking case, by Isaac Cockram of Downham

£200-300

462 19th century mahogany banjo barometer with silvered dry/damp dial, thermometer, convex mirror, weather dial and level 40in. (102cm)

£100-200

40

465

468

463 18th century mahogany cased eight day longcase clock by Joseph Green, North Shields with subsidiary second dial and date aperture 88in. (224cm) £1,000-2,000

See Illustration.

464 19th century extending brass telescope 40” on stand £300-500

465 19th century brass skeleton clock with fusee movement on rose wood base 10in. (25cm)


466 19th century brass and glass French mantel clock with retail mark for the Goldsmiths Company twin train movement with mercury pendulum 11in. (28cm) £300-500

463

469

41

467 W F Stanley and Co Brass Surveyors level in mahogany case £200-300

468 Early 19th century mahogany, rosewood and brass inlaid fusee wall clock by Jones of Winchester 29in. (74cm) £400-600

See Illustration.

469 French brass carriage clock with four glass sides, white enamel dial, black Roman numerals, lever escapement 7in. (18cm) £200-400

See Illustration.

470 Late 19th/early 20th century gilt spelter mantel clock with figural final 26” high £200-300

See Illustration.

471 18th century eight day longcase clock by William Wasbrough of Bristol silvered dial with sudsidiary second dial and date aperture, striking on a bell, in mahogany case 83 x 14in. (211 x 36cm)


472 Late 19th Century French brass combination carriage clock/barometer with carrying handle, white enamelled dial, 6 x 6½in. (15 x 15cm)

£200-400

473 Late 19th century/early 20th century Black Forest cuckoo clock with twin train fusee movement


470

473471

42

474 18th century mahogany and oak cased eight day long case clock by Joseph Smith Chester Brass dial with painted moon phase dial subsidiary date dial twin train movement striking on bell 96in. (244cm) £600-1,000

See Illustration.

475 18th century mahogany eight day longcase clock by H.Ebden of Halifax, painted dial decorated with hunting scenes, subsidiary second and date dials, to twin train movement, striking on bell 90in. (229cm) £600-1,000

476 Early 19th century mahogany fusee wall clock by Jefferson & Kessels of Bruton Street, London, silvered dial with single train movement, diameter 17” £200-300

477 Camerer Kuss oak wall hanging school clock, painted face with Roman numerals £200-300

See Illustration.

478 19th century mahogany cased fusee wall clock by Bear of Hertford, 20in. (51cm) £150-250

479 19th century mahogany cased fusee wall clock by Desbos London diameter 17” £150-250

480 Victorian mahogany Negretti & Zambra barometer with thermometer and silvered dial 39in. (99cm)

£100-200

481 French barograph in mahogany case, numbered 376, £150-250

See Illustration.

CARS


482 2012 Vollkswagen Move UP Bluemotion Technology 3 door hatchback, petrol, 999cc, red, Registration No FV12 MBY Executor Estate, 1 owner, current mileage 10,400 £4,000-6,000

483 1975 MGBGT 50th anniversary edition, HMW 815 N, British racing green manual, MOT, approx 28,700 miles, service history and documentation

£3,000-5,000

END OF FIRST DAYS SALE

474

481

477

43

9th July2014

44

THURSDAY 26TH JUNE 10:30AM

Lot 605

45


Oil Paintings, Watercolours

and Prints 10.30am page 46

Contemporary Art 11.30am page 60

Ceramics and Glass 1.45pm page 72

Asian Art 2.10pm page 75

Toys 2.30pm page 79

Objects and Works of Art 2.35pm page 79

Rudyard Kipling Archive 3.15pm page 84

Rugs 3.50pm page 96

Antique Furniture 3.55pm page 96


46

SECOND DAY'S SALE

OIL PAINTINGS, WATERCOLOURS AND PRINTS

This section of the sale will not commence before 10.30am Thursday 26th June

Artists’ resale rights. Buyers of lots executed by qualifying artists are subject to ARR payments which will be added to

the purchaser’s invoice. Where possible such lots are marked in the catalogue with §. The charge will be applied only

where the hammer price exceeds 1,000 Euros and will be at a maximum of 4% for full details see www.dacs.org.uk or

telephone +44 (0)845 410 3410

484 § Edward Wesson (BRITISH, 1910-1983) Landscape scene of a mill, oil on board, signed, framed 11 x 17in. (28 x 43cm) £400-600

See Illustration.

485 James Drummond, a pair of Victorian watercolours of fishermen, signed and marked “- / 86” in foliate decorated frames. 20 x 15in. (51 x 38cm) £300-500

See Illustration.

486 John Millington - ‘Sobraon, Winter North Atlantic’, signed, watercolour 14½ x 20½in. (36 x 51cm) £100-200

487 Hommages Par Elmyr pub. Candida Holdings, 43/175 portfolio of prints, four plates missing, two framed £500-800

See Illustration.

488 19th century English School - coastal landscape with bridge, unsigned, 10”x14” £150-250

489 Hand coloured botanical print published in Basilius Besler’s, Hortus Eystettensis, and numbered 168 comprising Leucouum flore luteo pleno mauis, Leucoium flore albo pleno, and Leucoium flora luteo pleno minus, Latin text verso, unframed 20 x 16in. (51 x 41cm)


484

485

487

489

47

490 Nude woman, charcoal, dated 1954 J signed Souza£80-120

491 Hand coloured botanical print published in Basilius Besler’s, Hortus Eystettensis, comprising Frittillaria pyrenaa obsoleto luteo colore, Fritillania polyantbos lutea, and Fuitillaria minor obsoleto colore modora, latin text verso, unframed 20 x 16in. (51 x 41cm) £200-400

See Illustration.

492 Hand coloured botanical print published in Basilius Besler’s, Hortus Eystettensis, comprising Tulipa vinidiscoloris, Fritillaria iuncifolns and Allium vrfinium, latin text to verso, unframed 20 x 16in. (51 x 41cm) £200-400

See Illustration.

493 19th century English school In then manner of David Cox, watercolour, landscape, 5½ x 3in. (13 x 8cm) £50-80

494 Alfred Herbert 1820-1861, marine landscape with sailing vessels, watercolour, signed 4 x 7in. (10 x 18cm) £400-600

See Illustration.

495 W. L. Wyllie, signed etching of ships at sea, 6 x 14in. (15 x 36cm) £100-200

496 William Langley (1880 - 1920) beach scene oil in canvas signed 20 x 29in. (51 x 74cm) £500-800

497 Kazimierz Sichulski, Polish 1879-1942 winter landscape of Lvov 22 x 33in. (56 x 84cm)

£1,000-1,500

498 Jonathan Pratt (BRITISH, 1835-1911) “The Postman”, signed and dated ‘J.Pratt 1876’, oil on canvas, framed 21½ x 16½in. (53 x 41cm)


491

494

498

492

48

499 19th century pastel portrait of Lady Duveen, signed indistinctly, With Heriot Encadreur, Paris label verso, 22½ x 17in. (56 x 43cm)


500 L S Lowry ‘His Family’ print signed in pencil 22 x 29in. (56 x 74cm) £300-500

See Illustration.

501 James Howe (of Stirling) Scottish 1780-1836 ‘Musselburgh Races 1830’ pen and ink signed Langton gallery label verso sold for £40 in 1970 9 x 14in. (23 x 36cm) £500-800

See Illustration.

502 20th century English School landscape with river unsigned oil on canvas 16 x 21in. (41 x 53cm)

£50-100

503 Set of eight 18th century ‘ Eight of the most extrordinary Prospects in the mountains, of Derbyshire and Straffordshire, commonly called the Peak and the Moorlands’ after J Smth engraved Granville, numbered 1 - 8 each titled ‘ A Prospect of the .... Rocks & That Walt Cavern at Castleton Chee Torr River Wie Matlock Bath Matlock Bath from lovers walk# River Manyfold at Wtton Mill Upper Part of Dover Dale Dove Dale Each 19” by 25” all unframed £300-500

See Illustration.

504 Set of Four 18th century prints after Thomas Smith dated 1745 numbered 1-4 all titled a View... Lume Park Slopping Mill Ware Anchor Church Dunnington Cliff each 18” by 24” £150-250

499

503

500

501

49

505 Four 18th century topographical prints after Thomas Smith Matlock High Torr Thop Cloud North West View of Haddon South West View of Chatsworth each 18” by 23” 18 x 24in. (46 x 61cm)

£100-200

506 Bruno Beran Austrian (1888-1979) , ‘The Harem’ watercolour signed 17 x 22in. (43 x 56cm)


507 Gilda Thebaud Nassief African school oil on canvas and a pastel by the same artist both indistinctly signed verso £100-200

508 Roger De La Corbiere (French 1893-1974)- seascape oil on canvas signed 18 x 21in. (46 x 53cm) £200-300

509 William Rayworth junior 1852-1908, two floral still life paintings on glass, in gilt metal frames 47 x 19 cm £150-250

510 20th century continental school oil on board of venice indistinctly signed 16 x 20in. (41 x 51cm)

£500-800

511 Adolphus Knell, pair of 19th century seascapes, oils on board signed 4 x 11in. (10 x 28cm)


512 William Redworth, English School. 19th/20th century river scene, signed pastel, framed and glazed. PROVENANCE: Purchased by vendor’s mother in the 1970s. The vendor’s grandfather was the renowned Berlin and London art dealer Francis Matthiesen. 16 x 21in. (41 x 53cm) £200-400

513 William Redworth, English School. Early 20th century. Garden scene, oil on board. With Pastel Society gallery label verso, listing artist’s name and address. PROVENANCE: Purchased by vendor’s mother in the 1970s. The vendor’s grandfather was the renowned Berlin and London art dealer Francis Matthiesen. 15 x 19in. (38 x 48cm) £300-500

See Illustration.

506 513

511

50

518

519

514 Martin Rummery, study of a woodpecker, signed framed and glazed, PROVENANCE: The vendor’s grandfather was the renowned Berlin and London art dealer Francis Matthiesen. 15 x 10in. (38 x 25cm) £50-80

515 Edouardo Vitali, watercolour of a young woman, signed, PROVENANCE: Acquired by the vendor’s mother. The vendor’s grandfather was the renowned Berlin and London art dealer Francis Matthiesen. 13 x 7in. (33 x 18cm) £100-200

516 Tom Coates, British (b.1941), continental landscape, monogrammed TJC signature, watercolour, PROVENANCE: Acquired in the 1980s. The vendor’s grandfather was the renowned Berlin and London art dealer Francis Matthiesen 19 x 20in. (48 x 51cm) £500-800

See Illustration.

517 Italian landscape of Bordighera, watercolour, PROVENANCE: The vendor’s grandfather was the renowned Berlin and London art dealer Francis Matthiesen 14 x 11in. (36 x 28cm) £150-250

See Illustration.

518 Alexander Graham Munro, R.S.W. Scottish (1903-1985). Pastel landscape of the Atlas Mountains, signed in pencil to bottom left PROVENANCE: Acquired by the vendor’s father in the 1980s. The vendor’s grandfather was the renowned Berlin and London art dealer Francis Matthiesen 9 x 11in. (23 x 28cm) £200-400

See Illustration.

519 Alexander Graham Munro, R.S.W. Scottish (1903-1985). ‘Meeting Place, Algiers’. Pastel. With William Hardie Limited of Glasgow label verso. PROVENANCE: Acquired by the vendor’s father from William Hardie Gallery in the 1980s. The vendor’s grandfather was the renowned Berlin and London art dealer Francis Matthiesen 9 x 12in. (23 x 30cm) £400-600

See Illustration.

516

517

51

520 Henri de Toulouse-Lautrec, French (1864-1901). Print of a young lady in a street scene. PROVENANCE: Inherited by the vendor’s mother from her father in 1963, the vendor’s grandfather was the renowned Berlin and London art dealer Francis Matthiesen. 25 x 22in. (64 x 56cm) £4,000-6,000

See Illustration.

521 Henri de Toulouse-Lautrec, French (1864-1901). ‘Le Jockey’, c1899. Lithograph printed in black, brown and pale red, 1899. The second, final state, rare trial proof before the colours stones for the sky, grass and jockeys’ trousers, before the second edition of 112 (also an edition of approximately seventy of the first state printed in black only). PROVENANCE: Inherited by the vendor’s mother from her father in 1963, the vendor’s grandfather was the renowned Berlin and London art dealer Francis Matthiesen. 20 x 13in. (51 x 33cm) £15,000-25,000

See Illustration.

522 Gordon Mallet McCouch, American (1885-1959), dry point etching of a girl at a window sill, PROVENANCE: McCouch spent time in the Ascona artist’s community which with whom the vendor’s family was associated. The vendor’s grandfather was the renowned Berlin and London art dealer Francis Matthiesen. 11 x 7in. (28 x 18cm) £300-500

See Illustration.

523 Follower of Antoine Wiertz ‘Bocciolo di rosa’ oil on canvas 29 x 18in. (74 x 46cm) £600-1,000

See Illustration.

520

522

523

521

52

524 E S England pair of oils on canvas chickens in a barn signed 10 x 11in. (25 x 28cm) £400-600

See Illustration.

525 § Anton Lock (1893- 1979) two shire horses oil on board unsigned 12 x 18in. (30 x 46cm) £400-600

See Illustration.

526 § Anton Lock (1893- 1979), shire horses in a landscape, oil on canvas, unsigned 14 x 17in. (36 x 43cm) £400-600

See Illustration.

527 Edward A Swan racing yachts at sea, signed with a monogram. EAS 7½ x 12in. (18 x 30cm)

£100-200

528 Interior scene, figures seated by a fire, watercolour, unsigned 15 x 24in. (38 x 61cm)


524

525

526528

53

529 Edward Wesson, Still Life, watercolour, Roses, in bud and in full bloom, signed 12 x 19in. (30 x 48cm) £150-250

See Illustration.

530 Gifford Dyer pastel Venice landscape signed 9 x 16in. (23 x 41cm) £200-300

See Illustration.

531 Gifford Dyer pastel hazy Venetian landscape looking towards St Marks, signed 9 x 16in. (23 x 41cm) £200-300

See Illustration.

532 Gifford Dyer pastel Venice landscape looking towards St Marks, signed 5 x 13in. (13 x 33cm)

£100-200

533 George Sheringham, (1884-1937), street scene with shops and figures, signed, watercolour, 9½ x 13in. (23 x 33cm) £500-800

See Illustration.

534 After Teniers, scene outside a tavern by a river, oil on ivory, £80-120

535 § Alfred Munnings 1878 –1959 pencil cartoons on a Park Gates Hotel Eastbourne menu card gentlemen imbibing copiously, dated 1922 pencil drawing signed, framed 4 x 7in. (10 x 18cm)


529

530

531

533

535

54

536 Charles Frederick Allbon,1856-1926 - Harvesting Nr Bilston Sussex, signed and dated 1895 9 x 19in. (23 x 48cm) £200-400

See Illustration.

537 Charles Frederick Allbon,1856-1926 - watercolour landscape with church, Essex, signed 9 x 19in. (23 x 48cm) £200-400

See Illustration.

538 18th century portrait miniature of a gentleman in a blue coat with red collar, in oval yellow metal mount, 1½ x 1¼in. (3 x 3cm) £150-250

539 J. Millington - three masted sailing ship at sea, signed, watercolour 14 x 20in. (36 x 51cm)

£200-300

540 J. Millington - steamer at sea, signed, watercolour 14 x 17in. (36 x 43cm) £200-300

541 Robert Malcolm Lloyd (1879- 1900) ‘Leaving Harbour Penzance’ signed watercolour Sold with invoice from J Morton Lee Gallery 22/3/2000 5 x 6in. (13 x 15cm) £200-300

See Illustration.

542 Latvian school , ‘Kegums’ oil on canvas titled and dated 1936 23 x 34in. (58 x 86cm) £300-500

543 Alfred Fontville De Breanski, Old Water Mill, Leatherhead, oil on board, ebonised frame, 11 x 7in. (28 x 18cm) £800-1,200

544 § William Foreman born 1939, flowers, Cap St Jean, Richmond Gallery label verso 28 x 22in. (71 x 56cm) £150-250

545 19th Continental watercolour, figures looking up into the skies, unsigned 18 x 28in. (46 x 71cm)

£100-150

546 A. Drechsler, portrait of a Nun, praying, oil on canvas, signed and dated, Munchen 1887 23 x 19in. (58 x 48cm) £200-400

See Illustration.

547 A.Bouvard, The Rialto Bridge, Venice, with gondolas, signed, oil on canvas, 9” x 12”, label verso W B Simpson 9 x 12in. (23 x 30cm)


536

537

541

546

547

55

548 Samuel Phillips Jackson, pair of watercolours of Cumbrian views, Titled verso Ullswater Evening & Sty Head Tarn both with J Morton Lee gallery labels each 2½ x 5in. (5 x 13cm) £400-600

549 Eduardo de Martino, H.M.S. St. Vincent off Gosport monogramed watercolour, 16 x 10in. (41 x 25cm) £200-300

See Illustration.

550 Eduardo de Martino, Royal meeting at Cowes, fully inscribed, pencil and wash, signed and dated 1900, Inscr. HM the Queen visiting the Prince of Wales on board The Osbourne Aug 1897


551 Frederick George Reynolds, pair of Welsh landscapes, signed with initials, watercolours,


552 Fanny Mearns ‘Gathering Seaweed’ signed watercolour Margaret Melville Gallery label verso 12 x 18in. (30 x 46cm) £250-350

See Illustration.

553 George Samuel Elgood ‘ Isola Bella, Lake Maggiore’ signed watercolour Margaret Melville Gallery label verso 7 x 14in. (18 x 36cm)

£200-300

554 Thomas Dingle (1879- 1889) landscape with three children by a stream signed watercolour Margaret Melville Gallery label verso 11 x 17in. (28 x 43cm) £150-250

555 Robert Harvey ( 1871-1912) “Toledo Spain” signed watercolour dated 1912 Margaret Melville Gallery label verso 7 x 10in. (18 x 25cm)

£150-250

556 Robert Harvey (1871- 1912) ‘The Alhambra Spain’ signed watercolour dated 1912 Margaret Melville Gallery label verso 7 x 10in. (18 x 25cm)

£100-200

557 Robert Harvey (1871 -1912) - ‘Fountain of Neptune, Madrid’, unsigned, watercolour 7 x 10in. (18 x 25cm) £100-200

558 William Patrick Whyte (1850-1929) Venice, The Grand Canal, oil on canvas, signed and dated, biography and artist’s own inscription on reverse of frame 18 x 26in. (46 x 66cm) £300-500

549

550

551

552

56 567

559 Berenger Benger (1868-1935) - Venice, watercolour in original gilt frame, signed and dated 1904 12 x 18in. (30 x 46cm) £120-180

560 Christopher Hall, born 1930, View of Monefano, Le Marche, Italy, oil on board, signed and dated August 1959, label for Arthur Jeffress Gallery 28 Davies Street, London W1 21 x 29in. (53 x 74cm)

£400-600

561 19th century rural scene of a peasant couple with chickens, oil on canvas, in gilt frame 12 x 20in. (30 x 51cm) £120-180

562 Impressionist scene of steam barges on the Seine, oil on board 9 x 12in. (23 x 30cm) £100-200

563

564

565

566

563 Paul Falconer Poole, Scotish mountain landscape with figures oil on canvas signed lower left 19 x 24in. (48 x 61cm) £2,000-3,000

See Illustration.

564 Alfred Benjamin Cole New Forest landscape with ponies, label verso reading No2 Acres Down oil on canvas signed 1891 23 x 35in. (58 x 89cm)


565 George Henry Jenkins (1843–1914) moored sailing vessels signed oil on canvas 13 x 23in. (33 x 58cm) £300-500

See Illustration.

566 Cuthbert Edmond Swan (1870 - 1931) lion and lioness monogramed oil on board, 4” x 8”


567 James William Giles (1801- 1870) Scottish Loch with figure and dogs signed and dated 15 x 11in. (38 x 28cm) £800-1,200

See Illustration.

57

579

568 Edward Kington Brice still life of flowers signed oil on canvas 19 x 15in. (48 x 38cm) £400-600

569 19th century English school, two ships at sea in full sail, indistinctly signed, oil on canvas, 11 x 17in. (28 x 43cm) £200-300

570 19th century English school, ship at sea at dusk, unsigned, oil on canvas, 11 x 17in. (28 x 43cm)

£200-300

571 K. E. Dalglish, ‘Wreck off Tantallon Castle’, oil on canvas, 11 x 17in. (28 x 43cm) £200-300

572 19th Century portrait miniature of Sir Robert Peel, on ivory 4in. (10cm) £150-200

573 19th century portrait miniature of a gentleman wearing a brown jacket 3in. (8cm) £80-120

574 19th century portrait watercolour of a gentleman wearing a brown jacket and white waist coat 3in. (8cm) £80-120

575 Frederick Williamson, 1835-1900, landscape with cattle and sheep, signed, watercolour, 12 x 23in. (30 x 58cm) £700-1,000

See Illustration.

576 § George Owen Wynn Apperley (BRITISH, 1884-1960) street scene with three horses, ducks and chickens 19 x 22in. (48 x 56cm) £1,000-1,500

See Illustration.

577 Johnstone Baird - view of the Thames with the Houses of Parliament, signed in pencil 11 x 16in. (28 x 41cm) £200-300

578 Les. H. Bennett, ‘Goose Rock, Pentire, Newquay Cornwall’ and ‘Bedruthan Steps, Newquay, Cornwall’, signed, watercolours, (pair), 7 x 19in. (18 x 48cm) £200-300

579 George Whittaker, figure in a rowing boat heading towards ships at sea, signed, watercolour, signed, dated 1873 and monogrammed, 14½ x 10in. (36 x 25cm) £500-800

See Illustration.

580 O. Cellini, street scene with a monk, signed, watercolour, 22 x 15in. (56 x 38cm) £100-200

581 Charles Haworth, ‘Gathering Wood’, signed, watercolour, (label verso), 7 x 10in. (18 x 25cm)

£80-120

582 N. F. Dawe, cattle watering with hills in distance beyond, signed, watercolour, 11 x 17in. (28 x 43cm) £200-300

575

576

58

583 D. Mappin, North African exterior scene with figures preparing food, signed and dated ‘07, watercolour, 9 x 13in. (23 x 33cm) £80-120

584 Helen Cochrane, ‘Evening, Putney Bridge 1940’, signed, watercolour, 9 x 14in. (23 x 36cm)

£100-200

585 Colin Hunter, ‘The Lizard, Cornwall’, signed, watercolour, 10 x 18in. (25 x 46cm) £200-300

586 James Williams, ‘Olivebank’, signed, watercolour 10 x 14in. (25 x 36cm) £200-300

587 N. Goldsworthy, Venice canal scene, signed and dated 1918, watercolour, 10 x 14in. (25 x 36cm)

£200-300

588 H. Moore, ships at sea, signed, oil on canvas, 9½ x 13½in. (23 x 33cm) £200-300

589 John Baragwanath King, ‘The meeting of waters’, signed, watercolour, 11½ x 18in. (28 x 46cm)

£100-200

590 G. Fernholz? continental, probably Italian lake scene with buildings and boats, signed, watercolour, 9½ x 13½in. (23 x 33cm) £400-600

See Illustration.

591 Arthur Dean, beach landscape, signed, watercolour, 11½ x 35½in. (28 x 89cm)


592 Charles Wallace, continental river scene with buildings and figures, signed, watercolour, 24½ x 18in. (61 x 46cm) £100-200

593 John Baragwanath King, landscape scene with mountains, lake and sheep, signed and dated ‘07, watercolour, 20 x 28½in. (51 x 71cm) £200-300

594 James MacMaster, winter village scene with a bridge, signed watercolour, 15 x 23in. (38 x 58cm)


595 Kuapil, Paris, 19th Century still life of flowers and fruit, oil on canvas, signed 15 x 18in. (38 x 46cm)

£100-150

596 Henry Tonks ( 1862-1937) the Seamstress pen and ink, 8.25” x 6.5 and another ‘The Young Mother’ 9” x 7” both unsigned Ex-lot 185 Sotheby Bearne auction catalogue in 1980, £300-500

597 Tom Hunn watercolour landscape ‘ Silver summer’ verso painted with landscape scene 11 x 15in. (28 x 38cm) £150-250

598 Lipstein, industrial river scene, signed, oil on canvas, 19½ x 23½in. (48 x 58cm) £200-300

599 Lipstein, river scene with barges, signed, oil on canvas, 11½ x 15in. (28 x 38cm) £100-150

600 Lipstein, river scene with boats, signed, oil on canvas, 11½ x 15½in. (28 x 38cm) £100-150

601 Lipstein, continental street scene with figures, signed, oil on canvas, 15½ x 11½in. (38 x 28cm)

£100-150

602 Lipstein, French town square with figures in the rain, signed, oil on canvas, 11½ x 15½in. (28 x 38cm) £100-150

590

591

594

59

NOTES

Michael Compton (CBE)Collection of Post-War and Contemporary Art

Auction Friday 27th June at 7pm

ROY LICHTENSTEIN, AMERICAN (1923-1997). Weisman Art Award 'Yellow Brushstroke', 1991. Cast bronze sculpture. Estimate: £40,000-60,000

60

CONTEMPORARY ART

This section of the sale will not commence before 11.30am Thursday 26th June

Artists’ resale rights. Buyers of lots executed by qualifying artists are subject to ARR payments which will be added to

the purchaser’s invoice. Where possible such lots are marked in the catalogue with §. The charge will be applied only

where the hammer price exceeds 1,000 Euros and will be at a maximum of 4% for full details see www.dacs.org.uk or

telephone +44 (0)845 410 3410

603 Terrence Warren. Three limited edition prints signed and dated ‘78 in the margins in pencil. ‘Gone with the wind’ (69/80), ‘Keep the aspidistra flying’ (A/P VIII), and ‘Momonstera deliciosa?’ (53/80). 23½ x 21in. (58 x 53cm) £50-80

604 Benjio Peres Hungarian school pen and ink sketch female nude dated 67 8 x 11in. (20 x 28cm)

£80-120

605 § Darren Baker (b.1976) ‘The Royal Horse’ - Dubai Millennium, signed, oil on board, framed, W.H. Patterson gallery label verso. PROVENANCE With copy of W.H.Patterson Christmas 2006 Exhibition catalogue featuring the picture with annotation and signature from the artist on the front cover, a receipt of purchase from Gladwell & Company Fine Art Dealers dated November 2006. 19 x 25in. (48 x 64cm)


606 § Nadine Lundahl (b.1958) Finland ‘Blueberries and Vessels on Blue Clothed Ledge’, oil on board, signed, framed, Messum’s gallery label verso PROVENANCE With receipt of purchase from Messum’s gallery dated May 2005. 12 x 16in. (30 x 41cm) £2,000-3,000

See Illustration.

607 § Matthew Alexander (b.1953) ‘A Cold Morning - Twickenham’, signed, oil on board, framed, Messum’s gallery label verso PROVENANCE With receipt of purchase from Messum’s gallery dated March 2003 and copy of Messum’s Matthew Alexander 2003 catalogue in which the picture is illustrated. 20 x 30in. (51 x 76cm) £800-1,200

See Illustration.

608 § Robert Chailloux French (1913-2006) ‘Nature’s Bounty’, signed, oil on canvas, framed PROVENANCE With receipt of purchase from Gladwell & Company dated June 2001. 18 x 21in. (46 x 53cm) £800-1,200

See Illustration.

605

606

607

608

61

611

612

609 § Harriet Salt (b.1975) ‘Spring Flower II’, signed, oil on canvas, framed, Petley Fine Art gallery label verso PROVENANCE With receipt of purchase from Petley Fine Art gallery dated March 2005 and a copy of Petley Fine Art - Three Young Artists catalogue in which the picture appears on the rear cover. 24 x 16in. (61 x 41cm) £600-1,000

See Illustration.

610 § Pamela Kay (b.1939) ‘Poppies in a Jam Jar’, monogrammed, oil on board, framed, Richard Hagen gallery label verso PROVENANCE With receipt of purchase from Richard Hagen gallery dated April 2001. 13 x 13in. (33 x 33cm) £300-500

See Illustration.

611 § Joe Hargan (b.1952) ‘A Dog’s Life’, signed, oil on canvas, framed, Richard Hagen gallery label verso. PROVENANCE With receipt of purchase from Richard Hagen gallery dated September 2004. 15 x 15in. (38 x 38cm) £600-1,000

See Illustration.

612 § Peter Brown N.E.A.C. (b.1967) ‘Mid Morning, Windsor Castle’, signed, oil on canvas, framed, Messum’s gallery label verso. PROVENANCE With receipt of purchase from Messum’s gallery dated November 2004 and copy of Peter Brown ‘from towpath to embankment’ catalogue in which the picture is illustrated. 10 x 15in. (25 x 38cm) £500-800

See Illustration.

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613 § Tony Sheath (b.1946) ‘The Yellow Boat’, signed, oil on canvas, framed. PROVENANCE With receipt of purchase from Prior Gallery Broadway dated November 2001. 10 x 12in. (25 x 30cm) £200-300

See Illustration.

614 § Jane Corsellis (b.1940) Pair of watercolours, ‘Windy Day, Daymer Bay’ and ‘Kite Flying, Daymer Bay’, signed, framed, each 6” x 11” PROVENANCE With receipt of purchase from Messum’s Gallery dated October 2006 and a copy of Jane Corsellis November - December 2006 catalogue in which the picture ‘Kite Flying’ is illustrated. 6 x 11in. (15 x 28cm) £300-500

615 § David J. Crockett ‘Cley next the Sea’, monogrammed, watercolour, framed, Richard Hagen gallery label verso. PROVENANCE With receipt of purchase from Richard Hagen Gallery dated February 2003. 8½ x 10in. (20 x 25cm) £100-150

616 § David J. Crockett ‘Barmouth Sands’, monogrammed, watercolour, framed, Richard Hagen gallery label verso. | PROVENANCE With receipt of purchase from Richard Hagen Gallery dated February 2003. 7½ x 9½in. (18 x 23cm) £100-150

617 § Philip Gardner (1922-1986) ‘Just About Perfect’, signed, watercolour, framed, Burlington Paintings gallery label verso. PROVENANCE With receipt of purchase from Burlington Paintings Gallery dated November 2003 and copy of Philip Gardner ‘The Ingredients for Bliss’ catalogue 2003 on which the picture appears as the front cover. 10 x 13in. (25 x 33cm)


618 Dr. Thomas Boswell Watson (1815-1860) ‘A large Chinese Junk - Macau. c.1850’ unsigned, pencil, framed, The Asian Collector Gallery label verso. PROVENANCE With receipt of purchase from The Asian Collector Gallery dated December 1986. 7½ x 5½in. (18 x 13cm) £200-300

619 § Willem Gerard Hofker (1902-1981) ‘Wanita 1948’, signed in pencil, etching, framed, Edwins gallery label verso. PROVENANCE With receipt of purchase from Edwins Gallery dated February 1990. 13 x 9in. (33 x 23cm) £300-500

See Illustration.

620 Renato Cristiano (b.1926) ‘Wanita’ signed, dated ‘84, pastel. PROVENANCE With receipt of purchase from Duta Fine Arts Gallery dated July 1991. 11 x 7½in. (28 x 18cm) £150-250

621 Beate Holbeck, German (1903). Abstract composition, dated ‘57. PROVENANCE: Acquired by the vendor’s grandmother in Switzerland directly from the artist. The vendor’s grandfather was the renowned Berlin and London art dealer Francis Matthiesen. 18 x 14in. (46 x 36cm) £100-200

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622 § Mary Fedden (1915 - 2012), ‘Nasturtiums’ still life oil on canvas signed and dated 1988 Provenance : Gifted to vendor from her employer. The vendor has owned the picture for 10 years but has known it for 27 years and recalls it being originally purchased from a gallery in Stow on the Wold 20 x 25in. (51 x 64cm) £3,000-5,000

See Illustration.

623 L S Lowry print market scene signed in pencil 20 x 25in. (51 x 64cm) £300-500

See Illustration.

624 Alberto Morocco, print two birds and cage signed and inscribed verso ‘With best wishes for Christmas and the New Year from Vera and Alberto’ signed 7 x 5in. (18 x 13cm) £200-300

See Illustration.

625 Senaka Senanayake (Sri Lankan, b.1951) Four female bathers, signed and dated 1991, oil on canvas PROVENANCE Purchased directly from the Artist in Sri-Lanka around 30 years ago. 54 x 40in. (137 x 102cm) £1,000-1,500

See Illustration.

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626 Eilidh Crumlish, ‘Moscow 1992’ and ‘San Diego 1995’, oil on boards, unsigned, titled verso, each 8” x 10”, framed PROVENANCE: Purchased from britart.com in May 2001 with Certificates of Authenticity. £150-250

627 David Whittaker (b.1964) ‘The Geezer is a Legend’, unsigned, oil and mixed media on paper, 8” x 7.5”, framed 14.5” x 14” PROVENANCE: Purchased from britart.com in May 2001 with Certificate of Authenticity. David Whittaker was born in Cornwall and is currently based in Newquay. He is self-taught, has exhibited widely and won the first prize at The National Open Art Competition in 2011. £150-250

628 Richard Davidson (b.1946) ‘Brief Case’, unsigned, oil on canvas, 22.5” x 29” PROVENANCE: Purchased from britart.com in May 2001 with Certificate of Authenticity.

£200-300

629 Terence Millington (b.1942) Two limited edition etchings with aquatint ‘Apples On A Plate’ and ‘Pears On A Plate’ each 77/150, signed, each 8.5” x 9”, framed 16” x 16” PROVENANCE The vendor has had a well established career in the art business at executive level for many years and the art is part of a personal collection. £80-120

630 Anne Davies (b.1966) Two Acrylic on boards ‘Blue Spoon’ and ‘Daisy bowl and Leaves’, both monogrammed and dated ‘03, each 6” x 10”, framed 13” x 17” £150-250

631 Suzanne O’Driscoll (b.1955) ‘Best in Show’, pastel, unsigned, 11” x 9.5”, framed 19.5” x 17”

£100-200

632 § Dan Baldwin (b.1972) ‘The Worlds Gone Mental’ limited edition silkscreen, 10/150, signed, titled and numbered in pencil, 32” x 32”

£100-200

633 § Dan Baldwin (b.1972) ‘Like Wow Man’ limited edition silkscreen, 10/150, signed, titled and numbered in pencil, 32” x 32” £100-200

634 § Dan Baldwin (b.1972) ‘Icon’ limited edition silkscreen, 10/150, signed, titled and numbered in pencil, 32” x 32” £80-120

635 Heidi Konig (b.1964) Two limited edition monotype etchings, ‘Mariposa’ 6/175, 19.5” x 19” and ‘Wave Dance’ 52/150, 20” x 20” £30-50

636 Annora Spence (b.1963) ‘Sitting On The Horse (2000)’ limited edition 137/295, 11” x 8.5”, framed 19.5” x 16” £40-60

637 Annora Spence (b.1963) three limited edition silkscreens and one other unsigned, ‘Sitting On The Horse (2000)’ 44/295, ‘Sitting On The Horse (2000)’ 135/295, and ‘Talking to the Giraffe (2000)’ 44/295, unframed, each 11” x 8.5” and ‘Playing Cards’ unsigned, 18” x 25” £50-80

638 Annora Spence (b.1963) limited edition silkscreen ‘Scot (2003)’ 274/295 and four others unsigned, each 14” x 15” £40-60

639 Two Lily design canvases, unsigned, each 16” x 16” £30-50

640 Emily Holyfield, Two limited edition silkscreens ‘Dusk’ 2/10 and ‘Sunset II’ 3/10, signed, titled and numbered in pencil, unframed, each 19.5” x 19.5”

£80-120

641 Emily Holyfield, Two limited edition silkscreens ‘Purple Haze’ 3/10 and ‘Blue Moon’ 1/16, signed, titled and numbered in pencil, unframed, each 19.5” x 19.5” £80-120

642 Set of six silkscreens of flowers including Amaryllis, Iris, Peony, Lily, Orchid and Echinacae, unsigned, unframed, each 22” x 22” £50-80

643 Nine silkscreens of flowers to include Sophie Coryndon, Valerie Christmas and Shirley Felts, all unframed. Sophie Coryndon - Parrot Tulips, unsigned, 24” x 27” Shirley Felts - Blue Flowers in vase, unsigned, 31.5” x 24” Valerie Christmas - ‘Pansies 73/100’, signed in pencil, 15” x 11” Echinacae, unsigned, 22” x 22” Lily, unsigned, 22” x 22” Orchid, unsigned, 22” x 22” Agapanthus, unsigned, 30.5” x 15” Yellow Tulip I, unsigned, 16” x 16” Yellow Tulip II, unsigned, 16” x 16” £50-80

644 M.J.Epps, a set of eight screenprints with three duplicates, eleven in total, the largest 15” x 11”, unframed £60-100

645 Dorothy Stirling (b.1947) ‘Setting Off’ AP VII/XXV, 23”x 23.5” ‘Boat Trio’ AP VII/XXV and Valerie Thornton, etching of a bridge, no. 70/150, unsigned, ‘The Coire at Vendome’ in pencil verso, 15” x 22.5”, all unframed (3) £60-100

646 Ilana Richardson ‘12. Piazza Umberto - Proof, Blue to be added’, silkscreen, signed and titled in pencil, 27.5” x 35”, unframed £50-80

647 Robert Greenhalf etching ‘Cretan Cockerel’ 12/150, Turner - Print of cats, dated ‘06 and a limited edition silkscreen, indistinctly signed, with frame 14” x 20” £40-60

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648 Anne Davies (b.1966) ‘October Vessels’ Acrylic on board, monogrammed and dated ‘03, label verso 10 x 14in. (25 x 36cm) £100-200

649 Tomoe Yokoi ‘Apple & Cup’ limited edition mezzotint 93/100, signed and numbered in pencil, framed 17.5” x 16” 10 x 9½in. (25 x 23cm)

£40-60

650 Jenny Devereux - ‘Cat + Flowers’ limited edition print, 10/125, 22.5” x 25” and RW Batchelor - ‘Orientalis’ limited edition, 16/100, 22” x 30”, each signed, titled and numbered in pencil, unframed £40-60

651 Heidi Konig (b.1964) ‘Train To Konya’ Hors d’Commerce - HC III print, signed, numbered and titled in pencil, 15.5” x 17”, framed 24.5” x 26.5”

£60-100

652 Heidi Konig (b.1964) ‘Jutta’s Rise’ limited edition monotype etching, 1/30, signed, numbered, title and dated ‘97 in pencil, 21.5” x 21.5”, framed 30” x 29.5” £50-80

653 Heidi Konig (b.1964) ‘Forest Trail’ limited edition woodcut etching, 7/175, signed, titled and numbered in pencil, 20” x 20”, framed, 29” x 29”

£40-60

654 § Sir Terry Frost (1915-2003) ‘Swing Blue’ limited edition screenprint 63/150, signed and numbered in pencil, 25.5” x 16.5”, framed 35” x 26” £500-800

See Illustration.

655 Kieran Crowder ‘Inner Peace I’, limited edition screenprint, 39/150, signed and numbered in pen, framed 37” x 37.5” £150-250

656 Kieran Crowder ‘Inner Peace II’, limited edition screenprint, 4/150, signed and numbered in pen, framed 37” x 37.5”, with certificate of Authenticity verso from Collier Dobson

£150-250

657 Mark Demsteader (b.1963) ‘Georgina III’ limited edition screenprint, 115/150, signed, titled and numbered in pencil, 23” x 16”, framed 37” x 29”

£100-200

658 Henrik Simonsen (b.1974) ‘Red and Blue, 2011’ limited edition screenprint, 25/60, signed and numbered in pencil, framed 37” x 37” £200-300

659 Colin Jones (b.1936) ‘Russell, Kansas, USA. 1996’ silkscreen print, unsigned, framed 35.5” x 49” £50-80

660 Bex Barton ‘Boxer on Blue Green’, oil on canvas, signed, titled and dated ‘06 in felt tip verso, 36” x 28” £300-500

See Illustration.

661 Tony Owers ‘Untitled’ Original Encaustic and Transfers on Aluminium, signed, titled and dated 2007 verso in marker pen, 39.5” x 39.5”


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662 Paul Treasure (b.1961) ‘South Downs I’ Original, oil on canvas, signed, titled verso, 39” x 39”

£150-250

663 Paul Treasure (b.1961), oil on canvas, signed, untitled, 39” x 39” £150-250

664 Anita Klein (b.1960) ‘The Mirror (2011)’ limited edition woodcut print, 25/50, signed and numbered in pencil, 16” x 12”, framed 20” x 15”

£80-120

665 Heidi Konig (b.1964) ‘New Start - NFS’ monotype etching, signed and titled in pencil, 27” x 25”, framed, 31” x 32” £100-200

666 Heidi Konig (b.1964) ‘Train To Konya’ limited edition monotype etching, XI/XV signed, titled and numbered in pencil, 20” x 22”, framed, 26” x 27.5” £50-100

667 Heidi Konig (b.1964) ‘Cukurbag’ limited edition Artist Proof monotype etching, XI/XV, signed, titled and numbered in pencil, 21” x 22”, framed, 26.5” x 27.5” £60-100

668 Heidi Konig (b.1964) ‘Night Lifting’ limited edition Artist Proof monotype etching, XI/XV, signed, titled and numbered in pencil, 21” x 22”, framed, 26” x 27.5” £60-100

669 Heidi Konig (b.1964) ‘Forest Trail’ limited edition Artist Proof woodcut etching, I/XV, signed, titled and numbered in pencil, 19” x 19”, framed, 24” x 24.5” £60-100

670 Heidi Konig (b.1964) ‘Out of the Blue’ limited edition woodcut etching, 35/75, signed, titled and numbered in pencil, 19” x 19”, framed, 25” x 24.5” £40-60

671 Heidi Konig (b.1964) ‘Fez’ limited edition Artist Proof woodcut etching, II/XV, signed, titled and numbered in pencil, 12” x 12”, framed, 17” x 17”

£60-100

672 Heidi Konig (b.1964) ‘Midnight Blue’ woodcut etching, signed and titled in pencil, 14” x 15”, framed, 21” x 22” £50-80

673 Heidi Konig (b.1964) ‘Innenhof’ woodcut etching, signed and titled in pencil, 14” x 15”, framed, 21” x 22” £50-80

674 Stephanie Andrew (b.1973) ‘Blossom - 11/95’ and ‘Pussy Willow - 20/195’ limited edition screenprints, signed and numbered in pencil, each 8” x 23”, framed 20” x 35”, With Certificate of Authenticity for Pussy Willow. £80-120

675 Stephanie Andrew (b.1973) ‘Yellow & Red Tulip I - 28/95’ limited edition screenprint, signed and numbered in pencil, each 16” x 16”, framed 28” x 28”. With Certificate of Authenticity. £50-80

676 Stephanie Andrew (b.1973) ‘Pink & Yellow Tulip I - 8/195’ and ‘Pink & Yellow Tulip II - 13/195’ limited edition screenprints, signed and numbered in pencil, unframed, each 24” x 24”, With Certificates of Authenticity. £60-100

677 Stephanie Andrew (b.1973) ‘Yellow & Red Tulip I - 30/195’ and ‘Yellow & Red Tulip II - 70/195’ limited edition screenprints, signed and numbered in pencil, unframed, each 24” x 24”, With Certificates of Authenticity. £60-100

678 Stephanie Andrew (b.1973) ‘Cherry Blossom I - 12/95’ and ‘Cherry Blossom II - 1/195’ limited edition screenprints, signed and numbered in pencil, unframed, each 16.5” x 31”, With Certificates of Authenticity. £50-80

679 Stephanie Andrew (b.1973) ‘French Lavender I - 15/95’ and ‘Pussy Willow - 5/195’ limited edition screenprints, signed and numbered in pencil, unframed, each 16.5” x 31”, With Certificates of Authenticity. £50-80

680 Richard Spare (b.1951) Four screenprints of flowers, ‘Gladioli - AP’ ‘Roses - AP’ ‘Bright Poppies - H/C’ ‘Sunflowers - H de C’, all signed and titled in pencil, unframed, 30” x 22.5” (x2) and 24” x 22.5” (x2) £100-200

681 Sam Toft ‘The Great Mustard Knee Trembler’ artist proof screenprint, signed and titled in pencil, 15” x 11”, framed 21.5” x 17” £50-80

682 Sam Toft, Three limited prints ‘Duck on Head’ ‘Looking out at Windy Top’ and ‘Heading Home for Pie and Custard’, each 44/47, signed, titled and numbered in pencil, each approx. 15” x 18”

£60-100

683 Sam Toft, Two Artist Proofs ‘Dialling out for Pizza’ and ‘Walking with Ducks’ signed and titled in pencil, each approx. 13.5” x 32” £60-100

684 Anne Magill, Three Artist Proofs and a limited edition print, ‘Ours’ ‘A Distant Wave’ ‘Journeys’ and ‘By The River - 18/175’, signed, titled and numbered in pencil, unframed, 25” x 27”, 17” x 39.5”, 21” x 20.5” (x2) £100-150

685 Richard Barrett, ‘Waters Edge’ and ‘A Quiet Place’ Artist Proofs, signed and titled in pencil, unframed, each 25” x 24.5” £50-80

686 Stavros Kotsireas (b.1960) two coloured screenprints ‘Kingdom of Spring - AP II/XX’ and ‘Seashore with Poppy Field - AP II/XX’, signed, titled and numbered in pencil, unframed, 24” x 23.5” and 24” x 28” £40-60

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687 Brendan Neiland (b.1941) ‘Glencoe - 9/100’ and ‘Loch Shiel - 53/100’ limited edition prints, signed, titled and numbered in pencil, unframed, each 31.5” x 23.5” £60-100

688 Robert Buhler (1916-1989) Two limited edition prints of Venice, 131/140 and 120/140, signed in pen, numbered in pencil, unframed, each 28.5” x 38” £40-60

689 Robert Norman Hepple RA (1908-1994) `Shrimping` limited edition print, 147/285, signed and numbered in pencil, unframed, 23” x 26”

£30-50

690 Elena Gaussen Marks - ‘Dinner, Chelsea Arts Club’ limited edition print, 101/140, signed, titled and numbered in pencil, unframed, 29” x 34.5”

£40-60

691 Frederick Gore CBE RA (1913-2009) limited edition silkscreen print, 7/125, signed and numbered in pencil, unframed 29” x 36” £80-120

692 Claude Fauchere (b.1936) ‘Lady in Blue’ Limited edition Serigraph on Paper, 153/350, signed and numbered in pen, unframed, 22” x 28” £60-100

693 Claude Fauchere (b.1936) ‘Fruits de Provence’ Limited edition Serigraph on Paper, 63/250, signed and numbered in pen, unframed, 29.5” x 32” £80-120

694 Ray Richardson (b.1964) ‘One Man, His Dog + Their Maisonette’ limited edition screenprint, 76/200, signed, titled and numbered in pencil, dated ‘96, unframed 25” x 28” £50-80

695 Ilana Richardson, seven artworks including Artist Proofs and limited edition prints, ‘Sorrento Café’ AP, 31.5” x 23.5”, ‘Villa & Geraniums’ AP II/XXV, 31.5” x 23.5”, ‘Villa Pitiana’ 24.5” x 28.5”, ‘Porch, St Rémy’ 164/175, 23.5” x 27”, ‘Honeysuckle’ AP IX/XXV, 15.5” x 19”, ‘Villa Palagonia’ AP X/XXX, 16” x 20” ‘Singapore Shutters’ 131/150, 14” x 16” signed, titled and numbered in pencil, all unframed

£100-200

696 Dan Baldwin (b.1972) limited edition colour silkscreen with collage, 12/50, signed and numbered in silver ink, unframed, 19.5” x 19.5”

£200-300

697 Dan Baldwin (b.1972) ‘Like Wow Man’ limited edition silkscreen, 77/150, signed, titled and numbered in pencil, 32” x 32” £100-200

698 Dan Baldwin (b.1972) ‘The Worlds Gone Mental’ limited edition silkscreen, 98/150, signed, titled and numbered in pencil, 32” x 32” £100-200

699 Brian Bunting, four limited edition etchings, untitled, 6/10, dated ‘00, 20.5” x 25.5” ‘Two Passing Bodies’ 3/5, dated ‘02, 18.5” x14.5” ‘Moving Body in Landscape’ 3/5, dated ‘02, 14” x 17.5” ‘Heart Shaped Rock’ 5/5, dated ‘02, 13.5” x 17” £80-120

700 James Nader, four untitled screenprints including two Artist Proofs of tools and two of feathers, two signed in pencil, all unframed, each 23.5” x 16.5” (4) £50-80

701 Terence Millington, two limited edition colour etchings with aquatint of Parrots, each 25/75, signed and numbered in pencil, unframed, each 21.5” x 20” £40-60

702 Susie Perring, six coloured limited edition aquatint etchings, ‘Crab Apples’ 29/175, 27.5” x 22.5” ‘Three Fishes’ 41/175, 19” x 15” ‘Three Silver Fish’ 32/175, 19” x 15” ‘Spot the Red Herring’ 106/150, 15” x 11” ‘French Breakfast’ 45/175, 15” x 11” ‘Black Olives’ 45/120, 15” x 11” £100-200

703 Lisa McLaren-Clark (b.1973) Set of eight original Acrylic on paper studies, from the ‘Study’ series, signed in pencil, each signed and titled ‘Study...(I-VIII)’ verso, unframed, each 15” x 11”

£80-120

704 Lisa McLaren-Clark (b.1973) Set of four original Acrylic on paper studies, from the ‘Diptych’ series, signed in pencil, each signed and titled ‘Diptych...(I-IV)’ verso, unframed, each 19.5” x 13” £60-100

705 Lisa McLaren-Clark (b.1973) Set of three original Acrylic on paper studies, from the ‘Triptych’ series, signed in pencil, each signed and titled ‘Triptych...(I-III)’ verso, unframed, each 14.5” x 11” £40-60

706 Hannah Swain, two limited edition screenprints, ‘First Night for the Lugubrious Leopard’ 91/100, and ‘Lost Lion’ 49/125, signed and numbered in pencil, each 22” x 15” and 18.5” x 20” respectively £40-60

707 Shoichi Hasegawa (b.1929) ‘Salul Rouge’ Specimen, unsigned, and a similar limited edition aquatint etching, 193/200, signed and numbered in pencil, 30” x 22.5” and 9” x 11.5” respectively, unframed £50-80

708 Katty McMurray, ‘Isle of Whithorn’ ‘Sheep on the Hill - Newport’ and two limited edition prints, ‘In the Medina’ 13/150 and ‘Three Pots’ 121/150 - signed and numbered in pencil, unframed, 15.5” x 13”, 17” x 16” and 20” x 20” £40-60

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709 Seven silkscreen etchings by various artists to include Lisa Graa Jensen, Samantha Buckley, Melanie Epps, Mark Millmore, Lisa Graa Jensen - sheep, unsigned and untitled 16.5” x 19”, Samantha Buckley ‘Scented Spray’, 15” x 11”, M.J.Epps ‘The River I’ 16/50, 22” x 14.5”, M.J.Epps ‘The River II’ 16/50, 15” x 22”, Sonia Rollo ‘Well, Someones got the hump’ 79/150, 15” x 22.5”, Mark Millmore ‘Waters Edge’ 30/250, 16” x 25”, Mark Millmore ‘Crucian Carp’ 78/100, 17” x 15” signed, numbered and titled in pencil, all unframed

£40-60

710 § Ruth Stage (b1969) The Lizard, Tempera on Gesso prepared panel, monogramed Sold with Invoice from James Huntington - Whiteley Gallery and an exhibition catalogue 9 x 12in. (23 x 30cm)


711 § Sir Hugh Casson PRA (1910-1999) ‘Cliff top Dorset’ signed watercolour sold with invoice from Manya Igel Fine arts 25/4/01 4 x 4in. (10 x 10cm)


712 Peter Harris, mock loan requested to a bank dated February 1998 oil on board 47 x 33in. (119 x 84cm) £200-300

713 After Henry Matisse, print of nude, monogrammed H. M. 26 x 18in. (66 x 46cm)

£80-120

714 After Henry Matisse, print of a reclining female figure 20 x 27in. (51 x 69cm) £80-120

715 Christopher Hall, born 1930, still life of garlic, onions and Italian lemonade bottle on a check tablecloth, oil on board, signed, and dated October 1958 14 x 15½in. (36 x 38cm) £200-300

716 Marjorie Incledon still life with fruit wrapping paper and crackers monogramed oil on canvas 26 x 19in. (66 x 48cm) £400-600

717 Marc Shagall Lithograph”Moses and the Burning Bush”, the reverse with a Redfern Gallery label - purchaser Ian Henderson , January 4th 1957. 14 x 10in. (36 x 25cm) £200-400

See Illustration.

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718 § Jurgen Gorg (1951-) German, original lithograph ‘Idol’ numbered 38/250, framed and signed, published by CCA Galleries 27½ x 20in. (69 x 51cm) £150-200

719 Mark Godwin (1957-) original lithograph ‘Summer Rendezvous II’ numbered 5/5, unframed, signed 13¾ x 23¾in. (33 x 58cm) £80-100

720 § Samuel Fenton R.I Holiday in Majorca, watercolour, signed 13 x 19in. (33 x 48cm)

£50-100

721 § Mike Bernard, daffodils and lemon, mixed media, signed and dated 95 17 x 15in. (43 x 38cm) £100-150

722 David Shepherd, ‘The Ark turning into wind’, signed limited edition coloured print, No 97/850 16 x 32in. (41 x 81cm) £80-120

723 § David Gentleman, ‘The Thames Barrier under Construction’, original pen and watercolour dated ‘84, 14 x 21in. (36 x 53cm) £300-500

724 § David Gentleman, ‘The Pont Alexandre III and The Pointe Royal, Paris’, circa 1990, watercolour, signed Label verso for Mercury Gallery, Cork Street, London 14 x 21in. (36 x 53cm) £150-250

725 § Sir Terry Frost R.A. British (1915-2003). Untitled (Figure). Linocut print on woven paper, c1984. Signed and inscribed ‘A/P 1/5’. One of five artists proofs, no published edition. Framed and glazed. 8¼ x 10½in. (20 x 25cm) £300-500

See Illustration.

726 § Albert Irvin RA, British (b.1922). Untitled abstract, colour screenprint, signed and dated ‘06 in pencil. Framed and glazed. 8 x 5¾in. (20 x 13cm) £300-500

727 § Reginald James Lloyd, R.I. British (b.1926). ‘Self portrait’. Silkscreen print. Signed, dated 1968, and numbered 1/15. Edition no. 1 of 15. Framed and glazed. 24 x 19½in. (61 x 48cm)

£150-250

728 § Alistair Grant, British (1925-1997). Seated nude, watercolour on card, signed ‘AG’. Framed and glazed. 9½ x 8¼in. (23 x 20cm) £120-150

729 § Reginald James Lloyd, R.I. British (b.1926). ‘Yellow Pier’. Oil on board, signed and dated 2012. With artiist’s stamp and inscription verso: WATCHET 08 - YELLOW PIER 2012 R.J. LLOYD R.I. Framed. 24 x 19in. (61 x 48cm)


730 § Reginald James Lloyd, R.I. British (b.1926). ‘Summer Morning’, 1962. Oil on board. Signed and dated. Framed. 47½ x 35½in. (119 x 89cm)


731 Justine Smith. Dollar sign print, part of the ‘Icons’ series, 2006. Signed and numbered in pencil, number 74 of the edition of 80. Mounted, unframed. 29 x 29in. (74 x 74cm) £80-120

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732 § Sir Terry Frost R.A. British (1915-2003). ‘Trewellard Suns (Untitled 07)’. Linocut print in colours, 1990. Signed, dated and inscribed ‘A/P’ in pencil. An artist’s proof aside from numbered edition of 40. Published by The Paragon Press, London. 25 x 25¼in. (64 x 64cm) £500-800

See Illustration.

733 § Brendan Neiland, British (b. 1941). “Suck, Squeeze, Bang, Blow”, 2000. Oil on canvas, signed with stencil verso. Unframed. 48in. (122cm) £400-600

See Illustration.

734 Adrian Berg, British (b.1929). ‘Barclays, Canary Wharf’, 2000. Eight brown ink drawings of Barclays, Canary Wharf in a shared mount, on paper. Each signed and dated IV 2000 verso, and inscribed with sheet position in pencil. 8¼ x 10¼in. (20 x 25cm) £300-400

735 § June Redfern, British (b.1951). ‘The Field’, 1987. Oil on canvas, signed, dated and titled verso. With Mercury Gallery, Edinburgh label detailing the work attached to the reverse of frame. 44½ x 74½in. (112 x 188cm) £500-800

See Illustration.736 R. Ablott, ‘Dunstanborough Castle,

Northumberland’ seen from the sea, painting on porcelain, Richard Ablott was born in Canada and worked at Derby, Copeland, Davenport and Coalport. Several of his plaques, possibly including these were taken from engravings by Edward Finden (1791-1857 6½ x 8½in. (15 x 20cm) £200-300

See Illustration.

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20th Century Art & Design Auction

Wednesday 22nd October

10.30am

Now accepting consignments

Ferdinand Preiss, pair of

carved ivory figures (detail).

Sold for £4,500.

72

CERAMICS AND GLASS

This section of the sale will not commence before 1.45pm Thursday 26th June

737 R. Ablott, paintings on porcelain, Swiss landscapes, signed and titled verso, ‘Interlacken’ and ‘The Valais Martigny from the Forclas Pass to the Tete Noire’ NOTES; Richard Ablott was born in Canada and worked at Derby, Copeland, Davenport and Coalport. Several of his plaques, possibly including these were taken from engravings by Edward Finden (1791-1857). each 6” x 8”,


738 Set of four 19th century Minton cabinet plates decorated with birds with turquoise and gilt borders diameter 10” £150-250

See Illustration.

739 Set of six 19th century Minton cabinet plates decorated with flowers with turquoise and gilt border diameter 10” £150-250

See Illustration.

740 19th century blush Ivory vase decorated with a bird highlighted in gilt probably Austrian 10in. (25cm) £80-120

741 Delft blue and white tea caddy and cover painted with masonic symbols, the reverse painted with a bird, 19th C 12.5 cm £150-250

See Illustration.

738

739

741

737

73

742 Pair of 19th century green sparkling glass twin-handled vases painted in white enamel with flowers 4½in. (10cm) £60-100

743 Islamic iznik pottery vase decorated with flowers 10in. (25cm) £80-120

744 Pair of Minton turquoise glazed porcelain figures 8½in. (20cm) £200-300

See Illustration.

745 19th century Derby fluted bowl with deep blue and gilt decoration and panels with flowers, 11.5” diam £300-500

See Illustration.

746 19th century blue and white part dinner service centre decorated with landscape with floral boarders four 9” plates Three 10” plates five graduate oval serving plates the largest 19” wide £150-250

747 Early 19th century Staffordshire part tea service with puce leaves highlighted in gilt comprising seven coffee cans ten cups six saucers cream jug Sucrier slop bowl and a pair of dishes £100-200

748 Late 19th C George Jones Cairo pattern dessert service comprising two comports, three tazza, and eleven plates, design of a vase with blossoming branches and birds, cream ground with turquoise border £100-200

749 Royal crown Derby tea service most with date mark for 1912 Tea pot water jug cream jug sugar bowl two large cups ten small cups twelve saucers ten plates two dishes oval plate and two 10” plates £400-600

See Illustration.

750 Berlin porcelain blanc de chine tumbling bear, blue sceptre mark, 4 x 4½in. (10 x 10cm) £50-80

751 Victorian silver plated epergne the glass trumpet finely etched with grasses 18in. (46cm) £80-120

752 Pair of 19th century Wedgwood black basalt Tritons holding shell cornucopias which form candle holders, with fish like tails wrapped around the rocks they sit upon, with impressed Wedgwood marks, . 11½in. (28cm) £200-300

See Illustration.

744

745

749

752

74

753 Russian teapot with marbled green and brown decoration and gilt edging 8¼in. (20cm)


754 Pair of Worcester vases with relief Persian style decoration and Ivory blush masks and dragon handles Rd design number 189330 . 34 cm


755 Meissen leaf form serving dish two pierced rim plates a circular box painted 17 th C couple, and two small boxes £70-80

756 Porcelain and gilt metal box with decoration of an 18th C couple, two Sitzendorf figures, Limoges pot and another with enamel £70-100

757 Royal Worcester cylindrical vase by Harry Davis c.1925 painted with highland landscape with sheep on reticulated base signed 10½in. (25cm)


758 19th century porcelain vase decorated with insects 9in. (23cm) £80-120

759 Three 19th century Sunderland lustre jugs the largest with Motto relating Robert and Elizabeth 9” high £150-250

760 Set of six Georgian glass rinsers with double lip, cut and faceted decoration £100-150

761 Victorian floral etched vase, waisted glass decanter with silver collar Birmingham, 1909, another similar, £80-120

762 Victorian Cranberry glass trumpet form epergne 22in. (56cm) £150-250

763 Worcester porcelain spill vase decorated as a classical lady scantilly dressed 13in. (33cm)

£100-150

753

754

757

75

764 Pair of 19th century ruby cased glass vases, highlighted in gilt, 14” high £150-250

See Illustration.

765 Pair of Coalbrookdale vases, a campana form vase with a painted floral panel, large staffordshire twin handled cup 1859 and stone china plate in Imari colours £100-150

766 Dresden chocolate cup and cover, Naples box with figures in relief, a Sevres style cooler and a hard paste porcelain jug, £80-120

767 Six glass lamp shades, cranberry, vaseline and clear glass late 19th to early 20th C £100-150

768 Pair of Meissen salts with Bacchus figures painted and with floral decoration in relief and a similar vase all with crossed marks, vase incised 2172

£150-250

769 Meissen figure group of a lady in 18th C dress and a gentleman in military uniform late 19th to early 20th C, incised 550 blue crossed sword marks , 23 x 27 cm £200-300

770 Meissen figure group of a lady and gentleman with lamb, two pairs of continental figure groups shepherd and shepherdess and two figures with baskets £150-250

771 Two Crown Derby miniature tea cups and saucers , a Crown Staffordshire ginger jar and Worcester pot £80-120

772 19th century German porcelain figural group of a loving couple and a sheep 9in. (23cm) £150-250

773 19th century Meissen desk stand decorated with birds and foliage 10in. (25cm) £150-250

774 Four Minton cabinet plates, hand painted scenes with fish, signed JED within a gilt and enamel border £80-120

775 Pair of German porcelain pierced baskets on figural columns, circular bases and scrolling feet, painted and impressed marks, 22in. (56cm)

£250-350

ASIAN ART


776 19th century Chinese blue and white bowl decorated with figures four character mark to base diameter 6”, three chinese octagonal vase with pierced decoration and a vase and cover decorated with blossoms £50-100

777 Graduated pair of 19th century Japanese imari pattern bowls the largest diameter 10” £80-120

778 Japanese Edo period ivory carving of a man carrying a basket, on round base 7in. (18cm)

£150-250

779 Chinese famille verte baluster vase, with waisted neck painted with two panels of an official with attendants, on a flower and butterfly ground, (neck reduced), Kangxi period, PROVENANCE: Bought by the vendor from Albany Antiques in Hindhead, Surrey. 17½in. (43cm) £500-800

See Illustration.

764

779

76

780 Pair of 20th century Chinese famille rose jardinieres each decorated with four quatrefoil panels of fishermen in watery landscapes, PROVENANCE: Bought by the vendor from the House of Huanghuali, Singapore. 9in. (23cm) £150-250

781 18th century or later Chinese cast iron Chung, temple bell in the form of a flower bud, PROVENANCE: Bought by the vendor from the House of Huanghuali, Singapore. 19in. (48cm) £150-250

782 18th century or earlier, Chinese cast iron Chung, temple bell in the form of a flower bud, with calligraphy two character mark ‘Chou Yin’, PROVENANCE: Bought by the vendor from the House of Huanghuali, Singapore. 17in. (43cm) £150-250

783 Two Chinese Ming dynasty pottery figures of horses and attendants in green, aubergine and yellow glazes, on square bases, circa 16th century, PROVENANCE: Bought by the vendor from the House of Huanghuali, Singapore. 7½in. (18cm) £500-800

See Illustration.

784 Chinese Sancai figure of a Lokapala trampling on a demon and standing on rock work and wearing an elaborate headdress in Tang dynasty style, PROVENANCE: Bought by the vendor from the House of Huanghuali, Singapore. 31in. (79cm) £500-800

785 18th/19th century Chinese wood carving of a standing warrior wearing armour with traces of gilt and colour, 12in. (30cm) £50-80

786 Large and rare Chinese ancestor portrait on canvas depicting male family to the right, female to the left, each ancestor named in a rectangular cartouche, the whole with four character gilt mark in a blue cartouche at the top of the portrait, stating ‘ the ancestors appearance is still in our mind’, 99 x 69in. (251 x 175cm) £500-800

See Illustration.

787 18th century large and rare Chinese ancestor painting depicting the female side of a family, cartouche reading: ‘three generations of female ancestors’, 107 x 68in. (272 x 173cm) £500-800

788 Two 19th century Chinese carved soapstone seals, surmounted by lion dogs and young and 14 character calligraphy poem on each, 7¾in. (18cm)

£50-80

789 19th/20th century Chinese grey stone carving of a head of Bodhisatva, PROVENANCE: Bought by the vendor from the House of Huanghuali, Singapore. 13½in. (33cm)

£200-300

790 18th/19th century Chinese enamelled and gilt copper tantric figure, his hands raised in ‘Karana’, his face with a fierce expression, PROVENANCE: Bought by the vendor from the House of Huanghuali, Singapore. 6½in. (15cm)

£200-300

791 19th century Himalayan Buddhist temple buffalo horn, with metal mounts and coral cabochon, 18” long £50-80

783

786

77

792 18th /19th century Tibetan ‘Bhairava’ mask constructed of polychrome lacquer on fabric, the fierce head surrounded by a garland of skulls, PROVENANCE: Bought by the vendor from the House of Huanghuali, Singapore. 19in. (48cm)


793 19th century Himalayan telescopic copper horn with pierced metal mounts, 27” long, PROVENANCE: Bought by the vendor from the House of Huanghuali, Singapore. £50-80

794 Himalayan gilt copper panel depicting a tantric figure trampling on a demon, holding a caitya, framed in fire between two columns, PROVENANCE: Bought by the vendor from the House of Huanghuali, Singapore. 15 x 8in. (38 x 20cm) £250-350

795 Two 20th century Chinese carved and pierced hardwood plaques with figures, 30 x 18in. (76 x 46cm) £100-150

796 19th century Chinese polychrome printed, hand-coloured scroll depicting the emperor Daoguang, seated on the dragon throne and wearing the imperial dragon robe, 26in. (66cm) £50-80

797 19th century Chinese hand-coloured printed polychrome scroll depicting the emperor Daoguang, seated on the dragon throne and wearing the imperial dragon robe, 25in. (64cm)

£50-80

798 19th century Chinese ancestor portrait scroll depicting a lady seated on a horseshoe back chair, wearing a rank badge, the calligraphy with a Guangxu date, NOTE: Pair with lot 196. re-catalogue. 40in. (102cm) £1,000-1,500

799 19th century Chinese ancestor painting depicting four figures, each with their birth and death dates ranging from Kangxi to Daoguang, 42in. (107cm)

£500-800

800 Late 19th/early 20th century Thai painting on canvas of an elaborate temple in watery landscape with many figures and devotees, 53½in. (135cm)

£300-500

801 Late 19th/20th century carved wood Thai temple guardian, 17in. (43cm) £30-50

802 Pair of Chinese carved ivory chess pieces, king 4” and queen, on shaped oval bases, £40-60

803 Nepalese white metal rectangular box with pierced decoration of temple lions and foliate forms, tested as approximately Sterling standard, 5 x 8 x 5in. (13 x 20 x 13cm) £100-200

See Illustration.

804 Early 20th century Japanese ivory miniature dresser decorated in gilt with birds amongst foliage, 6½in. (15cm) £80-120

805 Japanese red lacquered and gilt jewellery box decorated with flowers 7 x 10 x 14in. (18 x 25 x 36cm) £150-250

806 An early 20th C Indian ivory box with pierced decoration Provenance bought in Karachi in the 1930’s £100-150

807 Two 19th century Japanese plates one decorated with flowering blooms three character mark to base the other with figures diameter 14”

£150-250

792

803

78

1

Asian and Eastern Art AuctionWednesday 19th November 10:30am

Contact:[email protected]

01483 223 101

ewbankauctions.co.uk

79

TOYS


808 Collection of play-worn Dinky cars in fitted wooden box comprising Lincoln Zephyr, Trojan Esso Van, Chrysler, Royal Mail van, trailer in brown and green, Morris Oxford, Riley, Fordson, Austin Taxi, Austin Devon, Armstrong Siddeley, Triumph, delivery van, Oldsmobile, Studebaker, Hudson Sedan, Ford Sedan, Packard, Delivery truck and another similar, Daimler ambulance, Estate car (24) £200-400

809 Collection of play-worn Dinky cars and metal painted accessories to include Commer break down truck, Double decker bus, Massey Harris manure spreader, AA side car, Bedford refuse truck, Bedford Truck, Luxury coach, Observation coach, bus, Land Rover, ambulance, Austin van, tractor, also included road signs, telephone box, Fork lift truck, £200-400

810 Bassett-Lowke ‘504 George The Fifth’ locomotive and tender O Gauge 0-4-4 £200-300

See Illustration.

811 Victorian cast iron novelty bank with dog and clown , brick block and other toys and games

£80-120

812 Selection of 00 gauge trains to include Hornby and Tri-ang locomotives, ‘Duchess of Abercorn 6234 and tender’ ‘The Princess Royal 46200 and tender’ ‘Mallard 60022 and tender’ ‘Brittania 70000 and tender’ ‘Princess Elizabeth 46201 and tender’ ‘LNER 8477’ ‘LMS 7420’ ‘D3035’ (13)

£100-200

813 Carved Indian puppet in traditional dress £30-50

814 No Lot

815 Clockwork tinplate motor cycle, two painted battery powered searchlights, articulated army lorry, anti-aircraft gun and gunner together with anti-aircraft guns in dark green(2) £80-120

816 Collection of Britains Military painted lead figures, together with others £100-200

817 Collection of playworn painted Dinky Supertoys, Dinky Toys, Tri-ang Minic toys, to include Dinky Supertoys- Blaw Knox Bulldozer, Heavy Tractor, Foden flat trucks, Leyland Comet with original box, Foden 14- Ton Tanker, Bedford articulated lorry, Muir Hill Dumper truck, lawn mower Dinky Toys - Coventry Climax fork lift truck, Double Decker Bus, Mercedes Benz open racing car, Army covered Wagon, Triang Minic - Austin A40 plastic car, refuse lorry, Vauxhall traffic control car £300-500

OBJECTS AND WORKS OF ART


818 South American carved wooden panels in relief on modern stand 63 x 27in. (160 x 69cm) £100-150

819 19th century champleve enamelled gilt bronze centre piece, with a cut glass fluted trumpet vase the with cherubs on lion paw feet 16in. (41cm)

£500-800

820 Tribal carving, mans head on a squat body with adzed surface 10in. (25cm) £100-150

821 19th century Tunbridge Ware rectangular box with patterned decoration and a panel with a bird. 9.5” wide £150-250

810

80

822 Early 20th century mahogany games box with chess pieces, bone dominoes, dice etc £60-100

823 19th century portrait miniature on bone of a young lady in a white dress, 4” by 3” another of a young girl 3” by 2” and and tinted photograph of an old lady 5” by 4” £60-100

824 Two mid 19th century Ambrotype portrait photographs in leather frames the largest 5”by 4”

£60-100

825 Decorative bronze depicting a Western figure on horseback, in the manner of ‘Remington’ on black marble base 11 x 11 x 5in. (28 x 28 x 13cm)

£200-300

826 Pair of George III silver framed spectacles in fitted case, £120-180

827 Late 18th/early 19th Century walnut and brass tea caddy on bracket feet, hinged cover with brass handle which reveals three compartments 7 x 10 x 6½in. (18 x 25 x 15cm) £150-250

See Illustration.

828 Three 19th Century Scottish Pewter Tappit Hens. One with flat hinged cover with double acorn thumb piece stamped HBH (8.5” high), another smaller with flat hinged cover with double acorn thumb piece stamped LCLG (7.5” high), another of slender form with orb shaped thumb piece stamped H.D.A to base (9.5” high). £150-250

See Illustration.

829 16th / 17th century Nuremberg brass alms dish, the tondo with a radiating lobed design with a circlet of script, Diameter 18.5” £400-600

See Illustration.

833

831

834 827

832

836

830

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830 19th Century mahogany and satinwood tea caddy of oblong form with cut corners, the hinged cover and front inlaid with oval shell within a cross banded border with an ivory keyplate, interior with two compartments 5 x 7½ x 4½in. (13 x 18 x 10cm) £200-300

See Illustration.

831 Early 19th century yewwood boxwood strung and crossbanded rectangular tea caddy with ivory keyplate, the interior of the hinged cover with star inlay and two internal lids and removable canisters 4¾ x 7¼ x 4¼in. (10 x 18 x 10cm) £100-150

See Illustration.

832 George III mahogany tea caddy with inlaid burr walnut oval cartouches and ivory keyplate, the hinged cover with ivory handle revealing a single lidded compartment 5¼ x 4¾ x 3¾in. (13 x 10 x 8cm) £100-150

See Illustration.

833 Early 19th century mahogany triple section tea caddy on bracket feet 6 x 11 x 6in. (15 x 28 x 15cm) £100-150

See Illustration.

834 Late 18th / early 19th century walnut and boxwood crossbanded tea caddy with brass handle, interior with three compartments, on ogee bracket feet. 8 x 10½ x 6in. (20 x 25 x 15cm)


835 George III hexagonal ivory tea caddy, decorated with a white-metal cartouche, the hinged cover with handle, revealing a ivory lidded and foil lined interior. 5¼ x 4½ x 3¾in. (13 x 10 x 8cm)


836 Regency Scottish rosewood and brass inlaid sarcophagus shaped tea caddy, ring handles on bun feet, with two handles and bristol blue mixing bowl, 7½ x 12 x 6in. (18 x 30 x 15cm) £200-300

See Illustration.

837 19th century Russian papier mache box decorated with figures riding a horse and cart with contents

£100-150

838 Benin bronze head, with eliptical aperture the face with incised tribal marks 9in. (23cm) £100-200

839 Benin style bronze tribal figure of a seated women, 11¼in. (28cm) £70-100

840 Three Nigerian bronze figures, a tribal figure with weapon and two seated figures Three Nigerian bronze figures , a man holding a weapon and two seated figures £50-80

841 19th century rosewood dressing table box with compartments, secret drawer, glass bottles and implements including tweezers and nail files(2), 5½ x 12 x 8½in. (13 x 30 x 20cm) £100-200

842 Wilkinson Sword Co. Ltd. Vintage Wilkinson Razor, Empire Model, in original wooden and cardboard boxes, Ground blades in wooden holder inside the case with instructions. Various other shaving items including Royal Saloon brush, razors (3), and Jeyes Shaving Soap. And a hip flask. £50-80

828

829

835

82

843 18th/ 19th century gilt metal religious relic holder in the form of a cloud with sunburst behind and cross finial on column supports to rectangular base on claw feet, 22in. (56cm) £300-500

844 18th/ 19th century continental relic holder the centre with oval miniature portrait of Christ surrounded by bone fragments with labels refering to different saints, in octagonal ebonised frame with gilt metal mounts £200-400

845 Pair of elephants feet boxes, one with wooden lid£60-100

857

860

861

862859

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846 1980 Taylor’s Vintage Port, bottled in Oporto by Taylor, Fladgate and Yeatman, unopened wooden crate of twelve bottles, £300-500

847 Hardy Palakona “The Wye” three piece split cane fishing rod, with spare top piece £80-120

848 Hardy The Hollolight Hollokona three piece fishing rod with spare top piece, 12’6” £80-120

849 J S Sharpe of Aberdeen 13’ 9” impregnated fishing rod £80-120

850 Farlows split cane “Super Parabolic” two piece fly rod £50-100

851 Six Peninsular & Oriental books containing ledgers and correspondence written during the late 19th and early 20th century, £300-500

852 19th Century gilt metal inkwell depicting a young fisherman on a red marble mottled circular base, 4in. (10cm) £150-250

853 Pair of treen drinking vessels on turned circular bases 7½in. (18cm) £100-150

854 Mende carved wood helmet mask, Eastern province Sierra Leone, £200-300

855 Early 20th century three decanter tantalus 12 x 13½in. (30 x 33cm) £300-500

856 After Antoine Louis Barye, 20th century bronze of a bison and bear, on shaped marble base, 19.5” long, £200-300

857 19th century marquetry inland decanter box the front panel depicting figures interior with four decanters and fourteen glasses £300-500

See Illustration.

858 Pair of gold plated lorgnettes, a quizzing glass and an aide memoir with engraved white metal cover,

£50-80

859 19th century Black Forest carved eagle, 20” high£300-500

See Illustration.

860 19th century Black Forest carved eagle, 18.5” high£300-500

See Illustration.

861 19th century Black Forest carved eagle, 20.5” high£300-500

See Illustration.

862 19th century Black Forest carved eagle, 21” high£300-500

See Illustration.

863 19th century Black Forest carved eagle clock case, (no movement), 25” high, stamped C V Bergen and Co., Interlaken £250-400

See Illustration.

864 19th Century Black Forest carved table centre with two chamois on a rocky outcrop with flowers and foliage, glass vase, 21” high overall

£150-250

865 Pair of 19th century carved rosewood lions, 9” wide x 5” high £60-100

866 19th century pipe the bowl in the form of a dog’s head, 5.5” £20-40

867 Nineteenth century flame effect tortoiseshell card case £30-50

868 Nineteenth century mother of pearl card case£20-40

869 19th century novelty painted and lacquered spectacles case, depicting Abdul Kader and when turned upside down a naked lady, £100-150

870 19th century rosewood and brass bound writing slope with inkwells and pen tray, 7 x 18 x 10in. (18 x 46 x 25cm) £200-300

871 19th century French bronze table inkwell, the cover in the form of two horses raised on three winged beasts on round base 10in. (25cm)

£200-300

872 Pair of Victorian style brass door handles £50-100

873 19th century portrait miniature of a woman on ivory, and another similar 3in. (8cm) £100-150

874 Pair of painted spelter figures of young arab boys holding planters 16in. (41cm) £80-120

863

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A unique Kipling family archive which has come through Helen MacDonald, who was a great niece of Rudyard Kipling's mother Alice MacDonald. Alice's three sisters were married to Edward Burne Jones, Edward Poynter (Artists) and Alfred Baldwin (father of 20th century British Prime Minister Stanley Baldwin). Passed from Helen MacDonald by gift to the present vendor.

The archive includes letters, photographs and personal items, some of them belonging to the author’s troubled ‘forgotten sister’. Much of the collection is previously unseen and was inherited by Helen MacDonald, great niece of Kipling's mother Alice MacDonald, about whom a future Viceroy of India would say "Dullness and Mrs. Kipling cannot exist in the same room”.

Alice married Kipling's father John Lockwood Kipling and moved to India in 1865. Her three sisters married respectively the artists Edward Burne-Jones and Edward Poynter and Alfred Baldwin, father of the Prime Minister Stanley Baldwin. From Helen MacDonald (Rudyard Kipling's first cousin once removed) the archive passed by gift to the present vendor.

Most poignant is an autograph letter to Kipling’s brother-in-law John Fleming about Kipling’s sister, Alice (‘Trix) being certified insane.

RUDYARD KIPLING ARCHIVE

Kipling and Trix were both born in India but his days of “strong light and darkness” in Bombay ended when, following the custom in British India, at the age of five, he and his three-year-old sister were sent to England. They lived unhappily with a foster couple in Southsea, who boarded children of British nationals serving in India.

Written on paper “Hotel du Parc & sa dependance Hotel Ibrahim Pacha” in the French Pyrenees, on Mar 13 1911, Kipling notes that the objection to Trix being certified is sentimental “but none the less jars on me”.

The letter is estimated at £300-500, as is Trix’s folding paper fan, which she used like an autograph album. It dates from 1891-1895 and is signed in ink by Rudyard Kipling, Stanley Baldwin, Edward Burne-Jones and his wife Georgiana and Edward Poynter.

Kipling’s father, John Lockwood Kipling was an accomplished artist, illustrating many of his son’s books. The archive includes a panel, hand-painted by Lockwood Kipling depicting a vase of flowers and birds among scrolling foliage. It is referred to on Page 383 of 'Trix, Kipling's Forgotten Sister' by Lorna Lee, the caption reading: “The decorative panel (varnished paper) by Lockwood which Trix used as a firescreen. Trix always wanted this and it was collected from “The Gables” at Tisbury by Jack Fleming (Trix's husband ) after Lockwood's death.” It must subsequently have passed to Helen MacDonald when Trix died.

Two pen and ink drawings by Lockwood Kipling titled respectively 'The Ruby Prince' showing a man surrounded by cobras, signed with initials, the other 'The Snake Woman', each measuring 7" x 4.5", are together estimated at £50-100.

An autograph letter from Kipling to Trix dated December 15 1935 is on four sides of headed paper from Bateman’s in Burwash, Sussex, the Jacobean house where Kipling and his wife, Carrie, lived from 1902, now belonging to the National Trust. Kipling used the house and its setting for many of his stories in Puck of Pook's Hill (1906) and the sequel Rewards and Fairies (1910).

Addressed: “Ho! daughter of my mother”, the letter reads: “Im busy clearing up odds and ends as behoves one whose 70th birthday is upon him!. I accept it but I can only say that I dont feel in the least like it, nor do I like it in the least."

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There are references to his first cousin Stanley Baldwin and the League of Nations and to having recently met Neville Chamberlain: "he seemed quite calm which I confess I am not in respect of Italian possibilities. Its a vindictive people with long memory." The letter and its envelope are estimated at £100-150.

In 1883, Kipling visited Shimla (then known as Simla), a well-known hill station and the summer capital of British India. Kipling returned there for his annual leave each year from 1885 to 1888, and the town figured prominently in many of the stories he wrote for the Gazette.

A handwritten poem signed and dated “Rudyard Kipling Simla 1885, June 2nd 1885”, on lined paper, the poem reads:

As one who throws earth’s gold away in scorn,Holding Tomorrow shall refill his purse,So he who spurns his brain’s light offspring, bornIn prose or verse.

Behold the night is certain when our handShall fail from labour and our eye from sight. – Thrice mad who has no treasure at commandAgainst that night.

Wherefore, while each new day brings some new thoughtAnd life’s chain sparkles, golden link by linkWrite quickly: good or evil, all is fraughtMore deeply than you think.

The archive contains many photographs, some previously unseen, including two from the Simla studio of Bourne & Shepherd, Simla, Calcutta & Bombay. As well as what is believed to be the earliest photographic portrait of Prime Minister Stanley Baldwin, aged about six years old.


PROVENANCE: Lot numbers 875 to 961 are part of a unique Kipling family archive which has come through Helen MacDonald, who was a great niece of Rudyard

Kipling’s mother Alice MacDonald. Alice’s three sisters were married to Edward Burne Jones, Edward Poynter

(Artists) and Alfred Baldwin (father of 20th century British Prime Minister Stanley Baldwin). Passed from Helen

MacDonald by gift to the present vendor.

875 Beatrix Potter, The Tale of Peter Rabbit pub. F. Warne & Co, undated, with inscriptions from the previous owner together with three other Beatrix Potter books to include; The Story of Miss Moppet, undated, with pencil inscription for the previous owner; The Story of A Fierce Bad Rabbit, undated, with a pen inscription for the previous owner, lacking spine; The Tale of Squirrel Nutkin, undated, with pen and pencil inscriptions for the previous owner, lacking spine (4) £50-80

876 Louis Wain, Catland Stories, part of the Father Tuck’s “Furry Mascot” Series, pub. Raphael and Tuck & Sons Ltd, undated, with numerous colour and black and white Louis Wain illustrations throughout the book, £30-50

877 Leyland, Ancient Buildings in the Parish of Halifax, pub. R. Leyland and Son, 1879, with twenty-five black and white illustrations, pages loose (but all present) with original green cloth, with gilt lettering and black decoration to the front, water staining to all pages, £30-50

878 Beatrix Potter, The Roly Poly Pudding, pub. F. Warne and Co, and dated 1908, red cloth, with eighteen colour and numerous black and white illustrations, plain end-papers, 8vo, large format, and inscribed in pen with the name of a previous owner, and another Beatrix Potter publication titled, The Pie and the Patty-Pan, dated 1905, maroon cloth, ten colour and numerous black and white illustrations, decorative end-papers, 8vo, large format, inscribed in pencil with the name of a previous owner, (2) £60-100

879 Beatrix Potter, The Tale of Benjamin Bunny, pub. F. Warne and Co, dated 1904, on the reverse of the title page, in original glassine dust-wrapper, page 15, ‘muffetees’ spelt correctly, together with three other Beatrix Potter early editions to include; The Tale of Mrs. Tiggy-Winkle, dated 1905, on the reverse of the title page, inscribed with name Helen M. Macdonald, 1918, the words ‘How Keld’ are not present in the picture on page 20; The Tale of Johnny Town-Mouse, dated 1918, on the reverse of the title page; and The Tale of Jemina Puddle-Duck, dated 1908, on the reverse of the title page (lacking spine) (4) £50-80

880 A collection seven books by Rudyard Kipling to include Thy Servant A Dog told by Boots pub. Macmilllan and Co, 1930, first edition. leather bound with gilt lettering and decoration, inscribed in black pen, Margaret E. Macdonald, Tulse Hill, 1931; and another later copy reprinted January 1931, cloth bound; Supplication of the Black Aberdeen with drawings by G.L. Stampa, publisher and publication date unknown; The Phantom Rickshaw and Other Mysteries pub. International Fiction Library, undated; A Fleet in Being pub. Macmillan and Co, 1898; Humorous Tales pub. The Reprint Society, 1942, inscribed in pencil, J.F. Macdonald; Under the Deodars pub. H. M. Caldwell, 1899, inscribed in pencil J. F. Macdonald £50-80

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881 Angela Thirkell, The Old Bank House, pub. Hamish Hamilton, 1949, First Edition, signed by the author, with a collection of twenty-five Angela Thirkell novels, many first editions, some inscribed with the name of the previous owner Margaret Macdonald, some with dust wrappers, together with the author’s autobiography, and a photograph of a young girl believed to be the author, granddaughter of Edward Coley Burn-Jones £50-100

882 A quantity of books on various subjects to include theology, literature, history etc £50-100

883 Rudyard Kipling: signed handwritten letter to his brother-in-law John Fleming about his sister Trix being certified, written at the Hotel du Parc & sa dependance Hotel Ibrahim Pacha on Mar 13th 1911, “ Dear Fleming, Thank you for your letter. Of course the objection to T’s being certified is in large part sentimental but none the less it jars on one. I am glad that you found T looking better so far as bodily health was concerned. One must remember that the attack has now lasted barely three months and it has been taken in hand practically from the first, so one can begin to hope that another few weeks may see the turn in the malady. At any rate the fact that she regards the nurse as she does is proof, at least, that she is in sympathetic hands. What her demeanour may be to her family and surroundings is a matter that may depend on a hundred causes to which, in a short visit, one has no clue. It is to be remembered that in the overwhelming number of mental cases they turn for a while against those who are nearest to them. Our weather is rather cold with a falsely blue sky every now and then and a wind like Dornoch Firth. Very sincerely yours Rudyard Kipling” £300-500

See Illustration.

884 Rudyard Kipling: signed head and shoulders cabinet photograph, inscribed ‘Yours very sincerely Rudyard Kipling’, inscribed verso ‘ A kind of scrubbed boy - a lawyer’s clerk’ (Merchant of Venice) by Bourne & Shepherd, Simla, Calcutta & Bombay, PROVENANCE: This lot is part of a unique Kipling family archive which has come through Helen MacDonald, who was a great niece of Rudyard Kipling’s mother Alice MacDonald. Alice’s three sisters were married to Edward Burne Jones, Edward Poynter (Artists) and Alfred Baldwin (father of 20th century British Prime Minister Stanley Baldwin). Passed from Helen MacDonald by gift to the present vendor. 6½ x 4¼in. (15 x 10cm) £200-300

See Illustration.

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885 Rudyard Kipling: signed handwritten letter to Sybil Healey, from Bateman’s Burwash Sussex Nov. 25/30, as follows: “ Dear Sib, Many thanks for the letters which I have dealt with without reading. One don’ts care to go into ancestral matters of close on eighty years ago. Bless you for sending them but please don’t make your executors do any such thing whatever. It’s an awful mistake to load a small estate with post mortem charges. Besides I was a ...........and I shan’t like it if you do. I’m no earthly lord as a critic but if you have to send your tale along I’ll look over it but I don’t see why Blackwood shouldn’t take it. He would do more after all! I don’t know the view of the magazines but they are always on the look out for new stories - Strand, ....., London, Cassells, ....., Pearsons and the rest of ‘em: and as a rule the shorter the better. I expect we’ll be going to Bath for a bit as the wife... a very bad go of rheumatism. I am grateful to you for the letters about Mother. Always your affectionate Ruddy” and a post script: “Please forgive my vile first bit. I’ve just finished drying two dripping long-haired dogs and it took 1/2 an hours steady friction! R.” with envelope, Sybil Heeley was the daughter of Wilfred Lucas Heeley (Kipling used to spell the surname Healey). He had been a schoolfriend of Burne-Jones in Birmingham And was well known to the Macdonalds as he had been engaged to Kipling’s aunt Caroline. £100-150

See Illustration.

886 Rudyard Kipling: signed handwritten letter to John Fleming his brother-in-law about Trix Kipling’s bank account, Sep 20. 1913, as follows: “ We’ve been away for a few days and getting John off to school or I’d have answered your letter before. Trix’s account at the bank stands as follows.” £50-80

887 Rudyard Kipling: signed handwritten letter to Sybil Healey sent from Bateman’s Burwash Sussex, May 10/10, about a visit to her in Devon and other matters, signed ‘Ruddy’, Sybil Heeley was the daughter of Wilfred Lucas Heeley (Kipling used to spell the surname Healey). He had been a schoolfriend of Burne-Jones in Birmingham And was well known to the Macdonalds as he had been engaged to Kipling’s aunt Caroline. £100-150

888 Rudyard Kipling: signed handwritten letter to Sibyl Healey, sent from Waite, Windham Co., (Vermont) Nov 23. 95, about a recent trip to Boston and his family, “ my few days away in Boston have given me a mail to dispose of as high as a hog’s back and not half as interesting” signed ‘Rud’, | Sybil Heeley was the daughter of Wilfred Lucas Heeley (Kipling used to spell the surname Healey). He had been a schoolfriend of Burne-Jones in Birmingham And was well known to the Macdonalds as he had been engaged to Kipling’s aunt Caroline £100-150

889 A quantity of books on various subjects to include theology, literature, history etc £50-100

890 Beatrix Potter, The Tailor of Gloucester, pub. F. Warne and Co, and dated 1903 at the bottom of the title page, all four end papers are matching, with inscription on the second end paper, ‘Mollie Macdonald, 1919’, believed to be first printing of the first edition of this title, £50-80

891 Rudyard Kipling: signed handwritten letter to Sibyl Healey, sent from the Grand Pump Hotel Bath, Jan 2. 34, in which he writes about his general health and enquires about hers, signed ‘Your affectionate Rud’, Sybil Heeley was the daughter of Wilfred Lucas Heeley (Kipling used to spell the surname Healey). He had been a schoolfriend of Burne-Jones in Birmingham And was well known to the Macdonalds as he had been engaged to Kipling’s aunt Caroline £100-150

892 Beatrix Potter, The Tale of Tom Kitten pub. F. Warne and Co, and dated 1905 on the reverse of the title page, with an inscription in pen to the previous owner together with three other Beatrix Potter books to include; The Tale of Mrs. Tittlemouse dated 1910, and on the reverse of the title page; The Tale of Flopsy Bunnies pub. F. Warne and Co, Ltd, dated 1909 on the reverse of the title page; The Tale of Two Bad Mice pub. F, Warne & Co, dated 1904 on the reverse of the title page, spine missing and pages loose with an inscription to the previous owner, ‘Betty from Daddy, Xmas 1916’ (4) £50-80

893 Rudyard Kipling: signed handwritten letter to his brother-in-law John Fleming, dated Aug 19. 1911, mainly enquiring after his sister’s health, signed ‘very sincerely yours Rudyard Kipling’, £100-150

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894 Rudyard Kipling: Cabinet portrait photograph depicting Rudyard Kipling and his father John Lockwood Kipling, by Bourne & Shepherd,


895 Rudyard Kipling: Cabinet photograph depicting Rudyard Kipling and his mother, dated Dec 13. 90, with dedication to his sister Trix as follows: ‘Trix from Mother and Ruddy’, by Elliott and Fry Photographers, 55 Baker Street, London, £200-300

See Illustration.

896 Trix (Alice) Kipling (Sister of Rudyard Kipling): cabinet portrait, by H. & R. Stiles, 34 Kensington High St., London, £40-60

See Illustration.

897 John Lockwood Kipling: cabinet portrait by Alexander Ayton, 43 Bruntsfield Place, Edinburgh, £40-60

898 Rudyard Kipling: two silver gelatin photographs of the author when he was young, one with shoulder length hair and wearing a sailor’s uniform, the other with short hair wearing a jacket and bow tie. £80-120

See Illustration.

899 Extensive all world collection of stamps housed in two cartons; includes British Empire, Great Britain with Mint Commemoratives £150-200

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900 John Lockwood Kipling, hand-painted panel depicting a vase of flowers and birds amongst scrolling foliage, See page 383 of ‘Trix, Kipling’s Forgotten Sister’, Lorna Lee, where the caption says “The decorative panel (varnished paper) by Lockwood which Trix used as a firescreen. Trix always wanted this and it was collected from “The Gables” at Tisbury by Jack Fleming (Trix’s husband ) after Lockwood’s death.” It must subsequently have passed to Helen MacDonald when Trix died 32 x 27in. (81 x 69cm) £100-200

See Illustration.

901 Trix Kipling’s fan which she used as an autograph album, dating from 1891-95, autographs include Rudyard Kipling, Stanley Baldwin, Edward Burne-Jones and many others, See pages 118 and 119 ‘Trix: Kipling’s Forgotten Sister’, Lorna Lee. £300-500

See Illustration.

902 Trix Kipling’s black painted and gilt decorated box containing her fortune telling paraphernalia and her crystal ball, and a copy of ‘Cheiro’s Palmistry For All’, dedicated to Alice Fleming (Trix Kipling), See page 114 ‘Trix: Kipling’s Forgotten Sister’, Lorna Lee. £100-200

903 Rudyard Kipling: signed handwritten letter to his sister Trix Dec 15 1935 on four sides of Bateman’s Burwash headed paper, with envelope “Ho! daughter of my mother, ....Im busy clearing up odds and ends as behoves one whose 70th birthday is upon him!. I accept it but I can only say that I dont feel in the least like it, nor do I like it in the least.” There are references to his first cousin Stanley Baldwin and the League of Nations and to having recently met Neville Chamberlain “he seemed quite calm which I confess I am not in respect of Italian possibilities. Its a vindictive people with long memory.” £100-150

See Illustration.

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903

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904 Max Desmarets - his Valentine written and illustrated Feb 14th 1884 by Rudyard Kipling on two pieces of gilt edged card, This may be one of the original exhibits from an exhibition referred to in the Kipling Journal December 1951 “.And lastly there was the intriguing-and somewhat eerie Max Desmarets —His Valentine (4) written by R.K. on February 14th, 1884 in tiny hand-writing on a small folded gilt-edgedcard illustrated by him in red ink and opening with the couplet : “ How shall a ghost from Père la Chaise Greeting send to a vanquished love? “ It was written while R.K. was in India ; but who Max Desmarets was and how he drifted into R.K.’s ken—or imagination—no one knows. This exhibit also had previously never been published or shown. “ £200-300

See Illustration.

905 Rudyard Kipling: signed handwritten letter to Sibyl Healey on The Athenaeum headed paper, dated May 29/ 34, signed ‘Ruddy’, Sybil Heeley was the daughter of Wilfred Lucas Heeley (Kipling used to spell the surname Healey).

He had been a schoolfriend of Burne-Jones in Birmingham And was well known to the Macdonalds as he had been engaged to Kipling’s aunt Caroline £60-100

906 Small collection of letters from Trix Kipling to various recipients including one to ‘Edith’ where she writes about her family and nursing her husband John Fleming, dated Thursday Feb 5th 1942, and others £100-200

907 Rudyard Kipling: seven autographs on one piece of clipped card, £300-500

See Illustration.

908 Rudyard Kipling: Typed letter to ‘Donald Macdonald’ a broker, signed, dated August 9. 1913, with envelope, “If I ever make a change in my broker or if English stocks ever make a change I will remember you” £80-120

909 Rudyard Kipling: autograph on a scrap of paper, £100-150

910 Rudyard Kipling: three-quarter length cabinet photograph by Bourne & Shepherd, Simla, Calcutta & Bombay, £100-150

See Illustration.

911 Portrait miniature of Caroline Elizabeth Macdonald, great aunt of Rudyard Kipling, wearing a dress with a lace collar and pink ribbon, painted on porcelain, in fitted case, case 6” x 5”, with handwritten note “painted on China by Mr Chester in Birmingham 1852” £80-120

904

907

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91

912 Rudyard Kipling: Typed letter to Sibyl Healey about the sending of an autograph, Bateman’s Aug, 7/29, signed ‘Rud’, in a handwritten envelope, £40-60

913 John Lockwood Kipling: two drawings in pen and ink titled ‘The Ruby Prince’ of a man surrounded by cobras, signed with initials, 7” x 4.5”, another titled ‘The Snake Woman’, 7” x 4.5”, £50-100

See Illustration.

914 Stanley Baldwin: signed handwritten letter to Florence Macdonald about family affairs, on Astley Hall headed paper, dated Boxing Day 1946, in a handwritten envelope marked PRIME MINISTER but franked 19th Dec 1936 ie not original envelope., £100-150

915 Stanley Baldwin: memorial service programme January 14th, 1948, family tickets, and a photograph of Lord and Lady Baldwin, £40-60

916 Edward Burne-Jones and Georgiana Macdonald: handwritten and illustrated letter to Georgiana’s brother Frederick addressed here as Bobby, on eight sides of paper, signed Georgie & Edward. This letter was probably written circa 1856 not long after Kipling’s mother’s sister had met Burne-Jones whom she later married. Georgiana would have been about 16 when the letter was written and Burne Jones about 22. Parts of this letter were illustrated in Ina Taylor’s book Victorian sisters about the four Macdonald sisters. The writers of the letter were Rudyard Kipling’s uncle and aunt on his mother’s side. £150-250

See Illustration.

917 Rudyard Kipling: photographic portrait print signed John Collier 1891 and by Rudyard Kipling on the mount, 11 x 8in. (28 x 20cm) £100-150

See Illustration.

918 Trix Kipling: signed and dated cabinet photograph of Lord Dufferin 9/10/88, Viceroy of India 1884-1888, by P. Vuccino & Co., Bombay, This actual photograph Illustrated page 17 ‘Trix: Kipling’s Forgotten Sister’, published by the Kipling Society. Helen MacDonald assisted in the preparation of this book. £40-60

919 Rudyard Kipling: ‘His Apologies’, signed on the cover by the author, illustrated by R. H. Buxton and ‘Supplication of the Black Aberdeen’ unsigned, £100-150

920 Rudyard Kipling: signed handwritten letter to George Macdonald on Bateman’s Burwash headed paper, 1908, in a handwritten envelope, £100-150

921 Rudyard Kipling: signed handwritten letter to George Macdonald detailing an account for Cowbeach House, on Bateman’s Burwash headed paper, dated May 22. 03, £100-150

913

916

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92

925 Two albums and numerous loose photographs relating to the Kipling and MacDonald families many of which can be found throughout the book ‘Trix: Kiplings Forgotten Sister’, some cabinet photographs included, £100-200

926 Alice MacDonald Fleming (Trix Kipling): Scripts for short stories comprising ‘Ricochet’ and ‘Through Jud’y’s eyes’ (handwritten), and two typed “Romance of a Dooli” and “Through Judys eyes” (a second copy), and text typed for a radio recording scheduled for delivery by Trix Kipling for 17th April 1947 entitled my brother Rudyard Kipling with some corrections. In Trix Kipling’s forgotten sister researched by Lorna Lee Romance of a Doli (changed to Dooli in this text with a correction) this story is printed although it is stated that page 17 is missing. This copy has the missing page. £50-80

927 Rudyard Kipling: ‘In the microscopical Hinterland of a cramped sub-continent’, four handwritten verses on two sides of paper, £200-300

See Illustration.

928 Rudyard Kipling: ‘Independence’, Rectorial address delivered at St. Andrews October 10th 1923, red cloth boards with gilt lettering, £30-50

929 Trix Kipling’s silver brooch with green and clear paste stones, which was passed down to her by her mother, sold with handwritten note from Trix giving it to Molly and Betty. Helen Macdonald was known as Molly because when she was a baby the nursery maid dropped her H’s and called her Ellen. Her mother disliked this so much that she became known as Molly to avoid Ellen being used as her name and this nickname stuck! £30-50

930 Rudyard Kipling; hand decorated and written menu to celebrate his 25th birthday 30th December 1890 depicting Rudyard Kipling and other figures, pen and wash, signed with initials JLK (his father the reverse with Rudyard Kiplings own ink design, 9” x 5.5”, £100-150

See Illustration.

922 Rudyard Kipling: signed typed letter to Sibyl Healey on Bateman’s Burwash headed paper, dated Nov. 18/29, with corrections, signed Ruddy, Sybil Heeley was the daughter of Wilfred Lucas Heeley (Kipling used to spell the surname Healey). He had been a schoolfriend of Burne-Jones in Birmingham And was well known to the Macdonalds as he had been engaged to Kipling’s aunt Caroline. £100-150

923 Rudyard Kipling: ‘As one who throws earth’s gold away in scorn’ handwritten poem, signed and dated ‘Rudyard Kipling Simla 1885, June 2nd 1885, on lined paper with margins, £200-300

See Illustration.

924 Rudyard Kipling: signed and typed letter to Sybil Healey, dated 22nd August 1914, another signed to Julius, 5th October 1922, letter to Watt, all sent from Bateman’s Burwash, Sybil Heeley was the daughter of Wilfred Lucas Heeley (Kipling used to spell the surname Healey). He had been a schoolfriend of Burne-Jones in Birmingham And was well known to the Macdonalds as he had been engaged to Kipling’s aunt Caroline. and a typed copy letter to Watt £100-150

923

927

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931 Rudyard Kipling, card with signature, £80-120

932 Stanley Baldwin, 20th century British prime minister, 1923-24, 1924-29 & 1935-37. signature on printed paper, “Prime Minister” and “10 Downing Street” £80-120

933 Kipling 19th century family tree in pictures, 22 photographic portraits of members of the Kipling/Macdonald/ Burne-Jones/Poynter families in a single frame £200-300

See Illustration.

934 19th century Kipling family leather and brass mounted family photograph album including , Rudyard Kipling, Margaret Burne-Jones, Julius Frederick MacDonald,,Alice Baldwin, Agnes Poynter, and others £100-200

See Illustration.

935 Alice Kipling, “Trix”, a small collection of photographs, including one of her husband Col Jack Fleming £100-150

936 Stanley Baldwin, 20th C British Prime Minister, photograph, 2.75” x 1.75” inscr. verso “ The earliest portrait “. (aged about six!) £100-200

See Illustration.

937 Two photographs, Rev Joseph Kipling and his wife ne Frances Lockwood, Rudyard Kipling’s grandfather and grandmother, 5.5” x 3.5” £50-100

See Illustration.

938 Two photographic portraits of Edward Coley Burne-Jones one with his granddaughter Angela Thirkell the other with Denis Mackail his grandson £50-100

939 Josephine Kipling (1892-99) (daughter of Rudyard Kipling) framed photograph, 3.5 x 2.5” £100-150

See Illustration.

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940 A curious note addressed to Julius MacDonald, Rudyard Kipling’s first cousin with caricature portraits, playing golf and tennis late 19th century, author unknown £30-50

941 Small collection of family photographs £30-50

942 Collection of ephemera from the MacDonald/Kipling collection £20-40

943 An album of 19th century signatures of notable people including Rudyard Kipling, Charles Dickens, Mrs Patrick Campbell and a signed letter from W Heath Robinson £400-600

See Illustration.

944 Queen Victoria diamond Jubilee commemorative bronze medallion in red leather case £50-80

945 Victorian diamond three stone ring, in unmarked gold, the principal diamond in excess of one carat, This ring is part of the Kipling family archive in the sale. It is believed that it may have belonged to Trix Kipling and/or her mother but this canot be fully confirmed as it may have belonged to another member of the family. £1,000-1,500

See Illustration.

946 Victorian diamond set brooch in the form of a flower, the principal diamond approx . 5 carat set in silver and unmarked gold , in original Indian retailers case Carter of Bombay and Poona. It is probable that this brooch belonged originally to Rudyard Kipling’’s wife. and susequently his sister Trix before being inherited by Helen MacDonald £600-800

See Illustration.

947 19th century mourning brooch with central carving, onyx and seed pearls within a scroll frame and an elephant hair ring unmarked yellow metal £200-300

See Illustration.

948 Victorian gold heart brooch with central red stone and seed pearls and a bar brooch with lyre


949 Early 20th C Art Nouveau style locket set with pearl, containing a lock of a childs hair similar

ring and brooch and a single string of pearls with gold clasp. £150-250

See Illustration.

950 Art Nouveau champleve enamel and pearl brooch in the form of a fruiting vine £150-250

See Illustration.

951 Gold wishbone ring set with diamond ruby and sapphire stones each .25 carat £200-400

See Illustration.

952 Victorian gold and pearl crescent brooch two unmounted cameos and a carved mother of pearl brooch £100-150

953 19th C almandine garnet ring in 22 ct gold , a citrine brooch , gold ring with diamond points and unmarked rose brooch £150-250

954 Carved ivory box with mother of pearl counters silver and mother of pearl penknife, and another silver £30-50

955 Collection of mainly 1920’s costume jewellery including a flapper girl necklace, paste bracelet and ring £70-100

956 A Murle Bennett Arts and Crafts gold and turquoise pendant £200-300

See Illustration.

957 Liberty & Co silver and enamel pendant another set with moonstone and a Ruskin roundel

£150-250

958 Five stone diamond ring in raised setting total diamond weight in excess of one carat , gold unmarked, This ring is part of the Kipling family archive in the sale. It probably belonged to Trix Kipling and/or her mother but this canot be fully confirmed as it may have belonged to another member of the family. £800-1,200

See Illustration.

959 Trix Kipling a notebook written in her own hand, including references to her elephant language, and an anecdote on her brother Rudyard, “Once when Ruddy was very young and in a Royal rage he cried so hard that Mother told him he must stop or he would make himself very ill- Checking his sobs he glared at her and said bitterly- Very well then I’ll die and go to heaven and be an angel- Boohoo-yah-hoo hoo!” £100-200

960 Curious letter to Miss Pocock, Frome Somerset dated 5th November 1797, from Ramsbury with words and pictures £30-50

961 Frank H. Mason signed etching depicting a sailing ship coming in to port, another smaller, a letter from Frank H. Mason, cigarette card and a newspaper clipping, £50-80

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RUGS


962 Sarough (Iran) wool blue ground carpet the centre with repeating foliate motif and light blue border

£300-500

963 Persian silk Qum rug with ivory ground, central medallion and floral border, 61” x 41”,

£200-300

964 Persian blue ground rug with central floral medallion and floral decorated borders, 64 x 43in. (163 x 109cm)

£100-200

965 Persian silk red ground rug with repeating floral motif and borders, 48 x 27in. (122 x 69cm)

£100-150

ANTIQUE FURNITURE


966 Victorian mahogany marble topped sideboard with raised mirror back over central open section flanked by cupboards

£300-500

967 19th century mahogany glazed bookcase cabinet 84 x 53 x 15in. (213 x 135 x 38cm)


968 Regency mahogany dining table, the central section with drop flaps attaching to D-shaped end sections on turned pillars and tripod supports,

£500-800

969 Pair of William IV rosewood footstools on quatrefoil carved bun feet

£150-250

970 Mahogany extending dining table with two additional leaves on turned supports, fully extended 101” 29 x 55 x 50in. (74 x 140 x 127cm)


971 19th century dressing table mirror on unusual carved base with scrolls shell and foliage on four scroll feet. 23 x 21 x 14½in. (58 x 53 x 36cm)


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971

97

972 19th century mahogany dining table with three additional leaves, fully extended 127” 29 x 61 x 49½in. (74 x 155 x 124cm)


973 18th century oak and walnut chest of two short over two long drawers on bracket base 34 x 42 x 21in. (86 x 107 x 53cm)

£200-300

974 Mahogany astragal glazed bookcase above secretaire drawer and two cupboard doors to plinth base 87½ x 36 x 20in. (221 x 91 x 51cm)


975 Late 19th century North African hardwood chair with carved back and woven hide seat

£120-180

976 17th century oak chest of four long graduated drawers


977 Child`s Orkney chair, curved rush back, drop in seat, with open arms


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978 Pair of large composite stone garden pots with acorn decoration (one a/f)

£300-500

979 Pair of campana shaped cast iron garden urns 23½in. (58cm)


980 Wirework conservatory seat 50in. (127cm)£100-150

981 Black lacquered and mother of pearl inlaid chinoiserie decorated work table, the hinged cover revealing compartments on shaped supports,

£200-300

982 19th century laquered and gilt games table in the Japanese manner on column support 32 x 24 x 20in. (81 x 61 x 51cm) £200-300

983 Mahogany three fold screen with glass insets to top and embroidered panels £100-150

984 Pair of 19th century satinwood bedside cupboards single doors on bracket bases 32 x 16 x 15in. (81 x 41 x 38cm) £400-600

See Illustration.

985 18th century walnut and crossbanded bachelors chest with folding top above two short and three graduated drawers on bracket base 31 x 30 x 13½in. (79 x 76 x 33cm) £1,500-2,500

See Illustration.

986 Victorian walnut card table on turned and carved supports and splayed feet, 29 x 37 x 18in. (74 x 94 x 46cm) £150-250

987 Regency gilt gesso framed mirror triple mirror classical frieze flanked by Corinthian column supports, £150-250

988 19th century mahogany tallboy, of two short over six long drawers to splayed bracket feet 76½ x 44 x 22in. (193 x 112 x 56cm) £300-500

See Illustration.

989 George II mahogany chest with brushing slide above two short and three long drawers 29½ x 30 x 15½in. (74 x 76 x 38cm) £800-1,200

See Illustration.

990 George III mahogany chest with brushing slide and four long drawers on bracket base 31 x 34 x 18in. (79 x 86 x 46cm) £200-300

991 18th century oak low boy with three drawers on cabriole legs 29 x 22 x 31in. (74 x 56 x 79cm)

£250-350

992 19th century mahogany and boxwood strung bow fronted chest of two short and three long drawers 36 x 35 x 20in. (91 x 89 x 51cm) £200-400

993 Early 20th century mahogany chest of six drawers on bracket base 39 x 18 x 14in. (99 x 46 x 36cm)

£150-200

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99

994 19th century mahogany oval table, hinged top to reveal compartment on splayed legs 29 x 25 x 16in. (74 x 64 x 41cm) £400-600

995 19th century mahogany framed arm chair on cabriole legs £100-200

996 19th century rosewood davenport with sliding top above a cupboard door 35 x 20 x 20in. (89 x 51 x 51cm) £500-1,000

See Illustration.

997 Robert Mouseman Thompson of Kilburn king size bed frame 5ft wide £800-1,200

998 19th century mahogany fold over tea table with brass inlaid decoration on square tapering supports, 29 x 38 x 19in. (74 x 97 x 48cm)

£200-300

999 Victorian walnut sofa with inlaid decoration, on turned supports £100-200

1000 19th century oak chest of two short over three long graduated drawers, to bracket base 40 x 42 x 20in. (102 x 107 x 51cm) £150-250

1001 George II walnut bureau bookcase, double domed top above bureau with drawers pigeon holes and well above four drawers on bracket base 85 x 38in. (216 x 97cm) £800-1,200

See Illustration.

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100

1002 18th century style walnut and cross banded serpentine sideboard, the central section with two drawers flanked by two cupboard doors, on cabriole legs 37 x 60 x 22in. (94 x 152 x 56cm)

£300-500

1003 19th century mahogany side table with two drawers on tapering legs 31 x 41 x 22in. (79 x 104 x 56cm) £100-200

1004 George III style mahogany extending dining table on twin pedestals with two extra leaves, extended 94” £200-300

1005 19th century mahogany chiffonier with raised back above a single drawer and two cupboard doors on turned feet 53 x 44 x 18in. (135 x 112 x 46cm)

£300-500

1006 19th century mahogany kneehole desk with central cupboard door of unusual configuration of one long drawer to front, and two drawers to each side 28 x 46 x 23in. (71 x 117 x 58cm) £300-500

See Illustration.

1007 19th century mahogany glazed bookcase on plinth base 80 x 47 x 14in. (203 x 119 x 36cm)


1008 Pair of lead garden urns in Neo Classical style with covers, decorated with figures 30in. (76cm)


1009 Mahogany framed and astragal glazed display cabinet on cabriole legs 83 x 44 x 20in. (211 x 112 x 51cm) £200-300

See Illustration.

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1009

101

1010 Set of six Regency rosewood dining chairs with upholstered seats and backs on turned legs


1011 George III mahogany chest of four long graduated drawers, on bracket base 28 x 26 x 16½in. (71 x 66 x 41cm) £200-300

See Illustration.

1012 19th century Black Forest profusely carved chair the back syrmounted by cherubs and with winged female arm supports on turned legs £250-400

See Illustration.

1013 Continental 19th century profusely carved oak bookcase with four glazed doors, decorated with cherubs and foliage, 47” wide, 89.5” high, 18” deep £400-600

See Illustration.

1010

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1016

1014 19th century walnut oval table on four turned supports and quadruped base, 48” x 35”

£300-500

1015 19th century continental carved oak bookcase with figural decoration the top with a glazed door the base with a panelled door, 38” wide x 90.5” high x 19.5 “ deep £250-400

See Illustration.

1016 19th century Continental walnut bookcase with a single glazed door the base with two drawers, 42” wide x 17.5 deep x 81” high £300-500

See Illustration.

1017 Victorian small upholstered button back chair on cabriole legs £60-100

1018 Victorian upholstered button back open arm chair on cabriole legs £80-100

1019 Victorian upholstered walnut button back open arm chair on cabriole legs £120-180

1020 Victorian rosewood upholstered open arm chair on cabriole legs £150-250

See Illustration.

1021 Victorian walnut button back chair on cabriole legs £100-150

1022 19th century continental carved oak and lead glazed display cabinet with two glazed doors on stand 70½ x 60 x 18in. (178 x 152 x 46cm)

£200-300

1023 Chinese carved wall mirror with dragon finial 32 x 21in. (81 x 53cm) £100-200

1024 19th century walnut loo table on column support with splayed legs 30 x 34 x 36in. (76 x 86 x 91cm) £100-200

1025 Late 19th century walnut framed chaise longue with carved and pierced show frame £150-250

1015

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1026 George VI oak and green upholstered coronation chair, £200-400

1027 Elizabeth II oak and blue upholstered Coronation chair, £200-300

1028 George III mahogany wine table on tripod base£200-300

1029 19th century gilt gesso oval girandole with three candle holders, 55 x 33in. (140 x 84cm) £200-300

1020

1031

1030 18th century oak chest of four long drawers with carved panelled fronts, on square supports,

£200-300

1031 Early 20th century French kingwood and marquetry inlaid card table with brass mounts on cabriole legs, 31 x 32 x 23in. (79 x 81 x 58cm)


1032 19th century pine corner cabinet with carved moulded domed decoration, 101in. (257cm)


1033 19th century German satinwood bedside cabinet 50 x 18 x 17in. (127 x 46 x 43cm) £150-250

1034 19th century mahogany chest of two short over three long drawers on bracket base 34 x 40 x 20in. (86 x 102 x 51cm) £200-300

1032

104

1035 George III style mahogany serpentine chest on chest top with four drawers, base with brushing slide and four drawers 63 x 31 x 18in. (160 x 79 x 46cm) £800-1,200

1036 18th century oak drop leaf dining table with frieze drawer on turned supports 29 x 49in. (74 x 124cm) £200-300

1037 19th century mahogany bedroom mirror, base with three drawers 26 x 23in. (66 x 58cm) £100-200

1038 Early 20th century mahogany folding demi lune card table on tapering legs to spade feet 29 x 32in. (74 x 81cm) £150-250

1039 18th century oak dining table with two drawers on bobbin turned support united by stretchers 28 x 33 x 22in. (71 x 84 x 56cm) £150-250

1040 Set of six 19th century mahogany bar back dining chairs with drop in seats on turned legs £300-500

1041 18th century oak side table with single drawer on bobbin turned legs united by stretcher 22 x 33 x 22in. (56 x 84 x 56cm) £100-200

1042 No Lot

1043 No Lot

1044 19th century rosewood framed sofa on bobbin turned supports, £250-350

See Illustration.

1045 Pair of 1th century walnut and gilt wood mounted open bookcases on plinth bases, 49 x 43 x 9in. (124 x 109 x 23cm) £300-500

See Illustration.

1046 Mid 19th century German walnut sewing table, with a shaped rectangular top with rippled molded edge, and fitted interior 21½ x 15in. (53 x 38cm)

£100-150

1047 18th century oak domed top cot 25 x 36 x 15in. (64 x 91 x 38cm) £150-250

END OF SALE

1044

1045

105

Light Transport Collections DeliveriesSingle Items Small Moves

Licenced for Final House ClearancesFine Art Movers

Talk to on Tel/Fax: 01932 868392Mob: 07958 991841 or 07739 135669

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www.tlctransport.org

Trevor

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106

While hospital charity benefits from bequest of two Chinese porcelain vases

The inaugural standalone sale of Asian and Eastern Art Surrey’s premier auctioneers of fine art and antiques was marked by a £135,000 bid for a beautiful Chinese cloisonné prayer wheel, sent for sale by a London vendor thrilled at the unexpected windfall.

Buyers believed the religious object to be a rare example, the decorative process of which used coloured enamels to fill small partitions formed by metal wires called “cloissons”. A number of bidders fell away as the price rose quickly past the £10,000 mark, leaving to two to slug it out, one in the room, the other on the Internet bidding live from China. It fell to the bidder in the room, a London dealer. The price is a house record for Ewbank’s for the sale of a single Chinese work of art. In the same sale, a Chinese blue and white Yen Yen

vase painted with mountainous landscapes dating from the Kangzi period, and a 19th century famille rose cylindrical vase decorated with phoenix among flowers sold to dealers for £8,400 and £1,700 respectively. Both had been bequeathed to the FPH Charity at Frimley Park Hospital who had asked Ewbank’s to identify and sell them. As in all such sales, Ewbank’s donated their services free, so that the charity receives the full hammer price.

Nearest contender for top honours in the sale was a horseshoe backed, two-seater settee fashioned from huanghuali wood, purchased by its Guildford owner whilst in Singapore. It sold to a Taiwan bidder for £12,000.

The settee was among a number of items in the same wood from the collection including a chair with a reclining back carved with a Shou character for longevity, purchased by a Chinese buyer living in the Midlands for £9,000 and a pair of plant stands, sold to the Taiwan bidder for £4,800.

A 20th century meal box comprising 11 sections, each with metal mounts and a pair of folding bookstands in the same wood from the collection sold for £1,400 and £1,300 respectively. Each price was a multiple of the pre-sale estimates.

INAUGURAL SALE OF ASIAN AND EASTERN ART AT EWBANK’S SETS £135,000 ASIAN ART HOUSE RECORD

FOR SURREY’S PREMIER FINE ART AUCTIONEER

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dragons picked out in gold thread in the brocaded fabric, while the contrasting hoof form cuffs and collar were also finely embroidered with dragons and further emblems. It was purchased by one of the Beijing buyers already mentioned, who paid £2,400 against an estimate of £1,000-1,500 to secure it.

However, a Kent dealer beat off the opposition for a 19th century blue silk lined Chinese wall hanging, but the battle cost her £2,000 against an estimate of £500-800. Object of her desire was constructed out of Qing dynasty (1644-1911) Chi-fu dragon and phoenix robes, depicting five claw dragons amongst clouds and bats, the second robe for a female with five roundels of embroidery, each with a phoenix amidst flowers and butterflies.

In works of art, a mid 20th century, six-inch Chinese carved malachite figure of woman and child, sold with five similar figures in different minerals was purchased by another Beijing buyer for £1,500, another multiple of its estimate.

The next opportunity for sellers to cash in on this continued strong demand for Asian and Eastern antiques and works of art will be in the second such specialist sale on November 19, entries for which are invited.

For further information please contact the auctioneer on 01483 223101 or email [email protected]

Also known as the “yellow flowering pear”, huanghuali wood is a type of rosewood much prized in furniture of the Ming dynasty (1368-1644) and early years of the Qing dynasty (1644-1912). It is appreciated for its colour, its scent and its distinctive grain, its hardness allowing craftsmen to create elegant, slender yet strong pieces.

Asian buyers secured many of the top lots. In ceramics, a bidder from Jiangxi Province paid £4,000 for a pair of famille rose vases with dragon handles and decorated with exotic birds amid flowering branches, while Beijing buyers paid £1,700 and £1,500 respectively for a 19th century Japanese Bizen-style vase with cylindrical neck and carved with calligraphy and auspicious objects and an early 19th century Chinese copper-red pear-shaped vase with spreading nek.

The same group of buyers were excited by a group of Asian textiles in the sale, pick of which was a late 17th or early 18th century Tibetan mandala, a sacred buddhist picture of the universe, centred by a tantric figure in an imaginary palace used in contemplation during meditation. Purchased in Singapore by the same vendor as the huanghuali wood furniture, the painted fabric depicted bodisatvas and monks and sold to a Chinese buyer living in London for a mid estimate £2,600

Another representation of the universe featured in a late 18th or early 19th century Chinese silk dragon robe in yellow and gold silk tapestry weave robe which also came from the Singapore collection. It was decorated with the symbolically important eight

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The importance of the global reach of sales at Ewbank’s, Surrey’s premier auctioneer of fine art and antiques, was illustrated when a painting found in the attic of a bungalow in Devon was sold to a collector from Switzerland. The stunning portrait of the beautiful but tragic 19th century opera singer Maria Malibran sold for £9,500.

the celebrated tenor Manuel Garcia. She appeared on stage for the first time alongside him in Naples when she was aged just eight.

Her first of many triumphal visits to Italy was in 1832 and in 1834, she began to perform in London. In May 1936, she took the lead role in The Maid of Artois, written for her by Balfe, but in July that year, she suffered what were to be catastrophic injuries in a fall from a horse. However, she refused to see a physician and continued to perform.

In October of the same year, she was participating in a music festival at Manchester Cathedral and also appearing at the Theatre Royal on Fountain Street. She collapsed on stage while performing encores at the theatre, but insisted on performing in the cathedral the following morning where she suddenly collapsed and died. Her body was buried temporarily in the cathedral grounds following a public funeral but moved later to a mausoleum in Belgium.

From another owner, a 19th century oil on canvas by an Italian School artist depicting Christ wearing a crown of thorns sold to a London dealer for £2,600, a multiple of its guide price.

As if to underline the global nature of Ewbank’s business, an Australian buyer, bidding on the Internet paid a top estimate £8,000 to secure a work by Sir Sydney Nolan (1917-1992), arguably that country’s most important and best known painter and printmakers

The visually striking work in Ripolin enamel paint on board, titled “Antarctica” and showing towering blue ice peaks, was given by the artist to the vendor in the late 1980s or early 1990s when they exchanged paintings with each other.

Of Irish origin, Nolan was born in Melbourne, and is perhaps best known for his famous series of paintings inspired by the life of the outlaw Ned Kelly. Nolan arrived in London in 1951, but his desire to see the world was insatiable, taking him to Greece, Paris, the U.S., Africa, China and Antarctica, painting a remarkable series of works inspired by the vast continents.

SALES OF PAINTINGS TO SWITZERLAND AND AUSTRALIA UNDERLINE GLOBAL REACH OF

FINE ART AUCTIONS AT EWBANK’S

The 19th century portrait in its original ornate carved wood Florentine frame was by a Rome artist signing himself as “Cav. Carla”. It had been hidden in the attic by an elderly lady who had also stored her other valuable possessions in her home in Paignton because she was worried about burglary. It was found after her death by her granddaughter and consigned to Ewbank’ where the significance of the sitter was identified only after it was seen by the saleroom’s specialists, who had recognised the quality of the work.

Born in Paris in 1808 as María Felicitas García Sitches into a world famous Spanish musical dynasty family, “La Malibran”, as she was known affectionately by her fans, was trained by her father,

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Lots from collection kept formerly at Hampton Court Palace raise £37,000

A sumptuous bed cover which once belonged to Queen Mary from a collection kept formerly at Hampton Court Palace sold for £2,200 in a sale of fine textiles at Ewbank’s, Surrey’s premier auctioneers of fine art and antiques.

Like many lots in the sale, the price was a multiple of its presale guide price as collectors and dealers alike fought bidding battles to secure the many rarities in the collection. Queen Mary was well known for her appreciation of needlework.

Made in India in the late 19th century, the bed cover, or possibly a wall hanging, was hand-stitched in gilt thread with a brocaded centre and had tasselled ends set with seed pearls. It was purchased by a Kent buyer who also paid £1,000, double the presale estimate, for a large crewel work bed cover or wall hanging dating from circa 1900 worked in shades of blue green and mauve wool. It was decorated with a design of trees, flowers, a squirrel and butterfly, set within a panelled border of plums, pears and strawberries.

Later he exhibited paintings inspired by composer Benjamin Britten’s works but his affection for Australia and sense of his Australian nationality was strong, returning there for a least a few months every year.

He was knighted in 1981 and awarded the Order of Merit in 1983. He was also made a Companion of the Order of Australia; elected an honorary member of the American Academy of Arts and Letters and a member of The Royal Academy of Arts.

Thomas Rowlandson (1756-1827) was among the most prolific of all English caricaturists producing tens of thousands of drawings in a career that spanned half a century. He was also arguably the most talented draughtsman among late 18th century social satirists. He attended the Académie Royal school in Paris at the age of 16 and the R.A. Schools at 19.

His was the school of rollicking humour and he travelled widely in England and Wales, as well as France, Germany, Holland and Italy, making rapid yet brilliant sketches of the life and scenes he encountered on his way.

Highlights of his prolific career were his series of illustrative etchings titled respectively "Comforts of Bath" done in 1798; "The Miseries of Life", 1808 and The Tours of Dr. Syntax", 1812-20. A set of 12 of the former relating to the delights of the spa, which was a great favourite of royalty, sold to a London buyer for £2,800 against an estimate of £1,000-1,500.

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The rare and exquisite textiles in the collection spanned more than 350 years and comprised hundreds of examples of embroidery, lace and needlework from the British Isles and overseas. It was offered in 100 lots, which sold for a total of £37,000. Presale, the collection had been expected to raise £19,000.

Most valuable piece proved to be large Turkish Ottoman wall hanging dating from the late 17th or early 18th century, decorated with a formal design of flowers on a linen ground. It sold to a Leicestershire collector for £3,400.

embroidered with red flowers and black leaves dating from the same period is heading to the Middle East, having been purchased by a collector in Israel for £1,200.

The same price was paid for a William and Mary lace box in laburnum wood with petit point top and side panels depicting a mythical beast in landscape, while the interior was decorated with parquetry inlay. It was estimated at £300-500 and sold to a Suffolk dealer.

The collection also included a number of pieces of gentlemen’s attire, pick of which was a flamboyant and extensively embroidered wool coat decorated with panels of flowers and grasses on both the front and back. English and dating from the mid 18th century, it had a stand up collar and deep cuffs and sold to a local buyer for £1,100.

Dating from the same era, a pair of crewelwork hangings with tree of life style decoration depicting plants, flowers, fruit, and running deer on grassy hills sold to a London dealer for an above estimate £1,700, the same price being paid by a London collector for a splendid 19th century American bedcover, plain cotton ground appliquéd with sea shells, a leopard, peacock, dove, and block-printed fabrics. An embroidered signature read: “E R Hall 1844”.

An early Colonial wall hanging embroidered with a stylised forest scene depicting tribal figures and animals within a leaf border was worked in silk on muslin and sold for £1,600. It was purchased by a Suffolk collector, but an 18th century Turkish embroidered silk panel, sold with a Persian cover

People wishing to take advantage of the confidential service will find ample free parking at the saleroom’s prominent out-of-town location adjoining the A3 three miles from Guildford. This also means it is not necessary to carry valuable objects around town centre streets.

For further information or to make an appointment to see a valuer, please contact the auctioneer on 01483 223101 or [email protected]

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Bids from Hong Kong, the U.S. and Switzerland took the top lots in a sale of Entertainment memorabilia at Ewbank’s, Surrey’s premier auctions of fine art and antiques, but it was a collector in the UK who was the victor in a tussle to take ownership of the most valuable piece in the sale: an Italian film poster that sold for a cool £8,500.

LIFE IS SWEET FOR BUYERS AND SELLERS IN EWBANK’S AUCTION OF ENTERTAINMENT MEMORABILIA

Reproduced in countless copies on the walls of Italian restaurants everywhere, the original poster for the 1960 film La Dolce Vita is an imposing four folio artwork by Georgio Olivetti measuring more than six feet high. Frederico Fellini’s masterpiece, starring Anita Ekberg and Marcello Mastroianni, broke box office records when it was released and achieved worldwide acclaim, which clearly continues among collectors.

Ian Fleming’s James Bond was immortalised in a series of books long before the exploits of the secret agent licensed to kill reached the cinema. Today first editions published by Jonathan Cape can be valuable when complete with dust jacket and in good condition. To prove the point, a copy of the 1955 thriller Moonraker was nearest contender for top honours, selling to a collector for £2,200.

Doctor Who has thrilled children of all ages for two generations, with the iconic Daleks being his most memorable foes. The sale included a full scale exact replica of the extraterrestrial mutant as seen in the classic 1975 BBC TV series “Genesis of the Daleks”, which sold to a collector for £2,200. It was made from glass fibre, metal and wood running on wheels with interior electronics.

No rock and pop auction would be complete without a selection of Beatles memorabilia, the top lot in this section proving to be a single A4 sheet of paper with sketches of figures in black ink by John Lennon, similar to those seen in his 1965 nonsense book “A Spaniard in the Works”, the reverse with Cynthia Lennon's name repeated in blue Biro. It had been given to Liverpool comedian Peter Robinson by Lennon during their friendship in the 1960s and sold to collector for £2,100.

A page from Rolling Stone Magazine dated October 26, 1968, autographed in Biro by Jimi Hendrix, Noel Redding and Mitch Mitchell of the Jimi Hendrix Experience, framed in a presentation display with a photograph and offered with a certificate of authenticity sold to a buyer in Geneva for £2,000.

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Autographed material generally sold well. Paris Themmen’s personal copy of the poster promoting the 1971 movie “Willy Wonka & the Chocolate Factory” autographed by the cast including Gene Wilder, who played the lead part, sold for £1,200. Themmen played Mike Teevee, “the boy who does nothing but watch television”. It was purchased by a collector, while a telephone bidder secured a “First Man On The Moon” first day cover signed by the Apollo XI astronauts Neil Armstrong (1930-2012) Buzz Aldrin (b. 1930) and Mike Collins (b. 1930) the NASA crew member who piloted the command spacecraft alone in lunar orbit until his comrades returned. It sold for an above estimate £1,050.

David Bailey (b. 1938) is regarded as one of the first celebrity photographers, celebrated himself in the sale by a copy of his first published work “David Bailey's Box of Pin-ups”. Published by Weidenfeld & Nicolson in 1965, the loose portfolio comprises 36 halftone prints of such as John Lennon, Mick Jagger and controversially the Kray brothers in original box. It sold to a buyer in Massachusetts for £1,600, double its presale guide price.

Perhaps the most arresting object in the sale was a near six-feet tall cast metal light fitting modelled as a statue which once stood in the offices of London Films in Piccadilly. The statue, titled “Victorieux” and marked “M Constant”, stood on a marble stand and depicted an athletic man wearing a loin cloth, holding a sword in one hand and a flaming torch in the other, standing astride a slain monster. It was purchased by a collector for £2,000, a multiple of its estimate.

Elton John is renowned for his flamboyant outfits both onstage and off. A leather jacket decorated all over with metal studs by Gianni Versace, owned and worn by the singer songwriter, was purchased by a Hong Kong buyer for £1,500. No one was more flamboyant – or outrageous – however, than the Paris dancer Josephine Baker, an icon of the Jet Age, dubbed the “Nefertiti of now”. An original linen-back poster promoting the Bar Des Folies Africaines, Boulevard Carnot Depuis 1926, Cocktails Exotiques, sold for £1,000. She is shown wearing only a grass skirt.

Ewbank’s next Entertainment & Memorabilia Auction is on July 9th which is now closed, however entries are now invited for the October Memorabilia Auction. Specialist Alastair McCrea is available at the Burnt Common Auction Rooms in London Road, Send, to give free saleroom valuations and to accept items for sale by auction Monday to Friday, 9.30am-5pm. Appointments are advisable.

For further information or to make an appointment to see a valuer, please contact the auctioneer on 01483 223101 or email [email protected]

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June 27 auction is expected to raise around £200,000

Tate Director Sir Nicholas Serota described Michael Compton as “arguably the first curator working in England to command international respect for his practice as a maker of exhibitions, collaborator with artists and contributor to the discourse of contemporary art”.

On June 27, Ewbank’s, Surrey’s premier auctioneer of fine art and antiques, will sell The Michael Compton Collection of Post War and Contemporary Art, a group of 28 works by luminaries Roy Lichtenstein, Marcel Broodthaers, Terry Frost, Henry Moore, Richard Long, Victor Newsome, Keith Milow, Billy Al Bengston, Ian Stephenson, Sol LeWitt and Joe Tilson, most of them gifted in thanks by the artists or their families whose careers were enhanced by the exhibitions Compton created. The collection will be offered with its own catalogue and is expected to raise around £200,000.

A small Lichtenstein bronze, ‘Yellow Brushstroke’ is an exception. Number 11 of 19 from an initial lifetime casting, it was presented to Compton by the Frederick R. Weisman Art Foundation at an awards event held at the Los Angeles Museum of Contemporary Art on May 23 1991. The presentation was in recognition of his work as curator of the 1989 Marcel Broodthaers exhibition at the Walker Art Center in Minneapolis. It is estimated at £40,000-60,000.

Broodthaers died in 1976 and in 1980, while at Tate Gallery, Compton curated the first retrospective of the Belgian artist’s work. He went on to curate the 1989 exhibition in Minneapolis which also travelled to the Museum of Contemporary Art in Los Angeles and the Carnegie Museum of Art in Pittsburgh.

Frederick R.Weisman (1912-1994) was an entrepreneur, philanthropist, and art collector, who held an uncompromising belief in the cultural value of art and an understanding of the importance of both the individual artist and the creative process.

Lichtenstein developed his Brushstrokes paintings as sculptural representations in the 1980s and ‘90s, depicting the gestural expressions of the brushstroke itself. In his own words, Lichtenstein said the brushstroke “is just an idea to start with, and painting it makes it more concrete, but when you do it in bronze sculpture, it becomes real and has weight and is absurd, contradictory and funny”.

EWBANK’S TO SELL WORKS BY LICHTENSTEIN, BROODTHAERS, HENRY MOORE AND OTHERS IN

AUCTION OF THE MICHAEL COMPTON COLLECTION OF POST WAR AND CONTEMPORARY ART

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Marcel Broodthaers (1924-1976) spent 20 years in poverty as a struggling poet before turning to art and began to make objects in 1963. One the surreal images linked to him most often is ‘Poêle De Moules’, mussel shells in a frying pan, a witty nod to his homeland’s national dish. The piece is one of 10 lots in the sale gifted to Compton by the artist’s widow, Maria, at the time he was working with her on a proposed catalogue-raisonné of her husband’s work. This involved regular visits to Brussels in the 1980s and ‘90s to do research.

Broodthaers was a writer, poet, filmmaker, photographer, journalist and artist, who famously remarked he would rather have put off the choice of profession until his death. Closely associated with the Belgian Groupe Surréaliste-revolutionnaire, he made use of found objects and collage, incorporating written language in his art, using whatever was at hand for raw materials, most notably the shells of eggs and mussels. Poêle De Moules’ is estimated at £40,000-60,000.

‘Un Chateaubriand bien saignant pour deux’. (A rare Chateaubriand for two) is unsigned but shares the same provenance as the mussels. It is stencilled (?) on the unprimed reverse of the canvas. It is estimated at £30,000-50,000, while ‘Palette’, done in coloured pencils on a prepared canvas board in 1973-4 is estimated at £15,000-25,000.

A photographer’s light box with photographs and slides inscribed ‘Avion’ and ‘Avis’ is estimated at £10,000-20,000.

Language as a symbol that conveys meaning is a central theme in Broodthaers’ texts, objects, installations, films, photographs, slide projections and prints. A work comprising three magic slate boards mounted on grey card is estimated at £5,000-10,000 and a group of 12 children's ABC play bricks stencilled in black in a Dr. Pusscat on the Mouse box is estimated at £4,000-6,000, as is a pair of green glass wine bottles with printed labels ‘Pluie’ and ‘Mer du Nord’ (‘Rain’ and ‘Sea of The North’.

An untitled abstract by Sir Terry Frost (1915-2003) is an unfinished oil and collage on hardboard done in 1954-56 and estimated at £10,000-20,000. The work was begun when Frost was a Gregory Fellow at Leeds University and given to Compton who at the time was assistant to the director at the city’s art gallery.

Frost told Compton and his wife, Susan, that the motifs were inspired by a visit to Malham Tarn in the Yorkshire Dales. Frost had already produced a smaller sketch, also painted on hardboard, which Mr and

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Michael Compton was born in Minehead, Somerset, while his parents were on leave from India where he spent his early childhood. Educated in England and South Africa, he studied naval architecture before turning to art history, graduating from the Courtauld Institute in 1952.

From 1953 Compton worked in public museums, beginning at Leeds Art Gallery (1953-57) where he catalogued the watercolour collection at Temple Newsam House, followed by the Walker Art Gallery in Liverpool, where he was Keeper of Foreign Art. In 1960, he was appointed Director of the Ferens Art Gallery in Hull for which he acquired the first David Hockney to enter a museum. He joined the Tate Gallery as Assistant Keeper of the Modern Collection in 1965 and worked there until his retirement in 1987.

Early in 1968, a Churchill Travelling Fellowship gave him three months in the U.S. to explore contemporary American art, instigating contemporary exhibitions, beginning with the Roy Lichtenstein show of 1968. In 1971, he curated the Andy Warhol and Robert Morris exhibitions, the former a great success, the latter a disaster, although it was re-staged in 2009 to great acclaim.

In the 1970s, Compton planned an extension to the Tate Gallery (today Tate Britain) to provide special space for exhibitions, which opened in 1979. Additionally, he was invited to join British Council and Arts Council committees and became involved with exhibitions at the Hayward Gallery in London and British Council exhibitions overseas. He also represented Britain on the International Committee of Modern Art Museums (CIMAM).

By the time he retired in 1987 he was the most “international” curator in London, connecting his up-to-date knowledge of British art to first-hand experience of contemporary art in Europe and the United States. In recognition of this he was created C.B.E. He died last year, leaving a widow, who lives in Surrey, and two daughters.

For further information, please contact the auctioneers on 01483 223101 or [email protected].

Mrs Compton owned, so he presented them with this version saying, “I don't know how to finish this so I'd like you to have it”. The work was probably painted in the studio provided by the university in Moor Road, Leeds and is similar to a group of works which Frost related to his experience of the Dales landscape.

Sir Henry Moore (1898-1986) gifted two inscribed lithographs to Compton in thanks for organising the 1977 Henry Moore Drawings exhibition at the Tate Gallery curated by Alan Wilkinson of the Ontario Art Gallery. They show a reclining figure and a mother and child respectively and each is inscribed “For Michael Compton from Henry Moore”. Each is estimated at £600-1,000, as is a signed wine bottle given to Compton during the dinner for Henry Moore at the Cafe Royale which followed the opening of the exhibition. With it is a second bottle from the opening of a Henry Moore exhibition in 1989 at the Fondation Pierre Gianadda in Martingny, Switzerland, where a local vintage was named for the artist and served at the gallery.

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EWBANK AUCTIONEERSIn 1994 we acquired the Burnt Common Auction Rooms, which are situated just off the A3, under ten minutes away from junction 10 on the M25. It is a very prominent site in an out of town location giving easy access and acres of parking. Woking main line station is 4 miles with trains to Waterloo (25 minutes). Throughout our time in Guildford, we have had the privilege of advising thousands clients on the valuation and sale of Antiques and Fine Art and have conducted well in excess of a hundred Antiques and Fine Arts auctions and over three hundred General Sales. When we started in 1990 we held six auctions a year and we are now expecting to hold up to 24 in the next twelve months

If they are to succeed, businesses like ours must give clients and buyers an efficient and friendly service and, over the years, we have always tried to maintain the highest standards, adhering to the principles of probity and ethics of the Royal Institution of Chartered Surveyors and the Society of Fine Art Auctioneers and Valuers, of which we are Members. Most of our new clients come to us on recommendation, from professional advisers or existing clients. As the costs of selling by Auction in Central London have rocketed we have benefited from the general trend in recent years for more important items to be sold outside the capital. Catalogues are produced and circulated to prospective purchasers by post and E-mail and full details, including digital illustrations of almost all lots in our quarterly Antique and Fine Art auctions, are included on the internet. Buyers are attracted from all over the world.

We have an agreement with artfact.com, who list our antique sales on Ebay, take commission bids from prospective buyers and facilitate active participation in the auction from a PC anywhere in the world at the time that the sale is actually in progress. This gives a far greater global marketing ability. We are trail-blazing in this field as there are only a handful of other Antique and Fine Art salerooms in the UK who also list on eBay. We see this as being the way forward for the future and it will maximise our ability to achieve the best possible prices for our clients. In our first internet linked auction in 2005 there were nearly 20000 visits to our online catalogue generating over 500 specific enquiries and the figures have risen markedly since then.

Ewbank Auctioneers has grown from humble beginnings holding six sales a year, to the position that we hold today, with our own salerooms and some twenty sales a year. Turnover since 1990 has increased by over 800%. Building refurbishment works have just been completed, which include, a new mezzanine floor doubling our existing floor space, a new entrance, offices, a new heating system and external face-lift.

Chris Ewbank has taken a very active part in the leadership of the profession within the UK. He has been a member of the Fine Arts Advisory Panel of the Royal Institution of Chartered Surveyors and Chairman of its Art and Antiques Professional Group. He is also an elected Member of its International Governing Council ( the highest decision making body in the Institution). He joined the Committee of the Society of Fine Art Auctioneers & Valuers in 1994, (he first became a member in 1982), and was Chairman from 2000 - 2007. He has also in recent years been on the Executive Committee of the British Art Market Federation and was one of the first to join the new City of London Guild of Arts Scholars, Dealers and Collectors.

Chris Ewbank FRICS ASFAV

HOW TO FIND US

Heading North on the A3 take the Ripley turning to the Burnt Common roundabout and follow the Woodhill signs.

Heading South turn off the A3 11/2 miles after the

M25 junction and proceed through Ripley to the Burnt Common roundabout as above. If you miss the Ripley turning go South, proceed to the Merrow & Burpham slip road and join the A3 Northbound.

Ewbank Auctioneers is situated between the A3 and B2215 South of Burnt Common Roundabout.

Please note: if using Sat Nav to navigate to us then to do not use our postcode as this will direct you to the A3. Please use postcode GU23 7JY, this will take you to the burnt common roundabout then follow directions as above.

Burnt Common

Roundabout

A3

A257

One W

ay

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T E R M S O F C O N S I G N M E N T F O R S E L L E R S

1. Interpretation. In these Terms the words 'you', 'yours', etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller's authority to contract. Similarly the words 'we', 'us', etc. refer to the Auctioneers.

2. Commission is charged to sellers calculated per lot, as follows: 15% up to £1,000 - 10% thereafter. Marketing and Internet Listing charge on each lot (sold or unsold) £10. Catalogue illustration / late entry charge on each lot (sold or unsold) £10. Loss and damage warranty 1.5%. All the above are subject to VAT at current rates 3. Removal costs. Items for sale must be consigned to the sale room

by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage warranty (a) All goods on our premises are warranted against fire, theft or accidental damage while on our premises and sellers are charged at the rate of 1.5% of the hammer price plus VAT or our best estimate of what the hammer price would have been had the goods sold.

5. Illustrations. Almost all lots in our sales are illustrated on the internet. There are is a £10 plus VAT marketing and internet listing charge. Many lots in our Quarterly Fine and Specialist sales have an illustration in a physical catalogue. Where this is the case, or where a lot is entered for sale after the published catalogue closing date, then there is a £10 plus VAT catalogue illustration charge. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7. We may sell Lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us "discretion" we may accept a bid of up to 20% below the formal reserve.

7. Reserves. (a) You are entitled to place prior to the auction a reserve on any

lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and Loss and Damage Warranty charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your

behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability

for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of 10 % plus VAT on being bought in or withdrawn after being catalogued. Minimum charge £10.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

15. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.

16. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions. and reserve the right to make minimum warehousing charge of £5 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

17. Settlement. After sale settlement of the net sum due to you normally takes place 21 days after the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 21 days from the date of sale.

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C O N D I T I O N S O F S A L E

Ewbank’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions:

(a) "auctioneer” means the firm of Ewbank’s or its authorised auctioneer, as appropriate;

(b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) “terms of consignment” means the stipulated terms and rates of commission on which Ewbank’s accepts instructions from sellers or their agents;

(e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising;

(g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2

(h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before

bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved

up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium

thereon of 25.2% inclusive of VAT [or incremental] at the rate imposed by law.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all

items affixed with a ‘†’ or double asterisk. V a l u e Added Tax is charged at the appropriate rate prevailing by law

at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6. PAYMENT(1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way

as is agreed by us. (c) Any payments by you to us may be applied by us towards

any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES(1) The ownership of any Lots purchased shall not pass to you until

you have made payment in full to us of the total amount due.(2) You shall at your own risk and expense take away any lots that

you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and Loss and Damage Warranty charges.

(3) No purchase can be claimed or removed until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES

(1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by

us to you; (c) to resell the Lot (by auction or private treaty) in which case

you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere;

(e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(f) to retain that or any other Lot sold to you until you pay the total amount due;

(g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(i) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

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(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY All members of the public on our premises are there at their

own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the

auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller

is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any

responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that Lots are sold subject to the

stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot.

14. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe Lots accurately, it may be

impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any Lot which

proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that:-

(1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale

- or (2) you personally are not able to transfer a good and

marketable title to us, you shall have no r i g h t s under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale

GENERAL16. We shall have the right at our discretion, to refuse admission to

our premises or attendance at our auctions by any person.

17. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

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OUR WEBSITE: www.ewbankauctions.co.uk

We have just updated our web-site. Those who know us will already know that they can find current and archive catalogues on line and that all sale catalogues, auction dates, sale results and terms of business together with useful information on buying and selling can be found there.

Multiple images and condition reports are also posted on line for our quarterly antique and fine art auctions, all lots in these sales being illustrated. This information is freely available to anyone logging in but there are additional benefits of registering with us on line.

WHY NOT REGISTER ON LINE TO MAKE THE BEST USE

OF OUR SERVICES

If you have not already registered on our site you can do so now by completing the on line registration form.

Registration is simple and gives you the opportunity to take advantage of a number of features of this site which is only open to those with a valid log-in;

NEWSLETTERS: If you register on line you can opt to receive periodic newsletters from us (about 12 per year)

FORTHCOMING SALE NOTIFICATIONS; If you want to receive automatic advance notification of all catalogues when they are posted on line select the box 'Please sign me up for forthcoming sale email alerts' when registering.

LEAVE COMMISSION BIDS ON LINE; You can leave commission bids for us to execute on your behalf, which are automatically registered on the auctioneers book. This means that you will not need to communicate them by phone fax or email and gives an efficient straightforward access direct to the auctioneers book. Service open for all sales on line up to half an hour before the auction begins.

REQUEST CONDITION REPORTS

REGISTER YOUR PARTICULAR INTERESTS

RECEIVE LOT ALERTS FOR FORTHCOMING SALES; Based on a word search you can request alerts on lots matching your words in forthcoming sales as they are published on the internet.

PARTICIPATE IN LIVE AUCTIONS VIA THE WEBSITE (ANTIQUE AND FINE ART SALES ONLY); (Note there will be an additional buyers premium charge of 3% plus VAT on the hammer price of purchases for this service).

TRACK LOTS IN WHICH YOU ARE INTERESTED AS A BUYER OR SELLER

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Ewbank’s 2014 Sale CalendarJuly9th Entertainment and Memorabilia Auction (entries close 16th May)16th/17th Antique and Collectors’ Auction30th Militaria Auction, to commemorate the 100th Anniversary of the First World War (entries close 11th July) – a donation from this sale will be made to Help For Heroes

August13th/14th Antique and Collectors’ Auction

September10th/11th Antique and Collectors’ Auction24th Specialist Fine Jewellery & Silver Auction25th Quarterly Fine Auction, to include 18th/19th Century Pictures (entries close 5th September)

October8th/9th Antique and Collectors’ Auction22nd 20th Century Art and Design (entries close 26th September)29th Entertainment and Memorabilia Auction (entries close 3rd October)

November5th/6th Antique and Collectors’ Auction19th Asian and Eastern Art Auction (entries close 31st October)26th Specialist Fine Jewellery & Silver Auction27th Quarterly Fine Auction, to include Fine Wine, Clocks and Watches (entries close 7th November)

December10th/11th Antique and Collectors’ Auction

Lot 734

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Documents

Ewbanks Summer Fine Catalogue 25th/26th June