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EXPLORING GREENLAND JIM GREGSON Twenty years of adventure mountaineering in the great Arctic wilderness FOREWORD BY JOHN BEATTY

Exploring Greenland – Sample Pages

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Sample pages from Jim Gregson's written and photographic celebration of mountaineering and exploring in the great Arctic wilderness of Greenland.

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Page 1: Exploring Greenland – Sample Pages

Exploring grEEnland

Jim GreGson

Twenty years of adventure mountaineering in the great arctic wilderness

Foreword by John beatty

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in the pages of Exploring Greenland lie narratives of adventure and experiences lived in the impressive landscapes where still exist areas unvisited by humans, where the cycle of seasons has revolved through aeons unobserved. The artist rockwell Kent, who spent much time in Greenland, wrote “The wilderness is kindled into life by man’s beholding of it; he is its consciousness, his coming is its dawn… the wilderness is what man brings to it, no more”.

maybe you will never go into the Arctic; perhaps you will be so blessed. Jim Gregson writes of this northern world with affection and respect. in Exploring Greenland he shares with the reader his responses to unclimbed mountain peaks, to wide open skies and untracked glaciers. The silences of the icecap and the creatures encountered in hostile habitats add colour and tone to the scene. With luck the echoes will also resound as the pages are turned.

“Uppa” – perhaps, “Immaqa” – maybe.

The words of the Greenland Inuit offer a valuable guide

to a useful attitude for sojourns in the Arctic.

9 7 8 1 9 0 6 1 4 8 0 9 6 >

ISBN 9781906148096

£20.00

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East Greenland sunrise in Schweizerland

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Vertebrate Publishing, Sheffield www.v-publishing.co.uk

Exploring Greenland

Twenty years of adventure mountaineering in the great Arctic wilderness

Jim GreGson

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ExplorinG GrEEnlandJim Gregson

Vertebrate publishingCrescent House, 228 Psalter Lane, Sheffield, S11 8UTwww.v-publishing.co.uk

First published in 2012 by Vertebrate Publishing, an imprint of Vertebrate Graphics Ltd.

Copyright © Jim Gregson 2012Foreword copyright © John Beatty 2012

Photography by Jim Gregson unless noted otherwise.Front cover photo: Peak Gymir, Saven Range. Back cover photo: The peaks of central Paul Stern Land seen from Ararat.

Jim Gregson has asserted his rights under the Copyright, Designs and Patents Act 1988 to be identified as author of this work.

This book is a work of non-fiction based on the life, experiences and recollections of Jim Gregson. The author has stated to the publishers that, except in such minor respects not affecting the substantial accuracy of the work, the contents of the book are true.

A CIP catalogue record for this book is available from the British Library.

ISBN 978-1-906148-09-6

All rights reserved. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means – graphic, electronic, or mechanised, including photocopying, recording, taping or information storage and retrieval systems – without the written permission of the publisher.

Every effort has been made to obtain the necessary permissions with reference to copyright material, both illustrative and quoted. We apologise for any omissions in this respect and will be pleased to make the appropriate acknowledgements in any future edition.

Designed and typeset by Jane Beagley, in Avenir and Sabon, Vertebrate Graphics Ltd, Sheffield.www.v-graphics.co.uk

Printed and bound in China by Latitude Press Ltd.

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High peaks of the Pourquoi-pas Glacier

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Greenland dawn

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1000km0 100 500

EXPEDITION LOCATIONS1 Shackletons Bjerg2 Paul Stern Land3 Milne Land4 Rignys Bjerg5 Sortebræ Ranges6 Watkins Bjerge/Gunnbjørns Fjeld7 Kronprins Frederik Bjerge8 Champs-Elysées Glacier9 Pourquoi-pas Glacier10 Schweizerland11 Tasiilaq Fjeldhytte

ICELANDICELAND

ELLESMERE ISLAND(Canada)

ELLESMERE ISLAND(Canada)

ARCTIC CIRCLE

ARCTIC CIRCLE

ARCTIC

CIRCLEARCTIC

CIRCLE

GREENLANDKalaallit NunaatGREENLAND

AtlanticOcean

1

2

3

45

6

7

89

1011

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“ To this day you can still hear people asking: What is the point of all these expeditions? What earthly use are they? Small minds, I always tell myself, have only time for thoughts of bread and butter.”

Roald Amundsen, 1912

“ Dreams are the touch stones of our characters. To be awake is to be alive. In wildness is the preservation of the world.”

Henry David Thoreau

This book is dedicated to my wife, Sandra,staunchest of companions.

With love

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IX

PaGE

x . . . . . . . . . . . . . . . . Foreword xii . . . . . . . . . . . . . . . . Making it Happen

1 . . . . . . . . . . . . . 1 Kulusuk Graves 4 . . . . . . . . . . . . . 2 a First Encounter with the arctic 15 . . . . . . . . . . . . . 3 Pack Ice 16 . . . . . . . . . . . . . 4 a Celebration on the Pourquoi-pas Glacier 27 . . . . . . . . . . . . . 5 Silence of the Land 28 . . . . . . . . . . . . . 6 at the Edge of the Inland Ice 43 . . . . . . . . . . . . . 7 Volpone – Issittup Terriania 44 . . . . . . . . . . . . . 8 Paradise Lost then Found 51 . . . . . . . . . . . . . 9 Ski and Pulk 52 . . . . . . . . . . . 10 Northern Nights Out 61 . . . . . . . . . . . 11 Tent Time 64 . . . . . . . . . . . 12 On the Roof of the arctic 75 . . . . . . . . . . . 13 a Welcome for Strangers 78 . . . . . . . . . . . 14 Nocturnes 89 . . . . . . . . . . . 15 Under arctic Sky 90 . . . . . . . . . . . 16 a Different View of the High arctic 97 . . . . . . . . . . . 17 Meeting the Residents 100 . . . . . . . . . . . 18 Two Dips in the arctic Bran Tub 115 . . . . . . . . . . . 19 You always Hurt the One You Love – Change and the Arctic 118 . . . . . . . . . . . 20 Bright, Shining Mountains

133 . . . . . . . . . . . . . . . . appendix 1 – The Development of Mountaineering in East and Northeast Greenland: an Outline History 137 . . . . . . . . . . . . . . . . appendix 2 – List of Mountain ascents 141 . . . . . . . . . . . . . . . . Further Selected Reading 143 . . . . . . . . . . . . . . . . acknowledgements

Table of contents

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X

Hooked upon a nail in my hearth at home, is a coiled eighteen foot Inuit sled dog whip made from a single strip of ringed seal hide. The place, and the moment in which I found it, represents a time in my life when a powerful need to explore wild Arctic regions had led me as a young man, to the epic east coast of Greenland. Our small manhauling expedition sallied forth in late June 1982 to make a crossing of the central ice cap of Greenland from the east to the west coast, one of only very few in the preceding hundred years since its first crossing by Norwegian biologist Fridtjof Nansen in 1888. The sled dog whip lay in the ground drift of spinning snow two kilometres from the rocky coast in a complex zone of crevasses; a discarded remnant, a tool of Greenlandic culture along the sparsely populated coast of Greenland, where travel by dog sled is a necessity for seasonal hunting parties.

This small find is a detail encountered within a vast landscape of wild territory where human activity is infrequent and rare. The elemental nature of Greenland’s east coast of mountains and glaciers is too harsh for all but two small clusters of habitation; one being around Tasiilaq and Ittoqqortoormiit further north. Away from these places, to the north and east, are range upon range of alpine peaks extending from the coast to the edge of the inland icecap. It is to these most inaccessible mountain groups that exploration has developed slowly in the last century.

Traditional alpine mountaineering in Europe is crowded throughout the popular ranges of Oberland, Pennine Alps, Chamonix-Mont Blanc, and Dolomites. By the 1970s adventurers were seeking new horizons but access and cost were providing part of the barrier. The mountains of East

Greenland remained utterly remote, largely unknown and inaccessible. For those prepared to forego the common precepts of ‘adventure’, Arctic mountaineering requires dedication into topographical research, acceptance of great hardships and desire for something that is real and committing. For those who do it, the rewards are rich: to enter a land of silent sentinel peaks, swathes of gigantic untravelled glaciers and an unearthly quality of light in a land so spare that one might feel as if they have abandoned the world and instead entered the flow of time. It is to this arctic fastness that Jim Gregson has dedicated more than twenty years of mountaineering exploration.

The Arctic has drawn him back time and again, whether it is to escape from the complexities of the world or the need to enter regular privations inherent during adventures into these remote icy mountains. Jim’s recurring journeys back to North and East Greenland seem to be born from a simple desire to explore, not just the immense topography of remote ranges but to immerse himself in the details and wonders of the polar environment. Out there the land is implacable and harsh, but the detail is vibrantly interesting.

Throughout this lovely book, Jim Gregson brings us an acute vision of these textures in a quiet and engaging narrative, allowing us as readers, to find our own space of understanding within the vast expanses of this strangest of lands. He recounts details and observations with great clarity, like encounters with the many adapted animals and birds of high latitudes, the luminosity of light on the landscape, and insights into the lives of the Inuit communities surviving in a changing world. These pages

Foreword

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XI

are ‘the real deal’ from an author hugely experienced in the rhythms and nuances of living in the outermost margins of the world.

Some of the exploits recounted in these pages are hair raising adventures of first ascents where the dangers of alpine mountaineering are clearly accentuated because of sheer remoteness, where radio signals are limited, and where skillful Arctic bush pilots provide the only link with the outside world. But Jim sees something more, he observes a sense of wonder about the Arctic, reflecting on its scale and its ineffable beauty, bringing us images of a wild place that few have ever witnessed.

Exploring Greenland is a clear historical and aesthetic record of mountain experiences in a rare and monumental landscape, delivered with the kind of humility experienced only by one who has ventured there. Encounters in these polar landscapes can change one’s life, where the long hard hours on ski or in weather-bound camps are exchanged for memories and reflections of time well spent, and on this occasion shared with a generous and insightful spirit.

John Beatty

FoREWoRD

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Making it Happen

XII

Mountains mean a lot to me. But it wasn’t always so. During my early teenage years I had a powerful interest in motorcycles and longed to own and ride one. My mother, not unsurprisingly, was not overly keen on me persisting with this wish. Perhaps she sighed with some relief when my energies were diverted towards birdwatching, camping and being in the outdoors.

Increasingly ambitious hiking trips, and the contents of the public library, directed me towards the mountains. Time in the hills made me aware of crags and climbers, and quietness. The pull of the motorcycle fell away. To her great credit, once I had intimated that I might have a go at some rock-climbing myself, my mother placed no object in my path.

From these acorns my lifelong involvement with mountains grew, and continues to flourish. After a progression through experience of British hills and mountains, summer and winter, including the stern schoolroom of Scottish winter climbing, I made the transition to the bigger challenges of the European Alps. The learning curve continued with the acceptance that to some extent in the Alps, improvements in technical competence must be accompanied by a certain willingness to suffer. Honest exercise indeed.

Eventually, realisation that expedition climbers were not really a special breed, more were they people who genuinely wanted to do it so much that they made it happen, then I decided to make it happen for myself. This led me to Greenland, and has kept on leading me there.

Jim Gregson

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The Fox’s Jaw cirque, Schweizerland, scene of high standard rock-climbing in recent years

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1

The track from the airstrip to the village of Kap Dan on Kulusuk island wound across the tundra, sadly marked at intervals with discarded litter – rusted cans, odd pieces of machinery, beer bottles – contrasting strongly with cushions of jewel-bright flowers.

On a rocky rise stood two white-painted wooden crosses. Later we learned that here lay two victims of a polar bear attack. The trail breasted a slope from where the first dwellings came into view. Small wooden houses, with weathered but brightly hued paintwork.

Timber frameworks stood close by, hung with strips of drying fish and the darker, bloodied carcasses of seals. A few dogs tethered by chains sprawled by entrance steps, with here and there a litter of pups tugging at pieces of bone. Sledges and a few kayaks were off to one side.

Rounding a bend, a stripe of stronger colour foregrounded the main part of the settlement. Here was the cemetery. Graves headed with simple wooden crosses, paled through long exposure to intense sunlight, most of them bedecked with a cluster of flowers which on closer inspection proved to be artificial, made of plastic. There hardly seemed to be sufficient depth of earth to effect a burial here.

Beyond the graves, across the small harbour inlet, the homes of Kap Dan formed an irregular mosaic amongst the rocky knolls of a headland. Below them an assortment of small boats was haphazardly moored. By several buoys in the clear saltwater, clusters of seal corpses were fastened up in cold but wet storage. Children played on the boulders by the tideline edge. We were witnesses to a way of life different to our own.

1 Kulusuk Graves

Kap Dan village cemetery, Kulusuk

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