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Tickets On Sale Now! 2011-2012 Opera Theater
November 9-12, 2011
Massenet Cendrillon
(“Cinderella”, sung in French)
February 29-March 3, 2012
Rossini La Cambiale di Matrimonio
(“The Mail-Order Marriage,” sung in Italian)
April 20, 21 and 22 (matinee), 2012
Great Scenes from Great Operas
All CIM Opera Theater productions feature projected
translations so audiences are always in on the action.
Call 216.791.5000, ext. 411 for tickets.
See You
at the Opera!
Wednesday, October 12
7:30pm
Gidon Kremer, violin
Giedrė Dirvanauskaite, cello
Andrius Zlabys, piano
Tickets $28, $40
Call 216.791.5000, online at cim.edu
— the fourth season of the —
Mixon Hall
MASTERS SERIES -Tickets now available -
Sunday, October 2, 2011 — 4 p.m.
Mixon Hall
FACULTY RECITAL
STEPHEN ROSE, violin
JEANNE PREUCIL ROSE, violin, guest artist
STANLEY KONOPKA, viola
RICHARD WEISS, cello
JOELA JONES, piano
Program
Suite Popular Española MANUEL DE FALLA
for Cello and Piano (1876 – 1946)
1. El paño moruno
2. Seguidilla murciana
3. Asturiana
4. Jota
5. Nana
6. Canción
7. VII.Polo
Intermezzo from the Opera “Goyescas” ENRIQUE GRANADOS
(trans. Cassado) (1867 – 1916)
for Cello and Piano
Richard Weiss, cello
Joela Jones, piano
Piano Trio No. 2 in B minor, Op. 76 (1933) JOAQUÍN TURINA
(1882 - 1949)
I. Lento – Allegro mollto moderato
II. Molto vivace
III. Lento – Andante mosso – Allegretto
The Cleveland Orchestra Piano Trio
Stephen Rose, violin
Richard Weiss, cello
Joela Jones, piano
INTERMISSION
Piano Quintet in A minor, Op. 84 EDWARD ELGAR
(1857 - 1934)
1. Moderato – Allegro
2. Adagio
3. Andante – Allegro
About the Performers
Stephen Rose is a member of the CIM violin faculty. He was appointed to the
violin section of The Cleveland Orchestra in 1997, and is now principal second
violin of The Orchestra. Mr. Rose received a Bachelor of Music degree from
CIM and Master of Music degree from Eastman School of Music. Teachers
include William Preucil, David Cerone, David Updegraff and Sally O’Reilly.
He has appeared in recital and on chamber music concerts throughout North
America and Europe. Mr. Rose was the former first violinist of the Everest
Quartet, the Resident String Quartet of the Midland-Odessa Symphony, from
1992-1996. The Quartet was a top prize-winner at the 1995 Banff International
String Quartet Competition and presented concerts and master classes through-
out the U.S. Mr. Rose has presented master classes at the National Orchestral
Institute and the New World Symphony and has been a faculty member at EN-
CORE School for Strings and Kent/Blossom. He has been a participant at sum-
mer music festivals, including the Mainly Mozart Festival, Seattle Chamber
Music Festival, Orcas Island, Music at Gretna, Mimir Chamber Music Festival,
Pacific Music Festival (Japan) and Festival der Zukunft in Switzerland. He
received an Alumni Achievement Award from CIM in 2005.
Jeanne Preucil Rose joined The Cleveland Orchestra’s first violin section in
January 1999. Born into a musical family, Ms. Preucil Rose began violin les-
sons at the age of four and soon joined the rest of her family in performances
across the United States and Japan. She earned a bachelor of music degree
from the Cleveland Institute of Music and a master of music degree and per-
former’s certificate from the Eastman School of Music in Rochester, New
York. Before becoming a member of The Cleveland Orchestra, Ms. Preucil
Rose was concertmaster of the Midland-Odessa Symphony and a member of
the award-winning Everest Quartet. She has also participated in many summer
music festivals.
Stanley Konopka joined The Cleveland Orchestra in 1991 and has been assis-
tant principal viola since 1993. He previously served as principal violist and
soloist with the National Repertory Orchestra and was a member of the Pitts-
burgh Symphony Orchestra. Mr. Konopka won several notable awards at the
Interlochen Arts Academy before attending the Cleveland Institute of Music
(CIM) as a student of Cleveland Orchestra Principal Viola Robert Vernon.
Currently a faculty member at CIM, Mr. Konopka has taught at the Encore
School for Strings and has performed at the chamber music festivals of Banff,
Taos and Pensacola.
Richard Weiss is first assistant principal cello of The Cleveland Orchestra.
For the 2009-2010 season, he served as acting principal. A native of Los Ange-
les, California, he won first prize in the Music Teachers National Association
competition. At the Tanglewood Festival, he was the Young Artist contest win-
ner and concerto soloist. While attending the Eastman School on full merit
scholarship, he won a position in the Rochester Philharmonic Orchestra. Dur-
ing his senior year, he was appointed to The Cleveland Orchestra. He has ap-
peared as a soloist many times with The Cleveland Orchestra, and his reper-
toire includes concertos by Beethoven (Triple), Brahms (Double), Dvořák,
Lalo, Rósza, Saint-Saëns (both A and D minor), Schumann and Tchaikovsky.
He is a member of the Cleveland Orchestra Piano Trio, which performs both
locally and on tour. Mr. Weiss teaches at the Cleveland Institute of Music and
the Kent/Blossom Music Festival. He coaches the cello sections of the CIM
Orchestras, the New World Symphony and the Cleveland Orchestra Youth
Orchestra. He performs at several music festivals, including Aspen, Pensacola,
Reno and Kent/Blossom. Along with Cleveland Orchestra colleagues Joela
Jones, Max Dimoff, and Don Miller, he recorded Claude Bolling’s Suite for
Cello and Jazz Piano Trio.
Joela Jones, an artist of exceptional versatility, plays piano, organ, harpsi-
chord, celesta, synthesizer and accordion with The Cleveland Orchestra. As
soloist with the Orchestra, she has performed over fifty different concertos in
more than 200 performances at Severance Hall and Blossom Music Center as
well as on tour in Europe and Asia. Recent appearances as piano soloist with
Music Director Franz Welser-Möst conducting include Stravinsky’s Move-
ments, Messiaen’s Sept Haï-Kaï and Bernstein’s The Age of Anxiety. Since the
renovation of Severance Hall’s Norton Memorial Organ in 2001, Ms. Jones has
performed works for organ and orchestra by Barber, Poulenc, Saint-Saëns,
Janáček, MacMillan and Ives. She is also principal accompanist for the Cleve-
land Orchestra Chorus and visiting vocal soloists. A native of Miami, Florida,
Joela Jones studied as a child with Ernst von Dohnányi. Recognized as a prod-
igy, she made her New York debut with Arthur Fiedler and the Metropolitan
Opera Orchestra. Ms. Jones has appeared as soloist with the orchestras of Bos-
ton, Chicago, Detroit, Houston, Philadelphia and San Francisco, and has per-
formed extensively in solo and chamber music recitals. She teaches advanced
orchestral keyboard classes at the Cleveland Institute of Music, chairs collabo-
rative piano at Kent/Blossom Music, and is visiting coach for the New World
Symphony in Miami. She has recorded works by Poulenc and d’Indy with the
London Symphony Orchestra. With The Cleveland Orchestra, she has recorded
Janáček’s Capriccio for Left Hand with Christoph von Dohnányi and Messi-
aen’s La Ville d’en Haut and Sept Haï-Kaï with Pierre Boulez.