Frankenstein Essay - Full Essay

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  • 8/6/2019 Frankenstein Essay - Full Essay

    1/5

    Liu, 1

    Mishael Liu

    ENG1DB-07

    Ms. Sandford

    May 20th

    2011

    Word Count: 926

    Frankenstein Essay: Why is Similarities Significant in the Book?

    Similarities in books lets readers compare characters in order to know the

    situations around a book. The similarities can be positive or negative, interesting or

    important. In Mary Shellys Frankenstein, the similarities between Victor and his

    Monster not only tell the story, but enhance the book for better. This is because the

    similarities between Victor and his creation plays a role in creating conflict and tension

    in Frankenstein, making it a book that catches the readers attention.

    Both Victor Frankenstein and the Monster have been isolated in different ways,

    but both share a similar result due to isolation, leading to one conflict triggering another

    and creating one big problem for both characters. At the University of Ingolstadt, Victor

    believes that through his studies and thirst for knowledge, he will be able to bring the

    dead back to life once his creature is complete. This leads to conflict during and after

    the creation process. During this stage, Victor has no other intentions other than

    finishing his creation. Because of his persistence and imaginations, Victor isolates

    himself from society and his family in order to finish the creature. Victor even states

    after remembering his fathers words,

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    I knew well therefore what would my fathers feelings, but I could not tearmy thoughts from employment, loathsome in itself, but which had taken anirresistible hold of my imagination (Shelly, 40).

    This proves that he avoids everything to get the job done. When the Monster is

    complete, Victor saw a different perspective of the monster, saying But now that I had

    finished, the beauty of the dream vanished, and breathless horror and disgust filled my

    heart. (Shelly, 42) showing that he never intends on making such a horrid beast. As a

    result, it creates problems for him, the creature, and the world. Victor does not realize

    what he put himself into. Once he makes the decision, there is no turning back. At that

    stage, he has little communication with family such as Alphonse and Elizabeth and he

    shuns himself from society by staying in his lab. Making it worse, Victor is unpleased

    about the Monsters turnout, so he abandons it and stirs up conflict with the monster.

    When Victor leaves his creation, the Monster has no one to take care of him. Instead,

    he is isolated from society due to his unpleasant appearance. With no ones liking, the

    Monster looks for aid everywhere but instead finds misery and rejection from the village

    and the De Lacey family. Finally, the Monsters liking for humans alters after an

    unfriendly thanks. As he spots the girl drowning and saves her, the thanks he receives

    was a shot from a man. It ultimately enraged the beast, disliking the humans for their

    actions by saying, I had saved a human being from destruction, and as a recompense I

    now writhed under the miserable pain of a wound which shattered the flesh and bone.

    (Shelly, 121) At that moment, sympathy is given to the Monster for what Victor and

    society had done to him. Fortunately, the Monster is able to learn through Felixs

    teachings. Now as he understands the situation, the Monster focuses revenge on Victor

    for being a wretched creator. After knowing about Victors horrible actions, the Monster

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    seeks vengeance on Victor by messing with his mind, which from that point built up

    tension up to the climax.

    Victor and his Monsters desire for revenge plays a significant role in building

    tension until the climax, where one side will make a decision that may possibly set the

    stage for the conclusion. The monster is the first in wanting revenge on his creator. This

    is executed by eliminating each member close to Victor, thus mentally tormenting Victor.

    It starts of with the murder of William, which Justine was accused and executed for.

    Then it leads to the death of Henry Clerval at which Victor was blamed for. Finally, the

    Monster finishes his revenge by killing Elizabeth. As Victor describes, She was there,

    lifeless and inanimate, thrown across the bed, her head hanging down and her pale and

    distorted features half covered by her hair (Shelly, 173) he became lifeless inside due

    to what occurred. From the emotional troubles given by the Monsters revenge,

    Frankensteinreaders anticipate what the end will be. Victor could have prevented all of

    it if he were to help the Monster. Instead, he plans on fighting back. Victor has other

    plans for his creature. Instead of manipulating what the Monster did to him, he just kept

    the Monster lonely and shunned by society, by refusing to create the Monsters

    companion. At first, Victor agreed to create the companion; in the process, he realized

    the consequences involved in bringing the companion to life. In the lab, Victor breaks

    the promise for happiness by tearing apart the half-finished creation. The decision Victor

    made was the turning point of the book, where it then leads to the conclusion of the

    book. Soon after, the Monster states, But remember, I shall be with you on your

    wedding night. (Shelly, 147) Through this, assumptions can be made on the ending of

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    Frankenstein. In the cycle of revenge both sides end the book in despair by building

    strong excitement, leading to a surprising twist that ends with their unfortunate deaths.

    At the end, both were miserable. Fortunately, their similarities gave Frankenstein

    a dark storyline, making it a good gothic story. If Victor acted differently, the story would

    have completely changed. As it is, Frankenstein shows conflict and tension through two

    similar sides. The result is a terrifying tale.

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    Work Cited Page

    Shelly, Mary, Frankenstein, Signet Classics: New York, New York, USA:

    2000. Print