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In the Year 2000• Today: we’ll wrap up fricatives…
• and then move on to stops.
• This Friday, there will be one final transcription exercise.
• On Bengali, Quebecois French, and Arabic.
• I just posted it right before class.
Acoustic Enhancement• Note: is post-alveolar and [s] is alveolar
• more space in vocal tract in front of
• including a “sub-lingual cavity”
• This “filter” of resonates at lower frequencies
• In English, this acoustic distinction is enhanced through lip rounding for
• this extends the vocal tract
• further lowers the resonant frequencies of
Other Examples• Susie and David say “speech”:
• Also: Where the shtreets have no name
• And: Tina Fey
• Note: there are no word-initial /sr/ sequences in English.
• “shriek” *“sreek”
Polish• Note: lip-rounding can be used to enhance other fricative contrasts
• In Polish, it enhances the contrast between (post-)alveolar and dental fricatives
• the (post-)alveolars have the rounding
Polish, continued• Polish also has what are known as alveolo-palatal fricatives.
• = constriction in the post-alveolar region
• + raised tongue in the palatal region (behind the fricative)
Mandarin Sibilants• Mandarin Chinese also has dental, post-alveolar and alveolo-palatal sibilant fricatives.
• The post-alveolars are sometimes retroflex
Before I forget…• There are two remaining fricative symbols in the IPA that we have yet to learn.
2. In Swedish, there is a fricative which combines the articulations of post-alveolar and velar [x]:
1. Some dialects of English still have a voiceless labio-velar fricative (a voiceless /w/):
Affricates
• Affricates are transcribed as stop-fricative sequences
•
• Acoustically, amplitude rises faster in affricates than in plain fricatives
• “rise time”
• Phonologically, affricates are [-continuant]
Affricate Typology• More numbers from the UPSID database:
• 522 affricates in 316 languages
• 141
• [ts] 95
• 80
• [dz] 30
• 485 affricates have sibilant fricatives
• Other affricate types are rarer:
• [pf] (German) [tx] (Navajo)
Fricative Acoustics Summary• Turbulence provides the source of fricative noise
• Voiced fricatives also have a sound source at the glottis
• Obstacle turbulence tends to be louder than channel turbulence
• Sibilants are particulary high in intensity
• The filter of fricative turbulence noise changes depending on the place of articulation
• sibilants: very short filter, emphasizing high frequencies
• labials: essentially no filter (flat spectrum)
• back fricatives: longer, more vowel-like filter
• Affricates: stop-fricative sequences with shorter rise time
Review: Stops and Voicing• Stops
• Three stages: close, maintain, release
• Pressure build-up behind closure
• “Release Burst”
• Voicing
• Vocal folds are lightly brought together (adducted)
• Sub-glottal pressure higher than supra-glottal pressure
• Airflow through glottis causes cycle of vocal fold opening and closing
• Voiceless: k > t > p Voiced: b > d > g
It’s not that simple• The voicing of stops is difficult, so the contrast between
voiced and voiceless stops often takes a different form
• Making use of a different property: aspiration
• An aspirated stop has the following timing:
1. Stop closure is made
2. Airflow builds up pressure behind closure
3. Closure is released (with a “burst”)
4. Air flows unimpeded through glottis (“aspiration”)
5. Vocal folds close; voicing begins
Voice Onset Time• Voice Onset Time (VOT) is defined as the length of time between the release of a stop closure and the onset of voicing.
• For aspirated stops--voicing begins after the release, so:
• VOT 50 - 150 milliseconds
• For unaspirated stops--voicing begins at the release, so:
• VOT 0 - 20 milliseconds
• For voiced stops--voicing begins before the release, so:
• VOT < 0 milliseconds
(VOT can be negative)
Thai Stops• In stressed onset position, English distinguishes between:
• unaspirated and aspirated stops.
• Languages like French, Dutch and Spanish distinguish between:
• voiced and voiceless unaspirated stops.
• Thai splits up the VOT continuum into three parts:
• voiced, voiceless unaspirated, voiceless aspirated
English Stop Contrasts1. In onset position:
• /p/ is voiceless aspirated
• /b/ is voiceless unaspirated
2. In medial position (between voiced segments):
• /p/ is voiceless unaspirated
• /b/ is voiced
3. After /s/, in the same syllable:
• only voiceless unaspirated stops (no contrast)
English Stop Contrasts4. In syllable-final position:
• vowels preceding /p/ are short
• vowels preceding /b/ are longer
• /p/ closure tends to be longer than /b/ closure
• Moral of the story:
• Phonological voiced vs. voiceless contrast in English is abstract
• It may exhibit different phonetic manifestations
• Phonemes vs. Allophones