PERFORMANCE CONTRACT RIDER [for fly-in dates only]: GET THE LED OUT (revised 13-May-2013) Rider Page i of xiii

SRO Artists, Inc.http://www.sroartists.com | gigs@sroartists.comPHONE: (608) 664-8160FAX: (608) 664-8161

GET THE LED OUTPERFORMANCE CONTRACT RIDER [FLY-IN DATES]

(revised 13-May-2013) page i of xiii

Today’s Date Sponsor

Venue Performance Date

Name of Technical Director who has read this rider:

GTLO CONTACTS:

BOOKING AGENT: BAND MANAGER:Jeff Laramie Dustin RehrigSRO Artists Inc. DDR Entertainment, LLC6629 University Ave, Suite 206 535 Mildred DriveMiddleton, WI 53562 Walnutport, PA 18088(608)664-8160 (484)357-2648 mobile(608)664-8161 fax e-mail: ddrehrig@gmail.come-mail: jlaramie@sroartists.com

PRODUCTION MGR./SOUND ENGINEER: TOUR MANAGER:Chris Chalfin Dustin Rehrig*(610)349-5124 mobile e-mail: gman03@gmail.com *Cell Phone is best method for contacting Chris

PUBLIC RELATIONS:Patty Candiottie-mail: gtlopublicity@gmail.com

FACEBOOK/GOOGLE ADS:Paul Farielloe-mail: gtloproductions@aol.com(215)896-1938 mobile

ANY CHANGES TO THIS RIDER MUST BE MADE IN WRITING AND APPROVED BY ARTISTS’ REPRESENTATIVES.This rider forms an integral part of the attached contract. The rider must be signed and returned with all pages of the contractwithin two weeks of receiving this documentation.

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NOTE: A GTLO show is typically two (2) sets with a 20-minute intermission. A one-set show is also available on request. We askthat all GTLO performances be ALL AGES. Please make your representative aware of any time limitation, curfews or all agerestrictions PRIOR to signing this agreement.

A. BOX OFFICE:1. GTLO requires ALL venues and promoters to allocate no more than 2% of sellable capacity for promotional give-

aways unless authorized by artist representative.

2. When returning this rider THE SPONSOR must supply a ticket manifest for all engagements. THE SPONSOR agreesto sell tickets in accordance with the manifest. THE SPONSOR must confirm the following:a) The total number of tickets to be sold, their prices in advance and on the door. If the engagement is not general

admission, all ticket price variations within the venue must be listed.b) A list of all guest list places and promotional complimentary tickets showing their effect on the grossc) Details of THE SPONSOR ticketing system, box office, agency and credit card commissions.

3. All tickets will be of the “one stub one price” variety, both portions being numbered in the standard manner. THESPONSOR further agrees that there shall be no multiple price tickets printed. Should this be violated THE SPONSORagrees that he will be liable for the agreed number of tickets sold at the highest price printed on each ticket.

4. All ticket stubs, unsold tickets and pre-sales print outs will be available for inspection no later than hour prior to theopening of house doors.

5. All ticket stubs will be collected for later inspection at all points of entry.

6. GTLO requires all venues and promoters to submit final box office numbers to Pollstar within one (1) week followingyour show. Use only the official Pollstar Boxoffice Form at http://www.pollstarpro.com/

Please include all ticket information and web-site access for use on the GTLO web site.

Facility Web-Site Address

Facility Box Office Number

Charge By Phone (TicketMaster, etc.)

B. BILLING:Billing for all advertising, marketing materials, announcements, Marquees etc., shall be billed as follows:

(100% size) GET THE LED OUTNo other billing arrangements will be acceptable.If a tag line is to be used, the following may be added:

(30% size) The American Led ZeppelinNote: If this is the first visit by the band to your city/venue, use of the tag line in all advertising is mandatory.Use of band web site and/or a link to band web site www.gtlorocks.com is mandatory in all web based advertising.

C. MARKETING:As a part of the standard marketing strategies (i.e. print ads, radio spots, tv spots, email blasts, social media, etc.,) a budget of upto $500 should always be allocated for utilizing Facebook, Google Adwords, and various other online marketing as a specificmarketing component.

We’ve found that one of the most effective ways to optimize our shows’ marketing budgets is to put a good percentage of theallocated dollars into an online promotional campaign to compliment the overall marketing plan.

The results of online campaigns are proven impressions and trackable clicks to the show’s ‘deep URL’ within your website orticketing page.

Have your venue’s marketing person connect with GTLO Facebook/Google Ads contact to arrange a scalable internetmarketing campaign for your show: Paul Feriello, gtloproductions@aol.com, (215)896-1938.

By collaborating directly with the band’s marketing team, they’ll be able to customize a plan within the budget you’ve allottedfor advertising, and ensures minimal waste on items that have very little return to growing the awareness of the show to theband’s specified, targeted market.

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For example, one of our standard Facebook promotions is a targeted post that includes the who, when, and where of the show,along with the new Get The Led Out promo video, and a direct link to ticketing. It’s designed to reach, but not limited to, fans ofLed Zeppelin, classic rock, and of course the contracted venue. This campaign on average reaches a minimum of 100,000 people(as a paid promotion). It has proven extremely effective (as opposed to a generic, non-promoted/boosted wall post)

This approach ensures the greatest online awareness of the upcoming Get The Led Out performance in your venue. Receipts,and all documentation of said campaign, will be provided for the sponsor at settlement for reimbursement.

D. PHOTO, SOUND RECORDING, VIDEO:GTLO reserves the exclusive right to audio and/or video record their performance(s) directly from the board and/or additionallocations in the house and retains 100% rights to the distribution of the recorded music and/or video recordings of theirperformance(s). Further, no fees will be paid nor will any fees be assigned as house expenses in connection with the recording ofthe performance. Rights to audio and/or video recording, or distributed recordings of the performance by the promoter or house,must be negotiated in a separate document to which GTLO retains the right to agree or reject without prejudice to the agreementto perform or fees paid for performance.

E. OPENING ACTS:There shall be NO opening act for GTLO under any circumstances unless first approved by the band through theirrepresentative, Jeff Laramie at SRO Artists Inc. NO EXCEPTIONS*. A typical GTLO concert utilizes 44 inputs on the mixingconsole and consists of an extensive soundcheck. All mic's and settings have to remain unmoved/unchanged betweensoundcheck and performance. *This does not include festival concerts where there may be multiple acts throughout the course ofthe event.

F. MERCHANDISING:Artist reserves the right to sell all formats of recording and other materials. Sponsor will provide a well-lit space and table.Artist or Artist’s licensee shall have the sole right to sell, advertise, promote and distribute prior to, during and after theperformance any and all merchandise bearing the Artist’s name and/or likeness, including but not limited to souvenir programbooks, pictures, posters, stickers, records, tapes, CDs, and items of clothing, etc. All receipts derived from the sale of saidmerchandise belong solely to the Artist.1. THE SPONSOR shall provide three (3), 6' long by 30" wide, laminate-top tables set up in a convenient location for display

and sale of merchandise AND for a meet-and-greet between band and fans following the show.2. Artist’s representative will conduct an inventory of all merchandise prior to any sale and again at the close of all sales.

G. HOTEL:WHEN SPONSOR is providing hotel, the hotel must be of a quality of Business Class or above, with one (1) double and nine(9) single rooms provided. Of those rooms two (2) of the singles should be smoking permitted when available. Hotel should bein close proximity of venue with adequate parking for tour vehicles, and one (1) large truck, have on-site restaurant and roomservice capability. A map of hotel location must be provided.

H. TRANSPORTATION:1. Sponsor agrees to provide ground transportation from airport to hotel and back as necessary, as well as vehicle runner service

between hotel and venue for sound check and after-show. Ground transportation should be Two (2) large (12 to 15-passengerstyle) vans, each with professional drivers well-versed in the area, and each to accommodate people carrying luggage,instruments, equipment and/or merchandise.

2. THE SPONSOR must provide access to loading dock or main doors nearest to performance stage for load-in.

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I. INSTRUCTIONS FOR PROMOTER AND STAFF:

1. THE SPONSOR agree that he/she will not commit Artist to any personal appearances, inter-views or any type of promotionor appearance without prior consent of Artists or Artists’ representative at least 72-hours prior to performance date.

2. THE SPONSOR shall make available twenty-four (24) complimentary seats per show to Artists for their use. Seats must bein preferred locations and Artists and/or their representative will contact box office no later than the afternoon of theperformance as to how many or if all complimentary tickets will be used. Please note that the band uses comp tickets intrade for street level publicity and marketing of each event.

3. THE SPONSOR shall not allow audience to enter concert hall until technical set-up has been completed. Artists shallcomplete said set-up ninety (90) minutes prior to performance time, provided there are no technical problems beyond theircontrol. If technical problems do occur that are beyond the control of Artists, Artists shall not be liable for THE SPONSORlosses in case concert is delayed or canceled.

4. No background music taped or otherwise, shall be played before or after the performance without approval of artists. Artistswill provide and play music on CD appropriate for their audience. GTLO will have control over ALL TV SETS in venueduring load-in, sound-check and performance. Except for situations when the performance is broadcast via closed-circuit inthe venue, ALL TVs WILL BE TURNED OFF DURING PERFORMANCES

5. THE SPONSOR shall furnish and supply at his/her sole cost all necessary permits, licenses and authorizations from any andall government agencies, bureaus and departments, Federal, State and local.

6. THE SPONSOR agrees to pay all Federal, State and local amusement taxes and to indemnify and hold Artists harmless frompayment of such taxes.

7. Artists request that all shows be “all ages” and advertised as such. If all ages are not possible, then artists request that theshow be 18+. Please notify artist’s representative if this is a problem.

J. PRODUCTION OFFICE:THE SPONSOR will provide one room at stage level within easy reach of the stage but to be secluded enough so as not to beunusable during the performance. The room should be well-lit and clean with wastebaskets, two tables with chairs and twotelephone lines, internet access, and one fax line.

All contacts and phone numbers should be sent to Dustin Rehrig, by phone (484)357-2648, or e-mail ddrehrig@gmail.com

K. DRESSING ROOMS:1. A minimum of three (3) clean dressing rooms must be available for artist sole use.2. Tables and comfortable chairs for 15 people.3. One (1) sink with hot & cold running water.4. Four (4) A/C electrical outlets.5. Dressing rooms must be locked or guarded to ensure safety of Artists belongings.

L. TOILETS:THE SPONSOR agrees to provide a backstage toilet for the exclusive use of THE ARTIST. On no account is THE ARTIST tobe expected to use public toilets or to walk through public area in order to use toilet facilities.

M. SHOWERS:Please note that THE ARTIST may be traveling overnight after each show. All members of the touring party will need to showerat the end of the working day. We will need two (2) working showers with hot running water. Where showers are not availablein the venue a day room at a local hotel must be provided.

N. TOWELS:Twelve (12) dark, clean FACE towels and fourteen (14) clean BATH size towels, as well as washcloths, available at load in.

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O. STAGE:Stage size minimum 40’ w x 32’ d (40-feet wide by 32-feet deep) of unobstructed performance space (not to include wings orstage apron). No corner stages are acceptable1. Promoter must indicate EXACT stage size here: __________________________________2. Stage and risers must be completely cleared of any excess equipment and swept clean prior to Artists’ arrival with the

exception of monitors and required cabling.3. If venue is outdoors, stage must be protected from sun, wind and rain.4. Generators must be of an enclosed crystal-controlled professional type, properly grounded.

P. DRUM RISERS:ALL PROMOTERS, PRODUCTION MANAGERS: PLEASE ADVANCE WITH PRODUCTION MANAGER,Chris Chalfin (610)349-5124. We require Drum Risers for EVERY show where the stage is large enough to accommodate. Therequired drum riser size is-

12’ wide x 8’ deep x 30” high

Q. HOUSE LIGHTS:The house lights operator should be in position and on headset ten (10) minutes prior to the advertised show time. He / Sheshould consult with the GTLO Stage Manager prior to “Doors” as to the evenings lighting cues.

R. LOCAL LABOR:Unless otherwise noted, GTLO will travel with its own professional FOH Sound, and Monitor Engineer. These engineers willhave access to, and authority to, inspect and operate all elements of the sound and the light systems from load-in to load-out, andwill operate the FOH and Monitor consoles during the performance.

SPONSOR shall be required to provide able, sober and responsible crew for all load-in, running of show and load-out tasks.GTLO Road Manager has authority to direct, dismiss or cause to replace at SPONSOR cost, any and all local labor crew at hissole discretion if he deems that any crew provided is impaired (by means of alcohol or drugs) and/or unable to perform theirtasks as directed.

SPONSOR shall provide:1. Four (4) to Six (6) able, sober and responsible stage hands for load-in and load-out. GTLO RE-SERVES THE RIGHT

TO CHARGE THE SPONSOR $200 FOR EACH LOADER THAT FALLS SHORT OF OUR MINIMUMREQUIREMENT OF 4 OR $200 FOR EACH LOADER THAT IS NOT SOBER.

2. One (1) knowledgeable, able, sober and responsible stage manager to coordinate stage staff (optional).3. One (1) or two (2) able, sober and responsible sound technicians from load-in through load-out to adequately set-up and

test and tear down house sound and monitor system.4. SPONSOR to provide one (1) lighting director, GTLO technicians will not be responsible for set-up or tear down of

house equipment.

S. ELECTRICAL POWER:AC power distribution should be provided by the sound company and derived from the theater road switch, preferably anisolated transformer separate from lighting system connections. It must be of appropriate amperage to properly power the soundsystem as well as provide the AC power for the performers as indicated on stage plot. The distribution system must be properlygrounded.*

1. *See the technical portion of this rider for details.

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T. TECHNICAL RIDERThe technical aspects for production will be discussed in advance between ARTIST Production Coordinator and THESPONSORS Production Coordinator/Representative. Cooperation and communication are of the utmost importance inorder to present a high quality show. Any production “surprises” to the Artist may result in cancellation of theperformance.

THE SPONSOR shall not allow audience to enter concert hall until technical set up has been completed and THEARTIST Production Coordinator has given his ok.

All equipment required in this rider must be completely set-up and tested prior to artist/crew’s arrival at the hall. It is extremelyimportant that the entire system is free of hum, ac induced lighting noise, and physical noise from equipment racks. The systemmust be fully functional with all lines run and tested with a phantom powered microphone, prior to the crew’s arrival. Failure tocomply with this requirement could result in a delay or cancellation of performance and shall constitute a breach of contract.From the time of load-in the GTLO engineering staff will have control of the sound system. This includes all walk-in music,intermission and post-show music.

NOTE: IT IS ESSENTIAL THAT YOUR TECHNICAL STAFF ADVANCE WITH THE GTLO CREW. Failure by thepromoter to ensure communication with the tech crew who will be working the show may constitute breach of contract.

One (1) professional sound technician provided by the venue is required, capable of setting up and running system throughoutset-up and sound check as directed. It is essential that the venue sound company/engineer advance the show with the GTLOsound engineer.

U. OPERATION OF SYSTEM:1. Artist engineer shall have complete control of house PA system.2. A competent (and sober) system tech must accompany the system from load-in through load-out.3. Mix position shall be centered when possible, not under balcony or behind other obstructions, which will remove it

from direct throw of house PA.4. When FOH mix position is in the crowd, a twelve-inch (12”) high riser is required for entire mixing area.5. Mix position will be adequately secured against intrusion and theft from all sides with one Security personal on hand

from the opening of doors to load out.

V. LIGHTING PATCH/PLOT:The lighting aspects for production will be discussed in advance between ARTIST Production Manager and THESPONSOR’S Lighting Coordinator/Representative. Cooperation and communication are of the utmost importance inorder to present a high quality show. To obtain a copy of the Lighting Patch and Plot, contact Artist ProductionManager.

W. TECHINICAL SPECIFICATIONS AND STAGE PLOT: SEE PAGES vii through xii(if not attached, contact ARTIST PRODUCTION MANAGER, Chris Chalfin (610)349-5124)

!!!!!!!!!!!!!!!!!!!!!!Get the Led Out !

P.M. / FOH > Chris Chalfin (610) 349-5124 gman03@gmail.com

Tour Manager > Dustin Rehrig (484) 357-2648 ddrehrig@hotmail.com When contacting us please reference the date of your event.

The following technical specifications have been updated for the current GTLO touring season. They include only those things that we feel are essential to the professional presentation of the show. Any difficulty meeting these specs must be reported to the GTLO Production Staff and any changes made only on their authority. The following production items are to be supplied by the purchaser at no cost to Get the Led Out.

Audio !Front of House: Console: (1) Midas Pro 2 with DL-251 Stage Box or (1) Avid Venue Profile / 48 in x 16 out. !!! We can not accept any other consoles !!! FOH PA: A Professional quality name brand 4 way actively crossed over sound system.

The system must have a frequency response of 30Hz - 20kHz and be able to produce 115db (“A” weighted) of clean, undistorted sound at the very back of the audience area. Main PA should be flown wherever and whenever possible with ground stacked subs in a configuration that provides even sub coverage throughout the venue (minimize the power alley!) Provide quality front and supplemental fills necessary to assure even coverage throughout the entire venue! Following is a list of acceptable systems in order of preference: 1st Choice: Adamson E-15, Y-18, or Y-10 with T-21 Subs. 2nd Choice: d&b Audiotechnik “J” or “V” Series OR Martin Audio MLA. 3rd Choice: Meyer Milo OR L-Acoustics K-1 / V-Dosc OR JBL VTX Series.

Monitors :

Console: (1) Avid Venue Profile 48 Input x 16 Output. !!! We can not accept any other console !!! Wedges & (8) Professional quality name brand monitors capable of producing 115dbA continuous. Side Fills: Acceptable types in order of preference are: Meyer MJF-212, L-Acoustics or d&b

(2) Three way actively crossed over side fills (1) Sub & (1) Top box per side. Acceptable types in order of preference are: L-Acoustics SB-28 & Arc or d&b B2 & C4

Ear (4) Shure PSM-900 Wireless Ear Monitor Systems with (4) sets of Shure 535 Ear Buds. Monitors: (1) Shure Antenna Combiner with Helical or Paddle Antenna(s).

PERFORMANCE CONTRACT RIDER [for fly-in dates only]: GET THE LED OUT (revised 13-May-2013) Rider Page vii of xiii

Get the Led out !

P.M. / FOH > Chris Chalfin (610) 349-5124 gman03@gmail.com Tour Manager > Dustin Rehrig (484) 357-2648 ddrehrig@hotmail.com

When contacting us please reference the date of your event.

Monitor Mixes

1&2 – S.L. Gtr Ears 3&4 – Key Ears 5 – S.R. Gtr Wedges 6 – Bass Wedges

7 – Lead Vocal Wedges 11 – Drum Thumper 12 – Stage Left Side Fill 13 – Stage Right Side Fill 15&16 – Drum Ears

!!

Miscellaneous – Audio: Drum Thumper: (1) Buttkicker Concert System with Drum Throne Mounting Bracket & Amplifier. Stage Power: (10) Edison Quad Boxes on 3 separate circuits for backline. (See stage plot for placement) (3) 110 Volt Transformers (For outside USA only) Mic Stands: (12) Short Tripod Booms, (8) Tall Tripod Booms, (4) Round Base Straits. Snake System: (1) 48 Channel Snake with splits for FOH & Monitors. (4) 12 Channel Sub Boxes (Upstage Left, Drums, Upstage Right, & Downstage)

Other Notes Backdrop: GTLO has a 40’ wide x 20’ high backdrop that weighs about 40lbs. It needs to be hung from an

upstage pipe or upstage truss. Risers: GTLO requires (1) Sturdy 12’ wide x 8’ deep x 24” high drum riser with skirt & steps. Crew: Please provide:

(2) Audio Tech’s to be on site all day. (1) Lighting Director (will program & operate lights for the show) (1) Backline Tech to be on site all day. (2) Spotlight Operators. (1) Main Curtain Operator (if we are using the main curtain)

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Get the led outInput List

Ch. Input Mic / DI Stand Location Sub Snake 1 Kick Out Shure B-52 Short Boom USC 2 Kick In Beta 91A - USC 3 Snare Top Beta 56 Shure A56D Claw USC 4 Snare Bottom Beta 57A Shure A56D Claw USC 5 Hi-Hat KM-184 Short Boom USC 6 Rack Audix D-4 Audix Clip USC 7 Floor – 1 Audix D-6 Audix Clip USC 8 Floor – 2 Audix D-6 Audix Clip USC 9 Ride Beta 98 Beta 98D/S Clamp USC

10 OH – S.R. KSM-44 Tall Tripod Boom USC 11 OH – S.L. KSM-44 Tall Tripod Boom USC 12 Timpani / Timbale’s e-604 / SM-57 2x Short Booms USC 13 Gong SM-57 Tall Tripod Boom USC 14 Drum Machine ProDI USC 15 Bongo’s Uses Ch. 41 Mic & Stand – Drop XLR on riser USC 16 Bass DI JDI USC 17 Bass Mic SM-57 Short Boom USC 18 Key 1 – L (Top) JDI Duplex DSR 19 Key 1 – R (Top) JDI Duplex DSR 20 Key 2 – L (Bottom) JDI Duplex DSR 21 Key 2 – R (Bottom) JDI Duplex DSR 22 Key 3 ProDI DSR 23 S.R. Guitar (Jimmy) MD-421 Short Boom USR 24 S.R. Guitar (Jimmy) Radial JDX USR 25 S.L. Guitar (Paul H.) Radial JDX USL 26 S.L. Guitar (Paul H.) MD-421 Short Boom USL 27 Guitar 3 (Andrew) MD-421 Short Boom USL 28 Acoustic 1 (Key Position) JDI DSR 29 Acoustic 2 (Jimmy) JDI DSR 30 Acoustic 3 (Paul H.) JDI USL 31 Acoustic 4 (DSC) ProDI DSC 32 Mando J48 USL 33 Thereman J48 USL 34 Tape Machine JDI USL 35 Drum Seat SM-57 Tall Tripod Boom USC 36 Harp Radial J48 DSC 37 Key Vocal SM-58 Tall Tripod Boom DSR 38 Bass Vocal SM-58 Tall Tripod Boom DSR 39 Lead Vocal Beta-58A Round Base Strait DSC 40 Guitar 3 Vocal SM-58 Tall Tripod Boom DSL 41 Diana Vocal Beta-58A Round Base Strait DSR 42 Audience Mic S.L. SM-57 Short Boom DSL 43 Audience Mic S.R. SM-57 Short Boom DSR 44 Organ – L Pro DI DSR 45 Organ – R Pro DI DSR

PERFORMANCE CONTRACT RIDER [for fly-in dates only]: GET THE LED OUT (revised 13-May-2013) Rider Page ix of xiii

Get the led out

P.M. / FOH > Chris Chalfin (610) 349-5124 gman03@gmail.com

Tour Manager > Dustin Rehrig (484) 357-2648 ddrehrig@hotmail.com When contacting us please reference the date of your event.

Lighting

>>> GTLO doesn’t currently travel with an LD. Final approval of lighting will come from the P.M. <<<

(1) 40 Ft. Downstage truss with: (24) Par 64 fixtures each loaded with 1K Medium lamps. (12) Source 4 / 19 degree Leko’s. (6) Source 4 / 26 degree Leko’s. (for downstage lip wash if spotlights are not available) (2) 8-Lite Audience Blinders. (1) 40 Ft. Midstage truss with: (24) Par 64 fixtures each loaded with 1K Narrow lamps. (2) Racks of Par 46 ACL’s. (4) Elataion Platinum Spot 5R fixtures. (2) Martin Atomic 3K Strobes. (1) 40 Ft. Upstage truss with: (24) Par 64 fixtures each loaded with 1K Narrow lamps. (3) Racks of Par 46 ACL’s. (6) Elation Platinum Beam 5R fixtures. (3) Martin Atomic 3K Strobes. > Strip Lights to down-light the backdrop. (Blue, Red, Green, Magenta) Floor Units: (4) Elation Platinum Beam 5R fixtures. (2) Racks of Par 46 ACL’s. (4) Martin Atomic 3K Strobes. > Strip Lights to up-light the backdrop (Blue, Red, Green, Magenta) Everything Else:

(1) Martin Jem Glaciator X-Stream Heavy Fog Machine with Fluid. (Or Antari DNG-200) (1) Reel Efx DF-50 Hazer with fan. (2) Spotlights (size depends on venue and throw) Please make sure the spots are a minimum of

25 feet above stage height so they don’t blind the performers. (1) Digital lighting console (Grand MA, Avolite, or Hog) > Adequate digital dimming capability for the entire lighting system. > All motors & rigging or ground support, cabling, & color as necessary. > Clear-Com from the house sound console to the lighting console & spotlights is required. GTLO’s crew will call some lighting cues during the show.

General * Remember this is a Rock & Roll show. Keep it up beat, flashy, & moving. LD * Blackouts are OK but restore to a low wash within 2-3 seconds. Notes: * Basic washes with the par cans. We will advise the leko focus upon arrival. * Use lots of bold colors when selecting gels (Red, Blue, Amber, Yellow, Green, Congo) * Spot the singer while singing, fade on singer when not singing & pickup solos as required. (Please have R33, R68, R27 in spots)

PERFORMANCE CONTRACT RIDER [for fly-in dates only]: GET THE LED OUT (revised 13-May-2013) Rider Page x of xiii

Get the led out

P.M. / FOH > Chris Chalfin (610) 349-5124 gman03@gmail.com Tour Manager > Dustin Rehrig (484) 357-2648 ddrehrig@hotmail.com

When contacting us please reference the date of your event.

Backline Drums:

Ludwig Green Sparkle John Bonham Re-Issue Kit (1) 14”x 26” Bass Drum with 6” hole in front head (2) 6-1/2”x 14” Ludwig Supra-phonic Metal Snare Drums with Remo Emperor X top heads (1) Rack Tom mounted on a snare stand (12”x 14”) Remo Coated Emperor (top) & Coated Ambassador (bottom) (2) Floor Toms with Legs (16”x 16” & 16”x 18”) Remo Coated Emperor (tops) & Coated Ambassador (bottoms) (1) Timpani Drum (26” or larger) Hardware: (2) Snare Stands (Snare & Rack Tom) (1) Hi-Hat Stand (3) Cymbal Stands (2 Strait & 1 Heavy Duty Boom) (1) Pearl Bass Drum Pedal (1) Roc & Soc Drum Throne Cymbals: (1) Set of Paiste Sound Edge 14” Hi-Hats (1) Paiste 2002 Series 20” Ride / (1) Paiste 2002 Series 18” Crash / (1) Paiste 2002 Series 19” Crash (1) 36” or 38” Symphonic Gong with Stand

Bass: (1) Ampeg SVT Classic 300 Watt Tube Amp (1) Ampeg SVT 8x10” Cabinet (1) Fender Vintage Series Jazz Bass with Strap (1) Shure UR14S+ Guitar Wireless System with (1) Additional UR-1 Pack & WA-302 Cable

Stage Right Guitar: (3) Marshall 1960A / 4x12 Top Cabinets (3) Marshall 1960B / 4x12 Bottom Cabinets (3) Marshall JCM-800 / 100 Watt Heads (1) Gibson Les Paul Standard with Strap (1) Shure UR14D+ Dual Guitar Wireless System with (2) Additional UR-1 Packs & WA-302 Cables Stage Left Guitar: (3) Marshall 1960A / 4x12 Top Cabinets (3) Marshall 1960B / 4x12 Bottom Cabinets (3) Marshall JCM-800 / 100 Watt Heads

(3) 6 String Acoustic Guitars with Pickups & Straps (1) Acoustic Mandolin with Pickup & Strap (1) Fender Telecaster Electric Guitar with Rosewood Fingerboard & Strap (2) Gibson Les Paul Standards with Straps (1) Shure UR14D+ Dual Guitar Wireless System with (2) Additional UR-1 Packs & WA-302 Cables (1) Shure UR14S+ Guitar Wireless System with (1) Additional UR-1 Pack & WA-302 Cable

Keyboards:

(2) Yamaha Motif 7 with Sustain Pedals (1) 2 Tier “X” Style Keyboard Stand (1) Drum Throne

Misc:

(24) 25ft. ¼” x ¼” Instrument Cables (10) 10ft. ¼” x ¼” Speaker Cables (1) LP Rock Ridge Rider Cowbell w/ Cymbal Stand Attachment (1) LP Cyclops Mountable Tambourine (24) Duracell Procell AA Batteries (3) Folding Chairs

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X. HOSPITALITY (this clause must be adhered to and cannot be deleted, changed, or bought out):The following list consists of drinks, food, and other essential items to be ready at load in and located inside dressing room orcatering room:

*Hospitality rider must be available to Artists and GTLO Crew upon arrival at the venue, except as noted by** must beavailable at end of performance for GTLO crew.

______ *Deli Tray - Cold Cuts, Cheese w/Condiments, Mayo, Mustard, Hot Sauce, Sandwich Bread (Rye, Whole Wheat,Kaiser rolls), Fresh Vegetable tray, Cheese and Crackers tray.”

______ **One (1) jar Peanut Butter and One (1) jar Jelly, with loaf of Wheat Bread (To be available for GTLO crew after show)

______ *One (1) case Bottled Domestic Microbrew, One (1) Case of Bottled Domestic Light Beer (No Heineken – in USAonly) (No Budweiser)

______ *3-pack of Bumble Bee white albacore tuna, single serving cans

______ *Four (4) Dannon Lite N’ Fit Yogurts in assorted flavors

______ *Two (2) Bottles of 2005 or earlier, Cabernet Sauvignon, or Chianti Classico Red Wine (In order of preference)

______ *Assortment of Coke products (Coke, Diet Coke, Sprite, and Root Beer).

______ **One (1) Case Assorted Sport Drinks such as Gatorade/PowerAde to be delivered to Artist Van.

______ *One (1) 4-pack of Red Bull

______ Assorted snacks - Potato Chips, Tortilla Chips, Salsa, Mixed Nuts, Assorted Chocolates, One (1) Box of Granola Bars.

______ *One (1) Assorted Fresh Fruit bowl, (Whole Fruit Only)

______ *Availability of Fresh Brewed Coffee and a selection of Herbal, Green, and Black Hot Teas*

______ Four (4) cases of Bottled water = 96 bottles. *Three (3) cases in dressing room. **One (1) case delivered to Van

______ *Fourteen (14) real Bath Towels (not bar towels).

Y. CATERING:

______ DINNER: 15 HOT meals including salad. Pastas must have no cheese in sauce or in ingredients. No fast food or pizza.If catering is preferred, the following must be provided:1. Hot meal must be provided backstage for Artist and Crew (Fifteen people) following the sound check.2. Food should be served in a room that is well heated/cooled and in close proximity to dressing area.3. A selection of fish, seafood, steak, chicken, lasagna/pasta dishes, stir frys; all with vegetables, potatoes, rice or

pasta* (Cheese on the side only please.)4. All meals should include a fresh green salad (dressings on the side) or coleslaw, fresh bread and butter,

vegetables. No deep-fried or “Fast” foods please. Ethnic food and the specialties of your region are welcome.A selection of sweets is also welcome. Please provide electric/gas hot plates (to keep food warm), completeplace settings for Fifteen (15) and enough chairs and table space for Artists to be comfortable.

______ The DINNER portion of this rider may be bought out at a cost $300 cash (fives and tens please).You MUST make arrangements in advance with the ARTIST production coordinator.

______ LOAD-OUT: Three (3) large pizzas for band and crew served hot and fresh 45-minutes after curtain.

Z. CONTRACT RIDER ACCEPTED:

Sponsor Date

SRO ARTISTS INC for Get The Led Out Date