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Glossary of Shots
Sunday, March 30, 14
LONG SHOT (LS)
• Typically shows the full human body filling the frame and some of the surroundings.
Sunday, March 30, 14
MEDIUM SHOT (MS)
• Shows the human body from the waist up, either standing or sitting.
• Proximity without intimacy
• Provides more detail than a Long Shot
Sunday, March 30, 14
CLOSE-UP (CU)
• Fills the frame.
• Focuses attention on a detail;laughter, tears, beauty, horror.
• Shows subtle emotion on an actors face.
• Actor can just raise an eyebrow to convey a thought without saying words.
Sunday, March 30, 14
EXTREME CLOSE-UP (ECU)
• Tighter version of the CU focused on one small but important detail
Sunday, March 30, 14
MEDIUM LONG SHOT (MLS)
• Looser Medium shot, framing from the mid-leg to above the head.
Sunday, March 30, 14
MEDIUM CLOSE-UP
• A cross between the medium and close-up shots.
• More intimate than a medium shot.
Sunday, March 30, 14
Glossary of Angles
Sunday, March 30, 14
EYE LEVEL
• The camera is positioned so that the eyes of the character are just above the mid-point of the frame, similar to how another person might see them in real life.
• This is the most neutral of all camera positions.
Sunday, March 30, 14
HIGH ANGLE
• The camera is positioned above the subject and looks down on it, conveying a feeling of helplessness or insignificance.
Sunday, March 30, 14
LOW ANGLE
• Positioned below the subject looking upward, making the subject seem powerful and impressive
Sunday, March 30, 14
DUTCH ANGLE
• The camera is tilted so that the horizontal plane crosses the frame on a diagonal.
Sunday, March 30, 14
POINT OF VIEW (POV)
• From the point of view of one of the characters - we are seeing what they see
Sunday, March 30, 14
OVER THE SHOULDER (OTS)
• This shot captures the spatial relationship of the characters and allows both to be in the frame while facing each other
Sunday, March 30, 14
ESTABLISHING SHOT
• Shows an entire location.
• Often used as an establishing or scene ending shot.
Sunday, March 30, 14