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Sunday,April 13, 2008 l tulsaworld.com INSIDE
String theoryNational Fiddler Hall of Fame ceremony
to feature all-star lineup
A new orbitAt the Drive-In had to die to make way for prog
rockers The Mars VoltaBY JENNIFER CHANCELLORWorld Scene Writer
He broke up the band. And he’s proud of that fact. “A band can
become like a ro-
mantic relationship that goes stale,” Omar Rodriguez-Lopez
admitted during a recent telephone inter-view. “It becomes a mirror
of your-self and you stop growing. Then staleness leads to
corruption.”
So, in 2001, he disassembled his infl uential post-hardcore band
At the Drive-In.
“It was holding me back,” he said. “I believe that you have to
con-stantly push the envelope in order to show fans that you love
them. You can’t repeat yourself.”
Since that time, Rodriguez-Lopez and Cedric Bixler-Zavala have
done more than stretch boundaries with their prog-rock fusion act
The Mars Volta.
They have blown them to smith-ereens.
This band is a mind-detonating mix of jazz, art rock,
psychedelia, Latin and even funk metal. Live, the eight-piece
explodes with auditory pyrotechnics.
Often branded as an improv band, Rodriguez-Lopez was quick to
clarify.
He defi nitely is in cha rge. “I assign hand gestures to
differ-
ent parts of songs. When I signal, we play that part. There is
no set sequence. We pervert the music’s existing architecture,” he
said.
“We are constantly trying out new stuff out on the road . . .
But only about 10 percent of what we do is the democratic
expression of genuine improv,” he said.
Rodriguez-Lopez speaks in a fer-vent rush. Some critics claim
that’s because he’s actually hard-selling kitsch.
Even Pitchfork magazine admit-ted “The Mars Volta discography
carries an astronomical risk/re-ward potential.”
But success has a way of speak-ing for itself, and The Mars
Volta has the ardent global fan base to prove it.
Of the new album, Rolling Stone crooned that the band is
“com-
concertTHE MARS VOLTA
When:Doors 7 p.m. April 15
Where:Cain’s Ballroom, 423 N. Main St.
Tickets:$39.75, available at Reasor ’s, Starship Records &
Tapes, Cain’s box offi ce, by phone at (866) 443-8849 and online at
www.tulsaworld.com/gettix.
Sneak a peek:www.tulsaworld.com/TheMarsVolta
Note:This show is billed as “an evening with The Mars Volta,”
which means there is no opening act.
ROSS HALFIN
The Mars Volta
SEE CONCERT H-2
“This is the center of the universe for the fi ddle,” said Bob
Fjeldsted, hall of fame president and acting executive
director.
Indeed, Oklahoma’s offi cia l state instrument is the fi ddle,
and its state country tune is the famous Western swing song by Bob
Wills, “Faded Love” (also hits for Patsy Cline, Elvis Presley, Ray
Price and Willie Nelson).
“That instrument helped make Tulsa famous,” Fjeldsted said.
“Western swing is really just jazz in cowboy clothes,” he
laughed.
Popularized in national broadcasts from Tulsa’s Cain’s Ballroom
stage throughout the ’40s, Western swing is a fusion of country,
cowboy, polka and folk
music, with a nod to New Or-leans-style jazz and blues — all
aimed at dancers.
Infused into the whole is the spirit of a hot string band
(playing four- and fi ve-strin g fi ddles) and often augmented with
steel guita r, drums, pianos and horns.
Most prominent is the fi ddle, “which gives classically trained
violin players something fun to do,” laughed Shelby Eicher, hall of
fame vice president and direc-tor of education.
This event will welcome not only legends Johnny Gimble, Dick
Barrett, Roy Acuff and Claude “Fiddler” Williams into the hall of
fame ranks, but also will feature performances by Roy Clark, Byron
Berline, Jana Jae, Whit Smith, Chuck Cissel, Eicher, Rick
Morton, Jared Tyler and more.The Pendleton Family Fid-
dlers will perform, and there will be a live re-enactment of
Wills doing his 1941 show.
Last year Wills was posthu-mously inducted, noted Eicher.
All proceeds from the event will go toward youth education and
scholarships, he said.
It is the mission of the Na-tional Fiddler Hall of Fame to
develop and promote public in-terest in old-time fi ddling,
coun-try and bluegrass music and to preserve and educate the public
about the art, its musicology, its performance elements and its
historical and social signifi cance, said Eicher.
Jennifer Chancellor
[email protected]
eventNATIONAL FIDDLER HALL
OF FAME 2008 ANNUAL GALA & INDUCTION CEREMONY
When:Show starts at 7 p.m. April 16
Where:VanTrease Performing Arts Center for Education, Tulsa
Community College – Southeast Campus, 10300 E. 81st Street
Admission:$25 and $50, available by calling 595-7777 or
following the links at www.tulsaworld.com/FiddlerHoF
Online:www.tulsaworld.com/FiddlerHoF
BY JENNIFER CHANCELLORWorld Scene Writer
The 2008 National Fiddler Hall of Fame inductees are:
Roy AcuffLife: Born Roy Claxton Acuff
on Sept. 15, 1903, in Maynard-ville, Tenn.; died Nov. 23,
1992.
Contributions: World-renowned as the “King of Country Mu-sic,”
Acuff began as a semi-pro baseball player. However, it didn’t take
long for him to ditch the high-stress game, pick up his father’s fi
ddle and take up a nomadic lifestyle on the road in a traveling
medicine sho w.
He’s perhaps most famous for his recordings of “The Great
Speckled Bird” and “The Wabash Cannonball,” and was a Grand Ole
Opry regular in his backing band, Smoky Moun-tain Boys. By 1940, he
was the show’s star.
Also, Acuff’s 1938 recording of “The House of the Rising Sun” is
the fi rst known commercial record-ing of the now-legendary
song.
In the early ’40s, he created music publishing venture
Acuff-Rose with Chicago songwriter Fred Rose. It was a country
music phenom, owning many copyrights — including songs by Marty
Robbins, Felice and Boudleaux Bryant and the full Hank Williams
song library.
In 1962 he was the fi rst living musician elected to The Country
Music Hall of Fame. He won a lifetime achievement award from the
Kennedy Center in 1991.
Dick Barrett
Born: Aug. 6, 1918, in Maysville, a small rural commu-nity in
Garvin County
Contributions: The story goes that Barrett’s fi rst love was
base-ball, which he abandoned for the fi ddle in 1927 when he fi
rst
watched acclaimed musician Major Lee Franklin. According to the
tale, Barrett invited Frank-lin back to the family farm for a night
of breakdown bowman-ship.
Not too long later, Barrett’s dad was advised, “Save your money,
Sam. That kid will never learn anything.” Instead, the young
Barrett switched to West-ern swing, which earned him some dough and
kept him out of the cotton fi elds.
He was drafted early in World War II, and after several tours of
combat, he played baseball for the military team — the Manila All
Stars — in the Philippines.
Through it all, he stayed in contact with Franklin, eventually
joining him in Texas fi ddle jams.
He became one of the most successful competitors ever, with a
long and colorful history as a breakdown fi ddler. He still
performs today.
Johnny GimbleBorn: John Paul Gimble, May
30, 1926, in Tyler, TexasContributions: He started play-
ing professional fi ddle at age 12.In the ’40s, Gimble
played
fi ddle and electric mandolin with Bob Wills and his Texas
Playboys, a legendary act that launched Western swing music — and
Tulsa’s Cain’s Ballroom — into the international spot-light.
When asked to join the Play-boys, his now-famous response was,
“Would a baseball player want to go with the New York Yankees?” he
said. “Would a cow lick Lot’s wife?”
From there, he quickly distin-guished himself by using a fi
ve-string fi ddle (most have four ).
He has since played with legends including George Strait, Lefty
Frizzell, Willie Nelson and Merle Haggard, and released 10
Meet the music makers
BY JENNIFER CHANCELLORWorld Scene Writer
By all accounts, this is a landmark event.
Four of country music’s most infl uential musicians will be
inducted into the National Fiddler Hall of Fame on Wednesday, right
here in Tulsa.
SEE FIDDLERS H-2
Photo illustration by BRAD THOMPSON / Tulsa World
INSIDE!This Rendezvous is no secret.
H-3ArtsArtsArts & Entertainment
IsysadminHighlight
The Aussie hunk heads homeI nteresting that in a weekwhen
“American Idol” pro-ducers were trying to openpeople’s hearts (and
wallets)to needy children of the world,they treated one contestant
sorudely.
In a bit of a surprise ending,Michael Johns, the ladies’
fa-vorite Aussie hottie, was told“see ya!” after host Ryan
Sea-crest reminded everyone thatlast year, during “Idol GivesBack,”
they didn’t cut anyonebecause it would have seemeduncharitable.
Basically, it happened likethis: Johns was announced asthe
surprise contestant in thebottom three (we all knewSyesha Mercado
and CarlySmithson were going to bethere), then Seacrest saidSyesha
and Carly were safe,and we all gasped. Ryan took aminute to remind
us that lastyear nobody was cut thatweek. But YOU, MichaelJohns,
are not so lucky. Singfor us one last time and don’tlet the door
hit you on the wayout, OK?
Ouch, Seacrest. Was it theascots? Did they offend yourfashion
sense? Did he singone too many classic rocksongs? His “Dream On”
wasjust so-so, he should havestuck to the bluesy-soul stuff.Or
maybe he should just stickto looking pretty. Minus theascots.
It wasn’t David Cook’s bestweek, unfortunately — but weknew he
would be safe. OurLady Peace is one of his favor-ite bands, and
“Innocent” is agreat song — but it seemedlike the timing was off a
bitand it started kind of rough.I’ve heard from numeroussources
that the full-lengthstudio version you can down-load from iTunes is
way bet-ter, so maybe fans should justlisten to that instead.
I might want to hire a body-guard before saying this, but
itwasn’t David Archuleta’s bestweek, either. Choosing Rob-bie
Williams’ “Angels” wasn’ta bad idea, but it wasn’t hisbest
performance by a mile.I’m not the kid’s biggest fan,but I certainly
know what he’scapable of.
Jason Castro made one ofthe smarter song choices ofthe night and
did a sweet, sim-ple version of Israel Kamaka-
wiwo’ole’s “Somewhere Overthe Rainbow,” but I think hisstoner
dude persona might bestarting to wear on some fans.It bothers me
only when hedoesn’t sing well — but whatthe heck is he going to do
dur-ing Mariah Carey week?
Kristy Lee Cook proved thatshe’s not this year’s
Sanjaya(although I do want her to gohome soon) by singing well
onMartina McBride’s “Anyway.”If she wants all the mean peo-ple like
me to stop calling hera state fair singer, she mightwant to dial
down the sparklesa bit.
Simon was spot-on aboutBrooke White — it was pleas-ant, but not
that exciting. Ithink we all know by now thatBrooke wants to be
CaroleKing, so she doesn’t need tohammer that home by
singingsomething quite as predict-able as “You’ve Got a
Friend.”
Barring a singing miracle,Carly Smithson is probablygoing home
soon. She has agreat voice, but I’m just notsure who’s going to buy
her al-bum. Oh, wait — she alreadymade an album and nobodybought
it. Hmmmm. Maybeshe needs to start a band.
Apparently, Syesha thoughtthe best way to counter every-one’s
comments about her not
being very original was to singFantasia’s “I Believe.”
Basical-ly, she’s just boring everyone,and now the Michael
Johnsfans will blame her, so she’sprobably going home soon,too.
Oh, and not to brag, but the
performance by Oklahoma’sCarrie Underwood on “IdolGives Back”
night simplyproved why she’s sold somany albums — it was
thehighlight of the show.
Cary Aspinwall [email protected]
FIDDLERS:Williams was apivotal figure on theKansas City
jazzscene.FROM H-1
solo albums. Last year, he re-leased “Last of the Breed”with
Haggard, Nelson andRay Price.
Gimble continues to tour,even fiddling for Carrie Un-derwood
during last year’s49th Annual GrammyAwards.
Claude “Fiddler”Williams
Lived: Born Feb. 22, 1908,in Muskogee. Died April 26,2004.
Contributions: The jazz vio-linist and guitarist startedyoung:
By age 10 he hadlearned to play guitar, man-dolin, banjo and
cello.
The fiddle soon followed,and his career spanned muchof the
history of jazz. Knownfor his swinging, bluesy style
and his musical sense of hu-mor, Williams performed andrecorded
into his mid-90s. Hewas a defining component ofthe Kansas City jazz
scene,and played on Andy Kirk’sfirst recording, “Blue Clari-net
Stomp.”
In the 1930s, he moved toIllinois, where he played bothviolin
and guitar in a numberof ensembles, including theNat King Cole Trio
and theCount Basie Orchestra. Inthe 1940s and ’50s he playedwith
saxophonist Eddie“Cleanhead” Vinson and pia-nists Hank Jones and
JayMcShann, at that point re-cording his first sessions —and
getting a second wind inhis career.
In 1993, Claude was re-cruited by fiddler MarkO’Connor to teach
at a campoutside of Nashville, Tenn.,where he shared his
infec-tious jump-blues style witheveryone.
Sources: Tulsa World archives,NPR online, Johnny Gimble
officialsite, Country Music television online,Yazoo Records online,
Dick Barrettonline.
CONCERT:While recording,the band battledfloodwaters andthe loss
of adrummer.FROM H-1
pressing dissected timesignatures and stammer-ing riffs into
seizures thatsound like three (The)Mars Voltas going off atonce,
splashed with thenon-sequitur gore of Bix-ler-Zavala’s singing
intongues.”
Yes, it’s intense.Rodriguez-Lopez claims
this concept-driven collec-tion was inspired by aweird turn of
events afterhe bought an Ouija boardduring a curio shop outingin
Jerusalem.
A gift to Bixler-Zavala,“I knew better than that. Iwas raised to
be smarterthan that. I was born in
the Caribbean, where on-ly trained masters usethose things.
“A Ouija board is some-thing very serious, thoughcorporate
America’sturned it into a game.”
During the making of“The Bedlam in Goliath,”the band battled
studiofloods, the sound engi-neer buckled under ner-vous stress,
they lost adrummer, suffered myri-ad equipment foul-ups
andvanishing drum tracks —then finally buried thething.
“It was a difficulty thatI’d never like to repeat,”he said. “But
I knew Iwould not give up on thealbum. Anything thattakes extra
energy comesback to you tenfold.
“That law’s kept me go-ing. The reward is immea-surable.”
Jennifer Chancellor
[email protected]
H 2 J J Sunday, April 13, 2008
FRANK MICELOTTA / FOX
David Cook performs on “American Idol” on Tuesday night.
CARYASPINWALL
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Showtimes - Text Message NIMS and your ZIP CODE to 43KIX
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“Jodie Foster and Abigail Breslinshine in an adventure for the
entire family!”
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“AN INTENSE, RIVETING THRILLER!”Steve Oldfield, FOX-TV
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TULSA4/12 - 4/13 2X2
CAMP A 2x5 4/9/08 1:55PM
TULSA WORLDSAT/SUN 4/12-131 COL X 3
SCRABBLE, the distinctive game board and letter tiles, and all
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are used with permission. © 2008 Hasbro. All Rights
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CINEMARKTULSA10802 E 71 St. South250-1482
HOLLYWOODPALACEPromenade Mall628-0215
DICKINSON STARWORLD 20103rd & Memorial369-7469
NOW PLAYING“LIKE NOTHING
YOU’ VE EVER SEEN!”-Peter Travers, ROLLING STONE
WWW.SONYCLASSICS.COM
A FILM BY MARJANE SATRAPI AND VINCENT PARONNAUDPERSEPOLIS
NOW FEATURING THE VOICES OFCATHERINE DENEUVE, SEAN PENN,
CHIARA MASTROIANNI, GENA ROWLANDS AND IGGY POP
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TULSASAT-SUN 4/12-131 COL X 2
AMCSOUTHROADS 2041st & Yale622-9544
Showtimes:10:05–12:30–2:50–5:10–7:40–9:55
SOUTHROADS 2041st Street and Yale
DIGITAL PRESENTATION21 (PG13) (11:30 @ $4), 2:15, 5:00, 7:50,
10:30
NIM’S ISLAND (PG) (10:15, 11:15 @ $4), 12:35, 1:35,2:55, 4:00,
5:15, 6:15, 7:30, 8:25, 9:4021 (PG13) (10:00 @ $4), 1:00, 4:05,
6:50, 9:45STOP-LOSS (R) (11:40 @ $4), 2:10, 4:50, 7:25, 10:00TYLER
PERRY’S MEET THE BROWNS (PG13)(10:40 @ $4), 12:15, 1:20, 2:40,
3:40, 5:10, 6:05, 7:35, 8:30,10:10DR. SEUSS’ HORTON HEARS A WHO!
(G) (10:30,11:00, 11:40 @ $4), 12:45, 1:15, 1:50, 3:00, 3:30, 4:15,
5:05,5:40, 6:25, 7:15, 8:30, 9:25NEVER BACK DOWN (PG13) (10:35 @
$4), 1:10, 4:10,7:05, 9:4010,000 B.C. (PG13) (11:35 @ $4), 2:05,
4:35, 7:20, 9:5010,000 B.C. (PG13) F 2:05, 4:35, 7:20, 9:50COLLEGE
ROAD TRIP (G) (10:00 @ $4), 12:10, 2:20,4:30, 6:55, 9:05SEMI-PRO
(R) (10:10 @ $4), 12:25, 2:45, 4:55, 7:10, 9:20DEFINITELY, MAYBE
(PG13) (11:10 @ $4), 2:00, 4:45,7:30, 10:20THE BUCKET LIST (PG13)
(10:25 @ $4), 12:50, 3:10,5:30, 7:55, 10:15————————$$AAMMCC
SSEELLEECCTT%%————————
RUN FAT BOY RUN (PG13) (10:20 @ $4), 12:40, 3:05,5:30, 8:00,
10:25THE OTHER BOLEYN GIRL (PG13) (10:50 @ $4), 1:30,4:25, 7:10,
9:50IN BRUGES (R) 7:45, 10:15JUNO (PG13) (11:25 @ $4), 1:55, 4:20,
7:00PERSEPOLIS (PG13) (10:05 @ $4), 12:30, 2:50, 5:10,7:40, 9:55
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See it first - Tickets on sale now!The Chronicles of Narnia:
Prince Caspian opens May 16th
AMC Theatres • Tulsa World1col (1.708”) x 3.5”Ad insertion
date:Ad creation/delivery date:
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Wednesday, April 9, 2008 12:07:29 PM oktuw_amc0413
Sunday,April 13, 2008
-SPECIAL ENGAGEMENT No passes or discount coupons
Advanced Ticketing at amctheatres.com or (918) 622-9544
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