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HAPPY 100TH...HAPPY 100TH BIRTHDAY! Irving Fine (1914-1962) Diversions for Orchestra, Score $34.00 Fantasia for String Trio, Score & Parts $18.95 Partita for Woodwind Quintet, Score

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Page 1: HAPPY 100TH...HAPPY 100TH BIRTHDAY! Irving Fine (1914-1962) Diversions for Orchestra, Score $34.00 Fantasia for String Trio, Score & Parts $18.95 Partita for Woodwind Quintet, Score
Page 2: HAPPY 100TH...HAPPY 100TH BIRTHDAY! Irving Fine (1914-1962) Diversions for Orchestra, Score $34.00 Fantasia for String Trio, Score & Parts $18.95 Partita for Woodwind Quintet, Score

HAPPY 100TH BIRTHDAY!

Irving Fine (1914-1962) Diversions for Orchestra, Score $34.00

Fantasia for String Trio, Score & Parts $18.95 Partita for Woodwind Quintet, Score & Parts $34.95

String Quartet (1952), Score & Parts $24.95 Symphony (1962), Score $49.95

Maurice Ohana (1914-1992)

Avoaha: for percussion, piano and choir, Score, $150.40 Cadran Lunaire: for guitar, Score, $15.50

Quartet No. 3: for string quartet, Score & Parts, $58.50 Silenciaire: for orchestra, Score, $76.50

Sonatine Monodique: for piano, Score, $29.40

Andrzej Panufnik (1914-1991) Autumn Music: for orchestra, Score $53.00

Hommage a Chopin: for soprano and piano, Score $27.99 Pentasonata: for piano solo, Score $27.99

Rhapsody: for orchestra, Score $15.95 String Quartets Nos. 1 and 2, Study Score, $32.00

Violin Concerto, Score $66.00

Please visit www.tfront.com for complete listings of these composers’ works.

16122 Cohasset Street, Van Nuys, CA 91406 Phone: (818) 994-1902, Fax: (818) 994-0419

[email protected] www.tfront.com

Page 3: HAPPY 100TH...HAPPY 100TH BIRTHDAY! Irving Fine (1914-1962) Diversions for Orchestra, Score $34.00 Fantasia for String Trio, Score & Parts $18.95 Partita for Woodwind Quintet, Score

Music Library Association83rd Annual Meeting

25 February–2 March 2014

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– 2 –

MLA Administrative StructureBOARD OF DIRECTORSOfficers

PresidentMichael ColbyUniversity of California, Davis

Vice President/Past PresidentJerry L. McBrideStanford University

Recording SecretaryPamela BristahWellesley College

Administrative OfficerPaul CaryBaldwin Wallace University

Assistant Administrative OfficerLinda W. BlairEastman School of Music

Members-at-Large 2012–2014Paula L. HicknerUniversity of Kentucky

Steve LandstreetFree Library of Philadelphia

Mark V. ScharffWashington University in

St. Louis

Members-at-Large 2013–2015Stephanie BonjackUniversity of Southern California

Michael J. Duffy IVNorthern Illinois University

Rick McRaeEastman School of Music

CONVENTION

Convention ManagerLaura Gayle GreenFlorida State University

Assistant Convention ManagerJim FarringtonEastman School of Music

PROGRAM COMMITTEEGerry Szymanski, ChairEastman School of Music

Members:Michael DalbyCatherine GerhartKristina ShantonScott StonePaula Hickner, Board Liaison (ex

officio)Kevin Fleming, Local Arrangements

Committee co-chair (ex officio)Shelley Rogers, Local Arrangements

Committee co-chair (ex officio)Laura Gayle Green, Convention

ManagerJim Farrington, Assistant Convention

Manager

LOCAL ARRANGEMENTSKevin Fleming, co-chair Georgia State University

Shelley Rogers, co-chair University of West Georgia

Page 5: HAPPY 100TH...HAPPY 100TH BIRTHDAY! Irving Fine (1914-1962) Diversions for Orchestra, Score $34.00 Fantasia for String Trio, Score & Parts $18.95 Partita for Woodwind Quintet, Score

– 3 –

Table ofContents

Table of ContentsConference Program 4

Tuesday, 25 February 2014 4

Wednesday, 26 February 2014 5

Thursday, 27 February 2014 5

Friday, 28 February 2014 8

Saturday, 1 March 2014 13

Sunday, 2 March 2014 15

Name/Sponsor Index 16

Conference Donors 18

Exhibitor List 19

Advertiser List 26

Hotel Floor Plan 45

Please use the Guidebookapp for the latest program

information.

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– 4 –

Program

Music Library Association83rd Annual Meeting

February 26–March 2, 2014Atlanta GA

Conference Program

Tuesday, February 25, 20148:00 AM–6:00 PM MLA Board of Directors businessSan Francisco

8:00 AM–1:00 PM MOUG Board of Directors businessChicago

1:30–6:30 PM MOUG RegistrationAzalea Foyer

2:30–3:30 PM MOUG Plenary Session: Etiquette for Replacing Azalea Bibliographic Records, Panel

3:30–4:30 PM MOUG Enhance and Expert Community Azalea Working Session

4:30–5:00 PM MOUG Cookies and LemonadeAzalea

5:00–6:00 PM MOUG Plenary Session: RDA and Authorities, Azalea Panel

6:00–9:00 PM MLA RegistrationLower Lobby Desk

6:00–7:00 PM MOUG NACO-Music ProjectAzalea

Wednesday, February 26, 20148:00–9:00 AM MOUG RegistrationAzalea Foyer

8:00 AM–8:00 PM MLA RegistrationLower Lobby Desk

8:00 AM–12:30 PM MLA Board of Directors businessSan Francisco

8:00–8:30 AM MOUG Coffee & TeaAzalea

8:30–9:30 AM MOUG Hot TopicsAzalea

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– 5 –

Program

Wednesday, February 26, 20149:00 AM–5:00 PM MLA Preconference: Navigating Change and Peachtree Thriving: What Every Music Librarian Needs to

Know

8:30–9:30 AM MOUG Hot TopicsAzalea

9:30–10:30 AM Lightning Talks: Cataloging Challenges with Azalea RDA

10:30–10:45 AM MOUG BreakAzalea

10:45–11:45 AM MOUG Business MeetingAzalea

3:30–5:00 PM Development Committee businessSan Francisco

5:00–7:00 PM First-Timers Reception & Program invitation onlyCascade

7:00–10:00 PM MLA Opening ReceptionGrand Ballroom III and Buckhead Ballroom

7:00–10:00 PM Exhibits Open; Silent Auction OpenGrand Ballroom III and Buckhead Ballroom

9:00–11:00 PM MLA Big Band RehearsalGrand Ballroom I

Thursday, February 27, 20147:30–8:30 AM Monographic Series Editors businessPiedmont

7:30–8:30 AM Performing Arts Round TableAzalea

7:30–8:30 AM SEMLA Board businessLibrary

8:00 AM–5:00 PM MLA RegistrationLower Lobby Desk

8:30–9:00 AM Welcome to the 83rd MLA Annual MeetingGrand Ballroom I/II

9:00–10:30 AM Plenary I: Sacred Harp Singing: Shape Notes, Grand Ballroom I/II Songbooks, and Southern Culture

Member-proposedSpeakers: Joyce Clinkscales (Emory University),moderator; Jesse P. Karlsberg (Emory University);Nathan Rees (University of Tennessee, Knoxville);Sacred Harp Singers of Atlanta

10:30–11:00 AM Coffee BreakGrand Ballroom III and Buckhead Ballroom

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– 6 –

Thursday, February 27, 201410:30 AM–5:00 PM Exhibits Open; Silent Auction Open; Résumé Grand Ballroom III and Review and Placement Service OpenBuckhead Ballroom

11:00 AM–6:00 PM Placement Service Interview RoomMexico City

11:00 AM–11:45 AM Music Programming and Partnerships at Public Azalea Libraries

Sponsor: Public Libraries CommitteeSpeakers: John Smalley (San Francisco PublicLibrary); Laurie Bailey (San Diego Public Library)

11:00 AM–12:00 PM Web of Opportunities: Get Caught Up in the Grand Ballroom I/II New MLA Website

Sponsor: Web Committee Speakers: Becky O’Donoghue (University ofWashington); Katie Buehner (University of Iowa);Paul Cary (Baldwin Wallace University); VerlettaKern (University of Washington); Veronica Wells(University of the Pacific); Ray Heigemeir(Stanford University)

11:00 AM–12:30 PM Get Involved in MLA!Ballroom Prefunction Committee and subcommittee chairs are available

to answer your questions!

11:00 AM–12:30 PM Bibliographic Control Committee businessLibrary

11:00 AM–12:30 PM Membership Committee businessPiedmont

11:45 AM–12:30 PM Building World Music Collections: China, Azalea Taiwan, Japan and Korea

Sponsor: Resource Sharing and CollectionDevelopment Committee and World MusicRoundtableSpeakers: Mi-Hye Chyun (Rider University); AlecMcLane (Wesleyan University); Joe Clark (KentState University)

12:00–12:30 PM A User-Centered Website RedesignGrand Ballroom I/II Member-proposed

Speakers: Ray Heigemeir (Stanford University)

12:30–1:30 PM ARL/MLA Diversity Scholarship Task Force businessLibrary

12:30–1:30 PM Education Committee businessPiedmont

1:00–2:00 PM Variations in a Cloud: Shared Implementation in Grand Ballroom I/II Pacific Northwest Libraries

Member-proposed

Program

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– 7 –

Thursday, February 27, 2014Speakers: Ann Shaffer (University of Oregon);Erin Conor (Reed College); Verletta Kern(University of Washington)

1:00–2:00 PM Musical Merger: Harmony or Collision?Azalea Member-proposed

Speakers: Alan Asher (University of Florida); AnnLindell (University of Florida)

1:00–2:30 PM Investments Subcommittee businessTBD

1:30–3:00 PM BCC Authorities and Descriptive Subcommittees Library Joint Meeting business

1:30–3:00 PM Organizational Liaisons businessPiedmont

2:00–3:00 PM Perspectives on Collecting Black Music in AtlantaGrand Ballroom I/II Sponsor: Black Music Collections Round Table

Speakers: Andrea Jackson (Archives ResearchCenter of the Atlanta University Center); LanceLedbetter (Dust to Digital)

2:00–3:00 PM Enacted Metadata: Combining Content and Azalea Metadata

Member-proposedSpeakers: Susannah Cleveland (Bowling GreenState University); Elizabeth Hertenstein (BowlingGreen State University)

2:30–3:30 PM Retirees Round TablePiedmont

3:00–3:30 PM Coffee BreakGrand Ballroom III and Buckhead Ballroom

3:30–4:30 PM BCC Town HallGrand Ballroom I/II Sponsor: Bibliographic Control Committee

Speakers: Beth Iseminger (Harvard University);members of the Bibliographic Control Committee

3:30–4:30 PM Best of Chapters: Azalea “Creating an Alt-Bio-Bibliography Using Omeka

and Geo-spatial Tools” Anna Kijas (University of Connecticut)

“Coldplay’s Day (not) in Court: Theorizing MusicPlagiarism”

Becky O’Donoghue (University of Washington)

3:30–4:30 PM Web Committee businessLibrary

3:30–5:30 PM Career Development and Services Committee Piedmont business

Program

Page 10: HAPPY 100TH...HAPPY 100TH BIRTHDAY! Irving Fine (1914-1962) Diversions for Orchestra, Score $34.00 Fantasia for String Trio, Score & Parts $18.95 Partita for Woodwind Quintet, Score

– 8 –

Thursday, February 27, 20144:30–5:30 PM Copyright Litigation and Academic Libraries: Grand Ballroom I/II Wisdom to Share

Sponsor: Legislation CommitteeSpeakers: Kathleen DeLaurenti, moderator(College of William and Mary); Laura Burtle(Georgia State University); Gwen Spratt (GeorgiaState University)

4:30–5:30 PM Unheard Voices: Something Old and Something Azalea New in Jewish Music

Sponsor: Jewish Music Round TableSpeakers: Judith Pinnolis (Brandeis University);Kevin Karnes (Emory University)

4:30–6:00 PM BCC: MARC Formats and Metadata Library Subcommittees Joint Meeting business

5:30–6:30 PM MLA Town Hall: President-Led DiscussionGrand Ballroom I/II

6:30–7:30 PM Aleph User GroupPiedmont

6:30–7:30 PM III User GroupGrand Ballroom I/II

6:30–7:30 PM Sirsi User GroupLibrary

6:30–7:30 PM Voyager User GroupAzalea

7:30–8:30 PM California Chapter, MLALibrary

7:30–8:30 PM Midwest Chapter, MLAGrand Ballroom I/II

7:30–8:30 PM SEMLAAzalea

8:30–10:00 PM MLA Big Band RehearsalGrand Ballroom I/II

Friday, February 28, 20147:30–9:00 AM Alexander Street Press Breakfast invitation onlyAzalea

7:30–9:00 AM BCC: Subject Access Subcommittee and Library Genre/Form Task Force Joint Meeting business

8:00 AM–9:00 AM Music Industry and Arts Management Round Piedmont Table

8:00 AM–5:00 PM MLA RegistrationLower Lobby Desk

Program

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– 9 –

Friday, February 28, 20149:00–10:30 AM Plenary II: Moving on from MARC: An Grand Ballroom I/II Examination of BIBFRAME

Sponsor: BCC Metadata SubcommitteeSpeakers: Lisa McFall, moderator (HamiltonCollege); Kevin Ford (Library of Congress);Kimmy Szeto (Baruch College, City University ofNew York)

10:30–11:00 AM Coffee BreakGrand Ballroom III and Buckhead Ballroom

10:30 AM–12:00 PM Silent Auction OpenGrand Ballroom III and Buckhead Ballroom

10:30 AM–5:00 PM Exhibits Open, Résumé Review and Placement Grand Ballroom III and Service OpenBuckhead Ballroom

10:30 AM–11:30 AM Conservatory Libraries Round Table meetingLibrary

10:30 AM–1:00 PM Poster SessionsBallroom Prefunction

•Loaning iPads: A Library Outside of YourLibrary (Kirstin Dougan; University of Illinois atUrbana-Champaign)

•Promoting Library Resources: What Works?(Clayton Crenshaw; Baylor University)

•Composers as Catalogers?: Access to MusicDissertations in ProQuest (Rebecca Belford;University at Buffalo)

•Assessing the Value of the Music CollectionThrough Data: A Case Study at Three UniversityLibraries (Veronica Wells; University of thePacific)

•Setting the Stage: What’s Needed to Achieve anEnsemble Library Job? (Mallory Sajewski; KentState University)

•The Changing Listening Habits of AcademicLibrary Patrons: A Study of Sound RecordingUse at Indiana University, Bloomington(Matthew Vest; Davidson College)

•The Library School Internship: An ExperimentalExploration (Kathleen Haefliger; Chicago StateUniversity)

•Thinking Outside the Box: Finding PublishingOpportunities in Unexpected Places (RalphHartsock, Donna Arnold; University of NorthTexas)

•Where’s the Work?: A Geographic Distributionof Jobs In Music Librarianship (Joe Clark; KentState University)

Program

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– 10 –

Friday, February 28, 201411:00 AM–6:00 PM Placement Service Interview RoomMexico City

11:00 AM–12:00 PM Digital Humanities in the Library: Music Grand Ballroom I/II Librarians as Collaborators

Sponsor: Bibliographic Control Committee andEmerging Technologies and Services CommitteeModerator: Lisa McFall (Hamilton College) Speakers: Anna Kijas (University of Connecticut);Robert Simon (University of Notre Dame);Stephen Henry (University of Maryland)

11:00 AM–12:00 PM World Music Round Table meetingLibrary

11:00 AM–12:00 PM “Splice together ignorantly. . .”: performing and Azalea archiving John Cage's Rozart Mix at Wesleyan

UniversitySponsor: Contemporary Music Round TableSpeakers: Alec McLane (Wesleyan University);Chris Schiff (Bates College); Anne Rhodes (YaleUniversity)

11:00 AM–12:30 PM Educational Outreach Program businessPiedmont

12:00–12:30 PM Common Curricula of the Introductory Grand Ballroom I/II Graduate Music Research Course: A Survey

Member-proposedSpeakers: Jonathan Sauceda (Rutgers University)

12:00–12:30 PM A Room with a View: Creating the ElizabethAzalea City State Music Library

Member-proposedSpeakers: Stephanie Lewin-Lane (Elizabeth CityState University)

12:00–1:30 PM NOTES luncheon invitation onlyCassis A

12:00–1:30 PM RILM on ProQuest LuncheonVeranda Open invitation; please RSVP at conferences@rilm

.org

12:30–1:30 PM Archives and Special Collections Committee businessLibrary

1:00–2:30 PM Broken Patterns, New Worlds: A Whirlwind Grand Ballroom I/II Tour of the Latest Technologies

Sponsor: Emerging Technologies and ServicesCommittee Speakers: Stephen Henry (University of Mary -land); Rebecca Belford (University at Buffalo);

Program

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– 11 –

Friday, February 28, 2014Remi Castonguay (Yale University); Sam Cook(University of Hartford); Jennifer Matthews(Savannah College of Art and Design); AnneShelley (Illinois State University); Adam Crandell(Haverford College); Alyssa Resnick (GlendalePublic Library); Francesca Giannetti (Universityof Texas); Jessica Harvey (University of SouthCarolina); Kerry Carwile Masteller (HarvardUniversity); Kimmy Szeto (Baruch College, CityUniversity of New York); Pam Pagels (SouthernMethodist Univesity)

1:00–2:00 PM Illustrating Musical Relationships Through Azalea Visualization Software

Member-proposedSpeakers: David Lesniaski (St. CatherineUniversity); Trent Brager (St. CatherineUniversity)

1:00–2:00 PM Marketing Committee businessPiedmont

1:30–3:00 PM RDA Music Joint Working Group businessLibrary

2:00–3:00 PM The RIdIM Database of Music Iconography Azalea (db.ridim.org): An Invitation to Participate

Member-proposedSpeakers: Alan Green, (Ohio State University,RIdIM Project Coordinator); Sean Ferguson (OhioState University, RIdIM Editor-in-Chief); JarodOgier (Ohio State University, RIdIM Cataloger)

2:00–3:00 PM Public Libraries Committee businessPiedmont

2:30–3:00 PM How You, Too, Can Conduct User Studies in Grand Ballroom I/II Your Library

Member-proposedSpeakers: Kirstin Dougan (University of Illinois atUrbana-Champaign)

3:00–3:30 PM Coffee BreakGrand Ballroom III and Buckhead Ballroom

3:30–4:30 PM Viewing the Civil War through Sheet Music of Grand Ballroom I/II the West and the South

Sponsor: Sheet Music Round Table and AmericanMusic Round TableSpeakers: Joyce Clinkscales (Emory University);Mary Kay Duggan (University of California,Berkeley)

Program

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– 12 –

Friday, February 28, 20143:30–4:30 PM Reference Wrap-Up: Difficult Dance and Azalea Troublesome Theatre

Sponsor: Small Academic Libraries Round Tableand Reference Access Services Subcommittee Speakers: Lindsay Hansen (California StateUniversity, Northridge); Erin Conor (ReedCollege); Scott Stone (Chapman University)

3:30–5:00 PM BCC: RDA Music Implementation Task ForceLibrary business

3:30–5:00 PM Emerging Technologies and Services Committee Piedmont business

4:30–5:30 PM Women Representing: Exploring Roles as Grand Ballroom I/II Scholars and Traditional Music Collectors

During the 20th CenturySponsor: Women in Music Round TableSpeakers: Suzanne Moulton-Gertig (University ofDenver); Margaret Ericson (Colby College)

4:30–5:30 PM America's Music Project: How We Did It Azalea Member-proposed

Speakers: Antoinette Powell (Lawrence Univer -sity), moderator; Anne Shelley (Illinois StateUniversity); Drew Beisswenger (Missouri StateUniversity); Christopher Mehrens (Arizona State University)

5:00–6:00 PM Preservation Committee businessLibrary

5:00–6:00 PM Legislation Committee businessPiedmont

5:30–6:30 PM RDA: Where We Are, One Year LaterGrand Ballroom I/II Sponsor: Bibliographic Control Committee

Speakers: Casey Mullin (Stanford University) andTracey Snyder (Cornell University), moderators;members of the Bibliographic Control Committee

6:00–6:30 PM Library as Place: What Performing Arts StudentsAzalea Value Most

Member-proposedSpeakers: Joe Clark (Kent State University)

6:00–7:00 PM Digital Humanities Round Table meetingLibrary

6:00–7:00 PM Organ Music Round Table meetingPiedmont

6:30–8:00 PM Reception at the Rialto Center for the ArtsGeorgia State sponsored by SEMLAUniversity campus Johnny Mercer Celebration concert (ticketed

event) starts at 8:00 PM

Program

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– 13 –

Friday, February 28, 20148:30–10:00 PM MLA Big Band RehearsalGrand Ballroom I/II

Saturday, March 1, 20147:30–8:00 AM Stretching for Music LibrariansGrand Ballroom I/II Member-proposed

Stretcher: Veronica Wells (University of thePacific)

7:30–9:00 AM RILM on EBSCO breakfast Veranda Open invitation; please RSVP at conferences@rilm

.org

8:00–9:00 AM Reference Access Services Subcommittee businessPiedmont

8:00–9:00 AM Basic Manual Series Editorial Board businessLibrary

8:00–10:00 AM MLA RegistrationLower Lobby Desk

9:00 AM–12:00 PM Exhibits Open, Résumé Review and Placement Grand Ballroom III and Service OpenBuckhead Ballroom

9:00–10:30 AM Plenary III: The Library of Congress National Grand Ballroom I/II Recording Preservation Plan

Sponsor: Preservation CommitteeSpeakers: Sandi-Jo Malmon (Harvard University),moderator; Brenda Nelson-Strauss (IndianaUniversity); Stephen Davison (UCLA); MikeCasey (Indiana University); Eric Harbeson(University of Colorado Boulder)

10:30–11:00 AM Coffee BreakGrand Ballroom III and Buckhead Ballroom

11:00 AM–3:00 PM Placement Service Interview RoomMexico City

11:00 AM–11:30 AM Audio Preservation and Digitization on a Grand Ballroom I/II Shoestring

Member-proposedSpeakers: Kenneth Kauffman (Westminster ChoirCollege of Rider University); Amy Kimura(Westminster Choir College of Rider University)

11:00 AM–12:00 PM Takin’ Care of Business: Music Business ReferenceAzalea Sponsor: Education Committee

Speakers: Marci Cohen (Berklee College of Music);Andy Leach (Rock and Roll Hall of Fame); GroverBaker (Middle Tennessee State University)

Program

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– 14 –

Saturday, March 1, 201411:00 AM–12:30 PM Bibliographic Control Committee businessLibrary

11:00 AM–12:30 PM Publications Committee businessPiedmont

11:30 AM–12:30 PM Taking a Census and Prioritizing Media Grand Ballroom I/II Collections for Preservation

Sponsor: Preservation CommitteeSpeakers: Mike Casey (Indiana University)

12:00–12:30 PM What Not To Wear: MLA Interview EditionAzalea Member-proposed

Speakers: Misti Shaw (DePauw University);Susannah Cleveland (Bowling Green StateUniversity); Mark Puente (Association ofResearch Libraries)

1:00–2:00 PM RDA and Public Services: Library Systems and Grand Ballroom I/II RDA Implementation for Music

Sponsor: Bibliographic Control Committee andPublic Services CommitteeSpeakers: Members from the BibliographicControl Committee and the Public ServicesCommittee

1:00–2:00 PM Film Music in Atlanta: The Scoring of Gone Azalea With the Wind

Sponsor: Film Music Round TableSpeakers: Leslie Andersen (California State Uni -versity, Long Beach); Janet Bradford (BrighamYoung University)

1:00–2:00 PM Bibliography Round TableLibrary

1:00–2:00 PM Resource Sharing and Collection Development Piedmont Committee business

2:00–3:00 PM A Community Conversation on Online-Only Grand Ballroom I/II Music

Sponsor: Digital Audio Task ForceModerators: Judy Tsou (University ofWashington); John Vallier (University ofWashington)

2:00–3:00 PM Stop Reinventing the Wheel: An Online Azalea Repository for Music Information Literacy

Sponsor: Instruction Subcommittee of the PublicServices CommitteeSpeakers: Presentation and discussion to be ledby members of the Instruction Subcommittee

Program

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– 15 –

Saturday, March 1, 20142:00–3:00 PM Technical Services Round TableLibrary

3:00–5:00 PM MLA Business MeetingGrand Ballroom I/II

6:00–7:00 PM MLA Big Band Sound CheckGrand Ballroom I/II

7:00–10:00 PM Closing Cocktails and MLA MusiciansGrand Ballroom I/II/III

Sunday, March 2, 20148:00–10:30 AM MLA 2015 Denver Planning businessNew York

8:00 AM–12:00 PM MLA Board of Directors businessSan Francisco

8:30–11:30 AM Digital Audio Task Force businessPiedmont

Program

Plan ahead!

MLA 2015: Denver

February 25–March 1

MLA 2016: Cincinnati

February 28–March 6

!daehanaPl

revneD:5102A LM

52ryarubeF – 1rchaM

itannciniC:6102A LM

82ryarubeF – 6rchaM

82ryarubeF 6rchaM

Page 18: HAPPY 100TH...HAPPY 100TH BIRTHDAY! Irving Fine (1914-1962) Diversions for Orchestra, Score $34.00 Fantasia for String Trio, Score & Parts $18.95 Partita for Woodwind Quintet, Score

– 16 –

Name or Sponsor . . . . . . . . . . . . . . . . . . Day Time . . . . . . . . . . . . . . . . . . . . PlaceAmerican Music Round Table . . . . . . . . . . . . . . . Fri. 3:30–4:30 PM . . . . . . . Grand Ballroom I/IIAndersen, Leslie . . . . . . . . . . . . . . . . . . . . . . . . . . . Sat. 1:00–2:00 PM . . . . . . . . . . . . . . . . . . AzaleaArnold, Donna (P) . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 10:30 AM–1:00 PM . Ballroom PrefunctionAsher, Alan (S) . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 1:00–2:00 PM . . . . . . . . . . . . . . . . . . AzaleaBailey, Laurie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 11:00–11:45 AM . . . . . . . . . . . . . . . . AzaleaBaker, Grover . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sat. 11:00 AM–12:00 PM . . . . . . . . . . . . . AzaleaBCC Metadata Subcommittee . . . . . . . . . . . . . . . Fri. 9:00–10:30 AM . . . . . . Grand Ballroom I/IIBeisswenger, Drew . . . . . . . . . . . . . . . . . . . . . . . . Fri. 4:30–5:30 PM . . . . . . . . . . . . . . . . . . AzaleaBelford, Rebecca (P) . . . . . . . . . . . . . . . . . . . . . . . Fri. 10:30 AM–1:00 PM . Ballroom PrefunctionBelford, Rebecca . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 1:00–2:30 PM . . . . . . . Grand Ballroom I/IIBibliographic Control Committee . . . . . . . . . . . . Thu. 3:30–4:30 PM . . . . . . . Grand Ballroom I/II

Fri. 11:00 AM–12:00 PM . . Grand Ballroom I/IIFri. 5:30–6:30 PM . . . . . . . Grand Ballroom I/IISat. 1:00–2:00 PM . . . . . . . Grand Ballroom I/II

Black Music Collections Round Table . . . . . . . . . Thu. 2:00–3:00 PM . . . . . . . Grand Ballroom I/IIBradford, Janet . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sat. 1:00–2:00 PM . . . . . . . . . . . . . . . . . . AzaleaBrager, Trent . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 1:00–2:30 PM . . . . . . . . . . . . . . . . . . AzaleaBuehner, Katie . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 11:00 AM–12:00 PM . . Grand Ballroom I/IIBurtle, Laura . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 4:30–5:30 PM . . . . . . . Grand Ballroom I/IICary, Paul . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 11:00 AM–12:00 PM . . Grand Ballroom I/IICasey, Mike . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sat. 9:00–10:30 AM . . . . . . Grand Ballroom I/II

Sat. 11:30 AM–12:30 PM . . Grand Ballroom I/IICastonguay, Remi . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 1:00–2:30 PM . . . . . . . Grand Ballroom I/IIChyun, Mi-Hye . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 11:45 AM–12:30 PM . . . . . . . . . . . . . AzaleaClark, Joe (P) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 10:30 AM–1:00 PM . Ballroom PrefunctionClark, Joe (S) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 6:00–6:30 PM . . . . . . . . . . . . . . . . . . AzaleaClark, Joe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 11:45 AM–12:30 PM . . . . . . . . . . . . . AzaleaCleveland, Susannah . . . . . . . . . . . . . . . . . . . . . . . Thu. 2:00–3:00 PM . . . . . . . . . . . . . . . . . . Azalea

Sat. 12:00–12:30 PM . . . . . . . . . . . . . . . . AzaleaClinkscales, Joyce (M, S) . . . . . . . . . . . . . . . . . . . . Thu. 9:00–10:30 AM . . . . . . Grand Ballroom I/IIClinkscales, Joyce . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 3:30–4:30 PM . . . . . . . Grand Ballroom I/IICohen, Marci . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sat. 11:00 AM–12:00 PM . . . . . . . . . . . . . AzaleaColby, Michael (M) . . . . . . . . . . . . . . . . . . . . . . . . Thu. 5:30–6:30 PM . . . . . . . Grand Ballroom I/IIConor, Erin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 1:00–2:00 PM . . . . . . . Grand Ballroom I/II

Fri. 3:30–4:30 PM . . . . . . . . . . . . . . . . . . AzaleaContemporary Music Round Table . . . . . . . . . . . Fri. 11:00 AM–12:00 PM . . . . . . . . . . . . . AzaleaCook, Sam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 1:00–2:30 PM . . . . . . . Grand Ballroom I/IICrandell, Adam . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 1:00–2:30 PM . . . . . . . Grand Ballroom I/IICrenshaw, Clayton (P) . . . . . . . . . . . . . . . . . . . . . Fri. 10:30 AM–1:00 PM . Ballroom PrefunctionDavison, Stephen . . . . . . . . . . . . . . . . . . . . . . . . . . Sat. 9:00–10:30 AM . . . . . . Grand Ballroom I/IIDeLaurenti, Kathleen (M) . . . . . . . . . . . . . . . . . . . Thu. 4:30–5:30 PM . . . . . . . Grand Ballroom I/IIDigital Audio Task Force . . . . . . . . . . . . . . . . . . . . Sat. 2:00–3:00 PM . . . . . . . Grand Ballroom I/IIDougan, Kirstin (P) . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 10:30 AM–1:00 PM . Ballroom PrefunctionDougan, Kirstin (S) . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 2:30–3:00 PM . . . . . . . Grand Ballroom I/IIDuggan, Mary Kay . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 3:30–4:30 PM . . . . . . . Grand Ballroom I/IIEducation Committee . . . . . . . . . . . . . . . . . . . . . . Sat. 11:00 AM–12:00 PM . . . . . . . . . . . . . AzaleaEmerging Technologies & Services Committee . Fri. 11:00 AM–12:00 PM . . Grand Ballroom I/II

Fri. 1:00–2:30 PM . . . . . . . Grand Ballroom I/IIEricson, Margaret . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 4:30–5:30 PM . . . . . . . Grand Ballroom I/IIFerguson, Sean . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 2:00–3:00 PM . . . . . . . . . . . . . . . . . . AzaleaFilm Music Round Table . . . . . . . . . . . . . . . . . . . . Sat. 1:00–2:00 PM . . . . . . . . . . . . . . . . . . AzaleaFord, Kevin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 9:00–10:30 AM . . . . . . Grand Ballroom I/IIGiannetti, Francesca . . . . . . . . . . . . . . . . . . . . . . . Fri. 1:00–2:30 PM . . . . . . . Grand Ballroom I/IIGreen, Alan (S) . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 2:00–3:00 PM . . . . . . . . . . . . . . . . . . AzaleaHaefliger, Kathleen (P) . . . . . . . . . . . . . . . . . . . . . . Fri. 10:30 AM–1:00 PM . Ballroom PrefunctionHansen, Lindsay . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 3:30–4:30 PM . . . . . . . . . . . . . . . . . . Azalea

Index

Name/Sponsor Index(M) = Moderator, (P) = Poster session, (S) = Individual sponsor

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– 17 –

Name or Sponsor . . . . . . . . . . . . . . . . . . Day Time . . . . . . . . . . . . . . . . . . . . PlaceHarbeson, Eric . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sat. 9:00–10:30 AM . . . . . . Grand Ballroom I/IIHartsock, Ralph (P) . . . . . . . . . . . . . . . . . . . . . . . . Fri. 10:30 AM–1:00 PM . Ballroom PrefunctionHarvey, Jessica . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 1:00–2:30 PM . . . . . . . Grand Ballroom I/IIHeigemeier, Ray (S) . . . . . . . . . . . . . . . . . . . . . . . . Thu. 12:00–12:30 PM . . . . . Grand Ballroom I/IIHeigemeir, Ray . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 11:00 AM–12:00 PM . Grand Ballroom I/IIHenry, Stephen . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 11:00 AM–12:00 PM . . Grand Ballroom I/II

Fri. 1:00–2:30 PM . . . . . . . Grand Ballroom I/IIHertenstein, Elizabeth . . . . . . . . . . . . . . . . . . . . . . Thu. 2:00–3:00 PM . . . . . . . . . . . . . . . . . . AzaleaInstruction Subcommittee . . . . . . . . . . . . . . . . . . Sat. 2:00–3:00 PM . . . . . . . . . . . . . . . . . . AzaleaIseminger, Beth . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 3:30–4:30 PM . . . . . . . Grand Ballroom I/IIJackson, Andrea . . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 2:00–3:00 PM . . . . . . . Grand Ballroom I/IIJewish Music Round Table . . . . . . . . . . . . . . . . . . Thu. 4:30–5:30 PM . . . . . . . . . . . . . . . . . . AzaleaKarlsberg, Jesse P. . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 9:00–10:30 AM . . . . . . Grand Ballroom I/IIKarnes, Kevin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 4:30–5:30 PM . . . . . . . . . . . . . . . . . . AzaleaKauffman, Kenneth (S) . . . . . . . . . . . . . . . . . . . . . Sat. 11:00 AM–11:30 AM . Grand Ballroom I/IIKern, Verletta (S) . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 1:00–2:00 PM . . . . . . . Grand Ballroom I/IIKern, Verletta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 11:00 AM–12:00 PM . Grand Ballroom I/IIKijas, Anna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 3:30–4:30 PM . . . . . . . . . . . . . . . . . . Azalea

Fri. 11:00 AM–12:00 PM . . Grand Ballroom I/IIKimura, Amy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sat. 11:00 AM–11:30 AM . Grand Ballroom I/IILeach, Andy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sat. 11:00 AM–12:00 PM . . . . . . . . . . . . . AzaleaLedbetter, Lance . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 2:00–3:00 PM . . . . . . . Grand Ballroom I/IILegislation Committee . . . . . . . . . . . . . . . . . . . . . Thu. 4:30–5:30 PM . . . . . . . Grand Ballroom I/IILesniaski, David . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 1:00–2:30 PM . . . . . . . . . . . . . . . . . . AzaleaLewin-Lane, Stephanie (S) . . . . . . . . . . . . . . . . . . Fri. 12:00–12:30 PM . . . . . . . . . . . . . . . . AzaleaLindell, Ann . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 1:00–2:00 PM . . . . . . . . . . . . . . . . . . AzaleaMalmon, Sandi-Jo (M) . . . . . . . . . . . . . . . . . . . . . Sat. 9:00–10:30 AM . . . . . . Grand Ballroom I/IIMasteller, Kerry Carwile . . . . . . . . . . . . . . . . . . . . Fri. 1:00–2:30 PM . . . . . . . Grand Ballroom I/IIMatthews, Jennifer . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 1:00–2:30 PM . . . . . . . Grand Ballroom I/IIMcFall, Lisa (M) . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 9:00–10:30 AM . . . . . . Grand Ballroom I/II

Fri. 11:00 AM–12:00 PM . . Grand Ballroom I/IIMcLane, Alec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 11:45 AM–12:30 PM . . . . . . . . . . . . . Azalea

Fri. 11:00 AM–12:00 PM . . . . . . . . . . . . . AzaleaMehrens, Christopher . . . . . . . . . . . . . . . . . . . . . . Fri. 4:30–5:30 PM . . . . . . . . . . . . . . . . . . AzaleaMoulton-Gertig, Suzanne . . . . . . . . . . . . . . . . . . . Fri. 4:30–5:30 PM . . . . . . . Grand Ballroom I/IIMullin, Casey . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 5:30–6:30 PM . . . . . . . Grand Ballroom I/IINelson, Strauss, Brenda . . . . . . . . . . . . . . . . . . . . Sat. 9:00–10:30 AM . . . . . . Grand Ballroom I/IIO’Donoghue, Becky . . . . . . . . . . . . . . . . . . . . . . . Thu. 11:00 AM–12:00 PM . . Grand Ballroom I/II

Thu. 3:30–4:30 PM . . . . . . . . . . . . . . . . . . AzaleaOgier, Jarod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 2:00–3:00 PM . . . . . . . . . . . . . . . . . . AzaleaPagels, Pam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 1:00–2:30 PM . . . . . . . Grand Ballroom I/IIPinnolis, Judith . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 4:30–5:30 PM . . . . . . . . . . . . . . . . . . AzaleaPowell, Antoinette (M, S) . . . . . . . . . . . . . . . . . . . Fri. 4:30–5:30 PM . . . . . . . . . . . . . . . . . . AzaleaPreservation Committee . . . . . . . . . . . . . . . . . . . Sat. 9:00–10:30 AM . . . . . . Grand Ballroom I/II

Sat. 11:30 AM–12:30 PM . . Grand Ballroom I/IIPublic Libraries Committee . . . . . . . . . . . . . . . . . Thu. 11:00–11:45 AM . . . . . . . . . . . . . . . . AzaleaPublic Services Committee . . . . . . . . . . . . . . . . . Sat. 1:00–2:00 PM . . . . . . . Grand Ballroom I/IIPuente, Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sat. 12:00–12:30 PM . . . . . . . . . . . . . . . . AzaleaRees, Nathan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 9:00–10:30 AM . . . . . . Grand Ballroom I/IIReference Access Services Subcommittee . . . . . Fri. 3:30–4:30 PM . . . . . . . . . . . . . . . . . . AzaleaResnick, Alyssa . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 1:00–2:30 PM . . . . . . . .Grand Ballroom I/IIResource Sharing & Collection . . . . . . . . . . . . . Thu. 11:45 AM–12:30 PM . . . . . . . . . . . . . Azalea

Development CommitteeRhodes, Anne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 11:00 AM–12:00 PM . . . . . . . . . . . . . AzaleaSacred Harp Singers of Atlanta . . . . . . . . . . . . . . Thu. 9:00–10:30 AM . . . . . . Grand Ballroom I/IISajewski, Mallory (P) . . . . . . . . . . . . . . . . . . . . . . . Fri. 10:30 AM–1:00 PM . Ballroom PrefunctionSauceda, Jonathan (S) . . . . . . . . . . . . . . . . . . . . . . Fri. 12:00–12:30 PM . . . . . Grand Ballroom I/IIShaffer, Ann . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 1:00–2:00 PM . . . . . . . Grand Ballroom I/IISchiff, Chris . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 11:00 AM–12:00 PM . . . . . . . . . . . . . AzaleaShaw, Misti (S) . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sat. 12:00–12:30 PM . . . . . . . . . . . . . . . . Azalea

Index

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– 18 –

Name or Sponsor . . . . . . . . . . . . . . . . . . Day Time . . . . . . . . . . . . . . . . . . . . PlaceSheet Music Round Table . . . . . . . . . . . . . . . . . . . Fri. 3:30–4:30 PM . . . . . . . Grand Ballroom I/IIShelley, Anne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 1:00–2:30 PM . . . . . . . Grand Ballroom I/II

Fri. 4:30–5:30 PM . . . . . . . . . . . . . . . . . . AzaleaSimon, Robert . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 11:00 AM–12:00 PM . . Grand Ballroom I/IISmall Academic Libraries Round Table . . . . . . . . Fri. 3:30–4:30 PM . . . . . . . . . . . . . . . . . . AzaleaSmalley, John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 11:00–11:45 AM . . . . . . . . . . . . . . . . AzaleaSnyder, Tracey . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 5:30–6:30 PM . . . . . . . Grand Ballroom I/IISpratt, Gwen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 4:30–5:30 PM . . . . . . . Grand Ballroom I/IIStone, Scott . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 3:30–4:30 PM . . . . . . . . . . . . . . . . . . AzaleaSzeto, Kimmy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 9:00–10:30 AM . . . . . . Grand Ballroom I/II

Fri. 1:00–2:30 PM . . . . . . . Grand Ballroom I/IITsou, Judy (M) . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sat. 2:00–3:00 PM . . . . . . . Grand Ballroom I/IIVallier, John (M) . . . . . . . . . . . . . . . . . . . . . . . . . . . Sat. 2:00–3:00 PM . . . . . . . Grand Ballroom I/IIVest, Matthew (P) . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 10:30 AM–1:00 PM . Ballroom PrefunctionWeb Committee . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 11:00 AM–12:00 PM . . Grand Ballroom I/IIWells, Veronica (P) . . . . . . . . . . . . . . . . . . . . . . . . . Fri. 10:30 AM–1:00 PM . Ballroom PrefunctionWells, Veronica (S) . . . . . . . . . . . . . . . . . . . . . . . . . Sat. 7:30–8:00 AM . . . . . . . Grand Ballroom I/IIWells, Veronica . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thu. 11:00 AM–12:00 PM . . Grand Ballroom I/IIWomen in Music Round Table . . . . . . . . . . . . . . Fri. 4:30–5:30 PM . . . . . . . Grand Ballroom I/IIWorld Music Roundtable . . . . . . . . . . . . . . . . . . . Thu. 11:45 AM–12:30 PM . . . . . . . . . . . . . Azalea

SPONSOR ($5,001—$7,000)Southeast Chapter, Music LibraryAssociation

BENEFACTOR ($1,000—$5000)Alexander Street Press Arkivmusic Robert W. Woodruff Library and the

Marian K. Heilbrun Music andMedia Library, Emory University

Georgia State UniversityTheodore Front Musical Literature,

Inc.

PATRON ($500—$999)Academic Charts Online Auburn University Libraries

SUPPORTER (up to $149)At Your Service Cataloging

Conference Donors

Index/Donors

Page 21: HAPPY 100TH...HAPPY 100TH BIRTHDAY! Irving Fine (1914-1962) Diversions for Orchestra, Score $34.00 Fantasia for String Trio, Score & Parts $18.95 Partita for Woodwind Quintet, Score

– 19 –

aaa Music Hunter Distributing Company

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aaa Music Hunter DistributingCompany (established 1945) is a onestop wholesale distributor that suppliesvirtually every CD, DVD, & Blu-Rayin print. We carry every label, domestic& imported (no label is too small,Music Hunter has them all). MusicHunter’s service is superior & our lowprices will stretch your budget. Manyreferences available. Purchase orderswelcome. Weekly e-mailed new releaseupdates and special sale alerts.

Academic Rights Press Ltd.18 Denbigh Road London, W11 2SN [email protected]+44 20 3303 0345 (v)Attn: Roger Press

ACO Music Data Analysis is a grow-ing repository of historical and currentdata covering 60 years from Billboard,Official Chart Company, Media Controland many more reporting agenciesaround the world. This data is presentedin Relative Pitch Graphs™ which tellthe story of the impact of music on society and cultures.

Alexander Street Press3212 Duke St. Alexandria, VA 22314marketing@alexanderstreet.comwww.alexanderstreet.com703-212-8520 (v)703-940-6584 (f)Attn: Elizabeth Dutton

Alexander Street's Press’s music offer-ings are growing rapidly. MusicOnline: Premium now includes nearlyone million audio tracks, 1,500+ hoursof video, more than half a million pagesof scores, and 124,000+ pages of refer-ence material. Visit us for a demo andenter to win a free subscription.

American Institute of MusicologyMergelberg 84Muenster, NRW 48161 [email protected]+49 251-8714-9232 (v)+49 251-8714-9233 (f)Attn: Paul Ranzini

The American Institute of Musicologypublishes critical editions as well astreatises and books on music of theMedieval, Renaissance, and earlyBaroque eras. With more than 14,000works in 675 publications, AIM main-tains a significant catalog of early music publications.

Exhibitors

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Page 22: HAPPY 100TH...HAPPY 100TH BIRTHDAY! Irving Fine (1914-1962) Diversions for Orchestra, Score $34.00 Fantasia for String Trio, Score & Parts $18.95 Partita for Woodwind Quintet, Score

– 20 –

Anthology of Recorded Music, Inc. -New World Records/DRAM &Sound American20 Jay St. Suite 1001Brooklyn, NY 11201www.newworldrecords.orgwww.dramonline.org646-442-7929 (v) [email protected]: Lisa Kahlden

Anthology of Recorded Music Inc. isthe not-for-profit parent company of the New World/NWCR recording label; DRAM (Database of RecordedAmerican Music), a digital subscriptionservice providing on-demand streamingaccess to more than 4,000 hours of mu-sic from 36 different labels and archives;and Sound American, a free-to-accessonline digest which, using materialfrom DRAM, challenges the perceptionthat new and experimental music issomehow joyless or beyond the averagelistener.

A-R Editions, Inc.8551 Research Way, Suite 180Middleton, WI [email protected] (v)608-831-8200 (f)Attn: James L. Zychowicz

A-R Editions, Inc., publishes theRecent Researches series of criticaleditions of historic music; the seriesCollegium Musicum; and co-publishes (with the AmericanMusicological Society) Mu sic of theUnited States of America (MUSA).A-R also publishes the ComputerMusic and Digital Audio Series(DAS), and is the exclusive distributorfor the American Institute ofMusicology (AIM). Recently A-R re-leased its Online Music Anthology(www.aremusicanthology.com). A-R isproud to co-publish with MLA its threemonographic series: the MLA BasicManual Series; MLA TechnicalReports; and the MLA Index andBibliography Series.

ArkivMusicP.O. Box 654Bryn Mawr, PA [email protected] (v)Attn: Suzanne Duell

ArkivMusic provides the most compre-hensive selection of classical musicrecordings on the planet, including over10,000 previously out-of-print titles inour ArkivCD program. All other genresof music are also available in our newInstitutional Sales area devoted to thespecialized needs of libraries and venues.

Ashgate Publishing Company101 Cherry St, Suite 3-1Burlington, VT 05401www.ashgate.com802-865-7641 (v)802-865-7847 (f)Attn: Leigh Norwich

Ashgate is a leading independent pressdedicated to publishing the finest academic research. Each year Ashgatepublishes more than 800 new booksacross fifteen subject areas in the SocialSciences and humanities, representingthe best academic research from aroundthe world.

Association Book Exhibit9423 Old Mt. Vernon Rd.Alexandria, VA [email protected]: Mark Trocchi

A combined display of scholarly/ professional titles from leading publishers. Free catalog available.

Exhibitors

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– 21 –

Carl Philipp Emanuel Bach: The Complete Works

11A Mt Auburn StCambridge, MA 02138www.cpebach.org/[email protected] (v)Attn: Ruth Libbey

The Packard Humanities Institute pub -lishes Carl Philipp Emanuel Bach: TheComplete Works and Mozart Operas inFacsimile, and is the North Americandistributor of Wilhelm FriedemannBach: Collected Works.

Bärenreiter VerlagHeinrich-Schütz-Allee 35D-34131 Kassel Germany+011 49 561 3105 173 (v) +011 49 561 3105 310 (f) [email protected] www.baerenreiter.comRepresented by Theodore Front Musical Literature, Inc.

Bärenreiter was founded by KarlVötterle in 1923 and today is under theleadership of his descendents BarbaraScheuch-Vötterle, Leonhard Scheuch and Clemens Scheuch. Its headquartersare situated in Kassel in the center ofGermany. The Bärenreiter Group, with aworkforce of 160 people and subsidiariesin the United Kingdom and the CzechRepublic, is committed to the publica-tion and distribution of classical musicof the highest standard. Bärenreiter hasestablished an international reputation,above all with its scholarly CompleteEditions of the works of Bach, Handel,Mozart, Schubert, Berlioz, and othercomposers, the encyclopedia Die Musikin Geschichte und Gegenwart and withworks by contemporary composers. Thecompany’s publishing program has expanded considerably over the decades.New Complete Editions, for example of the works of Rossini and Fauré, havebeen started. In addition, Bärenreiter’sextensive catalog encompasses numerousUrtext Editions of the concert repertoireincluding works by Beethoven,Mendelssohn, Elgar, Debussy, Ravel,and many other composers.

Breitkopf & HärtelWalkmühlstrasse 52D-65195 Wiesbaden Germany+011 49 611 450080 (v)+011 49 611 45008 5961 (f)[email protected] by Theodore FrontMusical Literature, Inc.

Broude Brothers141 White Oaks RdWilliamstown, MA 01267-0547800-525-8559 (v)[email protected]

Broude Brothers is a publisher and re-tailer of musicological editions. As a re-tailer, Broude Brothers supplies both itsown publications and those of publish-ers worldwide. Its dual status and pres-ence in both America and Europe enableBroude Brothers to provide unmatchedexpertise and service.

CD-A/V Source912½ Sherman AveEvanston, IL [email protected] (v)847-869-9997 (f)Attn: Geoffrey Hill

For more than 25 years we've been a reliable full-service A/V supplier tomany MLA academic and public mem-ber libraries. Worldwide CD & DVDsourcing including hard-to-find andOOP titles. Professional shelf-readyprocessing, all Formats, along withOCLC PromptCat MARC supply.

Exhibitors

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– 22 –

EBSCO Publishing10 Estes StreetIpswich, MA [email protected]: Osha Saylor

EBSCO Publishing, the provider ofEBSCOhost—the leading research plat-form available, provides more than 350research databases to libraries. Index to Printed Music, The Music IndexOnline, RILM Abstracts of MusicLiterature, RIPM RetrospectiveIndex to Music Periodicals, andRISM Series A/II: Music Manu -scripts after 1600, are all available on EBSCOhost.

Theodore Front Musical Literature16122 Cohasset St.Van Nuys, CA [email protected] (v)818-994-0419 (f)www.tfront.comAttn: Christine Clark

Theodore Front Musical Literature is asupplier of music scores, monographs,compact discs and DVDs published inthe U.S. and abroad. Services includestanding orders, online ordering, cus-tomized approval plans (books, music,CDs and DVDs), subscription and peri-odical services, new issue notificationand out of print searches. Please inquireabout our MARC records, discountsand other services. Institutional sup-plier since 1961.

Galant Masters ProjectPO Box 807Lake Forest, IL 60045224-649-6000 (v/f)[email protected]: Tom Tropp

Editing and publishing lost works ofeighteenth-century, Neapolitan churchmusic.

Harmonia Mundi USA1117 Chestnut StreetBurbank CA 91506-1624818-333-1500 (v)818-333-1502 (f)[email protected] by Theodore FrontMusic

HarrassowitzKreuzberger Ring 7c-d65205 Wiesbaden [email protected] (v)+49-(0)611-530 808 (v)+49-(0)611-530 560 (f)Attn: Monika Krieg

Harrassowitz is a global, full-servicesubscription agent and bookseller for theacademic and research library commu-nity. Headquartered in Wiesbaden,Germany, the company specializes inthe distribution of scholarly e-resources,periodicals, scholarly books and musicscores. Harrassowitz has been in contin-uous operation since 1872.

Index to Printed Music2891 State Highway 7Bainbridge, NY [email protected] (v)Attn: Barbara A Renton

IPM, the Index to Printed Music, isthe most comprehensive electronicmeans for finding individual pieces ofmusic published in standard scholarlyeditions. It now includes over 450,000 index records from more than 17,000collections. You can find composers, editors, librettists, etc., no matter inwhat form their names appear.

Exhibitors

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– 23 –

J W Pepper & Son191 Sheree Blvd. Exton, PA [email protected] (v)Attn: Michael Jianniney

J. W. Pepper, the world's largest sheetmusic retailer, offers extensive servicesto music libraries, including notifica-tions of important new publications,and a convenient blanket order plan.

J & J Lubrano Music Antiquarians LLC

Lloyd Harbor, NY [email protected] (v)631-421-1677 (f)Attn: John and Jude Lubrano

Dealers since 1977 in antiquarian music including autograph musicalmanuscripts and letters of composers;rare printed music; rare books on musicand dance; and music- and dance-related paintings, drawings, prints, and ephemera, 15th to 21st centuries.Collection development. Fine items and collections purchased.

Hal Leonard Corporation7777 W. Bluemound RoadMilwaukee, WI [email protected] (v)Attn: Heidi Steeno

Hal Leonard Corporation is the world’s largest music print publisher/distributor. Besides having the largestpopular and educational catalogue inthe world, Hal Leonard is the exclusivesource for Schirmer, Boosey & Hawkes,Ricordi, Durand, Eschig, Salabert,Schott, Henle, Chester/Novello, EMB,DSCH, Sikorski, Peer Classical, andother classical publications.

Medici.tv54 rue de ParadisParis, France [email protected]+33 179 74 317 (v)Attn: David Ryfman

Medici.tv is the leading classical musicsite on the Internet and on mobile devices. With a rich VoD catalog of over 1,300 programs, the platform hasgained an international reputation sinceits first launch in May 2008. Sincethen, medici.tv has broadcasted over400 live classical music events and has brought together a community of150,000 music and arts lovers from 182countries - who have watched over 20million videos to date.

Metropolitan Opera30 Lincoln Center PlazaNew York, NY 10023www.metopera.org/studentaccess212-870-7931 (v)[email protected]

The Metropolitan Opera recentlylaunched a new digital library resourcecalled Met Opera on Demand: StudentAccess, which offers unlimited onlinestreaming of more than 450 unforget-table Met performances spanning morethan 75 years of the Met's legendarybroadcasting history.

National Library Service for the Blind

1291 Taylor Street NWWashington, DC 20542www.loc.gov/nls202-707-5100 (v)800-429-9100 (v)

The National Library Service for theBlind and Physically Handicapped,Library of Congress, provides freeBraille and recorded books and maga-zines, catalogs and bibliographies, music scores, and music instructionmaterials free for blind and physicallyhandicapped persons. Talking book play-ers and accessories necessary to use theaudio books also provided without cost.

Exhibitors

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Naxos of America, Inc.1810 Columbia Ave., Suite 28Franklin, TN [email protected] (v)Attn: Nick D’Angiolillo

Naxos, the world's largest classical music label, proudly offers the best instreaming audio & video, digital down-loads, and physical products. The NaxosMusic Library team is proud to unveil abrand new experience in HTML5, fullycompatible with all devices natively.Stop by for a full demo!

OMI-Old Manuscripts & Incunabula

PO Box 6019 FDR StationNew York, NY [email protected] 758-1946 (v)212 593-6186 (f)Attn: Olga and Steven Immel

OMI (Old Manuscripts & Incunabula)is the leading source of facsimile edi-tions of music and art. Since 1986 ourofferings have been the most compre-hensive selection available anywhere.Supplying institutions, scholars, per-formers, and collectors worldwide, wepride ourselves on our friendly personalservice and our very competitive prices.

Oxford University Press198 Madison AvenueNew York, NY [email protected] (v)919-677-1303 (f)Attn: Customer Service Department

Oxford University Press publishes lead-ing reference works, over 270 journals,and suite of critically-acclaimed onlineproducts, including Oxford MusicOnline (home to Grove MusicOnline), Oxford History of WesternMusic, Oxford English Dictionary,and Oxford Reference. Visit our boothfor more information or to ask for a freeonline trial.

Preservation Technologies111 Thomson Park DriveCranberry Township, PA [email protected] (v)724-779-9808 (f)

Preservation Technologies developed theBookkeeper deacidification process andsprays used worldwide to extend the lifeof paper. Our media division, TheMediaPreserve, conducts high-qualitydigital reformatting of legacy audio,video and film.

ProQuest789 E Eisenhower PkwyAnn Arbor, MI [email protected] (v)Attn: Lisa Alentwww.proquest.com

RILM Abstracts CUNY Graduate Center365 Fifth Avenue New York, NY [email protected] (v)212-817-1569 (f)Attn: Barbara Dobbs Mackenzie

RILM is an abstracted and indexed mu-sic bibliography covering all documentand media types and all subjects relatedto music. Over 750,000 records from159 countries feature title translations,abstracts, and detailed indexing inEnglish. Coverage is updated monthly.RILM Abstracts of Music Literaturestarts its coverage with publicationsfrom 1967. New this year is RILMRetrospective Abstracts which fills inselected publications from before 1967.RILM is available by subscription viaEBSCO and ProQuest.

Exhibitors

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RIPM: Retrospective Index to Music Periodicals

3600 Clipper Mill Rd.Suite 211Baltimore, MD [email protected] (v)Attn: Ben Knysak

Publisher of the Retrospective Indexto Music Periodicals, the RIPMOnline Archive (Full-Text) and thenew e-Library of Music Periodicals,RIPM's mission is to bright to light,collect, and to provide access to historicmusic periodicals published fromroughly 1750 to 1960.

SingersBabelPO Box 1153Sheffield, MA 01257 [email protected] (v)Attn: Trudy Miller

To sing is to communicate. SingersBabelgives musicians the tools to be expres-sive and communicative while singingin foreign languages by providing web-based learning tools including languagetutorials, sound sets, and over 500word-for-word translations and IPAtranscriptions with texts spoken at slowand normal pace by native speakers, viainnovative video format.

Stainer & Bell PO Box 110 Victoria HouseLondon, England N3 2DZstainer.co.uk+44 020 8343 3303 (v)+44 020 8343 3024 (f)

Stainer & Bell is a publisher of musico-logical and practical editions of musicby British composers from the MiddleAges to the present. Series it publishesinclude Musica Britannica, EarlyEnglish Church Music, EnglishMadrigalists, and the Byrd andPurcell collected editions.

Gary Thal MusicLenox Hill StationPO Box 164New York, NY [email protected] (v)212-288-4126 (f)

Over 30 years experience in servingMusic Libraries gives you the most authoritative and useful monthlyNewsletter and New Release Bulletin.Simplify your CD and DVD acquisi-tions and budget control. Get yourFREE sample copy today! And take advantage of the MLA ConventionDiscount on new subscriptions.

Tonal Refraction949 West End Ave. # 11CNew York, NY 10025www.tonalrefraction.com212-749-4035 (v)[email protected]: Nancy Garniez

Tonal Refraction, publisher of TonePerception Visualized, an ongoing series of state-of-the-art graphic book on Nancy Garniez's original method ofvisualizing the variables inherent intone and in the perception of tone.

Yesterday Service Sheet Music IncSuite B7 191 Highland Ave.Somerville, MA [email protected] (v)Attn: Rob Bethel

Yesterday Service is an independentlyowned and operated sheet music retailerin the Boston area. The YesterdayService staff take pride in providingfriendly, expert, personalized service tolibraries, schools, performing organiza-tions, individual musicians, and stu-dents at all levels.

Exhibitors

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Index to Advertisers

aaa Music Hunter Distributing Company . . . . . . . . 27–33A-R Editions, Inc. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

ArkivMusic LLC . . . . . . . . . . . . . . . . . . . inside back cover

Ashgate Publishing Company . . . . . . . . . . . . . . . . . . . . 35

Carl Philipp Emanuel Bach: The Complete Works . . . . . . . . . . . . . . . . . . . . . . . . . . 36

CD A/V Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Duke University Press, Journal of Music Theory . . . . . . 38

Theodore Front . . . . . . . . . . . . . . . . . . . . inside front cover

Harrassowitz . . . . . . . . . . . . . . . . . . . . . . . . . . . . back cover

Tonal Refraction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Index to Printed Music . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Kennesaw State University . . . . . . . . . . . . . . . . . . . . . . . 40

Metropolitan Opera On Demand . . . . . . . . . . . . . . . 42–43

Oxford University Press . . . . . . . . . . . . . . . . . . . . . . . . . . 41

J W Pepper & Son . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

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– 32 –

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– 34 –

Phone 608-836-9000 • Fax 608-831-8200 • Customer Service (U.S. only) 800-736-0070

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New Ashgate Music titles

Edited by and Includes 9 b&w illustrations, 53 music examples and 22 commissioned essays Nov 2013 / 458 pages / Hbk / 978-1-4094-3549-5

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Music and Change: Ecological PerspectivesIncludes 9 b&w illustrations Feb 2014 / 374 pages / Hbk / 978-1-4094-3414-6

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Ashgate Interdisciplinary Studies in OperaIncludes 34 b&w illustrations Sep 2013 / 224 pages / Hbk / 978-0-7546-6718-6

Manuscript, Edition, ProductionEdited by Ashgate Interdisciplinary Studies in OperaIncludes 57 illustrations and 9 music examples Aug 2013 / 440 pages / Hbk / 978-1-4094-1218-2

Selected Essays

Ashgate Contemporary Thinkers on Critical Musicology SeriesFeb 2014 / 384 pages / Hbk / 978-1-4094-6100-5

Edited by and SOAS Musicology SeriesIncludes 15 b&w illustrations and 5 music examples Oct 2013 / 268 pages / Hbk / 978-1-4094-4422-0

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– 36 –

CARL PHILIPP EMANUEL BACH

�he �omplete �orksNEW AND FORTHCOMING

Web orders: www.cpebach.org ; E-mail: [email protected] orders: (800) 243-0193 in the USA;

From outside the USA: 001-978-829-2531 phone; 001-978-348-1233 fax

VariationsEdited by Ulrich Leisinger

978-1-938325-01-4

(2014; 174 pp.) $25

Quartets and Miscellaneous Chamber MusicEdited by Laura Buch

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(2014; 190 pp. of music) $30

Keyboard Sonatinas from PrintsEdited by Stephen C. Fisher

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(256 pp.) $30

Miscellaneous SongsEdited by Christoph Wolff

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The Polyhymnia PortfolioAnnotated facsimile of D-B,

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978-1-938325-23-6 (2014; 200 pp.) $40

Magnificat Facsimile of the autograph score

Introduction by Christine Blanken

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– 37 –

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– 38 –

Subscribe to the

journal of music theory.

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Page 41: HAPPY 100TH...HAPPY 100TH BIRTHDAY! Irving Fine (1914-1962) Diversions for Orchestra, Score $34.00 Fantasia for String Trio, Score & Parts $18.95 Partita for Woodwind Quintet, Score

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: 15%tnouiscoe ddicenereffennfol ccooxes (8 1/2 x 11”) @ $30, BarttsPPa

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tetrau

– 39 –

IPM

Index to Printed Music: Collections & Series ______________________________________________________________

Over 18,000 collections indexed! Over 464,000 index entries and growing! Over 22,000 research-based names! Subscriptions through EBSCO Publishing

Visit the IPM table in the exhibit hall.

Page 42: HAPPY 100TH...HAPPY 100TH BIRTHDAY! Irving Fine (1914-1962) Diversions for Orchestra, Score $34.00 Fantasia for String Trio, Score & Parts $18.95 Partita for Woodwind Quintet, Score

– 40 –

Library

PerformingArts Library

Horace W. Sturgis

Dr. David Evans, DeanDr. Linda Marie Golian-Lui,

Associate Dean

kennesaw.edu/library

kennesaw.edu/arts/librarySteve Burton, Arts Librarian Carey Huddlestun, LTP III

Dr. Michael Alexander, Interim Director

Susan Grant Robinson, Associate Director for Administration

kennesaw.edu/music

ArtsCollege

Dr. Patty Poulter, DeanSamuel Grant Robinson,

Assistant Dean

kennesaw.edu/arts

ofthe

MusicSchool

of

ennesaw StaK

sityerte Univennesaw Sta

sity

Atlanta!elcomes W

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ennesaw StaK

Atlanta!ouYYoelcomes

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Page 43: HAPPY 100TH...HAPPY 100TH BIRTHDAY! Irving Fine (1914-1962) Diversions for Orchestra, Score $34.00 Fantasia for String Trio, Score & Parts $18.95 Partita for Woodwind Quintet, Score

– 41 –

Join Oxford University Press at Booth #43 to….

Learn about Th e Grove Dictionary of American Music (2nd editions), Grove Music Online, and

Oxford’s Music JournalsTh e Grove Dictionary of American Music (2nd edition) is the most comprehensive reference publication on American music. Twenty- fi ve years ago, the 1st edition of the dictionary greatly expanded music scholarship. At 8 volumes, this 2nd edition provides expanded coverage, particularly in the areas of popular music, cities & regions, musical theater, opera, concert music, music technology, and the musical traditions of many ethnic & cultural groups.

*Available in print or digitally as a Reference Library title on the Oxford Reference Platform. Come by the booth for details on special library pricing!

Grove Music Online, a part of the Oxford Music Online platform, is a comprehensive resource for music scholarship off ering:

• Over 50,000 signed articles and 30,000 biographies with online only updates

• Over 6,000 contributors from around the world

• Sibelius-enabled musical examples, music timelines, topical guides, and more!

VISIT GROVE MUSIC ONLINE AT: www.oxfordmusiconline.com/public/book/omo_gmo

Learn about Oxford’s collection of Music Journals:• Music Th eory Spectrum• Journal of Music Th erapy• Music Th erapy Perspectives• Early Music• Music and Letters• Th e Musical Quarterly• Th e Opera Quarterly

If you can’t make it by the booth, email us at [email protected] for additional information about Oxford University Press journals, books, or online products.

3

Page 44: HAPPY 100TH...HAPPY 100TH BIRTHDAY! Irving Fine (1914-1962) Diversions for Orchestra, Score $34.00 Fantasia for String Trio, Score & Parts $18.95 Partita for Woodwind Quintet, Score

– 42 –

Please visit the Met’s exhibitor table to learn more about Met Opera on Demand: Student Access—the exciting new online resource for college and university libraries.

We look forward to meeting the MLA members who have already joined the service and introducing the resource to new subscribers.

metopera.org/studentaccess

�e Metropolitan Opera is delighted to join the Music Library Association at its Annual Meeting in Atlanta!

Page 45: HAPPY 100TH...HAPPY 100TH BIRTHDAY! Irving Fine (1914-1962) Diversions for Orchestra, Score $34.00 Fantasia for String Trio, Score & Parts $18.95 Partita for Woodwind Quintet, Score

– 43 –

STUDENT ACCESSAn essential online collection of extraordinary opera

Met Opera on Demand: Student Access is a new digital library resource featuring more than 475 unforgettable Met performances captured live from the stage of the Metropolitan Opera House. The service provides instant and unlimited access to a trove of full-length opera performances of unparalleled artistic and historic significance. All of your institution’s full time students and faculty members can stream world-class performances from the Met’s 75+ year broadcasting history — anytime and anywhere in the world. The collection includes:

70+ HIGH DEFINITION VIDEOS from the Met’s award-winning Live in HD series of movie theater transmissions, including La Bohème, Carmen, Madama Butterfly, Rigoletto, the Ring cycle, and others.

70+ CLASSIC TELECASTS from 1977 to 2003, featuring legendary performances by such singers as Plácido Domingo, Leontyne Price, Luciano Pavarotti, Renata Scotto, Joan Sutherland and many more.

350+ RADIO-BROADCAST PERFORMANCES of CD-quality dating back to 1936.

Met Opera on Demand: Student Access is available to colleges and universities of all sizes, anywhere in the world, through either a one-year or multi-year institutional license. Access to the service is priced according to the size of your institution.

metopera.org/studentaccess

Page 46: HAPPY 100TH...HAPPY 100TH BIRTHDAY! Irving Fine (1914-1962) Diversions for Orchestra, Score $34.00 Fantasia for String Trio, Score & Parts $18.95 Partita for Woodwind Quintet, Score

– 44 –

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Be the first to know!$����������%�������&��� �����!'������������������������������������������������������������������������������������������������������������(�� ��������������������������������������

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– 45 –

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– 46 –

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– 47 –

Page 50: HAPPY 100TH...HAPPY 100TH BIRTHDAY! Irving Fine (1914-1962) Diversions for Orchestra, Score $34.00 Fantasia for String Trio, Score & Parts $18.95 Partita for Woodwind Quintet, Score

– 48 –

NOTES

Page 51: HAPPY 100TH...HAPPY 100TH BIRTHDAY! Irving Fine (1914-1962) Diversions for Orchestra, Score $34.00 Fantasia for String Trio, Score & Parts $18.95 Partita for Woodwind Quintet, Score

Suzanne Duell, Institutional Sales Manager at

ArkivMusic, knows that libr

needs when it comes to building their collections.

Suzanne Duell, Institutional Sales Manager at

e unique varies haArkivMusic, knows that libr

needs when it comes to building their collections.

Suzanne Duell, Institutional Sales Manager at

e unique

needs when it comes to building their collections.

She knows that the

ers all music genresvco

and classical. She knows that con

and standing appro

Suzanne can help.

Get to know Suzanne toda

needs when it comes to building their collections.

y need a one-stop solution that She knows that the

from pop to jazz, to world —ers all music genres

enient online vand classical. She knows that con

val plans are priorities for and standing appro

Suzanne can help.

yGet to know Suzanne toda

y need a one-stop solution that

from pop to jazz, to world

enient online

val plans are priorities for

Get to know Suzanne toda.arkivmusic.com/Institutionalwww

[email protected]

.yy.Get to know Suzanne toda.arkivmusic.com/Institutional

[email protected]

atrate Poud CorporPr

Aon of the MLLAatr

Page 52: HAPPY 100TH...HAPPY 100TH BIRTHDAY! Irving Fine (1914-1962) Diversions for Orchestra, Score $34.00 Fantasia for String Trio, Score & Parts $18.95 Partita for Woodwind Quintet, Score