Heinz Werner:Physiognomic and

Geometrical-Technical Perception

By: Sarah Hales and Becca Kee

BiographyBorn in 1890, Vienna, AustriaLoved music – started playing the violin at 7Thought he wanted to be an engineer but

changed to philosophy and psychology.Dr. Dissertation was on psychology of aesthetic

enjoyment.1917- joined Psychological Institute at Hamburg

– entered into Gestalt Movement

Bio. Cont.1926 – published Comparative Psychology of Mental

Development (republished 1948)1933 – dismissed from Hamburg bc JewishCame to U.S. – held research positions.1936-43 – research on developmentally delayed and

brain-injured kids1943- Brooklyn College = 1st teaching position1963 – Symbol Formation (On language)Died in 1964.

Key Terms in Werner’s Theory Physiognomic Perception: perceive objects in relation

to their dynamic, emotional, and expressive qualities.Face that most directly convey emotionsUnity of oneself and objects

Geometric-Technical Perception: perceiving objects in terms of shape, length, width, hue, etc. More realistic and matter-of-fact.

Synesthesia: syncretic unity of senses Microgenesis: developmental process that occurs each

time we confront a task, such as perceiving an object. Psychomusicology: physiognomic perceptions in

relation to music and musical experiences. Ideas derived “affections” in music

PurposeHeinz Werner suggests that children, at about

eight years of age, begin to express meaning more in geometric-technical terminology than in physiognomic terminology. With that in mind, the purpose of this research study is to investigate the impact of various stimuli on the perceptions that children associate with specific experiences.

Questions When children experience a slideshow of visually happy,

loving images without any other sensory input, do they associate physiognomic terms or geometrical-technical terms with the overall perception of the experience?

When children hear a piece of happy music without any other sensory input, do they associate physiognomic terms or geometrical-technical terms with the overall perception of the experience?

When children experience a slideshow of visually happy, loving images with the auditory stimuli that promotes the same happy, loving perception as that conveyed by images, do they associate physiognomic terms or geometrical-technical terms with the overall perception of the slideshow?

HypothesisWe believe that the kids who hear the music or

watch the slideshow independently from each other will choose terms that are more geometric-technical than those who watch them in combination. Likewise, those who watch the slideshow together with the music will choose the terms that are more physiognomic perceptive.

Procedure Separate children into 2 groups. One group leaves the room. The first group will:

watch the slideshow and fill out a pre-created worksheet filled with terms that are Geometric-Technical and Physiognomic Perceptive.

will listen to the music and fill out another copy of the previous worksheet.

Switch out groups. The Second Group will:

Watch the slideshow in conjunction with the music and fill out the same worksheet that the first group filled out.

(Some of) The Pictures We Used

And now for ….The Music“Life’s a Happy Song”, from Disney’s Muppets.

http://www.youtube.com/watch?v=sVgMcYrKvhQ

Research DataWorksheet used for collecting the data:

Some-what Geometric-Technical

Some-what Physiognomic Perceptive

Mostly Geometric-TechnicalMostly Physiognomic

Perceptive

OldYoung

Entirely Physiognomic

Perceptive

Neutral Entirely Geometric-Technical

DelightfulPlayfulHopeful Cheery

EnjoyableSweet

HappyPositiveUpbeatHomey

Alive

GrayGreen Grassy

Male FemaleFlowerTreesWedding

Line of Comparison

Results from Slideshow This chart shows how many times each word was chosen

on the worksheet after the students watched the slideshow.

= Physiognomic Perceptive

= Geometric-Technical

= Neutral

Results from Music This chart shows how many times each word was chosen

on the worksheet after the students listened to the music.

= Physiognomic Perceptive

= Geometric-Technical

= Neutral

Interesting FactsOne boy, age 10, perceived the slideshow as

entirely physiognomic perceptive, but perceived the music as entirely geometric-technical.Meaning for the Slideshow ALL 7 words chosen

were physiognomic and for the music ALL 7 words chosen were geometric-technical.

Results from Slideshow & Music

This chart shows how many times each word was chosen on the worksheet after the students listened to the music while watching the slideshow.

= Physiognomic Perceptive

= Geometric-Technical

= Neutral

Interesting Fact:All students chose the word “happy”.Another Boy, age 10, when watching the

slideshow with the music was at an “in between” stage.Meaning that of the 7 words he chose:

3 = Physiognomic3 = Geometric-Technical1 = Neutral

Final ResultsThis chart shows the results of whether the

children were more physiognomic or geometric-technical perceptive as determined from the data and based on their ages.

ConclusionWhile Werner suggests that children at about the age of

eight begin to express meaning more in geometric-technical terminology than in physiognomic terminology, this project seems to propose that the specific experience we provided for the students resulted in bringing forth their physiognomic perception rather than their geometric-technical one. Werner does claim that one never loses their physiognomic

perception. Rather, certain experiences and events can ‘trigger’ this response and we respond through the “eyes of an artist”. Things like high pitches and low pitches can convey a certain expression of emotion. Thus, causing this reaction in the kids.

Our hypothesis was wrong. No matter if the students watched the slideshow and listened to the music separately or together, the vast majority of the students provided physiognomic responses rather than geometric-technical.

What Would We Have Done Differently?

More “boy”-friendly images.Possibly added another emotional dimension. Order of viewingPossibly another age group to compare (3rd or 5th

graders)

Bibliography Crain, William. “Werner’s Organismic and Comparative.”

Theories of Development. 6th Ed. New Jersey: Pearson Education, 2011. 93-117.

Google: http://www.google.com Rosar, William H. “Film Music and Heinz Werner’s Theory

of Physiognomic Perception.” Psychomusicology: A Journal of Research in Music Cognition (Special Issue: Psychomusicology of Film Music) Spr-Fal Vol 13. 1-2 (1994): 154-65. PsycARTICLES. Web. 23 Sept. 2012.

Youtube: http://www.youtube.com/watch?v=sVgMcYrKvhQ