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PORTFOLIO
Henry Lascelles
Henry Lascelles - Portfolio
Central equipment store: for farm equipment to serve 5 farms.
Craft workshop: provides vocational carpentry and craft training including useful skills for the farm.
Classrooms: for tuition in a wide range of areas determined by the inmates.
Yoga and work-out spaces for inmates providing calming exercise in addition
to the physical work of farming.
Mechanics’ workshop: provides vocational training with specific relevance to farm work as well as transferable skills for other jobs.
Central security office and accommodation: with admin, tracking
and emergency response.
Mast: for the inmate tracking system and
communications.
SKILLS CENTRE | 1 FOR EVERY 5 FARMS
FARMHOUSE | 1ST FLOOR Inmates each have their own room with a shared bathroom
All bathrooms have a dry and a wet toilet to separate sewage to be used for fertiliser and irrigation
The entrance block contains the farm office (run by the inmates), laundry room, and a counselling/visitor space
The live-in guards (on rotation) have a private lounge and office
The farmhouse door is locked during non-work hours to keep inmates secure
The living space, including the courtyard garden, is entirely open-plan to allow
easy monitoring of inmates, while providing separate and distinct spaces
FARMHOUSE | SECTION
Lower level: service spaces including plant room, sewage tanks and farm storage
Upper level: Living spaces where inmates sleep and spend their
free time, arranged around a courtyard garden
5M 10M
Welcome to
You may have committed a crime but this does not make you a criminal for ever. The point of your time here is not to punish you for the sake of it, what would that achieve? It is to help you to better yourself and give you the confidence that when you leave, you will be able to sustain and look after yourself and others, and play a positive role in society.
Here you will be a member of a self-sufficient ‘family’ and given the responsibility of tending the land, caring for the others you work with, and for yourself. As you cultivate the land, you will cultivate yourself, developing the skills you need to re-enter the wider society aware of and prepared for the valued role you are able to play in your community.
SUSTAINABLE CONFINEMENT
DAILY LIFE6:00amWake and wash before sunrise - room unlocked.
12:00amLunch cooked on a rota and rest time within the confines of the farmhouse including bedrooms and central garden.
6:00pmEscorted back to house for pre-dinner chores and cooking on a rota.
8:00pmEvening social relaxation time within the confines of the farmhouse.
9:00pmReturn to individual rooms before lights off at 10.
6:30amPre-breakfast chores on a rota including supervised cooking.
7:00pmTo develop and encourage their connection to the outside world; visitors are able to join for dinner.
7:00amBreakfast and briefing by lead inmate on the days farming.
8:00amFarming and maintaining the 12 hectares of land surrounding the house, including solar-power systems and water retaining landscaping features. Skills are enchanged between inmates in addition to those taught by guards who closely supervise.
2:00pmInmates can to go to the skills centre, shared between 5 houses, to learn vocational skills including woodcraft and mechanics as well as classroom based courses.
The facility holds 500 inmates in total, with 10 people in each farmhouse. These are sited approximately 500m from each other in a network that follows the flow of a tributary along a desert valley.
Together you will be responsible for growing the food to sustain your cluster of 5 farmhouses, pooling and trading resources. You will then will be driven to the farmhouse in
which you will live permanently with 9 other inmates and 2 guards. They will be your ‘family’ for the duration of your time here.
At the entrance you will be issued with your geo-locating, anti-tamper anklet to be worn at all times to allow us to give you the freedom to work the land.
Overhanging roofs: where there are large expanses of glass
Louvres: closest together on south-facing facades
Double-skin roofs: to prevent material hit by solar radiation transmitting directly to interior
Shaded undercroft: providing cool well-ventilated work and storage space
NATURAL COOLING
746870
ROUTE 160
COMPETITION - ARIZONA PRISON
Henry Lascelles - Portfolio
Standing seam zinc roofH74:110AStandard zinc mono-ridge
detail with ventilation routeH74:310A
Zinc cladding on ply withvented cavity
H74:120A
Ventilation via insect mesh
Ideal Combi window(fixed light) L10:410
Zinc copingH74:470
Outlets via formed chutes& hoppers (in zinc)
Wall build up as DD(0)101
Insulation & waterproofing to flat roof gutter J42:110
on ply deck
MF ceiling K10:220A
Service zone
Timber joists forming flat roof
Vertical insulation forming upstand
Electrical activation via remoteswitch to 50% of windows
This drawing is copyright. All rights described in Chapter IV of the Copyright, Designs and Patents Act 1988 have generally been asserted. Alldimensions to be checked on site. Do not scale. Any discrepancy between this drawing and other information to be reported to GFA. Thisdrawing shows Design Intent Only.
Drawing No Rev Drawn Date
Project
Title
Client
Scale
rev initials revisiondate
@/
checked
C a r d i f f & L o n d o n
Capital Tower | Greyfriars Road | Cardiff CF10 3AG | T: 029 2023 3993 | W: GauntFrancis.co.uk
Miff Chichester
Upper FarmCrendon Road, ShabbingtonAylesbury HP18 9HA
Flat Roof & Skylight Detail
13037 DD(0)552 HL Mar 2015 1:10 A3
Preliminary
Flat Roof & Skylight Detail
* 11/03/15 HL TENDER ISSUE TA
NOTES:
This drawing shows design intent only.Revisions needed for construction purposes.
Timber blocking indicative.
PROFESSIONAL - GAUNT FRANCIS ARCHITECTSPROFESSIONAL - GAUNT FRANCIS ARCHITECTS
+67.200 mProposed Screed Level
Service Zone
A-AGA(0)401
Specialised PPC aluminium double glazed atriumwalls & roof by Apropos or similar
13037_DD(0)501
Living / Dining / Kitchen
Master bed
Boots /Utility /Dogs
WC
Plant /Store EnsBalcony
A-AGA(0)401
Service Zone
Sitting room
13037_DD(0)551
13037_DD(0)551
13037_DD(0)501
B-BGA(0)401
D-DGA(0)411
PlantPlant
Flat Ceiling line
Steel positions
Ens EnsSitting roomLiving / Dining / Kitchen
Master bed
C-CGA(0)401
Denotes key detailsto be preparedfor construction
This drawing is copyright. All rights described in Chapter IV of the Copyright, Designs and Patents Act 1988 have generally been asserted. Alldimensions to be checked on site. Do not scale. Any discrepancy between this drawing and other information to be reported to GFA. Thisdrawing shows Design Intent Only.
Drawing No Rev Drawn Date
Project
Title
Client
Scale
rev initials revisiondate
@/
checked
C a r d i f f & L o n d o n
Capital Tower | Greyfriars Road | Cardiff CF10 3AG | T: 029 2023 3993 | W: GauntFrancis.co.uk
Miff Chichester
Upper FarmCrendon Road, ShabbingtonAylesbury HP18 9HA
Proposed Sections
13037 GA(0)401 HL Nov 2014 1:50 A1
TENDER
Proposed Sections
* 12/03/15 HL TENDER ISSUE TA
A-A C-C
B-B
Henry Lascelles - Portfolio
36oHAMMAM
(Turkish Bath)
30oAXIAL PASSAGEWAY
28oTREATMENT ROOM
70oSAUNA
10oPLUNGE POOL
36oTROPICAL GREENHOUSE
SCENTED ZONE #1RENDERED DETAIL SECTION AA
1:25
1:10 HEATED STONE FLOORS & SURFACESThe monumental yet intimate tectonic uses rough dark concrete for the walls and
smooth warm marble for the surfaces that one touches.
1:5 OLFACTIC STEAM VENTSTo communicate the experience of the Spa to the outside world, the perfumed air from each of the two ever changing scented zones is exhausted to the surface through the
facade. At the same time this ventilates the space.
Vertical concrete screen
5mm Dark Marblefacing stone benches
and massage table
Adhesive and screed layer with underfloor heating pipes set in
Cast concrete Hammam massage
table
200mm rigid insulation
Surface water drain with waterproof
housing and sealant
250mm Reinforced concrete slab
Triple Glazed Windows
Perforated brass mesh for ventilation and water drainage
Electrically controlled vent with closing shutters and fan
Water condensation channel and drip
flashing
25mm steel angle support structure
with attachment
200mm Reinforced concrete slab
2mm Standing seam golden brass
cladding on 12mm ply supported with
aluminium brackets, giving 90mm
ventilation space.
Essential oils created in the labratories are brought to one of the two scented zones. These are used to scent the water and steam
used in the Hammams, Steam rooms and Saunas, changing periodically with the seasons.
Steam Vent Location Diagramon Exterior Elevation
Foundations:
Largely strip foundations with 250mm concrete slab floor
Along central axis where there are large point loads due to heavy
equiptment pile foundations to theshallow bedrock are used.
External Surface:
Limestone pavering slabs set in gravel on 200mm structural insulation with bituminous waterproofing membrane.
Greenhouse Structure:
340mm deep steel sections with brass electroplating.
Anchored to thermal walls with steel connections.Supporting double glazed windows.
MASTERS THESIS - SUSTAINABLE LUXURY IN MONACOA SCENTED SPA & PERFUME GROWING LANDSCAPE
Henry Lascelles - Portfolio
400m
500m
600m
700m
300m
200m100m
GREEN URBAN RUNWAYA glamorous promenade that
shifts the focus of luxury
1 : 2000
Phase 1(Current Proposal)
Luxury Shopping
The Runway
Luxury Hotels / Casino
Phase 2(Future extention)
F1 Grand Prix Track
Marina
Old Town
New District of Fontvieille(Reclaimed from sea)
Station
MONACO
BEAUSOLEIL(FRANCE)
Beach
Wonder of Early Modern City,
Modernism and Mass Consumption
‘Glamour’(use in
books as % of total
words)
Monaco GDP per Capita
(constant 2000 US$)
Hollywood
Death of Marilyn Monroe
Marriage of Grace Kelly and Prince
Rainier III
Rise of Television
Globalisation, and the search for Identity in Postmodern
society
First Photographic Advertisement
Industrial Revolution and
Birth of Capitalism
Glamour is an imaginative process that creates a specific, emotional response: a sharp mixture of projection, longing, admiration, and aspiration. It evokes an audience’s hopes and dreams and makes them seem attainable, all the while maintaining enough distance to sustain the
fantasy.” - Virginia Postrel
Status as Glamourprofessional, spiritual or class aspirations: wealth, beautiful
fashion, luxurious ‘high culture,’
Grit as Glamouralternative culture,
creativity, and urbanity
Glitz as Glamourbright lights, extravegance,
garish fantasy
DESIRETRANSFORMATION(via consumption)
ENVIOUS GLAMOROUS
PUBLICITY
THE STATE OF BEING ENVIED IS GLAMOUR.IT IS AN ENVY OF APPARENT HAPPINESS ACHIEVED THROUGH A
RICHNESS OF LIFESTYLE AND POSSESSIONS.
THE DESIRE FOR GLAMOUR IS A TRANSFORMATIVE FORCE FOR CHANGE. IT AFFECTS WHAT WE WANT AND BUY, WHAT GOVERNMENTS AND
BUSINESSES USE AND PROVIDE, AND HOW ALL OF US TREAT EACH OTHER AND THE ENVIRONMENTS IN WHICH WE LIVE
GLAMOUR IS A POWERFUL GLOBAL
FORCE
IN MONACO
GLAMOUR = LUXURY
DEMOCRATISATION AND MASS LUXURYWith a globalized consumer society, the internet and the
democratisation of fashion, the desire for glamorous luxury has diffused from the rich to the aspiring middle class masses.
MONACO SHOWCASES THE GLAMOUR OF LUXURY TO THE WORLD
HOWEVER CURRENTLY
LUXURY MAKES A CULTURE OF WASTEFUL CONSUMPTION
GLAMOROUS
Fast Cars, Yachts and Helicopters burn huge quantities of non-renewable fuel.
The low cost and high volume business model of mass luxury and consumerism creates a culture where a cycle of acquiring and disposing
of goods is encouraged. The goods themselves are the product of limited resources, wasteful and exploitative process of production and transportation in order to
provide them.
A systemic shift from materialistic to the experiencial luxury is needed
EXCLUSIVITY
GREEN URBAN RUNWAY
GLAMOROUSDESIRES
ETHICALSOCIAL
ENVIRONMENTALDESIRES
=
MASS DESIRE BRINGS MASS CHANGE
PROVIDES SOLUTIONS:
1. URBAN SOLUTIONMakes the city walkable and enjoyable for locals and
tourists.Connects disperate areas.
2. SOCIAL SOLUTIONProvides informal park space, promenade and facilities
for socialising and recreation for both Monaco and Beausoleil.
3. ENVIRONMENTAL SOLUTIONSustainable infrastucture reduces environmental impact.
Reduces the need for cars.Makes visable the positive impact and so changes
behaviour.
4. BRANDING SOLUTION By using a strong urban intervention a powerful positive
image of the luxury industry and Monaco is created.This can be marketed to benifit tourism, and the wider
economy.
5. GLOBAL SOLUTIONBy directly involving the luxury industry in the creation of
the runway they themselves become more responcible and less wasteful.
As well as showing how improvements can be achieved elsewhere, by making sustainabilty luxurious and
therfore glamourous and desirable, it provides the catalyst for global cultural change.
Shifting the focus of luxury from the materialistic to the experiencial reduces the desirability of wasteful and
unethical consumerism.
LUXURY SUSTAINABLITY
MONACO HAS THE POWER TO MAKE THE LUXURY INDUSTRY SUSTAINABLE BY ADDRESSING ITS ATTITUDES TO WASTE IN AN URBAN
AND SOCIAL CONTEXT
IF IN DOING SO SUSTAINABILITY CAN BE MADE LUXURIOUS AND THEREFORE GLAMOROUS AND DESIRABLE, THEN MONACO CAN HAVE A
TRANSFORMATIVE AFFECT ON THE WORLD.
Creating easier pedestrian and cycle
access across Monaco
LUXURY INDUSTRY
( INVESTORS )
€217 bil
CONSUMERCULTURE
GOVERNMENT OF MONACO
PUBLIC WORKS, THE ENVIRONMENT &
URBAN DEVELOPMENT
PUBLIC WORKSOFFICE
COMMUNITY INTEREST COMPANY
€1.13 bil GUCCI
LOUISVUITTON
Non-profit social venture run by a quasi-autonomous non-governmental organisation (quango),
for the specific purpose of developing the master plan
and running the spa as a continuing social
enterprise
GLOBAL GLAMOURINDIRECT
TOURISM RETURNS
INDIRECT
PUBLICITY RETURNS
GLOBAL CULTURE SHIFT
ETC
SPONSOREDSOCIAL
ENVIRONMENT
INCREASED SUSTAINABILITY AND
EMPHASIS ON EXPERIENCES
CURRENTCONSUMERISM
MATERIAL=
UNSUSTAINABLE
EXPERIENCIAL=
SUSTAINABLE
FUTURECONSUMERISM
LUXURY
MASS LUXURY
MASS CONSUMPTION
DESIRABILITYEXCLUSIVITY
GLAMOUR
CREATING GLOBAL IMPACTUSING A HIGHLY VISUAL URBAN
INTERVENTION TO SHIFT TOWARDS SUSTAINABLE LUXURY
Henry Lascelles - Portfolio
THERMAL MASS GARDEN WALLSIn order to create the growing conditions needed for a large variety
of plant species to be grown year round a system of walls contain botanical gardens.These walls are massive dark concrete retaining walls to absorb and store thermal
energy to release at night. They contain pipes that allow water to flow through them.
NORTH - SOUTH WALL ORIENTATION
By orientating the walls North - South over the largest possible area this achieves the best growing conditions. This is because both sides of the walls see an equal amount
of direct sunlight allowing maximum growth on each.
E
AM
W
PM
Limestone Pavers set in sand within
removable concrete wall cap pieces.
This allows future access to the pipes.
500mm reinforced concrete retaining
walls
Shingle and sand fill
Multiple water pipes close to surface to
maximise heat gain
Coarse aggregate bed
Leveling rubble
Water Pump20kW
FilterAuto -
ChlorinatorHeater
(backup)Air and Water
Heat exchangers116kW
WATER & AIR
Water heating and ventilation diagram showing the holistic nature of the system
PV Array605 panels = 142kW
Warm outHot return
Warm Pool30o
Hot to Processing
70o
Hot to Changing / Labs / Sanitation
70o
Cold Pool10o
WALLS
Cold outWarm return
GREENHOUSE
POOL
Air In30o
Air Out30o
Air to Building22o
RESEARCH
GROWING
OLFACTORYSPA
PICKING &PROCESSING
THE PERFUME CYCLE
The various programatic parts for perfume production and use work together to allow and enhance each other in a
symbiotic system
(Heat)Produced
Made in to essential oils
Used in scented zones
SPA AXIAL CORRIDORShowing the celebrated services hung from the ceiling contrasting
the rough concrete walls and smooth, warm marble floors
Henry Lascelles - Portfolio
UNDERGRADUATE - LYON THEATRE & ARCHIVE
Henry Lascelles - Portfolio
PROFESSIONAL - DUS ARCHITECTSLARGE SCALE 3D PRINTING
In 2013 Amsterdam based DUS Architects began a practical research project to test the potential of 3D printing at an architectural scale. I was invited to join their small team as a 3D printing technician, testing new materials and processes while developing a new design language with a new technology, pushing the boundaries of architectural innovation.
While pursuing the goal of 3D printing the first full building using the 6m high ‘Kamermaker’ printer I also jointed a team of 4 to design an interactive installation.
Over the course of 3 months and in collaboration with game design studio Monobanda we developed from concept to completion an immersive experience which challenges the users relationship with their environment and each other in the digital age.‘3RD’ has since continued to be a great success touring worldwide including featuring in the 2013 Shenzhien Biennale and winning an ‘Excellence’ award at the 18th Japan Media Arts Festival 2015.
Henry Lascelles - Portfolio
Find a nice large piece of cardboard.
Go to the copyshop and enlarge this image 10x. Use the enlarged map as a template.
Lay the paper template on top of the cardboard and cut out the shape. then gently score the folding lines.
Fold into shape. Then glue the mask together with help of the tabs.
Cut out the headbands and shape them around your head until you have a perfect fit. Glue into a headcover.
Balance the mask on your head. Mark the spot where it is in balance. Then glue the headcover to that spot inside the mask.
Cut out the two phone-holder parts and glue the pieces together. Put two rubber bands around the phone holder. Then trim and put into place at approx. 18 cm. away from your face inside the mask. Glue it with help of the tabs.
mask3RD D.I.Y. MANUAL
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3RD is a project by: DUS architects & Monobanda & Rajiv Krijnen
Cut and fold the counterweight part and glue it into the back of the helmet with help of the tabs.
Place your phone into the phone holder.
Screw bolts onto the counterweight until it balances out the weight of the phone.
Put on the mask.
Have fun and explore your 3RD dimension!
fold-out map scale 1:10
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100
240
60
100
700
40
1 4 523
#1THE DANCER
#4THE HELPER
#5THE ROMANTIC
#2THE NETWORKER
#3THE JOKER
‘ 3RD ’ - Spacial and social interactions in the 3rd person
A screen inside each helmet shows you a 3rd person perspective of yourself, now its up to you to make friends in your strange new world!
PROFESSIONAL - DUS ARCHITECTS‘ 3RD ’ - INTERACTIVE IMMERSIVE INSTALLATION
Henry Lascelles - Portfolio
INSTALLATION - BAMBOO BEACONBLUE LAGOON FESTIVAL 2015
A playful pavilion that created a centre of activity for festival goers of all ages, the Bamboo Beacon became a fun focal point.It was space to chill out in and play around that lit up at night and even became an 8 person impromptu club! Made of locally sourced bamboo and shimmering ribbons, it’s sculptural form was animated by the wind.
Designed and built in collaboration with Connor Waters.