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Islamic Films in Indonesia:
A Highlight
Eric Sasono
January 2012Hua Hin International Film Festival
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Islamic Films?
Islamic films in Indonesia compared to other
religious films
Different than hagiography (chronicles of
apostles and saints), because Islam does not
acknowledge any apostles and saints;
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Islamic Films?
Different than iconography (depiction of
religious symbols) because Islam knows no
religious relics;
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Islamic Films?
Muslim Social
Depiction of Muslim in his / her everyday life;
Highly-related to performativity, or how onebehaves in front of others;
Islamic characteristic as a social borderline
to define ones existence;
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Islamic Films?
Portrayal of piousMuslims
Islamic attire /jilbab
as part of statement
as oppose to secular /
westernized clothing;
Islamic lifestyle:
taaruf rather than
making out;
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Islamic Films?
Portrayal of piousMuslims
Islam-based attitude
towards wealth: ikhtiar
(efforts) and tawakal
(religious persistency)
in pursuing wealth;
Islamic reform: Islam
as a solution for socio-
political problems;
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Why Islamic Films?
Indonesia is predominantly a Muslim country,
240 million population with over 80% Muslim;
Bigger context: the raising awareness of religious
standardization of consumption (halalindustry);
Middle-class Muslim in Indonesia, whose growth
is supported by consumer-based economy;
Precursors: nasyid Islami (Islamic acapela), IslamicTV soap opera, Islamic chick-lit., etc.
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General characteristics
Lifestyle, rather than social criticism or socially-relevant films;
Middle-class issues;
Non-political standpoints; High concern over personal welfare and social
status;
Adherence to Islam as additional tool for social
climbingbeing a pious Muslim is cool; A shift on abroad experience as social status
symbol: from America to Egypt.
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Exceptions
Social criticism:
Perempuan Berkalung
Surban (A Veiled
Woman), Doa YangMengancam (A
Threatening Prayer)
Hanung Bramantyo;
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Exceptions
Political stance: Sang
Pencerah (The
Enlightened One), ?
(Question Mark)Hanung Bramantyo.
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Exceptions
Laskar Pelangi
(Rainbow Troops),
Rindu Purnama, nave
portrayal of povertyand social problems
Mizan Production
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Why Islamic Films?
The most-watched films each year 2008-2011
are Islamic films;
2008: Laskar Pelangi(Rainbow Troops) and
Ayat-ayat Cinta(Verses of Love);
2009: Ketika Cinta Bertasbih 1 & 2(When Love
Glorifies God 1 and 2);
2010: Sang Pencerah(The Enlightened One)
and Dalam Mihrab Cinta(In the Niche of Love)
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Why Islamic Films?
Audience of Ketika Cinta Bertasbih
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Why Islamic Films?
Political significance
Endorsement from Islamic political leaders
cultural strategy;
Mainstreaming of scriptural Islamic lifestyles:
More formalistic and less substantive
representation of Islam;
Less tolerant to multiculturalism and diversity;
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Endorsement from Islamic Political Leader
Ketika Cinta Bertasbih as
high-quality and
dignified film;
The audience that flocked
the cinema as am evidence
of public inclination towards
high-quality and
dignified film;
Let just see the high-quality and dignified
films