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IMPRESSIONISM POST-IMPRESSIONISM

IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

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Page 1: IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

IMPRESSIONISM

POST-IMPRESSIONISM

Page 2: IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

•Began in Paris; influenced by Romanticism and Realism

•Artists gave their impression of a subject, rather than a realistic representation.

•Devoted to subjects of leisure, the upper middle class, thecity, and city dwellers on holiday in the countryside.

•Leading impressionist artists were Edouard Manet, Claude Monet, Edgar Degas, Pierre-Auguste Renoir.

IMPRESSIONISM (1863-1887)

Page 3: IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

Edouard Manet: Le Dejeunner sur I’Herbe. 1863

Page 4: IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

Claude Monet: Terrasse a Sainte-Adresse. 1867

Page 5: IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

Claude Monet: The Railroad Bridge. 1874

Page 6: IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

Pierre-Auguste Renoir: Moulin de la Galette. 1876

Page 7: IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

Mary Cassett

Lydia in a Loge, Wearing aPearl Necklace.

1879

Page 8: IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

Edgar Degas

The Tub. 1885-86

Page 9: IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

Edourd Manet: A Bar at the Folies-Bergere. 1881-82

Page 10: IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

Pierre-Auguste Renoir: Luncheon of the Boating Party. 1881

Page 11: IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

Pierre-Auguste Renoir: Bathers. 1887

Page 12: IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

POST-IMPRESSIONISM (1880-1895)

•A typical French movement

•Artists began to move even further from realistic painting.

•Was a revolution in art as artists experimented with new methods such as vivid colors & distorted images.

•Famous artists include Paul Cezanne, Paul Gauguin, andVincent van Gogh

Page 13: IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

Henri de Toulouse-Lautrec

At the Moulin de la Galette. 1889

Page 14: IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

Paul Cezanne: The Bay From L’Estaque. 1886

Page 15: IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

Paul Cezanne: Still Life With Basket of Apples. 1890-94

Page 16: IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

Georges Seurat: A Sunday Afternoon on the Island of La Grande Jatte. 1884-86

Page 17: IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

Paul Gauguin

Ia Orana Maria

(We Hail Thee Mary)

1891-92

Page 18: IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

Vincent van Gogh: Harvest at La Crau (The Blue Cart). 1888

Page 19: IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

Vincent van Gogh: The Starry Night, 1889

Page 20: IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

Edvard Munch: The Scream 1893

Page 21: IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

James Ensor: The Intrigue 1890

Page 22: IMPRESSIONISM POST-IMPRESSIONISM. Began in Paris; influenced by Romanticism and Realism Artists gave their impression of a subject, rather than a realistic

Bibliography

Harden, Mark, The Artchive. http://artchive.com/ftp_site.htm

Jansen, H W. History of Art 5th Edition. Harry N. AbramsPublishers Inc., New York. 1995.

Stokstad, Marilyn. Art History Revised Edition Volume two.Harry N. Abrams Publishers Inc., New York. 1999.

No Author Given. The Artist.Org. http://www.the-artists.org/

Witcombe, Chris. Art History Resources on the Web.http://witcombe.sbc.edu/ARTH20thcentury.html. 2001.