3
E-RESOURCES FOR COMIC BOOKS AND GRAPHIC NOVELS AT ELIBRARYUSA --Ebrary-- Web Comi! "or Tee#! Duggan, Michael Are you always doodling heroes and villains for your own comic adventures? Have you ever imagined creating your own comic book for others to read? With "Web Comics for eens", you can! "Web Comics for e ens" introduces you to the skills, tools, and rograms you need to create your own web comics, comics, and cartoons ublished on the World Wide Web# Combi#i#$ %&e Wor'(! o" Co#%em)orary Comi!* $inger, Marc# %ne of the most eclectic and distinctive writers currently working in comics, &rant Morrison 'brings the auteurist sensibility of alternative comics and grahic novels to the oular genres(suerhero, science fiction, and fantasy(that dominate the American and )ritish comics industries# His comics range from bestsellers featuring the most universally recogni*ed suerhero franchises 'All($tar $uerman, +ew (Men- to more indeendent, creator(owned work 'he .nvisibles- that defies any generic classification# Dema#(i#$ Re!)e%+ T&e E,o'%io# o" %&e Ameria# Comi Boo. /oes, 0aul How is it that comic books1the once reviled form of lowbrow oular culture1are now the rage for Hollywood blockbusters, the basis for bestselling video games, and the insiration for literary grahic novels? .n Demanding 2esect, /oes immerses himself in the discourse and ractices of this art and subculture to rovide a social history of the American comic book over the last 34 years# Ha#( o" Fire+ T&e Comi! Ar% o" /a. Kirby* Hatfield, Charles# 5ack 6irby '7873(7889- is one of the most influential and oular artists in comics history# With $tan /ee, he created the :antastic :our and defined the drawing and narrative style of Marvel Comics from the 78;<s to the resent day# 6i rby is credited with creating or cocreating a number of Marvel=s mainstay roerties, among them the (Men, the Hulk, hor, and the $ilver $urfe r # His earlier work led to the creation of Catain America, the oular kid gang and romance comic genres, and one of the most successful comics studios of the 789<s and 784<s# Di!o,er ma#$a (ra0i#$ 12 ea!y 'e!!o#! "or (ra0i#$ $y! a#( $ir'!* &alea, Mario# Av# Andr>s )ello @<<, /as Condes, $antiago, Chile e l# '4;(- <(9@@ B(mail ircchilestate#gov Web httEEchile#usembassy #gov 7

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E-RESOURCES FOR COMIC BOOKS ANDGRAPHIC NOVELS AT ELIBRARYUSA

--Ebrary--

Web Comi! "or Tee#!

Duggan, Michael

Are you always doodlingheroes and villains foryour own comicadventures? Have youever imagined creatingyour own comic bookfor others to read? With"Web Comics for eens",you can! "Web Comics

for eens" introduces you to the skills,tools, and rograms you need to createyour own web comics, comics, andcartoons ublished on the World WideWeb#

Combi#i#$ %&e Wor'(! o" Co#%em)orary

Comi!* $inger, Marc#

%ne of the most eclectic and distinctivewriters currently working in comics, &rantMorrison 'brings the auteurist sensibility of alternative comics and grahic novels tothe oular genres(suerhero, sciencefiction, and fantasy(that dominate theAmerican and )ritish comics industries# Hiscomics range from bestsellers featuringthe most universally recogni*ed suerherofranchises 'All($tar $uerman, +ew (Men-

to more indeendent, creator(owned work'he .nvisibles- that defies any genericclassification#

Dema#(i#$ Re!)e%+ T&e E,o'%io# o" %&eAmeria# Comi Boo.

/oes, 0aul

How is it that comicbooks1the oncereviled form of lowbrow oularculture1are nowthe rage forHollywoodblockbusters, thebasis for bestsellingvideo games, and the insiration forliterary grahic novels? .n Demanding2esect, /oes immerses himself in the

discourse and ractices of this art andsubculture to rovide a social history ofthe American comic book over the last 34years#

Ha#( o" Fire+ T&e Comi! Ar% o" /a.Kirby* Hatfield, Charles#

5ack 6irby '7873(7889- isone of the mostinfluential and oularartists in comics history#With $tan /ee, he

created the :antastic:our and defined thedrawing and narrativestyle of Marvel Comics

from the 78;<s to the resent day# 6irby iscredited with creating or cocreating anumber of Marvel=s mainstay roerties,among them the (Men, the Hulk, hor,and the $ilver $urfer# His earlier work ledto the creation of Catain America, theoular kid gang and romance comicgenres, and one of the most successful

comics studios of the 789<s and 784<s#

Di!o,er ma#$a (ra0i#$ 12 ea!y 'e!!o#!"or (ra0i#$ $y! a#( $ir'!* &alea, Mario#

Av# Andr>s )ello @<<, /as Condes, $antiago, Chileel# '4;(- <(9@@ B(mail ircchilestate#gov

Web httEEchile#usembassy#gov

7

7/21/2019 IRC ElibraryUSA Comics

http://slidepdf.com/reader/full/irc-elibraryusa-comics 2/2

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Manga has become oneof the most oulartyes of comic(bookart, with more andmore fans looking todraw in this style# he

beginning mangaartists will findeverything they needin this easy(to(followbook, including <

essential demos covering all of the basics,such as facial features, body structure andcharacters, all of which can be comletedwith nothing but a encilF 0roGectsarranged using a rogressive aroach ((readers first learn how to draw basicbodies, then move on to clothing, ros

and oses#

Comi! a! P&i'o!o)&y*Mc/aughlin, 5eff'Bditor-#

hrough thecombination of tetand images, comicbooks offer a uniIueoortunity toelore deeIuestions about

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T&e S)er&ero Boo.+ T&e U'%ima%eE#y'o)e(ia o" Comi-Boo. Io#! a#(Ho''y0oo( Heroe!# Misiroglu, &ina#

Aealing to thecasual comic bookreader as well as thehardcore grahicnovel fan, thisultimate A(to(J

comendiumdescribes everyoneKsfavorite articiantsin the eternal battlebetween good andevil# With nearly << entries eaminingmore than 7,<<< icons and their lace inoular culture, it is the firstcomrehensive rofile of suerheroesacross all media, following their ath fromcomic book stardom to radio, television,movies, and novels#

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like /eiGi Matsumoto and C/AM0#