375.Jane Peterson (American, 1876-1965)

Still Life with ZinniasSigned “Jane Peterson” l.l.Watercolor on paper, sheet size 18 x 24 in. (45.7 x 61.0 cm),framed.Condition: Minor toning.

$800-1,200

376.Horace Robbins Burdick (American, 1844-1942)

Seated NudeInitialed and dated “H.R.B. May 30th 96” l.l.Oil on canvas, 15 3/4 x 11 1/4 in. (40.0 x 28.6 cm), framed.Condition: Mounted onto board, surface grime.

$500-700

377.German School, 19th/20th Century

RitterspornSigned “·H·Rickert-Muller·” l.c., titled and identified on a labelaffixed to the reverse.Gouache and graphite on paper, 21 3/8 x 16 in. (54.3 x 40.6cm), framed (without glass).Condition: Not examined out of frame.

$400-600

141

375

376

377

378.Thomas Wilmer Dewing (American, 1851-1938)

The Duet, alternatively titled The InterludeSigned “T W Dewing” l.r., identified on labels from the Paul Magriel Collection, Museums at Sunrise, Charleston, WestVirginia, and Nassau County Museum of Art, Roslyn, New York.Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed.Condition: Lined, scattered retouch and varnish inconsistencies.

Exhibitions: “A Gathering of Friends: Early Artists of the Cornish Colony,” Cornish Colony Museum, Windsor,Vermont, May 26–October 28, 2007; “Art & Entertainment—From Toulouse-Lautrec to Red Grooms,” NassauCounty Museum of Art, Roslyn, New York, November 18, 2007–February 3, 2008.

N.B. Thomas Wilmer Dewing, a Boston native and founding member of the Impressionist artists’ group The Ten, isbest known for his refined and poetic figural works which challenge conceptions of beauty, femininity, and women’s rolein society. Dewing played with elements of ambiguity, intimacy and isolation within his subtle compositions.

His dreamlike images feature ethereal women bathed in light who stand in contrast to their bare, shadowedenvironment. These wispy figures, emerging out of the simple background, are weighted by their full skirts whichcontrast their elongated necks, shoulders, and arms.

Later in his career, Dewing began to play with the spatial relationship between two figures within a composition, as hedoes here. He exploited the distance between two women “using the expanse between [them] to suggest subtlepsychological tensions.”1 These compositions underscore Dewing’s attempt to create a mood of aloofness andseparation. Perhaps borrowing from Johannes Vermeer’s compositions, Dewing used symbolic objects in hiscompositions to create mood and activate the viewer’s imagination.2 He frequently depicted women with musicalinstruments which create an “emotional atmosphere and sense of reverie.”3

1. Hobbs, Susan A., The Art of Thomas Wilmer Dewing, Beauty Reconfigured, The Brooklyn Museum, 1996, p. 175.2. Ibid., p. 35.3. Ibid., p. 195.

$200,000-300,000

142

378

379.Privat-Livemont (Belgian, 1861-1936)

Still Life with ChrysanthemumsSigned, inscribed and dated “Privat-Livemont./Brux. 1903” l.r.Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.Condition: Minor retouch in l.r. quadrant, subtle varnishinconsistencies.

$2,000-3,000

380.American School, 20th Century

DachshundIndistinctly inscribed on the base.Bronze with a golden brown patina, height 5 1/2 in. (14.0 cm).Condition: Repairs, mild surface grime.

$700-900

381.Charles Clement Tucker (American, b. 1913)

Still Life with IrisesSigned and dated “Charles Clement Tucker 1958” l.r., inscribed“Charles C. Tucker-3621 Arborway Dr. Charlotte, N.C.” on thereverse. Oil on canvas, 34 x 30 1/4 in. (86.4 x 76.8 cm), framed.Condition: Minor surface grime and abrasions, subtle varnishinconsistencies.

$500-700

143

379

380381

382.Gordon Franklin Peers (American, 1909-1988)

Still Life with FruitSigned and inscribed “To Pam + Andy/Gordon F. Peers” l.r.Oil on canvas, 12 x 18 in. (30.5 x 45.7 cm), framed.Condition: Craquelure, varnish inconsistencies.

$1,500-2,500

383.Jack N. Kramer (American, 1923-1984)

Lot of Two Figural Works: Woman in Pink and Girl on aCouchWoman signed “KRAMER” on the stretcher, identified on a labelfrom Carl Siembab Gallery, Boston, affixed to the reverse; Girlsigned “KRAMER” l.l., also signed “J. KRAMER” and titled on alabel on the reverse.Oil on canvas, sizes to 30 x 21 in. (76.2 x 53.3 cm), framed.Condition: Minor surface grime, subtle craquelure.

Provenance: Through the artist’s estate, Cambridge,Massachusetts.

Literature: Jack Kramer: A Retrospective, (exhibition catalogue),Boston University Art Gallery, February 26–April 3, 1988, Exh.no. 26, p. 31.

N.B. Jack N. Kramer was first exposed to figurative expressionismas a student of Karl Zerbe at the School of the Museum of FineArts, Boston, in 1941. Throughout his life, Kramer continued towork in an Expressionistic vein, exploring “compositional andpsychological relationships of figures in dark domestic settingswhere feelings dominate action.”1 Kramer was greatly influencedby Oscar Kokoscha, who taught at the Museum school in thesummer of 1948, and later assisted him at the School of Vision inSalzburg, Austria, during the summers of 1955-1958.2 Kramerjoined the faculty at Boston University’s School of the Arts in1957 as an instructor where he remained until his retirement in1983. While an instructor, Kramer worked prolifically and showedat local galleries such as Boris Mirski and Carl Siembab. He wasnamed a Copley Master by the Copley Society in 1982, and wasthe subject of a retrospective show at Boston University in 1988.3

1. S. Tatiana Spinari, “Jack Kramer: Personal Vision Through Craftsmanship,”Jack Kramer: A Retrospective, (exhibition catalogue), Boston University ArtGallery, February 26–April 3, 1988, p. 2.2. Ibid, p. 4.3. Jacob N. Kramer memorial service program, Boston University, MarshChapel, December 19, 1983.

$800-1,200

384.Samuel E. Armour (American, b. 1890)

Still Life with Vase of FlowersSigned “S. E. ARMOUR.” l.r.Oil on canvas, 18 x 15 in. (45.7 x 38.1 cm), framed.Condition: Craquelure with lifting, mild surface grime.

$500-700

144

382

383

384

385.Rudolf Jacobi (German, 1889-1972)

Nature MorteSigned and dated “Rudolf Jacobi 27” u.l., also signed, titled anddated on the reverse, The Fenway Art Center, Boston, labelaffixed to the reverse. Oil on canvas, 18 x 14 in. (45.7 x 35.6 cm), framed.Condition: Retouch in u.l. and u.r. quadrants.

$300-500

386.Jack N. Kramer (American, 1923-1984)

Lot of Two Works: Still Life with Golden Chair and Man withGlobeStill Life signed, titled and inscribed “KRAMER” and “Jack N.Kramer” on the stretcher; Man signed, titled, numbered andinscribed “...#198...Jack N. Kramer” on the reverse.Oil on canvas, sizes to 30 x 38 in. (76.2 x 96.5 cm), Still Lifeframed, Man unframed.Condition: Surface grime.

Provenance: Through the artist’s estate, Cambridge,Massachusetts.

$600-800

387.Joseph Raskin (American, 1897-1981)

Vase with FlowersSigned “Jos. Raskin” l.l.Oil on canvas, 30 x 20 in. (76.2 x 50.8 cm), framed.Condition: Surface grime.

$500-700

145

385 386

387

388.Frederick Andrew Bosley (American, 1881-1942)

Girl in Blue, alternatively titled The Little Deaf GirlSigned “Bosley” u.l., identified on period labels and witha label from the Carnegie Institute, Pittsburgh, affixed tothe reverse.Oil on canvas, 36 1/4 x 35 in. (92.1 x 88.9 cm), in theoriginal frame.Condition: Tears, mild scattered retouch and/or varnishinconsistencies, mild scattered craquelure, surface grime.

N.B. Frederick Bosley was born in Lebanon, NewHampshire, and began his studies at the Boston Museumof Fine Arts School in 1900 where he was influenced bythe work of his teacher, Edmund C. Tarbell. In 1906 hemarried a fellow student at the Museum School, EmilyLinzee Sohier. By 1913, Bosley succeeded his formerteacher, Tarbell, as the Director of the Department ofPainting and Drawing at the Museum School, a positionhe held for 18 years. Bosley set up studio in Bostonwhere he worked alongside his former pupil, MargueriteS. Pearson, and painted the portraits, interiors, andlandscapes for which he is best known.1

1. Bosley, E.S., “Frederick A. Bosley A.N.A. 1881-1942 of theBoston School,” (exhibition catalogue), Vose Galleries of Boston,Inc., November 25, 1981.

$8,000-12,000

388A.Max Kuehne (American, 1880-1968)

Carved and Decorated Floral Motif Wood CoffeeTableIncised signature “Max Kuehne” on surface l.r.Gilt and silvered gesso with red clay on wood, 17 x 41 x20 3/4 in. (43.2 x 52.7 cm).Condition: Surface wear and cracks, retouch.

$6,000-8,000

146

388

388A and details

389.Alexander Liberman (American, 1912-1999)

Pitcher of DaisiesSigned and dated “A. Liberman 48” l.r.Oil on canvas, 18 1/4 x 16 1/4 in. (46.3 x 41.3 cm), framed.Condition: Scattered retouch.

$800-1,200

390.Cecilia Beaux (American, 1855-1942)

Portrait Sketch of a WomanUnsigned, identified on a label from the Kennedy Galleries, NewYork, affixed to the reverse.Oil on canvas, 16 x 13 in. (40.6 x 33.0 cm), framed.Condition: Minor scattered retouch, fine scattered craquelure,surface grime.

Provenance: Robert Carlen, Philadelphia, then through theCarlen family, California, Kennedy Galleries, Inc., New York,2003.

$2,000-2,500

391.Margarita Hahn Vidal (American, b. 1919)

Peonies in GoldSigned “Hahn Vidal” l.r., also signed, titled, inscribed and dated“...N.Y. 64” and with a label from Doll & Richards, Inc., Boston,on the reverse. Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.Condition: Pigment fluorescence.

$1,000-1,500

147

389

390

391

392.Bertrand Py (French, 1895-1973)

Semi-nude SleepingSigned “Bertrand Py” c.r.Oil on canvas, 13 x 16 1/4 in. (33.0 x 41.3 cm), framed.Condition: Good.

Provenance: Through International Oasis Art Gallery, Savannah,Georgia, c. 1991, to present collection, Brookline, Massachusetts.

N.B. A certificate from Francoise Bertrand Py, wife of the artist,identifies the work as “A4” in her supplemental catalogue, andaccompanies the lot.

$1,000-2,000

393.Luis Ortíz Monasterio (Mexican, 1906-1990)

Head of a WomanSigned and dated “MONASTERIO 38” on the side.Marble, height 7 3/4 in. (19.5 cm).Condition: Minor surface grime.

$500-700

394.Paul Lewis Clemens (American, 1911-1992)

BackviewSigned “Clemens” l.l., identified and titled on a label from JamesVigeveno Galleries, Westwood Hills, Los Angeles, California, onthe paper backing. Charcoal on paper, sight size 16 5/8 x 13 in. (42.2 x 33.0 cm),framed.Condition: Not examined out of frame.

$400-600

148

392 393

394

395.Boris Lovet-Lorski (American, 1894-1973)

Portrait of Marta TorenMonogrammed “BLL” l.r., inscribed and dated “MartaToren/1944” l.l.Charcoal on paper, sight size 16 x 13 1/2 in. (40.6 x 34.3 cm),framed.Condition: Not examined out of frame.

N.B. Swedish actress Marta Toren starred in a variety of moviesin the 1940s and 50s, perhaps most notably as Violette in the1951 film Sirocco, opposite Humphrey Bogart.

$500-700

396.Walter H. Brough (American, 1890-1978)

Portrait of a Reclining NudeSigned and dated “Walter Brough/1932” l.r., a label fromVixseboxse Art Galleries, Inc., Cleveland Heights, Ohio, affixedto the paper backing. Pastel on paper, sight size 13 1/4 x 18 1/2 in. (33.7 x 47.0 cm),framed.Condition: Not examined out of frame.

$400-600

397.Jack N. Kramer (American, 1923-1984)

Lot of Two Works: Pause and Interior, 1961Pause signed and dated “Kramer -56” in pen u.l., inscribed“Dou...” in pencil u.r., also signed, dated and titled in pen on thereverse, watercolor on paper, sight size 20 x 13 in. (50.8 x 33.0cm), framed; Interior signed “KRAMER” and identified on alabel from Carl Siembab Gallery, Boston, on the stretcher, oil oncanvas, 24 x 30 in. (60.9 x 76.2 cm), unframed.Condition: Masking tape residue on the reverse, slight handlingcreases, taped to beveled mat, Interior with surface grime.

Provenance: Through the artist’s estate, Cambridge,Massachusetts.

$700-900

397A.David Burliuk (American, 1882-1967) and Moses Soyer(American, 1899-1974)

Lot of Two Works: Portrait of a Young Woman and CoastalLandscapePortrait signed and dated “Burliuk 1949” l.l. in pencil, RadeckiGalleries, South Bend, Indiana, stamp on the reverse, coloredpencil on paper, 14 x 12 in. (35.6 x 30.5 cm), framed; Coastalsigned “M. Soyer” l.r., Makielski Art Shop, South Bend, Indiana,label affixed to the reverse, watercolor on paper, 18 3/4 x 20 1/2in. (47.6 x 52.1 cm), framed.Condition: Portrait with handling creases, both not examinedout of frame.

$1,000-1,500

149

395

396

397 397A

398.DeWitt McClellan Lockman (American, 1870-1957)

Portrait of Margaret ReedUnsigned, identified on a presentation plaque, sitter identified ina later inscription on the reverse.Oil on canvas, 36 x 29 in. (91.4 x 73.6 cm), framed.Condition: Lined, retouch, varnish inconsistencies.

$2,000-4,000

399.Continental School, 19th/20th Century

Still Life with Fruit and EwerIndistinctly signed l.l.Oil on canvas, 19 1/2 x 24 in. (49.5 x 61.0 cm), framed.Condition: Punctures with losses, scattered retouch and varnishinconsistencies, craquelure, surface grime.

$400-600

400.Rosina Emmet Sherwood (American, 1854-1948)

Lot of Two Portraits: Boy in a Sailor Suit and Baby GirlInitialed and dated “R.E.S. 1920.” l.r. and l.l., respectively.Pastel on paper, sight sizes 22 3/4 x 19 1/4 in. (60.3 x 48.8cm), framed.Condition: Foxing, toning, not examined out of frames.

Provenance: From the estates of Mary Ann and Frederick Lippitt,Providence, Rhode Island.

$600-800

150

398

400

399

401.Marcel Rieder (French, 1852-1942)

Kitchen InteriorSigned “M. Rieder” l.r., identified on a temporary loan label fromthe Museum of Fine Arts, Boston, affixed to the reverse.Oil on canvas, 21 3/4 x 18 1/4 in. (55.2 x 46.4 cm), framed.Condition: Retouch.

N.B. Marcel Rieder was born in Thann, in the region of Alsace,France, and studied at the École des Beaux Arts in Paris withAlexander Cabanel. He exhibited regularly at the Paris Salon andwas known for his genre scenes which played with the effects oflight.

$7,000-9,000

402.Howard Logan Hildebrandt (American, 1872-1958)

The Good BoySigned “H.L. Hildebrandt” l.r.Oil on canvas, 27 x 22 in. (68.6 x 55.9 cm), unframed.Condition: Scattered craquelure, surface grime.

$1,000-1,500

403.Louise (Lou) Loeber (Dutch, 1894-1983)

Tabletop Still LifeInitialed “L L” l.r.Oil on canvas, 9 x 12 in. (22.9 x 30.5 cm), framed.Condition: Minor surface losses, mild scattered craquelure withseparating, mild surface grime.

$400-600

151

401

402

403

404.Helen Allingham (British, 1848-1926)

In a Surrey GardenSigned “H. Allingham” l.r., identified in an inscription on theliner.Watercolor with whiting on paper/board, sheet size 11 1/4 x 83/4 in. (28.6 x 22.2 cm), framed.Condition: Toning, subtle fading, very minor rippling at topedge of sheet.

N.B. Helen Allingham (née Patterson) was born in the smallvillage of Swadlincote in Derbyshire, England. As a child,Allingham developed an interest in art, inspired by hergrandmother, Sarah Smith Herford, and aunt, Laura Herford,who were both artists. At seventeen, she enrolled at theBirmingham School of Design where she was exposed to the workof Frederick Walker, Sir Frederick Leighton, and John EverettMillais. While at school, Allingham worked as an illustrator tosupport herself and soon found a job working for the illustratedmagazine, The Graphic. She dropped out of Birmingham Schoolof Design to devote herself to her work as a commercial artist.After marrying William Allingham in 1874, the artist left herwork as an illustrator to work in the medium that she truly loved,watercolor. The couple eventually moved to Surrey whereAllingham painted nostalgic views of local cottages. In 1890, shewas the first female artist granted membership in the RoyalWatercolor Society.

$6,000-8,000

405.R. St. John Ainslie (British, d. 1908)

Portrait of Reginald Gilbert DonUnsigned, inscribed “Reginald Gilbert Don, aged 14, Painted byR. St. John Ainslie Sept 1908 who died before it was quitefinished” on the reverse.Oil on canvas, 30 x 17 in. (76.0 x 43.2 cm), framed.Condition: Scattered retouch, fine craquelure, surface grime.

$300-500

152

404

405

406.French School, 19th/20th Century

On the BeachMonogrammed l.r.Oil on panel, 6 1/4 x 9 1/2 in. (15.9 x 24.1 cm), framed.Condition: Panel warped, surface grime.

$1,000-1,500

407.Ralph Gray (American, 1880-1944)

Lot of Two Interior Scenes: Villa Balbianello, Lake Como,ItalyOne signed, inscribed and dated “Ralph W. Gray/VillaBalbianello 1937” l.l., the other unsigned. Watercolor on paper, sheet sizes to 22 1/8 x 15 1/4 in. (56.2 x38.7 cm), one framed, the other unframed.Condition: Unframed work with tack holes to the corners,masking tape hinged to beveled mat; framed work with mendedtear, pinholes, masking taped to beveled mat.

$600-800

408.No lot.

409.Marion Delamater Freeman (American, 1891-1953)

The Golden SchoolSigned and dated “Marion Freeman 1925” l.r.Gouache on paper, 13 1/2 x 10 1/2 in. (34.3 x 26.7 cm),framed.Condition: Not examined out of frame.

$300-500

153

407

409

406

410.Marilyn Powers (American, 1925-1976)

Portrait of a Seated Young BoyUnsigned.Oil on canvas, 40 x 32 in. (101.6 x 81.3 cm), unframed.Condition: Minor surface grime.

$1,000-1,500

411.Teal McKibben (American, 1928-2006)

Still Life with TableclothSigned “TEAL MCKIBBEN” on the reverse.Oil on Masonite, 32 x 47 1/2 in. (81.3 x 120.7 cm), framed.Condition: Craquelure, lifting, losses.

$800-1,200

412.Dean Richardson (American, b. 1931)

Lot of Two Works: Last Known Portrait of Colonel B andPortrait of a ManColonel initialed and dated “D.R. ‘62” l.r., identified on a labelfrom Joan Peterson Gallery, Boston, and titled and inscribed“...Richardson” in pencil on the stretcher, oil on canvas, 18 x 16in. (45.7 x 40.6 cm); Man initialed and dated “DR 10-59” l.r.,charcoal on paper, sight size 22 x 19 1/2 in. (55.9 x 49.5 cm),both framed.Condition: Colonel with surface grime, craquelure; Man withfoxing, not examined out of frame.

$400-600

154

410 411

412

413.Edward Goldman (American, 1916-2006)

Toby, Our PoodleSigned and dated “Edw. Goldman/8-59” l.l.Oil on Masonite, 30 1/2 x 17 in. (77.5 x 43.2 cm), framed.Condition: Surface grime.

$400-600

414.Michiel Gloeckner (American, 1915-1989)

Floral Still LifeSigned or inscribed indistinctly l.r., inscribed “MichielGloeckner/(1915-1989)” with an “A Schutzmann” canvas stampon the reverse. Oil on canvas, 16 3/4 x 12 3/4 in. (42.5 x 32.4 cm), framed.Condition: Retouch and surface abrasions l.r.

Provenance: Through the estate of Michiel Gloeckner, WestCornwall, Connecticut.

$500-700

415.Edward Goldman (American, 1916-2006)

The Red SnapperSigned and dated “Edw. Goldman/3-59” l.l., titled on a labelaffixed to the frame l.r.Oil on Masonite, 12 x 28 in. (30.5 x 71.1 cm), framed.Condition: Surface grime.

$400-600

155

413

414

415

416.Jonathan Green (American, b. 1955)

Waders, from Gullah Life ReflectionsSigned and dated “Jonathan Green 86” l.r.Oil on artist board, sight size 14 1/2 x 18 1/2 in. (36.8 x 47.0cm), framed.Condition: Glued to cardboard backing.

Provenance: Purchased from Nicole Gallery, Chicago, Illinois,April 1987, by the present owner.

N.B. African-American artist Jonathan Green was born in 1955in Gardens Corner, South Carolina, and was raised along theAtlantic coast and Sea Islands, home to the Gullah. Although hetrained in Chicago and has traveled extensively in the UnitedStates and abroad, his subjects constantly return to the culture ofhis childhood. The Gullah live an agrarian life, unified through aCreole dialect, and strong cultural traditions that evolved in Africaat the rise of the slave trade. These compositions often reflect thequiet pace of rural life peppered with the traditions of prayer andstorytelling, a strongly bound sense of family and community, andthe fishing and planting that embody the Gullah culture.

$3,000-5,000

417.Joseph Solman (American, b. 1909)

Rail Yard with CarriageInitialed “JS” within the composition u.r.Gouache on paper laid onto board, sight size 12 x 9 1/2 in.(30.5 x 24.1 cm), framed.Condition: Subtle rippling, not examined out of frame.

$1,500-2,500

418.American School, 20th Century

Free, 1970Signed “M. Armstrong” l.r., dated, titled, and inscribed “FEB1970...M. ARMSTRONG/CHACERY LANE/CH. CH.” on thereverse.Oil on canvas, 29 x 29 in. (73.7 x 73.7 cm), framed.Condition: Surface grime, drying cracks, paint losses.

$500-700

156

417

418

416

419.Jonathan Green (American, b. 1955)

Mother and Child, from Gullah Life ReflectionsSigned and dated “Jonathan Green 86” l.r.Oil on Masonite, 24 x 18 in. (61.0 x 45.7 cm), framed.Condition: Minor surface grime.

Provenance: Purchased from Nicole Gallery, Chicago, Illinois,April 1987, by the present owner.

$3,000-5,000

420.Joseph Solman (American, b. 1909)

Rail YardInitialed “JS” l.l.Gouache on paper, sight size 9 1/4 x 11 1/4 in. (23.5 x 28.6cm), framed.Condition: Backed sheet to Japan or similar paper, tape hingedto backing mat.

$1,500-2,500

421.Jonathan Green (American, b. 1955)

The Bathers, from Gullah Life ReflectionsSigned and dated “Jonathan Green 86” l.l.Oil on artist board, sight size 18 1/2 x 14 1/2 in. (47.0 x 36.8cm), framed.Condition: Glued to cardboard backing.

Provenance: Purchased from Nicole Gallery, Chicago, Illinois,April 1987, by the present owner.

$3,000-5,000

157

421

419

420

422.Aaron Fink (American, b. 1955)

Lot of Two Works: Cigar and SmokerUnsigned, Cigar indistinctly inscribed l.r.Ink and gouache on paper/board, Cigar with collage,approximate sight sizes to 5 x 9 1/4 in. (12.7 x 23.5 cm),framed.Condition: Cigar with pinholes, not examined out of frames.

$400-600

423.Jane Leone Dickson (American, b. 1952)

Study for Shooting, 1984Unsigned, identified on a label from Brooke Alexander, Inc., NewYork, on the backing.Oil stick on paper, sheet size 17 1/2 x 27 3/8 in. (44.5 x 69.5cm), framed.Condition: Tape hinged on all four sides to backing mat, subtlerippling, tack holes to corners.

$1,500-2,500

424.Frank Gallo (American, b. 1933)

Head of a FighterSignature, date and number incised “Gallo 66/3 of 5” on rear,identified on a label from Graham Gallery, New York, beneathbase. Epoxy resin, 13 1/2 x 10 x 11 in. (34.3 x 25.4 x 27.9 cm).Condition: Cracks, losses.

$300-500

158

422

423

424

425.Ernest Fiene (American, 1894-1965)

White ClownSigned “E. Fiene” l.r., titled on the stretcher.Oil on canvas, 28 7/8 x 24 3/4 in. (73.3 x 62.9 cm), framed.Condition: Good.

$1,000-1,500

426.Albert S. Alcalay (American, b. 1917)

City TowersSigned and dated “ALCALAY 67” l.r., titled on cardboardbacking.Ink and gouache on parchment, sheet size 6 3/8 x 7 1/8 in.(16.2 x 18.1 cm), framed.Condition: Not examined out of frame.

$300-500

427.Aaron Fink (American, b. 1955)

Man with HatSigned and dated “Aaron F... ‘82” l.r.Ink and gouache en grisaille on paper/board, sight size 29 1/4 x21 3/4 in. (74.3 x 55.2 cm), framed.Condition: Not examined out of frame.

$1,000-1,500

427A.Armand Henrion (Belgian, b. 1875)

Portrait of a ClownSigned “ARM. HENRION” l.l., stamped “Douane...” on thereverse.Oil on canvas, 10 3/4 x 8 3/4 in. (27.3 x 22.2 cm), framed.Condition: Good.

$800-1,200

159

425427

426 427A

428.George Chemeche (American, b. 1934)

The Family of ManSigned and dated “Chemeche 68” l.l., titled on a label affixed tothe reverse.Pastel and graphite on paper, sheet size 24 x 30 in. (61.0 x 76.2cm), framed (without glass).Condition: Minor rippling.

$2,000-4,000

429.Jose Lopez-Rey (American, b. 1905)

Bull Fight/A Surrealist CompositionSigned “Lopez-Rey” l.r., inscribed “Finale...” on a partial labelaffixed to the reverse. Oil on Masonite, 13 3/8 x 18 1/8 in. (34.0 x 46.0 cm),unframed.Condition: Scattered retouch, surface abrasion to u.r. and l.r.quadrants.

$600-800

430.Jose Luis Cuevas (Mexican, b. 1934)

Los Pieles RojasSigned and titled “Cuevas...” l.l., identified on a label fromGaleria de Arte Misrachi, S.A., on the paper backing. Ink and watercolor on paper, sight size 9 1/2 x 13 1/2 in. (24.1x 34.3 cm), framed.Condition: Not examined out of frame.

N.B. A leather-bound and slip-cased book, El Mundo de Jose LuisCuevas, by Carlos Fuentes, published by Galeria de Arte Misrachi,October 1969, of the luxury edition of 110, with signed andnumbered colophon by Jose Luis Cuevas and bookbinderFernando Lopez Valencia, accompanies the lot.

$3,000-5,000

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430