Jazz In The Pass - WordPress.com · 2014-11-12 · Jazz In The Pass Dan Ellis Historical Series-4- Capt. John Handy on Alto Sax Harold DeJean, head of the Olympia Brass Band, echoed

Jazz In The Pass

John Handy, Jr.Pass Christian

International Jazz Musician

&

Jazz in the PassA short history

A Pictorial Documentaryby Dan Ellis

Web Site – DanEllis.NetWeb Site – PassChristian.Net

email – [email protected]

Jazz In The Pass

-2-Dan Ellis Historical Series

Capt. John Handy

Captain John HandySax Altoist, Clarinetist

Pass Christian’s Little Known InternationallyFamous Jazz Great

In April 1970, whenthe New Orleans Jazz andHeritage Festival was thencelebrated as a 3-dayweekend, events were heldmainly in the MunicipalA u d i t o r i u m a n d a tBeauregard Square thatfronted the auditorium.Top billing was MahaliaJackson and CaptainHandy. Mahalia soulfullysang “Down by the

Riverside,” “Precious Lord Take My Hand,” “Deep as theSea,” and other gospel standards. Captain John Handy leadhis jazz group, “Handy’s Louisiana Shakers” into many ofhis well known recorded pieces.

Now famous, Ellis Marsalis was just making his firstintroductions to fans as he played his piano with a groupcalled the “All Stars.” At that time, Friday nightperformances were held in the Municipal Auditorium;Saturday activities at noon, opened with a street parade leadby the Eureka Brass Band that brought everyone to hear theopen air performances in Beauregard Square. Saturday

Jazz In The Pass


Capt. John Handy

Harold DeJean – Olympia Brass Band

evening performances were withAl Hirt, Duke Ellington and othersin the Auditorium. Sundays werestaged with impromptu musicsessions mixed with Blues, Cajun,and Gospel choirs held inBeauregard Square with food andcrafts available.

That was Captain Handy’slast Jazz Fair, he died at age 70 inPass Christian, just a few daysafter sitting in with his Passfriends as he played some of hisfavorite jazz and blues.

The Captain actually hadtwo funeral observances. Thefirst was at NewOrleans where his bodywas taken to theRhodes Funeral Homeon North ClaiborneAvenue to be waked forhis many City friends.The following day hisbody was returned toPass Christian for asecond well-attendedwake at GoodwillB a p t i s t C h u r c h .Handy’s church, St.P a u l ’ s U n i t e dMethodist was stillunder repair due to Hurricane Camille damages whichoccurred just six months before. Handy had described“Camille” as the bluest note he had ever heard.

Jazz In The Pass


Capt. John Handy on Alto Sax

Harold DeJean, head of the Olympia Brass Band,echoed out, “We come to lay him down right!” The ritual isa tradition for New Orleans old musicians that seldom varies.The band lead the hearse in a somber funereal march to thecemetery, playing hymns all along the way. The lead trumpetrolled out the first notes of “Closer Walk With Thee.”

Then they let loose with a sprightly march as theycame away from the grave, blaring lively Dixieland tunes.The trumpets aimed heavenward, clarinets playing lowerregister, and the trombones flamed like burnished gold. Themourners strutted and trucked all along the band route.Friends had come from as far as England and as near asaround the corner – also in tribute were the bells from otherchurches in the city that began ringing – “there were thesounds of music everywhere.”

The sun wasbright, the earthdamp from recentrains and the airclean and crisp. Ayoung girl walkingalong with the bandbegan to cry. TheG r a n d M a rsh a l lleaned over andc o m f o r t e d h e r ,saying, “The goodCaptain, he’s gonehome now.” Theprocession headedfor Third Street tothe place where theCaptain, his wifeMable, and their fivechildren lived.

Jazz In The Pass


4500 mourners and spectators at Handy’s funeral.

Then, as the procession neared the house, a young boy brokefrom the procession and ran through the metal gate at 326Third Street. He sat down on the steps of the small yellowishhouse. He was the grandson of Captain Handy, and this washis grandfather’s house. It was the last house on the right,next to the ballpark where his children and grandchildrenplayed.

Five hundred mourners were expected, but along themile-and-a-half procession march, on both sides of the streets– were some 4,500 viewers and participants who gathered towatch as the brass band turned south and went to SecondStreet. The mourning procession then traveled more than amile to the site of the Trinity Episcopal Church’s Live OakCemetery where he was buried. Already waiting at thecemetery was a large group including musicians FreddieMinor and Buster Holmes from New Orleans. Freddieremarked that he had given John Handy the name of Captainin 1930, when before a large audience he yelled out, “Blowit Captain John Handy, blow it.”

Jazz In The Pass


The Handy Man in Japan

The Jazz Great was even greater than he was aware –he was even eulogized in Life Magazine.

• • • • •Captain Handy was born into a musically acclaimed

family. His mother was a pianist and his father, who led thefirst walking band in Pass Christian for 14 years, had variousmusical talents.

His younger brother Sylvester, played bass guitar, andhis sister, Elizabeth, played the bass violin. Captain Handystarted as a drummer and later, after going to New Orleans in1918, to join the Tom Albert band, became a top-notch playerof the clarinet.

While Captain Handy led his own band — theLouisiana Shakers in the early 1920s, he also sat in with suchbands as Kit Howard’s Brass, George Lewis and JohnCasimer’s Tuxedo Band. He also played with Barry Martynand Pete Marble – and was featured on many occasions atPreservation Hall in New Orleans with Kid Sheik’s StoryvilleRamblers.

C a p t a i nH andy m adeone Far EastTour and two toEurope. In1 9 6 6 , h etraveled withKid Sheik toE ng land andBelgium and in1 9 6 7 , w i t hSheik to Japan.He went againwith the band in

1968, to England and Italy.

Jazz In The Pass


Handy and Lionel Hamptonreceive Italian Gold Medals

Handy in Japan

During his earlycareer he played in theFrench Quarter and inplaces such as the“Hummingbird Cabaret,”the “Pelican,” and the“Astoria.” As a recordingartist, the English pressw r o t e a b o u t h i s“Handyman Vol. 2" afollowup to a previousrecording released inEurope – as music thatwas hot and gutty, looselyNew Orleans in style, butsufficiently personal inflavor to appeal to ”jump-band” enthusiasts. Bearing suchtunes as Indiana – Dinah – Rosetta – C Blues – Stumblin’ –Always Be in Love – Sleepy Time Gal –Body and Soul. Accompanied withDave Green on bass, Barry Martyn ondrums, Pat Hawes at piano, Cuff Billetton trumpet, Richard Simmons at piano,Brian Turnock at bass,

Some of Handy’s best friendswere Louis “Satchmo” Armstrong,Mahalia Jackson, Duke Ellington, CabCalloway, Lionel Hampton, and manyother contemporary artists.

Music was not Captain Handy’sonly career. For additional income, heworked at Joy’s Department Store inNew Orleans and later, became ajanitor at Tulane University.

Jazz In The Pass


Handy and the Watsons played at theMexican Gulf Hotel on Davis Ave.

While at Tulane, he became a friend of Richard Allen,curator of the Archives of New Orleans Jazz. After hisretirement from Tulane in 1963, Captain Handy returned toPass Christian and indulged frequently in hunting and fishing,between cutting records and making overseas tours.

• • • • •Handy was born June 24, 1900, the eldest son of John

Handy, Sr. and Mrs Elizabeth Golden Handy. He was raisedon Davis Avenue just a few doors from St. Paul’s MethodistChurch.

When he was 12 years old he played as a percussionistin his father’s band. Besides John, there was John Moliere ontrumpet, Frank Toles on trombone, Willie Davies on guitar,Selvin Thomas at bass, and John Handy’s father, Handy, Sr.on the violin. Young John also learned the mandolin – andat age 15, started a string trio with his two brothers, Sylvesterplaying the bass, and Julius playing the guitar. They played

at the large MexicanGulf Hotel located atDavis and Scenic Driveuntil it burned down in1917 w hi l e be ingrenovated.

He then hadlearned the clarinet andplayed with his father’sband again while alsositting in with TomAlbert at trumpet andCharlie W atson at

drums. He then left Pass Christian along with Tom Albert toparticipate in Albert’s new band along with Harrison Barnesat trombone, Clarence Vincent on banjo, and Shine Nolan ondrums.

Jazz In The Pass


Kid Sheik Cola and Handy

The Pass’s Eddie Watson

After a fewyears he also sat inwith the Chris KellyBand. In 1924, hewent to Baton Rougeto play in TutJohnson’s Band andthe Steward Band.In 1927, he returnedto New Orleans toplay with Kid Renaand also with theSam Morgan Band.

He played atthe Humming BirdLounge with trumpet

player Guy Kelly, and with Henry Red Allen at theEntertainer’s Club on Basin Street in 1927 and 1928. Thatis when he switched to the alto sax. He met with Avery KidHoward while playing on the River boats, during which timehe started his own band called the “Louisiana Shakers” withKid Keifer, Edmond Battley, George Clark, Lionel Ferbois,S i d n e y P f l e u g e r ,Henry Kimball, andRoy Evans.

Eddie Watson,guitarist from PassChristian also joinedthe group in additionto John’s brotherSylvester at bass.

In 1932, the“Shakers” regroupedwith Alvin Alcorn ontrumpet, Lee Collins

Jazz In The Pass


Handy at Preservation Hall at NewOrleans

DeeDee Pierce at trumpet, Kid Martynon drums, and Capt. John Handy with

altoSax.

Kid Martyn and Handy

on trumpet, WilliePadjeand on trumpet,Raymond Brown ont r o m b o n e , D a v e yJames on saxophone,Raymond Davis atpiano, and Roy Evanson drums. They madet o u r s t h r o u g h o u tLouisiana and Texasand while at NewOrleans they played atthe Pelican Club.

He eventuallyd i s b a n d e d t h e“Shakers” for lack ofsuccess and alsoplayed at the La VidaDance Hall whilejoining with Oscar“Papa” Celestin’s banduntil 1941. Musiciansin the group were KidClayton and AlbertWalters on trumpet,Bill Matthews ontrombone, John Handyon alto sax, EddieJohnson on saxophone,Octave Crosby atpiano, Richard Alexison bass, and AlbertJiles on drums.

Jazz In The Pass


Mabel and John Handy at home in thePass.

After taking off a few years of illness, he joined theYoung Tuxedo Brass Band lead by John Casimir in the late1940s. In 1952, Handy joined Kid Clayton’s “Happy Pals”band and returned to Pass Christian after leaving that group.

It wasn’t until 1960 at age 60, did Handy sit in on hisfirst recording — with Punch Miller and Paul Barnes.Captain John Handy had always played with great bands thathad their music recorded, but Handy was never with any ofthe bands at the time of their recording sessions. This wasunfortunate.

But, as late in life as he did get started, he managed torecord at least 10 records that can only be found in jazzcollector’s personal inventories . He also appeared in a 1964Milwaukee NET television broadcast with the Alvin AlcornJazz Band.

Other recordingswere made while he wason tour performing atconcerts. One recordingwas known as “TheJohn and Mable (hiswife) Handy MemorialAlbum.” He was pickedup by RCA Studio andsent on tour throughCanada with the KeithSmith American AllStars, composed of Keith Smith from England on trumpet,Jimmy Archey on trombone, John Handy on alto sax, LarsEdegran (a Scandinavian) at piano, Ernie Johnson with banjo,Pops Foster on bass, and Freddy Moor on drums.

While at Toronto, Handy recorded with the ClaudeHopkins Orchestra, which included Doc Cheatham, BennyMorton, Scoville Brown, Claude Hopkins, Eddie Gibbs, andGus Jonnson.

Jazz In The Pass


RCA Studio’s Brad McCuen and Capt.John Handy in 1968.

Handy and Jazz Promoter

Handy wasprompted to let loosewith such pieces asPerdido, Handy’sGulf Coast Boogie,and One o’clockJump. His finaltelevised sessionsw e r e w i t h t h ePreservation HallBand and the EurekaBrass Band, playingB o u r b o n S t r e e tParade, – I want alittle Girl, – St.Louis Blues, – Lord,L o r d , L o r d , –Panama, and –Just aCloser Walk, withLouis Armstrong singing.

Handy’s style wasdifferent. His playing wasconsidered to be robust innature with his ownunmistakable sound. Incontrast to other old NewOrleans veterans, he wascompletely sure of hismusic and his ability. Hehad a flair for “rhythmand blues,” a style thatwas later picked up byEarl Bostic and LouisJordan.

Jazz In The Pass


“Joe B” Jackson

John Handy’s famecame late in life. It wasduring his last ten yearsfrom age 60 to 70 that hewas able to assert himselfand to become recognizedinternationally. The bestknown biographic study onhim was written in Germanfor his European enthusiasts.The German author, vonHorst Herling, stated thatCaptain John Handy’sinfluence to New Orleans Revival Jazz was better known inEurope than in the United States, and had hoped that hismusic style could be better appreciated.

• • • • •

Close friends of Captain Handy were Joseph L.Jackson, (Joe B.) and Harry W. Fairconnetue. Both of them,in their own right, were great musicians who often playedwith Handy – professionally and while sitting in on socialjam sessions.

Joseph L. “Joe B”Jackson

Joe B. Jacksonwas a famed jazzpianist, self taught bythe age of 12, – whoformed his own bandthat was known asJobie Jackson’s Band,featuring John Handy.Also, playing with the

Jazz In The Pass


Joe B. Jackson’s Funeral

group were Harry Fairconnetue and Elsworth Collins, both ofBay St. Louis, Eddie Watson of Pass Christian, J.C. James ofGulfport, Harold Dejean of New Orleans, Charles Fairley ofMoss Point, and James Baker. Jackson and Handy playedtogether off and on for a period of more than 30 years.

Jackson died on April 18, 1978, at the age of 64, whileattending a city council meeting at Pass Christian City Hall.His wake and Mass services were held at Mother of MercyChurch followed by a Jazz procession that was participatedin by hundreds jazz aficionados.

Like Handy, Joe B. also had other jobs when he wasn’tplaying music. He was employed by the L & N RailroadCompany and would commute to New Orleans daily. Thisgave him time to play the late night gigs in New Orleans andat Gulf Coast clubs, and at the homes of friends and relatives.Jackson had another driving force, which was directed topolitical and civic activities – he was an ardent communityactivist.

Jazz In The Pass


Harry W. Fairconnetue

Jeanette S. Kimball

Harry W. Fairconnetue Harry W. Fairconnetue was

born in 1908 at Bay St. Louis wherehe attended highschool and went onto study at Xavier University inNew Orleans. He was a member ofthe Clarence Desdone Band of NewOrleans before lining up with HandyMan and his Sax for an extendedperiod of time. His specialinstrument was the banjo. Hefollowed his friends in death onFebruary 13, 1980.

• • • • • •

Jeanette Salvant Kimball

Jeanette Sa lvantKimball, after growing up inPass Christian, became apioneer jazz pianist whosecareer spanned most of the20 Century. “My Gal Sal”th

was the first music sheet thatshe learned to play on herpiano at age 7. As a giftedplayer, by age 11, she wascoaching o ther musicenthusiasts to learn thekeyboard, and at age 14,made her first road show toNew York City.

Jazz In The Pass


Bands played on the top deck of theDrackett Ferry

In Pass Christian, at the time of the 1920s, soundtrucks would drive through neighborhoods seeking outmusicians with special talents. One of the well known bands

that played at coastalhotels and even onthe Drackett ferry thatcrossed the Bay of St.Louis, was PapaCelestin. He wasalways in need offemale pianists andwould seek them outin the towns duringwhich he played.

In 1926, af a m i l y f r i e n dr e c o m m e n d e d

Jeanette Salvant to audition with Papa Celestin who liked heruplifting and driving style of jazz. In 1929, Jeanette marriedthe band’s banjo player, Narvin Kimball. She accompaniedthe band during their tours of the South until 1935, when shedecided to settle down to raise a family.

But, not long afterwards, in 1940, Mrs Kimballreturned to music and played at the Dew Drop Inn with a six-piece group led by Buddy Charles and with famed DaveBartholomew on trumpet. She also played with the big danceband group led by Herb Leary. Once more, she joined thePapa Celestin group in 1953, that was the year before he died,and the group was then led by Albert “Papa” French. Sheremained with that group until 1977.

As a composer, she and her husband wrote music andlyrics for several tunes, among which, “My Memphis Baby”is still played today by jazz bands. In 1980, she recorded analbum under her name called, “Sophisticated Lady.”

Jazz In The Pass


Grey Castle Hotel on Beach Ave.

Pine Hills Hotel at DeLisle

Great Southern at Gulfport

Inn by the Sea at Henderson Point

In her final years ofplaying, she became thematron of Preservation Hallin New Orleans, where sheplayed until retiring in thelate 1990s.

Jeanette SalvantKimball was regarded as amusical innovator in NewOrleans traditional jazz andwas singled out as awonderful female musicianin a world dominated bymales. In 1998, she waspresented “The Black Menof Labor New Orleans JazzLegacy Award.”

D u r i n g t h e“Roaring 20s,” Black Jazzgroups were in highdemand at the many hotelsand night club locationsalong the Gulf Coast. Inthe Pass Christian areaalone, there was Bradley’sand Inn-by-the-Sea atHenderson Point, the PineyHills Hotel and Lodge atDeLisle, and the Miramarand Grey Castle hotels inPass Christian. Bay St.Louis and Waveland alsohad their entertainmentspots. At Gulfport, therewas the Great Southernand Markham hotels.

Jazz In The Pass


Biloxi’s Buena Vista

Capt. Handy at home.

At Biloxi, theB u e n a V i s t a , t h eEdgewater, the WhiteHouse, the Montross asw e l l a s o t h e rentertainment spots atOcean Springs andPascagoula. In addition,each city had its ownYacht Club as well as a

large dance pavilion at the end of its Municipal pier,extending hundreds of feet into the Mississippi Sound.

Memorialized

In honor ofCaptain John Handy, Jr.,the City of Pass Christianrenamed Third Street toHandy Street which runsfrom Saucier Streeteastward to the other sideof Davis Avenue where itd e a d e n d s a t t h eMunicipal Ballpark. Itruns parallel to the L&NRailroad tracks locatedone block to the south. Itis there that the HandyHouse still remains.

• • • • • •

Jazz In The Pass


Handy & Joe B.Jackson

Jazz In The Pass Logo

Memories Never DieDuring thte mid-1980s, the first Jazz Festival in Pass

Christian was held. The occasion commemorated both JohnHandy and “Joe B” Jackson –both Jazz Greats who lived asboyhood neighbors on HandyStreet (formerly Third Street).

Jazz musician friends ofthe two arrived to participate –including reed men Kid Jordanand Joe Gordon, trombonistLester Caliste, and trumpeterClyde Kerr, Jr.

Bringing the musicalive were string-man JuliusHandy, the captain’s onlyremaining brother and alto saxophonist John Handy III. Thehall was jumping with strutting and darting umbrellas to thebeat of “Down by the River Side,” and other Handy favorites.The mixed Black and white crowd were “gittin’ down to it”– clapping hands, foot-tapping and jiving.

• • • • • •

In 1999, as part of theTricentennial activities for thatyear, the first “Jazz in the Pass”was held to honor the memories ofHandy and Jackson. The musicwas brought back by formerfriends and relatives who playedthe unforgettable jazz tunes thathad many dancing in MemorialPark as others pulled out theirumbrellas and joined in hours of fun and “Second-Lining.”

Jazz In The Pass


Book Cover by von Horst Herling

“Capt. JohnHandy – derJazzFreund”by von Horst Herling

A book was written byGerman Jazz enthusiast vonHorst Herling about the lifeof John Handy. The book,

written in the German language was entitled “Capt. JohnHandy – der JazzFreund”

It was a demonstration of the vast enthusiasm that washeralded in European circles in their acclaim for what Herlingreferred to as the master of “New Orleans Revival Jazz.”

The book was written in 1978, and was later translatedto rough draft form – by someone probably from NewOrleans.

"""

Herling signaled out that Handy’s style wasdifferent. His playing was considered to be robust innature with his own unmistakable sound. In contrast toother old New Orleans veterans, he was completely sure ofhis music and his ability.

He had a flair for “rhythm and blues,” – a stylethat was later picked up by Earl Bostic and Louis Jordan.

Jazz In The Pass


DeeDee Pierce and Handy

Although aged 70 at his death, the Handy Man’s fameclimaxed during his last ten years of life. The influence ofhis New Orleans Revival Jazz style became world famous.

It was also John Handy who put the saxophone into itsproper light as a mainstream Jazz sound. Because of him,many old veterans switched to the alto sax in emulation ofHandy’s style. Some of these were Leroy Robinet, LouisCottrell, Paul Barnes, Ruben Roddy, the English musician,Sammy Rimmington, and the German, Peter Müller. FamedHandy tradition numbers such as Handy’s Boogie Woogieand Cap’n’s Blues are still played ‘round the Jazz-world.

Jazz In The Pass


Capt. John Handy Recordings

BCD-041The Jazz Crusade Audio Sampler Catalog

BCD-041: Capt. John Handy - All Aboard Volume 1Band Members:

Kid Thomas Valentine [tp], Big JimRobinson [tb], Capt. John Handy [asx],Sammy Rimington [cl], Bill Sinclair [pn],Dick Griffith [bn], Mouldy Dick McCarthy [sbs], Sammy Penn [dm]Songs:Introduction Blues, Hindustan, SisterKate, Who's Sorry Now, I Can't Escapefrom You, Washington & Lee Swing,Chinatown My Chinatown, I'm Alone

Because I Love You, Mack the Knife

BCD-042: Capt. John Handy - All Aboard Volume 2Band Members:Kid Thomas Valentine [tp], Big JimRobinson [tb], Capt. John Handy [asx],Sammy Rimington [cl], Bill Sinclair [pn],Dick Griffith [bn], Mouldy Dick McCarthy [sbs], Sammy Penn [dm]Songs: Bill Bailey, Someday Sweetheart, IceCream, Bourbon Street Parade,Moonlight & Roses, Come to the Mardi

Gras, Ting-A-Ling, Cap's Blues, Tiger Rag, When the Saints GoMarching In

Jazz In The Pass


BCD-191: Punch Miller & John Handy In California Vol 1Band Members:Punch Miller [tp], Capt. John Handy[asx], Big Bill Bissonnette [tb], SingMiller [pn], Jim Tutunjian [sbs], SammyPenn [dm]Songs: Joe Avery's Piece, Poor Nellie Grey, Girlof My Dreams, Darktown Strutter's Ball,Somebody Stole My Gal, The Bucket'sGot A Hole In It, Tuck Me to Sleep InMy Old Kentucky Home, Hindustan, Sister Kate, Exactly LikeYou, I'm Alone Because I Love You, Shake It & Break It

BCD-192: Punch Miller & John Handy In California Vol 2Band Members:Punch Miller [tp], Capt. John Handy[asx], Big Bill Bissonnette [tb], SingMiller [pn], Jim Tutunjian [sbs], SammyPenn [dm]Songs: I Like It Like That, Nagasaki, You CanDepend On Me, Milneberg Joys, IceCream, Jelly Jelly Jelly, Careless Love,Darktown Strutter's Ball #2, Oh, How I Miss You Tonight, BasinStreet Blues, My Blue Heaven, Happy Birthday, When the SaintsGo Marching In, Now Is the Hour

Jazz In The Pass


BCD-325: Capt. John Handy - Very HandyBand Members:Capt. John Handy [asx], Big BillBissonnette [tb], Clive Wilson [tp],Sammy Rimington [cl/gu], Bill Sinclair[pn], Dick Griffith [bn], Mouldy DickMcCarthy [sbs], Art Pulver [dm]Songs:Give Me Your Telephone Number, EasyRiding, I'll Always Be In Love with You,Golden Leaf Strut, Running Wild, Rose

Room, Get Out of Here, When I Grow Too Old to Dream, OnMoonlight Bay, Chicken [Ain't Nothing But A Bird], Walkin' bythe River, Mahogany Hall Stomp

BCD-197: The Jazz Crusade Audio Sampler Catalog

BCD-197: The December Band - Volume 1Band Members:Kid Thomas Valentine [tp], Big JimRobinson [tb], Capt. John Handy [asx],Sammy Rimington [cl], Bill Sinclair[pn], Dick Griffith [bn], Mouldy DickMcCarthy [sbs], Sammy Penn [dm]Songs: Introduction Blues, Lil Liza Jane, IceCream, You Are My Sunshine, Someday

Sweetheart, Bugle Boy March

Jazz In The Pass


John Handy Quintet

BCD-198: The December Band - Volume 2Band Members:Kid Thomas Valentine [tp], Big JimRobinson [tb], Capt. John Handy [asx],Sammy Rimington [cl], Bill Sinclair[pn], Dick Griffith [bn], Mouldy DickMcCarthy [sbs], Sammy Penn [dm]Songs:High Society, Careless Love, Handy'sBoogie, Uptown Bumps, You Tell MeYour Dreams, Just A Closer Walk withThee

JC-The Jazz Crusade Audio Sampler Catalog

JCCD-3008: Capt. John Handy TV Airshots, 1968-1970Band Members:[tracks 1-7] Capt. John Handy (asx),Punch Miller (tp), Homer Eugene (tb),Andrew Morgan (c/tsx), Dick Wellstood(pn), Sylvester Handy (sbs), Lester Alexis(dm)[tracks 8-14] Capt.John Handy (asx),Kid Sheik (tp), Louis Nelson (tb), ChesterZardis (sbs), Sammy Penn (dm), BillSinclair (pn), Dave Duquette (bn)Songs:Bourbon St. Parade, Joe Avery's Piece, Sister Kate, Cap's BoogieWoogie, Just A Closer Walk with Thee, Exactly Like You,Untitled Blues, Gettysburg March, Bogalusa Strut, Shake It &Break It, Sunny Side of the Street, Walk Through the Streets of theCity, I'll Always be in Love with You, Telephone to Glory (RoyalTelephone).

Jazz In The Pass


Kid Thomas

BCD-296: Kid Thomas In CaliforniaBand Members:Kid Thomas Valentine [tp], Capt. JohnHandy [asx], Big Bill Bissonnette [tb],Cyril Bennett [pn], Dick Griffith [bn], JimTutunjian [sbs], Sammy Penn [dm] CarolLeigh [vo]Songs:Over the Waves, Make Me A Pallet Onthe Floor, Say Si Si, At the Mardi Gras,St. James Infirmary, Joe Avery's

Piece/Dippermouth Blues, Rose Room, I Wonder Where My EasyRider's Gone, Somebody Else Is Taking My Place, Just A LittleWhile to Stay Here, See See Rider, Oh! Lady Be Good

1960s JAZZ CRUSADE / GHBSESSIONS

In the 1960s, Jazz Crusade's Bill Bissonnette produced dozens of New Orleans

jazz recording sessions. These are in addition to the dozens more he produced

in the 1990s. Combined, this constitutes the most extensive series of New

Orleans jazz recordings ever produced by one person. Among this prolific

output, are some of the most important and historic recordings of this music.

They originally appeared on LP either on the Jazz Crusade or the

GHB/Jazzology labels. It is a body of music that will live in jazz history long

after Bissonnette and his jazz performers pass from the scene. The following

list constitutes those Bissonnette sessions from the 1960s that are now available

on compact disc on the GHB label. These recordings are available through

either GHB/Jazzology Records or direct from Jazz Crusade.

Jazz In The Pass


First Recording

Year - Title - Group - Label1960 Pretty Baby - Handy, John - American1966 Runnin Wild - Handy, John - GHB1960 Big Old Muskrat -Handy, John -American1966 Golden Leaf Strut - Handy, John -GHB1960 Don'tcha Leave Before You Go -Handy, John - American1966 Mahogany Hall Stomp - Handy, John- GHB1965 Introduction Blues -Handy, John -GHB1965 Bourbon Street Parade - Handy, John - GHB1965 Cecelia - Johnson, Noon - 5041965 Washington and Lee Swing - Handy, John - GHB1960 Exactly Like You - Johnson, Noon - 5041960 Sing On Like You - Kid Thomas -American1959 Eh Las Bas - Kid Thomas -American1959 When My Dreamboat Comes Home - Kid Thomas-American1960 When You and I Were Young Maggie - Kid Thomas-American1959 Confessin -Kid Thomas -American1964 In The Evening - Kid Thomas-American1961 Bill Bailey - Barrett, Sweeet Emma -Riverside1961 Bell Gal's Careless Blues - Barrett,Sweeet Emma - Riverside1961 Tishomingo Blues - Barrett, Sweeet Emma - Riverside

Jazz In The Pass


WC Handy

Capt. John Handy is sometimes confused with other

contemporary jazz musicians of his time period andlater. To clarify such confusion, the following is ashort synopsis of each of the two personalities.

Who wrote St. Louis Blues?

W.C. Handy (1873-1958)

U.S. composer, cornetist, and bandleader known forintegrating blues elements into ragtime, changing the courseof popular music. Born in Florence, Ala., Handy worked as

a soloist and conductorwith several bandsaround the turn of thecentury and becameactive as a musicpublisher in Memphis(1908) and later NewYork (1918). Handy'scompositions, including"St. Louis Blues,""Beale Street Blues,"and "Memphis Blues,"became favorites fors i n g e r s a n dinstrumentalists in the1920s, helping tocodify the blues as af r a m e w o r k w i th inwhich to improvise.

Jazz In The Pass


Clarksdale,MS

John Handy of California

W.C. Handy (born William ChristopherHandy)

Date of Birth: Nov. 16, 1873 Date ofDeath: March 28, 1958

His greatest geographic impact was inFlorence, Alabama and New York City.

W.C. Handy is memorialized inClarksdale, MS because he had spent someof his professional time there in that city.

Is there another John Handy?

Yes! . . . Born in Dallas in 1933, John Handy movedto Oakland in 1948. As a teenager, he played around the SanFrancisco Bay Area in blues bands led by Roy Hawkins, PeeWee Crayton, Little Willie Littlefield, Jimmy McCracklin,Wild Willie Moore, and Dell Graham, and other jazz artistssuch as Gerald Wilson, Teddy Edwards, and Frank Morgan.He made his recordingdebut in 1953 with LowellPulson.

Later, Handy earneda B.A. in Music from SanFrancisco State University,and served as a musiceducator beginning in1968, teaching history andperformance at a number ofcolleges, universities andspecial clinics - StanfordUniversity, UC Berkeleyand San Francisco StateUniversity among them.

Jazz In The Pass


Handy went on to compose and play classical pieces,performing "Concerto for Jazz Soloist and Orchestra" withthe San Francisco Symphony in 1970, and in more recentyears he composed with the UC San Francisco Orchestra.

Although Handy was a member of Mingus's band forless than a year, the association brought him a contract withRoulette Records. Because his distinctive approach didn't fitinto either the prevailing East Coast or West Coast schools ofthe period, the company labeled Handy's music "No CoastJazz."

In response to extraordinary pressure from his fans,Koch Jazz has recently reorganized, digitally re-mastered,reproduced, and re-released John Handy's Live at theMonterey Jazz Festival recording from 1965.

Jazz in the Pass


Jazz in the Pass

Pass Christian, Mississippi

The first "Jazz in the Pass" washeld on May 8, 1999 as one of many events during PassChristian’s Tricentennial celebration. The mission then, andis now, to show support and appreciation of the community's'heritage. Jazz in the Pass emanates the historic musicallegacies as put forth by Capt. John Handy, saxophone; Joe B.Jackson, pianist; and the Watson Brothers' Band, who wereall from this community. The festival has grown with eachyear, with the potential of becoming a major event.

The "Jazz in the Pass" mission is to continuecelebrating our heritage with the emphasis on the joy ofmusic, which is a universal language that instinctivelyencourages community spirit. This very festive and familyoriented festival introduces and encourages our communitystudents to engage with all types of instruments and music. Avision that originated with its first Director Jennie Lou Mintzis to establish a Jazz Educational Program in the PassChristian Junior and Senior High Schools; wherebymusicians would demonstrate their instruments and lecture tothe students.

The Pass Christian Mayor, The Board of Aldermen,The Harrison County Board of Supervisors as well as theresidents and many from neighboring states have each yearconinued their active support for the "Jazz in the Pass" event.

Jazz in the Pass

-2- Dan Ellis Historical Series

Jennie Lou Mintz at right withJeanette Westfall and famed

Wynton Marsalis

Jazz in the Pass — 1999The first "Jazz in the Pass" Music Festival was held on

Saturday, May 8, 1999. This event had been in planning sinceMay 1998 by its chairperson, Jennie Lou Mintz. The program

schedule of six hours of jazzmusic included a one hourperformance by the students ofthe Pass Christian SchoolSystem with their special JazzEnsemble.

As a result of JennieLou’s persuasion and activeinvolvement in the JazzCommunity in Louisiana andMississppi, four professionalgroups volunteered to play at nocost.

To add to its success,was Ron "Cadillac" Henry, a longtime music promoter who wascalled upon to provide a spectacular old-time Jazz session with thetheme being, "jus' like the Captain use to play it!" He wasrefering to world famous Captain John Handy, also noted for thefirst Jazz Funeral in Mississippi, which was staged in PassChristian in 1970.

As reported in a series of monthly Tricentennialnewsletters, the following was noted.

“The "Jazz in the Pass" Music Festival scheduled forSaturday, May 8, 1999 is moving ahead in ‘High Fashion.’ Thisevent has been in planning for nearly a year with ChairpersonJennie Lou Mintz plugging for all available resources. She isexcited by the program confirmations of six hours of a variety ofjazz music performances which will culminate with a jam session.The all day event will be held at Memorial Park on Scenic Driveat Fleitas Avenue next to the VFW Hall and guarantees great foodbooths, ‘suds’ and soda, contests, prizes-prizes-prizes, and aroundthe park Second Lining.

Jazz in the Pass


Mississippi Mud Bugs

One of the jazz groups is S.P.I.C.E. (Spirited PeopleInterjecting Creative Energies) which is promoted by Ron"Cadillac" Henry. He assures us that his troupe of players includetrumpet, alto-sax, tenor-sax, base, drums, and keyboards. Theywill present a musical spectacular of Jazz, Blues, and Dixieland"jus' like the Capt'n use to play!" They have recorded copies ofworld famous saxophonist Captain John Handy and jazz pianist"Joe B." Jackson. Both who are noted for having had the onlyNew Orleans styled Jazz Funerals in Mississippi — held righthere in Pass Christian.

Not to slight the younger set, Pass Christian Schools MusicDirector Tim Farnsworth has organized a Pass Jazz Ensemblefrom the Middle and High schools. They promise a "flair that willtilt the air" which will start the day's programming at 11 A.M.

For an air of soulful spirituality, the Mother of MercyGospel Choir will perform under the direction of Otis Gates andGene Bradley.

Other scheduledgroups include Mo Calvert'sMississippi Mud-Bugs, theSt. Tammany Jazzers,Perfect Mixx, and DocBaldera's Dixie Dots of NewOrleans. A spectacular allbanjo session will be led byJoan Pizzolato with the N.O.Banjo, while sending a handin support have been RonnieKole and Pete Fountain.

What's a Jazz Festival in the Park without food. There willbe a large selection from some of the Pass's local chefs. rangingfrom hot dogs, hamburgers, barbecued ribs and chicken,muffaletas, gyros, and baklava to salve the sweet-toothed palates.

A special commemorative Jazz T-Shirt is on sale for $12— while they last. Be a winner and buy your shirt early to "wear

Jazz in the Pass


at the park and give you a spark." Shirtsare available from the Chamber ofCommerce or Hancock Bank. A speciallogo was designed by Jessie Heitzmannfor the Festival occasion. Be sure to bringa lounge chair for your special comfort.

Umbrellas anybody? Jennie Louis giving workshops on how to make JazzUmbrellas and Jazz Hankies. These are

scheduled for April 13 and 14 and will include sessions on how tohigh-step, zig-zag, and Jazzle to Second-Line music.”

The next newsletter reported in March:

Ocho de Mayo is Here!Jennie Lou Mintz has a full slate of musicians and a full

plate of savoring foods to satiate our passions and palates. Comein comfortable dress and bring along a chair or rug to sit uponwhile the music keeps us all hopping.

Memorial Park will be swinging with a full cast of bandsfrom here and afar. Starting promptly at 11 a.m. until 9 p.m., thefestive occasion is one you will remember. Call your friends andmake a day of it.

The food fare includes the We Care Group with Bar-B-QRibs and Chicken, the Booster Club flipping hot-dogs andhamburgers, and Nick's Beach Side Pizza serving up Baklava andKaitiazi, and Mufalettas and Gyros. Voodoo Rain will be poppingCold Health Drinks, also available will be beer and soft drinks.

With nearly a year of preparations, Jennie Lou still needsa few volunteers to handle some of the day's events and activities.Her support team consists of her husband Bob who has handled amyriad of things, Ellie Brown, Stan Weidman, Virgil Harris, TimFarnsworth, Otis Gates, Toby Erwin, and Kelly Levi.

On Sunday, May 8 (Ocho de Mayo) starting early will beother support volunteers including Dayton Robinson, Dan Ellis,Avery Allen, Charles Melson, Jim Sager, Tracy Gordon Goff,A.C. Smith, Roy Stoddard, Ron & Rosie Daley, Helen Davis,

Jazz in the Pass


Karen Parsel, Ermagene Delony, Zander Halloway, Natasha &Norma Davis, Lark Johnson, Marge Justice, Tina vanOord, MaryAnn Hubmann, Brigitte Ballaron, Russ & June Wirt, RobinDiGiacomo, and many more.

Special ongoing support has been provided by the mayorand city aldermen, Chief John Dubuisson and the volunteer police,Dave LaRosa and the Board of Supervisors, the Harrison CountyPublic Works Department, and a special salute to Ms. Simmonsand the High School Beta Club who will be monitoring clean-upon Sunday.

Organizational support has been contributed by theChamber of Commerce, Kiwanis Club, Rotary Club, Gulf CoastNewcomers Club, Friends of the Library, and the Pass AlumniAssociation.

T-Shirts are available at the Chamber of Commerce andlocal banks. Additional Tricentennial memorabilia will be on saleat the Jazz in the Pass.

In case of RAIN — the program will go on! — at theVFW Hall — so don't miss out!

JAZZ MUSIC MENU — Saturday, May 8th

11:00 AM PC Middle/High School, Tim Farnsworth,Director

PC Elementary School, Mary Bowser, Director12 Noon Our Mother of Mercy Gospel Choir, GeorgetteCox, Director1:00 PM The Perfect Mixx, (Soul, R&B, Blues, Pop, etc.)A.J. Brown, Manager and Background vocalist; Jesse Flowers,Assistant Manager & Keyboardist; Keven Brame, Lead Guitar;Lloyd Rushing, Lead Vocalist; Craig Flowers, Drummer; MitchellHutson, Bass Guitar; Barbara Seymour, Lead Vocalist.2:00 PM The Mississippi Mud-Bugs, (Traditional Jazz)M.O. Calvert, Coronet; Dr. Rory Duffour, Clarinet; ThomasCarleton, Trombone; Leroy Sparky Penton, drums; Joan Pizzolato,Banjo; Arnold C. Johnson, Piano; Joe Larane, Bass Guitar.

Jazz in the Pass


Umbrella carrying Jennie withMayor Billy McDonald

3:00 PM Gulf Breeze, (Blues, Pop, Rock, Country) Nick Trout plus his Dazzlin Seven.4:00 PM Dixie Dots, (Traditional Jazz)Doc Balderas, Bass Guitar; Jack Seghers, Trumpet; Bill Lee,Saxophone; Arnie Johnson, Piano; Joe Lorane, Bass; Mo Calvert,Trumpet.5:00 PM S.P.I.C.E. Spirited People Interjecting CreativeEnergies. Jazz, Blues, and Dixieland Jazz -- "jus' like the Capt'nuse to play it!" Music styles commemorating the past Pass JazzInternational Greats - Captain John Handy and Joe B. Jackson.Ron "Cadillac" Henry, promoter; Fairley Richards, Manager;Players on trumpet, alto-sax, tenor-sax, base, drums, andkeyboards.6:00 PM New Orleans Banjos, (Traditional Jazz andDixieland)Joan "Johnny" Pizzolato, Plectrum Banjo; Emmett Smith, Jr.,Tenor Banjo; Avery Stirratt, Plectrum Banjo; Dr. Arthur Payzant,Electric Bass; Jim Pizzolato, Piano and Keyboard.7:00 PM S.P.I.C.E. Spirited People Interjecting CreativeEnergies. Jazz, Blues, and Dixieland Jazz -- Second Set.8:00 PM JAM SESSION -- All remaining band membersand anyone who wants to sit in!

And the Tricentennial Newsletter following the Festivalreported . . .

Outstanding!Jazz in the Pass was a

huge success. The phones atCity Hall and the Chamber ofCommerce continued to ringfor weeks afterward incommendations favoring thecontinuance of the event as anannual affair.

Jazz in the Pass


And more umbrellas — Jenniewith Banjoist Joan Pizzolato

The Gazebo makes a beautifulcenter piece.

J e n n i e L o u ' scommittee and volunteers areto be congratulated.

It was estimated thatbetween 1500 to 1800residents and visitors foundcomfort under the extendedLive Oak branches. Everytree embraced a conclave ofrelaxing absorbers of the livemusic that started at 11 a.m. and lasted until 9 p.m.

T h e w e a th e r w a sremarkably resplendent. Withsea breezes lasting through thecoming of dusk, the audiencegathered around the Gazebo asmost everyone grabbed anumbrella or handkerchief to kicktheir heels in time to a SecondLine which sometimes borderedon pandemonium.”

* * *This was the “kick-off” as superbly effected by Jennie

Lou Mintz and her large team of volunteers. Everythingoperated well and the stage was set to continue the eventannually. But, Jennie Lou realized an uphill battle. Sheknew well that she could not persuade her musician friendsto perform again on a non-compensatory basis. She rolled upher sleeves and got on the telephone and first called herfaithful volunteers. When armed with their support shecontacted the City of Pass Christian officials and the HarrisonCounty Board of Supervisors to underwrite the costs to makethe following year’s program a reality.

Jazz in the Pass


Pass Christian Elementary

A Ticket Booth was tried but doneaway with in later events.

Result, the year 2000 was a success. The City officials and County Board of Supervisors

were pleased. The few vendors that participated werepleased and promised to return for future years. Byprogression, year after year became a new challenge.Seeking contributions and gathering the right mix of Foodand Beverage Vendors and Arts and Crafts Vendors was timeconsuming and could be most envigorating.

P u b l i c i t y ,promotions, advertising —all necessary ingredients —also took much neededtime with continuousc o n t a c t s t o m e d i a ,personnel, and agents.

The most interestingpart of her efforts was inselecting the performing

bands. In this regard, she was able to call on previousbusiness experiences in negotiating contracts at reasonablefees.

As each year passed,new innovations werea d d e d , w h i l e o t h e rendeavors eliminated.

A Website wasadded, as part of the biggerpicture in making each yearbetter than the one before.(www.JazzInThePass.Com)

U n d e t e r r e d b ynegative factors and always

pushed by her positive attitudes, each year did get better.

Jazz in the Pass


Jennie LouQueen of Jazz

* * *

Jennie Lou Mintz devoted six full years to the creationof Jazz In The Pass — from May 1998 through February2004. For this, the Pass Christian community is grateful —and extends its heartfelt thanks and blessings.

Jazz in the Pass


An outgrowthfrom the Jazz In ThePass and the annual St.Paddy’s Day paradeswas the formation of“ T h e J a z z - a -B e l l eS t r u t t e r s ” b y th ee f f e r v e s c e n t L a r kJohnson who drew uponher coastwide contacts in the Newcomers Club.

S p a r k e dby the Lark —the group ofladies adapted auniform dress ofBlack and Whitecostumery totingo r n a t e l ydesigned Jazzumbrellas. It’struly a greatthrill to see the

dozen or so ladies doing the traditional Second Line Strut.

Jazz in the Pass


Pete and the Lark

2001 Jazz Band PerformersPass Christian High SchoolPass Christian Elementary

Praise and Worship EnsembleNew Orleans Banjos + 2

New Orleans RendezVous RevelersMississippi Mud Bugs

Butch Gomez and the Regal Jazz BandMarva Wright and the BMWs

Jazz-a-Belle Strutters

Where ever theygo, crowds gatheraround as many of theo n l o o k e r s a r eharangued in tojoining in at theback of the linew i t h t h e i rh a n d k e r c h i e f sf l o w i n g i nmimicking a goodold New Orleans style Jazz funeral.

Lead Strutter, LarkJohnson exuberantly explainsthat, “We love a parade and loveto be in a parade that has jazzed-up music.”

Each year, the Jazz-a-Belles strut their stuff around theflagpole fronting the Gazebo.They encourage the spiritedmembers amongst the spectatorsto join them in Second-Lining tothe welcome sounds of jazzmusic.

Jazz in the Pass


Jazz In The Pass — 2002Band Performers

Pass Christian HighSchoolPass Christian ElementaryGordon Merrill Jazz Trio

Bo & Miss Dee BandButch Gomez Regal Jazz Band

MS Coast Jazz SocietyDr. Rock and the InternsOriginal Jazz EnsemblePatrick Weathers Band

Harold Lassare, youngat 83, never fails toattend the monthly

sessions.

Jazz In The Pass — 2002

At that year’sevent, the MississippiCoast Jazz Societyjoined in with anemphasis placed on its25 years of providing

Original Jazz and Dixieland sounds to the many lovers ofheritage music. One of their many groups was showcased inthe Gazebo’s bandstand to the great enjoyment by theaudience.

The MSC Jazz Society,through the years has moved theirmonthly dances to various placesalong the coast as they reach out to awidening membership. Monthlydances are currently offered on theSecond Sunday of each month at theElks Club in Gulfport from 3: p.m. to8:pm. The general public is invitedand may attend any dance for only $3-a-person charge.

Membership in the MSC JazzSociety is open to the public for only$15 per individual or $25 per couple, which provides amonthly newsletter and free admittance to the monthly

Jazz in the Pass


MS Coast Jazz Society

Harold Lassere and Jennie Lou

dances. A strongp a r t o f i t smembership basec o n s i s t s o fmusicians whoo r i g i n a l l yf o u n d e d t h eorganization as am e a n s o fpreserving theJazz culture ofsong and dance.

During the monthly dancesessions, it is not surprising tofind three or four different groupsthat are quickly put together bymusician members or anyone whocared to bring along theirinstrument in order to sit in forthe “next set.”

As an outreach,the Jazz Society offersfree concerts to manyof the schools alongthe Coast and annualyp r e s e n t u s e d o rrepaired instruments tor e c o m m e n d e dstudents.

M o r einformation is available at their website (www.mscjazz.org)

Jazz in the Pass


Jennie Lou, Mayor BillyMcDonald, and Geri

Dendis holding Big Boy.

Big Boy — Jazzing the Pass

Big Boy comes to TownA n o t h e r i n n o v a t i o n

manifested by Jennie Lou was therecruitment of Geri Dendis’BigBoy.

Big Boy the Cat wasreported as alive and well at PassChristian's 2002 Jazz Festival. Atleast in the eyes of Artist/AuthorGeri Dendis. Big Boy's story was first told by

the Sun Herald newspaper in January 2001as describing thecat living in an oak tree at the Gulfport Small Craft Harboras a result of Hurricane Georges having blown him fromhis Bait Shop rooftop home. Soon afterward, he became acelebrity due to a national story about his being catnappedthat brought about a public outcry.

Many rumors of hiswhereabouts followed, but nodefinitive sighting.

Longtime Pass ChristianArtist Geri Dendis, known forher Ghosts of the Coast seriesof Lighthouses, wrote anillustrated book and story aboutBig Boy which she called the"H ar ro w ing ta le o f theCatnapping of Big Boy."

Prompted by Jennie Lou,she eagerly accepted the offerto do a special painting for the2002 Jazz in the Pass. The

original painting was a prize winning gift for the winningraffle ticket holder.

Jazz in the Pass


Dustin Savoie in Concert

Jazz In The Pass — 2003Band PerformersDara Factor Band

Pass Christian ElementaryPass Christian High School

Original Jazz EnsembleSt. Rose DeLima ChoirMS Coast Jazz Society

Mark Guest Jazz QuartetSome Like It Hot Female Band

Bo & Miss Dee Band

Jazz In ThePass — 2003Jazz fans who don’t

get enough of the NewOrleans Jazz and HeritageFestival, just don’t know ofthe laid back fun that isavailable at Jazz In ThePass under the many Oaksin War Memorial Park.T h e p r eva i l i n g G u l fb r e e z e s f r o m t h eM i s s i s s i p p i S o u n dprovides a wonderfulbalance to the Sun’s gentleheat.

Those who frequentthis annual event areaccustomed to bringingtheir lounging chairs orblanket. Many event bring

books to read, lay back, and listen to the great music, whileletting their feet involuntarily keep tempo with the beat.

T he m usicarrangements arescheduled to provided i f f e r e n tperform ances foreveryones’ taste forJazz. Some bandsplay Blues, othersperform TraditionalJazz, Smooth Jazz,M o d e r n J a z z ,Dixieland, or Strait

Jazz in the Pass


Orleans Original Jazz Ensemble

Ahead Jazz. To the ear of the Connoisseur, thesedistinctions are quite meaningful, while to most, they justlove the sound and the beat of all the performers.

The Pass Christian school bands bring out theparents, grandparents, cousins and aunts and uncles. TheGospel Choirs ring out to the multitude. One of thefavorite bands has changed names on occasion, and haverearranged theirm e m b e r s h i p ,b u t t h eD i x i e l a n dsounds of bandl e a d e r a n dbanjoist JoanPizzolato aren o t t o b emissed. Shehas become apermanent delight since she first offered her time in ‘99.

The volunteers who participate each year areessential to the success of theprogramming. The Vendorsalso contribute to the Music Faire by providing food andbeverages of varying types as well as arts and crafts.

Jazz in the Pass


During the JazzFest’s last two years, Dan Ellisjoined by Al Hooks, made a good team effort and broughtbetter talents and extended the Festival to a Two-DayMother’s Day Weekend delight for all.

A special tent was erected to accomodate more than150 celebrants for a Mother’s Day outing the Pass hadnever seen. Jazz aficionados arrived from all parts east,west and north to listen to the great music sounds of Jazz,Jive, Blues and Latin syncopation.

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As it Happened for 2005!

Saturday, May 7, 2005 — Schedule Mayor's Welcome Opening Ceremonies

— 11:00 a.m.Pass Christian High School Band

– 11:10 a.m. Preppy JazzSome Like it Hot

– 12:00 p.m. Traditional JazzU.S. Navy Show Band

– 1:15 p.m. Jazz, Swing and MoreOrleans Original Jazz Ensemble

– 2:30 p.m. Dixieland Jazz Mississippi Jazz Society

– 3:45 p.m. Traditional JazzMark Guest Jazz Quartet

– 5:00 p.m. Straightahead JazzSteve Warren Blues Quartet — with Lady Linelle –

6:15 p.m. Blues as you like it! John Handy Style Jam Session

– 7:30 p.m Blues and Traditional Jazz

All Day Special — Fun and Frolic with theJazz-A-Belle Strutters

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As it Happened for 2005!Sunday, May 8, 2005 — Schedule

12:00 Noon - 3:pm — Special Champagne Jazz Brunch under the Big Tent12:00 Noon — Mother's Day Blessing Observance accompanied by Mariachi group — The Erubiel Trio

1:15 pm — Gospel Choir Goodwill Baptist Church Choir

44 singers present a masterful and passionateperformance

2:15 p.m. — Traditional JazzMississippi Coast Jazz Society

Mike Birtwhistle, Band Leader- Tenor Sax; Eric Nye -Trombone; Leo Renaud -Trumpet;

Johnny Koons- Piano; Charles Blackwood - Drums; JerryRoss - Guitar; Jim Schnur - Tuba

3:30 p.m. — Jazz and Blues Shane!, Shane!, Shane!

Susan Shane, Band Leader, Guitar, vocals;Rodney Hoffman -Trumpet/Flugel-Horn;

DeDe Wilson - Keyboard; Joseph Mitchell - Flute; Harry Anderson - String Bass; Lamar Merchant -Drums.

4:45 p.m. —Latin Jazz Ensemble Otra!

Sam Price, Band Leader - Bass; Humberto "PuPi" Menes -Congas; Gabriel Vasquez -Timbales; Hugo Sanchez -

Piano; Brent Rose - Sax; Eric Lucero - Trumpet. 6:00 p.m.– Jazz, Blues, Variety

Barbara & Co.BarbaraSeymour, Band Leader-Vocalist; Lloyd Rushin -

Singer; Craig Flowers - Drummer; Roy Bullard -Keyboard, Maurice Trijull - Guitar.

-20-

The Jazz in the Pass Committee members weremore than satisfied with the musical production. Therewere 18 Craft and Food Vendors who all made moneythat weekend. The organizers gloated amongstthemselves for their successes. The Two Day Venuewas a great contribution to the City and the Gulf Coast.

T h eM o t h e r ’ s D ayobservance with aJazz Brunch underthe Big Tent waso v e r w h e l m i n g .Tickets were soldout for the SpecialTreat honoring

mothers. Vendors were asking for next year’sapplication forms. Compliments were received far andwide. Each of the organizers were eager for anotheryear to further grow the JazzFest.

H o w e v e r ,Katrina, the HorribleHurricane, endedthose plans. Key promoters, DanEllis and Al Hooks areno longer residents,but continue with fond reverence for the Pass. DanEllis has maintained web sites for Pass Christiancovering its history and culture. This book, “Jazz in thePass” and the web site at www.Jazz.PassChristian.Netshow continued interest and support for his former city

http://www.Jazz.PassChristian.Net

-21-

he called Paradise. All with the interest of furtheringthe Recovery process of Pass Christian.

Another event started in 1995 by Ellis is the St.Paddy Parade lead by the Kaptains Klub of the Kreweof Blarney Halfast Walkin’ Klub. This has beenrevived successfully by a new group of Kaptains.

A Potential Rebirth for Jazz Fest

June 4, 2011And now stepping forward is a new group of

music lovers spurred by the production of the upcomingSmithsonian Roots Music Exhibition at the Libraryunder librarian Wendy Allard’s charge. One exhibitwill be on Pass Christian Jazz artists such as CaptainJohn Handy and the other exhibit will featureVietnamese culture and music on the Gulf Coast and inPass Christian.

As part of the New Harmonies Roots musicexhibit at the library was a “Taste for Jazz.” TheGrand Opening was followed by a mini “Jazz in thePass.” The organizers are hopeful that a flame will beignited to re-start “Jazz in the Pass” as an annual event.

City Hall Complex Courtyard

-22-

Performing bands for the special event were theNew Orleans based U.S. Navy Jazz Band, followed by the nearly-all ladies ensemble called,“Some Like It Hot.”

For those who appreciate jazz and bluesimprovisation, the Jerry Ball Jazz and Blues Quintetcaptures unique musical expressions.

-23-

Playing a part in this instilled interest was theplanting of a new monument on U.S. Hwy. 90 by theMississippi Blues Commission. A dedication of the“Blues and Jazz in the Pass” marker was held onFriday, March 4, 2011, recognizing the vital role playedby past jazz musicians in Pass Christian as being part ofthe Mississippi Blues Trail by further celebrating theAfrican American musical heritage of the Pass.

With morethan 120markers, theMississippiBlues Traili s am u s e u mw i t h o u twalls takingvisitors on am u s i c a lh i s t o r yj o u r n e yt h r o u g hMississippiand beyond.The trailstarted withthe first official marker in Holly Ridge, the resting placeof the blues guitarist Charley Patton. The trail winds itsway to sites honoring B.B. King, Muddy Waters, SonHouse and others.

-24-

The Blues Trail Marker reads:

Blues & Jazz in the Pass -Pass Christian

The histories of blues and jazz are oftentraced along separate pathways, but,especially on the Gulf Coast, the two genreswere intertwined from the earliest days. Blues was a key element in the music ofPass Christian’s illustrious native sonCaptain John Handy (1900-1971) and otherlocals who played traditional jazz or rhythm& blues. Pass Christian has celebrated itsrich African American musical heritage withvarious festivals, including "Jazz in thePass," first held here in 1999.

-25-

The Sounds of Music on the Mississippi Gulf Sound

“The Gulf Coastplayed a major role inspreading the sound ofMississippi musicians to fansfrom New Orleans toMobile,” Gov. HaleyBarbour said. “I am glad wehave the opportunity torecognize great artists fromPa ss Chr i s t ian whocontributed so much to bluesand jazz.”

Captain John Handy, PassChristian’s most famous musicalnative son and was an importantfigure in New Orleans, is honoredon the marker along with others,

— i n c l u d i n g S o n n yWimberley, who moved toChicago and joined theMuddy Waters blues band.

Cap’n John Handy

Joe B. Jackson

Eddie Watson

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Sax ophoni s t andpromoter Don “Cadillac”Henry, managed a local bandfrom the 1950s called theClaudettes, and Pass Christianmusicians Jeannette Kimball,Joe B. Jackson and the Watsonbrothers are also named on themarker.

Cadillac Henry played asignificant part in the 1999original “Jazz in the Pass” by promoting and producinga group that emphasized the spirit of John Handy.

Marker supporters hope to revive the local “Jazzin the Pass” festival, which was held annually from1999 to 2005.

Laissez les bon temps Rouler!

www.PassChristian.Net www.DanEllis.Net

Jeannette Kimball

http://Www.PassChristian.Net

http://www.DanEllis.Net

Documents

Jazz In The Pass - WordPress.com · 2014-11-12 · Jazz In The Pass Dan Ellis Historical Series-4- Capt. John Handy on Alto Sax Harold DeJean, head of the Olympia Brass Band, echoed