KILL ME HEAL ME 13

7/23/2019 KILL ME HEAL ME 13

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Subtitles Brought To You By The 7-Dimensional Team @ i!i

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but ( 'ill stay in orea.

/

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2hat else o you ha)e to o instea o3 re*ei)ing treatments

7

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2hy my heart ha to be bro!en into +ie*es,

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2hile ning my lost memories an +utting together my heart that be*ame

+ie*es.

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(5m not a substitute 3or 8ather.

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( am only


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14

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ha Do ;yun.


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But re an basements,

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Ao, ( 'ill go.

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=h i ?in.

#4

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=h i ?in.

#/

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=h i ?in, are you o!ay

#$

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(5m o!ay.


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#7

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( 6ust 3elt iy 3or a se*on.

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(5)e been ne but ( on5t !no' 'hy (5m li!e this again...

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et5s go out no', *an you get u+

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Yes...

1

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=h i ?in =h i ?in =h i ?in

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2hat is this


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2hat... is this

/

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C+isoe 1


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40

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These ays the sh ha)e gotten a lot better.

41

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9o ba*! u+ an rest.

4#

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Yes.

- C)en i3 you be 3a*e 'ith +ain3ul memories, on5t get beaten u+.

4

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Yes.

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oo! a3ter Dr. =h 'ell.

4/

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C)en though she loo!s li!e that, she is )ery so3t-hearte.

4$


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She use to struggle a lot be*ause she 'oul 3eel so mu*h em+athy 3or a +atient.

47

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2ell, it might seem (5m neelessly 'orrying, but it 6ust *on*erns me, seeing her

be*ome li!e that.

4%

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( 'ill o 'ell.

4

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;ey, oesn5t it 3eel li!e (5m a Da as!ing my son-in-la' to !ee+ my aughter ha++y,

right

/0

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(5ll lea)e no'. You on5t ha)e to *ome out.

/1

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=h i ?in

-&h

/#


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=h i ?in... are you o!ay

/

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=h i ?in, *ome to your senses...

/4

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ome to your senses.

/$

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=h i ?in

/7

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=h i ?in, are you o!ay ome to your senses, are you o!ay

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=h i ?in


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=h i ?in...

$0

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Don5t lea)e.

$1

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Don5t lea)e.

$#

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Don5t lea)e.

$

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Hlay 'ith me.

$4

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Hlay 'ith me...

$/


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Hlay 'ith me...

$$

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Don5t go.

$7

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Hlay 'ith me...

$%

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The ee+ night 'ill sho' you, 'ho 'as not able to lea)e

70

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Your )oi*e, 'hi*h 'his+ere I( lo)e youJ an your s*ent


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7

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Don5t go, on5t go, on5t go...

e*hoes in my ears e)eryay

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est assure an slee+.


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( 'al! through the ar!ness be*ause ( 'ant to n you,

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The things that are ta!ing o)er me arenKt the bastars li)ing insie me

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The )oi*e that e*hoes in my ears 'a!es me u+

%1

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The ee+ night sho' you, 'ho 'as not able to lea)e

%


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(t 'a!es me u+ 3rom my slee+ an !isses me again

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2here are you

%%

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!ee+ on rolling 'ithout sto++ing.

Ao matter 'here the en lies.


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%

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(Km sorry. ( hol on to you, an tell you to not get 3ar a'ay 3rom me

1

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en)y an guilt.

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The little girl...+leae an +leae.


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=h i ?in =h i ?in

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=h i ?in 2hat are you oing, =h i ?in

7

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You 'o!e u+ alreay.

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Be*ause o3 Aightingale ha ( 3elt better. ( 'as hungry so ( 'as sear*hing in the

re3rigerator.

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&re you o!ay

100

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(t seems you ha a nightmare all night long.

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Ao, (5m o!ay. ( am li!e that sometimes, li!e it5s an annual traition.


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10#

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( 'ant to eat the u*! ste' my mom ma!es...

10

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(5m sorry.

104

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2hat are you sorry 3or 2hat oes u*! ste' an you ha)e to o 'ith anything

&re you relati)es

10/

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(t 'as *om+letely be*ause o3 me that you ha to lie being in &meri*a.

10$

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&n be*ause o3 that you ha)en5t been able to meet 'ith your 3amily *om3ortably.

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There3ore, you *an5 t eat your mom5s u*! ste'. 2hi*h is 'hy all o3 this is my 3ault.

10%


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2o'M

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You are li!e one o3 the re+resentati)es 'ho rea the orean De*laration o3

(ne+enen*e.

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But 'hat shoul ( o (5m sorry. 2hile you 'ere not here, ( alreay 5*ame out5 to my

3amily.

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=h, is that right

11#

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That5s goo then. et5s go. (5ll ri)e you.

11

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Ta!e a brea! starting toay.

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( return the oNer

11/

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(3 ( a++ear li!e this to them, they 'ill 'orry e)en more.

11$

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&n... ( still in5t tell them that ( am your +hysi*ian.

117

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You5re sorry, right Then to ma!e u+ 3or it, buy me 3oo.

11%

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Then ( shall 3orgi)e all your sins.

11

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&h... =h... =h i ?in Hro3essor sai to rest until toay.

1#0

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You must ha)e 3orgotten. ( am also a o*tor.


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1#1

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Ly sour*e o3 nutrients ha)e been *ut oNM

1##

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( nally 3eel li!e (5m ali)e no'.

1#

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2hat !in o3 nightmare i you e)en ream

1#4

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You sai it5s a yearly thingO ( on5t thin! it shoul be ta!en lightly.

1#/

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et5s tal! about the serious stuN uring our *on)ersation later.

1#$

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8or no', eat.

1#7

00:11:#%,/0 --> 00:11:1,710


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(s it... be*ause o3 the +hobia o3 basements

1#%

00:11:1,710 --> 00:11:4,740

;ey, ( sai let5s o it later.

1#

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You are tire, too, ha)ing to resol)e all the things Lr. Shin i.

10

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8or no', let5s eat as 'e get things oN our *hest.

11

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;ere, *heers Drin! u+

1#

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=h i ?in.

- Don5t 'orry.

1

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There5s someone else 'ho inter+rets my reams.


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14

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2ho is that

1/

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;ere, *heers (5ll let you !no' i3 you rin!. heers

1$

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Ly brother.

17

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2hen ( ream nightmares, as a 'riter, he inter+rets my reams 3or me.

1%

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(... a*tually am a little bit s*are o3...

140


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(t 'as lo)e.

14#

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( s'eet-tal!e my brother to *ome 'ith me.

144

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( guess 'e are really t'ins

14$

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( hear you met the 'riter, =mega.

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( am sorry 3or lying to you all this time.

14%

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2hat !in o3 a +erson is =h i =n

14

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( on5t !no' him that 'ell either.

1/0

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There5s about #7$ yello'-s+otte sna!es insie him.

1/1

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=h in ?in.

1/#

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2hy are there so many Guestions toay


25/124

1/

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(s =h i ?in really your real brother...or...


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But...is it o!ay to al'ays eat through your money

1$0

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To someone 'ho entere the roa o3 unem+loyment starting 3rom toay

1$1

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Don5t 'orry.

1$#

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(3 ( sell all the items Se 9i bought so 3ar, 'e *an eat an li)e 3or t'o years.

1$

00:14:00,%#0 --> 00:14:0/,4%0

So, 3rom no' on, ho' o you +lan to li)e

1$4

00:14:0/,4%0 --> 00:14:10,/70

8irst, ( am going to organie my stuN in the *om+any... an then mat*h the +ule.

1$/

00:14:10,/70 --> 00:14:1,#/0

2hat !in o3 +ie*e 'ill you be grabbing rst


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1$$

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The *hil.

1$7

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The basement *hil... i3 he"she really eEists... an i3 he"she oes...

1$%

00:14:1,$/0 --> 00:14:#,%0

'here that *hil *ame 3rom an 'here the *hil isa++eare to...

1$

00:14:#,%0 --> 00:14:#%,40

CE*ellent Aot oging the +roblem nor e+ening on someone else.

170

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( li!e that attitue o3 you 6ust 3a*ing the +roblem u+3ront. Ai*e, really ni*e.

171

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(t5s a tarot reaing sho+.

17#

00:14:/,0 --> 00:14:%,%0


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2ait, 3or a o*tor... o you belie)e in that uns*ienti* astrology

17

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2ho !no's (3 'e as! 'here that *hil is right no', 'e might be able to get a goo

+sy*hi* reaing.

174

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?ust earlier you sai that ( 'as great 3or not relying on someone an 3a*ing it mysel3.

17/

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( 'as 6ust 6o!ing. 9osh, getting so serious about it.

17$

00:14:/#,$0 --> 00:14:/4,1%0

Ly +hone

177

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( must ha)e le3t it at the restaurant. (5m sorry but *an you go in rst.

17%

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an you orer some *oNee &meri*ano, ouble shot. (5m *ounting on you


29/124

17

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ome in alreay, it5s your rst tarot *ar reaing. (sn5t it


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(t5s not that.

1%$

00:1$:00,/0 --> 00:1$:0,$0

Don5t be ner)ous.

1%7

00:1$:0,$0 --> 00:1$:0$,$$0

Thin! about the +erson that you li!e right no' in your min.

1%%

00:1$:0$,$$0 --> 00:1$:0,$0

Ta!e out *ars ea*h 'ith your right an le3t han.

1%

00:1$:0,$0 --> 00:1$:10,00

2ho ( li!e

10

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Yes.

11

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;urry, hurry. You ha)e to *hoose 3ast be3ore my s+irit be*omes hay.


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1#

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&h, yes.

- Rui*!ly.

1

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*ars on my right han, *ars on my le3t

14

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Yes.

1/

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The mile is you, the right is the +erson you li!e

1$

00:1$:0,710 --> 00:1$:/,$0

an the le3t is the obsta*le that isru+ts your roman*e.

17

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Ao'.

1%


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00:1$:40,7%0 --> 00:1$:44,40

That girl, )ery ni*e.

1

00:1$:4/,1/0 --> 00:1$:4,#0

She5s )ery 'arm an bright.

#00

00:1$:4,#0 --> 00:1$:/4,/#0

She5s li!e... a sunbeam shining through the 'ino' in &+ril.

#01

00:1$:/4,/#0 --> 00:1$:/%,700

2hen she *alls your name...

#0#

00:1$:/%,700 --> 00:17:0,00

You be*ome a stu*---( mean, o'er 3or her.

#0

00:17:04,#0 --> 00:17:11,70

She oesn5t ha)e any strong 3eatures, but she oes ma!e you *om3ortable.

#04

00:17:11,70 --> 00:17:1,//0

ight


33/124

#0/

00:17:1,//0 --> 00:17:1$,710

Yes, that5s right.

#0$

00:17:17,7/0 --> 00:17:#1,40

Ao'... you. The 6uge *ar.

#07

00:17:#1,40 --> 00:17:#$,10

That girl entere your heart 'ithout you realiing it,

#0%

00:17:#$,10 --> 00:17:#,/$0

you 6uge yoursel3 3or it, an you try your harest to *ontrai*t it. (t *omes out li!e

that.

#0

00:17:,$0 --> 00:17:%,110

&n... =h my, the obsta*le to your roman*e.

#10

00:17:%,110 --> 00:17:4,#40

;o' *ome su*h a sour thing *ome in =h my, it5s sour, sour.

Something )ery sour *ame in.


34/124

#11

00:17:4,#40 --> 00:17:4/,$70

2o', there5s blo*!aes e)ery'here

#1#

00:17:4/,$70 --> 00:17:4,100

=h my, 'hat on earth They are all sa)ages, all sa)ages.

#1

00:17:4,%#0 --> 00:17:/4,700

&n so... 'ill it be*ome true or not

#14

00:17:/4,700 --> 00:17:/7,710

8inally, +i*! the last *ar.

#1/

00:1%:00,0/0 --> 00:1%:0#,440

=h, so hansome.

#1$

00:1%:10,/0 --> 00:1%:1/,440

(t5s the 'heel o3 3ortune (t means an una)oiable 3ate.

#17

00:1%:1/,440 --> 00:1%:#0,40


35/124

You 'ill meet the +erson you5re 'aiting 3or the longest time, but it 'ill not be a

smooth-sailing.

#1%

00:1%:#0,40 --> 00:1%:#/,#00

2ithout +ain an harshi+, this lo)e 'ill be har to *ome true.

#1

00:1%:#/,#00 --> 00:1%:0,%%0

oo!, loo!. The 6uge is holing a s'or. &h, this 6ugement P(t5s a +unQ.

##0

00:1%:1,7%0 --> 00:1%:4,#40

?ugement. ?ugement.

##1

00:1%:4,%00 --> 00:1%:7,10

?ugement.

- ?ugement.

###

00:1%:/1,$70 --> 00:1%:/$,410

Toay5s horos*o+e... ( ste++e on +oo+. Hoo+.

##

00:1%:/$,410 --> 00:1:01,$%0

=h my, ( am Year o3 the =E, right. (5m loo!ing at some'here else.


36/124

##4

00:1:01,$%0 --> 00:1:0,0

;elloM

##/

00:1:0,0 --> 00:1:0/,0

2el*ome

##$

00:1:0$,1/0 --> 00:1:0%,110

You *ame to loo! at your lo)e 3ortune.

##7

00:1:0%,110 --> 00:1:1#,#70

=h my, oh my So great

##%

00:1:1,#10 --> 00:1:1%,110

2o', 'hy o you ha)e so many guys 1, #, . 2o' you5re a +layer. Dirty irty.

##

00:1:1%,110 --> 00:1:#1,7%0

2hat Ao (t5s not 2hat o you see me as

#0


37/124

00:1:#1,7%0 --> 00:1:#/,$%0

(t5s ne. et5s 6ust say that5s true.

#1

00:1:#/,$%0 --> 00:1:#,1#0

So 2hat o ( ha)e to o

##

00:1:#,1#0 --> 00:1:1,%0

Hi*! your last *ar.

#

00:1:7,70 --> 00:1:40,4$0

Death Death Pin oreanQ

#4

00:1:40,4$0 --> 00:1:4,#70

uin. (t5s ruin. ;aha.

#/

00:1:4,#70 --> 00:1:47,#70

(t means to 6ust 3orget things li!e lo)e an 6ust 'or! har instea.

#$

00:1:47,#70 --> 00:1:/1,0

=nly i3 you gi)e u+ on your *urrent lo)e *an you +re)ent a big mis3ortune.


38/124

#7

00:1:/1,0 --> 00:1://,%%0

(t5s 6ust that !in o3 meaning. uin. The Cn. The Cn PoreanQ. The Cn P?a+aneseQ.

#%

00:1://,%%0 --> 00:1:/7,$$0

This is (A&(D (A&(D

- =mo =mo

#

00:1:/7,$$0 --> 00:1:/%,7/0

Shue the *ars again

#40

00:1:/%,7/0 --> 00:#0:01,00

=h my, hallelu6ah, seriously =h my, 'hat in the 'orl

#41

00:#0:0%,4/0 --> 00:#0:10,00

2hat are you oing

#4#

00:#0:10,00 --> 00:#0:1,%/0

=h, ( 'as *he*!ing the sto*!s.


39/124

#4

00:#0:1/,110 --> 00:#0:1$,$$0

2hat are you oing

#44

00:#0:1$,$$0 --> 00:#0:#0,440

2hat are you oing right no'

#4/

00:#0:#0,440 --> 00:#0:#,/10

;uh Tarot *ar a**urate rate, tarot *ar )aliity... 2hy are you e)en sear*hing this

*ra+

#4$

00:#0:#,/10 --> 00:#0:#/,$0

&h, 'hy are you oing this, really

#47

00:#0:#$,%0 --> 00:#0:#%,4#0

2ait...

#4%

00:#0:0,/$0 --> 00:#0:#,$$0

This situation right no'... (t 'as on +ur+ose, 'asn5t it

#4

00:#0:#,$$0 --> 00:#0:/,%$0


40/124

(t5s )ery... unnatural.

#/0

00:#0:/,%$0 --> 00:#0:7,4$0

(t 'as not.

#/1

00:#0:7,4$0 --> 00:#0:41,0/0

(3 you loo! into the *onteEt 3rom both sies, it is also +robable to a egree.

#/#

00:#0:4$,400 --> 00:#0:/#,140

So, ho' a**urate are the tarot *ar reaings

#/

00:#0:/#,140 --> 00:#0:/4,0

(t oesn5t say anything enite *learly.

#/4

00:#0:/4,0 --> 00:#0://,%10

(t5s not s*ienti*.

#//

00:#0://,%10 --> 00:#0:/$,%%0

(t has no )aliity.


41/124

#/$

00:#0:/$,%%0 --> 00:#0:/7,%00

ight

-ight

#/7

00:#0:/7,%00 --> 00:#0:/,0%0

=3 *ourse

- Yeah

#/%

00:#0:/,0%0 --> 00:#1:01,170

Ao 'ay.

#/

00:#1:01,170 --> 00:#1:0,7/0

;uh

-;uh

#$0

00:#1:0,7/0 --> 00:#1:0/,1%0

;uh

-UhM ;uh

#$1

00:#1:0/,1%0 --> 00:#1:07,4%0


42/124

;uh-uh. Lm.

- Lm Lm-mm

#$#

00:#1:07,4%0 --> 00:#1:0,00

You ha yours rea.

#$

00:#1:14,%0 --> 00:#1:1,170

Then... (5ll be u+stairs,

#$4

00:#1:1,170 --> 00:#1:##,4#0

*all me i3 you nee me.

#$/

00:#1:##,4#0 --> 00:#1:#4,#10

=h i ?in.

#$$

00:#1:#$,70 --> 00:#1:#%,1#0

Yes

#$7

00:#1:#%,1#0 --> 00:#1:,140

2hy o ( ha)e to *all you only 'hen ( nee you


43/124

#$%

00:#1:,140 --> 00:#1:$,70

That5s... 2hat o you mean by that

#$

00:#1:$,70 --> 00:#1:41,70

;a)e you ne)er neee me be3ore

#70

00:#1:4/,4/0 --> 00:#1:47,4%0

&m ( only 6ust

#71

00:#1:/0,0%0 --> 00:#1:/,0

your +atient

#7#

00:#1:/,0 --> 00:#1://,#70

Ao...

#7

00:#1:/%,#0 --> 00:##:01,#40

(t5s not li!e that.

#74


44/124

00:##:01,#40 --> 00:##:04,/00

(s there no +ossibility 3or me to be *onsiere as a man

#7/

00:##:#1,00 --> 00:##:#4,1/0

Do you 'ant to go rie the Sno'a!e train

#7$

00:##:#4,1/0 --> 00:##:#/,##0

2hat

#77

00:##:#/,##0 --> 00:##:#%,#0

2hen you ta!e the Sno'a!e train, go on a tri+ an tal! more 'ith me.

#7%

00:##:#%,#0 --> 00:##:1,1#0

You *an learn a lot more about me.

#7

00:##:1,1#0 --> 00:##:,040

Then 'e *an be*ome a lot *loser.

#%0

00:##:,040 --> 00:##:7,/70

8irst, 'e nee to be*ome *loser 3or me to be able to 3eel out the +ossibility.


45/124

#%1

00:##:4,00 --> 00:##:44,40

Deal

#%#

00:##:44,40 --> 00:##:4$,#00

Deal.

#%

00:##:4$,#00 --> 00:##:4%,/#0

Then, in 0 minutes, let5s meet here.

#%4

00:##:4%,/#0 --> 00:##:4,0

=!ay.

#%/

00:#:10,10 --> 00:#:1#,%0

;an hae Yeon.


46/124

00:#:1%,440 --> 00:#:##,0%0

See me 3or a bit. ( ha)e something ( 'ant to say to you.

#1

00:#:#,#10 --> 00:#:4,/0

Sorry, but ( *an5t meet u+ 'ith you.

##

00:#:/,%/0 --> 00:#:%,#00

You go home, too. You seem )ery run!.

#

00:#:%,#00 --> 00:#:40,740

Then (5ll *all i ?oon o++a then.


47/124

#4

00:#:4#,#10 --> 00:#:44,7/0

(5ll *all i ?oon o++a... an

#/

00:#:44,7/0 --> 00:#:4%,$$0

tell him e)erything about ho' you trie to seu*e me that night...

#$

00:#:4,7#0 --> 00:#:/1,/00

an brea! the engagement.

-hae Yeon.

#7

00:#:/1,/00 --> 00:#:/$,##0

( 'ill tell the hair'oman e)erything, that her granson is a s*ounrel.

#

00:#4:0#,040 --> 00:#4:04,$0

et5s try getting eE*itely torn a+art 3or on*e.


48/124

00

00:#4:04,$0 --> 00:#4:0%,0

( 'on5t ie alone, you !no'

01

00:#4:17,0 --> 00:#4:#1,$0

2hat 2hy in5t you *hange your *lothes

0#

00:#4:#1,$0 --> 00:#4:#,0

Sorry, =h i ?in.

0

00:#4:#,0 --> 00:#4:#/,#0

(t5s o!ay.

04

00:#4:#/,#0 --> 00:#4:#7,440

&s long as you are *om3ortable, let5s go.

0/

00:#4:#7,440 --> 00:#4:1,$0

(t5s not that... ( suenly ha)e a matter to atten.

0$

00:#4:1,$0 --> 00:#4:4,/00


49/124

( thin! ( nee to +ush the tri+ 3or later.

07

00:#4:4,/00 --> 00:#4:$,040

2hy

0%

00:#4:$,040 --> 00:#4:,%10

Di the hair'oman as! you to *ome to the main resien*e again

0

00:#4:,%10 --> 00:#4:4,%0

(t5s not that... hae Yeon.

10

00:#4:4,%0 --> 00:#4:4/,%0

She seems to be ha)ing a har time be*ause o3 Se 9i.

11

00:#4:4/,%0 --> 00:#4:4,70

( thin! ( shoul set her heart in +la*e.

1#

00:#4:/0,7/0 --> 00:#4://,00

(t is something that Se 9i i, but it is something ( nee to ta!e res+onsibility 3or.


50/124

1

00:#4://,%$0 --> 00:#/:00,4$0

;o' are you going to ta!e res+onsibility

14

00:#/:01,140 --> 00:#/:0,/0

(5m not sure.

1/

00:#/:0,/0 --> 00:#/:0/,0

8or her not to ha)e a *hange o3 heart anymore, 'hether ( a*t e)il to'ars her,

1$

00:#/:0/,0 --> 00:#/:0,010

by +ersuaing her... 3or no', ( ha)e to go.

17

00:#/:10,%0 --> 00:#/:11,%#0

2ill you be o!ay

1%

00:#/:11,%#0 --> 00:#/:1,#%0

2hat

1

00:#/:1,#%0 --> 00:#/:14,740


51/124

=h, o3 *ourse.

#0

00:#/:14,740 --> 00:#/:1$,40

9o alreay, go.

#1

00:#/:1,/0 --> 00:#/:#1,00

Then, ( 'ill *ome ba*! soon.

##

00:#/:#1,00 --> 00:#/:##,0

=!ay.

#

00:#/:%,#0 --> 00:#/:4#,#%0

You5re run!. et5s s+ea! at a brighter +la*e.

#4

00:#/:4,040 --> 00:#/:44,1%0

2hat are you oing

#/

00:#/:44,1%0 --> 00:#/:4$,%00

alling me out all o3 a suen, it 'ill be the last time ( 'ill listen to you.


52/124

#$

00:#/:4$,%00 --> 00:#/:/1,#/0

AeEt time, e)en i3 you say that you are going to brea! the engagement or go to the

hair'oman, (5m not going to *ome out no matter 'hat threat you say.

#7

00:#/:/1,#/0 --> 00:#/:/,#0

(3 ( slit my 'rist, then 'ill you *ome out

#%

00:#/:/,#0 --> 00:#/:/4,#10

;an hae Yeon.

#

00:#/:/4,#10 --> 00:#/:/7,%0

You5re the one 'ho rst +ut your han out to se*retly be together.

0

00:#/:/%,$%0 --> 00:#$:0,70

But 'hy o ( ha)e to be the only one 3eeling that ( am le3t behin, thro'n a'ay

1

00:#$:11,00 --> 00:#$:1/,/00

(5m sorry. (t5s my 3ault.

#

00:#$:1/,/00 --> 00:#$:1,10


53/124

That situation... 'as not a situation 'here ( *oul be sane. ( lost my senses 3or a

moment.

00:#$:1,10 --> 00:#$:##,70

2hen you lost your senses,

4

00:#$:#4,#$0 --> 00:#$:#$,%10

my reason *ame ba*!.

/

00:#$:#$,%10 --> 00:#$:#,10

( 3oun out 'ho is a*tually in my heart no'.

$

00:#$:#,10 --> 00:#$:#,%0

hae Yeon.

7

00:#$:#,%0 --> 00:#$:7,000

You sai you 'ante to +ut an engagement ring on me yoursel3.

%

00:#$:,40 --> 00:#$:4#,/70

You sai you 'ere gonna gi)e me the right to *hoose.


54/124

00:#$:4,70 --> 00:#$:4/,$00

2o', it5s so ni*e.

40

00:#$:4/,$00 --> 00:#$:47,40

( really li!e this hotel5s s+a.

41

00:#$:47,40 --> 00:#$:/#,000

( really li!e their massage, as 'ell, be*ause they +ress so 'ell.

4#

00:#$:/#,000 --> 00:#$:/$,070

ater on, ( *ouln5t e)en 3eel 'here my 3eet or arms are atta*he to. Ly min is 6ust

e)ery'here.

4

00:#$:/$,070 --> 00:#$:/7,4/0

;ey, Bae! ?in Soo!.

44

00:#$:/7,4/0 --> 00:#7:00,170

2ho 'oul loo! at you an thin! you5re the 'i3e o3 an &mbassaor

4/

00:#7:00,170 --> 00:#7:0,%0


55/124

Hlease thin! o3 &mbassaor ;an as 'ell. ee+ u+ 'ith your *lass.

4$

00:#7:0,%0 --> 00:#7:0/,7#0

&ny'ay, be*ause o3 you, ( 3eel re3reshe.

47

00:#7:0/,7#0 --> 00:#7:07,#40

( hear that as another +lea to bring you ba*! here

4%

00:#7:07,#40 --> 00:#7:0,/00

2o', 'e *onne*t so 'ell.

4

00:#7:0,/00 --> 00:#7:11,%%0

( lo)e my in-la'.

/0

00:#7:11,%%0 --> 00:#7:14,0/0

2hen ( go to Brail neEt time, you5re re+aying this t'o times more, o!ay

/1

00:#7:14,0/0 --> 00:#7:1/,0

=!ay, ( got it.


56/124

/#

00:#7:1/,0 --> 00:#7:17,$/0

;o' about inner at that +la*e

/

00:#7:17,$/0 --> 00:#7:1,$10

=h Yeah, it seeme o!ay there.

/4

00:#7:1,$10 --> 00:#7:#1,//0

=h, 'ait a se*on.

//

00:#7:##,$#0 --> 00:#7:#4,$0

( on5t !no' 'here my legs an arms are right no',

/$

00:#7:#4,$0 --> 00:#7:#7,0

but ( !no' that the +eeing +la*e is o)er there (5ll be ba*!.

/7

00:#7:#7,0 --> 00:#7:0,/70

&igoo, 'ho 'oul sto+ that mouth o3 hers

/%

00:#7:#,00 --> 00:#7:4,440


57/124

Yes. 9et the *ar reay.

/

00:#7:4,440 --> 00:#7:$,%%0

&n ma!e a reser)ation at Sam*heong-ong.

$0

00:#%:00,7$0 --> 00:#%:04,000

(t5s ruin, ruin. =!ay

$#

00:#%:0%,040 --> 00:#%:1#,10

By gi)ing u+ on your lo)e right no', you *an sto+ any big mis3ortune later.

$4

00:#%:1,70 --> 00:#%:1$,110

Rua*!.


58/124

$/

00:#%:1$,110 --> 00:#%:#0,1#0

Cn. The ening. The en.


59/124

he5s 6ust *ho++ing re'oo 3rom morning until inner. (sn5t that right

7#

00:#%:4$,$#0 --> 00:#%:4%,/0


60/124

7%

00:#:04,/0 --> 00:#:07,%0

8rom a )ery long time ago.

7

00:#:11,0#0 --> 00:#:1,0

(t5s a 6o!e, 6o!e.

%0

00:#:17,##0 --> 00:#:1,1#0

&h, this...

%1

00:#:1,%#0 --> 00:#:#,#70

The moo is goo an 'hy is she again...

%#

00:#:#4,0 --> 00:#:#$,#0

2hy 2hat

%

00:#:#$,#0 --> 00:#:#,0

i =n, *ome ta!e me home.


61/124

( really 'ant to go home but ( *an5t ri)e be*ause ( ran!.

%/

00:#:/,400 --> 00:#:,0$0

=++a is in the mile o3 a business right no', (5m busy. (5m going to hang u+.

%$

00:#:,0$0 --> 00:#:4#,010

( ha a nightmare again.

%%

00:#:44,/0 --> 00:#:47,%10

So you nee to inter+ret my reams.

%

00:#:47,%10 --> 00:#:/0,10

You turn my nightmares into

0

00:#:/0,10 --> 00:#:/#,$/0

lu*!y reams 'ell though.


62/124

1

00:#:/4,40 --> 00:#:/$,$%0

2here are you right no'

#

00:0:01,$$0 --> 00:0:0,470

=h i ?in

00:0:0$,1#0 --> 00:0:0%,400

=h i ?in

4

00:0:#1,0 --> 00:0:#4,00

(5m ta!ing ba*! the )a*ation ( re3use a 'hile ago.

$

00:0:41,7%0 --> 00:0:4$,70

i =n, o you remember my rst lo)e

7

00:0:47,$#0 --> 00:0:/0,100


63/124

Your rst lo)e

%

00:0:/0,100 --> 00:0:/#,0

2ho is he

00:0:/#,0 --> 00:0://,$40

You !no' that 6er! in high s*hool.

400

00:0://,$40 --> 00:0:/,00

C)en though he ha a girl3rien, he 'ante my notes

401

00:0:/,00 --> 00:1:0#,110

so he treate me 'ell.

40#

00:1:0,/00 --> 00:1:0%,/10

You *o)ere my eyes so ( 'ouln5t see him 'ith his girl3rien.

40

00:1:0%,/10 --> 00:1:11,0/0

You !ne'


64/124

404

00:1:11,0/0 --> 00:1:1,%0

&m ( stu+i

40/

00:1:1/,#$0 --> 00:1:#0,0#0

( a*tually is*o)ere them be3ore you

40$

00:1:#0,0#0 --> 00:1:#,#40

but ( 6ust a*te li!e ( in5t !no'.

407

00:1:#,#40 --> 00:1:#/,#40

Be*ause ( 'as than!3ul.

40%

00:1:#$,00 --> 00:1:#,0%0

Be*ause o3 you, ( 'asn5t one bit bro!en-hearte.

40

00:1:#,0%0 --> 00:1:#,/0

( thought there really 'as only you.

410

00:1:#,/0 --> 00:1:4,$00


65/124

an ( get goosebum+s 3or a minute

411

00:1:4,$00 --> 00:1:7,#0

an you o that again

41#

00:1:40,10 --> 00:1:4/,70

(3 (... ma!e a stu+i mista!e li!e that again,

41

00:1:4$,110 --> 00:1:4,%/0

*an you *o)er my eyes again

414

00:1:/$,170 --> 00:1:/%,00

Do you by any *han*e...

41/

00:#:00,%10 --> 00:#:0,/70

li!e him

41$

00:#:1,1%0 --> 00:#:1%,0$0

2hat is a rst lo)e to a guy


66/124

417

00:#:1%,0$0 --> 00:#:1%,$0

2hat

41%

00:#:1%,$0 --> 00:#:#1,40

(s it something that isn5t easily 3ole

41

00:#:#1,40 --> 00:#:#/,$%0

(s it something that you 'ant to un3ol again a3ter 3oling it

4#0

00:#:#/,$%0 --> 00:#:0,0

C)en i3 there is a 3ol mar!, o you not *are

4#1

00:#:#,440 --> 00:#:/,1/0

(t iNers on the situation.

4##

00:#:$,#/0 --> 00:#:,/0

(3 it 3ols in one go, then it5s than! you.

4#

00:#:40,110 --> 00:#:4,#0


67/124

(3 you o+en it u+ again then it5s lingering atta*hment.

4#4

00:#:4,#0 --> 00:#:47,/10

(3 you o+en it t'i*e then it5s saness.

4#/

00:#:4%,##0 --> 00:#:/1,010

(3 you o+en it three times...

4#$

00:#:/,040 --> 00:#://,#00

it5s +ain.

4#7

00:#://,$0 --> 00::00,#$0

&3ter un3oling it o)er an o)er again an it be*omes ragge,

4#%

00::00,#$0 --> 00::0,/40

that5s ho' the heart gets ri++e.

4#

00::0/,10 --> 00::11,/0

&n 'hen ri++e, you 6ust eal 'ith it until you5)e gone numb. That5s ho' it is.


68/124

40

00::14,/0 --> 00::17,010

So it5s li!e that.

41

00::1%,/10 --> 00::#1,#40

You !no' i =n,

4#

00::#,10 --> 00::#/,$40

these ays,

4

00::#$,%0 --> 00::#,%00

( on5t !no' 'hat ( am oing.

44

00::#,%00 --> 00::0,$%0

&bout 'hat

4/

00::0,$%0 --> 00::,7/0

( 3eel li!e ( am trans3erring my 3eelings Ptrans3eren*eQ to that +erson.

4$

00::,7/0 --> 00::%,/70


69/124

( !ee+ ha)ing nightmares, an ( !ee+ ha)ing a V6W )u 3eeling.

47

00::%,/70 --> 00::41,$#0

( 3eel *on3use.

4%

00::41,$#0 --> 00::44,$0

( !ee+ getting 3eelings that ma!e me un+ro3essional.

4

00::4%,40 --> 00::/1,040

(5m a o*tor.

440

00::/#,1/0 --> 00:://,40

Be*ause that +erson is going through tough times 100 times harer than me,

441

00:://,40 --> 00:4:01,/0

( *an5t tell him to listen to my har times.

44#

00:4:0,/%0 --> 00:4:0%,/0

These ays ( miss my times at the hos+ital.


70/124

44

00:4:0,1%0 --> 00:4:14,$10

During then ( 'as too busy to thin! about anything else.

444

00:4:1$,10 --> 00:4:1,4#0

( 6ust neee to 'or!.

44/

00:4:1,4#0 --> 00:4:##,00

(t 'as sim+le.

44$

00:4:#,%00 --> 00:4:#7,4/0

There 'as no reason to be *on3use.

447

00:4:#,0 --> 00:4:/,%40

( be*ame really 'ea!, in5t (

44%

00:4:4$,$#0 --> 00:4:4%,100

2hat are you oing

44

00:4:4%,100 --> 00:4:/1,1#0


71/124

(5m 6ust saying you are lou.

4/0

00:4:/1,1#0 --> 00:4:/4,#40

(3 you5re going to say su*h 'ea!-hearte things,

4/1

00:4:/4,#40 --> 00:4:/$,%/0

say it insie.

4/#

00:4:/%,0 --> 00:/:0#,$10

You seriously *an5t be serious 3or e)en 10 minutes. 10 minutes

4/

00:/:0#,$10 --> 00:/:0$,$10

?ust +ut it in Hut it in

4/4

00:/:0$,$10 --> 00:/:10,040

C)eryone has


72/124

4/$

00:/:#0,110 --> 00:/:#$,770

C)en i3 ( say

4/%

00:/:,%0 --> 00:/:40,//0

C)en i3 ( a*t iniNerent,

4$0

00:/:47,0#0 --> 00:/:/1,$70

(5m a o*tor. &n be*ause that +erson is suNering 100 times more than

me...

4$#


73/124

00:/:/4,1/0 --> 00:/:/7,$/0

=3 *ourse ;urry an go. 9o.

4$4

00:$:01,%0 --> 00:$:0/,$0

(3 'e get on the Sno'a!e train an go on a tri+, an tal! together,

4$$

00:$:0,$0 --> 00:$:14,0$0

&3ter getting more 3rienly, ( *an analye the +robability.

4$%

00:$:1%,0 --> 00:$:#/,0#0

( 'ill 6ust hurt your heart


74/124

4$

00:$:#/,0#0 --> 00:$:#,1#0

(3 you on5t li!e a o*tor, ( 'ill s+ea! as a 3rien.

471

00:$:4,%40 --> 00:$:7,$10

Don5t 'orry. ( am here.

47

00:$:41,4/0 --> 00:$:47,00

ha Do ;yun ha Do ;yun ha Do ;yun


75/124

47/

00:$:/#,%%0 --> 00:$:/%,#70

seems li!e an ol 3rien

( *annot get use to this 3eeling, ( miss you

47%

00:7:1,70 --> 00:7:#1,/0

C)en i3 that is the *ase, you guys are not ying, but uner the name ha Do

;uyn,

4%0

00:7:#%,##0 --> 00:7:%,/0

The only thing ( *an gi)e you are 6ust the unsto++able tears


76/124

00:7:%,/0 --> 00:7:4,$70

2ith a 3a*e that is un3amiliar,

4%

00:7:/#,70 --> 00:%:00,%#0

?ust let me lo)e you by mysel3 an lea)e


77/124

( hear that hairman Seo Tae (m re i*e-Hresient ha Do ;yun.

4%%

00:%:#/,40 --> 00:%:1,7%0

( hear. (3 'e try to +ersonally as!, 'e might be misunerstoo 3or intruing +ri)ate

3amily matters.

4%

00:%:1,7%0 --> 00:%:/,440

But i3 'e 6ust go o)er this issue, ( on5t thin! it5s +ro+er as his un*le.

40

00:%:/,440 --> 00:%:7,470

( am in a roughly tough s+ot.

41

00:%:7,470 --> 00:%:40,$40

T'o months be3ore the sto*!holers5 meeting, she is*are her o'n su**essor.

4#

00:%:40,$40 --> 00:%:4,#0

hair'oman Seo5s gun isn5t as goo as it use to be,

4

00:%:4,#0 --> 00:%:4$,4/0

isn5t that *learly re)eale no'


78/124

44

00:%:4$,4/0 --> 00:%:/0,4/0

Aot only that. Soon, 'ith hairman Bae!5s granaughter,

4/

00:%:/0,4/0 --> 00:%:/,0%0

his son 'ill be marrie.

4$

00:%:/,0%0 --> 00:%:/7,/0

So 3or this 'ee!5s sto*!holers5 meeting, you ele)ating to the +osition o3 hairman,

47

00:%:/7,/0 --> 00::00,%10

isn5t that an ob)ious truth

4%

00::11,740 --> 00::1$,40

2hat i you 6ust say 2ho is the +erson loo!ing 3or the *hil again

4

00::17,40 --> 00::1,%00

&re you +ositi)e ;urry.

/00

00::1,%00 --> 00::#,/%0


79/124

2e nee to n that *hil out rst be3ore anyone else, using any !in o3 metho

ne*essary.

/01

00::#,/%0 --> 00::#/,/$0

Do you unerstan

/0#

00::#/,/$0 --> 00::#%,4#0

Soon the *hair'oman 'ill *all you.

/0

00::#%,4#0 --> 00::1,//0

Ta!e it as a time to get a breather.

/04

00::1,//0 --> 00::,%0

Se*retary &hn.

/0/

00::/,070 --> 00::$,170

Yes, i*e Hresient.

/0$

00::$,170 --> 00::%,%%0

Don5t 'ait 3or me,


80/124

/07

00::%,%%0 --> 00::4#,1$0

an grab onto a goo o++ortunity 'hen it *omes.

/0%

00::4#,/0 --> 00::4$,4/0

The +eo+le gi)ing the goo o++ortunity 'ill get entangle 'ith +eo+le they 'ant

themsel)es.

/0

00::4$,4/0 --> 00::/0,%#0

(3 the line is longer, the longer the 'ait, right

/10

00::/0,%#0 --> 00::/,10

( 'ill line u+ in the short line.

/11

00::/,10 --> 00:://,70

So *ome ba*! any time.

/1#

00::/7,10 --> 00:40:00,40

You *an ta!e your time mo)ing out o3 your oF*e.

/1

00:40:01,%70 --> 00:40:04,/0


81/124

&ren5t you rushing too mu*h

/14

00:40:04,/0 --> 00:40:0$,470

& +erson that shoul lea)e, shoul hurry an lea)e.

/1/

00:40:07,070 --> 00:40:0,/#0

You i 'ell, ;yung. ( am than!3ul 3or all this time.

/1$

00:40:0,/#0 --> 00:40:1#,/0

( ha)en5t e)en one anything 3or you so 'hy are you than!3ul

/17

00:40:1#,/0 --> 00:40:14,70

&lso, 'hen are you lea)ing 3or &meri*a

/1%

00:40:14,70 --> 00:40:1$,40

(5m not going.

/1

00:40:1$,40 --> 00:40:1,$00

You5re not going

- ( e*ie to stay here.


82/124

/#0

00:40:1,$00 --> 00:40:#1,%%0

( ha)e something ( ha)e to o here.

/#1

00:40:##,4%0 --> 00:40:#$,##0

( see, ta!e *are.

/##

00:40:#,740 --> 00:40:%,00

(5m 'arning you but on5t *ome near my *om+any an 'oman again.

/#

00:40:%,00 --> 00:40:4,/00

(3 ( see you snoo+ing aroun her one more time, you5re ea.

/#4

00:40:/,%0 --> 00:41:01,#00

Yes, Laame.

/#/

00:41:01,%40 --> 00:41:07,$0

( hear Do ;yun got *hase out o3 the *om+any. 2hat eEa*tly is this nonsense

grumbling

/#$


83/124

00:41:07,$0 --> 00:41:11,#0

2hat 'ere you oing until the situation be*ame this ba


84/124

You sai being out in some other *ountry 'oul be o3 hel+ to you. Then you

shoul5)e staye there.

/

00:41:40,1#0 --> 00:41:44,##0

2hate)er you *oul ha)e one, you shoul5)e staye. ;o' *oul you 6ust be *hase

out li!e that stu+ily

/4

00:41:44,##0 --> 00:41:4%,000

She5s really s+ite3ul. 2oul you o this on +ur+ose

//

00:41:4%,000 --> 00:41:/#,$0

Di she e)er, 3or her granson, *ast a s'eet gae on you or *om+limentt you

/$

00:41:/#,$0 --> 00:41:/$,%0

That e)en you, 'ho is inno*ent an lamb-li!e, 'oul gro' some horns, too.

/7

00:41:/7,/40 --> 00:4#:04,#%0

Ao matter i3 the 'hole 'orl +oints their ngers at you, mom 'ill unerstan you.

(t5s o!ay.

/%

00:4#:0/,0$0 --> 00:4#:0$,700


85/124

Lother...

/

00:4#:07,00 --> 00:4#:14,1$0

8rom no' on, 'hate)er ( as!, +romise me that you 'ill be honest an tell me the

truth.

/40

00:4#:1$,1$0 --> 00:4#:##,0#0

(... ( am too honest 3or my o'n goo.

/41

00:4#:##,0#0 --> 00:4#:#7,0#0

2hat &bout 'hat 2hat is it

/4#

00:4#:#7,0#0 --> 00:4#:1,000

(n the +ast, at Seung6in

/4

00:4#:,0$0 --> 00:4#:/,%40

'as there a *hil aroun my age

/44

00:4#:7,%#0 --> 00:4#:40,%0

2hat & *hil


86/124

/4/

00:4#:4,4$0 --> 00:4#:4$,/0

(n that house, there 'as no other *hil other than you.

/4$

00:4#:4$,/0 --> 00:4#:/0,/40

Lom, ( alreay !no' that you are sear*hing 3or the *hil.

/47

00:4#:/1,%#0 --> 00:4#:/4,%$0

2hose *hil is that *hil

/4%

00:4#:/$,00 --> 00:4:00,00

( on5t !no' (5m telling you ( on5t !no' ( on5t !no'

/4

00:4:00,00 --> 00:4:0#,/#0

Then 'hat is the reason that 3ather abuse me

//0

00:4:0#,/#0 --> 00:4:0/,/#0

Yes 2hat are you tal!ing about 2hat !in o3 strange things are you tal!ing about

//1

00:4:0/,/#0 --> 00:4:0,$$0


87/124

Your a treate you so +re*iously You5re saying nonsense

//#

00:4:0,$$0 --> 00:4:1#,%0

Then, i 3ather treat that *hil ni*ely as 'ell

//

00:4:1#,%0 --> 00:4:14,0

=3 *ourse ;e treate the *hil really 'ell, too

//4

00:4:14,0 --> 00:4:1%,1%0

;e 'as someone that really li!e *hilren.

///

00:4:1%,1%0 --> 00:4:1,%40

Son...

//$

00:4:#0,/0 --> 00:4:#7,140

(... ( ha)e a really im+ortant meeting ( ha)e to go to... ( 3orgot about it.

//7

00:4:#7,140 --> 00:4:1,0$0

Do ;yun, *an ( 6ust *all you later ( ha)e to go no'.


88/124

//%

00:44:07,/%0 --> 00:44:10,/40

2riter =mega


89/124

& set o3 +arents that raise a aughter +re*iously.

/$/

00:44:4,$0 --> 00:44:,100

;earing that their aughter is li)ing 'ith an unmarrie man in another house,

tening to him as a +atient,

/$$

00:44:,100 --> 00:44:4#,0$0

ho' many +arents 'oul 'el*ome that

/$7

00:44:4#,$10 --> 00:44:47,/$0

( also am someone 'ho is lying to his o'n +arents by getting in)ol)e into this

brother-sister *onman team,

/$%

00:44:4%,100 --> 00:44:/#,$0

but ( trust i ?in as a o*tor.

/$

00:44:/#,$0 --> 00:44:/7,1/0

( !no' that she is someone 'ho 'ill ne)er e)elo+ +ersonal 3eelings to'ars a

+atient.

/70

00:4/:01,$00 --> 00:4/:0/,%$0


90/124

2o'. =ur mom is so amaing

/71

00:4/:0/,%$0 --> 00:4/:0%,0%0

( thin! you 'ere ;an Seo! Bong5s mother in your +ast li3e. P;an Seo! Bong is a

'ell-!no'n ?oseon *alligra+herQ


91/124

/77

00:4/:#%,$70 --> 00:4/:,#0

(t5s the se*ret metho o3 ho' you lo)e i =n an me the same.

/7%

00:4/:7,$$0 --> 00:4/:44,$$0

(t5s im+ossible to gi)e lo)e eGually li!e this, e)en i3 'e are your biologi*al *hilren.

/7

00:4/:4/,%/0 --> 00:4/:4,0

C)en i3 you s*ale it o)er an o)er again,

/%0

00:4/:4,0 --> 00:4/:/,4/0

e)en i3 you i)ie it a3ter )eri3ying so many times,

/%1

00:4/:/,4/0 --> 00:4$:00,00

( on5t thin! there5s more o3 a +re*ise, 3air, an tou*hing lo)e li!e this.

/%#

00:4$:00,00 --> 00:4$:0,%0

i ?in...

/%

00:4$:04,7#0 --> 00:4$:07,/0


92/124

(5m 6ust saying.

/%4

00:4$:07,/0 --> 00:4$:1#,/70

(5m telling you to get a lot o3 ne' year5s lu*!.

/%/

00:4$:14,70 --> 00:4$:#0,%0

(5m )ery, )ery than!3ul.

/%$

00:4$:##,$0 --> 00:4$:#7,#70

(t must be be*ause you5re a 'riter, but your thoughts are 'ell-+ut in your *hoi*e

o3 'ors.


93/124

/0

00:4$:44,$$0 --> 00:4$:47,%0

2hile (5m ra'ing, (5ll ra' another line.

/1

00:4$:47,%0 --> 00:4$:/,1%0

( hear that you 'ill go ba*! to the U.S. a3ter t'o months.

/#

00:4$:/,%0 --> 00:4$:/%,$0

( truste in that *lause an 6oine this *on team,

/

00:4$:/%,$0 --> 00:47:01,400

( 'ill obser)e only until then.

/4

00:47:01,400 --> 00:47:07,%%0

&3ter that, ( 'ish that you 'oul not *reate any *onne*tion 'ith i ?in anymore.

//

00:47:/,#/0 --> 00:47:/$,/0

=h my, ( *ame out.

/$

00:47:/7,#$0 --> 00:4%:01,$$0


94/124

&h, really, this X@Z. ;e only brings me out 'hen he5s ha)ing a iF*ulty

Seriously

/7

00:4%:01,$$0 --> 00:4%:04,$$0

&gh (5m so X@Z +isse 9o, seriously

/%

00:4%:04,$$0 --> 00:4%:0%,7%0

&h.. 'hat are these tears 9ee, this is so annoying. Ugh.

/

00:4%:10,##0 --> 00:4%:1/,0#0

2ell, 'hate)er, it5s &hn Yona5s 'orl no'.

$00

00:4%:1%,1$0 --> 00:4%:#0,/00

;ere, then.

$01

00:4%:4,%40 --> 00:4%:%,$#0

ha-ha- ha Do ;yun

$0#

00:4%:,7$0 --> 00:4%:4#,40

=++aM


95/124

$0

00:4%:44,70 --> 00:4%:4,//0

=- =-=- =++a

$04

00:4%:/#,710 --> 00:4%://,00

ha-ha-ha Do ;yun

$0/

00:4:0#,%0 --> 00:4:0/,0#0

=++a

$0$

00:4:07,/%0 --> 00:4:0,7$0

=++aM

$07

00:4:1,#0 --> 00:4:1$,0/0

2ait a minute 2ait a minute

$0%

00:4:1,770 --> 00:4:##,#%0

=++aM

$0

00:4:##,#%0 --> 00:4:#4,#0


96/124

Ly i =n =++a

$10

00:4:#4,#0 --> 00:4:#$,$0

=++a

$11

00:4:#%,%0 --> 00:4:0,/00

$1#

00:4:4$,70 --> 00:4:4,0#0

=++a

$1

00:4:/7,440 --> 00:/0:01,#$0

;ey, =h i =n. 2hat are you oing, not hel+ing out 'ith the 3oo 3or the holiays

$14

00:/0:01,#$0 --> 00:/0:0/,00

(s the +ersonality you 'ere tal!ing about by any *han*e.. Yo..Yo Aa


97/124

$1$

00:/0:10,1#0 --> 00:/0:11,/%0

Di you +erha+s meet her

$17

00:/0:11,/%0 --> 00:/0:1/,410

S-sa)e me, i ?in. (5ll be goo. (5ll o better 3rom no' on, too.

$1%

00:/0:1/,410 --> 00:/0:1$,70

(5ll be goo e)en 'hen ( ie.

$1

00:/0:1$,70 --> 00:/0:1,10

=++a

$#0

00:/0:1,10 --> 00:/0:#1,/0

Yo Aa 'ants to eat this.

$#1

00:/0:##,#0 --> 00:/0:#4,40

2hy am ( your o++a

$##


98/124

00:/0:#4,40 --> 00:/0:#$,40

(3 you5re hansome, you5re my o++a.

$#

00:/0:#7,7$0 --> 00:/0:#,$%0

=++a, ( 'ant to eat this.

$#4

00:/0:#,$%0 --> 00:/0:1,/40

Buy this 3or me.

$#/

00:/0:#,4$0 --> 00:/0:$,1#0

=++a Buy it 3or me

$#$

00:/0:$,1#0 --> 00:/0:,/#0

2hy are you ma!ing me say so many 'o-'o-'o-'ors

$#7

00:/0:,/#0 --> 00:/0:41,440

(5ll buy it.

$#%

00:/0:41,440 --> 00:/0:4,#0

Hlease, sister


99/124

$#

00:/0:4,#0 --> 00:/0:4$,1%0

elaE. ( am on my 'ay no'.

$0

00:/0:4$,1%0 --> 00:/0:4%,100

;ang in there 'ith the minset o3 im Yuna

$1

00:/0:4%,100 --> 00:/0:4,%0

You *an5t lose her.

$#

00:/0:4,%0 --> 00:/0:/,00

(3 you lose her, 'hate)er you5re imagining, it5ll be 'orse than that.

$

00:/0:/,00 --> 00:/0:/4,400

You got it

$4

00:/0:/4,400 --> 00:/0:/7,0#0

Don5t +ro)o!e her an o e)erything she as!s you to o.

$/


100/124

00:/0:/7,0#0 --> 00:/1:01,%40

Yeah. Do e)erything that she as!s you to o, e)erything.

$$

00:/1:1,770 --> 00:/1:1/,10

;urry an gi)e it to me

$7

00:/1:1/,10 --> 00:/1:1%,40

(5m saying (5m gonna ie 3rom star)ation right no'

$%

00:/1:1%,40 --> 00:/1:##,0

(3 you on5t gi)e it to me, (5ll go u+ on the table an an*e.

$

00:/1:#,40 --> 00:/1:#,%0

;ere it *omes. ;ere it *omes.

$40

00:/1:#,%0 --> 00:/1:4,70

- ;ere it *omes.

- &hM

$41

00:/1:$,%#0 --> 00:/1:40,00


101/124

&hM

$4#

00:/1:4/,1%0 --> 00:/1:47,1%0

(t5s not

$4

00:/1:47,1%0 --> 00:/1:4%,4#0

(t5s not li!e that

$44

00:/1:4%,4#0 --> 00:/1:/0,$%0

(t is li!e that

$4/

00:/1:/1,$0 --> 00:/1://,%0

( *an5t. ( *an5t o this.

$4$

00:/#:00,00 --> 00:/#:04,//0

( *an5t o this anymore Sister

$47

00:/#:11,4/0 --> 00:/#:14,00

2hy Di you lose her


102/124

$4%

00:/#:1/,00 --> 00:/#:1$,%0

at*h me.

$4

00:/#:1%,400 --> 00:/#:1,7$0

She sai try an *at*h her.

$/0

00:/#:1,7$0 --> 00:/#:##,#0

;ey, you 'ant to ie

$/1

00:/#:##,#0 --> 00:/#:#4,00

(5m... (5m almost there

$/#

00:/#:#4,00 --> 00:/#:#7,#0

Try to sto+ him at all *osts Through any 'ay

$/

00:/#:/,0#0 --> 00:/#:7,1%0

;ey, ( sa' you

$/4

00:/#:,%%0 --> 00:/#:40,$$0


103/124

9rab him

$//

00:/#:40,$$0 --> 00:/#:4#,#0

Hlease o not ta!e +i*tures.

$/$

00:/#:4#,#0 --> 00:/#:4/,0

;ey, you *an5t go that 'ay Yo Aa Yo Aa

$/7

00:/#:4/,0 --> 00:/#:4$,10

ome here, *ome here

$/%

00:/#:4$,10 --> 00:/#:4,710

Yo Aa

- ;ey

$/

00:/#:4,710 --> 00:/#:/0,0

=h

$$0

00:/#:/0,0 --> 00:/#:/,10

;ey, =h i =n. 8or no', 6ust grab her.


104/124

$$1

00:/#:/,10 --> 00:/#://,/0

9o in 'ith the 7th s!ill, 7th s!ill.

$$#

00:/#://,/0 --> 00:/#:/7,410

The 7th s!ill

$$

00:/#:/7,410 --> 00:/#:/%,$0

2hat o you mean the 7th s!ill on a girl

$$4

00:/#:/%,$0 --> 00:/:00,/%0

( 6ust *alle her a girl...

$$/

00:/:00,/%0 --> 00:/:01,740

( on5t !no' anymore, gee

$$$

00:/:01,740 --> 00:/:0,$$0

;ey, =h i =n 9rab him

$$7


105/124

00:/:0,$$0 --> 00:/:04,7$0

un

$$%

00:/:04,7$0 --> 00:/:0$,4$0

=++a, try *at*hing me

$$

00:/:0$,4$0 --> 00:/:0%,1$0

=++a, *at*h me

$70

00:/:0%,1$0 --> 00:/:1#,400

You *an5t lose him You *an5t an5t at*h him 3ast at*h him at*h him

$71

00:/:1#,400 --> 00:/:14,%%0

;ey

$7#

00:/:14,%%0 --> 00:/:1$,/0

Sto+

$7

00:/:17,40 --> 00:/:1%,40

et5s go together


106/124

$74

00:/:1%,40 --> 00:/:#1,$0

Yo Aa, =++a 'ill buy you sna*!s. et5s go.

$7/

00:/:#1,$0 --> 00:/:#/,#0

=++a, 'hy *an5t you *at*h me

$7$

00:/:#/,#0 --> 00:/:#$,70

=++a, 3rom no' on,

$77

00:/:#$,70 --> 00:/:#,40

(5ll *at*h you. You got it

$7%

00:/:#,40 --> 00:/:0,70

Le

- (5m *oming

$7

00:/:0,70 --> 00:/:,#70

=++a (5m going


107/124

$%0

00:/:,#70 --> 00:/:/,#0

Lo)e.

$%1

00:/:/,#0 --> 00:/:7,110

Y-You5re li!e a mus*le girl...

$%#

00:/:7,110 --> 00:/:,70

=++a ?ust this on*e

$%

00:/:,70 --> 00:/:4#,#10

=++a =ne time

$%4

00:/:4,%0 --> 00:/:4$,0%0

=++a

- =h i =n

$%/

00:/:4$,0%0 --> 00:/:4%,4#0

;ey

$%$


108/124

00:/:4%,4#0 --> 00:/:/0,#$0

2o' =h

$%7

00:/:/0,#$0 --> 00:/:/1,$/0

=++a =++a

$%%

00:/:/1,$/0 --> 00:/:/,%70

Don5t 'or! out

$%

00:/:/,%70 --> 00:/:/$,#10

;ey

$0

00:/:/$,#10 --> 00:/4:00,0

That...tal!ati)e 'en*h Din5t ( tell you to not sho' your teeth

$1

00:/4:0,/10 --> 00:/4:0/,/70

;ey, &hn Yo Aa &ren5t you gonna listen to me

$#

00:/4:0/,/70 --> 00:/4:0,$0

Don5t tou*h my brother ome here


109/124

$

00:/4:1#,70 --> 00:/4:14,1%0

&gain...

$4

00:/4:14,1%0 --> 00:/4:1/,1#0

=h

$/

00:/4:1/,1#0 --> 00:/4:1%,$00

Don5t Don5t

$$

00:/4:1,0#0 --> 00:/4:,#0

=++a

$7

00:/4:40,%0 --> 00:/4:4,#0

=++a.

$%

00:/4:/,#70 --> 00://:00,0

2ho are you

$


110/124


111/124

70$

00://:#,400 --> 00://:,%$0

8or no', +lease get out.

707

00://:,%$0 --> 00://:%,140

(5ll ta!e my time an eE+lain 'hat ha++ene in etail.

70%

00://:%,140 --> 00://:40,$0

2hat !in o3 girl, girl...that energy, energy

70

00://:40,$0 --> 00://:4,70

(3 it5s a girl... Herha+s Yo Aa


112/124

71#

00://:4%,0 --> 00://:/#,$0

oo! at me. (5m *alling mysel3 =++a...;a.

71

00://:/,%/0 --> 00://:/$,140

These are *lothes that ( )alue the most.

714

00://:/$,140 --> 00://:/%,$40

hange an *ome o'n stairs.

71/

00:/$:/,0 --> 00:/$:%,010

=h i ?in 2hy are you al'ays +ulling me li!e this

71$

00:/$:%,010 --> 00:/$:40,110

&hea o3 time, you !iss--

717

00:/$:41,70 --> 00:/$:4,$70

&re you o!ay

71%

00:/$:47,$0 --> 00:/$:/1,/40


113/124

(5m o!ay. om+letely ne.

71

00:/$:/,$0 --> 00:/7:01,$0

Hoem olle*tion: 2hen ( loo! at a 'heel, ( 'ant to roll them

7#4

00:/7:4#,/10 --> 00:/7:4$,/70

So =h i =n !no's e)erything no'.


114/124

7#/

00:/7:4$,/70 --> 00:/7:4,110

That ( ha)e multi+le +ersonalities.

7#$

00:/7:4,110 --> 00:/7:/1,%0

(t5s not only Yo Aa5s 3ault.

7#7

00:/7:/1,%0 --> 00:/7://,%/0

&*tually, i =n ha met Se 9i be3ore.

7#%

00:/7://,%/0 --> 00:/7:/7,0/0

Se 9i

7#

00:/7:/7,0/0 --> 00:/7:/,$10

;e a*tually alreay e)elo+e an in!ling to'ars this ire*tion,

70

00:/7:/,$10 --> 00:/%:0,0$0

i3 he sa' the iNeren*e bet'een you an Lr. Shin, it5s game o)er.

71

00:/%:0,0$0 --> 00:/%:07,/40


115/124


116/124

7%

00:/%:41,770 --> 00:/%:44,4/0

i3 you nee anything 3rom me, *all 3or me.

7

00:/%:44,4/0 --> 00:/%:4$,#10

=h i ?in.

740

00:/%:4,40 --> 00:/%:/1,$00

2hat is it

741

00:/%:/#,1$0 --> 00:/%:/4,00

=nly 3or t'o months...

74#

00:/%:/$,%00 --> 00:/%:/,%0

=nly 3or the remaining t'o months, *an5t (

74

00:/:0/,70 --> 00:/:07,$0

be a man Pto youQ

744

00:/:1/,10 --> 00:/:17,770


117/124


118/124

7/1

00:/:41,700 --> 00:/:4$,410

Le, (5m going to n this girl.

7/#

00:/:47,0 --> 00:/:/#,470

Be3ore our Do ;yun remembers, (5ll n her rst.

7/

00:/:/,0 --> 00:/:/,010

&n (5ll get her out o3 Do ;yun5s sight.

7/4

01:00:0$,%0 --> 01:00:11,040

Harty B Pi ?inQ 'ill not 3all in lo)e 'ith

7//

01:00:11,040 --> 01:00:1#,%40

Harty & PDo ;yunQ, in*luing the other +ersonas.

7/$

01:00:1#,%40 --> 01:00:17,4#0

Then ( 'ill +ay the brea*h o3 *ontra*t +enalty 3ee sti+ulate *learly in the *ontra*t. (

'ill brea*h the *ontra*t.

7/7

01:00:#1,4#0 --> 01:00:#,$#0


119/124

2hat are you trying to o

7/%

01:00:#4,$00 --> 01:00:#7,#70

You sai 'e ha)e to !iss rst.

7/

01:00:#7,#70 --> 01:00:#,10

Ao, that5s not 'hat ( meant.

7$0

01:00:#,10 --> 01:00:#,70

That5s not 'hat (5m trying to say

7$1

01:00:#,70 --> 01:00:$,/0

Ao...that5s not 'hat ( meant, (5m saying...

7$#

01:00:4,/0 --> 01:00:4/,$/0

2hat5s the matter

7$

01:00:/,70 --> 01:00:/7,/0

The hien things insie me


120/124

7$4

01:00:/7,/0 --> 01:00:/,/%0

(t +ut me to slee+, tie my hans together

770


121/124

01:01:11,%#0 --> 01:01:1,140

&n thatKs all ( remember

77

01:01:17,0$0 --> 01:01:1%,%$0

3rom the torment o3 my sins

77/

01:01:#1,#0 --> 01:01:#/,00

The ee+ night sho' you,


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'ho 'as not able to lea)e

77%

01:01:$,4/0 --> 01:01:4,070


2here are you

7%1

01:01:/,#0 --> 01:01:/7,10

(5m saying to sto+ teasing my man, e)eryone


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(t5s )ery *om3ortable an 'arm.

7%4

01:0#:0#,#0 --> 01:0#:04,%0

et5s brea! oN our engagement.

7%$

01:0#:0$,740 --> 01:0#:10,/#0

The ay you an ( be*ame t'in siblings.

7%%

01:0#:1#,$$0 --> 01:0#:1/,$40

2hat ha++ene in this house #1 years ago,


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7%

01:0#:1/,$40 --> 01:0#:1%,000

( 'ill re)eal all o3 it

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KILL ME HEAL ME 13