Killers - Sam's Town.pdf

8/12/2019 Killers - Sam's Town.pdf

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Moderate Rock q = 142

Sam’s TownWords and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci

Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD.All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.

All Rights Reserved Used by Permission

from The Killers - Sam’s Town

One,

Drop D tuning, down 1/2 step:

(low to high) Db-Ab-Db-Gb-Bb-Eb

Spoken:

Intro

µ

two,

one, two, three, four.

C5

*Gtr. 2

*Gtr. 3divisi

f

mf

*Synth arr. for gtr.

**Gtr. 1 (dist.)

f let ring

**Two gtrs. arr. for one.

D5

910

1010

1013 10 13 10

3X013

3X013

3X013

3X013

3X013

3X013

013

3X013

3X013

9

1013

1013

10

1013

910

12 710

1010

1013 10 13 10

1013

1013

3X013

3X013

3X013

3X013

3X013

3X013

3X013

3X013

0000

00023

00023

00023

00023

00023

Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o

1



Bb

Gm

Gm(add9) Gm

Gtr. 2

Gtrs. 1 & 3 tacet

Riff A

*

mf

Bb Dm

let ring let ring

Gm

let ring

Bb Gm7

let ring let ring

DmEnd Riff A

let ring

*Chord symbols reflect implied harmony.

Gtr. 1

Gtr. 2: w/ Riff A

Bb

mf

Dm Gm Bb Gm7 Dm

10

1013

910

12 710

1010

1013 10 13 10

1013

1013

00023

00023

00023

00023

00023

00023

00023

0000

0000

13331

13331

13331

13331

13331

7

1013

10

1012

8

1010

1010

13 10 13 1010

1310

1310

13 1012

13331

13331

13331

01

5333

5333

5333

5333

5335

5333

5333

5333

13

1515

15

17

1918

19

10

1211

12

13

1515

15 015

1315

0

1817

18

8 12 12 5 5 8 8 5 5 0

Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.

2



Verse

2nd time, Gtr. 4 tacet

Bb5

No

I

1.

2.

bod

took

- y

a

- ev

shut

D5

er

tle

-

-

had

on

a

a

dream

shock

G5

’round

wave-

here,

ride

D5

but

where

I

peo

Bb5

don’t

ple-

real

on

ly

the

- mind

pen

G5

that

pull

it’s

the

*Gtr. 1

P.M.

*2nd time, resume playing mf .

start

trig

D5

ing

ger

-

-

to

for

get

ac

G5

to

co-

me.

lades.-

Bb5

No

I

bod

took

- y

a

- ev

bul

D5

er

let

-

-

pulls

and

the

I

seams

looked

G5

’round

in

here,

side,

D5

-

but

and

P.M.

I

run

Bb5

don’t

ning-

real

through

ly

my

- mind

veins

G5

that

an

it’s

A

start

mer

D5

-

ing

i

-

-

to

can-

get

mas

G5

to

quer-

me.

ade.-

Pre-Chorus

F

I’ve

I

got

still

this

re

en

mem

Gm

-

er

ber

-

-

gy

Grand

- be

ma-

-

P.M. let ring let ring

neath

Dix

C5

my

ie’s-

feet

wake,

Bb5

like

I’ve

some

nev

Eb

thing

er

-

-

un

real

der

ly

-

-

ground’s

known

F

- gon

an

na

y

-

-

come

bod

Dm

-

up

y-

and

to

car

die

Eb

ry

be

- me.

fore.-

let ring let ring let ring let ring let ring let ring

888

888

888

888

121212

121212

121212

121212

555

555

555

555

577

577

577

577

888

888

888

888

555

555

555

555

000

000

000

000

555

555

555

555

888

888

888

888

121212

121212

121212

121212

555

555

555

555

577

577

577

577

888

888

888

888

555

555

555

555

000

000

000

000

555

555

555

555

810

10

1010

12

11

12

1012

1312

810

11

06

8

8

88

10

10

105

7

6

76

8

8

8


3



F

I’ve

Red,

got

white

this

and

sen

blue

Gm

ti

up

- men

on

-

-

tal

a

- heart

birth

C5

that

day-

beats,

cake.

Bb5

but

My

I

broth

Eb

don’t

er,-

real

he

ly

was

- mind

born

F

that

on

it’s

the

let ring let ring let ring let ring let ring let ring

start

Fourth

Dm

ing

of

- to

Ju

get

ly,-

Eb

to

and

me

that’s

now.

all.

F

So

Why

why

D

do

do

you

you

waste

waste

my

my

time?

time?

let ring let ring let ring f let ring

Chorus

G5

Is the an

D5

swer- to the ques

Eb5

tion- on

F5

your mind?

Bb

And I’m

sick

G5

of all my judg

D5

es,- they’re

so

so

scared

scared

Eb5

of

of

what

a let

F5

they’ll

ting- me

find.

shine.

D5

But I

810

10

1010

12

11

12 1012

1312

810

11

06

8

8

88

10

10

10

57

6

76

8

8

88

10

10

57

7

55578

55578

55578

00023

11134

33356

1333

1333

XXX

55578

00023

11134

33356

00023

00023

XXXX

XXXX


4



C oT oda

D.S. al Coda

know

G5

that I can make

D5

it as long as some

Eb5

bod- y- takes

F5

me home

Bb

ev ’ry- now

Bm

and then.

Cm Cm7

D

Oh, have you

*

**Gtr. 4 (dist.)

Gtr. 1divisi

P.M.

mf

*Gradually lift P.M. **w/ mult i- tap de lay.

ev

BridgeGtr. 1 tacetGtr. 2: w/ Riff A (2 times)

Bb

er- seen the lights?

Dm Gm Bb

Gm7 Dm

Have you

Gtr. 4

1/2

ev

Bb

er- seen the lights?

Dm Gm Bb

Gm7 Dm

1/2

55578

55578

XXXX

XXXX

00023

11134

33356

1333

2443

3554

35X46

5777

57

57

57

57

57

57

57

57

15 17

57

57

57

57

15 18 1517

15 15 1517 17 15 15 7 7 15 17

15 18 1517

15 15 1517 17 15 14 14 14


5



Coda

some

Eb5

bod- y- takes

F5

me home,

Bb

F/A Gm

woo,

G/B

ev ’ry- now and

then,

Gtr. 2

f

Gtr. 1

Cm

Dm

ev ’ry- now and then.

Gtr. 2 8v a

Gtr. 3 8v a

Gtr. 1

11 10 11 1012

11

134

33

356

1

333

0

321

55

53

55

53

910

97

11 13 11 13 15 13

13 15 13 15 16 15

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

5776

5776

5776

5776

5776

5776

5776

5776

5776

5776

5776

5776

5776

5776

5776

5776


6



rit.

rit.

rit.

Slower q = 130

Half-time feel

Eb

F

You know,

Gtr. 2

*

Gtr. 3divisi

8v a

*8va applies to both gtrs.

Gtr. 1

I

Outro

***

**

Gtrs. 1, 2 & 3 tacet

Bb

see

Bb/D

Lon

Gm

don,- I

Eb

see Sam’s

Dm

Town,

Cm

Gtr. 4

Riff B

f

End Riff B

8v a

***Gang vocals, next 17 meas.

**Chord symbols reflect overall harmony.

holds

Gtr. 4: w/ Riff B (3 times)

Bb

my

Bb/D

hand

Gm

and lets

Eb

my hair

Dm

down,

Cm

rolls

Bb

that

Bb/D

world

Gm

right

off

Eb

my shoul

Dm

der.

Cm

- I

Bb

see

Bb/D

Lon

Gm

don,- I

Eb

see Sam’s

Dm

Town

Cm

1515

1515

17 15

1518 15 18 15 20

1718 2018 17

1817

1817

18

6888

6888

6888

6888

6888

6888

6888

6888

6888

6888

6888

6888

6888

6888

6888

6888

8101010

8101010

8101010

8101010

8101010

8101010

8101010

8101010

8101010

8101010

8101010

8101010

18 18 1718

1518 15 18

18 18 1718

1518 15 18

18 18 1718

1518 15

1715 18 15

1715 18 15

17


7



rit.

rit.

rit.

now.

Outro

w/ crowd noise (till end)

G

Gtr. 4

mf

1/2

*Gtr. 5Riff C

mf

End Riff C

*Bass and trombone arr. for gtr.

Gtr. 5: w/ Riff C

**Gtr. 6

mf

**Strings arr. for gtr.

Gtr. 4

let ring

Gtr. 4

Gtr. 5divisi

3

16 16 16 16 16 12 12 12 9 9 9

5 0 5 0 5 0 5 0 2 4

12 10 12 10 12 13 12 1015

7 7 7 7 7 9 7 50

5 45 7

47 5 4 2 2 4

55

25

12 15 1210

12

12 1210 12 14 12 14 12 14 15

14

1215

16 14 16 14 1214 12 14 12

12

54 5

5

2 4

5 5

5 7

5

4


8



Chorus

Moderately slow q = 69

Words and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci

Enterludefrom The Killers - Sam’s Town



We

Tune down 1/2 step:

(low to high) Eb-Ab-Db-Gb-Bb-Eb

hope

Am

you en joy

C

- your stay.

F

It’s

*Gtr. 1

mf

*Piano arr. for gtr.

w/ fingers

good

Am

to have you with

G

us, e ven- if

F

it’s just for the day

C G/B

We

hope

Am

you en joy

G

- your stay.

C F

Out -

0

210

3

553

1

321

0

210

3

543

1

321

3

013

2

033

0

210

3

543

3

553

1

321


1



side

Am

the sun is shin

G

ing,- it seems like heav

F

en- ain’t far a way.-

C G/B

It’s

good

Am

to have you with

G

us, e ven- if

F

it’s just for the day.

33

= Outro

*C G/B Am7


G5

**T

F5

**T = Thumb on 6th string

0

210

3

543

1

321

3

013

2

033

0

210

3

543

1

321

3

3 5 35 3 5 3

5

2 0

53 3 5 3

5 3 5 35

0 33

3

3

1

0 31


2



Moderately q = 130

When You Were YoungWords and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci




Tune down 1/2 step:(low to high) Eb-Ab-Db-Gb-Bb-Eb

Gtr. 1 (dist.)

Intro

*

F%

mp

f

8fr

13 4

F57fr

13 4

E55fr

13 4

D5

13 4

C5

13 4

B5

11

A5

2 3

G5

Fsus2Rhy. Fig. 1

*Vol. swell

Gtr. 2 (dist.)

f

Riff A

G5 A7(no3rd) C5 Fsus2

End Rhy. Fig. 1

End Riff A

8

07

10

10

X

XXX

X

XXXX

1330

1330

1330

1330

1330

1330

1330

1330

1330

000

0

000

0

XXX

XXX

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

XXX

XXX

3550

3550

3550

57

07

57

07

57

07

57

07 0

000

0000

8

0

1010

8

0

1010

8

0

1010

8

0

1010

8

0

1010

8

0

1010

8

0

1010 0

000

0000

1330

1330

1330

1330

1330

1330

1330

1330

5X7

5X7

5X7

X7

9X7

9X7

9X7

9

XXX

XXX

X10

12X10

12X10

12X10

12X10

12X10

12X10

12

XXX

XXX

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5


1



Gtr. 3 (slight dist.)

Gtr. 1: w/ Rhy. Fig. 1Gtr. 2: w/ Riff A

f let ring

G5 A7(no3rd) C5

let ring

Fsus2

Verse

**F5

You1. sit there in your

Gtr. 3 tacet

G5

heart

A5

ache,-

C5

wait ing- on some beau

F5

ti- ful- boy to,

Gtr. 3

***w/ delay

*Gtr. 4divisi

f Riff B

Gtr. 4 End Riff B

**Chord symbols reflect implied harmony.***Set for sixteenth-note regeneration w/ 6 repeats.

*Bass arr. for gtr.

Gtr. 4: w/ Riff B

to save you from your

G5

old

A5

ways.

C5

You play for give- ness.- Watch it

F5

now, here he comes. He

does

Chorus

F'9

n’t- look a thing like Je

G

sus

Am

- but he

C

talks like a gen tle- man,-

F'9

like you i mag- ined- when you

Fsus2

Gtr. 1

Riff C

let ring let ring let ring let ring let ring

End Riff C

Gtr. 2

Riff C1


End Riff C1

75

58

47

5

58

7

7

1 1 1 1 3 3 3 5 5 5 5 5 8 8 8 8 8 8 8 8 1 1 1 1 1 1 1 11 1 1 1

810

100

101012

12

1214

13

1514

130

810

100

1330

1330

810

100

10 121010

12

12

1214

13

1412 15

14

130

810

10

3X5

3X5


2



Gtr. 1: w/ Rhy. Fig. 1Gtr. 2: w/ Riff A

were young.

G5 A7(no3rd) C5

Fsus2

*Gtr. 5

f

*Synth. arr. for gtr.

VerseGtr. 5 tacet

F5

Can2. we climb this moun tain?-

G5

I don’t

A5

know.

C5

High er- now than ev -

(Ah.

Voc. Fig. 1

**Gtrs. 1 & 2

P.M.

**Composite arrangement

F5

er- be fore,- I know we can make it if we take

G5

it

A5

slow.

Ah.)

P.M. P.M.

1413

17 1512

1213

1413

17 15

14

8

10

8

10

8

10

8

10

8

10

8

10

8

10

8

10

10

12

10

12

10

12

12

14

12

14

12

14

12

14

12

14

15

17

15

17

15

17

15

17

15

17

15

17

15

17

15

17

810

810

810

810

810

810

810

00

810

810

810

810

810

810

810

810

1012

1012

1012

1214

1214

1214

1214

1214


3



C5

Let’s take it eas y.- Eas y

F5

- now, watch it go. We’re burn

ChorusGtrs. 1 & 2: w/ Riffs C & C1

F'9

ing- down the high way-

End Voc. Fig. 1

P.M.

Gtr. 5

sky

G

line

Am

- on the

C

back of a hur ri- cane-

F'9

that start ed- turn ing- when you

Fsus2

Gtr. 1: w/ Rhy. Fig. 1 (2 times)Gtr. 2: w/ Riff A (2 times)

were young,

G5 A7(no3rd) C5

Fsus2

when you

were young.


And3. some -

1517

1517

1517

1517

1517

1517

1517

1517

810

810

810

810

810

810

810

00

14

12 13 1512

12 14

1413

17 1512

1213

1413

17 15

14

14 1413

17 1512

1213

1413

17 15

14


4



Verse

F'9

times- you close your eyes

G

and

Am7

see the place

C

where you used to live

Gtr. 5

mf

Gtrs. 1 & 2

mf let ring let ring let ring let ring

F'9

when you

G

were young.

Interlude

Gtr. 1: w/ Rhy. Fig. 1 (2 times)Gtr. 2: w/ Riff A (2 times)Gtr. 5 tacet

Fsus2

Gtr. 6 (dist.)

f

let ring f

Gtr. 6


1215 15 12 13

1215

810

010

101012

012

1214

130

1514

013

15

15 12 1312

1521 21 21 21 21 21 21 21

810

010

8

010

10

8

010

10

8

010

10

8

010

100

1012

120

1012

120

1012

12

0000

21 21 21 21 21 21 21 21 21 21 21 21 12 12 12 14 14 14 14 14 14 14 14


5




Gtrs.1 & 2

F5 E5 D5

Gtr. 6 tacet

C5 B5 A5 G5

They say the

Gtr. 6

P.S.

Gtr. 5

f

Dev

Bridge

Gtrs. 1 & 2 tacet

Dm

il’s- wa ter,- it ain’t so sweet. You don’t

F

have to drink right now,

Am

Gtr. 5

mp

*Gtr. 7

w/ fingers

mf


1413

17 1512

1213

1413

17 15

14

XX

XX

XXX

XXX

13 1215 13 13 12

14 1212

1715

15

0765

8

10108

79

108


6



Em

but you can dip your feet

Am G

ev ’ry- once and a lit tle- while.

f

Gtr. 5 tacet

F

Gtr. 7 tacet

G5

A5 C5

F5

Fsus2

Gtr. 6

pp mf

Gtr. 6

Gtr. 1divisi

Gtr. 7

Gtr. 2

1518 17 15

7

987

0

141413

10

121210

12

1330

1330

8

10108

3X5

3X5


7



Hey!

InterludeGtr. 1: w/ Rhy. Fig. 1 (2 times)Gtr. 2: w/ Riff A (2 times)

Fsus2 G5 A7(no3rd)

(Say.

C5

f

Fsus2

Ah.)

G5 A7(no3rd)

C5 Fsus2

VerseBkgd. Voc: w/ Voc. Fig. 1Gtr. 1: w/ Rhy. Fig. 1 (2 times)Gtr. 2: w/ Riff A (2 times)

Fsus2

You4. sit there in your

Gtr. 6 tacet

G5

heart

A7(no3rd)

ache,-

C5

wait ing- on some beau

Fsus2

ti- ful- boy to, to save you from your

G5

old

A7(no3rd)

ways.

C5

You play for give- ness.- Watch it

Fsus2

now, here he comes. He

21 21 21 21 21 21 21 21 21 21 21 21 21 21 21 21 21 21 21 21 12 12 12 14

14 14 14 14 14 14 14 1420 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20

20 20 20 2012 12 12 14 14 14 14 14 14 14 14 14


8



does

Outro-Chorus

G

n’t- look a thing like Je sus- but he

C

talks like a gen tle- man,

G/B

-

A5

like you i mag- ined- when

G5

you

Gtr. 5

Gtrs. 1 & 2

*P.M. let ring let ring

*Gradually lift P.M.

Gtr. 1: w/ Rhy. Fig. 1 (4 times)Gtr. 2: w/ Riff A (4 times)

Fsus2

were young,

G5 A7(no3rd) C5

(Talks like a gen tle- man,-

Gtr. 5

Fsus2

like you i mag- ined

when

- when...)

you were young.

G5 A7(no3rd)

Gtrs. 5 & 6

1212

1212

1314

1314

15 12 15 1213

1212

13 12

1412

15 13 12

35

35

35

35

355

355

355

355

3554

3554

3554

3554

3554

3554

3554

3554

32

0

2 02

2

3X00

14 14 1413

15 1215 13

14 1413

17 1512


9



C5 Fsus2

I said, he does n’t- look a thing like

Je

G5

sus.

A7(no3rd)

-

C5

Fsus2

He

does n’t- look a thing like Je

G5

sus.

A7(no3rd)

-

C5

Fsus2

Gtrs.1 & 2

Gtr. 6 tacet

F5 E5 D5 C5 B5 A5 G5

But more than you’ll ev er- know.

Gtr. 5

1214

1317 15

14 1413

17 1512

1212

1314

1317 15

14

14 1413

17 1512

1213

1413

17 15

14

14

13 1215 13 13 12

14X12

15


10



Moderately q = 114

Bling

Words and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci



(Confessions of a King)


Intro

**F#

23

Em

2 34

G5

14 2

Aadd9

13421

Bm

34 2

Bm/A G/A

11 1

A

13 2

D

134111

F#m

13 2

D/A

B5

When I of fer- you

*Gtr. 1

w/ fingers

f *** pp mf


**Chord symbols reflect implied harmony.

***Vol. swell

sur viv- al,-

Gsus2

you say it’s hard e nough- to live.

Em11(no3rd)

It’s not so bad, it’s not so bad.

Gsus2 A

How do you know that

2

22

2

432

7

7

77

3

53

7

0

53

7

3

53

0

03 2 0


1



Gtr. 3(acous.)

Em

mf

you’re right?

Gtr. 2 (elec.)

w/ dist.

Riff A

mf

8v a

Harm.

loco

8v a

Harm.

loco

Harm.

8v a

loco

8v a

Harm.

loco 8v a

Harm.

loco 8v a

Harm.

loco 8v a loco

Harm. Harm.

8v a

Gtr. 1

G5

Aadd9

I1. a -

loco8v a

Harm.

loco8v a

loco

Harm.

8v a

Harm.

loco8v a

Harm.

loco8v a

Harm.

loco8v a

Harm.

loco8v a

Harm.

loco

End Riff A

8v a

Harm.

0 0 7 7 0 0 7 7 0 0 7 7 0 0 7 7 0 0 7 7 0 0 7 7 0 0 7 7 0 0 7 7

0

0 3 2 0

0 0 7 7 0 0 7 7 0 0 7 7 0 0 7 7 0 0 7 7 0 0 7 7 0 0 7 7 0 0 7 7

3

0

0

3 2 0


2



Verse

Gtr. 3

1st time, Gtr. 2: w/ Riff A (2 times)2nd time, Gtr. 2: w/ Riff C (2 times)

Rhy. Fig. 1

Bm Bm/A

woke

in and

on

out

the

of

road

fo

side,

cus,

-

- but I’m

in

push

the

ing-

Gtr. 1

Riff B

G5 G/A

land

on for

of

that

the

ho

free

ri-

ride.

zon.- I’m

I

push

can’t

ing-

End Riff B

Em G/A

on,

pull it an y- long er,-

now I’ve got

ooh,

that

the

2

0 3 2 0

3

0 3 2 0

0

0 3 2 0


3



BmEnd Rhy. Fig. 1

Bm/A

blow

sun

ing

is

- wind

beat

a

ing-

gainst

down

- my

my

face.

neck.

So you

So

sling

I

ran

Gtr. 1: w/ Riff BGtr. 3: w/ Rhy. Fig. 1

Bm

rocks

with

at

the

the rip

Dev

tide.

il.

-

-

Am I

Left

wrong,

a

Bm/A

Gtr. 2

Riff C

trail

G5

or

of

am

ex

I

cus-

right?

es,-

I

like

hit

a

the

G/A

End Riff C

bot

stone

Gtr. 2: w/ Riff C

Em

tom- with

on

a

the

“huh,”

wa

quite

ter.

strange.

-

I get my

The

G/A

glo

el

Bm

ry

e

-

-

in

ments-

the

de

des

cide-

ert

my

- rain.

fate. Watch

Watch

it

it

go.

go.

Bm/A

Gtr. 1

2

0 3 2 0

9 9 9 97 7

9 99 9

9 97 7

7 7 9 9 9 97 7

9 99 9

9 97 7

7 7

9 9 9 97 7

9 99 9

9 97 7

7 7 9 9 9 97 7

9 99 9

9 97 7

7 7

0

0 3

2

2 0


4



Gtr. 3

Gtr. 1 tacet2nd time, Bkgd. Voc.: w/ Voc. Fill 1

G5

*Gtr. 4

mf


Gtr. 2

A **

Chorus

Gtr. 3 tacet

Bm11

(Bling)

When I of fer- you

Riff D

8v a

**Chord symbols reflect overall harmony.

Voc. Fill 1

(When I of fer- you sur viv- )...-

(...al.)

12 14 12 15 14 12 12 12 14 12 15 14 12

3X0

033

3

0

0

X

33

3X0

032

12 14 12 15 14 12 12 15 14 15

14 1215

1219 17 19 17 19 17

19 1917 17

0

2220

0

000

0

000

0

223

0

223

0

14

1415

0

14

1415

0

14

1415

0

14

1415

0

141415

0

141414

0

141414

0

141414

0

141414

0

000


5



Dmaj7/F#

sur viv- al,-

Gadd 9#4

you say it’s hard e - nough to live.

End Riff D

8v a

Gtr. 4: w/ Riff D (3 times)Asus4

And

Don’t

I’ll

tell

tell

me

you

A

that

when

it’s

it’s

Dmaj7/F#

o

o

ver,

ver,

-

-

stand

shut up.

Gtr. 2

Rhy. Fig. 2

up.

Gadd

9#4

Poor and tired, but more than this.

End Rhy. Fig. 2

Gtr. 2: w/ Rhy. Fig. 2 (2 times)

Asus4

How do you know

A

that

Dmaj7/F#

you’re right if you’re not ner

Gadd 9#4

vous- an y- more?-

19 17 19 17 19 17

19 19

17 1719 19 17 19 17 19 17 19 19 17 17 19 19 17 19 17 19 17 19 19 17 17

X0

14

1414

X0

14

1414

X0

14

1414

X0

14

1414

X0

14

1414

X0

12

1414

X0

14

1415

015

015

015

015

015

014

015

014

015

014

015

015

014

014

015

015

014

015

014

015

014

015

015

00

00

0141415

0141415

0141415

0141415

0141415

0141414

0141414

0141414

0141414

0141414

X0

14

1414

X0

14

1414

X0

14

1414

X0

14

1414

X0

14

1414

X0

12

1414

X0

14

1415

015

015

015

015

015

014

015

014

015

014

015

015

014

014

015

015

014

015

014

015

014

015

015

00

00


6



1.

2.

Asus4

It’s not

A

so bad,

Dmaj7/F#

it’s not so bad.

Gadd 9#4

I2. feel my vi sions- slip ping-

Gtr. 1

Bridge

f

Rhy. Fig. 3

D

High

*Gtrs. 2 & 3

er- and high er,- we’re gon na- take it

Gtr. 4divisi

Gtr. 1

*****Riff E

f

f

End Riff E8v a

***8va applies to both gtrs.

**Refers to Gtr. 1 only.

Gtr. 5 (elec.)

Riff F

w/ dist.

mf

*Composite arrangement

Gtr. 1: w/ Riff E (2 times)

down to the wire. We’re gon na- make it

Gtr. 4 8v a

Gtr. 5

3 2 0

19 17 19 17 19 17

19 1917 19 17 19 17

14 15 1419 17

19

17 15 14

1917

X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15

19 17 19 17 19 17 20 20 19 19 17 19 17 19 17 20 20 19

X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15


7



G5 A Bm F#m

out of the fire,

Riff G

8v a

G5 AEnd Rhy. Fig. 3

Gtr. 1: w/ Riff E (2 times)Gtrs. 2 & 3: w/ Rhy. Fig. 3Gtr. 4: w/ Riff G (3 1/2 times)Gtr. 5: w/ Riff F

D

high er- and high er.- High er- and high er,- we’re gon na- take it

End Riff G

8v a

End Riff F

19 17 19 17 19 1719 19

17 19 17 19 17 19 1719 19

17

X12

15X12

15X12

15X12

15X12

15X12

15X12

15X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X9

12X9

12X9

12X9

12X9

12X9

12X9

12X9

12

19 17 19 17 19 17 20 20 19

X9

12X9

12X12

15X12

15X12

15X12

15X12

15X12

15X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14


8



down to the wire. We’re gon na- make it out

G5

of the fire,

A

Bm F#m G5 A

Gtrs.2 & 3

Gtr. 1: w/ Riff E (2 times)Gtr. 4: w/ Riff G (3 1/2 times)

D

high er- and high er.- High er- and high er,-

Gtr. 1 8v a

Gtr. 5

G5

we’re gon na- take it down to the wire.

A

We’re gon na- make it out, oh,

14 15 14 17 15 14

X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15

X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15 X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14

X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14

X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14


9



slight rit.

Gtrs. 2 & 3: w/ Rhy. Fig. 3 (last 2 meas.)

Bm F#m

high

G5

er- and high

A

er.-

Gtr. 1 8v a

Gtr. 5

*w/ delay

*Set for dotted eighth-note regeneration w/ 6 repeats.

Gtrs.2 & 3

OutroGtr. 1 tacet

D/AGtrs. 4 & 5 tacet

(Gtr. 2, cont. in notation)

Gtr. 3 tacet Gtr. 2 tacet

G5 Asus4

It ain’t hard to hold.

Gtr. 4

Gtr. 2

Gtr. 5

Gtr. 3

mf

Bm

When it shines

F#m

like gold,

slight rit.

G5

you’ll re mem

A5

- ber- me.

D

Gtr. 3

14 15 14 17 15 14 14 15 14 14 15 14

X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X9

12X9

12X9

12X9

12X9

12X9

12X9

12X9

12X9

12X9

12X12

15X12

15X12

15X12

15X12

15X12

15X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14

19002

32

X12

15

3X003

0223

24432

244222

3X003

022

0232


10



Intro

Moderately fast q = 140

For Reasons UnknownWords and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci




I

Tune down 1/2 step:

(low to high) Eb-Ab-Db-Gb-Bb-Eb

1.

µ

pack

*A5

my case,

III

7fr

13 4

A5

5fr

3211

A

7fr

12 4

A(b5)

11

E5

13 4

F#5

7fr

1333

E7fr

32 1

B

4fr

13 4

C#5

8fr

31 2

G#/B#

13 4

B5

9fr

31 1

C#m

3fr

14 3

G#/B#

I check my face,

Gtr. 1 (dist.)

mf P.M.


I look a lit tle- bit old

E5

er,- I look a lit tle- bit cold

B5

er.-

P.M.

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 7 7 7 7 7 7 7 7


1



With one

A5

deep breath, with

Gtr. 1

P.M.

Gtr. 2 (dist.)

*string noise

mf

*String noise caused by fingers sliding down open strings.

one big step, I move a lit tle- bit clos

E5

er,- I move a lit tle- bit

P.M.

7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

XX

5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0


2



clos

B5

er.- For rea

A5

sons- un known.- I2.

P.M. fdbk.

Pitch: C#

(cont. in slashes)

Gtr. 2

Verse

Rhy. Fig. 1

A5

caught my stride, I flew in flight.

Gtr. 1

Riff A

P.M.

A[b5] E

I know if des ti- ny’s- kind, I’ve got the rest

P.M.

7 7 7 7 7 7 7 7 79

79

79

79

79

79

79

79

57

7 7 7 7 7 7 7 7 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0


3



B G#/BEnd Rhy. Fig. 1

Pre-Chorus

Rhy. Fig. 2A

C#m

on my mind. But my heart, it don’t beat,

*Gtr. 3

Riff B

mf


Gtr. 1End Riff A Rhy. Fig. 2

P.M.

A

it don’t beat the way it used to. And my eyes,

End Riff B

P.M.

97 9

7

910

2 2 2 2 2 2 2 2 36

36

36

36

36

36

36

36

46

46

46

46

46

46

46

46

109

99

7 97

9 10 9 7

46

46

46

46

46

46

46

46

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02


4



Gtr. 3: w/ Riff B

E B

they don’t see no more.

Gtr. 1

P.M.

G#/B#End Rhy. Fig. 2A

Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A

C#m

And my lips, they don’t kiss, they don’t kiss

End Rhy. Fig. 2

P.M. Gtr. 3

A

the way they used to. And my eyes

E

don’t rec og- nize-

Riff C

you no more.

B G#/B#

For

End Riff C

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02 2

424

24

24

24

24

24

24

36

36

36

36

36

36

36

36

97 9

7

910

99

97 9

79 10 9 7

97 9

7

910

109

99

7 97

9 10 9 79


5



Chorus

Gtr. 1

Rhy. Fig. 3

E5Gtr. 3 tacet

F#5 C#5 B5End Rhy. Fig. 3

rea sons- un known.-

For

*Gtrs. 2 & 4

Rhy. Fig. 3A End Rhy. Fig. 3A

*Gtr. 4 (dist.), played mf . Composite arrangement

Gtr. 3

Gtr. 5 (fuzz)divisi

f Riff D

Gtr. 5End Riff D

**

**Gtr. 3 to left of slash in tab.

rea

Gtr. 1: w/ Rhy. Fig. 3 (1st 3 meas.)Gtrs. 2 & 4: w/ Rhy. Fig. 3A (1st 3 meas.)Gtr. 5: w/ Riff D

E

sons- un known.-

F#m

C#m

B

There was an o

A5

pen- chair. We3.

Gtr. 1

fdbk.

Pitch: G# C#

Gtrs. 2 & 4 Gtrs. 2 & 4

Gtr. 5divisi

fdbk.

***

***Gtrs. 2 & 4 to left of slash in tab.

99

99

99

99

99

99

99

99

1110

1110

1110

1110

1110

1110

1110

1110

119

119

119

119

119

119

119

119

98

98

98

98

98

98

98

98

9 9 9 9 9 8 8 8 89 9 9 9 6 6 6 6 6 6 6 7

6 6 6 6 6 6 6 7

9 9 9 9

24

4

24

4

24

4

24

4

24

4

24

4

24

4

24

4

02

2

02

2

02

2

98

98

98

98

798

98

98

98

79

79


6



sat

Verse

Gtr. 1: w/ Riff AGtr. 2: w/ Rhy. Fig. 1Gtrs. 4 & 5 tacet

A5

down in the o pen- chair. I said,

A[b5]

“If des -

E

ti- ny’s- kind, I’ve got the rest

B

on my mind.”

G#/B#

But my heart,

Pre-Chorus

Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (2 times)Gtr. 3: w/ Riff B (3 times)

C#m

it don’t beat, it don’t beat

A

the way it used to. And my eyes,

E

they don’t see you no more.

B

G#/B#

And my lips,

C#m

they don’t kiss, they don’t kiss

A

the way they used to. And my eyes

Gtr. 3: w/ Riff C

E


you an y- more.-

B G#/B#

For


7



rea

Chorus

Gtr. 1: w/ Rhy. Fig. 3 (2 times)Gtrs. 2 & 4: w/ Rhy. Fig. 3A (2 times)Gtr. 5: w/ Riff D (2 times)

E

sons- un known.-

Gtr. 3 tacet

F#m C#m

B

For

Gtr. 3

rea

E

sons- un known.-

F#m C#m

B

I said my heart,

Pre-Chorus

Gtrs. 2 & 4: w/ Rhy. Fig. 3A

E

it don’t beat,

F#m

it don’t beat

C#m

the way it used

B

to. And my eyes

Gtr. 1

(cont. in slashes)

Gtr. 1

E5 F#5 C#5 B5 III

G#/B#

don’t rec og- nize- you no more. And my lips,

Gtrs. 2 & 4

9

022

244

244

466

244

99

99

99

99

99

99

99

99

1110

1110

1110

1110

1110

1110

1110

1110

119

119

119

119

119

119

119

119

98

98

98

98

108

108

108

108


8



Rhy. Fig. 4

C#5 A5 E5 B5 G#/B#III

End Rhy. Fig. 4

P.M.

they don’t kiss, they don’t kiss the way they used to. And my eyes

Rhy. Fig. 4A End Rhy. Fig. 4A

Gtr. 1: w/ Rhy. Fig. 4Gtrs. 2 & 4: w/ Rhy. Fig. 4A

C#m


A

you no more.

E

B G#/B#

For

Chorus

rea

Gtr. 1: w/ Rhy. Fig. 3 (4 times)Gtrs. 2 & 4: w/ Rhy. Fig. 3A (4 times)Gtr. 5: w/ Riff D (4 times)

E

sons- un known.-

F#m

C#m

B

For rea

E

sons- un known.-

F#m C#m

B

For

119

119

119

119

119

119

119

119

76

76

76

76

76

76

76

76

645

645

645

645

645

645

645

645

98

98

98

98

108

108

108

108


9



Free time

rea

Gtr. 3: w/ Riff C (2 times)

E

sons- un known.-

F#m C#m

B

For

rea

E

sons- un known.-

F#m C#m

B

Gtr. 3

Outro

E5Gtrs. 1, 2, 3 & 5 tacet

Gtr. 1

fdbk.

Gtr. 5

Gtrs. 2 & 4

Gtr. 4

Harm.

8v a

Pitch: E

9

07

07

7

07

5


10



Intro


Read My MindWords and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci





*Gtr. 1

Rhy. Fig. 1

D

mf

Asus4 AEnd Rhy. Fig. 1


Verse


D

I’m1. on the cor ner- of Main Street

Asus4

just try’n’ to keep it in line.

A

D

You say you wan na- move on and

Asus4

you say I’m fall in’- be hind.

A

- Can you read my

*D

mind?

Bm7 **Bm7/F# Asus4

A

Can you read my

Gtr. 2 (dist.)

w/ reverb

Riff A

mf

End Riff A

*Chord symbols reflect overall harmony.

1

1 1/2

**Bass plays F#.

5423

54232

0223

0222

9 9 9


1



Gtr. 2: w/ Riff A

D

mind?

Bm7 Bm7/F# Asus4


mf

P.M.

P.M.

w/ chorus

A

Verse2nd time, Gtrs. 5 & 6 tacet

D

I

It’s

2.

3.

nev

fun

er

ny

-

-

real

how

ly

you

- gave

just

up

break

Bm7

on

down

Gmaj7/F#

Rhy. Fig. 2

P.M.

D/A

break

wait

in’

in’

-

-

out

on

of this

some

two

sign.

-

A

star town.

I pull up


D

I

to

got

the

the

front

green

of your

light,

End Rhy. Fig. 2

P.M.

drive

Bm7

I got a

way

lit

Gmaj7/F#

-

tle- fight.

D/A

with

I’m

mag

gon

ic

na

-

-

soak

turn

in’

this

- my

thing a

spine.

round.

A

-Can you read my

23

23

23

23

5423

5423

5423

54232

5423

5423

5423

5423

2423

2423

24232

00

5543

5543

5543

00

0

423

0

423

0

423

0

423

0

423

0

423

0

423

0

0

0

2220

0

2220

0

2220

0

2220

0

2220

0

2220

0

2220

0

0


2



C oT oda

Gtr. 2: w/ Riff A (2 times)

D

mind?

Bm7 Gmaj7/F# D/A

A

Can you read my

*Gtr. 4

Riff B

mf

End Riff B



Riff B1

w/ chorus

mf

slight P.M.

End Riff B1

Gtrs. 4 & 5: w/ Riffs B & B1

D

mind?

Bm7 Gmaj7/F# D/A

A

The

A good

teen

old

age-

days,

queen,

Chorus

G

the hon est- man.

D

The rest less

- heart,

A

the prom ised- land.

Gtr. 3

slight P.M.

Gtr. 5

Rhy. Fig. 3

7 8 710

7 8 7 7 8 710

7 8 7 7 8 710

7 89

40

4

3

40

4 40

4

3

40

4 40

4

3

40

2

0012

10

0012

10

0012

10

0012

10

0012

10

0012

10

0012

10

000

0

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10

0

X11

10

0

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10

0

X11

10

0

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10

0

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10

0

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10

000

0X910

9

0X910

9

0X910

9

0X910

9

0X910

9

0X910

9

0X910

9

0X910

9

787

787

787

787

787

787

787

787

111010

111010

111010

111010

111010

111010

111010

111010

9109

9109

9109

9109

9109

9109

9109

9109


3



A sub tle- kiss

G

that no one sees.

D

A bro ken- wrist

P.M. P.M. P.M. P.M.

A

and a big tra peze.- So what? I don’t mind

G

if you don’t mind,

P.M. P.M. P.M.

00

91010

00

91010

00

91010

00

000

00

1210

00

1210

00

1210

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000

0

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10

0

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10

0

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10

0

X11

10

0

X11

10

0

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10

0

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10

000

9109

9109

9109

9109

9109

9109

9109

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787

787

787

787

787

787

787

787

111010

111010

111010

111010

111010

111010

111010

111010

0X9109

0X9109

0X9

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109

0X9

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00

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00

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00

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00

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000

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787

787

787

787

787

787

787

787


4



D.S. al Coda

D

’cause I don’t shine

A

if you

*F#7/A#

don’t shine.

Bm

Be fore

D

- you go,

Gtr. 3

Gtr. 5

Gtr. 6 (dist.)

Fill 1

f

End Fill 1

*Bass plays A#.

G

can you read my mind?

A

3

End Rhy. Fig. 3

Riff C End Riff C

0

X1110

0

X1110

0

X1110

0

X1110

0

X1110

0

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0

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000

9109

9109

9109

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9119

9119

9119

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111210

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111010

111010

111010

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111010

111010

9109

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9119

9119

9119

9119

111210

111210

111210

111210

775

775

775

775

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11X9

11X9

11X9

11

0087

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787

787

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16

12

14X12

14

10

12X10

12

10

12X12

14

10

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12

9

11X9

11


5



Coda

Chorus

Gtr. 5: w/ Rhy. Fig. 3

G

the load ed- gun.

D

The drop

dead

dream,

A

the cho sen- one.

Gtr. 3

A south ern- drawl

G

and a world un seen.-

D

A cit y- wall

A

and a tram po- line.- Oo, well, I don’t mind

G


D

’cause I don’t

shine

A

if you

F#7/A#

don’t shine.

Gtr. 6: w/ Fill 1

Bm

Be fore

D

- you jump

01210

01210

01210

01210

01210

01210

01210

000

0

X11

10

0

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10

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10

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10

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109

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109

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109

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0X9

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000

0

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10

0

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10

0

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10

0

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10

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10

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9119

9119

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111210

111210

111210

000

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11109

11109

11109

000


6



Gtr. 6: w/ Riff C

G

tell me what you find.

A

Can you read my

Guitar Solo

Gtr. 3 tacet

Bm

mind?

A

*Gtr. 7 (dist.)

f

*Two gtrs. arr. for one.

Gtr. 7

G D A/C# Bm A

let ring 1/2 1/2

1

G A

1/4

0087

0087

0087

0087

0087

0087

0087

0087

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0087

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0X9

109

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0X111010

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0X111010

0X111010

0X111010

0X111010

0X111010

0X111010

0X111010

0X111010

0X111010

0X111010

0X111010

0X111010

0X121010

0X121010

0X121010

0X121010

0X121010

0X121010

X15

X15

X15

X15

X15

X15

X15

X15

010

X10

X10

010

010

X10

X10

X10

8 8 10 1077

77 8 8 5 7 5 7 7

00

707 7 7

00

005

007

005 7 7

08 7 5

7 705 5

75

7 7 6 75

7 7

08

7

08

7

08 10 10 10 10

0010

00

12 12 12 12 14 14 14 14 15 15 15 15 17 17 17


7



Slip pin’- in my faith

Bridge

G

un til- I fall,

Gtr. 7 tacet

D

he nev er- re turned-

Gtr. 3

Gtr. 5

Rhy. Fig. 4

Gtr. 7

Gtr. 8(dist.)divisi

Gtr. 7

mp

Gtr. 8

1

*

*Gtr. 7 to the left of slash in tab.

1

A

that call. Wom an,- o pen- the door


G

and don’t let it sting.

Gtr. 3

P.M. P.M. P.M.

Gtr. 5

End Rhy. Fig. 4

Gtr. 8

001210

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00

1210

00

1210

00

1210

000

0

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10

0

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10

0

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10

0

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10

0

X11

10

0

X11

10

0

X11

10

000

121210

121210

121210

121210

121210

121210

121210

121210

111010

111010

111010

111010

111010

111010

111010

111010

1717 17 17 17 17 17015

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12X10

12X10

12X10

12X9

11X9

11X9

11X9

11X9

11X10

12X10

12

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12X12

14X12

14X9

11

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0X9

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00

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91010

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91010

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9109

9109

9109

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

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7X9

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12X10

12X10

12X10

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14X12

14X9

11


8



D

I wan na- breathe that fire

A

a gain.- She said, “I

(I

don’t

don’t

mind

Gtr. 3

Gtr. 8

Bm


A

’cause I don’t shine

G

if

you don’t shine.

D

Put your back

*A/C#

on me,

mind if you don’t mind. I don’t shine if you don’t shine. I don’t

Gtr. 3

let ring let ring

Gtr. 5

Gtr. 8

*Bass plays C#.

0

X11

10

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10

0

X11

10

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10

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10

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10

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12

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7X9

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7X9

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12X10

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12X9

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7

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111210

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111210

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9109

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787

787

787

787

787

787

787

111010

111010

111010

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9109

9109

9109

9109

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

4X6

4X6

4X6

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4X6

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4X6

4X6

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5X7

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5X7

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5X7

5X7

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11X9

11X9

11X9

11

7X9

7X9

7X9

7X9


9



Bm

ah, put your back on me,

A

ah, put your back on

G

me.” Oo.

mind if you don’t mind.)

Outro

Gtrs. 5 & 8 tacet

D Bm7 *Bm7/F# Asus4

A

D

The stars are blaz ing- like

Gtr. 3

P.M.

*Bass plays F#.

111210

111210

111210

111210

111210

111210

111210

000

0X9109

0X9

109

0X9109

0X9109

0X9109

0X9109

0X9109

000

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0087

0087

0087

0087

0087

0087

0087

0087

0087

0087

0087

0087

0087

0087

0087

111210

111210

111210

111210

111210

111210

111210

111210

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9109

9109

9109

9109

9109

9109

9109

787

787

787

787

787

787

787

787

787

787

787

787

787

787

787

787

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

4X6

4X6

4X6

4X6

4X6

4X6

4X6

4X6

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

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11X9

11X9

11X9

11X9

11X9

11X9

11

54 4

04

3

40

4 2 XX

XX


10



reb

Bm7

el- di

Bm7/F#

’monds- cut

Asus4

out of the sun.

A

Can you read my

P.M.

Gtr. 2: w/ Riff A (2 times)Gtrs. 4 & 5: w/ Riffs B & B1 (2 times)

D

mind?

Bm7 Gmaj7/F# D/A

P.M.

A

(Ah.

D

Bm7

Gmaj7/F#

P.M. P.M.

D/A

A

Ah.)

D

P.M. slight P.M.

40

43

40

2 2 2 2 2 2 2 2 2

5423

5423

5423

54232

5423

5423

5423

5423

2423

2423

24232

00

5543

5543

5543

00

0423

0423

0423

0423

0423

0423

0423

00

02220

02220

02220

02220

02220

02220

02220

00

5423

5423

5423

54232

5423

5423

5423

5423

2423

2423

24232

00

5543

5543

5543

00

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0423

0423

0423

0423

0423

0423

00

02220

02220

02220

02220

02220

02220

02220

00

5423


11



Intro


Uncle JonnyWords and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci




1.

2.


Gtr. 1 (dist.)

*

Riff A

Bm

f


Ah.

**

End Riff A

**Fade in

Gtr. 1: w/ Riff A

Bm

***

***Chord symbols reflect o verall harmony.

G

F#sus4 G F#sus4

When1.

ev

Verse


Bm

’ry- bod- y- else re frained,- my un cle- Jon ny- did co caine.-

G F#sus4

He’s con -

vinced

Bm

him self - right in his brain that it helps to take a way- the pain.

G

Hey,

F#sus4

Jon -

40

40

40

40

40

42

43

45

40

42

43

450

450

450

450

450

43

42

43

42

43

42

40

40

40

40

40

42

43

45

40

42

43

450

450

450

450

450

43

42

43

42

43

42


1



Interlude

Gtr. 1: w/ Riff A

Bm

ny.-

G

Hey, what you say,

F#sus4

Jon ny?- I2.

wan

Verse


Bm

na- go out to night,- come a lit tle- clos er- to the cit y- lights.

G F#sus4

Lev i- -

ta

Bm

tion- ain’t your on ly- friend, lev i- ta- tion- com in’- back a gain.-

G F#sus4

You feel the

burn

Pre-Chorus


G

in’- in your bod y’s- core,

F#sus4

it’s a yearn

Em7

ing- that you can’t ig nore.- And I

Gtr. 2 (dist.)

Riff B

f

8v a

wan

Bm

na- go out to night.- S, s, s, su

AsusÊ

per- man- and hold on tight. And he’s con -

8v a

16

17 14

1617 15

14 16

17 14

1617 15

14 16

17 14

1617 15

1615

17 14

1617 15

1615

1517 14

1617 15

14 16

17 14

1617 15

14 16

17 14

1617 15

1615

17 14

1617 15

14


2



vinced

G

him self - right in his brain

AsusÊ

that it

Gtr. 2 8v a

Gtr. 1

Riff C End Riff C

helps

Chorus

Dsus2

to take a way

D,9/C#

- the pain.

Gtr. 2 tacet

Bm7

Hey,

D5/A

Jon

G5

ny.-

Asus4

Hey, what you say, Jon ny?-

Gtr. 2

8v a

End Riff B

*Gtrs. 1 & 3

Rhy. Fig. 1


End Rhy. Fig. 1

*Gtr. 3 (dist.), played f . Composite arrangement

Interlude

Gtr. 1: w/ Riff AGtr. 3 tacet

Bm

G F#sus4

My3.

16

17 14

1617 15

1615

17 14

1617 15

1615

40

40

40

40

40

42

43

45

40

42

43

450

450

450

450

450

43

42

43

42

40

15

0230

20230

2

4X230

2

4X230

2

2X23

2

2X23

2

0023

2

0023

2

3X003

0

3X003

0

3X003

0

3X003

000

0223

0223

0223

0223

0223

0223

0223

0223


3



ap

Verse


Bm

pe- tite- ain’t got no heart, I said my ap pe- tite- ain’t got no heart.

G F#sus4

Shock in’-

peo

Bm

ple- when you feel that pull. Shock ’em, drop ’em when you know it’s full.

G F#sus4

I feel the

burn

Pre-Chorus

Gtr. 1: w/ Riff A (2 times)Gtr. 2: w/ Riff B

G

in’- in my bod y’s- core,

F#sus4

it’s a yearn

Em7

ing- that you can’t ig nore.- Now I

got

Bm

ta- go out to night.- Hey, Jon ny,- I got faith

AsusÊ

in ya, man, I mean it. It’s gon na- be

3

al right.- And he’s

con

vinced

Gtr. 1: w/ Riff C

G

- him self - right in his brain

AsusÊ

that it

helps

Chorus

Gtrs. 1 & 3: w/ Rhy. Fig. 1 (3 times)

Dsus2

to take a way

D,9/C#

- the pain.

Bm7

Hey,

D5/A

Jon

G5

ny.-

Asus4


Dsus2

(Tell us what’s

D,9/C#

go in’- on.

Bm7

Feels like ev

D5/A

’ry- thing’s- wrong.

G5

Asus4



4



Dsus2

If the fu

D,9/C#

ture- is real,

Bm7

Jon ny,- you’ve

D5/A

got to heal.)

G5

Asus4


Outro

Gtr. 1: w/ Riff A (1 3/4 times)

Bm

G

F#sus4

*Gtr. 4

Bm

mf

8v a

*Kbyd. arr. for gtr.

Gtr. 4 tacet

G F#sus4

When ev

Bm

’ry- bod- y- else re frained,- my

Gtr. 1

let ring

un

B5/F#

cle- Jon ny- did

E5

co caine.-

D6(no3rd) C#m7(no3rd) poco rit.

B5

let ring let ring poco rit.

let ring let ring

17 19 1720 19 20 19

19 1917 19

19

450

450

450

450

450

43

42

43

42

43

0

2

40

4

2

40

4

2

40

4

2

40

4

44

04

24

04

04

04

4

40

4

2


5




BonesWords and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci




Intro

(Come

µ

with me.)

1 3 1 2 1

Bm7

21 3

Amaj7

34 2

E

1 3 4 1 1 1

F#m

11 1

Dmaj7

*Gtr. 1

f


Gtr. 2(dist.)

Amaj7

mf

Bm7 F#m E

Gtr. 1

Dmaj7 E

(cont. in notation)

We1. took a

let ring

17 1417

1417 14

1714

17 1417

1417

14 17 17 1417

16


1



back

Verse

*

Gtr. 1 tacet

C#m7

road, we’re gon na- look

Dmaj7

at the stars. We took a back

Bm7

road in my car.

Gtr. 2

P.M.

P.M.

P.M.

P.M.

P.M.

*Chord symbols reflect o verall harmony.

C#7

Down to the o

F#5

cean.- It’s on ly- wa

Dmaj7

ter- and sand, and in the

P.M. P.M. P.M. P.M. P.M. P.M.

o

G#m7b5

cean- we’ll hold hands.

C#7

But I don’t real ly- like

C#m7

you, a pol- o- -

P.M. P.M. P.M. P.M. P.M.

get

Dmaj7

i- c’ly- dressed in the best.

Bm7

Put on a heart beat- glide.

C#7

With out- an


464

46

46

46

46

46

46

46

576

57

57

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57

57

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00

244

24

24

244

24

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00

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46

46

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44 4

600

244

24

24

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24

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57

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454

45

45

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00

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24

24

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24

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46

46

4646

46

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4646

000


2



an

F#m

swer-

F#m7

the thun der- speaks

Dmaj7

for the sky, and on the cold

G#m7b5

wet dirt I

P.M. P.M. P.M. P.M. P.M.

cried.

C#7 Dmaj7

And on the

P.M.

cold

C#5

wet

B5

dirt

A5

I

G#5

cried.

F#m E

Don’t you wan na-

come

Chorus

Amaj7

with me? Don’t you wan na- feel

Bm7

my bones

F#m

2442

24

24

2422

242

242

2422

000

5767

57

57

5767

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57

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000

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45

45

454

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000

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2X4

002

4X6

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244222

244222

244222

244222

0000

022100

022100

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022100

022100

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02120

02120

02120

02120

02120

02120

02120

02120

02120

02120

02120

02120

0000

0000

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24232

24232

24232

0000

244222


3



E

on your

Dmaj9

bones? It’s on ly-

E

nat u- ral.- A2. cin e- mat- ic- vi

Verse

C#m7

sion- en sued-

P.M.

Dmaj7 B5

like the ho li- est

3

- dream.

E

Is some one-

P.M. P.M. P.M. P.M.

call

F#5

ing?- An an gel- whis

Dmaj7

pers- my name, but the mes

G#m7b5

sage- re

3

layed- is the

3


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5767

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57607

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24

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24

24

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24

24

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24

24

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00 5

76

57

57

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57

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000

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45

45

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45

45

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4



same:

C#7 Dmaj7

(Wait till to mor

- row,- you’ll be

fine.)

E

But it’s gone to the dogs in my mind. I al

C#m7

ways-

let ring

hear

Dmaj7

them when

Bm7

the dead

C#7

of

night

F#m

comes call

Dmaj9

ing- to save

G#m7b5

me

464

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00000

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2423

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4646

4646

4646

4646

4646

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000

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2442

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07

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4547

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5



from

C#7

this fright.

Dmaj9

But they can

nev

C#5

er

B5

- wrong

A5

this

G#5

right.

F#m E

Don’t you wan na- come

Chorus

Amaj7

with me? Don’t you wan na-

feel

Bm7

my bones

F#m E

on your

Dmaj9

bones?

464

464

464

464

464

464

464

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07

576

07

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07

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07

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07

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07

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07

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07


6



It’s on ly

E

- nat u- ral.- Don’t you wan na-

()

swim

Amaj7


Bm7

my skin

F#m

E

on your

Dmaj9

skin? It’s on -

ly

E

nat u- ral.-

(Nev

Bridge

F#m

Female: er- had a lov er.-

ISpoken: nev er-

3

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57607

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7



had

C#/E#

a lov er.-

Nev

E

er- had soul.

I nev

B7

er- had soul.

Nev

Asus2

er- had a good

And I

time.

nev er- had

C#m7

a good time.

Nev

D

er- got told.)

And I nev er-

3

got

E

told.

Don’t you wan na-

let ring

come

ChorusGtr. 2 tacet

A


Bm7

my bones

F#m E

on

*Gtr. 3

Rhy. Fig. 1


14312

022100

21202

02200

46

06

0

5577

07

022100

0 0 0 0 0 022100

0 0 0 0 022100

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0119109

9111010

9111110

7999


8



your

D

bones? It’s on ly

E


End Rhy. Fig. 1

swim


A


Bm7

my skin

F#m E

on

Gtr. 1

Riff A

your

D

skin? It’s on ly

E


End Riff A

come

Gtr. 1: w/ Riff A

Amaj7

with me?

Dmaj7

Don’t you wan na- feel

E

my bones

F#m

Gtr. 2

Rhy. Fig. 2

5777

5

7999

7

14 12

14

14 12

14

14 12

14

14 12

14

14 12

14

14 12

14

14 12

13

14 12

13

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02120

02120

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0000

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0000

244222


9



poco rit.

poco rit.

E

on your

Dmaj9

bones? It’s on -

ly

E

nat u- ral.- Come and take a swim


Amaj7

with me.

Dmaj7

End Rhy. Fig. 2Gtr. 1

Don’t you wan na- feel

E

my skin

F#m E

on your

Dmaj9

skin?

E

Gtr. 2

Amaj7

It’s on ly- nat u- ral.-

24422

2

24422

2

24422

2

000

0

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0

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0

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14

14

14 12

14

14 12

14

14 12

14

14 12

14

14

14 12

14

14 12

13

14 12

13


10




My ListWords and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci




Intro

(Percussion)

µ

(Percussion & bass)

µ(C5)*Gtr. 1

23 1

Am

1342

F

32 1

C

32

G

23

Em

mp

8v a


Gtr. 1

C Em F C Em

8v a

**Gtr. 2

w/ fingers

mp

**Piano arr. for gtr.

F G Am F C G

8v a

17

17 1518 17 15 17 18 17 15

1717

17 1518 17 15 17 18 17 15

3

0

2

3

3

5

3

0

3

0

2

3

1517

17 1517

17 1518 17 15 17 18 17 15

1717

16

17

3

5

5

7

7

8

3

5

10

12

5

7


1



C

Em F C

Let1. me wrap

Verse

*

Gtr. 1 tacet

C

my self - a round-

Em

you, let you

8v a


show

F

me how I see.

C

And when you come back in from no

Em

where,- do you

Gtr. 2

ev

F

er- think of me?

G Am

Your heart

F C

is not a

G

ble.-

C

Let me show

Em

you how much

F

I care.

C

I2. need those eyes

let ring

17 15 18 17 15 17 18 17 1517

3

0

2

3

3

5

3

0

32

33 3

2

30 2

3

10

3

0

2

3

3

5

3

0

0


2



Verse

C

to tide me o

Em

ver,- I’ll take your pic

F

ture- when I go.

C

Gives me

3

let ring

let ring

let ring

strength and gives me pa

Em

tience,- but I’ll nev

F

er- let you know.

G

I got

3

let ring let ring let ring let ring

noth

Am

in’- on you, ba

F

by,- but I al

C

ways- said I tried.

G3


C

Let me show

Em

you how much

F

I care.

C

But

let ring let ring let ring

3

01

0

0

20

3

1

12

3

1

3

0

0

3

01

0

0

20

3

1

12

3

3

3

2

0

01

2

0

1

1

3

3 01 3

3

0

3

01

020

3

1

12

3

1

3


3



some

Pre-ChorusGtr. 2 tacet

Am

times- it gets hard, and don’t she know.

*Gtr. 3 (dist.)

f

*Two gtrs. arr. for one.

Gtr. 2

Interlude

Rhy. Fig. 1

Dm7/C Cmaj7 F/C G/C F6 Cmaj7/E F/A GEnd Rhy. Fig. 1

Gtr. 3

Rhy. Fig. 1A

mf

End Rhy. Fig. 1A

**Gtr. 4 (dist.)

Rhy. Fig. 1B

f P.M.

End Rhy. Fig. 1B

**Two gtrs. arr. for one.

Don’t

Chorus

Gang Vocals:

Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A (3 times)Gtr. 4: w/ Rhy. Fig. 1B

Dm7/C

give the ghost

Cmaj7

up, just clench

F/C

your fist.

G/C

You should a- known

F6

by now

Cmaj7/E

you were on

F/A

my list.

G

02210

12101010

12101010

12101010

12101010

14121212

14121212

14121212

14121212

15141313

15141313

15141313

15141313

17161515

17161515

17161515

12101010

12101010

12101010

12101010

14121212

14121212

14121212

14121212

15141313

15141313

15141313

15141313

17161515

17161515

17161515

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

35

35

35

35

35

35

35

35

35

35

35

35

35

3X5

5X7

7X9

X8

10X8

10

10

12

8

10

7X9

7X9

8

10

7

9

5X7

5X7

7

9

5

7

3X5

3X5

3X5

3X5


4



Don’t

Dm7/C

give the ghost

Cmaj7

up, just clench

F/C

your fist.

G/C

You should a- known

(Don’t give the ghost up.

Gtr. 4

F6

by now

Cmaj7/E

you were on

F/A

my list.

G

Voc. Fig. 1

Should a- known by now, should a- known by now.)

Don’t

Dm7/C

give the ghost

Cmaj7

up, just clench

F/C

your fist.

G/C

You should a- known

(Don’t give

End Voc. Fig. 1

the ghost up. You should a- known

810

810

810

810

810

35

810

810

810

810

810

35

810

810

810

810

810

35

810

810

810

810 5

X7

7X9

X8

10X8

10

10

12

8

10

7X9

7X9

8

10

7

9

5X7

5X7

7

9

5

7

3X5

3X5

3X5

3X5

810

810

810

810

810

35

810

810

810

810

810

35

810

810

810

810

810

35

810

810

810

810 5

X7

7X9


5



Bkgd. Voc.: w/ Voc. Fig. 1

F6

by now

Cmaj7/E

you were on.

F/A G

by now you were on my list.)

Gtr. 5 (dist.)

mp

1/21 1

Gtr. 4

Gtr. 3

BridgeGtr. 4 tacet

Am F C G

When your heart is not a ble,-

Gtr. 2

8v a

Gtr. 5

1 1 1

10 10

X8

10X8

10

10

12

8

10

7X9

7X9

8

10

7

9

5X7

5X7

7

9

5

7

3X5

3X5

3X5

3X5

17 17

20 20 19 1920 18 18

20 20 19 1918 18 17 17

20 20 19 1917

19 19

20 20 19 19

19 19

88 8 8 8

10 10 10 0


6





C Em F C

(cont. in notation)

you.)

let me show you how much I care. Oh.

Gtr. 2divisi

Gtr. 18v a

1 1 1

Gtr. 1

Gtr. 5divisi

*

Gtr. 2 tacet

C Em F CGtr. 5 tacet

Gtr. 1

Em8v a

*Applies to Gtr. 1 only.

Gtr. 3

fdbk.

F C

8v a

C5

17 17

20 20 19 1920 17 17

20 20 19 1920

151415

151413

151415

171717

17

78

5 78

7 58

7 5

7

7

17 1518 17 15 17 18 17 15

1717

17

17 1518 17 15 17 18 17 15

32010

32010

17

32010


8





E

The1.

**

leaves

Verse

Gtrs. 1 & 2 tacet

E

are fall in’- down on the beau ti- ful- ground. I heard a

Gtr. 1

Gtr. 2

*Gtrs. 3 & 4 (dist.)

*Composite arrangement **Chord symbols reflect overall harmony.

sto

Gtrs. 3 & 4 tacet

C#m7

ry- from the man in red. He said, “The leaves

E

are fall in’- down, such a

beau ti- ful- sound, son, I think

C#m7

you bet ter- go a head.”- But you

Gtrs. 3 & 4

***Harm.

***Produce harmonics by lightly touching the 6th string over the frets and sliding in the direction indicated in the tab staff while picking sixteenth-notes.

†

†Harmonic located approximately 1/3 the distance between the 2nd and 3rd frets.

2.3 2.3

999

0

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0 06X8

06X8

06X8

07

9X X

7

9

12


2



al

E

ways- hold your head up high, ’cause

F#5

it’s a

G#5

long,

C#m7

long, long way down.

Rhy. Fig. 2

P.M.

End Rhy. Fig. 2

P.M.

This town

B5

was made

G#5 E

for pass in’- through, but it ain’t noth in’- new. Now

F#5

go and

G#5

P.M.

P.M.

show

C#m7

’em that the world stayed round. But

B5

it’s a

E5

Interlude

long,

A


P.M.

Gtr. 5 (dist.)

Gtrs. 3 & 4divisi

*w/ delay & octaver

mf

*Delay set for eighth-note regeneration w/ 1 repeat. Set octaver for one octave above.

**

Gtrs. 3 & 4 tacet

E/G# F#m

C#m7

Gtr. 5

**Bass plays G#.

02

02

02

02

02

02

02

02

02

02

02

02

02

24

24

46 4

646

46

46

46

46

46

46

46

46

46

46

46

24

24

46

02

02

02

02

02

02

02

02

02

02

02

02

02

24

24

46

46

46

46

46

46

46

46

46

46

46

46

46

024

624

24

02 12

119

10 10 10 9

119

9 11 11 11 9

97

67 7 7

9

76

45 5 4

4


3



E A,9 E/G#

B

You2. bet ter- run

Verse

E

for the hills be fore- they burn. Lis ten

F#5

- to the

G#5

Gtr. 5

Gtrs. 3 & 4

Rhy. Fig. 3

P.M.

sound

C#m7

of the world, don’t watch it turn. I just

B5

wan na

G#5

- show

F#m['11]

you what I know,

Gtr. 5

Gtr. 6 (clean)

Riff B

mf let ring

Gtrs. 3 & 4

P.M. End Rhy. Fig. 3

76

45 5 4

4

76

45 5 4 5

76

45 5 4

4

99

8

7 710 9 9 9 7

9

02

02

02

02

02

02

02

02

02

02

02

02

02

24

24

46

9

7 79 10

44

24

02

4

46

46

46

46

46

46

46

46

46

46

46

46

46

24

24

46

24


4



G#m[b13]

and catch you in the cor

A'9

ner- and let you go.

B'11

Or should I just

let ring let ring

End Riff B

let ring

get

Pre-Chorus

Gtrs. 5 & 6 tacet

E

a long- with my self?- I nev

E,7

er- did get

C#m7

a long- with ev ’ry- bod- y- else. I’ve

B

been try in’-

Gtr. 3

Riff C End Riff C

Gtr. 4

Riff C1 End Riff C1

10 9 9 79

66

46

00

46

77

67

06

76

99

89

00

89

24

46

46

57

57

79

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

06X8

6X8

6X8

0

X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9

06X8

6X8

6X8

0

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

06X8

6X8

6X8

04X6

4X6

4X6

4X6

4X6

4X6

4X6

4X6

4X6

4X6

4X6

02X4

2X4

2X4

0


5



hard

Gtrs. 3 & 4: w/ Riffs C & C1

E

to do what’s right, but you

E,7

know I

C#m7

could stay here all night

B

** F#m/A

and

A5

watch the

A%

clouds

A,7

fall

***

from

E'4/G#

the sky.

F#m11

Well, this riv

B5

er- is wild.

*Gtrs. 3 & 4

let ring


**Bass plays A. ***Bass plays G#.

E

Chorus

Gtr. 3: w/ Riff CGtr. 4 tacet

E,7 C#m7

This riv er- is wild.

B

E

E,7 C#m7

B µ

Gtr. 3

Gtr. 4

046

046

046

079

079

079

0911

0911

09

11

01113

01113

01416

01416

01416

01618

000

22

44

24

0

4200

244

244

244

244

244

244

244

0

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

06X8

6X8

6X8

0

X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9

06X8

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

0

X11

13

06X8

6X8

6X8

04X6

4X6

4X6

4X6

4X6

4X6

4X6

4X6

4X6

4X6

4X6

02X4


6



Run

Verse

3.

Gtrs. 3 & 4: w/ Rhy. Fig. 3 (1 1/2 times)

E

for the hills be fore- they burn. Lis ten

F#5

- to the

G#5

sound

C#m7

of the world, then watch

it turn but shake a

B5

lit tle.

G#5

- Some

E

times- I’m ner vous- when I talk, I shake a

F#5

lit tle.

G#5

-

Some

C#m7

times- I hate the line I walk. I just

B5

wan na

G#5

- show

Gtr. 6: w/ Riff B

F#m['11]

you what I know,

Gtrs. 3 & 4

P.M.

Rhy. Fig. 4

G#m[b13]


A'9


B'11

Or should I just

3

End Rhy. Fig. 4

get

Pre-Chorus

E

a long- with my self?- I nev

E,7/G#

er- did get

Gtrs. 3 & 4 tacet

C#m7

a long- with ev ’ry- -

46

46

46

46

46

46

46

46

46

46

46

46

46

24

24

46

24

46

57

57

79

0


7



bod y- else. I’ve

B

been try in’- hard

E

to do what’s right, but you

E,7/G#

know I

C#m7

could stay here all night

B F#m/A

and

A5

watch the

A%

Gtrs. 3 & 4

A,7 E'4/G# F#m11

Gtr. 1

C#m

clouds fall from the sky, be cause- this riv er-

(Oh,

is wild.

Gtrs. 3 & 4

Gtr. 2divisi

let ring

Chorus

Bkgd. Voc.: w/ Voc. Fig. 1Gtr. 1: w/ Rhy. Fig. 1Gtr. 2: w/ Riff AGtrs. 3 & 4 tacet

B A,7

God speed- you, boy.

G#m7 A C#m


B A,7 G#m7

Now4.

A

Ad -

oh. Oh, oh.)

046

046

046

079

079

079

0911

0911

0911

01113

01113

01416

01416

01416

01618

000

22

44 2 4

0

4 2

00

244

244

244

244

4244

244


8



Verse

Gtrs. 3 & 4: w/ Rhy. Fig. 3

E

am’s- tak in’- bombs, and he’s stuck on his mom be

F#5

cause- that

G#5

bitch

C#m7

keeps try’n’ to make him pray.

He’s

B5

with the

G#5

hip

Gtrs. 3 & 4: w/ Rhy. Fig. 2

E

pie- in the park com in’- o ver- the dark just

F#5

try’n’ to

G#5

C#m7 B5 G#5Gtrs.3 & 4

A5

get some of that lit tle- girl play. You bet ter- run for the hills be fore-

Gtrs. 3 & 4

P.M. (cont. in slashes)

Gtr. 6

let ring

G#5 F#5 E5

they burn. Lis ten- to the sound of the world, don’t watch it turn. I just wan na-

let ring let ring let ring

show

Gtrs. 3 & 4: w/ Rhy. Fig. 4Gtr. 6: w/ Riff B

F#m['11]

you what I know,

G#m[b13]


A'9


B'11

Or should I get

46

46

46

46

46

46

46

46

46

46

46

46

46

24

24

46 7

76

7

06

76

6

64

6

00

46

4

42

4

02

40

0 2

2

2

00

12


9



Gtrs.3 & 4

Pre-Chorus

E A E/G#

a long- with my self?- I nev er- did get a long- with ev ’ry- bod- y- else. I’ve been try in’-

*Gtr. 7

f


B G#/B# C#m type 2 E Aopen

hard to do what’s right, but you know I could stay here all night

Gtrs. 3 & 4 tacet

F#m/A

and

A5

watch the

A%

clouds

A,7

fall from

E'4/G#

the sky.

F#m11 B

Gtr. 7

**Gtr. 8 (dist.)

ff

**Doubled throughout

9

912 9 10 9

9

912 9 10 9

99 10 9

99 10 9 12 10 9

911

9 10 9

9

912 9

910

9 119 10 9

046

046

046

079

079

079

09

11

0911

09

11

01113

01113

01416

01416

01416

01618

000

44200

44200

44200

44200

44200

44200

44200

000

244

244

244

244

244

244

244

000


10





rit.

Gtr. 9: w/ Riff D (2 times)

B A,7 G#m7

A C#m


B A,7

God speed- you, boy.

G#m7 A C#m


B A,7 G#m

poco

Now the

Gtr. 9

poco rit.

3 3 3 3 3 3 3 3 3

Gtr. 1

poco rit.

Gtr. 2

poco rit.

X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X16

18X14

16X14

16X14

16X12

14X12

14X12

14X12

14X12

14X12

14X12

14X9

11X11

13X11

13X11

13X11

13X11

13X11

13X11

13X11

13X11

13X11

13

877

987

654

765

765

987

644

12 4 0 0 2

4 4


12



Slower q = 86

cars

Outro

E

are ev ’ry- where,- rais in’- dust in the fair - ground. Spoken: I don’t think I ever seen so many head-

A

Gtr. 9

fdbk.

**

Pitch: G# **Fade out

*Gtr. 10

w/ fingers

let ring throughout

mp


Gtr. 1

Gtr. 2divisi

***

***

***Fade out

Gtrs. 1, 2 & 9 tacet

lights.

E/G# B

But there’s some thing- pull

G#/B#

in’-

Gtr. 10

X7

9

7

9

0

4

45

5 47 5

0

4

45

5 47 5

0

5

76

5 5 47 5

0

645

4

5

64

5 47 5

2

2

44

4 2

3

42


13



me.

C#m

The cir

E

cus- and the crew, well, they’re

just

B/D#

pass ing- through, mak in’- sure

C#m

the mer ry- still

B

goes

’round,

A

but it’s a long,

B


E

4

5

66

5 47

6

5

7

4

45

5 47 5

6

74

44

7 4 7

4

5

66

5

2

4

44

4

0

2

2

442

7

4

45

5 47 5

0

454


14





try

B/D#

ing.-

D

I don’t

3

know if I can use

C

them.

A5 A#5

Am

B5

I strong

E

e nough- to be the

one?

B/D#

(Am I strong e nough- to be

the one?)

D

Will I

3

live to have some chil

3

-

C

dren?-

(Chil dren.)

-

A5 A#5 B5

Help

ChorusGtr. 1 tacet

E

me get down, I can

Gtr. 1

Gtr. 1

Gtr. 2 (dist.)divisi

mf

Gtr. 2

make it. Help me get down. Help

B/D#

me get down, I can make it. Help me get down. If I

14 14 12 12

13 1214

07999

0 0

07999

6987


2



on

G#m

ly- knew the an swer,-

C#m

I would n’t- be both

A

er- ing- you,

B

fa

A

ther.

B

- Help

E

me get down, I can make it. Help me get down.

string noise

Help

B

me get down, I can make

G#7/B#

it. Help me get down. If I on

C#m


let ring

B

and if all

A

our days are num bered,-

Am

then why do I keep

46644

4665

5776

5776

799877

799877

5776

7998

022100

XXX

799877

8XX878

878

91111999

91111999

799877

799877

577655

577555

577555

0


3



count

Interlude

E

ing?-

Gtr. 3 (dist.)

w/ reverb

mf

Gtr. 2

P.M.

Verse

Gtr. 3 tacet

C#m

My2. sug ar’s- sweet,

A

and so at tain

D#m7b5

- a- ble.-

G#5

This be hav

C#m

- ior’s- so

*Gtr. 4

mf

8v a


Gtr. 2

P.M.

69

6 7 67

69

6 7 6

079

079

079

079

079

079

079

079

079

079

079

079

079

079

079

079

079

079

079

079

079

079

079

079

079

079

079

079

079

079

079

000

16 17 1917 19

16

1816 17

19

16 17 1917 19

16

18

46

46

46

46

46

46

46

000

57

57

57

000

67

67

67

000

46

46

46

00 4

646

46

000


4



F#5

un ex- plain

B5

- a- ble.- The

G#/B#

days

C#m

just slip and slide,

A

like they al

D#m7b5

ways- did.

(Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.

8v a

P.M.

G#5

Trou ble- is

C#m

my head

F#

won’t let me for get.-

F#m

Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah. Yeah, yeah, yeah, yeah, yeah, yeah, yeah.)

8v a

loco

P.M.

1816 17

1619

16 17 1617 19

16

1816 17

19

24

24

24

00 2

424

24

36

46

46

46

46

46

46

46

000

57

57

57

000

67

67

67

000

19 17 16

17 19

16

18 16 17

16

19 18 19

17 16

16

46

46

46

00 4

646

46

000

244322

244222

244222


5



B

F#

Bridge

Gtr. 4 tacet

G#

I

took one last

good

look

a round.-

Gtr. 4

Gtr. 5 (dist.)

divisi

mf

Gtr. 5

let ring

Gtr. 2

let ring

let ring

C#m

So man

B

y- un u

A

- su- al- sounds.

G#mGtr. 6 tacet

F#m

I got ta

Gm

- get

G#m

my

Gtr. 6 (dist.)

w/ heavy reverbHarm.w/ bar

mp

steady dive

+1

-1

Gtr. 7 (dist.)

mp

*Gtrs. 2 & 5

let ring let ring let ring let ring


16

4665

466544

45

6

2443

7

99877

0 2

443

4

665

4

6

4

6

4

6

4

6

4

6

4

6

4

6

4

66544

45

6

7 7

1613

9

911

117

89

95

67

74

46

6244222

2442

2442

3553

4664

4664

4664

4664


6



feet

Gtr. 7 tacet

A

on the

A# B

ground.

Gtrs. 2 & 5

ChorusGtrs. 2 & 5 tacet

E

Gtr. 4

E/B

Help me get down, I can make it.

(Ah.)

Gtr. 4

(cont. in slashes)

Gtr. 2

P.S.

Help

Gtr. 4 tacet

E

me get down, I can make it. Help me get down.

*Gtrs. 2 & 5


Help

B/D#

me get down, I can make it. Help me get down. If I on

G#m


5776

5776

5776

5776

5776

5

5776

5

5776

6887

7998

7998

7998

7998

7998

7998

7998

7998

141616

16

141616

16

141616

16

141616

16

141616

16

141616

16

141616

16

141616

16

454

454

454

454

454

454

454

454

XXX

XXX

XXX

07999

07999

07999

07999

07999

07999

07999

07999

07999

07999

07999

07999

07999

07999

07999

07999

6987

6987

6987

6987

6987

6987

6987

6987

6987

6987

6987

6987

6987

6987

6987

0000

466444

466444

466444

466444

466444

466444

466444

466444


7



C#m

I would n’t- be both

A

er- ing- you,

B

fa

A

ther.

B

-

Help

E

me get down, I can make it. Help me get down. Help

B

me get down, I can

make

G#/B#

it. Help me get down. If I on

C#m


B

and if

all

A

our days are num bered.-

Am Asus4

Would you

46654

46654

46654

46654

46654

46654

46654

0000

5776

5776

5776

5776

5776

5776

5776

5776

7998

7998

7998

7998

5776

5776

7998

7998

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

00000

79987

79987

79987

79987

79987

79987

79987

79987

8X689

8X689

8X689

8X689

8X689

8X689

8X689 10

9111199

9111199

9111199

9111199

9111199

9111199

9111199

9111199

79987

79987

79987

79987

79987

79987

79987

79987

577655

577655

577655

577655

577655

577655

577655

577655

577555

577555

577555

577555

577555

577555

577555

577555

577755

577755

577755

577755

577755

577755

577755

0000


8



help

(Help

E

me

me

get

get

down?

down, I can make it. Help me get down.

Help

B

me get down, I can make

G#/B#

it. Help me get down.)

If I

on

C#m


B

if I

changed

E

my way of liv ing,-

A

and if I

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

00000

79987

79987

79987

79987

79987

79987

79987

79987

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8X689

8X689

8X689

8X689

8X689

8X689 10

9111199

9111199

9111199

9111199

9111199

9111199

9111199

9111199

79987

79987

79987

79987

79987

79987

79987

79987

022100

022100

022100

022100

022100

022100

022100

022100

02220

02220

02220

02220

02220

02220

02220

0000


9



poco rit.

Slower q = 63

A tempo

pave

(Pave

F#m

my

my

streets

streets

with

with good

good

times.)

B

times, will the moun

E

tain- keep on giv ing?-

(Gtr. 5, cont. in slashes)

Gtr. 5

A C#m B A

(cont. in notation)

And if all of our

poco rit.

days are num bered,-

Gtr. 2

E

*Am6/C

then why do I keep count

Gtrs. 2 & 5 tacet

Outro

C#m

ing?-

Gtrs. 2 & 5

let ring

Gtr. 4

w/ fingers

let ring

*Bass plays C.

A C

let ring let ring

Gtrs. 2 & 5

Gtr. 4 tacet

E5

let ring

E

244222

244222

244222

244222

244222

244222

244222

244222

2444

2444

2444

2444

2444

2444

2444

0000

022100

022100

022100

022100

022100

022100

022100

022100

02220

02220

02220

02220

02220

02220

2X4

4X6

4

6

6X8

6

8

7X9

6

8

7

9

6

8

7

9

4 00

02212

4

4 5 75 7

4

6

0

4 5

70 3

55 7 0

00

00

00

00

022100


10



Verse


ExitludeWords and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci





C

Ag gres- sive

23 1

Am

- ly,-

Em

21 34

G

we

134211

F

all

32 1

C

de fend

2 34

G/B

-

F

32 14

C

type2

the role

1342

Fmaj7#11

we play.

C

*Gtr. 1

w/ fingers

mf


Re gret- ta- bly,-

Em

the time’s come to send

F

you on your way.

G

Am

We’ve seen it all,

G

bon fires- of trust,

F

flash floods of pain.

C G/B

It

35

53

0

0

00

1

32

1

320

1

3

553

0

000

1

321

3

000

0

210

3

543

1

321

3

013

2

033


1



Gtr. 2(acous.)

Am

mf

33

= G F

does n’t- real ly- mat ter.- Don’t you wor ry,- it ’ll- all work

out. No, it

sim.

Am G F

does n’t- e ven- mat ter.- Don’t you wor ry- think in’- what it’s all a bout.- We*

*Gang vocals, till end.

Chorus

Am C F Am G

hope you en joyed

- your

stay. It’s good to have you with us, e ven-

0

210

3

543

1

321

0

210

3

543

1

321

0

210

3

553

1

321

0

210

3

543


2



F C G/B Am G C F

if it’s just for the day. We hope you en joyed- your stay. Out -

Am G F type2C G/B

side the sun is shin ing,- it seems like heav en- ain’t far a way.- It’s

Am G F Fmaj7#11 F G

good to have you with us,

1

321

3

013

2

033

0

210

3

543

3

543

3

553

3

553

1

321

1

321

0

210

0

210

3

5

43

3

5

43

1

3

21

1

3

21

3

013

2

033

0

210

0

210

3

543

3

543

1

321

3211

1

211

10108

8

10108

3

000

3

555

3

555

121312

10

121312


3



Interlude

C

e ven- if it’s just for the day.

Am G F

*T

*T = Thumb on 6th string

C Am

3 3

543

3

543

121210

10

121210

3 3

3 5 35

3

3 5

3

35

53

0 0

3 5 35

0

3 5

0

3

5

3

0 33

3 3 3 1

0 31

1 1 1

3 3

3 5 35

3

3 5 35

3 2 0

53

0

3 5 35

0

3 5

0

35

0 33


4



G FOutro

C

It’s good to have you with us, e ven-

T

**Gtr. 2: w/ ad lib. noise (next 5 meas.)

if it’s just for the day. Out side- the sun is shin ing,- seems like heav en- ain’t far a way.- It’s

mp

**Gtr. 2 randomly plucks strings behind the nut.

good to have you with us, e ven- if it’s just for the day. Out side- the sun is shin ing,- seems like

p

3

3

3 3 3 1

0 31

1 1 13

553

3

553

33

3

Documents

Killers - Sam's Town.pdf