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Kenosha, Wisconsin is home to the Kenosha Festival of Cartooning, featuring internationally recognized cartoonists. This issue arrives just before the festival kicks off its fourth year and includes a message from festival founder, Anne Morse Hambrock, a behind-the-scenes look into the life of cartoonist, John Hambrock, and work by both local artists and cartoonists of world reknown. Step inside this issue and join the fun.
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Free!Issue 6
Serving The Creative Communities From Chicago To Milwaukee
“Don’t Take Life Too Serious. It Ain’t Nohow Permanent.” – Walt Kelly
Comics! Comics! Comics!lEFT OF THE lAKE pRESENTS tHE cOMICS ISSUE!
A Re-Visioning: New Works in Polymer
Over the past thirty years, artists all over the world discovered the almost unlimited capacity polymer holds for mimicking any surface, material or surface effect. As a result, we are witnessing the birth of a new fine craft and art medium recognized by museums such as the Racine Art Museum and The Boston Museum of Fine Arts. This exhibit highlights new works by master artists and innovators who inspire others to re-vision the possibilities in this medium.
Featuring: Judy Belcher, Leslie Blackford, Jana Roberts Benzon, Heather Campbell, Rachel Carren, Dan Cormier, Jeffrey Lloyd Dever, Meredith Dittmar, Kathleen Dustin, Elissa Farrow- Savos, Rachel Gourley, Alev Gozonar, Lindly Haunani, Tory Hughes, Emily Squires Levine, Maggie Maggio, Wendy Wallin Malinow, Laurie Mika, Sarah Shriver, Laura Tabakman, Cynthia Tinapple, Cynthia Toops, Melanie West, Phil Whitman and Elise Winters
This exhibit is a collaborative event with the Racine Art Museum’ s Polymer 2.0: The Field in the 21st Century, RAM's Polymer Symposium at Johnson Foundation at Wingspread in Racine, Wisconsin from Friday, October 17 - Sunday, October 19, 2014. Many of the artists will be present at the opening reception.
Opening Reception:September 18th, 4:30- 7:30 pm
For more information on upcoming events, visit www.carthage.edu/art gallery
Exhibit Runs:September 9 to October 25, 2014
Gallery Hours:Tuesday - Friday 10 a.m. - 3 p.m.Thursday Evening 6 - 8 p.m.Saturday 1 - 4 p.m.
Jeffrey Lloyd Dever Botanist's Illusion
Special RAM Polymer Symposium Reception: October 18th, 4- 6 pmFree and open to the public.
Kathleen Dustin Erzerum Purse
4 A Message From Anne Hambrock / Left of The Lake
The Kenosha Festival of Cartooning kicks off its fourth year this fall, running from Thursday, September 25th through Saturday, September 27th!
Please plan to join us in welcoming our roster of internationally recognized cartoonists as they come to Kenosha to give presentations, participate in outreach to area schools, chat with Greg Berg on the WGTD Morning Show, teach kids classes in cartooning, draw at the comic jam sponsored by Left of the Lake and much more! Our 2014 Kenosha Festival of Cartooning guests are:
You don’t have to wait until September to see the outstanding gallery shows of original comic art sponsored by the festival!
“More Than Funny Too” runs all summer long ( June 7 – Sept 27) at the Kenosha Public Museum (5500 1st Ave Kenosha). This amazing show features art by all the festival guest speakers as well as art from the history of MAD Magazine, comic books, and historic newspaper strips. Artists include Frank Frazetta, Joe Kubert, Sergio Aragones, Wally Wood, Walt Kelly, George Herriman, and many others. Over 100 pieces of art spanning 100 years of cartooning history!
“The Oddly Compelling Art of Denis Kitchen” runs from August 1 – October 10 at the University of Wisconsin Parkside’s new Fine Arts Gallery. This outstanding show features work by Denis Kitchen, Robert Crumb, and other underground comic artists. Kenosha writer Michael Schumacher has written biographies of Al Capp (Li’l Abner) and Will Eisner (The Spirit) and their work is featured in this show as well.
Included this year is a partnership with Left of The Lake for a comic jam which culminates at Villa D’Carlo Friday night.
Saturday evening, at the Kenosha Public Museum, we will once again be auctioning off comic art and ephemera to benefit The Children’s Hospitals of Wisconsin’s Kenosha Clinic and the Open Wings Learning Community.
Space does not allow us to list every event here – please visit kenoshacartoonfest.com for the festival schedule and ticket information. All events are free and open to the public so tickets are free but seating is limited.
The festival is directed by Anne Morse Hambrock and sponsored by the National Cartoon-ists Society Foundation.
• Jeff Keane (Family Circus) • Lincoln Peirce (Big Nate) • Scott Stantis (Chicago Tribune Staff Editorial Cartoonist)
• Denis Kitchen (Kitchen Sink Press) • Todd Clark (Lola) • Rick Stromoski (Soup To Nutz) • Terri Libenson (The Pajama Diaries)
A Message From The PublisherAnne Hambrock
Publis
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10 Behind the Scenes of Edison Lee ByJohn Hambrock
15 Starving Artist ByJerry Belland
17 Just A Dream ByDennis Bayuzick
18 4 Square ByDenis Kitchen
20 A Game of Pastries ByJoshua Frazer
21 Squint! ATinyComicByVarious Local Artists!
24 Legacy ByScott Stantis
24 Soup to Nuts! ByRick Stromoski
27 Orbis Mortalis ByMichael Schwartz
28 A Crooked Man ByJanette Louden
30 Eat Me! ByRichard Bell & John Bloner Jr.
34 Super Heroes ByJustin Grimbol
34 Mr. Evil ByJason Covelli
35 2FL: Chester Commodore ByJohn Bloner Jr.
37 Habitat ByMatthew Gonya
37 A Comic ByMatthew Hansel
38 Racine Horlick Cartoon AComicByDenis Kitchen
39 Left of The Lake Submission Info
Left
of t
he L
ake
Issu
e 6
Cover: John Hambrock“John in the Lab with Edison”
Left Of The Lake
Available at Artworks!
ColoringBook
Brandon Minga / Nash 7
HARBORPARKWALKSCULPTURE
ExperienceKenosha’s HarborPark
Sculpture Walk14 world-class sculptures along
Kenosha’s beautiful lakefront.
is larger than life exhibit will run through September 2015.New sculptures will be exhibited for 2015-2017.
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10 Behind The Scenes / Left of The Lake
The Brilliant Mind of Edison Lee launched with King Features in the fall of 2006, which means I’ve created over 2500 daily and Sunday comic strips.
When I compare the early strips with those I’m creating now, I see a vast improvement, both in the drawing and the writing. The draw-ing has gotten looser and the writing has got-ten tighter. However, while the strip may have improved, and the style evolved, the process I go through to create each and every strip has remained essentially the same. I’ll usually start off by acknowledging I have deadline, followed by major panicking. After the dust has settled, it’s on to writing, followed by making coffee, panicking some more, baking cookies, purging the boiler (during the summer I’ll vacuum the air conditioners), then more writing. Some-how or another I’ve managed to make it work.
Following is a step by step breakdown of how I generate 7 strips a week, 52 weeks a year.
Some cartoonists pick specific times to write. This has never worked for me. I’ve found that I can’t just flip on the writing switch and jot down what comes to mind. Some days I can write a week’s worth of material in a few hours. On others I may come up with absolutely nothing. And it’s not as though certain days are “magic” days for writing. I may come up with my best material on a Tuesday, or a Fri-day, although I’ve discovered that I write some of my best stuff when I have that deadline breathing down my neck.
My wife Anne contributes ideas and scripts as well, and I frequently ask her to read what I’ve written. I trust her judgment and, if she has any reservations about a particular strip or
A behind the
scenes look at:
By: John Hambrock
Left of The Lake / Behind The Scenes 11
strips, I’ll almost always put them aside for a rework at a later date. Plus if she doesn’t laugh at the jokes at this stage it’s unlikely adding visuals will change that. Tickling her to get a laugh only makes matters worse. I have found that a great visual can generate a bigger laugh than the script alone but no visual will save a joke that isn’t working.
Comic artists tend to either write first, and then draw, or else they draw first – maybe just doodles – and then turn those doodles into comics. I write first.
Generally, I write scripts on my laptop, although there are times when I’ l l use anything that’s available – the back of an old bank deposit slip, a gum wrapper, cardboard tubes, the bottom of my foot (I still have an idea for January 4th written in laundry marker on my big toe). I used to write everything on stacks of printer paper attached to a clipboard, but my horrible penmanship and my habit of going through numerous edits made most of my writings undecipherable. I also lost the clipboard. When I’m writing, I storyboard the strip in my head, and I write visual cues into the script to use during the penciling stage.
I usually wait until I have all of my ideas written before I start drawing them up. I do this because I like to have the order set. Some strips are more appropriate for a Saturday, oth-
ers for a Wednesday. Sometimes I’ll ink up a week’s worth of material in a specific order, and then completely rearrange them. Paying attention to the order of my material is some-what important to me, sort of like the order of songs on an album.
My tools are pretty old school. Here is a list of everything I use to create my strip:
• Bienfang 2 ply Strathmore – which I buy in pads of 20 (“11”x 17” sheets, cut in half )
• #2 pencils (My accountant informs me that I can NOT depreciate these!)
• Lots of cap erasers (My dogs love ‘em)
• Speedball Super Black Waterproof India Ink (This stuff is drawn to white carpet like Orville to a Twinkie)
• Winsor & Newton Scepter Gold ll #2 sable brush for inking
• Micron #8 pen for lettering
• Dr Martins Bleed Proof White for clean ups
I start each strip by lettering the words in light pencil, then working up quick character sketches for position.
After I have everything where I want it, I start tightening up the pencil drawings. I discovered that if I get too tight at this stage I lose some of the energy and spontaneity.
I finalize the art by inking over the pencils with my brush and ink. When the ink is dry, I erase the pencils, touch up any bobbles with the bleed proof white, and the art is ready to scan.
12 Behind The Scenes / Left of The Lake
I can usually pencil and ink 6 daily strips in 8-10 hours. Sunday strips can take 4-6, depending on the complexity.
Using Photoshop, I scan the strips in grayscale at 600 dpi. I need to save one file as a black and white bitmap for newspapers that print their daily comics in black and white, and a second, layered CYMK file for the papers that run theirs in color. The colored version is also needed for the various outlets that publish it online. We do not handle the CYMK to RGB conversion for online use.
Then, at 11:30 pm on the night before they’re due, I hand off the layered files to my wife
Anne (I’m exaggerating, although there have been times when I’ve done this), who col-ors them using a Wacom tablet and her own special set of colors created specifically for the strip.
At the end of each week, I need to have 6 daily and 1 Sunday strip inked, colored, and ready to send to Reed Brennan Media Associates, the company that handles the final editing and distribution for King Features.
That’s it in a nutshell!
If you have any questions, shoot me an email at [email protected].
Left of The Lake / Behind The Scenes 13
Jerry Belland / Starving Artist 15
Discover America’s Largest Craft Collection Learn more about current RAM art exhibitions and events at ramart.org
Racine Art Museum441 Main Street, Downtown Racine 262.638.8300
Photography: Jon Bolton
Dennis Bayuzick / Just A Dream 17
18 Denis Kitchen / 4 Square
20 Joshua Frazer / Throne of Pastries
squintLotl Presents
(A Tiny Comic)
$%&!#!!@Ouch!
www.kenoshasymphony.org • (262) 654-9080
Friday, September 5, 2014 • 6:00 - 9:30 pmPennoyer Park, 7th Ave & 35th Street
Friday, August 22, 2014 • 6:00 pmKenosha Country Club, 500 13th Avenue, Somers, WI
KSO 75th Anniversary Diamond Gala
KSO 1st Annual Shindig On The Shore
Saturday, October 18, 2014 • 7:30 pmReuther Auditorium, 913 57th Street
Ode To Joy
Sunday, December 14th, 2014 • 3:00 pmReuther Auditorium, 913 57th Street
Symphonic Sweets
Saturday, April 18, 2015 • 7:30 pmReuther Auditorium, 913 57th Street
Our Town, Your KSO
Saturday, February 14, 2015 • Time and Location: TBAPizzicato Promenade • Valentine’s Celebration
Honoring our sponsors and donors
Free concert of pops and movie music
Beethoven’s Ninth Symphony
An afternoon �lled with Christmas joy
Dance the night away with the Kenosha Symphony Orchestra
A celebration of our cultural history
Saturday, June 13, 2015 • 7:30 pmUW-Parkside Bedford Hall, 900 Wood Road
Summertime and the Livin’ is Easy
Gershwin tunes and hit movie music
Melissa Cardamone, Soprano • Allison Hull, Alto • Alan Taylor, Tenor • Philip Kraus, BaritoneVOX 3 Collective, Guest Choir • Guest artists sponsored, in part, by the Kenosha Community Foundation and Carthage College
Featuring music from Pirates of the Caribbean and Jurassic Park
Featuring the music of the iconic American composer, Aaron Copland
Choirs from the community join KSO in a glorious “Hallelujah!” Special guest: Santa Claus
Sway along to a Strauss Waltz and step to a light-hearted polka
Featuring vendors, concessions, KSO shirt sales and KSO musicians, bringing the party to the park
Eat , drink and be merry at our gala event. Heavy hors d’eouvres served.
Guest artists: Tremper Chorale, directed by Mrs. Polly Amborn
www.kenoshasymphony.org • (262) 654-9080
Friday, September 5, 2014 • 6:00 - 9:30 pmPennoyer Park, 7th Ave & 35th Street
Friday, August 22, 2014 • 6:00 pmKenosha Country Club, 500 13th Avenue, Somers, WI
KSO 75th Anniversary Diamond Gala
KSO 1st Annual Shindig On The Shore
Saturday, October 18, 2014 • 7:30 pmReuther Auditorium, 913 57th Street
Ode To Joy
Sunday, December 14th, 2014 • 3:00 pmReuther Auditorium, 913 57th Street
Symphonic Sweets
Saturday, April 18, 2015 • 7:30 pmReuther Auditorium, 913 57th Street
Our Town, Your KSO
Saturday, February 14, 2015 • Time and Location: TBAPizzicato Promenade • Valentine’s Celebration
Honoring our sponsors and donors
Free concert of pops and movie music
Beethoven’s Ninth Symphony
An afternoon �lled with Christmas joy
Dance the night away with the Kenosha Symphony Orchestra
A celebration of our cultural history
Saturday, June 13, 2015 • 7:30 pmUW-Parkside Bedford Hall, 900 Wood Road
Summertime and the Livin’ is Easy
Gershwin tunes and hit movie music
Melissa Cardamone, Soprano • Allison Hull, Alto • Alan Taylor, Tenor • Philip Kraus, BaritoneVOX 3 Collective, Guest Choir • Guest artists sponsored, in part, by the Kenosha Community Foundation and Carthage College
Featuring music from Pirates of the Caribbean and Jurassic Park
Featuring the music of the iconic American composer, Aaron Copland
Choirs from the community join KSO in a glorious “Hallelujah!” Special guest: Santa Claus
Sway along to a Strauss Waltz and step to a light-hearted polka
Featuring vendors, concessions, KSO shirt sales and KSO musicians, bringing the party to the park
Eat , drink and be merry at our gala event. Heavy hors d’eouvres served.
Guest artists: Tremper Chorale, directed by Mrs. Polly Amborn
Rita Tallent Picken Regional Center for Arts and Humanities
900 Wood RoadKenosha, WI 53141
•Fine Arts Gallery•E.H. Mathis Gallery•Foundation Gallery
Like us on Facebook @ UW-Parkside Galleries
Scott Stantis / Legacy
Rick Stromoski / Soup to Nuts
THE FINE ART GALLERY PRESENTS:
THE FINE ART GALLERY, LLCThe Marshall BuildingSuite 210Milwaukee, WI 53202Thefineartgallery.com414 • 688 • 2787
WATERMARKSJuly 25th to October 11th
ARTIST TALK“Watermarks: Going with the Flow, the Human
Form and Water, an Inseparable Duet” September 19th, 2014, 7-8pm
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Michael Schwartz / Orbis Mortalis 27
In the Beginning the Eternal created all worlds. One was set apart to
never be inhabited. It was the dark lonely world of Orbis Mortalis. You may ask yourself “Why?” Why create a world that no one should enter? It was this question that caused the first corruption and the reason Orbis Mortalis is filled with a blind and lonely people. Can those that have fallen into corruption ever be redeemed? Can order be restored?
mortalcoilproductions.com
28 Janette Louden / A Crooked Man
C
M
Y
CM
MY
CY
CMY
K
Artworks Ad 2014.pdf 1 7/9/14 2:45 PM
Adapted and Illustrated by John Bloner, Jr.
Meanwhile, high above, a crow awaited its next meal.
by Richard Bell
THE END
One afternoon as they were resting in the shade a big turtle whizzed by. Our two caterpillars were very impressed. “Wow!” Kyle cried, “Did you see that?” “Barely,” Kenny replied. “If it comes back, let’s jump on and go for a ride.” So they climbed to a low hanging branch, hung on by their crochets, and waited.
After what seemed like hours the turtle After what seemed like hours the turtle returned from where it had been and the caterpillars let go as it passed underneath. They bounced and rolled but hung on for dear life.
Before they knew it they were speeding like mad across speeding like mad across the field. The caterpillars wereterrified. They shouted for theturtle to stop but it didn’t hear them.
Two caterpillars, Kenny and Kyle, were best friends, and thought they were the fastest runners in
their troop. Everywhere they went they ran as rapidly as possible and didn’t care who got in the way. They were always first in line for bingo
or table tennis or when the wading pool was open. Kenny and Kyle even had special running shoes that were custom-made from the finest
grass clippings. They especially liked to run circles around the slugs andgrass clippings. They especially liked to run circles around the slugs and
Not so long ago there was a group of caterpillars that lived in the forest and had all the food, water and shelter that they needed. Each morning it took them an hour to put their shoes on and each evening, an hour to take them off again.
laugh and call them names.
A half hour later the turtle came to rest beside a peaceful pond and the caterpillars slid off. They had
no idea where they were.
I CAN HARDLYBREATHE!
THIS ISAMAZING!
THIS IS ALL YOUR FAULT,
FUZZ-BRAIN! NOW HOW DO WE GET BACK HOME?
You’RE THE ONE WHO AGREED TO IT.
Adapted and Illustrated by John Bloner, Jr.
Meanwhile, high above, a crow awaited its next meal.
by Richard Bell
THE END
One afternoon as they were resting in the shade a big turtle whizzed by. Our two caterpillars were very impressed. “Wow!” Kyle cried, “Did you see that?” “Barely,” Kenny replied. “If it comes back, let’s jump on and go for a ride.” So they climbed to a low hanging branch, hung on by their crochets, and waited.
After what seemed like hours the turtle After what seemed like hours the turtle returned from where it had been and the caterpillars let go as it passed underneath. They bounced and rolled but hung on for dear life.
Before they knew it they were speeding like mad across speeding like mad across the field. The caterpillars wereterrified. They shouted for theturtle to stop but it didn’t hear them.
Two caterpillars, Kenny and Kyle, were best friends, and thought they were the fastest runners in
their troop. Everywhere they went they ran as rapidly as possible and didn’t care who got in the way. They were always first in line for bingo
or table tennis or when the wading pool was open. Kenny and Kyle even had special running shoes that were custom-made from the finest
grass clippings. They especially liked to run circles around the slugs andgrass clippings. They especially liked to run circles around the slugs and
Not so long ago there was a group of caterpillars that lived in the forest and had all the food, water and shelter that they needed. Each morning it took them an hour to put their shoes on and each evening, an hour to take them off again.
laugh and call them names.
A half hour later the turtle came to rest beside a peaceful pond and the caterpillars slid off. They had
no idea where they were.
I CAN HARDLYBREATHE!
THIS ISAMAZING!
THIS IS ALL YOUR FAULT,
FUZZ-BRAIN! NOW HOW DO WE GET BACK HOME?
You’RE THE ONE WHO AGREED TO IT.
32 John Hambrock / Studio
www.leftofthelake.com
34 Jason Covelli / Mr. Evil
Super Heroes of the 90s had the best mulletsI had a mullet tooBut I called it a fox tail.
I also had mustacheWhen I was only eight years old andI wore fish net stockings on my arms
And I could drink ten cans of sodaIn an hour.I showered dailyBut still managed to stink
Girls didn’t like meBut we played spin the bottleAnd I was sure that if I triedHard enough, I could control the bottleWith my mind
As they say“With great powercomes great responsibility.”
Justin G
rimbo
l
Matthew Gonya / Habitat Matthew Hansel
www.leftofthelake.comImage by: Ashley Nigl
38 Denis Kitchen / Horlick High School Reunion
Left of The Lake / Submissions Information 39
Submit Your Work To Left Of The Lake
Left of the Lake Magazine is published quarterly and accepts work continuously. We welcome submissions from both new and established artists and writers, nationally and internationally, but first consideration is offered to the creative people in our region of Southeast Wisconsin and Northeast Illinois.
General Guidelines:• All work must be original and not previously published• No simultaneous submissions
Submissions Welcome:• Poetry (maximum of three pieces)• Fiction or Non-Fiction (400 words or less)• Visual Art, Photography, or Comics (maximum of two pieces)
How-To Submit:• We prefer electronic submissions, either as an attachment or in the body of an email. Send work to [email protected] and please include your name, address, and a short bio of 30 words or less.
Questions? Contact [email protected]
Left of the Lake Magazine is Printed in The USA. © 2014 Left of the Lake.
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