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xxii
LIST OF MAPS, ILLUSTRATIONS AND PHOTO PLATES
LIST OF MAPS AND FIGURES
NO TITLE
PAGE
MAPS,ILLUSTRATIONAND PHOTO PLATES 349
MAP-01: Ancient India,500BC 350
MAP-02: Indus valley civilization 350
MAP-03: South India 351
MAP-03A: South India 351
MAP-04: ViJayanagar Empire 352
MAP-04A: Vijayanagara Empire 352
MAP-05: Deccan Sultanates around 1500 353
MAP-06: ancient persian 353
MAP-07: Extent of the Persian Empire,from1600, Dutch edition of Joan Blaeu's
Atlas Novus
354
MAP-08: Map of Safavids at the height of their power 354
MAP-09: Srirangapatana 355
MAP-10: Srirangapatana 355
MAP-11: Esfahan, former capital of Persia/Iran during the Safavid dynasty (15th
century)
356
MAP-11A: Map of the modern city of Esfahān, Iran, approximate position of the 16th
– 17th century’s city
356
FIG-12: Isfahan in the 17th Century, Diorama depicting the Iranian city of Isfahan
in the 17th century at the American Museum of Natural Histor
357
FIG-13: Sketch of the meydan by G. Hofsted van E 357
FIG-13A: Midane Atigh(old)Sabze meydan,(Example plan of Atigh Midane
inSeljuque era)
357
FIG-14: Chehel sotun palace plan 358
FIG-14A: plan of chehel sotun palace talar, Chehel sotun palace, Esfahan, Iran 359
FIG-15: Chehel Sotun Palace drawing line plan, front view, Chehel Stun Palace ,
Esfahan
359
FIG-15A: Daria Daulat Bagh drawing line plan, front view, Daria Daulat Bagh,
srirangapatana
360
FIG-16: Digital Conservation- Dariya Daulat, Srirangapatna 360
xxiii
LIST OF PHOTO PLATE
No Title Page
PHOTOGRAPHS 365
PL-1 Rock Shelters, Bhimbetka, 1500 -2000BC, MadhyaPradesh, India 366
PL-2 Painting in 34th Cave, Ellora 366
PL-3 Templ-E Sculpture, Kailas 2 366
PL-3A Paintings In The Celling, 17th Cave, Ajanta 366
PL-4 Padmapani, Ajanta Cave Aurangabad, India 366
PL-4A Fresco, Cave1 Of Ajanta, 450 - 500 366
PL-5 Scene Of Samava Sarvana, Sittanavasal 366
PL-6 A Bodhisattva Granting West Bengal,Pala, Early 12th Century Folio From
'Ashtasahashirika, Prajnaparamita'
366
PL-7 Illustrated Jain Scientific Classic (Jivabhigamasutra), Western India ,Dated
Samvat 1570/1513- 14 AD , 2 Illustrations ,30 X 12.5 Cm; Manuscript,
Gouache On Paper
366
PL-8 Nala Damayantitheme, From The Mahabharat In Pahari Style 367
FIG16A:
FIG-16B:
Pavilion at Royal Palace at Isfahan, Jean Chardin (1643-1713)
Daria Daulat Bagh drawing line plan, daria Daulat Bagh, srirangapatana
360
361
FIG-17: plan of painting, a banquets, Chehel sotun palace 361
FIG-17A: plan of painting, a banquets, Chehel sotun palace 361
FIG-18: placement of paintings, Western wall, Daria Daulat Bagh, 362
FIG-18A: left top (panel1), left down (panel2), and right top (panel4) right down
(panel3),Srirangapatana, Daria Daulat Bagh
362
FIG-19: Plan of composition. Panel-1, western wall, Daria Daulat Bagh, 363
FIG-20: Plan of composition. Panel-2, western wall, Daria Daulat Bag 363
FIG-21: Plan of composition, panel-3 western wall, Daria Daulat Bagh 363
FIG-22: Plan of composition, panel-4 western wall, Daria Daulat Bagh 364
FIG-23: some squares and rectangles shape, details of picture, Daria daulat Bagh,
Srirangapatana
364
FIG-24: Placement of paintings, Eastern wall, Daria Daulat Bagh 364
xxiv
PL-9 The Kangra Miniature Paintings Affiliated With The Pahari School, 18th
Century
367
PL-10 Baysunghur’s Shahnameh, 1430, Herat, Iran 367
PL-11 Scribes And An Artist In The Mughal Court, 1590-95, India 367
PL-12 One Side Of A Jewel Casket Painted By Rahim,Deccani, Deccan, 1660, India 367
PL-12A Chand Bibi Hawking, Deccan Style, 18th Century 367
PL-13 Frescos On The Wall, The Tanjore Big Templ-E, 1000years Back? 367
PL-14 Lord Krishna – Tanjore Painting 18-19 C 367
PL-15 Rajput Painting, Nihâl Chand, 18th Century 368
PL-16 Pattachitra, Oasiss Painting 368
PL-16A Krishna Und Gopîs Im Walde, 1550, Paper, 12, 3 × 18, 3 Cm 368
PL-17 The Demon Ravana Fighting With The Ape Hanuman, 1880, Kalighat Schoo 368
PL-18 Chalukyan Miniature Painting 368
PL-19 Nayak Kings And Queens, Srirangam Templ-E 368
PL-20 PL-20 Goddess Saraswati, Mysore Painting, 19th Century, National Gallery Of
Modern Art, Jaipur House, Newdelhi
369
PL-20A Krishna With Gopis, Mysore Painting, Later, 19th Century, Ramsons Kala
Pratishtana, Mysore
369
PL-21 Portrait Of Ibrahim Adil Shah II, Of Bijapur (D.1626) (?). Adil Shahi Dynasty.
Freer Gallery Of Art, Arthur M. Sackler Gallery, Smithsonian Institution
369
PL-22 Mural From Sira, 1800 A.D 369
PL-23 12000 Year Old Paintings In Mirmalas Cave In Kouhdasht, Lorestan 369
PL-24 Storage Jar Decorated With Mountain Goats, Early 4th Millennium B.C., Sialk
III 7 Type, Central Iran Ceramic, Paint; H. 20 7/8 In. (53 Cm), Metropolitan
Museum Of Art
369
PL-24A geometric pottery pattern 369
PL-25 Ancient Persia, Achaemenid Period (530-330 BC) Griffin-Lion Relief In
Glazed Brickwork, Louvre, Paris
370
PL-26 Eagle Banner Of Cyrus The Great, Official Standard Banner Of The Persian
Achaemenid Empire (559 BC)
370
PL-27 Hunting Sence, Dura Europos, 'Pompeii Of The Syrian Desert 370
PL-28 Self-Made Manichaeism Painting Priests From A Book, Ruin K 370
PL-28A Leaf From A Manichaean Book, 8th/9th Century AD. Painting On Paper, 17.2x
11.2 Cm
370
PL-29 Unveiled Woman On A Sassanian Painted Clay Vase, Excavated From The
Buddhist Stupa, Merv. Probably 5th Century AD National Museum Of
Turkmenistan, Ashgabat
371
xxv
PL-30 Secrets of Shangri La, Silk Road Wall Painting, Sacred Caves On PBS,
University Of Cambridge
371
PL-30A Detail Of Secrets Of Shangri, La Painting, University Of Cambridge Digital
Himalaya Project
371
PL-31 Soghdian Wall Painting, Panjikent, Tajikistan 371
PL-32 Part Of Wooden Shield Covered With Painted Parchment, Width 61 Cm
Sogdian, 7 - 8th C
371
PL-33 Panjikent Painting 371
PL-33A the Heroic Rustam, from Penjikent, first half c. 372
PL-34 Illustration Of The Great Mongol Shah Nama, Bahram Gur Is Fighting A Lion,
Pprobably 1328 -36c, Ink, Colors, Gold On Paper, Harvard University Art
Museum, Cambridge, Mass
372
PL-35 The Mi'raj (Also Called The "Night Ride") Of Mohammed On Buraq, Tabriz,
1307; Ilkhanid, With Both Christian And Chinese Influences, And Horizontal
Format. From Wikipedia, The Free Encyclopedia
372
PL-36 Timurid Drawing Of An Ilkhanid Horse Archer. 372
PL-37 The Assassination Of Chosroes, In A Mughal Era Manuscript In 1535, Persian
Poems Are From Ferdowsi's Shahname
373
PL-38 Landscape, Animal In Miniature, UN Known 373
PL-39 Bahram Gur In The Peasants' House Shiraz, 1341 373
PL-40 Mountains And Streams Persian, 1398 373
PL-41 Advice Of The Ascetic, Moraqqa’- E Golshan, Golestan Palace, Tehran, Iran 373
PL-41A Madjnoun Et Le Prince. Iran, Shiraz, 12. 3 X 6 Cm 373
PL-42 A Page From Kelileh O Demneh Dated 1429, From Herat 374
PL-43 Baisongor's Shahnameh (Epic Of Kings) 374
PL-44 Herat School, "Khamseh" Nezami, 374
PL-45 Khosrow II In Front Of Shīrīn’s Palace, Illustration From A Late 15th
Century Persian Manuscript Of The Khamseh By Neẓāmī. The Keir Collection,
Ham, Richmond, England
374
PL-46 The Building Of The Famous Castle Of Khawarnaq,” Miniature By Behzād, C.
1494, From The Khamseh Of Neẓāmī; British Library
374
PL-47 Bath House Scene By Behzād, 1495 375
PL-47A Yusuf And Zulaikha (Josepl- Chased By Potipl-Ar's Wife), Behzād, 1488 375
PL-48 A Princely Hawking Party In The Mountains, 1575; Safavid, Attributed To
Mirza Cali, Iran (Qazvin), Colors And Gold On Paper
375
PL-49 "The Old Woman Compl-Aining To Sultan Sanjar", 1539 -43, Khams Of
Nizami , British Library
375
xxvi
PL-50 A Battle Scene, By Mahmud Musawwir Safavid Iran, 1525 -1550 AD, Freer
Gallery Of Art, Smithsonian, Washington D.C
375
PL-51 Aliqapu Paintings (Miniature Style) 375
PL-51A Chehel Sotoun Palllaaace Paintings(Miniature Style) 375
PL-52 Head Cover Of In Safavid Dynasty 375
PL-52A Barbad PL-Ays For Khusraw, Khamsa Nizami, British Library, 1539 -43,
Inscribed Mirza Ali
376
PL-53 Complex Palace Scene, 1539 -43, Mir Sayyid Ali 376
PL-54 The Feast Of Sada, Attributed To Sultan Muhammad (Iranian, Active First Half
Of 16th Century) Iran, Tabriz, Colors, Ink, Silver, And Gold On Pape The
Shahnameh Of Shah Tahmasp,
376
PL-54A The Angel Surush Rescues Khusrau Parviz From The Shahnama(Book Of
Kings) Of Shah Tahmasp, Ca. 1530–35 Attributed To Muzaffar Cali Iran,
Tabriz,Colors, Ink, Silver, And Gold on Paper
376
PL-55 Persian Miniature From The Haft Awrang In The Freer Gallery Of Art, 1556–
65, Commissioned By Ibrahim Mirza And Made In Mashad.
366
PL-55A Majnun In Layla's Camp From The Freer Jami, Attributed To Shaykh
Muhammad, 1556 -65, Sabzavar ,Mashad
376
PL-56 Lovers In A Landscape, Unknown, 1550 -1599, Iran, Mashhad Or Qazvin,
Opaque, Watercolour On Paper, Museum Of Fine Art, Boston
377
PL-57 Girl Smoking, Muhammad Qasim, 17 Century, Isfahan, Iran 377
PL-58 Shahnamah", Ferdowsi, Shiraz School 377
PL-59 Portrait Of The Artist With Calligrapl-Y, Unknown, Second Half Of 16th
Century, Opaque Watercolor, Gold And Ink On Paper, Museum Of Fine Arts,
Boston
377
PL-60 Two Lovers, Reza Abbasi 1039A.H/ 1630A.D, Metropolitan Museum Of Art
In New York City
377
PL-61 Prince Muhammad -Beik of Georgia, Reza Abbasi, 1620 377
PL-62 Young Man With A Whip, 18th Century Version Of The Style Of Reza Abbas,
Ink, Colours And Gold On Paper
377
PL-62A European Giving A Dog A Drink, Reza Abbasi, 1628, Detroit Institute Of Arts 378
PL-63 Photograph of Early Miniature Painting Of Chikka Devaraja, Ruler Of Mysore
From 1673 To 1704
378
PL-54 Remains of Tipu Sultan's Fort At Srirangapatna 378
PL-65 Old Gate Remains of Tipu Sultan's Fort At Srirangapatna 378
PL-66 Sri Ranganatha Swamy Templ-E At Srirangapatnam, Near Mysore, Karnataka. 379
PL-67 Jumma Masjid, Srirangapatana 379
xxvii
PL-67A Detail of Jumma Masjid, Srirangapatana 379
PL-68 Daria Daulat Bagh , Srirangapatana 379
PL69- Gumbaz, Srirangapatna,Karnataka, India 379
PL70- columns and ceiling of Daria Daulat Bagh,Srirangapatana 379
PL-71 The Daria Daulat Or 'Garden Of The Wealth Of The Sea, Unknown
Photographer In The 1890s
379
PL-72 Columns Of Srirangapatana, Daria Daulat Bagh 380
PL-73 The Wall Paintings Of Srirangapatana 380
PL-74 Srirangapatna Fort 380
PL-75 Carving At Ranganatha Swamy Templ-E, Mysore 380
PL-75A Sculpture On Somnathpure Templ-E , Mysore 380
PL-76 Inside of Jumma Masjid 381
PL-76A Inside of Jumma Masjid,Srirangapatana 381
PL-77 Colonel Bailey's Dungeon 381
PL-77A Colonel Bailey's Dungeon, Srirangapatna 381
PL-78 The Obelisk, Srirangapatna, 18th Century 382
PL-79 Tipu's Death PL-Ace 382
PL-79A Poem About Tipu Sultan Death, Gumbaz 382
PL-80 The Mausoleum of Tipu Sultan,Gumbaz,Srirangapatana 382
PL-80A Fathima Begam, Mausoleum, Tipu’s Mother 382
PL-81 A Mosque In The Gumbaz Compl-Ex 382
PL-82 Kaveri River, Sangam, , Srirangapatna ,Mysore 382
PL-83 A View of Lal Mahal Palace, Srirangapatna 382
PL-83A A View of Lal Mahal Palace, Srirangapatna 383
PL-84 The Ruins of Tipu's Palace, Lal Mahal, Srirangapatana. 383
PL-85 Daria Daulat Bagh, Srirangapatana. 383
PL-85A Dairya Daulat Bagh, Srirangapatana 383
PL-86 Work Balconies, Daria Daulat Bagh, Srirangapatan 383
PL-87 Daria Daulat Bagh , Srirangapattana, Photograph, , 1870s , Nicholas And
Company,
383
PL-88 Pillar And Decorated Wall, Dariaya Daulat Bagh, Srirangapattana , 384
PL-89 Panel-1, Daria Daulat Bagh, Western Wall 384
PL-90 Panel- 2,Western Wall, Daria Daulat Bagh 384
PL-91 Haidr Ali, Sitting On The Howdah, Pane1,western Wall, Daria daulat Bagh 384
PL-92 Panel-3,Western Wall, Daria Daulat Bagh 385
PL-93 Panel- 4 , Western Wall, Daria Daulat Bag 385
PL-94 Eastern Wall, Detail, Daria Daulat Bagh 385
PL-94A Eastern Wall, Detail, Daria Daulat Bagh 385
xxviii
PL-95 Zayande Rood, Amirtaha Taebi, Esfahan, Iran 386
PL-96 Drawing of Naqsh E Jahan Square, Pascal Coste, Historic 19th Century,
Isfahan,Iran
386
PL-96A Naghshe Jahan Square, The Biggest Square In The World, Isfahan, Iran 386
PL-97 Naghshe Jahan Square, The Biggest Historic Square In The World. Isfahan,
Iran
386
PL-98 Si-O-Se Pol (33 Bridge) Isfahan – Iran 387
PL-99 Khaju Bridge, Mimmopellicola, Esfahan, Iran 387
PL-100 Menar Jonban, Isfehan, Iran 387
PL-100A Detail, Menar Jonban,Isfehan, Iran 387
PL-101 Pigeon Towers, Near Isfahan, 17century 387
PL-101A The Interior Wall of Pigeonholes Ensured That The Dung Fell To The Bottom
Of The Tower For Collection
387
PL-102 Imam Mosque, Esfahan, 1611-1629 387
PL-102A Interior Of The Imam Mosque 387
PL-103 Chahar Bagh, , The Main Avenue In Isfahan Iran 388
PL-104 Madraseh Ye Chahar Bagh,Isfahan, Iran 388
PL-105 Chehel Sotun Palace, Isfahan, Iran 388
PL-106 Atashkadeh, 'Fire Templ-E', Near Isfahan, Isfahan, Iran 389
PL-106A Atashkadeh (Fire Templ-E)- Isfahan 389
PL-107 Sheikh Lotfollah Mosque, 17th Century, Amar Grover, Isfahan, Iran 389
PL-107A Hall Of The Sheikh Lotf Allah Mosque, Isfahan, Iran 389
PL-108 Alighapoo Palace, Isfahan, Iran 389
PL-108A Alighapoo Palace Inside, Isfahan, Iran 389
PL-109 Vank Cathedral, Armenian Quarter, 2007, Mike Gadd, Esfahan, Iran 390
PL-109A Vank Cathedral, Inside The Armenian Cathedral, Fariborz Alagheband,
Isfahan, Iran
390
PL-110 Bazaar Entrance, Esfahan, 2006, Fabien Dany, Isfahan, Iran 390
PL-110A Battle of Shah Abbas and Ottoman Turks Qaysarieh faced, Naghshe Jahan
Squre, Tempra on plaster
391
PL-111 Alighapoo, The Music Room, Isfahan, Iran 391
PL-111A Alighapoo, Detail Of Music Room, Esfehan, Iran 391
PL-112 Ali Qapu ,Miniature Painting Style 391
PL-112A Ali Qapu Palace, Interior Architecture, Fara Serajian, Isfahan, Iran 391
PL-113 Chehel Sotun Palace, Isfahan, Iran 392
PL-114 Chehel Sotun Palace, Ayeneh Auditorium, Mirror Work, 1706 392
PL-114A Chehel Sotun Palace, Detail Of Ayeneh Auditorium, Esfehan Iran 392
xxix
PL-115 Entrance Of Eighteen Colonnades Auditorium, Chehel Sotun Palace, Esfehan
Iran
392
PL-116 Takhte Jamshid, Achaemenid Empire550 -330 BCE 393
PL-116A Takhte Jamshid, Achaemenid Empire550 -330 BCE 393
PL-117 Columns Of The Chehel Sotun Palace, Esfehan , Iran 393
PL-118 Lion Stone Pedestal, The Chehel Sotun Palace Esfehan , Iran 393
PL-119 Chehel Sotun, The Throne Hall, 17th Century 393
PL-119A Chehel Sotun Palace, Throne Hall Ceiling 393
PL-120 Chehel Sotun Alace, The Painting Of Veranda, European And Iranian Style 394
PL-121 Chehel Sotun Palace, Mirror Hall, Partial Calligraphy And Calligraphy And
Floral Decoration Of The Holy Qur’an1198A.H
394
PL-121A Chehel Sotun Palace, Mirror Hall, Partial Floral Decoration Of The Holy
Qur’an,1198A.H.
394
PL-122 Inside of Chehel sotun Palace, Esfahan , Iran 394
PL-123 Inside of Chehel sotun Palace, Esfahan , Iran 394
PL-124 Chehel Sotun Palace, Centeral Hall 395
PL-125 Chehel Sotun Palace, Centeral Hall, Karbandi And Rasmibandi Decoration 395
PL-126 Chehel Sotun Palace, Centeral Hall, A Banquest For One Guest, Tempra On
PL-Aster (Yolk)
395
PL-126A Chehel Sotun Palace, Centeral Hall, A Banquest , Tempra On PL-Aster (Yolk) 395
PL-126B Chehel Sotun Palace, Centeral Hall, Centeral Figure, A Banquest For Two
Guest , Tempra On PL-Aster(Yolk)
396
PL-126C Chehel Sotun Palace, Centeral Hall, A Banquest Tempra On PL-Aster (Yolk) 396
PL-126D Chehel Sotun Palace,Centeral Hall, Leaning Prince, Tempra On PL-Aster
(Yolk).Gilding In The Sheet Executed Using , Oil Aggulutinant
396
PL-126E Chehel Sotun Palace, A Banquest , Tempera On PL-Aster (Yolk) 396
PL-127 Chehel Sotun Palace, Centeral Hall, Shah Tahmasb Receiving Humayun,
Indian Mughal , Oil On PL-Aster
396
PL-127A Chehel Sotun Palace, Centeral Hall, Chaldoran War, Oil On PL-Aster, Sadiq
ol Va’d The Qajar Period Painter
397
PL-127B Chehel Sotun Palace, Centeral Hall, Shah Abbass II Receiving Nader
Mohammad Khan, King’s Turkestan, Oil On PL-Aster
397
PL-127C Chehel Sotun Palace, Centeral Hall, Shah Isma’il At Fighting Against The
Uzbak Shibak Khan, Oil On PL-Aste
397
PL-127D Chehel Sotun Palace, Central Hall, Conquest Of India By Nadir Shah Afshar,
Oil On Plaster
398
PL-127E Chehel Sotun Palace, Centeral Hal Shah, Abbassi Receiving Vali Mohamad
Khan, Of Turkestan
398
xxx
PL-127F Chehel Sotun Palace , Centeral Hall, 6Frame In 1, Esfehan, Iran 399
PL-128 Hasht Behesht Palace View, Esfahan, Iran 400
PL-128A Hasht Behesht, Pillars, Matiya Firoozfar Esfahan, Iran 400
PL-129 Chehel Sotun Palace, Reflects The Pillars And Accounts Them Twice, Esfehan,
Iran
400
PL-130 Chehel Sotun Palace, Arabesque Motif 400
PL-130A Chehel Sotun Palace, Arabesque Motif 400
PL-131 A banquet for two guests ,southern small room , tempra on plaster, 169.118.c.,
Chehel sotun Palace
400
PL132 Nimishamba Temple, Ganjam, Srirangapatna, Mysore, India 401
PL132A King Sumanaska requested Sage Muktaka, to perform the sacrifice on behalf
of the kingdom, Ganjam,Mysore,India
401
PL133 A Wall Mural from Karnataka,Karnataka,India 401
PL133A Lepakshi Temple, the murals painting, Vijayanagara Style, Karnataka, India 401
PL134 Portrait of Sultan Abdullah Qutb Shah, Seated 1670, Golconda, Deccani School
Unknown
402
PL-135 A Maratha Coupl-E, 1800, Deccani School, Unknown 402
PL-136 Kushan Worshipper With Pharro, Bactria, 3rd Century CE 402
PL-137 Kushan Worshipper Zeus,Serapis, With,Ohrmazd ,Bactria, 3rd. Century CE 402
PL-137A The Bodhisattva Maitreya, 2nd Century, Mathura, India 402
PL-138 Yusuf And Zulaikha (Joseph Chased By Potiphar's Wife) Miniature By
Behzād, 1488, Iran
403
PL-138A Mughal Miniatures Painting, The Lord Krishna In The Dwarka Of Golden City,
India
403
PL-138B Indian Or Persian Miniature Paintings Of A Chimera Or Sphinx 403
PL-139 A Painting Of Indian Officials Meeting With A Burmese Official (Middle) 403
PL-140 Chola Fresco Of Dancing Girls. Brihadisvara Templ-E C. 1100 C.E 403
PL-140A Lotus Gatherer (Wall Painting, Pandya, 9th Century CE) 403
PL-141 Lepakshi Muralstempl-E, The Marriage Of Siva And Parvati 404
PL-141A Folk Painting On Paper In The Style Of 17th Century Moghul Paintings 404
PL-142 Lepakshi Mural Painting, Balaji Srinivasan 404
PL-143 Lepakshi Mural Painting, Balaji Srinivasan, India 404
PL-144 Lepakshi Mural Painting, India 404
PL-145 Woman In Sari (Saree) Without A Blouse Painting From Lepakshi Templ-E,
Andhra Pradesh
404
PL-146 Brothers Veeranna And Virupanna, Builders Detail From A Wall Painting,
Lepakshi
404
xxxi
PL-147 A Medieval Man Wearing A Stitched Headgear,From A Wall Painting In
Lepakshi
405
PL-148 Lepakshi Muralpainting, India 405
PL-149 A Jain Monk, Parshwa In A Shravanabelagol Painting 405
PL-149A Servants Attending To The Lady Wall Painting In A Jain Muth,
Shravanabelagola
405
PL-149B Seebi, Sibi, Narasimha Swamy Templ-E 405
PL-150 Vigayanagara Empire, Nayak Kings And Queens, Srirangam Templ-E 406
PL-150A Srirangapatana, Daria Daulat Bagheastern Wall, Daria Daulat Bagh,
Srirangapatana, India
406
PL-151 The Muralat Lepakshi, Andhra Pradesh, India 406
PL-151A The Mural At Srirangapatana, Karnataka, India 406
PL-152 Traditional And Folk Paintings Of India, Rajasthan Style Of Paintings 406
PL-153 A Brahmin, His Wife And Child, Attributed To An Artist Of Srirangapatna,
18th Century From A Journey From Madras Through Mysore, Canara And
Malabar, Francis Buchanan.
406
PL-153A Painting From A Jain Muth, Shravanabelagola 407
PL-154 Queen Smoking Her Hookah, Eastern Wall, Daria Daulat Bagh, Srirangapatana 407
PL-155 Lepaksi Templ-E Painting, Andra Pradesh, India 407
PL-155A Srirangapatana, Daria Daulat Bagh, Eastern Wall 407
PL-156 Deccan Painting, Gouache Heightened With Gold On Paper 407
PL-156A A Young Man, 1620, Opaque Watercolour On Paper, Deccan, Ahmednegar,
Fine Art Museum Boston
407
PL-156B A Princely Couple with Attendants, 5th century; Colours and gold on silk
Timurid, Iran
408
PL-157 The House of Bijapur ,Album Leaf, Ca. 1680Kamal Muhammad; Chand
Muhammadattributed To India, Deccan, Bijapur,Ink, Opaque, Colors, Gold,
And Silver On Paper
408
PL-158 A Manuscript Depicting The Painting Of Abul Hasan Qutb Shah The Last
Ruler Of The Golkonda Sultanate
408
PL-159 A Maratha Tailor And His Wife, Ca. 1800, Gouache, Unknown, Thanjavur,
India
408
PL-159A A Maratha Foot Soldier In The Usual Costume Of The Native Indian James
,Forbes 1813
408
PL-159B Maratha Turbans 409
PL-160 Malmaison Of Napoleon Bonaparte And Joséphine 409
PL-161 Daria Daulat Bagh, Srirangapatana, TIPUS Palace 409
xxxii
PL-162 French Admiral Suffren Meeting With The Indian Ruler Hyder Ali, 1783,
Collection Of Alan Taylor
410
PL-162A Dupl-Eix Meeting The Soudhabar Of The Deccan, Before1885 410
PL-163 Battle Scene From The Baysonghori Shahnameh, 1430 410
PL-164 Chehel Sotoun Palace, Isfahan, Iran 410
PL-164A Daria Daulat Bagh Palace, Srirangapatana,India 410
PL-165 Chehel Sotoun Palace, The Great Battle Of Karnal, 18century, Youngrobv 411
PL-166 Indian Sepoy (Infantryman) And His Wife, Company School Painting 411
PL-166A Sir John Dalling, Governor Of Madras, In Two Tanjore School Paintings,
C.1875 -86
411
PL-166B The Company School Of Art, Made For Western Tastes, Extoled British
Colonialism In 19th C
411
PL-167 Hyder Ali, Ruler Of Mysore, 1815 -1892, Engraving By William Dickes 412
PL-167A A Portrait Of Tipu Sultan, 1790–1800, Anonymous, Artist From Mysore, India 412
PL-168 Women In A Brothel, Company Style, Northern India, 1800 -25, Opaque
Watercolor And Gold On Paper
412
PL-169 Five Youth In A Landscape, Circa 1520,Folio From A Divan (Collected
Poems) By Shah Ismail (D. 1524)
412
PL-170 Miraj of The Prophet, Sultan Muhammad, 1539 - 43, Showing Chinese ,
Influenced Clouds And Angels
412
PL-171 A Man Herding Horses, By Han Gan,706–783, A Court Artist Under Xuanzong 413
PL-171A Bodhisattva Of Offering, Mural, Yuan Dynasty 413
PL-172 The Bier of Iskandar, Shahnama Firdowsi, Circa 1330- 1336; Opaque
Watercolor, Ink And Gold On Paper; Freer Gallery of Art
413
PL-173 Shahnameh, Shiraz Schoo, 14th Century Topkapi Collection 413
PL-174 Wedding Celebrations Of Humāyūn, 1396 The Khamseh Of Khwājū Kermānī,
Jalāyirid School Miniature, Junayd, British Library, London
413
PL-175 Iskandar Entertained By Nushabeh In A Sumptuous Palace Apartment. Persia,
Shiraz, Mid Sixteenth Century
414
PL-176 Baysunghur's Shahnameh, 1430 414
PL-176A Portrait Of Muhammad Shaybani Kamal Ad Din Behzad, 1507 AD,
Afghanistan
414
PL-176B Behhzad, 1490 414
PL-176C Detail Of Picture, Kamalodin Behzad , Iran 414
PL-177 Arghan Div Brings The Chest Of Armour To Hamza, From Volume 7 Of The
Hamzanama, Supervised By Samad
414
PL-178 The Assembled Animals Compl-Ain To The Raven Of Their Mistreatment At
The Hands Of Man, A Mughal Masterpiece, British Museum
415
xxxiii
PL-179 A Woman Carrying A Large Jar, Muhammad Muhsin, 1649, Ink And Color
Wash On Paper
415
PL-179A Woman With A Spray Of Flowers, Safavid Iran, 1575 AD ,Cordanrad, Freer
Gallery Of Art, Smithsonian, Washington D.C
415
PL-179B Tahmasb 1 , Safavid King, Naseer Sadeghi, Chehelsoton Painting, Isfahan 415
PL-180 Reza Abbasid 17th.C, Safavid School, Smithsonian 415
PL-181 Portrait Of A Portuguese, 1630, School Of Riza Abbasi, Colors And Gilt On
Paper
415
PL-181A Envoy From Shah 'Abbas Of Persia To The Courts Of Europe, Before 1628,
Oil Painting
415
PL-182 Leaf From A Shahnama1696, Safavid , Attributed To Muhammad Zaman ,Ink,
Colors And Gold On Paper
416
PL-183 Return From Egypt, Muhammad Zaman, C. 1660 Harvard University. Art
Museums
416
PL-184 Jahangir's Dream Of Embracing Shah 'Abbas, Abu’l Hassan, C. 1618 -1622 416
PL-185 Muraqqaʿ, Iran, India, And Europe, 17th CE 19th CE, Multicolored
Borders, Some With Illuminated Floral Motifs
416
PL-186 Gentile Bellini, A Seated Scribe, 1479–81, Pen In Brown Ink With Watercolour
And Gold On Paper, Isabella Stewart Gardner Museum, Boston
416
PL-186A Persian (Safavid), Seated Artist, About 1600, Watercolor With Gold On Paper,
National Museum, Kuwait
416
PL-187 Charles V And Shah Ismail, For Habsburg_Persian_Alliance, Bernaerd Van
Orley, And A Follower Of Bellini, 16century
417
PL-188 Islamic Art, Part Of A 15th Century Ceramic From Samarkand With White
Calligraphy On A Blue Arabesque Background
417
PL-188A Palace Facade From Mshatta In Jordan, C740, Panel Pergamum Museum,
Berlin
417
PL-188B Bowl With Epigraphic & Vegetal Decoration, 10thcentury, North Eastern
Iran Or Transoxiana
417
PL-188C Vessel, Ca. 700, Syria, Bronze, Pierced And Chased, Openwork Design 417
PL-188D Glass Vessel, Syrian Ca. 1260, Glass With Gilt And Enamel 417
PL-189 Islamic Art, The Mosaics Around The The Dome, 7th Century, Byzantine
Influence
418
PL-189A Sassanid And Umayyad Art, Of Fabien Dany –Clerestory Of 418
PL-190 Wall Decoration Inside The Bahia Palace, Marrakech, Morocco 418
PL-190A Textile Fragment, 14th Century; Nasrid ,Spain Silk, Lampas Weave 418
PL-190B Soltaniye Dome, 1302–12, Islamic Pattern, Zanjan, Iran, Hamzeh Karbasi 418
PL-190C Carved Wall Tile; Iran, 13th Century, Stone Paste, Carved And Partially Glazed 418
xxxiv
PL-191 Window Arch Of The Ornate White Marble, Mugha Tomb (I'timad Ud
Daulah), 17th Century AD. Agra, Uttar Pradesh, India
419
PL-191A Itmad Ud Daula's Tomb, Agra 419
PL-191B Detail Of Ornate Inlaid White Marble Of The Mughal Tomb (I'timad Ud
Daulah). 17th Century AD. Agra, Uttar Pradesh, India
419
PL-191C Mughal Palace Carpet 18ct. Boswell, Wiesbaden 419
PL-192 Kufic Script ,Plain Brick Like Rectangles With Calligraphic Patterns Of
Arabic Script
419
PL-192A Detail Of Arabic Carving, 1566 -1588, Alhambra, Granada, Spain 419
PL-192B Inscriptions In Calligraphy, Form Regular Bands Throughout The Qutb Minar,
India, Built 1192 CE
420
PL-193 Calligraphy With Geometry On The Wall, Unknown 420
PL-194 The Qur'an (Circa 610 – 613), The Name Of Mohammad Written In Classic
Calligraphy
420
PL-195 Page Of A 12th Century Qur'an Written In The Andalusia Script 420
PL-196 Kuala Lumpur, Malaysia Muqarnas Ceiling At KL Tower 421
PL-197 The Great Mosque Of Cordoba, Founded In 785, Mixture Of Architectural
Styles Encompassing Roman, Gothic, Byzantine, Syrian And Persian Features
421
PL-198 Isfahan/ Imam (Shah) Mosque, Isfahan, Iran 421
PL-199 Suleiman Mosque, Istanbul, Turkey, Pierre Metivier 421
PL-200 Interior Of The Sheikh Lotfallah Mosque, Isfahan, Iran 421
PL-201 “Geometry Pattern, Dome Of The Mausoleum Of Sultan Qaytbay, Cairo 422
PL-201A Detail Of Bronze Door, Mosque Madrassa Of Sultan Hassan, Cairo 422
PL-202 Geometric Patterns And Calligraphy, The Alhambra, Granada, Spain 422
PL-203 Geometrical Patterns With Floral Motifs, Quwwat Ul, Islam Mosque, Qutb
Compl-Ex, New Delhi, India
422
PL-203A Sheikh Lotfollah Mosque, Floral Design, Isfahan, Iran 422
PL-204 Interior Decoration In The Taj Mahal, Agra, India, David and nancy 423
PL-204A Interior Decoration In The Taj Mahal, Agra, India 423
PL-205 Tile Panel, 17th Century, Syria, Six Ceramic Tiles, Composite Body, Painted
And Glazed
423
PL-206 The Four Figures In Dish, 13th Century Seljuk, Kashan,Iran 423
PL-207 Reflecting Pool, Jami Mosque, Kerman, Iran 423
PL-207A Mosque In Lahore, Pakistan 423
PL-208 Pool Of Jame Mosque, Isfahan, Iran, A.A. Mirzaee 424
PL-209 Mahmoud Farshchian, Heavenly Attraction 424
PL-209A Saracen, Persian Painting 424
PL-210 Persian Miniature Painting, Mohammad Jafar,Traditional Music 424
xxxv
PL-211 The Assassination Of Khosrau II, Mughal Manuscript, Ca.1535, Persian
Poems, Ferdowsi's Shahnameh
424
PL-211A Indo Persian Manuscript And Miniature, 18C 424
PL-212 The School Of Shiraz, Persian Miniature, 15-16 Century 425
PL-213 Persian Miniature, 1555, Angel, Anonym 425
PL-214 Hunting Scene, Mural Paintings, Ashkani Era, Iran 425
PL-214A Persian Miniature Paintings, C. Late 17th Early 18th Century 425
PL-214B Ants In Persian Painting 425
PL-215 A Simurgh Enabling Swift, Effortless Human Traversal Of Forbidding
Mountain And Mighty River In A 14th- Century, Persian Miniature Painting
425
PL-216 Two Safavid Princes Ca1530, Aqa Mirak, Tabriz, Isfahan, Iran 425
PL-217 Detail,Construction Of The Fort Of Kharnaq C. 1494-1495, Kamaleddin Behza 425
PL-218 Detail Of Two Lovers, 1630, Isfahan, Iran, Tempera And Gilt Paint On Paper 426
PL-219 Tabriz School, "Pandj Gandj", Amir Khosrow Riza Abbasi 426
PL-220 Detail Of Camp Scene, Majnum (At Top Wearing Orange) Spies On His
Beloved Layla (Standing In Tent Doorway)
426
PL-221 Youth And Old Age, Tabriz Circa 1530 426
PL-222 Persian Miniature Painting, Safavid Dynasty 426
PL-223 A banquets, tempera on plaster, 71.85c , Chehel sotun palace central hall,
Esfahan , Iran
426
PL-224 Seated Young man, detail of picture, tempra on plaster, 71.61, Chehel sotun
palace, central hall, Esfahan , Iran
426
PL-225 A banquets, tempera on plaster, 71.86, Chehel sotun palace, central hall,
Esfahan, Iran
427
PL-226 A banquets for two guests, tempera on plaster, detail of picture, Chehel sotun
palace, central hall, Esfahan
427
PL-227 wall painting decoration of Chehelsotun palace, azure blue, detail of picture,
Chehel sotun palace, central hall, Esfahan, Iran
427
PL-228 A banquets for one guest, , tempera on plaster, detail of picture,70.99, Chehel
sotun palace, central hall, Esfahan, Iran
427
PL-229 Chehel Sotun Palace, Outer Façade 427
PL-230 Lening Prince, Detail of picture, Tempra on plaster, Chehel sotun palace 427
PL-231 Four Armed Vishnu, Pandya Dynasty, 8-9th Century CE 428
PL-231A Sitting Buddha In Meditation Posture8-10th Century A.D, National Museum,
Prachinburi
428
PL-232 Bronze Chola Statue Depicting Shiva Dancing As Nataraja, Metropolitan
Museum Of Art, New York City.
428
PL-232A Jain Religious Paintings On Textiles, Asian Civilisations Museum 428
xxxvi
PL-232B Bodhisattva Mural, Sumtsek, Alchi, Ladka, 12th Century, Stone 428
PL-232C Eastern Rajasthan Or North Eastern, 11thcentury, Madhya Pradesh, India Lotus
Ceiling
428
PL-233 The Swastika, Ayagaptha, Mathura, India 429
PL-234 Full Vase Traditional Indian Architectural Ornamentation Indo Muslim
Architectur
429
PL-235 Kalpataru, The Divine Tree Of Life, Wall Of Pawon Templ-E, An 8th Century,
Java, Indonesia
429
PL-236 Rama In Pursuit Of The Golden Deer, From Cave 1, Udaigiri 419
PL-237 Brahma With Four Faces And Arms, The Hindu God. 900A.D. Cambodian 430
PL-237A Shiva Maheshvara, Hindu God, Nagesh Templ-, Pandava Period 430
PL-237B A Statue Of The Buddha, Sarnath, 4th Century CE, India 430
PL-237C Buddha's Statue , Belum Caves, Andhra Pradesh, India 430
PL-237D Jain Svetambara Tirthankara In Meditation Seated On A Throne Cushion,
India, Gujarat Or Rajasthan, First Half Of The 11th Century
430
PL-237E Mahavira Jain God,Seated , Cave 32, Ellora 430
PL-238 Sittanavasal, Apsara On Southern Pillar, Image – Ashok Krishnaswamy 431
PL-239 Ajanta Cave Paintings ,Phases Of Ajanta Art Maha -Janaka Jataka, Cave 1 431
PL-239A Painted Bodhisattvas, Cave 12, Ellora 431
PL-239B Tirthankars Inside The Sanctum, Badami Cave Templ-E 431
PL-239C Scene Of Samava Sarvana, Sittanavasal, Yorck Project, Public Domain 431
PL-240 Mural Painting, Padmapani (Bearer Of The Lotus), 6th Century, Cave 1, Ajanta
,Image John Huntington
432
PL-241 Ceiling Paintings Of Ajanta, Cave1, By MM212 432
PL-241A Ceiling Paintings Of Ajanta, Cave2 By MM212 432
PL-242 Ajanta Caves Paintings 432
PL-243 Ajanta Cave 1 Late In The 5th Century, Free Flowing Lines 433
PL-243A Ajanta Cave Painting, Contrasting Colour 433
PL-244 Structure Of The Human Body, Iconography 433
PL-244A Tala Mana System Of Proportions And Measures Governs The Shilpa
Iconography
433
PL-245 Uttama Dasatala(124) And Nine Other Talas ,Image By Shilpi Shri Siddalings
Swamy
433
PL-246 Hamsa Of Chitrasutra Corresponds To Nava Tala Of The Shilpa Sastra. 434
PL-247 The Uttama Dasatala 434
PL-248 Female Figures,One Foot Calmly 434
PL-249 A Woman Of Good Family, Chitra Sutra 434
PL-250 The Courtesans, Chitra Sutra 434
xxxvii
PL-251 A Man With Children, Punjab Style, 1760 434
PL-251A Lady Holding A Wine Cup, Mughal, C.1650–60 Folio, Opaque Watercolour
On Paper
435
PL-251B Self Portrait And Portraits Of Artists (Detail) By Daulat, Mughal, C. 1610,
Golestan Palace Library, Tehran, Davood Sadeghsa
435
PL-252 Radha And Krishna ,Illustration To The Gita Govinda, Hindu Miniature
Painting On Paper, Kailash Rajkangra School
435
PL-252A Goddess Saraswathi, 1896 Raja Ravi Varma, Oil On Canvas 435
PL-253 Scale Of Shoulders, Chest And Abdomen 435
PL-254 The Hindu Goddess Kali And God Bhairava In Union, Painting; Watercolor,
Opaque Watercolor On Paper
435
PL-255 Devi Or Great Goddess, Co1725, India, Rajastan, Bikamar, Ink, Opaque
Watercolour and Silver On Paper, Fletcher Fund1996
436
PL-255A Detail Of Picture 255 436
PL-256 Bhuvaneshvari Das Mahavidya Durga& Sakti, Kailash Raj, The Rajasthan
Style
436
PL-257 Rombuguhya Devachandra One Of The Eight Vidyadharas, Receiver Of The
Transmission Of Mundane Worship Born In Uddiyana
436
PL-257A Shantigarbha, Shintam Garbha, One Of The Eight Vidyadharas, Receiver Of
The Transmission Of Maledictory Fierce Mantra
436
PL-258 Tandava Mantra & Shlokas Shiva As Nataraja, Siva Dance 437
PL-258A Akbarnama , Paintings Of Mughal Costumes, Ornaments And Cultural History
Of India( 1825–1893)
437
PL-259 Hair Style, A Mural Painting Depicting A Scene From Mahajanaka Jataka,
Cave 1, Ajanta
437
PL-260 Kshaya Vriddhi, (‘Loss And Gain’), Fore Shortening Painting, Ajanta,
Cave 1
437
PL-261 King And His Concubine, Indian Paintings, Mughal Period 437
PL-262 Rajarajeshvara Templ-E, Tanjavur, 1010 C.E 438
PL-263 Khandita Nayika, 1790 – 1830, Opaque Watercolour And Gold On Paper,
Unknown
438
PL-263A The Heroine Going To Meet Her Lover At An Appointed PL-Ace, About 1800,
Mola Ram, Opaque, Watercolour And Gold On Paper
438
PL-264 Naiyka Of Ragamala Awakening The Nayak 438
PL-265 Indian Pigments 438
PL-266 Ashta Bharya Krishna, 19th Century Mysore Painting Depicting Krishna With
His Eight Favourite Consorts., Javagal Narasimhayya
438
PL-267 Jagan Mohan Palace 439
xxxviii
PL-267A South Asian Miniature Of Vishnu, Late 19th Century, National Museums Of
Scotland
439
PL-268 Shravanabelagola, Servants Attending To The Lady, Wall Mural Of Karnataka 439
PL-268A Shravanabelagola, King And His Queen 439
PL-269 Renovation And Repainted Of Chehel Sotun Palace 440
PL-269A Renovation and repainted of chehel sotunSelf-photograph 440
PL-270 Srirangapatana, Repainting, 2010, Self-Photography 440
PL-270A Srirangapatana, Repainting, 2010, Self-Photography 440
PL-270B Chehel sotun and Daria Daulat Bagh renovation, self-photography 440
PL-271 Reclining Woman, 1595, Reza Abbasi, Isfahan, Iran 441
PL-272 Sampl-E Of Persian Calligraphy 441
PL-273 Ramayana Painting At Madurai, Tamil Nadu, India 441
PL-274 In Thiruvannamalai, 10th – 15th Century 441
PL-275 Traditional Mural In A Village In Ganjam District Of Orissa 442
PL-276 The Third Battle Of Panipat ,13 January 1761, C. 1770, Anonymous, And
British Library
442
PL-276A The Third Battle Of Panipat Saw The Marathas Defeated By The Afghan Army 442
PL-277 Shivagi Bhosle, Founder Of Marathi Empire 443
PL-278 Hampi, Capital Of Vijayanagar Dynasty 443
PL-279 The Flow Of Life, Detail From A Painting Of Shubaray Maharaj, Solapur 443
PL-279A Krishna And Yashoda, Paint By Shubharaya Solapur Monastery, Solapur 443
PL-279B Sant Shubharay Maharaj, Shubharay Maharaj 443
PL-280 Eastern Wall, Detail Of Paintings, Daria Daulat Bagh ,Srirangapattana, India 443
PL-280A Floral Designs, Daria Daulat Bagh, Srirangapattana, India 444
PL-280B The Figures Of Daria Daulat Bagh,,Eastrn Wall, Daria Daulat Bagh
Srirangapattana, India
444
PL-281 The Number Of Figures Painted In Wall Paintings, Detail Of Picture, Daria
Daulat Bagh, Srirangapattana, India
444
PL-282 Horse Mounted Shivaji, Deccan Miniature Painting, Mir Mohammad, 17th
Century
445
PL-282A Detail Of Battle Scence, Daria Daulat Bagh, Srirangapattana, India 445
PL-283 Payag, Shah Jahan Riding A Stallion; Mughal Court At Agra, Ca. 1628;
Opaque Watercolor And Gold On Paper
445
PL-284 Chehel Sotun Palace, Isfahan, Iran 445
PL-284A Daria Daulat Bagh, Srirangapatana,Mysore 445
PL-285 The Daria Daulat Bagh, Srirangapatana, Square PL-An 446
PL-285A The Chehel Sotun Palace, Isfahan, Square Plain 446
PL-286 Chehel Sotoon Palace With Reflection In The Water 446
xxxix
PL-286A Daria Daulat Bagh With Reflection In The Water 446
PL-287 The Apadana, Dariaus's Palace, 522 -486 BCE,Takht E Jamshid, Iran 446
PL-287A Outdoor Entrance Of Chehel Sotoon Palace 446
PL-287B Outdoor Entrance Of Daria Daulat Bagh 446
PL-288 The Garden Of Chehel Sotoon Palace 447
PL-289 The Pedestals Of Lion And Human, Chehel Sotun Palace 447
PL-290 The Daria Daulat Bagh,Garden And Some Flowers And Trees 447
PL-290A Daria Daulat Bagh Garden 447
PL-291 A Rectangular PL-Atform With 18 Columns,Chehel Sotoon Palace 447
PL-291A Stone Lions Detail Of Picture 447
PL-292 The Porch Roof, Chahel Sotoun Palace Isfahan, Iran 448
PL-292A View From Inside The Iwan Of Chehel Sotun, Back Up To The Ceiling Above
The External Hall Of Mirrors
448
PL-293 Veranda Of Daria Daulat Bagh ,Srirangapatana 448
PL-294 Wooden Pillars With Trefoil Arches, Daria Daulat Bagh 448
PL-294a Detailed, Wooden Pillars 448
PL-295 Dariadaulat Bagh Hall 449
PL-295A Daria Daulat Bagh Hall And Balcony 449
PL-296 Daria Daulat Bagh Wall Gilded And Decorated 449
PL-296A Daria Daulat Bagh Wall Decorated 449
PL-296B Chehel Sotun Palace Wall Gilded And Decorated 449
PL-296C Chehel Sotun Palace Wall Decorated 449
PL-297 Hat, Chehel Sotun Palace 450
PL-297A Men’s Clothes Chehel Sotun Palace 450
PL-297B Painted Dishes, Chehel Sotun Palace 450
PL-298 Handwritten Koran, Chehel Sotun Palace 450
PL-299 Tipu Wearing And Turban, Srirangapatana 450
PL-299A A Rare Quilted Helmet & Curaiss 450
PL-299B Tipu Sultan’s War Dress 450
PL-300 Gulam Ali Khan,Tipu’s Museum 450
PL-300A Shaikh Hossain,Tipu’s Museum 450
PL-300B Hiidar Ali,Tipu’s Museum 450
PL-301 Detailed, Storming of Srirangapatna, 1800, oil painting Sir Robert Ker Porter 451
PL-302 Youth and Dervish in Conversation, Safavid , circa 1590 CE 451
PL-303 Advice of the Ascetic, Moraqqa’-e, Golshan, First half of 16th century 451
PL-304 Rustam tries to lasso Afrasiab, probably Qazvin, Iran 451
PL-305 Youth and Old Age, 1530, Tabriz, Iran 451
PL-306 Shah Suleiman I and his courtiers, 1670, Esfahan, Iran 452
xl
PL-307 Safavid era, painting kept at The Grand Shah Abbas Caravanserai Hotel,
Esfahan, Iran
452
PL-308 Young Portuguese, Reza Abbasi, 1634, ink, gold, and watercolor on paper 452
PL-309 Dervish holding a leaf, circa 1644, Manuscript illustration, Afzal-al- Hussaini,
Esfahan, Iran
452
PL-310 Sultan-Mahmud in discussion with a Dervish, 1577-78, Makhzan al-asrar" of
Mawlana Haydar, opaque watercolor, ink and gold on paper,Iran
452
PL-311 A young man, Manuscript, style of Reza Abbasi , ca. 1570-1635, Esfahan,Iran,
Louvre Museum
452
PL-312 Woman with a Veil, circa 1590-95, album folio , attributed to Reza-i 'Abbasi,
Esfahan, Iran, Sackler Gallery, Smithsonia
453
PL-313 The young man reading embodies the fashion of the day, 1620s.,Reza Abbasi ,
Esfahan, Iran, the Trustees of the British Museum
453
PL-314 Convivial Party, The Emergence of a Persianate refined, 1612, Safavid
Dynasty, Esfahan, Iran
453
PL-315 Muhammad-Beik, prince of Georgia, 1620, Reza Abbasi, Esfahan, Iran 453
PL-316 Detailed picture, Study of a figure in a landscape, 1626 AD, Reza 'Abbasi,
Esfahan, Iran, Christie's catalogue description
454
PL-317 A banquet for two guests, and on the sighdes for one guest, tempera on plaster,
(yolk), 94.220, Chehelsotun palace, centeral hall, Esfehan , Iran
454
PL-318 Ibid 454
PL-318A Ibid 455
PL-319 A narrow floral decoration, detail of picture, Centeral hall, chehel sotun palace,
Esfahan, Iran
455
PL-320 The first plan of a banquet for one guest, tempera on plaster, (yolk), Centeral
hall, chehel sotun palace, Esfahan, Iran
455
PL-320A The second plan mountains and tree of a banquet for one guest, tempera on
plaster, (yolk), Centeral hall, chehel sotun palace, Esfahan, Iran
455
PL-320B The third plan sky and cloud of a banquet for one guest, tempera on plaster,
(yolk), Centeral hall, chehel sotun palace, Esfahan, Iran
456
PL-321 Vertical axis, a banquet for one guest, tempera on plaster, (yolk), Chehel sotun 456
PL-322 a horizontal axis, a banquet for one guest, tempera on plaster, (yolk), Chehel
sotun palace
456
PL-323 Variety of curves, softness and delicacy line and pencil handling, a banquet for
one guest, tempera, Chehel sotun palace
456
PL-324 figures and faeces of painting, a banquet for one guest, tempera, Chehel sotun 456
PL-325 Decorated elements of three parts of painting, a banquet, tempera, Chehel sotun 457
PL-326 The contrast with the red and green colour, a banquet, tempera, Chehel sotun 457
xli
PL-326A The contrast with the blue and orange colour, banquet, tempera, Chehel sotun 457
PL-327 A spectrum of the same range of colours &green) a banquet, tempera, Chehel
sotun palace
457
PL-327A A spectrum of the same range of colours, (orange, (blue yellow, brown),a
banquet, tempera, Chehel sotun palace
457
PL-328 Detail of picture, a banquet, tempera Chehel sotun palace 457
PL-328A Detail of picture, a banquet, tempera, Chehel sotun palace 457
PL-329 The colour of mountain, a banquet, tempera, Chehel sotun palace 458
PL-329A The colour of mountain, a banquet, tempera , Chehel sotun palace 458
PL-330 Detail of Picture, the big turbans, a banquet, tempera, Chehel sotun palace 458
PL-331 A banquet, tempera on plaster, (yolk), 92.218cm, Chehe lsotun palace, central
hall, Esfahan, Iran
458
PL-332 A banquet for one guest, tempera on plaster, (yolk),Centeral hall, chehel sotun
palace, Esfahan , Iran
448
PL-333 Leaning prince, tempera on plaster, (yolk), 69.109cm Chehe lsotun palace,
central hall, Esfahan, Iran
459
PL-334 Shah Tahmasb receiving Homayun the Indian Mughal Emperor, oil on plaster,
centeral hall, chehel sotun palace, Esfahan, Iran
459
PL-335 circular arrangement, Shah Tahmasb receiving Homayun the Indian Mughal
Emperor, centeral hallchehel sotun ,palace
459
PL-336 Vertical line divided the painting in two part, Shah Tahmasb receiving
Homayun centeral hall chehel sotun palace
460
PL-337 Humayun Shah and Tahmasb Shah sitting in Shah Tahmasb receiving
Homayun, centeral hall, chehel sotun palace
460
PL-337A some attendants behind of kings, Shah Tahmasb receiving Homayun chehel
sotun palace
460
PL-338 vertical lines, Shah Tahmasb receiving Homayun the Indian Mughal Emperor,
centeral hall, chehel sotun palace
460
PL-339 square part, Shah Tahmasb receiving Homayun the Indian Mughal Emperor,
centeral hall, chehel sotun palace
460
PL-340 vertical and horizontal lines, centeral hall Shah Tahmasb receiving Homayun,
chehel sotun palace
460
PL-341 dancers with the cupbearer in beautiful circle, Shah Tahmasb receiving
Homayun, centeral hall, chehel sotun
460
PL-342 Some circle composition, Shah Tahmasb receiving Homayun, centeral hall,
chehel sotun palace
461
PL-343 Shah Tahmasb with a red dress.and Homayun Shah with floral dress, receiving
Homayun chehel sotun palace
461
xlii
PL-344 Eye rotation with yellow colour, Shah Tahmasb receiving Homayun , central
hall, Chehel sotun palace
461
PL-345 circular motion with yellow colour,shah Tahmasb reciving Homayun centeral
hall, Chehel sotun Palace
461
PL-345A Circular motion with red colour, Shah Tahmasb receiving Homayun, centeral
hall, Chehel sotun
461
PL-346 drawn parallel to the side figures, Shah Tahmasb receiving Homayun, Centeral
hall, Chehel sotun palace
461
PL-347 Rhythmic movements of two figures, Shah Tahmasb receiving
Homayun,Chehel sotun Palace
461
PL-348 The first plan of painting, Tahmasb receiving Homayun, Chehel Sotun Palace 461
PL-348A The second plan of painting, Shah Tahmasb receiving homayun, chehel sotun 462
PL-348B last plan and the depth of painting, Shah Tahmasb receiving homayun, chehel
sotun palace
462
PL-349 Faeces painted, Shah Tahmasb receiving by Homayun, Chehel Sotun Palace 462
PL-350 Contrast of red and green,Shah Tahmasb receiving by Homayun,Chehel Sotun 462
PL-351 Gray colours, Shah Tahmasb receiving by Homayun, Chehel Sotun, palace 462
PL-352 Shah Tahmasb and his helmet, sword and belt, detail of Picture, central hall,
chehel sotun palace
462
PL-353 Safavid shah Ismail at fighting against the Uzbak shibak khan, oil on plaster,
central hall, chehel sotun palace
463
PL-354 The Safavid Shah Ismail sitting on a white horse, fighting against the Uzbek
Shibak Khan
463
PL-355 The hat of Shah Ismail and his soldiers, detail of Picture, central hall, chehel
sotun palace
463
PL-356 Tree divided the painting to left and right sight, shah Ismail at fighting against
the Uzbak shibak khan central hall, chehel sotun palace
463
PL-356A balance of painting by divided to two part, shah Ismail at fighting against the
Uzbak shibak khan, centeral hall, chehel sotun palace
464
PL-357 white hats shah Ismail at fighting against the Uzbak shibak khan,Chehel sotun 464
PL-358 red dresses, shah Ismail at fighting against the Uzbak shibak khan, Chehel
Sotun Palace
464
PL-359 blue colour on the green background, shah Ismail at fighting against the Uzbak
shibak khan
464
PL-359A Contrast by orange and yellow colour shah Ismail at fighting against the Uzbak
shibak khan
464
xliii
PL-360 eye movement towards the space of painting shah Ismail at fighting against the
Uzbak shibak khan
464
PL-361 enter and exit figures in the frame, shah Ismail at fighting against the Uzbak
shibak khan
464
PL-362 Rotating motion by figures, Shah Ismail at fighting against the Uzbak shibak
khan
465
PL-363 victory of Safavid Shah Ismail and his army, Shah Ismail at fighting against the
Uzbak shibak khan
465
PL-364 Safavid Shah Ismail and Shibak Khan horses, ShahIsmail at fighting against
the Uzbak shibak khan, Chehel Sotun Palace
465
PL-364A The battling era of two kings,Shah Ismail Shah Ismail at fighting against the
Uzbak shibak khan Chehel Sotun Palace
465
PL-365 Some drawing faces without volume making, details of painting, centeral hall,
Shah Ismail at fighting against the Uzbak shibak khan, chehel sotun palace
465
PL-366 Different styles of figures, Shah Ismail at fighting against the Uzbak shibak
khan chehel sotun palace
465
PL-367 The first plan shows the corps of both kings battling, Shah Ismail at fighting
against the Uzbak shibak khan
465
PL-367A The second plan shows the conflict between two kings, Shah Ismail at fighting
against the Uzbak shibak khan centeral hall, chehel sotun palace
466
PL-367B The third plan shows the war clarion-players and musicians, Shah Ismail at
fighting against the Uzbak shibak khan centeral hall, chehel sotun palace
466
PL-368 Shah Abbas II receiving Nadar Mohammad Khan, king of Turkestan, oil on
plaster, centeral hall, chehel sotun palace
466
PL-368A Shah Abbas II and Nadar Mohammad Khan centeral hall, chehel sotun palace 466
PL-369 movement of eye in the painting by dancer and musician and some figures,
Shah Abbas II receiving Nadar Nadar Mohammad Khan, centeral hall, chehel
sotun palace
466
PL-370 Some figures make rhythm, Shah Abbas II receiving Nadar Mohammad Khan,
chehel sotun
467
PL-371 The designed fabrics dresses, Shah Abbas II receiving, Nadar Mohammad
Khan central hall chehel sotun palace
467
PL-372 contrast between reds and greens, Shah Abbas II receiving Nadar Mohammad
Khan, centeral hall, chehel sotun palace
467
PL-373 Indian princess ready to burn herself in her husband’s funerary, southeastern
small room , oil on plaster, 391.253 cm chehel sotun palace
467
xliv
PL-374 Two figures kneeing are discourage the Indian princess from self-burning,
chehel sotun palace
468
PL-374A a beautiful movement and rhythm by figures , Indian princess chehel sotun 468
PL-374B divides the painting into two parts by figures and fire, Indian princess chehel
sotun palace
468
PL-375 Some Hindi clothes and decoration, Indian princess chehel sotun palace 468
PL-375 people wondering detail of Picture Indian princess, chehel sotun palace 468
PL-376 entrance of the eye to the frame by horse, Indian princess, chehel sotun palace 468
PL-376A relationship between figures, Indian princess chehel sotun palace 469
PL-367B princess located era, Indian princess chehel sotun palace 469
PL-376C a number of triangles make certain movement and rhythm, Indian princess,
chehel sotun palace
469
PL-377 a beautiful relationship between crescent-shaped by dome and fire, Indian
princess, chehel sotun palace
469
PL-378 Horizontal composition by bottom plan, Indian princess, chehel sotun palace 469
PL-378A horizontal route through moving some elements, Indian princess, chehel sotun 469
PL-379 Spiritual event by some circles movement Indian princes , chehel sotun palace 469
PL-380 The first plan, which is closer to the viewer Indian princess, chehel sotun palace 469
PL-380A The second plan involves people and courtiers along with the princess, Indian
princess, chehel sotun palace
470
PL-380B The third plan includes the musicians and carriage Indian princess, chehel sotun 470
PL-380C The fourth plan includes a blue sky along with fired and twisting cloud, Indian
princess, chehel sotun palace
470
PL-381 Colour harmony (red, orange, yellow), Indian princess, chehel Sotun palace 470
PL-381A Colour harmony (green, blue), Indian princess, chehel Sotun palace 470
PL-382 The contrast between up and bottom by green and red colours, Indian princess,
chehel Sotun palace
470
PL-382A blue sky along with orange fired-flames Indian princess, chehel Sotun palace 470
PL-383 Some beautiful out line, detail of Picture, Indian princess chehel Sotun palace 471
PL-383A dark Lines around the figures, detailed of Picture, Indian princess, chehel
Sotun palace
471
PL-384 European style dresses pleats, Indian princess, detail of Picture, chehel Sotun 471
PL-385 Some hair style, making faces, and ornament Indian princes, detail of Picture,
chehel Sotun palace
471
PL-386 decorative elements, Indian princess, chehel Sotun palace 471
PL-387 Khosrow and Shirin, tempera on plaster (yolk), Chehel sotun palace,
southeastern small room, and 159.177cm
472
PL-388 Nature, Khosrow and Shirin Chehel sotun palace 472
xlv
PL-389 Shirin, Khosrow and Shirin Chehel sotun palace 472
PL-390 Khosrow, Khosrow and Shirin Chehel sotun palace 472
PL-390A love and beauty between khosrow and shirin, Khosrow and Shirin, Chehel
sotun palace
472
PL-391 a triangle created by shirin khosrow and horse, Khosrow and Shirin, Chehel
sotun palace
472
PL-392 Shirin as a heavy weight in the frame, Khosrow and Shirin,Chehel sotun palace 472
PL-393 visual balance by three elements Khosrow and Shirin, Chehel sotun palace 473
PL-394 horizontal motion, Khosrow and Shirin,Chehel sotun palace 473
PL-395 Variety of hot colours, Khosrow and Shirin , Chehel sotun palace 473
PL-395A Variety of cool colours, Khosrow and Shirin , Chehel sotun palace 473
PL-396 Mountains decorated as the fire flames, detail of Picture, Chehel sotun palace 473
PL-397 Yusuf and zolikha, tempera on plaster (yolk), Southeastern small room,
157.178cm Chehel Sotun Palace
474
PL-398 Zulaikha is sitting on a carpet and Yusuf is sanding, Yusuf and zolikha chehel
sotun palace
474
PL-398A Women are looking at Yusuf, Yusuf and zolikha Chehel Sotun Palace 474
PL-399 first Plan, figures, fruit and wine cups , Yusuf and zolikha, Chehel Sotun Palace 474
PL-399A second plan, prairie grass beauty of and tree , Yusuf and zolikha ,Chehel Sotun 474
PL-399B Third Plan, mountains ,Yusuf and zolikha, Chehel Sotun Palace 474
PL-399C fourth Plan, the blue sky, Yusuf and zolikha, Chehel Sotun Palace 474
PL-400 movement of the eye through the painting, Yusuf and zolikha, Chehel Sotun 474
PL-401 Rotating motion by arrangement figures, Yusuf and zolikha , Chehel sotun 475
PL-402 left and right sight by tree ,Yusuf and zolikha, Chehel sotun palace 475
PL-403 a good balance between the standing and unconscious figures Yusuf and
zolikha, Chehel sotun
475
PL-404 The contrasting colours of red and green, Yusuf and zolikha, chehel sotun 475
PL-404A the contrasting colours of blue and orange, Yusuf and zolikha, chehel sotun 475
PL-405 Architectural decorations, red Ochre and golden colours, Yusuf and zolikha,
chehel sotun palace
476
PL-406 Shah Abbas I banquet , tempera on plaster , (yolk) 383.274cm northeastern
small room ,chehel sotun palace
476
PL-407 Horizontal composition, Shah abbas I banquet, chehel sotun palace 476
PL-408 A variety of curves, Shah abbas I banquet chehel sotun palace 476
PL-409 Twisting movement of brush, Shah abbas I banquet, chehel sotun palace 477
PL-409A pen driving, soft and fine motion, Shah abbas I banquet, chehel sotun palace 477
xlvi
PL-410 some beautiful relationship between figures, Shah abbas I banquet, Chehel
sotun palace
477
PL-411 vertical and horizontal lines, Shah abbas I banquet, Chehel sotun palace 477
PL-411A diagonal movement, Shah abbas I banquet Chehel sotun palace 477
PL-412 a tree in the middle divides the frame into two parts, Shah abbas I banquet,
Chehel sotun palace
477
PL-413 Eye enters to the frame with figures, Shah Abbas I banquet, Chehel sotun 478
PL-414 balanced figures, Shah Abbas I banquet, Chehel sotun palace 478
PL-415 Two sections, top and bottom, Shah Abbas I banquet, Chehel sotun palace 478
PL-415A Two sections, top and bottom, Shah Abbas I banquet Chehel sotun palace 478
PL-416 Some decorating elements, Shah abbas I banquet, Chehel sotun palace 478
PL-417 balanced with standing figure and river, Shah abbas, I banquet, Chehel sotun 478
PL-418 Drawing, Shah abbas I banquet, Chehel sotun palace 479
PL-419 a collection of the same colour family (blue and green), Shah Abbas I banquet
Chehel sotun palace
479
PL-420 Plain pen driving, Shah Abbas I banquet, Chehel sotun palace 479
PL-421 first plan, coloured figure, Shah Abbas I banquet, Chehel sotun palace 479
PL-421A second plan, grass and green space, Shah Abbas I banquet, Chehel sotun palace 479
PL-421B third plan hills, Shah Abbas I banquet, Chehel sotun palace 479
PL-421C fourth plan, sky and clouds, Shah Abbas I banquet, Chehel sotun palace 480
PL-422 Shah Abbas Banquet, tempera on plaster (yolk), chehel sotun palace,
norteastern small room, 105.5x189cm
480
PL-423 Shah Abbas with the butlers, Shah Abbas banquet, chehel sotun palace,
norteastern small room
480
PL-424 divided painting into two parts, Shah Abbas, banquet, chehel sotun palace 480
PL-425 The variety colour composition Shah Abbass banquet, chehel sotun palace 481
PL-426 face shapes, Shah Abbass banquet, Chehel Sotun palace 481
PL-427 Type of pen driving, Shah Abbass banquet, chehel sotun palace 481
PL-428 Iranian Lady in foreign dress, tempera on plaster (yolk), northeastern small
room, 113x164cm ,chehel sotun palace
481
PL-429 Pen driving and hatching, Iranian Lady in foreign dress, Chehel Sotun palace 482
PL-430 head cover, hair makeup Iranian Lady in foreign dress, Chehel Sotun palace 482
PL-430A cloth style, Iranian lady in foreign dress, Chehel Sotun Palace 482
PL-430B open environment, Iranian lady in foreign dress, Chehel Sotun Palace 482
PL-431 View from inside the iwan of Chehel Sotun back up to ceiling above the
external Hall of Mirrors, Chehel Sotun Palace
482
PL-432 A Banquet, tempera on plaster (yolk) southern room in mirror hall, Chehel
sotun palace
482
xlvii
PL-432A A Banquet ,Surface hacks, chehel sotun palace 482
PL-432B reconstructed painting by using quick setting gypsum chehel sotun palace 483
PL-432C Safavid hat and turban, chehel sotun palace 483
PL-432D the vegetative and abstract decorations, chehel sotun palace 483
PL-433 A rabbit hunt scene, tempera on plaster yolk), southern room in mirror hall,
chehel sotun palace
483
PL-434 Big size figure, chehel sotun palace 483
PL-435 Face finishing style, chehel sotun palace 483
PL-436 the opposite direction of the bar movement, chehel sotun palace 483
PL-437 contrast of blue and orange chehel sotun palace 483
PL-438 a European man accompanied by a dog, oil on plaster , chehel sotun palace,
northern small Ivan, chehel sotun palace
484
PL-439 A hanging curtain ,chehel sotun palace 484
PL-439A The flat background ,chehel sotun palace 484
PL-440 A diagonal sceptre and a bar, chehel sotun palace 484
PL-440A X sign movement, chehel sotun palace 484
PL-441 Some golden points, chehel sotun palace 484
PL-442 viewer's eye, down and upward, chehel sotun palace 484
PL-443 The soft andCircular movements, chehel sotun palace 484
PL-444 Blue and orange contrasting, chehel sotun palace 484
PL-444A Blue and orange contrasting, chehel sotun palace 484
PL-445 light grey colour, chehel sotun palace 484
PL-446 A standing prince, oil on plaster , northern small Ivan, chehel sotun palace 485
PL-447 red background of the painting ,chehel sotun palace 485
PL-448 Hung curtains with light and shade effect, chehelsotun palace 485
PL-449 A variety of circles and curves, chehel sotun palace 485
PL-450 horizontally movement, chehel sotun palace 485
PL-451 little lighting and shade effect on the face, chehel sotun palace 485
PL-452 contrast between blue and orange, A standing prince, chehel sotun palace 486
PL-452A contrast between blue and orange, A standing prince, chehel sotun palace 486
PL-453 Chaldoran war, sadiq ol _ va’d , Qajar period painter, oil on plaster, centeral
hall, chehel sotun palace
486
PL-454 Shah Ismail I with some Iranian troops equipped with cool weapons, Chaldoran
war, chehel sotun palace
487
PL-454A the Ottoman army were equipped with firearms and artillery, Chaldoran war
chehel sotun palace
487
PL-455 Shah Ismail I, Chaldoran war, chehel sotun palace 487
PL-456 Shah Ismail and Sultan Salim an obvious reciprocity, Chaldoran war 487
xlviii
PL-457 A vertical line to up and down and horizontal Line to left and right, Chaldoran
war, Chehel Sotun palace
487
PL-458 Shah Ismail and his soldiers have Qizilbash helmets, Chaldoran war, Chehel
sotun Palace
487
PL-458A King Salim and Ottoman soldiers special hat, Chaldoran war, Chehel Sotun 488
PL-459 a perspective of mountains and cloudy sky with light and shade effect , chehel
sotun palace
488
PL-460 perspective and deep effect, Chaldoran war, chehel sotun palace 488
PL-461 The first Plane, the troops of both Countries, chehel sotun palace 488
PL-461A second planes, Shah Ismail at war, Chaldoran war, chehel sotun palace 488
PL-461B third plan, Shah Salim at war Chaldoran warchehel sotun palace 488
PL-461C Forth plane, the artilleries and battling troops along with the landscape of
mountains and sky
488
PL-462 circles movement and spiral movement , Chaldoran war, chehel sotun palace
488
PL-463 Adifferent ranges of colour, detail of Picture, Chaldoran war, Chehel Sotun 489
PL-464 Chaldoran war, architectural decorations ,chehel sotun palace 489
PL-465 The artist's signature, Chaldoran war, Chehel Sotun Palace 489
PL-466 Conquest of India by Nadir Shah Afshar, oil on plaster, centeral hall, chehel
sotun palace
489
PL-467 A vertical line to up and down and horizontal Line to left and right, Chaldoran
war, Chehel Sotun
490
PL-468 Shah Ismail and his soldiers have Qizilbash helmets, Chaldoran war, Chehel
sotun Palace
490
PL-469 Some figures with different mode and different face, Conquest of India by
Nader Shah , Chehel Sotun Palace
490
PL-470 left and right parts, Conquest of India by Nader Shah Chehel Sotun Palace 490
PL-470A Nader Shah riding a dark horse, Conquest of India by Nader Shah Chehel Sotun 490
PL-470B Mohammed Shah riding an elephant, Conquest of India by Nader Shah, Chehel
Sotun Palace
490
PL-471 contrast between Amir Arsalan and Khan Khanan, Conquest of India by Nader
Shah, Chehel Sotun
490
PL-472 Entrance into the painting White from sides of the frame, Conquest of India
by Nader Shah, Chehel sotun
490
PL-473 Some different colour, Conquest of India by Nader Shah, chehel sotun palace 491
PL-474 a triangle with Mohammed Shah Gurkani, Nadir shah and Amir Arsalan,
Conquest of India by Nader Shah
491
PL-475 Panel 1, Western wall, Daria Daulat Bagh, Srirangapatana, mysore 491
xlix
PL-476 Mountains, cloudy sky and a craggy desert background, Panel 1, Western wall
,Daria Daulat Bagh
491
PL-477 Some men on foot, Panel 1, Western wall, Daria Daulat Bagh, Srirangapatana 492
PL-477A Some men on horseback, Panel 1 Western wall, Daria Daulat Bagh,
Srirangapatana
492
PL-477B Riding elephants, Panel 1, Western wall, Daria Daulat Bagh, Srirangapatana 492
PL-478 Two huge tuckers lead the procession carrying large flags of Tipus insignia,
Western wall, Daria Daulat Bagh
492
PL-479 Haidar entering the grounds of Polillur after besieging Arcot, Western wall,
Daria Daulat Bagh, Srirangapatana
493
PL-480 three rows in slant position, Western wall, Daria Daulat Bagh, Srirangapatana 493
PL-481 Two men stop to play the trumpet, detail of Picture ,Western wall, Daria Daulat 493
PL-481A some men on horseback being led by their commander detail of Picture, Daria
Daulat Bagh ,Srirangapatana
493
PL-482 Three horses and some men, detail of Picture, Western Wall, Daria Daulat Bagh 493
PL-483 Mir Sadak, detal of Picture, Western wall, Daria Daulat Bagh 493
PL-484 Haidar Ali on a howdah sitting comfortably on a majestic elephant, detail of
Picture Western wall, Daria Daulat Bagh
494
PL-484A Smelling flower, tradition Moghul miniatures style 494
PL-485 Haidar Ali turban and his clothes, detail of Picture, western wall, Daria Daulat 494
PL-486 A companion with Haidar Ali, detail of Picture ,western wall, Daria Daulat 494
PL-487 The elephant carry Haidar Ali, western wall, Daria Daulat Bagh 494
PL-488 The composition of the painting, panel.1- western wall, Daria Daulat Bagh 494
PL-489 Enters to the painting by elephant’s, panel.1- western wall, Daria Daulat Bagh 495
PL-490 division of Haidar Ali and his troops, panel.1-western wall, Daria Daulat Bagh 495
PL-491 a Tetrahedral of military, panel.1- western wall, Daria Daulat Bagh 495
PL-492 Some horses directed eyes to forward, panel.1-western wall, Daria Daulat Bagh 495
PL-493 Architecture element, detaile of picture, western wall, Daria Daulat Bagh 496
PL-494 diagonal movement, western wall, panel.1-Daria Daulat Bagh 496
PL-495 Some grey colour, panel.1- , detaile of picture ,western wall, Daria Daulat Bagh 496
PL-496 The conflict between dark and light colour, panel.1, detaile of Picture, western
wall, Daria Daulat Bagh
496
PL-497 A number of men on horseback and on foot, panel.2- western wall, Daria Daulat 497
PL-498 Some men on horseback behind of Elephant’s, panel.2-, western wall, Daria
Daulat Bagh
497
PL-499 French military, panel.2-Western wall, Daria Daulat Bagh 497
PL-500 Some men on foot on top and below, western wall, Daria Daulat Bagh 497
l
PL-500A Tiger snipes clothes, detail of picture, western wall, Daria Daulat Bagh 497
PL-501 Tipu Sultan on a white horse, panel.2-, detail of Picture, western wall, Daria
Daulat Bagh
498
PL-502 Tipu Sultan with some ornamented gems detail of Picture, western wall, Daria
Daulat Bagh
498
PL-503 conversation between Tipu and with his Commander-in-Chief, western wall,
Daria Daulat Bagh
498
PL-504 Commander-in-chief Kumar-ud-din, panel.2-, detail of Picture western wall,
Daria Daulat Bagh
498
PL-505 Monsieur Lally, the head of the French, panel2 , detail of Picture, western wall,
Daria Daulat Bagh
498
PL-506 Entrance in to the painting frame by elePLants and camels, panel.2- western
wall, Daria Daulat Bagh
499
PL-507 Divide the frame into two parts, panel.2- left part, western wall, Daria Daulat 499
PL-507A A rectangle, middle of two parts, panel.2 western wall, Daria Daulat Bagh 499
PL-507B Divide the frame into two parts, panel.2- Right part, western wall, Daria Daulat 499
PL-508 Gathering and separation concept, panel.2- western wall, Daria Daulat Bagh
500
PL-508A contrary of Gathering and separation concept, panel.2- western wall, Daria
Daulat Bagh
500
PL-509 Some figures, panel .2-western wall, panel.2-Daria Daulat Bagh 500
PL-510 face style, panel.2-, western wall, Daria Daulat Bagh 500
PL-511 Rhythm, panel.2- western wall, panel.2-Daria Daulat Bagh 501
PL-512 The decorations and ornament, panel.2- western wall, panel.2-Daria Daulat
Bagh
501
PL-513 Some different colour, panel.2- western wall, panel.2-Daria Daulat Bagh 501
PL-514 Panel-3, western wall, Daria Daulat Bagh 501
PL-515 The army of Haidar Ali and Tipu sultan simultaneously reached their
destination, panel3, western wall, Daria Daulat Bagh
502
PL-516 Haidar Ali and General Seyyed Gaffur, western wall, Daria Daulat Bagh 502
PL-517 Haidar Ali (top) and Tipu sultan(left), panel3, western wall, Daria Daulat Bagh 502
PL-517A Haidar Ali (top) andTipu sultan (left), panel3, western wall 502
PL-518 some camels and several horses between two rulers, panel.3-, western wall
,Daria Daulat Bagh
502
PL-519 A number of British officers, Panel.3-, western wall, Daria Daulat Bagh 503
PL-520 Indian and French soldiers with British officers, panel.3-, western wall, Daria
Daulat Bagh
503
li
PL-521 Indian and French soldiers with British officers, panel.3-, western wall, Daria
Daulat Bagh
503
PL-522 General Baird and Colonel Fletcher, panel.3- western Wall, Daria Daulat Bagh 503
PL-523 Mons. Lally’s prancing white horse at the head of the French detachment,
panel.3-, western wall, Daria Daulat Bagh
503
PL-524 Mons. Lally and His brown horse, panel.3- western Wall, Daria Daulat Bagh 503
PL-525 explosion of the tumbril caused by Mons Lally panel.3-, western wall, Daria
Daulat Bagh
503
PL-525A gun powder wagon, panel.3-, western wall, Daria Daulat Bagh 504
PL-526 The climax of the troops, (European and Indian) panel.3-, western wall, Daria
Daulat Bagh
504
PL-527 The 'indiscriminate slaughter panel.3-, western wall, Daria Daulat Bagh 504
PL-528 Some headless bodies and several butchered men panel.3-, western wall, Daria
Daulat Bagh
504
PL-529 The English soldiers, panel.3-, western wall, Daria Daulat Bagh 505
PL-530 Mohammadan (probably) putting water into the powder Magazine, panel.3-,
western wall, Daria Daulat Bagh
505
PL-531 Biccaji Scindia (Probably), panel.3-, western wall, Daria Daulat Bagh 505
PL-532 several circles compositiono, panel.3-, western wall, Daria Daulat Bagh
505
PL-533 Enterance eye in the painting, panel.3-, western wall, Daria Daulat Bagh 505
PL-534 some horses in middle of painting, panel.3-, western wall, Daria Daulat Bagh 506
PL-534A Some of rhythm and movement, panel.3-, western wall, Daria Daulat Bag 506
PL-535 panel.4- western wall, Daria Daulat Bagh, Srirangapatana 506
PL-536 The tiger stripes, panel.4- western wall , Daria Daulat Bagh, detail of painting 506
PL-537 The Nizam, panel.4- western wall, Daria Daulat Bagh, detail Daulat 506
PL-538 12 elephants with empty howdahs, probably brought to aid Haidar's army,
panel.4- western wall, Daria Daulat Bagh,
507
PL-539 Nizam’s vest and turban rust coloured, panel.4- western wall, Daria Daulat
Bagh, detail of Picture
507
PL-540 a cow and a pig Below the Nizam's horse, panel.4- western wall, Daria Daulat
Bagh, detail of Picture
507
PL-541 the marching infantry, panel.4- western wall, Daria Daulat Bagh 507
PL-542 Some figures anatomy from the four panels, western wall, Daria Daulat Bagh 508
PL-543 A disorderly and bizarre composition, panel.3- western wall, Daria Daulat 508
PL-544 A lot of movement of galloping horses and soldiers fighting, western wall,
Daria Daulat Bagh
508
lii
PL-544A The lethargic stance in Nizam Ali, western wall, Daria Daulat Bagh 598
PL-545 A strong black outline and line dominates, western wall, Daria Daulat Bagh 509
PL-545A Some line which does not flow with ease, western wall, Daria Daulat Bagh 509
PL-546 Some colour harmony in the paintings, western wall, Daria Daulat Bagh 509
PL-547 some Prussian blue in the painting, western wall, Daria Daulat Bagh 510
PL-548 some Prussian blue in the painting, western wall, Daria Daulat Bagh 510
PL-549 Some warm colour with Prussian blue for good balance, western wall, Daria
Daulat Bagh
511
PL-550 achieve to uphill by horses galloping, western wall, Daria Daulat Bagh 511
PL-551 The army in horizontal direction, (left to right), panel.1- western wall, Daria
Daulat Bagh
511
PL-551A The army in horizontal direction, (right to left), panel.4- western wall, Daria
Daulat Bagh
512
PL-552 A few mountains are visible in distance, panel.1-, western wall, Daria Daulat 512
PL-552A A few mountains are visible in distance, panel.2- , western wall, Daria Daulat 512
PL-552B A few mountains are visible in distance, panel.3- , western wall, Daria Daulat 512
PL-552C A few mountains are visible in distance, panel.2- , western wall, Daria Daulat
513
PL-553 details of the picture, Eastern wall, Daria Daulat Bagh, 513
PL-553A panel.1&2. ,Eastern wall, Daria Daulat Bagh 513
PL-554 panel.1- , Eastern wall, Daria Daulat Bagh 514
PL-555 panel.2- Eastern wall, Daria Daulat Bagh 514
PL-556 Receiving guests, Eastern wall, Daria Daulat Bagh 514
PL-557 leave-for hunting, Eastern wall, Daria Daulat Bagh 514
PL-558 Relaxing, Eastern wall, Daria Daulat Bagh 515
PL-559 Queens is Smoking the hookah, Eastern wall, Daria Daulat Bagh 515
PL-560 the Muslim faith represented praying, Eastern wall, Daria Daulat Bagh 515
PL-560A the Muslim faith represented reading the holy book,Eastern wall, Daria Daulat
Bagh
515
PL-561 some general category, Eastern wall, Daria Daulat Bagh 516
PL-562 various contemporary rulers of Tipu Sultan, Eastern wall, Daria Daulat Bagh 516
PL-562A contemporary rulers of Tipu Sultan, Eastern wall, Daria Daulat Bagh 516
PL-563 ladies attending upon their queen, Eastern wall, Daria Daulat Bagh 517
PL-564 queen dresses, ladies attending upon their queen, Eastern wall, Daria Daulat 517
PL-565 'tali' significant, detail of Picture, Eastern wall 517
PL-566 The ladies dressed with varied colours ,Eastern wall, Daria Daulat Bagh 517
PL-567 combination of line with flat colours light and shade, Eastern wall, Daria Daulat 517
PL-567A some modelling work, Eastern wall, Daria Daulat Bagh 507
liii
PL-568 particular portrait of Muhammad Ali and his queen, Eastern wall, Daria Daulat 518
PL-569 Muhammad Ali's lavish hospitality and aristocratic, Eastern wall, Daria Daulat 518
PL-570 the Raja of Tanjore, Eastern wall, Daria Daulat Bagh 518
PL-570A Raja Sarabhoji of Tanjore, company painting, 19th century , Victoria &Albert
Museum, United Kingdom
518
PL-571 similarity of the headdress, costume and moustache, Tanjore painting 519
PL-572 Krishna Raja Wodeyar, Eastern wall, Daria Daulat Bagh 519
PL-572A a scroll painting in India Office library, London 519
PL-573 Madakeri Nayaka, Eastern wall, Daria Daulat Bagh 519
PL-574 The lines depicted on the buildings, Eastern wall, Daria Daulat Bagh 520
PL-574A The lines depicted on the costumes, Eastern wall, Daria Daulat Bagh 520
PL-574B some lines depicted on the wall paintings, Eastern wall, Daria Daulat Bagh 520
PL-575 white buildings and clothes, on the wall paintings, Eastern wall, Daria Daulat 521
PL-575A white clothes, on the wall paintings, Eastern wall, Daria Daulat Bagh 521
PL-576 semblance of an Islamic buildings style, Eastern wall, Daria Daulat Bagh 521
PL-577 Four colours: red, blue brown and white, Eastern wall, Daria Daulat Bagh 521
PL-577A Four colours: red, blue brown and white, Eastern wall, Daria Daulat Bag 522
PL-578 Shading and modelling of figures, Eastern wall, Daria Daulat Bagh 522
PL-578A Shading and modelling of figures, detail of painting, Eastern wall, Daria Daulat 522
PL-579 a caparisoned elePLant and dark brown steed being led by white dressed
servants, Eastern wall, Daria Daulat Bagh
523
PL-579A contrast of blue sky and ochre foreground, Eastern wall, Daria Daulat Bagh 523
PL-580 balance with the colours, Eastern wall, Daria Daulat Bagh 523
PL-581 Shading of some figures clothes, Eastern wall, Daria Daulat Bagh 524
PL-581A Shading of some figures clothes and curtains, Eastern wall, Daria Daulat Bagh 524
PL-582 texture on the men clothes, Eastern wall, Daria Daulat Bagh 524
PL-582A texture on the women clothes, Eastern wall, Daria Daulat Bagh 525
PL-583 some transparent women’s clothes, Eastern wall, Daria Daulat Bagh 525
PL-584 The Queen with her attendants Smoking the hookah ,Eastern wall, Daria Daulat 525
PL-584A The Queen with her attendants Smoking the hookah detail of Picture, Eastern
wall, Daria Daulat Bagh
525
PL-585 balances with the round of the pillow, sitar and drum, Eastern wall, Daria
Daulat Bagh
526
PL-585A balances with saree tying, Eastern wall, Daria Daulat Bagh 526
PL-586 Female Musicians, detail of Picture Padshahnama , Mughal painting, Rajasthan
style, India
526
PL-586A the Queen with her attendants Smoking the hookah, Eastern wall, Daria Daulat 526
PL-587 A trio of women divided into three groups, Eastern wall, Daria Daulat Bagh 526
liv
PL-588 achieving balance by seating and standing women, Eastern wall, Daria Daulat 526
PL-589 foreshortening technique, The Queen with her attendants Smoking the hookah,
Eastern wall, Daria Daulat Bagh
527
PL-589A the queen being in the forefront and the other two are behind her, Eastern wall,
Daria Daulat Bagh
527
PL-590 Shading of facial parts, The Queen with her attendants Smoking the hookah,
Eastern wall, Daria Daulat Bagh
527
PL-591 balance of coloures, The Queen with her attendants Smoking the hookah,
Eastern wall, Daria Daulat Bagh
528
PL-592 Line flows with the contours and the garments, detail of Picture, Eastern wall,
Daria Daulat Bagh
528
PL-593 Illusionary space, Eastern wall, Daria Daulat Bagh 528
PL-594 Many of women in the Sultan life, detailes of oictures, Eastern wall, Daria
Daulat Bagh
528
PL-595 some floral patterns, Dariaa Daulat Bagh, srirangapatana 529
PL-595A some floral pattern on the wall, Dariaa Daulat Bagh, srirangapatana 529
PL-595B some floral design on the door, Dariaa Daulat Bagh, srirangapatana 529
PL-596 ceiling design, Dariaa Daulat Bagh, srirangapatana 530
PL-597 Several pillars painted, Daria Daulat Bagh, srirangapatana 530
PL-598 Interior decorated design of palace, Daria Daulat Bagh 530
PL-598A Interior decorated design of Daria Daulat Bagh , Daria Daulat Bagh,
Srirangapatana
531
PL-599 Exterior decorated design of Daria Daulat Bagh , Daria Daulat Bagh,
Srirangapatana
531
PL-600 miniature portraits in small mosaic, Daria Daulat Bagh, Srirangapatana 531
PL-601 single portraits on the top portion of the wall, (western wall) Daria Daulat Bagh,
Srirangapatana
531
PL-602 Double portraits on the top portion of the wall, (Eastern wall) Daria Daulat
Bagh, Srirangapatana
532
PL-603 the square frames, Western wall, Daria 532
PL-603A The oblong frames, Eastern wall, Daria Daulat Bagh, Srirangapatana 532