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8/6/2019 Living Arts Malaysia June 2011
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issue89
june
8/6/2019 Living Arts Malaysia June 2011
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8/6/2019 Living Arts Malaysia June 2011
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With apologies to Robin Williams
Good Morning Vietnam! Between 1945 and 1954 Vietnam waged
an anti-colonial war against France and
received 2.6 billion dollars in fnancial
support rom the United States. The French
deeat at the Dien Bien Phu was ollowedby a peace conerence in Geneva, in
which Laos, Cambodia and Vietnam
received their independence. Vietnam
was temporarily divided between an anti-
Communist South and a Communist North.
In 1956, South Vietnam, with US backing,
reused to hold the unifcation elections.
By 1958, Communist-led guerrillas, known
as the Viet Cong, had begun to battle the
South Vietnamese government. It was the
longest war in US history and the most
unpopular US war o the twentieth century.
It resulted in nearly 60,000 American
deaths and an estimated 2 million
Vietnamese deaths. Even today, many
Americans still ask whether the US eort in
Vietnam was a sin, a blunder, a necessary
war, or a noble cause, or an idealistic,
i ailed, eort to protect the South
Vietnamese rom totalitarian government.
-Extract rom Digital History
Leap-rog into 2011 and to most young,
urban Vietnamese, the inamous Vietnam
War is nothing but a distant memory; andthe general consensus seems to be that
most o them could not really care less,
but instead, look orward to the uture and
what can be. Yet, to the millions o tourists
that visit Vietnam every year, the war and
all o its memories, is what attracts them.
Personally, I must admit to an almost total
ignorance o this country that is less than 2
hours ying time rom KL. It had never been,
until recently, a top-ten priority.
I am in Ho Chi Minh City, previously reerred
to as Saigon, to shoot a commercial orone o my long-standing riendly clients.
They are in the process o launching their
product in the Vietnamese market, hence
they elt they needed to shoot a site-specifc
commercial and thats where I come in.
My frst reaction was defnitely one o
curiosity. I did not know what to expect. The
minute the aircrat touched down and I saw
the remnants o what seemed to be wartime
bunkers, I elt this sudden chill race up myspine. That, however, quickly disappeared,
and was immediately substituted by absolute
terror on the road in Ho Chi Minh City in
peak hour and worse still, I was soon to
discover that it did not make the slightest
dierence i you were in peak hour or not
it was always the same horrifc so much
so that once you accepted the utility o
being concerned, you were let with only
one alternative laughter! Manic laughter!!!
That said, Ho Chi Minh City is a truly
remarkable city. At times you eel as i youare trapped in a time warp, only to be rudely
and delightully shocked into the reality that
like most Asian cities, Ho Chi Minh City has
a dual personality. Theres the kampung,
gritty almost Ipoh Road side to it and just
around the corner, when you least expect
it, you could be excused or thinking that
you were in one o the great cities o the
world. From roadside stalls to designer wear
paradise in the blink o an eye.
O the many wonderul things that go to
make up Vietnam, one o the most glorious
is the ood. Traditional Vietnamese ood
is a real treat. Always accompanied by
a mountain o the reshest and most
interesting vegetables, it leaves your mouth
watering and wanting more. On the other
hand, theres the let over inuence o the
French the reshest o resh breads and
the most sinul pastries and cakesall
relatively aordable.
Vietnam is a real adventure. There is so
much about this close neighbour o ours
that it would be impossible to relate in one
sitting and Ive not yet touched on Hanoi!
Joe Hasham is the Artistic Director andCo-Founder o Te Actors Studio Malaysiaand Te Kuala Lumpur Perorming
Arts Centre. He hates trac.
3
Living Arts MalaysiaEditor & Art DirectorNicholas Chin
AdvisorsDato Faridah MericanJoe Hasham oam
PrintDI Print Solutions
www.diprintsolutions.com
All eedback/comments about thispublication and/or the perormingarts in general are welcomed at:[email protected]
Te Kuala Lumpur Perorming
Arts Centre (klpac)
Sentul Park, Jalan Strachan
51100 Kuala Lumpur
Tel: (03) 4047 9000 (Box Ofce)
www.klpac.org
Te Actors Studio@Lot 10
Roo Top, Level 8A, Lot 10 Shopping
Centre, 50, Jalan Sultan Ismail
50250 Kuala Lumpur
Tel: (03) 2144 2009 (General Inquiry)(03) 2142 2009 (Box Ofce)
(03) 2143 2009 (Box Ofce)
www.theactorsstudio.com.my
8/6/2019 Living Arts Malaysia June 2011
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Teatres Place inthe 21st Century(and why the ourth wall
needs breaking)
When he isn't hunched over a laptop in his KL home, T. Noah J. Nazim is aull-time student in Concordia University's Creative Writing Graduate Programin Montreal, Canada.
I love technology. Im one o those idealists
who honestly believe that our digital age isthe next step in humanitys march towards
global synthesis, world peace, collective
enlightenment and everything groovy.
I also love the theatre. I love that mystical
stillness in the air as the audience holds
its breath in anticipation. I love the way a
guy on a wooden platorm holding a plastic
prop can become the Prince o Denmark
deliberating over whether or not to kill his
uncle. I love the way an entire separate
reality seems to leap into existence as soon
as the curtains rise, pausing or laughterand applause, oering us a sly wink
through the ourth wall.
These two loves seem to be at odds. Lets
ace it: technologically speaking, theatre
comes o as an archaic orm o cinema.
Theatre has actors, lights, perhaps some
music and sound eects, and sets whose
changes are limited by the speed and
efciency o the production crew. Cinema
has the screen. Cinema isnt limited by what
you can and cannot put on a stage. As the
technology improves, the things youll seeon the screen are almost limitless.
With cinema, the audience peers through a
window into another world. With theatre, that
other world is only ever ostage, reerred
to by grown men and women in heavy
stied yawns. Hell know what works and
what doesnt, and will adapt accordingly.
The perormer-audience dynamic is the
essential characteristic o theatre which
cinema cannot have. Its the one thing that
will preserve theatre as a relevant medium
in the digital age. Its ironic that actors are
so requently told not to break the ourth
wall, when its precisely that breaking o the
ourth wall that lends theatre its particular
edge over cinema.
I theatre is going to persevere and grow
through the 21st Century and beyond, it
will need to take into account this edict o
interactivity. A play whose perormers are
constantly working o o the audiences
energy is bound to be more successul
than a play that demands that the audience
sit still and watch. The successul stage
perormance is not just a recitation o lines
and an execution o rehearsed movements
its an interaction between our reality and
the reality o the play. Its a conversation
between audience and perormer.
The uture o the stage is in the hands
o those experimenters who revel in the
interactivity o the stage, who get the
audience involved in the experience. So
audiences: express yourselves to your
perormers. Let them hear your delight,
your pity, your dread. Perormers: listen to
your audiences. Include them in the action.
Make room or their input and adapt to
their responses. Demand their attention,
not their silence. A theatre-going crowd
should never be expected to be a passive
audiencethey get too much o that sort o
treatment rom cinema.
makeup playing a grand game o Lets
Pretend. Its difcult or an audience raised
on flm and television to see how theatre
could ever compete with the wonders o the
screen. Its easy to see why cinema makes
so much more money.
Theatre must ask o itsel some undamental
questions: what place does it have in our
digital era? How can theatre hope to survive
in an age in which we can all-too-easily get
our entertainment at home, through our shiny
new screens? What does theatre have to
oer that cinema cannot possibly provide?
The answer, I eel, is interactivity.
Cinema is necessarily a passive medium.
The movie-going audience will sit and gape
at action that will continue regardless o the
audiences response to it, be it laughter,
booing or applause. The actors do their
bits in ront o the camera, and the director
shouts, Cut! accordingly. At no point inthe production process will an actor eed o
o audience stimuli. In cinema, the screen
cuts o any possible relationship between
perormer and audience.
Not so with theatre. A good stage actor is
totally aware o the audience, even i he
pretends otherwise or ear o breaking
characteror ear o acknowledging a
reality outside o the one he is creating
on stage. He knows when the audience
is having a good time. He acknowledges
laughter with a brie pause, perhaps asubtle change in expression to accentuate
the joke, or an improvised line or two i hes
eeling particularly sure o himsel. When the
audience is bored, hell know that too - hell
hear the coughs, the snores, the barely-
4
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Te Year In View 2011The ollowing is a listing o all shows held and to
be held at klpac and The Actors Studio@Lot 10
or the year. All details are correct at press time
but are subject to change. Details will be updated
in the next edition as changes become apparent.
LegendP Produced by
D Dates & Times
V Venue
T Ticket Prices
january
SOMEONE WHOLL WATCH OVER MEP TASD 516 JanV TAS @ Lot 10Written by Frank McGuinnessDirected by Joe Hasham OAM
AKASHA ALBUM LAUNCH CONCERTP AkashaD 8 Jan @ 8.30pmV Pentas 1, klpac
18TH FLOORP New Era CollegeD 1416 JanV Pentas 2, klpac
MODEL CITIZENSP klpac & The Necessary Stage
(Singapore)D 1922 JanV Pentas 2, klpac
YOSHIDA BROTHERSP TAS & JFKLD 2123 JanV TAS @ Lot 10
klpac OPEN DAY 2011P klpacD 23 JanV All around klpac (indoor & outdoor)
SOMEONE WHOLL WATCH OVER MEP TASD 2730 JanV Play Den, The Arts House (Singapore)
MUSIC OF THE HEARTP IMelody Music & ArtsD 30 JanV TAS @ Lot 10
february
THE PLATFORMP klpacD 7 FebV Indicine, klpac
WORLDS BEST MOVIESP TASD 12 (Shadow Kill), 19 (Charulata),
26 Feb (Floating Weeds)V Indicine, klpac
PAUL LOOSLEYS SHAKESPEAREON FILM SEASON 5
P klpacD 13 (Rome o & Juliet) &
20 Feb (Richard III)V Indicine, klpac
LIFE SDN. BHD. 6: ABUSEP TAS Teater RakyatD 2227 FebV TAS @ Lot 10Directed by Dato Faridah Merican
DREAM OF TIMEP The Japan Foundation, Kuala
Lumpur & TASD 20 Feb13 MarV Pentas 2 Foyer, klpacCostume exhibition by Shingo Tokihiro
march
THIS CANNOT, THAT CANNOTP TASD 26 MarV Pentas 2, klpac
PAUL LOOSLEYS SHAKESPEAREON FILM SEASON 5P klpacD 6 (Taming o the Shrew) & 13 Mar
(Antony and Cleopatra)V Indicine, klpac
THE PLATFORMP klpacD 7 Mar @ 8.30pmV Indicine, klpac
BUTTERFLY LOVERSP Nyoba KanD 1012 MarV The Actors Studio @ Lot 10
THE LAST FIVE YEARSP klpacD 1020 MarV Pentas 2, klpacWritten by Jason Robert BrownDirected by Christopher Ling
EVERYONE HAS HOPEP Taylors CollegeD 1427 MarV Pentas 2 Foyer, klpac
SHORT EYESP The Actors Studio Teater Rakyat &
Rumah Anak TeaterD 1620 MarV TAS @ lot 10
I AM NOT MY PIMPLES
P klpacD 2427 MarV Pentas 2, klpacWritten & Directed by Mark Beau deSilva, Asst. Director: Ceci Yong
FUSEDP The Actors StudioD 22 Mar (singer-songwriters),
23 Mar (WaMM lm screening),24 Mar (Baca), 25 Mar (ComedyHour) & 26 Mar (DanceBox)
V The Actors Studio @ Lot 10
NOBBY & FRIENDS IN JULLIADMUSICLAND
P Julliad Music School o Perorming ArtsD 2627 MarV Pentas 1, klpac
NIgHTLIFE CREATURESP klpacD 30 Mar3 AprV Pentas 2, klpacWritten by Yoichi KobiyamaDirected by Kimmy Kiew
april
THE PLATFORMP klpacD 4 AprV Indicine, klpac
INDICINE, KLPACLIVE!EPISODE3P klpacD 617 AprV Indicine, klpacDirected by Kelvin Wong
MADU IIP TAS Teater RakyatD 610 AprV TAS @ Lot 10
ODDISI STIRREDP Sutra Dance TheatreD 610 AprV Pentas 1, klpac
FANTASTIKAL STRINgSP klpacD 910 AprV Pentas 2, klpacFeaturing the klpac Strings EnsembleConduct by Dr. Takahisa Ota
DE TODO COMO EN BOTICAP klpac & Martanoemi NoreigaD 1124 AprV Lobby
ICOM CELEBRATION SERIES:TRIBUTE TO DISNEYP ICOM & klpacD 1415 AprV Pentas 1, klpac
TWOP Dua Space Dance TheatreD 1417 AprV Pentas 2, klpac
WORLDS BEST MOVIESP TASD 18 (The Go Master), 19 (Pickpocket),
25 (Juliet o the Spirits), &26 (Pather Panchali) @ 8pm
V Indicine, klpac
ISLAMAFOBIA-TAKUT ISL AMP Serious Comedy StudioD 2024 AprV Pentas 2, klpac
BODIES ACROSS BOUNDARIESP Rimbun Dahan
D 2224 AprV TAS @ Lot 10
LOVE JOURNEY 2P klpacD 27 Apr1 MayV Pentas 2, klpacFeaturing Michael Veerapen Trio, JoannaBessey, Junji Delfno & Malik Taufq.
CAIPIFRUTA gO gRAZ, AUSTRIA!P CaipirutaD 2830 AprV Indicine, klpacT RM40
MASTERPIECE IN MOTIONP Singapore Dance TheatreD 2930 AprV Penta s 1, klpac
PIPA TALKSP Vivo Experimental OrchestraD 30 Apr1 MayV TAS @ Lot 10
BRICKFIELDS STORY 2P TAS Teater RakyatD 1317 Apr @ 3pmV TAS @ Lot 10Written & Directed by Thor Kah Hoong
may
CABARETP PAN ProductionsD 615 MayV Pentas 2, klpac
LAND OF gODS & SHADOWSP klpac & Shalini Ganendra Fine ArtsD 929 MayV Pentas 2 Foyer, klpac
FAST, CHEAP AND DIRTY(KHAIRIL M. BAHAR SHOWCASE)P WAMM & The Actors StudioD 5May @ 8.30pmV TAS @ Lot 10Written by Marsha Norman
PAUL LOOSLEYS SHAKESPEAREON FILM SEASON 5P klpacD 1(Macbeth), 8 (King Lear),
22 (A Midsummer Nights Dream)
& 29 May (The Tempest) @ 3pmV Indicine, klpac
THE PLATFORMP klpacD 2 May @ 8.30pmV Indicine, klpac
ITS A gOOD DAY TO gIg!P Soundscape Records & TASD 1215 MayV TAS @ Lot 10Featuring Akta Angkasa & Deepset
THE MOON SPEAKS FOR MYHEARTP Dama OrchestraD 1429 May 2011V Penta s 1, klpac
BARS & BEDROOM
P Electric Mind ProjectsD 1922 MayV TAS @ Lot 10T RM25
A HISTORY OF FALLINg THINgSP klpacD 1922 MayV Pentas 2, klpacWritten by James Graham.Directed by Christopher LingFeaturing T4YP Ensemble
CENTHINI, EMPAT PULUH MALAMDAN SATUNYA HUJANP Alliance Franaise de Kuala
Lumpur, Embassy o France inMalaysia & The Actors Studio
D 23 & 24 May 2011V TAS @ Lot 10
PIXIES THE MUSICALP Simshen de ClassicD 2729 MayV TAS @ Lot 10
LIVE AT THE ACTORS STUDIO:SINgER-SONgWRITERP The Actors StudioD 2628 May @ 8.30pmV Pentas 2, klpac
WHITE CRANE SILATp Nyoba Kan & The Actors StudioD 30 May @ 8.30pmV TAS @ Lot 10
june
SWITCH ONP Herbal International & klpacD 3 Jun @ 8.30p mV Indicine, klpacT Free Admission
WORLDS BEST MOVIESP TASD 4 (Kids Return), 11 (Kikujiro)
& 18 Jun (Ran) @ 8pmV Indicine, klpacT Entrance by donation o any amount
(First come rst serve basis)
THE PLATFORMP klpacD 6 Jun @ 8.30p mV Indicine, klpacT Free admission
UNTITLEDP Syahidah & Valentine Cawley
ExhibitionD 619 Jun @ 10am10pmV Pentas 2, klpac, FoyerT Free Admission
RI YUE CHU YINP Hands Percussion TeamD 911 Jun @ 8.30p m,
1112 Jun @ 3pmV Pentas 1, klpac
T RM48 / RM68 / RM88 / RM108 /RM128
M13P Laguna MusicD 912 Jun @ 8.30pmV Pentas 2, klpacT TBC
FUSEDp TASD 1418 Jun @ 8.30p m
19 June @ 3pmV TAS @ Lot10T Entry by min. donation o RM10
ROCK PAPER SCISSORS BY NOORDNEDERLANDSE DANSP Libero Productions Sdn. Bhd. &
klpacD 15 & 16 Jun @ 8.30pm
V Pentas 1, klpacT Entry by min. donation o RM35
BIRDIAN SAXOPHONE QUARTET(BSQ)P The Birdian QuartetD 19 Jun @ 1pm (Masterclass);
4.30pm (Concert)V Pentas 2, klpacT RM10 (Auditor) / RM100 (Solo
Participant) / RM180 (GroupParticipant) / RM30 (Student) /RM40 (Adult)
ARE YOU IN TOWN? PAULWAH TIME CONCERTP Musictinix ProductionsD 2223 Jun @ 8.30pmV Pentas 1, klpacT RM53, RM83, & RM103
NITYA SUMANgALIP klpacD 2225 Jun @ 8.30pm,
26 Jun @ 3pmV Pentas 2, klpacT RM 25 / RM15 (students &
the disabled). Preview Night (22Jun) RM13 fat
Choreographed by Lex LakshmanBalakrishnan
BIRDIAN SAXOPHONE QUARTET(BSQ)p The Actors Studio &
The Birdian QuartetD 26 Jun @ 3pmV TAS @ Lot 10T Entrance by min. donation o RM15
6
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SHAKESPEARE DEMYSTIFIED:JULIUS CASESARP klpacD 29 Jun2 Jul @ 8.30pm,
2 & 3 Jul @ 3pmV Indicine, klpacT Entrance by donation o RM20
UNTITLEDP Serious Comedy StudioD 29 Jun3 JulV Pentas 2, klpac
july
A NIgHT OF CANTONESE OPERAP TAS Teater RakyatD 12 Jul @ 8.00p mV TAS @ Lot 10T RM 35 & RM20 (students &
the disabled)Directed by Mdm Kam Sin Kiew
THE PLATFORMP klpacD 4 Jul @ 8.30pmV Indicine, klpacT Free admission
HSBC CLASSICS OPERAEXTRAVAgANZA 2011P klpac & HSBC Bank Malaysia BerhadD 610 JulV Pentas 1, Pentas 2 & Indicine, klpac
T RM20RM60THE HIDDEN SESSIONS VOL. 2P TAS & Soundscape RecordsD 89 Jul @ 8.30pmV TAS @ Lot 10
HERE I AMPART IIP The Actors Studio & JAZZWORKSD 2024 JulV Pentas 2, klpacT RM54 (adults) / RM28 (students &
the disabled)
AI:IA IMPROV COMEDYP TAS Teater RakyatD 1316 Jul @ 8.30pm, 17 Jul @ 3pmV Pentas 2, klpacT RM23
HEART & SOUL CHARITY CONCERTP Philharmonic Society o SelangorD 2124 @ 8.30pm, 23 @ 3pm,
24 Jul @ 12pm & 7pmV Pentas 1, klpac
DANCINg AT LUgHNASAP TAS Teater RakyatD 2023 Jul @ 8.30pm,
24 July @ 3pmV TAS @ Lot 10Written by Brian FrielDirected by David Lim
AKU CINTA XXX 2011P klpac & ACX Product ionD 27 Jul @ 8.30pm (preview)
2830 Jul @ 8.30pm,3031 July @ 3.00pm (show)
V TAS @ Lot10Directed by: Amelia Tan
Cast: Ceci Yong, Easee Gan, Jinnie LimScenograer: Swing Chong
THE REAL INSPECTOR HOUNDP klpacD 2831 JulV Indicine, klpacT Entrance by donationWritten by Tom StoppardDirected by Alex ChuaFeat. The T4YP Ensemble
T4YP SWEATSHOPP klpacD 3031 JulV Indicine, klpacT Free admissionFacilitated by Alexis WongWritten & Directed by past & presentmembers o the T4YP Ensemble
MALAYSIAN COMPOSER CONCERTSERIESP klpac & UiTMD 2931 JulV Pentas 2, klpac
august
CausewayExchaneP TAS & The Arts House (Singapore)
FOOD,SEX&DEATHD 47 AugV Pentas 2, klpacT RM23 / RM13 (students & the
disabled)
TWO-ON-ONE:ANINTERACTIVETHEATRE FESTIVALD 37 AugV Pentas 1, klpac & Pentas 2,
klpac & TAS @ Lot 10T Entrance by donation
WORLDS BEST MOVIESP TASD 1516 & 2930 AugV Indicine, klpac
UNTITLEDP Dance SpaceD 1721 AugV Pentas 1, klpac
THE MONSTER SERIES: THEgARBAgE MONSTER FROM THE
MOONP Academy Children PresentationD 2021 AugV Indicine, klpac
FAREWELL, MY CONCUBINEP Lee Wushu & TAS Teater RakyatD 2627 @ 8.30pm,
2728 Aug @ 3pmV TAS @ Lot 10
UNTITLEDP Batu Dance TheatreD AugV Pentas 1, klpac
UNTITLEDP Prickly Pear EnsembleD AugV Pentas 2, klpac
HANDS 1 CONCERTP Hands Percussion TeamD AugV Pentas 2, klpac
september
KLPAC ORCHESTRA & SYMPHONICBANDP klpacD 24 SepV Pentas 1, klpac
SOUNDSCAPE RECORDSP TASD 911 SepV TAS @ Lot 10
MYDANCE FESTIVALP MyDance AllianceD 511 SepV Pentas 1, klpac, Pentas 2, klpac &
Indicine, klpac
KUALA LUMPUR CHILDRENS CHOIRSPOTLIgHTP Young Choral AcademyD 16 SepV Indicine, klpac
WORLDS BEST MOVIESP TASD 17 & 24 SepV Indicine, klpac
SHORT+SWEET MALAYSIA 2011P SHORT+SWEET & klpacD 21 Sep30 OctV Pentas 2, klpac
PAUL LOOSLEYS OSCAR, gEORgE& NOELP klpacD 18 & 25 SepV Indicine, klpacT Free admission
MUCH ADO ABOUT NOTHINgP klpacD 2225 SeptV TAS @ Lot 10T RM23 / RM13 (students &
the disabled)Written by William ShakespeareDirected by Christopher LingFeat. The T4YP Ensemble
JUST A DREAM - THE gREEN PLAYP Singapore Repertory TheatreD 1516 @ 10am, 1718 @ 11am &
5pm, 2023 @ 10am, 2425 @11am & 5pm
V Pentas 1, klpac
UNTITLEDP Kwangtung Dance GroupD SepV Pentas 2, klpac
CHAO FU KEI LEONgP TASD SepV TAS @ Lot 10
FUSEDP TAS
D SepV TAS @ Lot 10
october
UNTITLEDP Dama OrchestraD OctV Pentas 1, klpac
KIV: 2P TASD 79 OctD OctV TAS @ Lot 10Choreographed by LakshmanBalakrishnan & riends
CAUgHT IN THE MIDDLEP TASD OctV TAS @ Lot 10Directed by Thor Kah Hoong
PAUL LOOSLEYS OSCAR, gEORgE& NOELP klpacD 2, 9, 16 & 23 OctV Indicine, klpacT Free admission
A NIgHT OF CANTONESE OPERAP TAS Teater RakyatD 1516 OctV TAS @ Lot 10
LIFE SDN BHD 7P The Actors Studio &The UN
Reugee AgencyD October
V TAS @ Lot 10
november
KLPAC SYMPHONIC BANDP klpacD NovV Pentas 1, klpac
SOUNDSCAPE RECORDSP TASD NovV TAS @ Lot 10
RESIDENT DIRECTORS SEASON 2P klpacD NovV Pentas 2, klpac
INDICINELIVE! 4P klpacD NovV Indicine, klpac
UNTITLEDP myPAMD NovV TAS @ Lot 10
RUMAH TERBUKA, MUDERMYSTERYP TAS Teater RakyatD 1719 @ 8.30pm & 20 Nov @ 3pmV TAS @ Lot 10
Directed by Iedil Putra & Ashra ZainWritten by Shamaine Othman
UNTITLEDP Catwoman ProductionsD NovV Pentas 2, klpac
UNTITLEDP Dua SpaceD NovV Penta s 1, klpac
KALEIDOSCOPE II - HANDSDRUMMINg FESTIVALP Hand Percussion TeamD NovV Pentas 1, klpac
LET US BE UNITED IN LOVEP YKLS & TAS Teater Rakyat
D 1012 @ 8.30p m,1213 Nov @ 3pmV TAS @ Lot 10
BUTTERFLY LOVERSP Nyoba KanD 2930 Nov @ 8.30PMV TAS @ Lot 10
PLATFORMP klpacD NovV Pentas 2, klpac
december
NYOBA KAN BUTO FESTIVAL 2011P Nyoba KanD 23 @8.30pom & 4 Dec @ 3pmV TAS @ Lot 10
UNTITLEDp Joyce MintD 34 DecV Pentas 2, klpac
MOMOP TAS Academy @ klpacD DecV TAS @ Lot 10
CHILDREN THEATREP klpacD DecV Indicine, klpac
MALAYSIAN gIRLSP klpacD DecV Penta s 1, klpac
ANNUAL CONCERT
p DDance AcademyD DecV Penta s 1, klpac
FUSEDP TASD DecV TAS @ Lot 10
UNTITLEDP Pentas ProjectD DecV Pentas 2, klpac
UNTITLEDP Sham SunderD DecV Pentas 2, klpac
UNTITLEDP Embassy o Spain
D DecV Indicine, klpac
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Every other Thursday, I have to wake
up one hour earlier (I usually wake up
at 7.30am). This only started on the last
week o January this year. I am writingthis as the start to this article because
this is actually what I honestly elt when
Faridah and Joe told us 'You all have
to go down to Ipoh to teach some
secondary schools and Daybreak'
They said it more eloquently I'm sure,
in one o the sta meetings we usually
have at klpac. But yes, that was the frst
thing that crossed my mind, as I politely
nodded and smiled at the news; must I
now stop watching programs at 11pm onAstro so that I can wake up early?!
The frst 'wake up at 6.30am' was very
difcult, not because it was hard to wake
up at 6.30 but because I am the sort o
person who'd not be able to sleep i I
know its something new I have to wake
up or, like the frst day o school you
know? So there I was In my house, at
5.30, and don't know what to do, so I
started thinking about this whole project
(as I watched Astro programs blindly).
They'd be about 6 schools to teach, all
secondary kids. I will have to teach these
6 schools with my riends Chris Ling,
Kelvin Wong, Kimmy Kiew, Qahar, and
Lex. As usual, Penang, KL or Ipoh, new
students can be quite scary. What would
they think o these KL teachers? Drama
teachers some more. Do they have
drama in Ipoh? O course they do, right,
many actors now in KL like Patrick Teoh,
Mano Maniam, all rom Ipoh, so it'd beeasy, right?
Then I remembered Faridah and Joe
also said in the same meeting, 'and got
Daybreak Centre. Daybreak Centre is
a centre or the disabled'. I have never
had a class with the disabled beore. So
I remember Malik Taufk and I went on
a mad rush around KL trying to looking
or help on how to teach a class or the
disabled. We met Shantini Venugopal.
'They are just the same, just like all o us'.
O course, I thought to mysel, how
silly o me to think they are otherwise.
I remembered an earlier trip Faridah
and I and the rest o the team madea ew months ago in 2010 when we
visited Daybreak. They were just like
us, everyday people working hard or a
living. So what or want drama right?
Never mind. Kimmy Kiew, Lex and I
drated a simple syllabus ater observing
Shantini's class at MAGIC. They can do
simple games, simple drama games,
maybe sing some songs?
'Cannot. First class all the things plan
hancur' Lex said. True, Kimmy also had
same problem, my class ared better.
The problem?
'They just look at us and smiled, and
when we sing songs then they are happy'.
Maybe we were being too ambitious.
Really, do they need drama? Can drama
help them?
The secondary schools children were
having un with us. They want us to comeeveryday to Ipoh. But Daybreak...
Lex, Kimmy and I changed our game.
Lex got the Tamil speaking students.
Kimmy got the Chinese speaking
students, and I got the ang moh
speaking ones. Second class, Lex
sang Tamil songs with them, Kimmy
made them dance! I got them to
make puppets and create alter egos,
one man wanted to be 'Samantha!'
Its now our 5th month going to Ipoh,
twice every month, still waking up at
6.30, but still, a long way to go...
oo Early
Mark beau de Silvais Co-AssociateArtistic Director at klpac. While hemay have lost an hour o sleep everyother week, his lie has since been a littlemore rewarding.
With the generous suppo
Academy @ klpac aids Pe
training to those with sp
Trough a specially tailo
special individuals learn
On these pages are some
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Kimmy Kiewis a Director-in-Residence at klpac. It flls her heart with gladness to be
able to help these special youth build a brighter uture through her theatrical experience.
uala Lumpur Kepong Berhad, Te Actors Studio
n Daybreak in its mission to provide vocational
eeds via its expertise in Dramatheraphy.
eech and Drama syllabus, Te Academy helps these
ls necessary to comortably integrate into society.
ts by two o the Academy's acilitators on their work.
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ONGOING PROGRAMMES
Preschool Drama Programme
Every semester o the Pre-school Programme consists o10 weeks that lead up to a mini-presentation on the lastclass. Each class will have the various topics covered invarying activities such as movement and body, speechand voice, group work and working in a team.
Age: 36 yrsDay: Saturday or SundayTime: 10am11amCourse Fee: RM250 per semester
Saturday ClassesSem 2: June 18,25 July 2,9,16,23,30 Aug 6,13Rehearsal : Aug 20 Presentation: Aug 21
Sunday ClassesSem 2 : June 19,26 July 3,10,17,24,31 Aug 7,14Rehearsal : Aug 20 Presentation: Aug 21
Speech & Drama Programme
Every semester o the Speech and Drama Programmeconsists o 12 weeks that lead up to a mini-presentationon the last class.
Each class will have the various topics coveredin varying activities such as Movement and Body,Speech and Voice Work, Ensemble Work, Solo Work,Devised Work,Scripted Work and Popular Literature.
Ages: Group A: 79 yrs old, Group B: 1012 yrs oldGroup C: 1315 yrs old
Day: Saturday or SundayCourse Fee: RM360 per semesterTime: Semester 2: 10.30am1pm
Semester 3: 10.30am1pm
Saturday ClassesSem 2: June 18,25 July 2,9,16,23,30 Aug 6,13,20Sem 3: Oct 1,8,15,22 Nov 12,19,26 Dec 3,10Rehearsal: Dec 17 Presentation : Dec 18
Sunday ClassesSem 2: June 19,26 July 3,10,17,24,31 Aug 7,14,21Sem 3: Oct 2,9,16,23 Nov 13,20,27 Dec 4,11Rehearsal: Dec 17 Presentation : Dec 18
REGISTRATION FOR SEMESTER 2
IS NOW OPEN Hip Hop Dance Workshop (Beginners Level)with Coery Sik & Caprice Fong
Hip hop dancing is an urban ethnic dance orm that hasgained popularity nowadays. An ideal way to expressyour creativity. This workshop will teach you the saeand correct technique o breaking, popping, locking andree styling in hip hop dances. Come and try it yoursel!
Age: 816 yrsDate: June 1,2,3,6,7,8Time: 12.30pm2pmCourse Fee: RM180* (Early bird discount beore 20th
o May: RM160*)
MAY/JUNE SCHOOL HOLIDAYPROGRAMME
Intensive Children's & Teenagers TheatreProgramme
A 2-week programme or children aged between 312years old. Consists o a series o un-lled, exploratory,theatre based activities and games to help participantssel-development by tapping into their creativity.Classes are everyday rom Monday to Friday. Classeswill be conducted by The Actors Studio Academy@klpac acilitators
Age: Middle: 712 yrs old, Senior: 1317 yrs oldDate: May 30,31 June 1,2,3,6,7,8Time: Middle:10am12pm (2 hours)
Senior: 10am12pm (2 hours)Course Fee: Middle: RM250*, Senior: RM270*
Intensive Arts Programme or Young Children
This 1-week programme is to instil perorming artsskills while honing the creativity and imagination oeach young person. In our classroom we encouragechildren to explore within themselves and the worldaround them.
Age: 36 yrs old (Minimum 10 students)
Date: May 30,31 Jun 1,2,3Time: 10am12pmCourse Fee: RM250*
10
Fauziah Nawi. Patrick Teoh.
Datin Seri Tiara Jacquelina.
Leslie Dawson. Ramli Hassan.
These names have benefted
rom The Ac to rs S tud io
Academys programme andwent on to be successul
individuals in their own right.
The arts can teach us what
lessons in classrooms cannot.
Today, The Actors Studio
Academy continues to run a
whole host o arts courses
or children through to adults,
or aspiring artistes as well asthe average person. Its arts-
based corporate training is
also highly popular.
For further information or to
sign up for activities, please
contact the Academy at
+603 4047 9060
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Te FacilitatorsMeet the acilitators o the programmes at theAcademy. I they seem amiliar, thats probablybecause you have seen them on stage or onshow posters! That s right, our acilitators arethe cream o the crop in the perorming artsscene; rom experts in speech and drama to
award winning choreographers, you will trulylearn rom the best in the country!
Ezanin Mazlanhas been always been in lovewith traditional music since his school years. Hegraduated rom ASWARA with Diploma in Music in2008, and has participated in many productions invarious capacities in ASWARA and elsewhere.
Shobana Sahajananan starteddancing at the age o our. Trained since youngin bharathanatyam, she continues on to pursueoddisi, khatak and mujra and also belly dance. Shehas been dancing all her lie and conducted manyworkshops and choreographed various events.
Madam Kam was born into a amily oCantonese opera artist in Hong Kong. She startedher career as a ull time opera artist in 1968. Shehas co-starred with many big names in Hong Kongand is a leading emale in Cantonese opera.
David Lim is a director, actor, physicalperormer and choreographer. He trained in actingat the Atlantic Acting School in New York City& also with the aculty o the world renownedMoscow Art Theatre School.
Caprice Fong is very passionate aboutdancing, she has travelled around severalcountries to learn the art and the correct techniqueo hip hop dancing such as at UDC Sydneyand with Marty Kedelka (Justin Timberlakeschoreographer). She also choreograph or eventsand shows.
Payal Vashisthas been acting and dancingsince childhood and has devoted hersel topursuing her dream in the perorming arts sinceearning a degree in English Literature.
REGULAR PROGRAMMESIntroduction To Cantonese Opera with Mdm. Kam
Cantonese Opera is a highly respected art orm thatblends in Chinese legends, music and drama into anexciting perormance style, rich in symbolic meaningsand beautiul lyrics.
This workshop will guide you to ocus on vocaltechniques such as breathing, tone quality, voiceprojection and stage presence.
This workshop is suitable or those who understandsand speaks Cantonese. Ability to read Chinese is notnecessary as the approach or class is more on the
practical side.Age: 16yrs and above (Max. 16 students)Date: Please Call (3 month duration)Time: 8.30pm10.30pmCourse Fee: RM300*
* Please note RM50 registration ee isapplicable or all classes.
Traditional Malay Gamelan Workshop ByEzanin Mazlan
Noted as the music that is usually played during royaland ormal occasions since the 19th century, gamelanmusic generates rich, sonorous and mesmerizingsounds. Playing the gamelan can inspire sel-condence, improve co-ordination and listening skills,encourage interaction and team-building and be agreat chance to try something new. You are welcome to
attend regardless o your musical background -all youneed is a desire to learn.
Beginners (Saturday, 2pm 4pm)
Sem 1: Mar 05,12,26 Apr 02, 09, 16, 23 May 07, 14Rehearsal: May 27 Showcase: May 28
Sem 2: Jul 02,09,16,23,30 Aug 06,13,20 Sep 10,17Rehearsal: Sep 24 Showcase: May 25
Advanced (Sunday, 12pm2pm)
Sem 1: Mar 13,27 Apr 10, 24 May 08, 22 June 12,26 Jul 10,24
Sem 2: Aug 07,21 Sep 11,25 Oct 2,9,16,23,30 Nov 13
Rehearsal: Nov 19 Showcase : Nov 20
Course Fee: RM300* per semester
Bollywood Dancing For Beginners by ShobanaSahajananan
Bollywood dance style incorporates the usion o HipHop, Jazz, Salsa, E ast Indian Classical, Folk, andBhangra dance. The combination o the steps willstrengthen the dancers awareness o music, timing,spacing and precision. The class is casual, inormaland a un way o workout!
This workshop will prepare you or proessional dancetraining and troupe perormances or stage shows,television, lm, corporate events, concerts, weddingreception, private parties, workshops, and social/public events.
Suitable or beginners and those with experience
Ages: Children: 4yrs15yrs; Adults : 16yrs +
Date: May 8,15,22,29 June 5,12,19,26 July 3,10,17,24(Sunday)Time: 1pm2pm (children); 2pm3pm (adults)Course ee: RM120 per month/ RM350 or 3 months*
Script & Staging or Actors with David Lim
In this class, students will learn how to analyze scripts andhow to stage/perorm them, utilizing an acting techniquecalled Practical Aesthetics. The class is suitable or thosewith or without ormal acting training. It is also a greatollow-up or those who have studied the Repetition.
Students will be required to attend every classpunctually & be prepared to spend a couple o hours aweek outside o class on homework/rehearsals.
Date: June 11,18,25, July 2, 9,16,23 (Saturdays)Time: 2pm5.30pm
Course ee: RM420*
Act the Play, Play the ActBeginners ActingCourse with Seng Soo Ming
Acting is playing, playing is acting, and the stage weare in, is the playground. This is an acting class orthose who are interested, curious, love or hate actingwhilst they dont know what, why, and how exactlyacting is happening. Here, we will explore the un oletting play happens. And beore that, through basictrainings and games the students will learn how toprepare themselves to play (to act).
This course is opened or those with or without actingexperience, but experience and ability to play gamesis necessar y. Age range is rom 15 year old above. Itwill be conducted in English and Mandarin.
Date: May 12,14,19,21,26 June 9,11,16,18,23(Thursday & Saturdays)
Time: Thu 8.30pm10.30pm; Sat 2pm4pmCourse ee: RM350*
Actor as creator IIIrom actor to characterwith Seng Soo Ming
This is an acting class explores the process opreparing an actors body into readiness, buildingthe bridge between a person and an actor, then theactor and character.
As a continuation rom the previous sessions, thestudents will explore on how to nd the charactersbody and voice.The class will be divided into two parts.Those who are interested can either join Part 1 in Mayor Part 2 in June or can also join both workshops.
This class is only suitable or actors with basictraining or experience. Actors must attend classespunctually and ully commit with the schedule given.
Date: (Sundays & Wednesdays)Part 1: May 15,18,20,25Part 2: June 8,12,15,19,22,26,29
Time: Sundays (10am4pm);Wednesdays (7.30pm10.30pm)
Course Fee: Part 1: RM200* Part 2: RM450*A theatre practitioner since 1998 SengSoo Ming joined the Singaporean TheatreTraining & Research Program in 2005where the experience led him to examinepossibilities o bringing together elements oAsian traditional and contemporary theatre
in both creative works and tr aining, in orderto build a bridge between dierent cultures.
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June at Te Actors Studio@Lot10 &Te Kuala Lumpur Perorming Arts Centre
Te Actors Studio @ Lot 10Box Oce
tel: (03) 2142 2009
(03) 2143 2009
web: www.theactorsstudio.com.my
Te Kuala Lumpur PerormingArts Centre (klpac) Box Oce
tel: (03) 4047 9000
web: www.klpac.org
Switch On (Electronic Series)
3 June 2011 @ 8.30pm at theIndicine, klpac. Admission is ree.
Switch On is a monthly electronicsound & arts seriessince March 2009.The event compileslive concert, DVDscreening, artist sharingand so much more. Ithas become one o themost important event
series on experimental music & arts in Malaysia.
This monthly electronic series is another no budgetproject by Herbal International, with the venue &technical kindly supported by klpac.
JUN
03
Worlds Best Movies
(Film Screening)
4, 11 & 18 June 2011 @ 8pmat Indicine, klpac. Entrance
by donation oany amount - alldonations are or theJapanese DisasterRelie (Limited spacesavailable. First comerst served basis)
Film bus will bepleased that The ActorsStudio will be revisitingsome classic lms rom
across the globe andsharing them with you.
Do not miss this new series o Worlds Best Movieswhich will be showcasing three Japanese lmsincluding two rom the 90s and one rom the 80s!The screening o lms including Kids Return(1996),Kikujiro(1996), and Ran(1985).
JUN
04
The Platorm(Play/open-mic session)
6 June @ 8.30pm at Indicine,klpac. Admission is Free
klpacs open-micsession or theatre, ThePlatorm, is back or thethird year running withits very rst sessionon 7 February. As withprevious years, ThePlatormtakes placeon the rst Monday oevery month at 8.30pmand will end in July.Each month, a wholehost o new works and
resh talents will be showcased to the public.
Anyone and everyone are welcomed to make asubmission and book a slot to perorm at ThePlatorm. There is no ee involved to book a slotand there is no entrance ee or the perormanceas well. The ull guidelines are available onwww.klpac.org. For urther enquiries or to book aslot, please e-mail [email protected].
JUN
06
Ri Yue Chu Yin (Concert)
911 June @ 8.30 pm, 1112 June@ 3pm at Pentas 1, klpac. icketPrice: RM48, RM68, RM88,
RM108 and RM128
(For discounts, please
visit www.klpac.org)
Living in a country withsuch diverse traditionalroots has inspiredHands Percussion onthis exciting journeyto celebrate theunity o Armour andSkin. As simple asit sounds,masteringpercussive art-orms is
a challenging conviction.
Ri Yue Chu Yin is put together by a passion ordierence, with a blend o sound patterns that the
team has inhaled, sweated and wept since its birth.Be it Gamelan or Shigus, HANDS humbly invites youto share their world o rhythmic dreams. The skysthe limit or these crazy drummers whose creativitybeginning at home!
Ri Yue Chu Yin, a collaborative perormance by HandsPercussion &The Eight Mallets Percussion (Beijing)
JUN
09
FUSED (Mixed bill-Experimental series)
1418 June @ 8.30pm, 19 June @3pm at AS @ Lot 10. Entry by
minimum donationo RM10.
FUSED is a bi-monthlyexperimental serieseaturing a usiono artists, ideas andperormances. Feaston something dierentevery night o the weekas we promise an arrayo perormances as wellas workshops. Comeor one night or ve in
a row - each night oers you an alternative genre o
the arts. Sit back, relax or just join in the un. Nothingtoo heavy, we promise you, but it will be a ascinatingexperience and a great time at the theatre is certain!
FUSED programme or June 2011:
AI:IA Improv Hour14 June 2011 (Tue) @ 8:30pmStrumming to a Dierent Tune15 June 2011 (Wed) @ 8:30pmMonti & Logi Open Mic Comedy Hour16 June 2011 (Thu) @ 8:30pmDancebox17 June 2011 (Fri) @ 8:30pmBACA: Rehearsed Reading18 June 2011 (Sat) @ 8:30pm
Malaysian Made Movies19 June 2011 (Sun) @ 3pm
For more inormation, please visit:www.theactorsstudio.com.my
JUN
14
Rock Paper Scissors ByNoord Nederlandse Dans(Contemporary Dance)
16 June 2011 @ 8:30pm at Pentas1, klpac. Entry bydonation o RM35(adults) / RM20(students & thedisabled)
Rock Paper Scissors isa dance contemporarypiece about a game thatcannot be won, centredaround the conceptso risk, luck andcoincidences.
Director Stephen Shropshire invites Andrea Miller(USA) and Roy Assa (Israel) to create alongside himor the production Rock Paper Scissors. To be seen:three choreographic works about a game that cannotbe won.
Presented &Organised by klpac / Libero Production
/ TNT.
JUN
16
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Nitya Sumangali - The EternalWie (Dance)
22 June @ 8.30pm (preview);2325 June @ 8.30pm; 26 June
@ 3pm at Pentas 2,klpac. icket Price:RM13 fat (preview)/ RM25 (adults) /RM15 (students &the disabled)
Student package -purchase 20 ticketsand get 2 FREE
In some parts oancient India, selectprepubescent girls were
married to Gods. These wives o God or 'Devadasis'became an integral part o many large Hindu temples,perorming various duties including presentingdance and music perormances as artists. Due tocircumstances, these dancing girls were orced intofesh trade and subjected to untold misery.
Set in an old temple o Shiva, Nitya Sumangalitellsthe story o a Devadasi whom alls victim to a cruel
ate as an eternal wie o God, ollowing tradition-even in death.
Written and Directed by klpac's Choreographer-in-Rwsidence Lex Lakshman Balakrishnan, this perioddance drama challenges creativity on every rontrom choreography to costume, set design to soundand light and eatures the deconstruction o classicaland contemporary dances.
JUN
22
Birdian Saxophone Quartet(Concert)
26 June 2011 @ 3pm at AS @
Lot 10. Entrance by minimumdonation o RM15.
Sit back and enjoy this wonderul journey that bringsyou arrangements o amous tunes with a mixtureo light duet, trio and quartet music that is sure toascinate you!
Featuring: Ian Chan Wing Hang (Soprano/Alto Saxophone), Richard Goh Hao Tian (AltoSaxophone), Low Chee Meng (Alto/TenorSaxophone), Foo Yee Lee (Tenor Saxophone) &Cheryl Mah Yiing Chiau (Baritone saxophone)
JUN
26 A Night o Cantonese Opera V(Play)1 & 2 July 2011 @ 8pm at AS@ Lot 10. icket Price: RM35(centre seats / adults); RM20
(side seats / students & the disabled)
Madam Kam rom Hong Kong brings you 6 beautiullegends o China this July. Cantonese opera is atraditional art orm that involving music, singing,martial arts, acrobatics and acting, and is a majorcategory in Chinese opera, originating in southernChina's Cantonese culture. It is a highly respectedart orm that blends in Chinese olk tales, music anddrama into a thrilling perormance style with varioussymbolic meanings and glamorous lyrics.
JUL01
Shakespeare Demystifed:Julius Caesar (Play)
28 June1 July 2011 @ 8.30pmat Indicine, klpac. Entrance by
donation.
ShakespeareDemystifedaims toshare the joy and geniuso the Bard's masterulstorytelling and curious
understanding ohumanity.
Julius Caesaris asearing tale o powerand ambition; and othe ideals o the state
and o society, with a sprinkle o violence and theodd bit o comedy. This 80-minute no-rills showeatures scenes in their original text, with modern-daynarration to help iron out any Elizabethan wrinkles.
This will be ollowed by a 10-minute break and20-minute Q&A session.
JUN
28JUN
22
ARE YOU INTOWN? Paulwah Time Concert
2223 June @ 8.30pm at Pentas1, klpac. icket Price: RM53,RM83 & RM103
ARE YOU IN TOWN? Paul Wah TimeConcert presented by Musictoxin Productions andTigaorang Associate.
Paul Wah will brightens us up again with her talents
that had been hidden rom the limelight or morethan a decade and hal. The precise mastery o PaulWahs vocal is what we are rest assured o most. Aterretreating to behind the stage, the eel and richness inher vocal are even more intriguing. Thats the reasonwe agree, perseverance is a beautiul orce!
Music Director, Tay Cher Siang will leading WVC Trio,one o the best jazz trios in Malaysia, injected newelements into the song arrangements, giving it a newlie and nding a new direction in Paul Wahs vocal!
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Faridahs RefectionsYou may have heard about Short+Sweet? Well this is the 4th year Short+Sweet
Malaysia will be hosting the estival cum competition at klpac. We began with
Theatre in 2008, Dance+Theatre in 2009 and Musical+Dance+Theatre in 2010.
As is the practice every year, a series o workshops are held in April, sponsored by
The Australian High Commission where budding writers, directors, choreographers,
composers and perormers are gently slipped into the world o a 10 minute creation.
Names such as Alex Broun, Nicole Stinton, Kay Armstrong all rom Australia and this
time Alex is joined by Michael Voon, Nicholas Choo and Llewelyn Marsh held the
hands o about 70 young and the not-so-young enthusiasts as they cross their t's
and dot the i's o theatre, dance and musical.
The call or entries is out! Script Writers, Composers and Choreographers will
submit their original works 'never-beore-perormed-in-public' to [email protected].
All dates and details can be ound at shortandsweetmalaysia.blogspot.com and
on klpac and The Actors Studio websites. Short+Sweet Malaysia estival cum
competition takes o mid September till October 30th.
What's also very exciting is Short+Sweet Malaysia will be working with Short+Sweet
Singapore as we bring orth similar excitement among the young Theatre and
Dance enthusiasts or a workshop in May, held at the awesome LaSalle Institution in
preparation or the estival cum competition at the end o 2011.
So, come and join in The Biggest Little Festival In The World!!
Faridah Merican is the Executive Producer and Co-Founder o Te ActorsStudio (Malaysia) and Te Kuala Lumpur Perorming Arts Centre. She is alsothe Festival Director o Short+Sweet Malaysia.
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