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AUTUMN & WINTER 2013/14ENGLISH

JORN &POLLOCK

A MEETING OF GIANTS

ARCTIC DREAM

DESTINY ADVENTURE

BEAUTY

Rose

ndah

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ARCTIC EXHIBITION 26.9.13.-2.2.14. Snow and ice, darkness and northern lights, beauty, silence, strife and storm. Louisiana heads straight north to a region of magnetic lure. In themes ranging from the sublime to conquest and myth, this spectacular Arctic quest takes you through real-life dramas, harsh conditions and impossible dreams – a journey into the imagination, art, science and breathtaking imagery.

ARCTIC

Louisiana’s major, multi-faceted autumn exhibition explores a wonderful, fragile, frightening and powerful world. ARCTIC is a story about dreams, destiny, adventure and beauty. It is a tale of fear, fascination, desire, downfall, and survival in spite of everything. A quest for a location, real and imagined, that through the centuries has stirred up strong drives and emotions, fascinating and attracting artists, scientists, writers and adventurers alike.

Guido van der Werve, Nummer Acht, Everything is going to be alright, 2007, video still © the artist / Luhring Augustine

Left: Francois-Auguste Biard, Magdalena Bay, Louvre, Paris. Photo: White Images/Scala

Above: Carsten Nicolai, Snow Noise, 2001, mixed materi-als. Courtesy: Galerie EIGEN+ART and The Pace Gallery© VG Bildkunst Bonn

Top right: The interna-tional NEEM ice coring project in northwest-ern Greenland, photo: Sepp Kipfstuhl, A. Wegener Institute

Polar landscape, photo from the Fridtjof Nansen expedition, 1894. The National Library, Oslo

ARCTIC

The scope of the exhibition is broader than that of the current political, economic, scientific and ecological interest in the fro-zen top of the world.“ARCTIC is one of our major fundamental cultural narratives,” says Louisiana Director Poul Erik Tøjner, who conceived the exhibition. “It is a story about how our culture expands and develops through images – images in which the unknown is reflected in the known and in which we celebrate the boundaries of our existence.”Mixing elements, genres and media, the exhibition is divided into various themes. THE SUBLIME treats romantic longing from 1790 to 1830 and the story of the search for the Sir John Franklin expedition juxtaposed with Guido van der Werve’s video of a man walking on the Arctic Ocean (2007). The theme OBSERVATIONS focuses on natural science: ice cores bear witness to the notion that the past is encapsulated and thus still available in the arctic landscape. Original photos of Fridtjof Nansen’s whereabouts are seen alongside early photo-graphs of snow crystals captured by Wilson Bentley (1900) and

Per Kirkeby’s watercolours from Green-land. THE WIDE WORLD presents works by Gerhard Richter, Sigmar Polke, Sophie Calle, Wolfgang Tillmans, and a story of the world’s most famous iceberg. VOICES AND FACES brings us original Inuit culture, the legendary Danish explo-rer Knud Rasmussen, and a touching and surreal series of photos by Evgenia Arbu-gaeva of her Siberian hometown of Tiksi.The theme CONQUEST brings original maps and several aspects of the power struggle in the Arctic. In DESTRUCTION and MYTHOLOGY, we get a close look at heroes – the fictitious, the real, the tragic and the ridiculous – from Superman to Salomon Andrées’ balloon journey to the duel between Cook and Peary to be crow-ned “the first man on the North Pole”.

Per Kirkeby, Untitled (Greenland), 2011, gouache. Private collection. Courtesy the artist and Galleri Bo Bjerggaard

Top of page: Gerhard Richter, Eisberg, 1982, oil on canvas. Private collection

JORN & POLLOCK

“Sensational” is of course a term to be used sparingly, but it is quite appropriate to describe an exhibition that presents a distinguished selection of works by Jackson Pollock – Ame-rica’s most famous 20th century artist – side by side with Denmark’s internationally acclaimed mid-century artistic icon Asger Jorn. Although these contemporaries never met

EXHIBITION 15.11.13-23.2.14. With generous loans from some of the world’s leading museums, Louisiana brings together two gigantic figures of post-war painting – a legendary American and a Danish icon. This exhibition, the first of its kind in the world, juxtaposes two radical and revolutionary artists and offers a unique opportunity to enjoy a series of masterpieces of modern art.

Above: Asger Jorn, Formio and Cigalette, 1961 oil on canvas.Louisiana, acquired with support from the Augustinus Foundation

in person – Pollock’s centenary was last year and Jorn’s will be celebrated in 2014 – it is obvious that they have much in common. From the outset, both were influenced by the same European avant-garde artistic movements, by Picasso and especially by surrealism. Both worked with automatic dra-wing, drip, canvases on the floor and experimental ways of

Jackson Pollock (1912-1956) and, to the right, Asger Jorn (1914-1963). Both photos: Scanpix

Jackson Pollock, Painting, 1953-1954 ink /oil and gouache on paper. The Museum of Modern Art, New York Photo: Scala Archives

Left: Jackson Pollock, Untitled, around 1949, fabric, paper, cardboard, enamel paint on pavatex. Fondation Beyeler, Riehen/Basel. Photo: Robert Bayer

Right: Asger Jorn, Shem the Gracehoper1961 , oil on canvas. Collier Collection Photo: courtesy Galleri Riis, Oslo

applying paint. And they were equally fascinated by myths, archetypes and so-called “primitive” art. Strangely perhaps, no attempt to showcase these modern masters together has been made until now, although Asger Jorn’s rude refusal of the prestigious Guggenheim Award in 1963 certainly played a role: Jorn thus turned his back on New York and the leading art scene of the day, missing out on what might have been his definitive international breakthrough.JORN & POLLOCK presents great compositions alternating with intimate studio-like sections showing artistic processes and smaller works. Along the way, similarities leap to the eye as well as the obvious differences between the two, for example in technique and temperament: Pollock stands out as a solitary soul with his drip-paintings dissolving all references, whereas Jorn strives to “free” painting and use his art to influence and communicate directly with society and the individual. Focusing on two decades, 1943-63, the exhibition gives us a singular insight into distinctive Ameri-can and European approaches to post-war avant-garde art.

JORN & POLLOCK

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COLLECTIONAUTUMN / WINTER

AI WEIWEI TILLMANS

JESPER JUSTWOODMAN

RONDINONE RICHTER PICASSO

LOUISIANA is a leading international museum of modern art and a vibrant centre of culture. Altogether, an extraordinary place that strikes that rarest of balances between art, architecture and nature: a place of true beauty all year round.

THE EXHIBITIONS The international orientation remains an important premise for Louisiana’s exhibitions, contributing to the museum’s status as one of the world’s most respected exhibition venues. The exhibition programme focuses on international, modern and contemporary art as well as international photo, design and architecture shows.

THE COLLECTION The museum’s collection is among the largest in Scandinavia and concentrates on the period after 1945. Includes major works by Picasso, Giacometti, Klein, Warhol, Rauschenberg, Bourgeois, Guston, Jorn, Baselitz, Kiefer and Kirkeby.

THE ArCHITECTUrE The architectural design of Louisiana is considered a unique achieve-ment, rooted in the low-key modernism of the 1950s. The appearance of the museum is that of a subdued, horizontal building complex discreetly nestling into the landscape.

THE SCULpTUrE pArk Louisiana is surround-ed by a sculpture park with a panorama view of the Øresund. The sculptures in the park are an important part of the museum’s collection,

and each is carefully placed to do it full justice. Features works by a.o. Moore, Miró, Calder, Ernst, Arp, Sekine and Dubuffet. A mobile guide takes you on a highlight tour of the park. Accessible in the free museum wifi area.

THE LOUISIANA CHILdrEN’S WINg Three storeys, covering 500 square metres and offering children and youth exceptional oppor-tunities to work creatively, using their senses and imagination. Workshops daily from 11:00 to 17:30, on Sundays from 14:00 to 16:00.

THE LOUISIANA SHOp One of Denmark’s leading design shops, focusing on Danish and Scandinavian design. A well-assorted book department holds catalogues and posters as well as books on art, design and architecture.

THE LOUISIANA CAFE Boasts a panoramic view of the Øresund and an outdoor terrace during the summer months. A modern Danish cuisine, based on fresh, in-season ingredients, is served for lunch and dinner. The menu changes weekly. The Cafe also offers a new take on traditional Danish sandwiches, “rug-brødsmadder”, veg. soups, cakes and sweets.

OpENINg HOUrSTuesday - Friday 11:00-22:00 Saturday and Sunday 11:00-18:00Public Holidays 11:00-18:00Monday closed

AdmISSION: DKK 110 Students with student ID: DKK 95Children and young people up to 18 Free admission members of the Louisiana Club Free admission

LOCATION ANd TrANSpOrT Louisiana is situated 35 km north of Copenhagen and is easily reached. By car: Take motorway E47 / E55 or enjoy the scenic route along the Øresund coast. By rail: Approximately 35 minutes from the Copenhagen city center. 10 minutes from Helsingør to Humlebæk Station. From Humlebæk Station there is a 10-minute walk to the museum. Special discount tickets can be bought at all major DSB stations in the metropolitan area.

IN 2013 THE LOUISIANA mUSEUm IS SUppOrTEd A.O. BY

AUGUSTINUS FONDEN

MAIN SPONSOR SPONSOR of architectural exhibitions

SPONSOR of Louisiana Contemporary

Gl. Strandvej 13 3050 Humlebæk+45 4919 0719 www.louisiana.dk

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ArCTIC 26.9.13-2.2.14. kusam

a: gleaming Lights

of the Souls

ARCTIC DREAM

DESTINY ADVENTURE

BEAUTY

Rose

ndah

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