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Making Connections for Media Literacy: Hip-Hop and the Civil Rights Movement BUILDING TRULY COLLABORATIVE PARTNERSHIPS WITH TEACHER KATE POLE, NBCT [email protected] LATRICE FERGUSON [email protected] UNIVERSITY HIGH SCHOOL, NORMAL, IL

Making Connections for Media Literacy: Hip-Hop and the Civil Rights Movement BUILDING TRULY COLLABORATIVE PARTNERSHIPS WITH TEACHER KATE POLE, NBCT [email protected]

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Page 1: Making Connections for Media Literacy: Hip-Hop and the Civil Rights Movement BUILDING TRULY COLLABORATIVE PARTNERSHIPS WITH TEACHER KATE POLE, NBCT KBPOLE@ILSTU.EDU

Making Connections for Media Literacy: Hip-Hop and the Civil Rights Movement

BUILDING TRULY COLLABORATIVE

PARTNERSHIPS WITH TEACHER

KATE POLE, [email protected]

LATRICE [email protected]

UNIVERSITY HIGH SCHOOL, NORMAL, IL

Page 2: Making Connections for Media Literacy: Hip-Hop and the Civil Rights Movement BUILDING TRULY COLLABORATIVE PARTNERSHIPS WITH TEACHER KATE POLE, NBCT KBPOLE@ILSTU.EDU

Before we start please tell us what teacher/librarian collaboration is like at your school?• What obstacles have you faced?• What about triumphs?• What would your ideal teacher/librarian

relationships look like?

Page 3: Making Connections for Media Literacy: Hip-Hop and the Civil Rights Movement BUILDING TRULY COLLABORATIVE PARTNERSHIPS WITH TEACHER KATE POLE, NBCT KBPOLE@ILSTU.EDU

Provide strategies to advance through the FOUR stages of teacher/librarian collaboration that we’ve identified

STAGE 1-Librarian as Invisible STAGE 2-Librarian as Consultant STAGE 3-Librarian as Professional (Doctor/Nurse)

STAGE 4-Librarian as Collaborator and Instructor We want to help you move to the next step and tell

you about how our lesson “Hip-Hop and the Civil Rights Movement” came to be

OBJECTIVES FOR THIS SESSION

Page 4: Making Connections for Media Literacy: Hip-Hop and the Civil Rights Movement BUILDING TRULY COLLABORATIVE PARTNERSHIPS WITH TEACHER KATE POLE, NBCT KBPOLE@ILSTU.EDU

What’s going on at this stage: Very little interaction with teachers. Mostly they just use your

space in a completely flex environment. In a fixed environment, teachers use the library as a drop spot.

What you can do to move to the next stage: Start connecting with kids first. Get to know the student

body. Programming is a great 1st step Attack those newbies

Get on the agenda for new teacher orientation. Begin advertising your skill set

Can you update the library webpage? Send tech tools emails Be persistent. Try to get curriculum maps and syllabi.

STAGE 1: LIBRARIAN AS INVISIBLE

Page 5: Making Connections for Media Literacy: Hip-Hop and the Civil Rights Movement BUILDING TRULY COLLABORATIVE PARTNERSHIPS WITH TEACHER KATE POLE, NBCT KBPOLE@ILSTU.EDU

What’s happening at this stage? Drop in lessons-Teacher asks for help 1 or 2 days in advance

Usually no real idea about what project students are working on You’re not involved in any planning or assessment

What you can do to move beyond this stage? Assess your students and their needs through some type of

information literacy assessment Be annoyingly persistent. Sell yourself. Use whatever tactics you

can! (Lunch with the Librarian; Covert syllabus stealing operations) Appeal to your administrators-You need them in your corner to

encourage teachers to see your value. Use the language

Common Core standards Danielson Model

STAGE 2: LIBRARIAN AS CONSULTANT

Page 6: Making Connections for Media Literacy: Hip-Hop and the Civil Rights Movement BUILDING TRULY COLLABORATIVE PARTNERSHIPS WITH TEACHER KATE POLE, NBCT KBPOLE@ILSTU.EDU
Page 7: Making Connections for Media Literacy: Hip-Hop and the Civil Rights Movement BUILDING TRULY COLLABORATIVE PARTNERSHIPS WITH TEACHER KATE POLE, NBCT KBPOLE@ILSTU.EDU

What happening at this stage? Teachers approach you about research based projects

You are involved in planning, but just for teaching information literacy skills and rarely involved in assessment.

You’re the nurse, they’re the doctors

What can you do to move beyond this stage? At this stage, it’s all about building relationships with your

teachers! Attending meetings, events

Be annoyingly persistent, and keep selling yourself. Go beyond their expectations http://raceuhigh.weebly.com/ http://latric6.wix.com/hissym2014

STAGE 3: LIBRARIAN AS PROFESSIONAL ASSISTANT

Page 8: Making Connections for Media Literacy: Hip-Hop and the Civil Rights Movement BUILDING TRULY COLLABORATIVE PARTNERSHIPS WITH TEACHER KATE POLE, NBCT KBPOLE@ILSTU.EDU

THIS IS THE HOLY GRAIL!! At this stage you’ve built trust, students and teachers

know you well Teachers view you as a co-teacher (i.e. NOT as though

you’re a nurse and they’re doctors) You are involved in the planning, development, and

assessment of the lesson

You may be at diff erent stages with diff erent teachersAfter going through all of this, I finally made it this

point with a few teachers. This lesson came out of that work…

STAGE 4: LIBRARIAN AS COLLABORATOR AND INSTRUCTOR

Page 9: Making Connections for Media Literacy: Hip-Hop and the Civil Rights Movement BUILDING TRULY COLLABORATIVE PARTNERSHIPS WITH TEACHER KATE POLE, NBCT KBPOLE@ILSTU.EDU

Objectives Students will understand

how music was a form of protest

Students will understand the connection between the Harlem Renaissance, Black Power Movement, and modern hip-hop music

Students will understand the impact that racism has on masculinism

Student will understand the misogynistic consequences of this masculinism

MANHOOD AND CIVIL RIGHTS: THE PROBLEMATIC CONSTRUCTION OF BLACK

MASCULINITY IN HIP-HOP

Page 10: Making Connections for Media Literacy: Hip-Hop and the Civil Rights Movement BUILDING TRULY COLLABORATIVE PARTNERSHIPS WITH TEACHER KATE POLE, NBCT KBPOLE@ILSTU.EDU

THE RESOURCES

Page 11: Making Connections for Media Literacy: Hip-Hop and the Civil Rights Movement BUILDING TRULY COLLABORATIVE PARTNERSHIPS WITH TEACHER KATE POLE, NBCT KBPOLE@ILSTU.EDU

Students chose between two topics: Tupac and Kanye West lyrics

Tupac “Keep Ya Head Up” and “I Get Around” Kanye West “All Falls Down” and “The New Work-out Plan” Pick one of the above artists and compare and contrast the song

lyrics from their songs. How do the lyrics represent the concept of masculinism? What tensions do you notice when you compare the two songs?

“U.N.I.T.Y” by Queen Latifah vs. “Beez in the Trap” by Nicki Minaj Analyze the lyrics and album cover of Nicki Minaj’s “Beez in the

Trap” and Queen Latifah’s “U.N.I.T.Y.” Of the two, which song combats against masculinism and which song perpetuates masculinism? (Use textual evidence) Speculate as why female hip-hop artists like Queen Latifah might have diffi culty gaining success and popularity, and why artists like Nicki Minaj might be more successful.

THE ASSESSMENT

Page 12: Making Connections for Media Literacy: Hip-Hop and the Civil Rights Movement BUILDING TRULY COLLABORATIVE PARTNERSHIPS WITH TEACHER KATE POLE, NBCT KBPOLE@ILSTU.EDU

US Studies Standards

THIS LESSON AND THE STANDARDS