Marching Band 2011

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Call: 1-800-345-6296 / FAX: 1-800-260-1482 / Internet: jwpepper.com

BORN THIS WAY a

rr. Jay

Da

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n. This arrangem

ent of Lady Gaga’s epic dance floor anthem

combines big

beats with uplifting and distinctive m

elodies. Sure to be a huge hit with your

band and the audience!10274732 .........................................M

60.00

DYNAMITE

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ictor Lo

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This infectious dance-pop tune by Taio Cruz w

as one of the biggest hits of 2010. The crow

d is sure to be on their feet when they hear this hip chart! Sure to m

ake any event “dynam

ite!”10273847 ........................................M

E 50.00

EVACUATE THE DANCE FLOOR a

rr. Da

ve Henning

. The group “C

ascada” had a huge dance club hit with this hot tune. Sitting still

is not an option when your band cranks this one up!

10274562 ........................................ME 65.00

THE SAFETY DANCE a

rr. Jay

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py 1983 hit from “M

en Without H

ats” became the fam

ous mall dance

sequence on “Glee.” It’s sure to be a huge hit w

ith your band whether you

recreate the dance on the football field or in the stands! Optional vocals are

included for the dance sequence.10274243 .........................................M

65.00

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Call 1-800-345-6296 Fax 1-800-260-1482 InTeRneT jwpepper.com e-maIl [email protected] twitter.com/peppercares

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marching band 2011

Your Complete Resource Catalog for Marching Band Music!

*10276709*

PoP Tunes

21 GUNS—arr. Mike Story. From “Green Day’s” 2009 album comes the powerful 21 Guns. Featuring almost every section of the band, this solidly scored arrangement really sparkles on the field!10087984 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

21ST CENTURY BREAKDOWN—arr. Mike Story. This arrangement of the title track from “Green Day’s” 2009 album features both straight-ahead rock and a swinging rock shuffle . Perfect for both field and stands, or as the opener to a “Green Day” show! 10087981 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! 25 OR 6 TO 4—arr. Mike Story. The innovative music from the jazz/rock group “Chicago” is as fresh and exciting today as it was when it was first released . This driving arrangement of one of their biggest hits is sure to be a fan favorite! 10273893 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

e 25 OR 6 TO 4—arr. Paul Murtha. Here’s the popular, gritty rock anthem from the early years of “Chicago .” This arrangement is designed for younger bands, but is still a powerhouse! 2435659 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

25 OR 6 TO 4—arr. Richard Saucedo. Driving bass lines and powerful scoring add up to a hot, gritty rock chart from the group “Chicago!” Add this to your complete “Chicago” show, and you’ll definitely have a winner! 2340149 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

e 4 MINUTES—arr. Michael Brown. 2008 brought Madonna back to the pop charts with this driving anthem that also features Justin Timberlake . This hard-hitting arrangement is powerful and true to the original hot groove! 10054902 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

4 MINUTES—arr. Patrick Roszell. This catchy dance tune from Madonna and Justin Timberlake was one of the hottest hits of the summer of 2008! The infectious groove and cool “licks” make this a great stands chart! 10054912 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

e 867-5309/JENNY—arr. Paul Murtha. You may not remember the name “Tommy Tutone,” but you’ll certainly recognize this fast-paced rock hit from 1982! This chart features a relentless energetic drive and catchy melodies that are meant to be played loud and fast! 10045197 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

e ABC—arr. Michael Sweeney. Here’s “The Jackson 5’s” most recognized hit! A terrific choice for a production number or closer, it includes a short percussion feature and an ending sure to build excitement . It’s Motown magic at its best! 2462703 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 45 .00

AFTER THE LOVE HAS GONE—arr. Paul Murtha & Will Rapp. This change-of-pace production number made famous by “Earth, Wind & Fire” lays down a nice groove and has all the right stuff . You’ll find lush chord progressions as well as alto sax and trumpet solos . Impressive! 2477273 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

e AIN’T NO MOUNTAIN HIGH ENOUGH—arr. Jay Bocook. Everyone is sure to recognize this huge hit duet by Marvin Gaye and Tammi Terrell! It’s perfect for pep rallies or the stands and is great for the dance squad or cheerleaders to perform to! 2477290 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

AIN’T NOTHIN’ WRONG WITH THAT—arr. Tom Wallace. This soul chart from “Robert Randolph and the Family Band” brings in the funk! It’s loads of fun and there “ain’t nothin’ wrong with that!” 10090168 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

AIR DUBLINESQUE—arr. Jay Dawson. Show your students and audience the “classical” side of Billy Joel . Taken from Billy’s album of all piano works, this production number adds gorgeous contrast to your field show . 10067907 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

ALIVE AND AMPLIFIED—arr. Tom Wallace. Here’s an electrifying and powerful rocker that lives up to its name! Your band will have big-time fun with this “Mooney Suzuki” chart!10053260 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

ALL ALONG THE WATCHTOWER—arr. Tom Wallace. Many artists have covered this Bob Dylan classic over the years . This arrangement is a Latin-flavored treatment inspired by the Jimi Hendrix version . 10046426 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

N E W ! ALL AMERICAN NIGHTMARE—arr. Tom Wallace. From the alternative rock group “Hinder” comes their heavy-hitting hard rocker with a stout in-your-face hook that’s perfect for marching band! 10274744 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

N E W ! ALL I DO IS WIN—arr. Jay Bocook. Pump up the energy in your stadium with this driving arrangement of the chart hit recorded by DJ Khaled . A great style and tempo for dancin’ or groovin’! 10274373 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

ALL STAR—arr. Mike Story. “Hey now!” It’s the song made famous in the movie “Shrek,” arranged for younger bands! Everyone loves this one and it’s ideal for both stands and the field!2473934 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

e ALL THE SMALL THINGS—arr. Michael Sweeney. If you need a high-energy pop chart, this one’s for you! Here’s the monster hit from “Blink 182” that is sure to get the stands rockin’! 2477289 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

AMERICAN WOMAN—arr. Tom Wallace. This #1 hit from the “Guess Who” will rock the stands! 2414951 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

ANIMAL—arr. Doug Adams. The alternative rock band “Neon Trees” had a big 2010 hit with this infectious dance-rock tune that was all over the airwaves . This fun arrangement has an awesome groove and is sure to be a huge hit with your students! 10273901 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

ANY WAY YOU WANT IT—arr. Ralph Ford. The classic hit from the rock band “Journey” gets a fresh treatment in this great chart . This arrangement is big, fat, and full-sounding and can be used on the field or in the stands! 10066158 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

ANY WAY YOU WANT IT—arr. Chris Crockarell & Jay Dawson. Rock the house with this energetic classic by “Journey!” Optional full band parts are included . 2412229 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

ANY WAY YOU WANT IT—arr Tom Wallace. Rock back to the ‘80s with this high-energy tune from “Journey!”2415065 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

ANY WAY YOU WANT IT/LOVIN’, TOUCHIN’, SQUEEZIN’ (Mash-up)—arr. Jay Bocook and Will Rapp. Similar to the “mash-up” on “Glee,” here are two classics from “Journey” together in a powerful and driving chart for the field . Trombones get a chance to shine, before the entire band joins in for an exciting finish! 10274272 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

e APACHE—arr. Tim Waters. This instantly recognizable hit by the “Sugar Hill Gang” showcased one of the earliest incarnations of rap music . It’s sure to be a blast for the stands as the crowd joins in with “jump on it!” 10045160 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

BABY—arr. Victor Lopez. Canadian teen singing sensation Justin Bieber had a huge hit in 2010 with this catchy pop tune . The crowd is sure to have Bieber Fever when they hear your band play this infectious chart! 10273853 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

BACK IN BLACK—arr. Tom Wallace. The “AC/DC” rock hit appeared in the hit movie “Men In Black 2,” and Tom Wallace’s intense arrangement is sure get people on their feet!2472062 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

BAD MEDICINE—arr. Tom Wallace. Rock the house with one of “Bon Jovi’s” biggest hits! It’s anything but bad!10090167 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

N E W ! BAD REPUTATION—arr. Allen Gray. This hit from Joan Jett makes a killer stands chart that will totally rock the house!10274525 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

BAD ROMANCE—arr. Jay Dawson. Crank up this big hit from Lady Gaga and watch the fans go crazy! 10090162 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

N E W ! BANG THE DRUM ALL DAY—arr. Nick Baratta. The theme song of drummers everywhere, this party rock favorite from Todd Rundgren has been turned into a dynamite chart that will be a crowd pleaser for years to come! 10273820 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

BEAT IT—arr. Ralph Ford. A funky bass line, great horn licks and driving rhythms make this Michael Jackson classic perfect for the stands! It’s been scored for maximum sound that will have the crowd moonwalking in no time! 2460921 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

BICYCLE RACE—arr. Tom Wallace. Here is “Queen’s” operatic glam-rock tour de force in a stupendous setting for the field!10090166 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

BILLIE JEAN—arr. Doug Adams. One of Michael Jackson’s biggest hits is now playable by any band thanks to this solidly scored arrangement! The rock groove will have everyone on their feet! 10083345 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! BLACK DOG—arr. Roland Barrett. The innovative music from the rock group “Led Zeppelin” is as fresh and exciting today as it was when it was first released . This driving arrangement of one of their biggest hits is a hard-rockin’ chart that will be a favorite with your students and the fans! 10273849 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

BLISTER IN THE SUN—arr. Tom Wallace. Who can resist this insistent riff? This hit was made famous by both “Phish” and “Violent Femmes .” 2474354 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

BOHEMIAN RHAPSODY—arr. Richard Saucedo. Practically a show within itself, this production number based on “Queen’s” mega-hit varies in style from a sensitive ballad to driving rock . A very dramatic statement! 2462596 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

BOOM BOOM—arr. Paul Murtha. This catchy riff is perfect for the stands! With an infectious groove, it’s hard not be energized when you hear it! 2475858 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

BORN THIS WAY—arr. Jay Dawson. This arrangement of Lady Gaga’s epic dance floor anthem combines big beats with uplifting and distinctive melodies . Sure to be a huge hit with your band and the audience! 10274732 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

BORN THIS WAY—arr. Michael Brown. Lady Gaga set the charts on fire with this smash hit in 2011! Here’s a sizzling arrangement for inexperienced bands that’s sure to get the stands jumpin’! 10276013 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

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ALL PRICES IN U.S. DOLLARS & SUBJECT TO PUBLISHER REVISION e Available via e-Printsm order toll-Free today! Call 1-800-345-6296 / FAX 1-800-260-1482 / Internet: jwpepper.com / e-mail: [email protected]

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marchingBAnD 2011

In this catalog we present the newest and best marching band music available, with special ads to make it easy to focus on selections for:Pop Tunes . . . . . . . . . . . . . . . . . . . . . . . . . . 2Hot Combo Collections for Pep Band . . . . . 7Guard, Marching & Playing DVDs . . . . . . . 9Patriotic . . . . . . . . . . . . . . . . . . . . . . . . . . 12WarmUps . . . . . . . . . . . . . . . . . . . . . . . . . 13Complete Shows from Gary P . Gilroy Publications & Key Poulan Music . . . . . 13Classical & Concert Selections . . . . . . . . . 14Instructional & Performance DVDs . . . . . . 15Complete Shows . . . . . . . . . . . . . . . . . . . . 16Originals & Competition Charts . . . . . . . . 18New from System Blue . . . . . . . . . . . . . . . 19Broadway, Movie & TV . . . . . . . . . . . . . . . 20Stands, Cheers & Pep Band . . . . . . . . . . . 23Rockin’ Collections . . . . . . . . . . . . . . . . . . 24Hot Jazz & Super Standards . . . . . . . . . . . 26Great Tools for Drum Majors . . . . . . . . . . 27Percussion Features . . . . . . . . . . . . . . . . . 28Resources for Your Drumline . . . . . . . . . . 29Percussion Features & Cadences . . . . . . . 30More Complete Shows . . . . . . . . . . . . . . . 31

Thank you for choosingJW Pepper...It’s where America shops for music!

PoP Tunes

BORN TO BE WILD—arr. Tom Wallace. Kick out the jams and get wild with this quintessential classic rock masterpiece by “Steppenwolf!” 10090176 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA 60 .00

BREADFAN—arr. Roland Barrett. Here’s a rockin’ chart by “Metallica” with cool heavy metal riffs that sound great in the stands or on the field! And, it works with limited brass instrumentation .2339067 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

e BRICK HOUSE—arr. Michael Brown. This one needs no introduction! The percussion section sets up the groove then the low brass joins in with the bass line . This chart gives you the option of two endings; a regular “short ending” if needed in the stands or elsewhere, and an extended “closer ending” for a big finish to a show . “Mighty, mighty!” 2473978 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

e BROWN EYED GIRL—arr. Paul Murtha. Some songs never seem to grow old, and this pop classic recorded by Van Morrison in 1967 is a perfect example . You’ll find a multitude of uses for this solid and well-paced arrangement! 10088743 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 45 .00

BUILD ME UP, BUTTERCUP—arr. Paul Murtha. This tune is destined to join the ranks of the all-time classic stands charts! A fun shuffle chart from the ‘60s, it’s enjoying renewed popularity thanks to its use in the hit movie “There’s Something About Mary .” Your crowd will absolutely love this one! 2414332 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

BURNING LOVE/C.C. RIDER—arr. Jay Dawson. The excitement Elvis created every time he walked on stage will be generated by your band when they play this medley of two of his classics! 10090158 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

C’MON N’ RIDE IT (The Train)—arr. Mike Story. This infectious dance hit from the “Quad City DJs” is a fun number for a cheerleader or guard routine! Beginning with clever train effects, the chart quickly moves into a funky groove . A great way to pump up the crowd! 10087994 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

CALIFORNIA GURLS—arr. Doug Adams. Not to be confused with the “Beach Boys” classic, this hot chart by Katy Perry was one of the biggest songs of the summer of 2010 . Strong block scoring and lots of unison writing make this one playable by any band . It really rocks! 10161930 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

CAN’T BUY ME LOVE/MAGICAL MYSTERY TOUR—John Lennon & Paul McCartney/arr. Saucedo. This “Beatles” favorite gets some swingin’ treatment for the field! With an absolutely marvelous boogie woogie-style section feature for trumpets, this chart is the perfect high-energy closer you’ve been looking for! 2477271 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

CAN’T HELP FALLING IN LOVE (Closer)—arr. Jay Dawson. Close out your show with this Elvis classic! You’ll love the unexpected chorale treatment before the high velocity ending!10090160 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

CAN’T HELP FALLING IN LOVE (Opener)—arr. Jay Dawson. The King lives on! One of Elvis’ most popular hits will thrill audiences and judges alike in this effective show opener!10090157 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

CAR WASH—arr. Jay Dawson. Get down and boogie to this hip arrangement of “Rose Royce’s” legendary disco classic!10090169 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

CARRY ON WAYWARD SON—arr. Mike Sweeney. From progressive rock group “Kansas”, this chart uses deep bass lines, strong ensemble phrases and contrasting softer sections to create a truly powerful statement for the field or stands!2317105 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

CELEBRATION—arr. Doug Adams. Celebrate all your team’s successes this season with this energetic, yet playable pop tune! You’ll find lots of uses for this one throughout the year!2413854 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

CELEBRATION—arr. Joe Murphy & Chris Crockarell. This party standard by “Kool and the Gang” is an absolute must for the stands! 2477829 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

N E W ! CLOCKS—arr. Michael Brown and Will Rapp. “Coldplay” proves that today’s music groups can give us memorable hits suitable for marching band . Here is one of their best from 2003 in a very effective and dynamic arrangement for the field or stands .10274451 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 45 .00

e COLD-HEARTED—arr. Raymond Rolle. Paula Abdul rocked the pop world in 1989 with this distinctive and energetic hit . Featured as a part of the “Drumline Live” stage production, this chart epitomizes their edgy and exciting style . 10088707 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA 65 .00

COME OUT AND PLAY—arr. Tom Wallace. Pristine heavy metal from the group “The Offspring .” 2338911 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

COME SAIL AWAY—arr. Paul Murtha. It’s a genuine rock anthem and both your band and the crowd will love it! It starts quietly with trumpet soloist, then builds solidly and pulls out all the stops to the powerful closing . A great closer! 2473976 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55 .00

CRAZY IN LOVE—arr. Ralph Ford & Bryden Atwater. Beyonce saw her solo career take off with the success of this great dance song . The horn lines translate very easily for marching band, making this an instant crowd favorite! 2477131 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

N E W ! CRAZY IN LOVE—arr. Doug Adams. One of Beyonce’s biggest hits is now in a very playable arrangement for marching band! It has a great groove and one of the most recognizable brass licks ever . Check it out! 10273907 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

CRAZY LITTLE THING CALLED LOVE—arr. Richard Saucedo. Who knew that “Queen” could really swing? This energetic chart provides a wealth of opportunities for color guard work! It’s light-hearted fun at its best! 2462588 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

e CRAZY TRAIN—arr. Paul Murtha. It seems Ozzy Osbourne is everywhere, so he may as well be in marching band, too! Here’s Ozzy’s biggest hit arranged for pep bands or general mania in the stands! 2473984 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50 .00

N E W ! CUPID SHUFFLE—arr. Tim Waters. Recorded by Cupid in 2007, this catchy hit spawned a popular line dance as well as numerous remixes and versions on YouTube . Create your own dance sensation with this hot tune! 10274381 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

e DANCING MACHINE—arr. Tim Waters. At their peak of popularity in the early 1970s, the “Jackson 5” recorded this hot dance groove that quickly became a classic . Sizzling brass licks and a driving pulse help make this a natural for the field or stands!10088734 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

N E W ! DETROIT ROCK CITY—arr. Nick Baratta. ‘70’s rock group “Kiss” is still going strong decades after exploding onto the music scene . Here is one of their biggest hits in a driving rock-shuffle chart that makes for a perfect stands or dance team feature!10273851 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

DIRTY DEEDS DONE DIRT CHEAP—arr. Tom Wallace. Hard-rock fans will love this power-driven arrangement of “AC/DC’s” classic hit! A sure-fire way to add a blast of raw energy to every event! 10028328 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

e DISTURBIA—arr. Paul Murtha. Plenty of tutti riffs and solid scoring characterize this hit recorded by Rihanna . This arrangement is easy to learn and will sound great in the stands or on the field . Sure to be a crowd favorite! 10063994 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

e DON’T FEAR THE REAPER—arr. Paul Murtha. Here’s a classic rocker from the group “Blue Oyster Cult .” With an up-tempo rock style and effective pacing, this will work great for drill teams! 10066127 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

DON’T STOP BELIEVIN’—arr. Jay Bocook and Omar Carmenates. Here is “Journey’s” signature hit from 1981 in a high octane version for mature bands! With the mellophones and horns on the signature guitar riff, carefully paced impact points, and a driving percussion score, this is sure to whip the crowd into a frenzy!10274267 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

e DON’T STOP BELIEVIN’—arr. Paul Murtha. This 1981 arena anthem from the group “Journey” has enjoyed renewed popularity in TV and film as well as the Broadway production “Rock of Ages .” It was featured in the final episode of the HBO hit series “The Sopranos,” and most recently in the highly acclaimed TV Series “Glee .” Guaranteed showstopper! 10076160 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

DON’T STOP BELIEVIN’—arr. Brian Scott. The inspirational rocker from “Journey” is popular again due to the Fox TV show “Glee .” Horn and trumpet have optional solo opportunities in this solidly scored arrangement for the field or stands! 10087931 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

DOWN—arr. Doug Adams. The 2009 #1 hit from Jay Sean can now be a #1 hit with your marching or pep band! Any band can handle this solid arrangement and will sound great! 10088004 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

DR. FEELGOOD—arr. Roland Barrett. Here’s a real kickin’ version of this classic hit from “Motley Crue!” It has lots of rhythmic drive that will rock your stands for years to come!10087951 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

DREAM ON—arr. Jay Bocook and Will Rapp. Since its initial release by “Aerosmith” in 1973, this classic rock ballad has enjoyed continual popularity through the years in film and tv, most recently being featured on “Glee .” This powerful version for the field or stands will bring the house down! 10274255 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

DYNAMITE—arr. Tom Wallace. From the British recording artist Taio Cruz comes this compelling dance tune with an infectious hook, tailor-made for the stands . It will be instantly recognizable to your band and audience! 10274729 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

DYNAMITE—arr. Victor Lopez. This infectious dance-pop tune by Taio Cruz was one of the biggest hits of 2010 . The crowd is sure to be on their feet when they hear this hip chart! Sure to make any event “dynamite!” 10273847 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

e ENTER SANDMAN—arr. Paul Murtha. This intense arrangement of the “Metallica” heavy metal standard features a moderate tempo and a hard-driving rock feel . Your band is sure to turn some heads when they crank this one up! 2480427 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

ENTER SANDMAN—arr. Dallas C. Burke. Rock the house like never before with one of “Metallica’s” biggest hits! Your band is sure to turn heads when they play this driving metal anthem!10089268 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

EVACUATE THE DANCE FLOOR—arr. Dave Henning. The group “Cascada” had a huge dance club hit with this hot tune . Sitting still is not an option when your band cranks this one up! 10274562 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

EVIL WAYS—arr. Jay Dawson. This great Santana hit will work magic in the stands or on the field! A hot Latin groove that’s easy to play and sounds fantastic! 2243475 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

EYE OF THE TIGER—arr. Doug Adams. This is the inspirational rock hit from the movie “Rocky III .” There’s plenty of excitement in this easy arrangement! 2368272 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50 .00

EYE OF THE TIGER—arr. Victor Lopez. Fire up your team this fall with the “Survivor” hit from the “Rocky” movie series! This solid and very playable chart is inspirational and full of energy!10027109 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

N E W ! FAST AS YOU—arr. David Samuel. The color guard, dance team and cheerleaders can let loose with a line dance to this Dwight Yoakam favorite that’s been arranged as an up-tempo blues number! 10274567 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

FINAL COUNTDOWN—arr. John Higgins. An opening brass fanfare and driving pulse make this one hot!2317212 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

e FIRE—arr. Jay Bocook & Will Rapp. Combining a terrific mix of frantic energy, driving percussion and ensemble riffs, this arrangement of the Jimi Hendrix hit will surely live up to its name on the field! It really cooks! 10045119 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

N E W ! FIRECRACKER—arr. Ayatey Shabazz. Liven up the night with this funk tune from the group “Mass Production!” It sizzles and sparks from the first note to the last! 10274500 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

FORGET YOU—arr. Tom Wallace. Having dominated the airwaves in late 2010, this Cee Lo Green song is reminiscent of the legendary tunes from the 1960’s Motown era . Sure to be an instant favorite! 10274738 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

FRANKENSTEIN—arr. Paul Murtha. From the gritty version recorded by “The Edgar Winter Group” to your marching field on Friday night, this rock anthem will quickly become a crowd favorite! It’s a dynamic chart that includes brief features for woodwinds as well as the percussion section . Great for the stands or on the field!10026505 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! FREE—arr. Roland Barrett. Here is a powerful jazz/rock classic by “Chicago” in a dynamic arrangement for the field or stands! It starts out big and bold and just keeps on coming! 10273878 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

e FUNKYTOWN—arr. Michael Brown. This ‘80s retro classic has never gone out of style! First made famous by “Lipps, Inc .,” and now part of the soundtrack from “Shrek 2”, everyone is sure to remember this tune as soon as your band breaks it out! The crowd will be begging to be taken to Funkytown! 2479459 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! GET BACK—arr. Michael Brown. Here’s a rock solid hit from the “Beatles” later years, made famous by their live rooftop performance in London . A perfect opener for a field show, or just rockin’ the stands! 10274300 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

GETAWAY/SEPTEMBER—arr. Paul Murtha & Will Rapp. If you have a lot of brass players, check this smokin’ chart out! Getaway features the brass and percussion sections then jumps into mega-hit September . The beat is infectious, and the energetic horn lines really drive this closer! 2477274 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

GIMME SOME LOVIN’—arr. Paul Lavender. Originally recorded by the “Spencer Davis Group” in the late ‘60s, this driving rock tune has enjoyed continued popularity in films and on the dance floors . This solid chart for smaller bands is sure to rock the stands and get the crowd going! 2217230 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40 .00

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COLLEgE SONgS FOR SCHOOL BANDS arr. Paul Yoder.

An absolutely incredible marching band book! It’s been around for years yet it seems to get stronger every year. Containing 26 college songs, this is a book that is basic to every marching band library! Titles include: On Wisconsin; Minnesota Rouser; Wave the Flag; Notre Dame Victory March; Rambling Wreck from Georgia Tech; Men of Pennsylvania; Go, Northwestern, Go; Carmen Ohio; Across the Field; We’re Loyal to You, Illinois; Iowa Corn Song; Hail, Purdue; The Victors; Fight On; Mighty Oregon; Far Above Cayuga’s Waters; Indiana, Our Indiana; Navy Blue and Gold; Varsity; Down the Line; Northwestern Push On Song; When the Irish Backs Go Marching By; I’m a Jayhawk; Dear Old Nebraska U; Sweetheart of Sigma Chi and White Star of Sigma Nu.

2096907 Flute/Piccolo . . . . . . . . . . . . . . . . . . . 2.502096956 Oboe . . . . . . . . . . . . . . . . . . . . . . . . . 2.502096964 Bassoon . . . . . . . . . . . . . . . . . . . . . . . 2.502096923 Clarinet in Eb. . . . . . . . . . . . . . . . . . . 2.502096980 Clarinet 1. . . . . . . . . . . . . . . . . . . . . . 2.502096998 Clarinet 2. . . . . . . . . . . . . . . . . . . . . . 2.502097004 Clarinet 3. . . . . . . . . . . . . . . . . . . . . . 2.502096931 Alto Clarinet. . . . . . . . . . . . . . . . . . . . 2.502096949 Bass Clarinet . . . . . . . . . . . . . . . . . . . 2.502096972 Alto Sax 1 . . . . . . . . . . . . . . . . . . . . . 2.502097012 Alto Sax 2 . . . . . . . . . . . . . . . . . . . . . 2.502097020 Tenor Sax . . . . . . . . . . . . . . . . . . . . . 2.502097038 Baritone Sax . . . . . . . . . . . . . . . . . . . 2.502097046 Trumpet 1. . . . . . . . . . . . . . . . . . . . . . 2.502097053 Trumpet 2. . . . . . . . . . . . . . . . . . . . . . 2.502097061 Trumpet 3. . . . . . . . . . . . . . . . . . . . . . 2.502097129 F Horn 1. . . . . . . . . . . . . . . . . . . . . . . 2.502097137 F Horn 2. . . . . . . . . . . . . . . . . . . . . . . 2.502097145 F Horn 3. . . . . . . . . . . . . . . . . . . . . . . 2.502097079 Trombone 1 . . . . . . . . . . . . . . . . . . . . 2.502097087 Trombone 2 . . . . . . . . . . . . . . . . . . . . 2.502097095 Trombone 3 . . . . . . . . . . . . . . . . . . . . 2.502097103 Baritone B. C. . . . . . . . . . . . . . . . . . . 2.502097111 Baritone T. C.. . . . . . . . . . . . . . . . . . . 2.502097160 Tuba . . . . . . . . . . . . . . . . . . . . . . . . . . 2.502097186 Percussion . . . . . . . . . . . . . . . . . . . . . 2.502097178 Bells . . . . . . . . . . . . . . . . . . . . . . . . . . 2.502097194 Conductor Score . . . . . . . . . . . . . . . . 6.00

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PoP Tunes

GIRLS, GIRLS, GIRLS—arr. Doug Adams. Show off the guard, cheerleaders or dance team with this hard rockin’ feature from “Motley Crue!” Lots of block scoring, driving percussion, and tasty brass licks make this a must-have chart! 10088009 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

GIVE UP THE FUNK (Tear the Roof Off the Sucker)—arr. Ralph Ford. Here’s the classic ‘70’s funk tune from “Parliament” in a solid arrangement for marching band . This one is sure to energize the crowd and the home team into tearin’ it up! 10273855 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

GLORY DAYS—arr. Doug Adams. Everyone will remember this hard-driving rocker from Bruce Springsteen! You’ll think back to your own glory days thanks to the big, bold scoring of this exciting arrangement! 10088014 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! GO YOUR OWN WAY—arr. Doug Adams. Get your crowd rockin’ with this legendary hit from “Fleetwood Mac .” It’s a strong but easy arrangement that will come together quickly . Classic rock for marching band at its best! 10273905 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! GOT MY OWN THING—arr. Ayatey Shabazz. Lots of brass and a jammin’ beat make this arrangement from up-and-coming R&B duo “Bella Steez” a hip chart that will get the crowd movin’! 10274498 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 30 .00

GREEN ONIONS—arr. Tom Wallace. This classic R&B chart becomes a burning production number in Tom Wallace’s hand . Features some searing trumpet sounds! 2373348 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

HAMMERHEAD—arr. Tom Wallace. Take crazy fast metal punk from “The Offspring,” add winds and a drumline and you get this smokin’ chart for marching band! 10090170 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

HAND THAT FEEDS, THE—arr. Tom Wallace. The dark and intense industrial rock sound of “Nine Inch Nails” really comes through in this driving chart! Your band will definitely have the crowd’s attention with this one! 10028333 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

HEARTBREAKER—arr. Ralph Ford. Here is the bluesy “Led Zeppelin” burner in a dynamic arrangement for the field or stands! This one rocks hard from start to finish! 10087925 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

e HERE IT GOES AGAIN—arr. Ken Dye. The group “OK Go” created a YouTube sensation with their bouncy pop tune and accompanying treadmill video . This exciting arrangement, as performed by the Notre Dame Marching Band, will get everyone on their feet for a little exercise! 10088723 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

HEY BABY!—arr. Victor Lopez. Here is the classic song that is one of the most popular tunes with sporting crowds everywhere! This arrangement is lots of fun, and will come together quickly . A great stands tune year after year! 10087939 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

HEY JUDE—arr. Jay Bocook. The all-time biggest hit record of the Fab Four! This classic has been given a new look with fresh up-tempo sections . A unique chart that’s easy to put together!2259364 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

e HEY JUDE/SERGEANT PEPPER’S LONELY HEARTS CLUB BAND—arr. Jay Bocook & Omar Carmenates. Mallets and woodwinds accompany a sensitive baritone solo as this “Beatles” classic starts to unfold . The chart builds to a peak just as the entire band breaks into singing the famous refrain . The exciting rock strains of Sergeant Pepper power this chart to a rousing finish! 10066104 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

N E W ! HEY MAN—arr. Allen Gray. This hip tune from “The Vacancies” rocks hard from start to finish and makes a great selection for bands that want to pump up the crowd at any sporting event!10274561 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

HEY SONG ROCK AND ROLL PART 2—Lavender, P. Everybody knows the word(s) to this one! Sure to get the crowd rowdy and loud! 2471287 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

HIT THE ROAD, JACK—arr. Chris Sharp. Send the opposing team on their way with this standard from Ray Charles . The easy swing makes it a great chart for any band! 10089267 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 65 .00

HOLD ON, I’M COMIN’—arr. Tom Wallace. This big hit from “Sam And Dave” is arranged in a rockin’ version that cooks to the very last note . Super on the field or in the stands .2278059 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

HOT AND COLD—arr. Doug Adams. Singer Katy Perry had a huge hit with this one in 2008 . The strong scoring will make any band sound great! 10066171 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

HOUND DOG/LOVE ME TENDER/JAILHOUSE ROCK—arr. Jay Dawson. This medley of Elvis’ most famous tunes is a rockin’ good time for the field! The fun musical twists make this a perfect chart for marching bands! 10090159 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

I CAN’T TURN YOU LOOSE/SOUL MAN—arr. Paul Murtha. Here are the two signature tunes of Jake and Elwood Blues! The driving buildup of “I Can’t Turn You Loose” will get the crowd on their feet and the funky groove of “Soul Man” will get them movin’ and groovin’! Dark shades are recommended!2473967 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50 .00

I DON’T CARE—arr. Tom Wallace. Check this hard-driving rock shuffle treatment of the recent hit by “Fall Out Boy!”10067890 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

I DON’T WANNA STOP—arr. Tom Wallace. Ozzy Osbourne’s big hit gets an over-the-top marching band treatment that will get the crowd fired up! 10090165 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

I GOT YOU (I FEEL GOOD)—arr. Tom Wallace. Here is the masterpiece by the “Godfather of Soul,” James Brown . . .OW! 10067888 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

e I GOTTA FEELING—arr. Paul Murtha. “The Black Eyed Peas” rocketed to the top of the charts with their acclaimed CD “The E .N .D .” This powerful and energetic arrangement of their #1 hit is sure to rock the stands! 10076365 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 45 .00

I JUST WANT TO CELEBRATE—arr. Tom Wallace. Here is a joyous rendition of the timeless rocker by “Rare Earth .”10067897 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

I LIKE IT—arr. Tom Wallace. Pop star Enrique Iglesias performs this hit song in a retro-disco production that includes brief excerpts from Lionel Richie’s All Night Long. The infectious, instantly recognizable sing-along chorus, “Baby, I Like It” is nothing short of “standtastic!” 10274740 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

I LOVE ROCK AND ROLL—arr. Tom Wallace. Joan Jett’s stadium anthem gets an appropriate crowd-pleasing treatment! 10067900 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

e I WANT YOU BACK—arr. Michael Sweeney. This was one of the biggest hits for “The Jackson 5,” and this makes a super opener or stands tune! The crowd will eat up this Motown favorite! 2462679 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 45 .00

e I’LL BE THERE—arr. Paul Murtha. For a nice change of pace, try this hit ballad from the “Jackson 5!” A nice relaxed groove develops then modulates and builds up to an effective chorus .2462687 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 45 .00

N E W ! I’M TOO SEXY—arr. Allen Gray. Long live the ‘90s with this massive world-wide hit from “Right Said Fred!” Your students might not remember it, but their parents sure will! 10274564 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

IMMIGRANT SONG—arr. Ralph Ford. Get ready to “rock the house” with this pumped-up arrangement of “Led Zeppelin’s” classic anthem! The crowd will love this sure-fire hit!10066153 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

IN THE STONE—arr. Paul Murtha & Will Rapp. A consistent favorite with bands and drum corps, here is the classic from ”Earth, Wind & Fire” in an exciting and powerful arrangement . It’s got lots of variety and drive, making it a perfect opener! 2477272 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

IRON MAN—arr. Dave Henning. Let’s face it . . .you need this chart for the stands! This familiar rock tune from the 70s has a heavy metal riff that will drive your fans crazy! It has guaranteed power! 2315786 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

JOHNNY B. GOODE—arr. Tom Wallace. Chuck Berry’s classic rock n’ roll hit in a blistering stands arrangement!2437523 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

JUMP—arr. Brian Scott. Go back to the ‘80s with this “Van Halen” gem! Instantly recognizable, this classic from Diamond Dave and the boys is just what you need to pump up the crowd!2480380 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

JUMP—arr. Jay Bocook and Will Rapp. Recorded by “Van Halen” in 1984 and made popular again thanks to the tv series “Glee,” here is a rock-the-stands version of this signature anthem! With a moderate tempo and pounding groove, this is one your players are sure to really sink their teeth into! 10274240 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

JUMPIN’ JACK FLASH—arr. Doug Adams. Here is one of “The Rolling Stones” biggest hits in a hip arrangement for any band! This is one classic rock tune you’ll use year after year!10088011 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

e JUST DANCE—arr. Paul Murtha. Lady Gaga has taken the world by storm with her catchy melodies and great dance beats . Auxiliary groups and dance teams will have a blast with this one!10088740 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 45 .00

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hoT combo collecTionsfor Pep Band!

COMBO BLASTERSarr. John Wasson. These hot charts are written in four interchangeable parts plus rock rhythm section. And, the General MIDI disk will create an incredibly realistic rhythm section if you don’t have one! This is a super choice if you have to cover a pep rally with a small group! Includes: Proud Mary; Louie, Louie; Tequila; Oh Pretty Woman; Twist and Shout; Sweet Georgia Brown; Gimme Some Lovin’; Old Time Rock ‘n’ Roll; Soul Man; Celebration; Macarena; Sing, Sing, Sing; Smoke on the Water and Star Spangled Banner.2362002 Part 1 in C . . . . . . . . . . . . . . . . . . . . . . . . 3.952362010 Part 1 in Bb . . . . . . . . . . . . . . . . . . . . . . . 3.952362028 Part 2 in Eb . . . . . . . . . . . . . . . . . . . . . . . 3.952362036 Part 2 in Bb . . . . . . . . . . . . . . . . . . . . . . . 3.952362044 Part 3 in F . . . . . . . . . . . . . . . . . . . . . . . . 3.952362051 Part 3 in Bass Clef. . . . . . . . . . . . . . . . . . 3.952362069 Part 3 in Bb Treble . . . . . . . . . . . . . . . . . 3.952362077 Part 4 in Bass Clef. . . . . . . . . . . . . . . . . . 3.952362085 Part 4 in Bb Treble Clef . . . . . . . . . . . . . 3.952362093 Part 4 in Eb Treble Clef. . . . . . . . . . . . . . 3.952362101 Tuba (Doubles Elec. Bass) . . . . . . . . . . . 3.952362119 Guitar. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952362127 Keyboard. . . . . . . . . . . . . . . . . . . . . . . . . 3.952362135 Electric Bass. . . . . . . . . . . . . . . . . . . . . . . 3.952362143 Drum Set . . . . . . . . . . . . . . . . . . . . . . . . . 3.952362150 Midi Disk (General MIDI) . . . . . . . . . . 14.952362168 Conductor Score With CD . . . . . .ME 18.95

MORE COMBO BLASTERSarr. Victor Lopez. The first “Combo Blasters” collection was received with such enthusiasm that Warner Bros. has released this follow-up collection. The design is the same: charts playable by as few as four players with rock rhythm section. A GM MIDI disk of the rhythm section is available, and it sounds awesome. The CD that comes with the score can also be used in place of a live rhythm section. Titles in this collection include: All Night Long; Eye of the Tiger; Hot, Hot, Hot; Respect; The Horse; When the Saints Go Marching In; Gonna Fly Now (Theme from Rocky); Your Mama Don’t Dance; Hang On Sloopy; Rhythm Is Gonna Get You; Peter Gunn; Bad to the Bone; La Bamba and Star Spangled Banner. 5711825 Part 1 in C . . . . . . . . . . . . . . . . . . . . . . . . 3.955711734 Part 1 in Bb . . . . . . . . . . . . . . . . . . . . . . . 3.955711833 Part 2 in Eb . . . . . . . . . . . . . . . . . . . . . . . 3.955711742 Part 2 in Bb . . . . . . . . . . . . . . . . . . . . . . . 3.955711841 Part 3 in F . . . . . . . . . . . . . . . . . . . . . . . . 3.955711759 Part 3 in Bass Clef. . . . . . . . . . . . . . . . . . 3.955711858 Part 3 in Bb Treble . . . . . . . . . . . . . . . . . 3.955711866 Part 4 in Bass Clef. . . . . . . . . . . . . . . . . . 3.955711874 Part 4 in Bb Treble Clef . . . . . . . . . . . . . 3.955711775 Part 4 in Eb Treble Clef. . . . . . . . . . . . . . 3.955711767 Tuba (Doubles Elec. Bass) . . . . . . . . . . . 3.955711882 Guitar. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.955711890 Keyboard. . . . . . . . . . . . . . . . . . . . . . . . . 4.955711908 Electric Bass. . . . . . . . . . . . . . . . . . . . . . . 3.955711783 Drum Set . . . . . . . . . . . . . . . . . . . . . . . . . 3.955711817 Conductor Score With CD . . . . . .ME 22.95

COMBO BLASTERS TAkE 3!arr. Victor Lopez. Combo Blasters Take 3 has all the unique features and advantages of the first two books, with 15 great new charts! And just like the previous sets, arrangements are playable by as few as four instruments or the whole band. The accompanying CD can be used in place of a live rhythm section at games, pep rallies or assemblies. This collection includes: Chattanooga Choo Choo; Children of Sanchez; Conga; Dragnet; Happy Birthday; Hawaii Five-O; The Hey Song; In the Midnight Hour; James Bond Theme; Jeepers Creepers; Jungle Boogie; Margaritaville; Smooth; The Star Spangled Banner and Winter Wonderland.2477155 Part 1 in C . . . . . . . . . . . . . . . . . . . . . . . . 3.502477156 Part 1 in Bb . . . . . . . . . . . . . . . . . . . . . . . 3.502477157 Part 2 in Eb . . . . . . . . . . . . . . . . . . . . . . . 3.502477158 Part 2 in Bb . . . . . . . . . . . . . . . . . . . . . . . 3.502477159 Part 3 in F . . . . . . . . . . . . . . . . . . . . . . . . 3.502477160 Part 3 in Bass Clef. . . . . . . . . . . . . . . . . . 3.502477161 Part 3 in Bb Treble . . . . . . . . . . . . . . . . . 3.502477162 Part 4 in Bass Clef. . . . . . . . . . . . . . . . . . 3.502477163 Part 4 in Bb Treble Clef . . . . . . . . . . . . . 3.502477164 Part 4 in Eb Treble Clef. . . . . . . . . . . . . . 3.502477165 Tuba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.502477166 Guitar. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.502477167 Keyboard. . . . . . . . . . . . . . . . . . . . . . . . . 4.952477168 Electric Bass. . . . . . . . . . . . . . . . . . . . . . . 3.502477169 Drum Set . . . . . . . . . . . . . . . . . . . . . . . . . 3.502477154 Conductor Score . . . . . . . . . . . . . .ME 16.95

A valuable resource for all directors!

THE MARCHINg BAND DIRECTOR’S VIDEO TOOLBOx, Volume 1 Dave Woodley & Brad McDavid.

This instructional DVD series is an essential resource for anyone looking to understand the key building blocks to effective marching band drill design as presented by two of today’s leaders in the marching band world and demonstrated by members of their respective bands. Until now, there has never been a comprehensive DVD project that clearly and concisely presents a wide variety of techniques, complete with video footage from multiple angles appropriate for high school or collegiate bands. The Marching Band Director’s Video Toolbox is an invaluable guide for music education students and young band directors with limited experience in the marching band genre. It can also be a dynamic supplement for collegiate marching band technique courses. Overall, it is a great tool for anyone who is looking to broaden or refresh their knowledge and teaching skills regarding either contemporary or traditional drill. Topics covered on this DVD include: Equal Steps/Halfway Technique; Figure Reduction; Float: Arc to Arc; Float: Linear to Curvilinear; Rotations; Sequential File Maneuvers; and Sliding Geometrics. The Marching Band Director’s Video Toolbox is the first DVD to demonstrate these marching band drill techniques from start to finish, clearly explaining how to effectively teach, clean, and stage them, and revealing how they look at various camera angles and at different tempi.

10190389 DVD . . . . . . . . . . . . . . . . . . . . . . . .24.95

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PoP Tunes

JUST THE WAY YOU ARE—arr. Jay Dawson. Here is one of Billy Joel’s most beautiful and popular ballads expertly arranged for marching band . A brilliant recap of motifs concludes this spectacular chart! 10067908 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

N E W ! KASHMIR—arr. Ralph Ford. One of the greatest rock songs of all time, this classic tune from legendary group “Led Zeppelin” contains many innovative rhythmic and harmonic effects . All of the excitement and drive of the original have been captured in this dynamic arrangement . Don’t miss this one! 10273814 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

KNOW YOUR ENEMY—arr. Mike Story. “Green Day” had one of the biggest hits of 2009 with this infectious rock anthem . With its block scoring and driving percussion this hard-rocking chart is a great way to close your show! 10087986 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

KUNG FU FIGHTING—arr. Jay Dawson. Here’s the tune that recalls every Kung Fu movie you’ve ever seen, and has become a treasure of pop culture! Strike your best Kung Fu pose!10028335 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

LAND OF A THOUSAND DANCES—arr. Tom Wallace. This energetic hit by “Cannibal And The Headhunters” ought to create a frenzy among the natives! 2226959 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

N E W ! LAND OF A THOUSAND DANCES—arr. Paul Murtha. This rock classic from 1966 by Wilson Pickett has been given a funky groove that’s perfect for dance teams and rockin’ the stands . This is sure to have everyone singing along with the “na na na nas!” 10274309 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! LET IT BE—arr. Michael Brown. This iconic “Beatles” ballad was one of their last recorded hits . This impressive arrangement features a brief trumpet solo, a powerful build-up and modulation, and ends with a segue into Hey Jude for a truly powerful closing production . 10274305 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! LET’S DANCE—arr. Dave Henning. Your low brass section can show off their funky side with this ‘80’s hit from David Bowie! 10274570 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

e LET’S GET IT STARTED—arr. Paul Murtha. The excitement is sure to get started when your band plays this hit by “The Black Eyed Peas”! Get the team and the crowd fired up for a win!2480101 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

LET’S GROOVE—arr. Tom Wallace. Your crowd will groove to this irresistible dance hit from “Earth, Wind & Fire!” Great stuff for the stands! 2395341 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

LION SLEEPS TONIGHT, THE—arr. Doug Adams. From the first few notes, everyone will instantly recognize this legendary favorite! Players of all ages will love this stands staple!10045901 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! LION SLEEPS TONIGHT, THE—arr. Dave Henning. Wake up the audience with this classic from “The Tokens!” With the full brass blazing and the drum line grooving, sleeping is not an option! 10274526 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

LIVIN’ LA VIDA LOCA—arr. Mike Story. Everyone will remember this hot Latin rock tune from Ricky Martin . This arrangement captures all of the fire and drive of the original in a new and exciting easy chart! It really sizzles! 10087991 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

e LIVIN’ ON A PRAYER—arr. Paul Murtha. “Bon Jovi’s” monster hit from the ‘80s comes alive in this powerful chart that builds with intensity from beginning to end! The final chorus and key change really kick things into high gear to close out your show!10045151 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

N E W ! LOST!—arr. Michael Brown and Will Rapp. This impressive arrangement of the “Coldplay” hit from 2008 features a wealth of moods and dynamics . Written in a moderate rock tempo, it includes feature spots for woodwinds, solo trumpet, and also places for the entire band to really open up . Powerful! 10274454 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 45 .00

LOVE DRUNK—arr. Tom Wallace. This energizing rock anthem from “Boys Like Girls” will keep the excitement going in the stands! 10090173 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

LOW RIDER—arr. Michael Sweeney. From the group “War,” here is a classic rocker from the past that is guaranteed to become an audience favorite! Creatively arranged in an easy yet effective setting, this one will sound great with any band!2295228 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

MARGARITAVILLE—arr. Jerry Burns. Everyone knows this great party tune from Jimmy Buffett . It’ll be a sure-fire hit with Parrotheads, old and new! 10273913 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40 .00

MICKEY—arr. Tom Wallace. Toni Basil’s bouncy little treat is served up for your inner cheerleader! 10067895 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

MONSTER—arr. Joe Murphy. Here’s a heavy hitting rocker from “Skillet” that will pump up the team and the crowd!10090164 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

MR. ROBOTO—arr. Tom Wallace. From the group “Styx,” this techno-rock opener is loaded with contrast and intensity .2414910 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 70 .00

MY LIFE/ ONLY THE GOOD DIE YOUNG—arr. Jay Dawson. Two of Billy Joel’s biggest hits are given the marching band treatment in this bold show opener! Good use of the highly recognizable piano intros, horn licks and vocals make this a chart the audience will love! 10067906 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

N E W ! MY PREROGATIVE—arr. Ayatey Shabazz. Bust a move to this 1980’s hit from Bobby Brown! The bass line grooves from beginning to end and the crowd won’t be able to keep from dancing!10274886 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

N E W ! OLD TIME ROCK & ROLL—arr. Paul Murtha. Recorded by Bob Seger in 1979 and featured in the movie “Risky Business” starring Tom Cruise, you simply can’t go wrong with this timeless hit! Works great as a dance feature! . 10274446 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 45 .00

N E W ! ONE SHINING MOMENT—arr. Paul Murtha. Best known as the closing theme for the NCAA Men’s College Basketball Championship used every year since 1987, this hit has been notably recorded by artists including Luther Vandross and Jennifer Hudson . A perfect choice for any special “moment!” 10274384 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

OPEN ARMS—arr. Jay Bocook and Omar Carmenates. A power ballad for the ages, this “Journey” classic from 1982 remains as popular today as ever . This stirring arrangement for the field or stands opens quietly with a trumpet solo, then builds to a huge full band statement before closing out with a quiet ending . 10274270 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

OPEN ARMS—arr. Victor Lopez. The song that defines power ballad is ready to be performed by your marching band! This arrangement of the song made famous by “Journey” would be perfect in a halftime show as well as during homecoming festivities . Featuring easy low brass and trumpet solos, this will be a fan favorite for years to come! 10087929 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

PAINT IT BLACK—arr. Mike Story. Here is one of “The Rolling Stones’” biggest hits, which was also featured in the 2006 movie “Talladega Nights .” It’s a snap to put together and the stands will be rockin’ when they hear this chart! 10027164 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! PAPERBACK WRITER—arr. Michael Brown. Recorded by the “Beatles” in 1966, this popular hit remains a prime example of their unique sound and creativity . This driving arrangement is suitable for the field or stands, and captures the energy and excitement of the original . 10274303 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

PARALYZER—arr. Doug Adams. “Finger Eleven’s” rock anthem is now a hot arrangement for marching band! It’s sure to be an instant band and fan favorite! 10045875 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

PARTY IN THE U.S.A.—arr. Victor Lopez. Here is Miley Cyrus’ 2009 megahit in a terrific arrangement for the field or stands! This one has a great hook and will be a party tune favorite for your marching or pep band at any event! 10087933 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

PLAY THAT FUNKY MUSIC—arr. Chris McDonald. Remember this hit from “Wild Cherry?” You can’t get much funkier than this! 2194116 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

PLAY THAT FUNKY MUSIC—arr. Mike Story. This hip tune from “Wild Cherry” is now playable by any band, thanks to this easy but effective arrangement . A must-have for every band!10066164 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

POKER FACE—arr. Tom Wallace. Lady Gaga’s huge hit is now available for marching band! Your band is sure to add energy and excitement to the game each time they play it, and that’s no bluff! 10090172 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

N E W ! POWER OF LOVE, THE—arr. Mike Story. Check out this hot arrangement of the ‘80s rock classic made famous by “Huey Lewis and the News” and the blockbuster movie “Back to the Future .” It’s sure to transport you back to 1985! 10273895 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

PRETENDER, THE—arr. Tom Wallace. Here is the hard rockin’, edgy chart based on the hit by “The Foo Fighters!”10067873 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

PRETTY FLY—arr. Tom Wallace. This is a recent Top 10 hit by the group “Offspring .” 2414977 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

PROUD MARY—arr. Tom Wallace. Get the stands rockin’ and rollin’ with this heavy hitting classic! Everybody will be dancing to this one for sure! 10009604 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

N E W ! RAISE YOUR GLASS—arr. Tom Wallace. Here is a full-throttle, pop-rock stomper complete with a rowdy chorus! This hit from Pink celebrates underdogs and personal uniqueness in an uplifting way that can’t be denied! 10274737 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

e ROCK AND ROLL ALL NITE—arr. Paul Murtha. From the dynamic rock group “Kiss,” here is their signature rock and roll anthem in a well scored and solid arrangement for younger bands! An optional vocal section is included for getting the crowd really involved! 10026507 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! ROCK AND ROLL HOOCHIE KOO—arr. Tim Waters. Finally, a stands chart that your low brass can really sink their teeth into! This gritty and hard-hitting arrangement of Rick Derringer’s classic rocker is guaranteed to get the crowd going!10274379 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

N E W ! ROCK THAT BODY—arr. Nick Baratta. With their infectious mix of dance grooves and hip-hop, “The Black Eyed Peas” are one of the hottest groups around . Here is their catchy hit that is sure to rock the stands! 10161928 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

N E W ! ROUND AND ROUND—arr. Mike Story. “Selena Gomez and The Scene” had a 2010 hit with this infectious dance-rock tune . Solidly scored, this one is perfect for the stands, pep bands, or drill teams . What a great groove! 10273891 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

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Guard, marchinG & PlayinG dVds ADVANCED FLAg FUNDAMENTALS Michael Raiford. This DVD provides a complete equipment fundamentals program for the high school flag corps. It demonstrates basic skills, moves into a variety of spins and tosses, then puts the skills into exercise form. As a bonus, a complete stretching routine is included. This daily stretching sequence provides valuable body warmup techniques for the high school color guard. 10025549 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24.95

DYNAMIC MARCHINg AND MOVEMENT VOLUME 1Jeff Young. Join experienced teacher, judge, and clinician Jeff Young as he and his staff guide you through a system of teaching visual fundamentals that has earned acclaim and success at both the state and national levels. Dynamic Marching and Movement will provide you with a clear and proven method for teaching the basics of posture, marching and body movement. This system is built upon innovative warm-up, stretch and dance basics that teach the performer proper techniques in all aspects of body movement. Chapters include: Posture; Instrument Carriage; Body and Dance Basics; Marching Fundamentals; and Strength and Fitness.10028835 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49.95

DYNAMIC MARCHINg AND MOVEMENT VOLUME 2Jeff Young. Dynamic Marching & Movement: Volume 2 will provide you with a clear and proven method for teaching basic and advanced drills and exercises for marching band visual fundamentals. This DVD builds upon techniques taught in Volume 1 and continues to focus upon innovative warm-up, stretch, and dance techniques as well. Chapters include: Full Stretch and Body Warm-up Routine; Block Drills; Across-the-Floor Drills and Advanced Specialty Drills. 10046444 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49.95

DYNAMIC MUSIC VOLUME 1Jeff Young & Richard Saucedo. This essential DVD will provide you with a clear and proven method for teaching the basics of posture, breathing, sound production and ensemble listening skills. This system is built upon years of experience helping musical ensembles to achieve wonderful, rich, sonorous sounds and is not limited to the marching band genre. Perfect for new and experienced teachers!10046036 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49.95

DYNAMIC MUSIC VOLUME 2Richard Saucedo. The latest volume of this series continues to focus on clear and proven teaching methods for helping your band achieve sonorous excellence both indoors and outdoors. It focuses on teaching the basics of phrasing, articulation studies, and rehearsal skills, while also concentrating on the challenges of balancing the ensemble outside, volume techniques for outdoors, hierarchy of parts, timing, and ensemble listening skills.10066623 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49.95

FLAg FUNDAMENTALSMichael Raiford & Scott Chandler. Very widely and enthusiastically accepted, this DVD demonstrates and explains fundamentals of flag performance. It covers the basic positions and movements, including spins. An excellent teaching tool for high school color guard auditions as well as beginning classes.10025550 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24.95

MARCHINg FUNDAMENTALSGreg Martin. This DVD is perfect for the incoming freshmen in your high school marching program. Marching basics are demonstrated and students are familiarized with all standard commands and positions. Just think how pleasant your band camp or early rehearsals will be when your new members have already mastered the basics!10025553 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24.95

RIFLE FUNDAMENTALSKarl Lowe. This excellent DVD explains and demonstrates basic rifle skills ranging from equipment carriage to more advanced spins and tosses. Once introduced to your students, this DVD will become a regular part of your color guard auditions and program.10025551 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24.95

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PoP Tunes

SAFETY DANCE, THE—arr. Jay Bocook and Omar Carmenates. This campy 1983 hit from “Men Without Hats” became the famous mall dance sequence on “Glee .” It’s sure to be a huge hit with your band whether you recreate the dance on the football field or in the stands! Optional vocals are included for the dance sequence . 10274243 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

SATISFACTION (I CAN’T GET NO)—arr. Doug Adams. “The Rolling Stones” mega-hit is presented here in an exciting and very playable arrangement for younger players . A hard-driving stands and pep band tune you’ll use for years to come!10066174 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! SEMI CHARMED LIFE—arr. Allen Gray. “Third Eye Blind” had a big ‘90’s hit with this fun rocker! It’s great as a production number or as a pep band chart! 10274566 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

N E W ! SEPARATE WAYS (Worlds Apart)—arr. Doug Adams. The music of “Journey” is once again popular due in part to the acclaimed TV series “Glee .” Here is one of their biggest hits in a solid, driving arrangement that will your band sounding their best!10273903 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

SEPTEMBER—arr. Mike Story. Young bands will sound great on this “Earth, Wind & Fire” hit! The groove just never quits! (Computerized drill available) 2436707 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

SEVEN NATION ARMY—arr. Dallas C. Burke. Put your low brass section front and center with this rockin’ arrangement of the “White Stripes’ “ hit! The instantly recognizable bass line and the driving pulse will make this a favorite year after year! 10089273 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 65 .00

SEVEN NATION ARMY—arr. Jay Dawson. This hit from the “White Stripes” has all the ingredients for the perfect stands tune! The raw, menacing and simplistic bass riff is a natural for your low brass section! 10017910 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

N E W ! SHAKE—arr. Jerry Burns. Here is the classic Sam Cooke tune in a fun chart for your band! It works great as a stands tune or dance feature! 10273917 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40 .00

N E W ! SHE’S A BAD MAMA JAMA—arr. Ayatey Shabazz. Feel the soul of this old school jam from Carl Carlton! The marching band will sound smooth as they back up the dance team!10274600 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

e SHOUT—arr. Michael Brown. Here is the familiar “Isley Brothers” hit made popular in the movie “Animal House .” This great-sounding and effective chart is sure to be fun, as well as “a little softer now” and “a little bit louder now!” 10088742 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 45 .00

N E W ! SHOUT IT OUT LOUD—arr. Mike Story. Here is a classic rock tune from the band “Kiss” that was featured on the hit TV show “Glee .” This stellar arrangement features driving percussion, lots of block scoring, and even a short sax feature for that “in your face” sound . Rock on! 10273899 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

e SIGNED, SEALED, DELIVERED—arr. Paul Murtha. This early hit by Stevie Wonder is still one of his best-known and dynamic tunes . The solid scoring in this arrangement will show off your band’s musicality and excitement! 10045139 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

N E W ! SIMPLY IRRESISTIBLE—arr. Ralph Ford. This driving tune by Robert Palmer really rocks! It’s great stands material, or use it as a feature song for your drill team or color guard!10273845 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

e SING A SONG—arr. Raymond Rolle. Here is one of the signature hits from “Earth, Wind and Fire” in a dynamic arrangement as performed by “Drumline Live!” A great tempo and feel makes this one perfect for dance productions! 10088714 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA 65 .00

SIR DUKE—arr. Jay Bocook. The signature horn riff in this Stevie Wonder chart can be played by a small group or full band . This chart works in concert, in the stands, or as a production number . 2414134 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

N E W ! SLOW RIDE—arr. Dallas Burke. Young bands will love this very playable version of the ‘70’s classic rock tune from “Foghat!” 10274571 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 65 .00

e SMOKE ON THE WATER—arr. Michael Sweeney. The rock riff that everybody knows! “Deep Purple’s” signature tune really rocks, yet will sound great with virtually any band! Hot!2393106 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

SMOOTH—arr. Doug Adams. This arrangement of the Carlos Santana and Rob Thomas mega-hit really sizzles! Hot Latin grooves, big bold scoring, and a short percussion feature make this perfect for the field or stands! 10088006 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

SMOOTH CRIMINAL—arr. Dave Henning & Alan Keown. Michael Jackson stormed the charts with this hip tune . Sounds great as a stands chart or as a dance feature for the cheerleaders or guard! 10028364 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

e SO WHAT—arr. Paul Murtha. With an upbeat shuffle groove and catchy unison riffs, this hit from recording artist Pink is sure to become a favorite in the stands! 10066114 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

N E W ! (SHE’S) SOME KIND OF WONDERFUL—arr. Dave Henning. From “Grand Funk Railroad” to “Huey Lewis and the News,” many groups have made this song a long-standing favorite . This hard-driving shuffle provides a powerful setting for marching or pep band performances! 10274527 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

SOUL MAN—arr. Tom Wallace. Great horn riffs propel this classic by “Sam & Dave .” 10067893 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

STAIRWAY TO HEAVEN—arr. Ralph Ford. Bring your show to a stunning conclusion with this awesome arrangement of one of the greatest rock songs of all time! Beginning with a lyrical trumpet solo, the piece builds both in tempo and texture to a spectacular ending . The crowd will be waving their cell phones for sure! 10087927 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

N E W ! STEP UP—arr. Ralph Ford. From new wave rock band “Devo’s” 2010 album comes this infectious, driving chart . It’s solidly scored from top to bottom and is pure energy from start to finish!10273874 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

e SUPERSTITION—arr. Paul Murtha. One of the trademark funk tunes of the early ‘70s, this arrangement of the Stevie Wonder hit opens with a powerful fanfare based on “Living for the City,” then launches into the familiar strains complete with the signature horn riffs and driving rhythm . It’s hot! 10045131 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

e SWAY—arr. Michael Brown & Will Rapp. Recorded in 2003 by Michael Buble, this version for marching band features a steady Latin groove throughout with short feature spots for the saxes and a trumpet soloist . The perfect chart to add flair to any show!10088730 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

SWEET CAROLINE—arr. Allen Gray & Carl Major. When the audience hears this Neil Diamond classic, they won’t be able to help but sing along! A must-have for every marching band library!10089280 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

e SWEET CAROLINE—arr. Tim Waters. This classic hit from Neil Diamond has certainly stood the test of time . Written in an up-tempo shuffle style and with plenty of full ensemble punches, the entire crowd is sure to sing along! 10054906 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

TAINTED LOVE—arr. Dave Henning. Here’s an ‘80s favorite that never goes out of style! The alternating rock and swing sections add flair to this hip chart! 10089271 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

N E W ! TAKE YOUR TIME—arr. Ayatey Shabazz. Get the party started with this R&B classic from the “S .O .S . Band!” A great chart to back up your dance team as they show off their moves!10274598 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

e TALKIN’ OUT THE SIDE OF YOUR NECK—arr. Raymond Rolle. Originally recorded by the ‘80s funk band “Cameo,” this tune can be heard rockin’ stadiums across the country . This version by “Drumline Live” is a powerfully churning chart and sizzling hot! 10088713 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA 65 .00

TEAR THE ROOF OFF THE SUCKER (Give Up The Funk)—arr. Tom Wallace. Funk a la Tom Wallace from the hit song by “Parliament .” 2415008 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

TEENAGE DREAM—arr. Roland Barrett. Singer/songwriter Katy Perry is one of today’s hottest stars . Here is a solid arrangement of her 2010 #1 single that’s perfect for the stands and a real winner for pep band too! 10273809 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

e THAT’S THE WAY I LIKE IT—arr. Michael Brown & Will Rapp. More than one generation has danced to this anthem of the ‘70s from “KC & the Sunshine Band!” With a relentless disco groove, spicy bass riffs, and a short spot for percussion, here’s a chart you can use for just about any occasion! 10066108 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55 .00

THEM CHANGES—arr. Tom Wallace. Popularized by the likes of Buddy Miles and Carlos Santana, this legendary R&B horn band tune contains some of the most recognizable brass licks in pop music! 10017912 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

N E W ! THINK—arr. Doug Adams. Here is the R&B/Soul hit from Aretha Franklin that was featured in the classic movie “The Blues Brothers .” This will get the crowd on their feet singing, “Freedom!”10273909 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

e THIS TOO SHALL PASS—arr. Ken Dye. A collaboration between the group “OK Go” and the Notre Dame Marching Band created an amazing video that quickly became a YouTube sensation in 2010 . It’s the perfect mix of pop music and marching band!10088727 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

THNKS FR TH MMRS (Thanks for the Memories)—arr. Joe Murphy. Alternative rock goes marching band with this sophisticated hit from “Fall Out Boy!” Whether on the field or in the stands, this one is sure to create memories!10090171 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

e THRILLER—arr. Jay Bocook & Will Rapp. Michael Jackson’s landmark hit of the ‘80s produced the most famous music video of all time . It’s also one of the most distinctive rock grooves of all time . Now it can be a your band’s favorite with its suspense-filled intro, signature bass line and full band hits! 2471834 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

e THRILLER—arr. Paul Murtha. Here is Michael Jackson’s signature rock hit from the ‘80s in a solid arrangement for the field or stands, playable by even smaller bands! 10076161 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

e THROUGH THE FIRE AND FLAMES—arr. Jay Bocook & Will Rapp. Recorded by the speed-metal rock band “Dragonforce,” fans of “Guitar Hero III” will recognize this as the monstrously outrageous and ultimate rock track . Including simulated screaming guitar licks, be sure to crank this up and play it loud!10066105 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

N E W ! TREAT HER RIGHT—arr. Dallas Burke. This soul classic from the ‘60s has a hard-driving groove that’s sure to turn any event into a “Shindig!” 10274565 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

TUSK—arr. Mike Story. Here is an exciting treatment of the classic “Fleetwood Mac” hit . It is very playable with an infectious beat! 10066168 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

VEHICLE—arr. Brian Scott. Made famous by “The Ides of March”, this hard driving jazz rock classic is an ideal chart to make your percussion and brass sections shine! Sure to be a band and audience favorite! 2480382 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

N E W ! VEHICLE—arr. Dave Henning. Hot horn lines and an intense groove make this “Ides of March” classic a staple for marching and pep bands! 10274568 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

e VIVA LA VIDA—arr. Michael Brown. “Coldplay” is one of the hottest rock bands to grace the charts . Their huge mega-hit is now a super arrangement for marching band! 10066126 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

WALKIN’ ON THE SUN—arr. Chris Brooks & Chris McDonald. The “Smashmouth” hit arranged as a percussion feature with full band . Includes a mini battle between drum-set and battery . 2437192 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

WALKING ON SUNSHINE—arr. Tom Wallace. Get happy with this upbeat “Katrina and the Waves” chart with an irresistible infectious groove! 10090175 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

e WANTED DEAD OR ALIVE—arr. Paul Murtha. The woodwinds are featured at the mysterious-sounding opening of this creative production number . Powerful ensemble moments, a brief trumpet solo and a soaring chorus are combined into one hot arrangement of this “Bon Jovi” favorite! 10045148 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

WAY YOU MAKE ME FEEL, THE—arr. Jerry Burns. This #1 smash from Michael Jackson will be a sure-fire hit with your band and your audience this fall! Makes a great dance feature or stands chart! 10084622 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40 .00

WE ARE THE CHAMPIONS—arr. Tim Waters. Recorded by “Queen” in the late ‘70s, here’s the ultimate rock anthem for sporting events . This powerful arrangement for the field or stands provides the option of a loud or soft ending, as well as suggested cuts for time-out use . Perfect for post game concerts - as long as your team wins, of course! 10274375 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

WE DIDN’T START THE FIRE/ PIANO MAN—arr. Jay Dawson. Bring two of Billy Joel’s biggest hits to the field with this vibrant medley! The brooding undercurrent of We Didn’t Start the Fire quickly builds into a brilliant rendition of Piano Man, making for a great show opener! 10067904 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

WE GOT THE BEAT—arr. Tom Wallace. Bounce to the bodacious beat of this monstrous ‘80s hit from “The Go-Go’s!”10090174 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

P e p p e r P i c k ! WE R WHO WE R—arr. Tom Wallace. This dance-pop chart from Ke$ha combines a sophisticated groove beneath a tight melody and musical effects . You can bet your kids will love this hit!10274736 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

WE’RE AN AMERICAN BAND—arr. Tom Wallace. There’s a wall of sound in Tom’s arrangement of this 70’s rock hit from “Grand Funk Railroad” A cool song! 2317840 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

N e w ! WE’RE NOT GONNA TAKE IT—arr. Tom Wallace. Direct and to the point, “Twisted Sister” tells it like it in their hit song We’re Not Gonna Take It. If you can only have one chart in your arsenal of stands tunes, this needs to be the one!10274745 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

WELCOME TO THE BLACK PARADE—arr. Allen Gray. The biggest hit from “My Chemical Romance” provides a powerful rock chart for the field! From the tranquil opening trumpet solo, this tune quickly builds into an energetic blow section before establishing a hard driving groove to get the audience on their feet!10066780 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

N E W ! WELCOME TO THE JUNGLE—arr. Allen Gray. Let the other team know exactly where they are when your band fires up this “Guns N’ Roses” rocker! 10274559 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

e WELCOME TO THE JUNGLE—arr. Paul Murtha. From ‘80s rock staple “Guns N’ Roses,” here is one of their gritty signature jams . You can’t find a better tune to rock the stadium!10088735 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

WHO ARE YOU—arr. Dave Henning. This rock classic from “The Who” makes an electrifying opener that will start your show with a bang! 10066773 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

WHOLE LOTTA LOVE—arr. Ralph Ford. This driving arrangement of one of “Led Zeppelin’s” biggest hits will be a perfect addition to any rockin’ halftime show . It also works great as a stands or pep band tune . Smokin’! 10087923 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

N E W ! WINNER—arr. Ralph Ford. One of the biggest singles from 2010 was this “winner” by Jamie Foxx, featuring Justin Timberlake and T .I . It was the official theme song of the 2010 NBA playoffs, and this stellar arrangement is perfect for rockin’ the house!10161929 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

WIPE OUT—arr. Dallas C. Burke & Carl Major. Every drummer’s dream come true! It’s your drumline’s time to shine as they play one of the most famous drum solos in rock history . The wind parts add a flair of soul to this “Surfaris” favorite that will be a huge hit with your band and the audience! 10089200 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

WIPE OUT—arr. Mike Story. What’s a sporting event without hearing this stands favorite? Your drumline will love the spotlight in this classic “Surfaris” tune! 10045863 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

e WORD UP—arr. Keven Shepherd. Originally recorded by “Cameo” in 1986, this churning groove as performed by “Drumline Live” is the perfect chart for getting the stadium really revved up and rockin’! 10088715 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA 65 .00

Y.M.C.A.—arr. Paul Lavender. Younger bands will love playing this hit from the ‘70s because it’s a hit all over again! And, it’s absolutely great for cheerleaders! Guaranteed fun! 2317790 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

e YEAH!—arr. Paul Murtha. No one in 2004 was bigger than Usher, and no song was bigger than his monster hit Yeah! Your students have been asking for it, and now they can have it for marching band! Sure to be a definite favorite week after week!2480432 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! YOU CAN STILL ROCK IN AMERICA—arr. Dallas Burke. Here’s a hit from ‘80’s group “Night Ranger” that makes an outstanding rock show opener or an electrifying stands tune!10274563 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

e YOU GIVE LOVE A BAD NAME—arr. Paul Murtha. Rock group “Bon Jovi” scored a major hit with this rock anthem in the 80s . With an opening that screams and a bass line that churns, this chart packs plenty of impact with dynamic contrasts and solid writing . This one rocks! 10045145 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

e YOU KEEP ME HANGIN’ ON—arr. Tim Waters. Originally recorded by “The Supremes” in 1966, this Motown classic was made popular again thanks to the TV series “Glee .” This one is tailor-made for dance routines! 10088732 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

YOU REALLY GOT ME—arr. Mike Story. Made famous by “The Kinks” and then again by “Van Halen”, this classic tune rocks all the way! It translates really well to marching and pep band, and is a must for your next game or pep rally! 2480370 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

YOU SHOOK ME ALL NIGHT LONG—arr. Tom Wallace. ”AC/DC’s” hard-rock anthem is a natural for marching bands and Tom Wallace’s arranging makes sure your band will sound great! 2472065 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

YOUR LOVE IS MY DRUG—arr. Tom Wallace. Ke$ha’s electro-pop dance hit, with its catchy hook, is a perfect choice for the stands! 10274743 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

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AMERICA ON PARADE—arr. Ken Dye. This is a patriotic tune great for any Memorial Day or 4th of July parade . It contains America and Battle Hymn . 2435907 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

AMERICA THE BEAUTIFUL—arr. Nick Baratta. Here’s a striking arrangement that is just as strong closing a show as it is in a parade! Bold harmonies and percussion make this a stirring patriotic statement! 2473919 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50 .00

AMERICA THE BEAUTIFUL—arr. Jay Dawson. Adapted from the spine-tingling Carmen Dragon arrangement, this will bring an audience to its feet like nothing else! A great arrangement for spring concerts and graduations, too . (Former Gb section now in F)4783148 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

AMERICA, THE BEAUTIFUL—arr. Chris Sharp. You will love the contemporary treatment given to one of our nation’s most treasured anthems . This chart is the perfect selection for any patriotic parade or as a field show closer! 10274528 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

AMERICAN MARCH CLASSICS—arr. Steve Barnett. Strike up the band with this medley of some of America’s most popular marches! Titles include: Battle Cry of Freedom; Yankee Doodle Dandy; You’re a Grand Old Flag and Stars and Stripes Forever . 2480812 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

AMERICAN PRIDE—arr. Allen Gray & Carl Major. Give the crowd something to cheer about with this exciting medley of patriotic tunes! Includes: American Patrol; You’re A Grand Old Flag and America. It’s just the ticket for parades or field shows! 2463081 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

AMERICANA (A Patriotic Salute)—arr. Jerry Burns. Beginning with a brief statement of My Country ‘Tis of Thee, the piece quickly goes into The Battle Hymn of the Republic, building to a rousing conclusion . This chart will be a great halftime show closer, parade tune or a welcome addition to any civic or community event!10088018 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40 .00

N E W ! BATTLE HYMN OF THE REPUBLIC—arr. Ayatey Shabazz. This time-honored American classic is an excellent choice as part of a field show or as a parade feature . The percussion section drives the music, which will bring out the audience’s patriotic pride . 10274493 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50 .00

FANFARE AND STAR SPANGLED BANNER (Ab & Bb)—arr. Bill Moffit. This is probably the most performed arrangement of our National Anthem ever written for marching band! Inspiring and solidly scored . 504274 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 40 .00

GOD BLESS AMERICA—Irving Berlin/arr. Bocook. Designed for pre-game ceremonies or presentation of the colors, this playable chart is a real audience pleaser! 2056141 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

IN DEFENSE OF LIBERTY—arr. Jay Dawson. In this patriotic medley you’ll find Battle Cry of Freedom; Chester and The Battle Hymn of the Republic— songs which define our determination for justice and freedom . This arrangement of some of America’s best-loved tunes is scored for smaller bands . 2480861 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 75 .00

MAIN STREET AMERICA—arr. Gary Gilroy. Spectacular! This patriotic powerhouse is perfect for parades, patriotic events or field shows! Based on You’re A Grand Old Flag, it includes quotes from all of the Armed Service songs, save for the Coast Guard (which can be had on 4111043- Semper Paratus) . Works with limited brass instrumentation . 2394542 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 55 .00

MANHATTAN BEACH—John Philip Sousa/arr. Story. This classic Sousa march is perfect for your young marching band! The ranges are not out of reach for younger players in this easy arrangement . You’ll be the hit of the parade! 2477126 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

OUR NATIONAL MARCH—arr. Jay Dawson. Known the world over, The Stars and Stripes Forever is the pride of every American and has the honor of being our national march! Smaller bands now have the opportunity to perform this time-honored Sousa classic! 2480863 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 75 .00

e PATRIOTIC PARADE SEQUENCE—arr. Paul Lavender & Will Rapp. Here is a rousing arrangement of three patriotic favorites (My Country, ‘Tis of Thee; America, the Beautiful and Battle Hymn of the Republic) with easy drum cadences in between . Perfect for putting together a parade presentation in a hurry . Mix and match as needed to provide variety and excitement along the way . Your band will sound great! 10028023 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

PATRIOTIC SPECTACULAR—arr. Steve Barnett. Ideal for younger bands or those with limited rehearsal time! This patriotic medley uses limited instrumentation but offers a big sound on America, This Is My Country and God Bless America. 2474367 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55 .00

SALUTE TO FREEDOM—arr. Roland Barrett & Alan Keown. Beginning with the quiet strains of Taps, this beautiful patriotic medley is a stunning closer! A stirring version of Amazing Grace is also included, plus a majestic sounding America, the Beautiful. A powerful way to honor our country! 2480839 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

SALUTE TO FREEDOM—arr. Andy Clark. A real flag-waver! Including America The Beautiful, You’re A Grand Old Flag, America and even a little hint of The Stars And Stripes Forever, this solid-sounding, very easy arrangement is extremely effective for show and parade use . Perfect for massed band shows! 2240984 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 30 .00

SERVICE SONGS - SET 1 (Navy/Army)—arr. Jerry Burns. Anchors Aweigh and The Caisson Song in easy, straightforward arrangements . Incredibly useful! 2295848 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 40 .00

SERVICE SONGS - SET 2 (Marines/Air Force)—arr. Jerry Burns. The Marine’s Hymn and The U.S. Air Force in easy, straightforward arrangements . You’ll use these year after year . 2295855 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 45 .00

SOUSA!—John Phillip Sousa/arr. Barnett. Nothing says marching band better than “Sousa!” This sparkling medley is just right for parade, field, or stands use . Washington Post; Semper Fidelis; The Thunderer and Stars And Stripes are all included, and you don’t get much better than that! 2463164 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

SPIRIT OF AMERICA—arr. Allen Gray & Carl Major. The perfect parade or field arrangement for the developing band, this includes, America The Beautiful and Battle Hymn Of The Republic. 2472136 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55 .00

N E W ! SPIRIT OF FREEDOM—arr. Shane Porter. Perfect for any patriotic parade route, this medley contains True to the Flag, When Johnny Comes Marching Home and America (My Country ‘tis of Thee). A great chart to show off your group’s finesse and musicianship! 10274532 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

STAR SPANGLED BANNER—arr. Steve Smith. Here’s the National Anthem in a setting that’s different, reverent and extremely beautiful . 4783098 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

STAR SPANGLED BANNER, THE—arr. Andy Clark. This very easy yet solid arrangement of our National Anthem comes complete with an optional introduction . It is ideal for use by young or small marching bands . It’s also perfect for pep bands at any level, as it is playable with very limited or unusual instrumentation . There are two copies of each part, so you always have plenty of melody and good part distribution . Put your best foot forward with this fine edition of our national anthem! 2224087 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 36 .00

STAR SPANGLED BANNER, THE—arr. Stephen Paul. A very appealing new arrangement of our National Anthem . The use of many substitution chords make this version like a breath of fresh air for your audience . 2394708 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

STAR SPANGLED BANNER, THE—arr. James Swearingen. A stirring Swearingen arrangement that is very playable by bands of limited size and experience . 2119881 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 30 .00

STAR SPANGLED BANNER, THE—arr. Mike Story. Here is a very easy arrangement of our National Anthem, perfect for young bands and groups with limited instrumentation or rehearsal time . The fermatas and the ritard have been eliminated by carefully placing extra measures in the last two phrases . Stunning!10027169 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

STARS AND STRIPES FOREVER—John Philip Sousa/arr. Story. Every crowd will love this dynamic yet very playable rendition of our national march! Whether you use it on the field or in a parade, it has all of the time-tested ingredients for success . This is sure to bring down the house! 10087999 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

THIS IS MY COUNTRY—arr. Michael Sweeney. Incredibly easy, this solid arrangement guarantees your band’s first parade experience will be a success! Features moderate brass ranges and block rhythms . 2369585 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40 .00

TRIBUTE TO AMERICA—arr. Steve Barnett. Close this year’s show with a stirring patriotic number! This Is My Country and God Bless America are blended together to deliver a power-packed chart that the crowd will love! Perfect for field shows or parades!2463073 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

YANKEE DOODLE/CHESTER—arr. Jim Mahaffey & Alan Keown. Take a step back in time to Colonial America with two of the most popular tunes to come out of that era . This medley of Yankee Doodle and Chester is a standout choice for 4th of July parades and activities . 10009210 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55 .00

YOU’RE A GRAND OLD FLAG—arr. Paul Jennings. A patriotic favorite with a taste of Yankee Doodle. A solid chart for younger groups! 2297794 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 35 .00

YOU’RE A GRAND OLD FLAG/AMERICA THE BEAUTIFUL—arr. Mike Story. Here is a rousing medley of two of America’s finest patriotic songs! Designed to be either a parade tune or a closer, audiences everywhere will love it! 10045867 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

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BOO! IN THE HALL OF THE MOUNTAIN kINgKey Poulan, Shawn Glyde & Dan Bryan. 10275487 Winds . . . . . . . . . . . . . . . . . . .MA 1,250.0010275488 Percussion . . . . . . . . . . . . . . . . . .MA 750.00

CAMELOT Gary P. Gilroy & Shawn Glyde. 10088336 . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 595.00

CHAkRA Key Poulan, Murray Gusseck & Nate Bourg. 10275489 Winds . . . . . . . . . . . . . . . . . . .MA 1,250.0010275490 Percussion . . . . . . . . . . . . . . . . . .MA 750.00

CHRONOMETRY Key Poulan & Jason Hall. 10275499 Winds . . . . . . . . . . . . . . . . . . . . M 1,250.0010275500 Percussion . . . . . . . . . . . . . . . . . . . M 750.00

CLASSIC SCHIZOPHRENIAKey Poulan, Shawn Glyde & Dan Bryan. 10275501 Winds . . . . . . . . . . . . . . . . . . . . M 1,250.0010275502 Percussion . . . . . . . . . . . . . . . . . . . M 750.00

CONNExUS Gary P. Gilroy, Shawn Glyde & Nate Bourg. 10248417 . . . . . . . . . . . . . . . . . . . . . . . . . . .MA 895.00

FATHOMS Adam Wilke & Gilroy P. Gilroy. 10088144 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 895.00

FROM THE EARTH TO THE MOON Gary P. Gilroy. 10088112 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 595.00

HEARTBEAT Key Poulan. 10275503 Winds . . . . . . . . . . . . . . . . . . . . M 1,250.0010275504 Percussion . . . . . . . . . . . . . . . . . . . M 750.00

HEROES FALLEN, NOT FORgOTTEN Key Poulan. 10275512 Winds . . . . . . . . . . . . . . . . . . . . M 1,250.0010275513 Percussion . . . . . . . . . . . . . . . . . . . M 750.00

JULIUS CAESARKey Poulan, Shawn Glyde & Dan Bryan. 10275515 Winds . . . . . . . . . . . . . . . . . . .MA 1,250.0010275516 Percussion . . . . . . . . . . . . . . . . . .MA 750.00

LOST Gary P. Gilroy. 10088116 . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 595.00

MEDUSA Key Poulan, Shawn Glyde & Leonard Bedoian. 10275517 Winds . . . . . . . . . . . . . . . . . . .MA 1,250.0010275519 Percussion . . . . . . . . . . . . . . . . . .MA 750.00

MIDNIgHT IN TRANSYLVANIAKey Poulan, Shawn Glyde & Dan Bryan. 10275521 Winds . . . . . . . . . . . . . . . . . . .MA 1,250.0010275523 Percussion . . . . . . . . . . . . . . . . . .MA 750.00

PIRATES Gary P. Gilroy & Shawn Glyde. 10088168 . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 895.00

THE RISE AND FALL OF ROMEKey Poulan & Leonard Bedoian. 10275524 Winds . . . . . . . . . . . . . . . . . . .MA 1,250.0010275526 Percussion . . . . . . . . . . . . . . . . . .MA 750.00

SCENES FROM SIMPLE gIFTSKey Poulan & Jim Casella. 10275527 Winds . . . . . . . . . . . . . . . . . . .MA 1,250.0010275530 Percussion . . . . . . . . . . . . . . . . . .MA 750.00

SHADOWS AND LIgHTSteve Martin, Aaron Hines & Jon Brill. 10248421 . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 895.00

SkYLINES Gary P. Gilroy, Shawn Glyde & Nate Bourg. 10088118 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 595.00

SOUND, SHAPE AND COLORSteve Martin, Aaron Hines & Kyle Zive. 10248422 . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 895.00

SPIN Gary P. Gilroy, Murray Gusseck & Nate Bourg. 10088120 . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 595.00

URBAN PULSE Gary P. Gilroy. 10088158 . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 895.00

VISION QUEST Steve Martin & Aaron Hines. 10248424 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 595.00

x! Key Poulan, Shawn Glyde & Dan Bryan. 10275532 Winds . . . . . . . . . . . . . . . . . . . . M 1,250.0010275533 Percussion . . . . . . . . . . . . . . . . . . M 750.00

coMplete ShowS froM Gary P. Gilroy Publications & Key Poulan Music! Preview original concept shows designed with the competitive marching band in mind at jwpepper.com. Based on a first come-first serve basis, exclusivity within your show circuit is guaranteed within a 100-mile radius or within your region. This is high quality competitive writing by Gary P. Gilroy Publications and Key Poulan Music at a great value!

warM-upS

3-MINUTE WARM-UP—Chris Sharp & Chip Birkner. Give your group a warm up that makes perfect sense in under three minutes time! The woodwinds play scales and the brass does lip slur exercises while the percussion focuses on sticking and rudiments . There is also a section of rhythmic exercises to get the entire band focused and articulating together as well as a balance and tuning chordal exercise . 10046359 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

ADVANCED CONTEST WARM-UPS—arr. Dallas Burke. Get rehearsals off to a great start while stressing the fundamentals! Lip slurs, articulation drills, tuning and chorale sections help reinforce proper playing . 2463271 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

CONTEST SERIES, THE—arr. Joe Murphy. Four 45-second backfield warm-ups provide the beauty and power to grab any crowd’s attention . Each starts out with very low volume levels, beautiful chords and simple melodies . Chorales are designed as one long crescendo, leading to one very powerful fermata . Two of the chorales have soft endings, and two have loud endings . It’s a great way to prepare for your show! 2481022 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

INTONATION MOTIVATION—Roland Barrett. A totally integrated wind and percussion warm-up that utilizes every count to fully prepare every player for a rockin’ rehearsal or performance! Finishes with an impressive full ensemble chorale!2368876 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

MAXIMUM STRENGTH WARM-UPS—arr. Gary Gilroy. This warm-up covers all the basics - lip slurs, articulation, intonation, phrasing, breath support, timing and more! 2464154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

N E W ! S.U.V. #2 (Sale Utility Vehicle)—Dallas Burke and Carl Major. In about three minutes a day, you can have your students playing major and minor scales in all the most common band keys . Sound too good to be true? “S .U .V . #2” makes it happen as your group quickly works through scales, chorales and etudes in F major, D minor, Bb major, G minor, Eb major, C minor, Ab major and F minor . The percussion section also gets a workout as they support the band while working on rhythmic, sticking and rudiment exercises .10274540 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 60 .00

N E W ! SECTIONAL WARM-UPS (for Brass and Woodwinds)—Allen Gray. This set of warm ups is tailored to each section’s specific developmental needs . The brass section focuses on tone and proper playing positions, pedal tones to stretch the embouchure and lip slurs to develop range . The woodwinds focus on scales and two octave runs in six major keys, chromatic scales, articulation exercises and tuning exercises . The chorale/tuning section can be played by just the woodwinds, brass alone or all wind instruments together at the end of the warm up . In a focused five minute drill, each section gets the most of what they need to develop quickly!10274541 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

ULTIMATE MARCHING BAND WARM-UPS—Gino Cipriani & Jay Bocook. Based on warm-ups used by the “Cadets” drum and bugle corps, here is an indispensable book of developmental and warm-up exercises for just the brass and woodwinds . Also included is a short chorale to help develop breathing and phrasing skills . 10008200 Woodwinds . . . . . . . . . . . . . . . . . . . . . . . . .M 4 .9510012079 Brass . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 4 .9510012080 Conductor . . . . . . . . . . . . . . . . . . . . . . . . .M 16 .9510012081 Value Pak of 24 Part Books . . . . . . . . . . . .M 99 .95

ULTIMATE WARM-UP, THE—Gary Gilroy. An integrated warm-up for winds and percussion . . .your band will be ready to wail in three minutes! The last section makes a great field warm-up! 2315794 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

WARM-UPS FOR DEVELOPING BANDS—arr. Dallas Burke. This is a complete set of warm-ups that includes articulation studies, tuning exercises, scale exercises, and a beautiful chorale . 2472148 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55 .00

WARM-UP PACK (Let’s Get Ready to Rumble!)—arr. Dallas Burke. Start each rehearsal or show off right with this great set of warm ups! Work on phrasing, articulation, slurring, rhythm and more . 2477677 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55 .00

Essential!

PLASTIC FLIP FOLDERSPlasti-Folio.

Windproof Marching Folios (Plasti-Folios) are a necessity for every marching band! They are essential to well-organized rehearsals and an absolute must for your stands music. Constructed of virtually indestructible materials, and easily expanded through the purchase of extra flaps, these folios are an investment that will pay for itself many times over!

958058 8 Flaps -16 Windows . . . . . . . . . . .6.95958066 Extra Flap-2 Windows . . . . . . . . . .0.604533113 Folio Rings . . . . . . . . . . . . . . . . . . . .0.50

Marching

Tune in a flash!

kORg ORCHESTRAL TUNER The Korg OT-120 chromatic Orchestral tuner features both a needle and LCD meter with multiple temperaments and the patented Sound Back mode that plays a reference pitch closest to the input pitch. Include a five octave range with built-in reference tones and an energy-saving design for long battery life. A durable soft case is included and it runs on two AAA Batteries (not included).

10024573 OT-120 . . . . . . . . . . . . . . . . . . . . .99.99

PEPPER PICK!

ADELINA DE MAYA—arr. Tom Wallace. Here’s an exciting Latin-tinged composition with exciting interplay between brass and woodwinds . 2474344 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 70 .00

ADIEMUS—Karl Jenkins/arr. Wallace. This is one of Karl Jenkins’ most famous works and is well-known from the TV commercial for Delta airlines . It’s a majestic up-tempo conclusion to any program! 2472058 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA 75 .00

ALSO SPRACH ZARATHUSTRA—arr. Ken Dye. Familiar as the theme to the movie “2001: A Space Odyssey,” this Richard Strauss’ composition can also be a strong chart for the stands or parades! 2435758 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55 .00

APPALACHIAN SPRING FINALE—Aaron Copland/arr. Dawson. A stunning closer fashioned from the music of one of America’s greatest composers! Jay Dawson’s fabulous arrangement is an elegant and powerful statement for the end of any field show! 2437432 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

APPALACHIAN SPRING FIRST EPISODE—Aaron Copland/arr. Dawson. Segments of Copland’s most famous ballet music arranged as a show production number . This is the first of two different yet equally superb productions by arranger Jay Dawson . 2437408 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 75 .00

APPALACHIAN SPRING SECOND EPISODE—Aaron Copland/arr. Dawson. Combine this superb arrangement with Appalachian Spring Episode 1 to make a wonderful production number! 2437416 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 75 .00

BEETHOVEN’S FIFTH—arr. Tom Wallace. This explosive opener is based primarily on themes from the first movement . It’s a great way to start your classical show! 2318087 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA 75 .00

CALL OF THE MOUNTAIN—arr. Tom Wallace. Joseph Curiale’s music has been called “movie music without the movie .” His mixture of powerful rhythms with Copland-esque harmonies is ideal for marching band! Call of the Mountain is a great opening number . 2474343 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA 70 .00

CANTUS-SONG OF AEOLUS—Karl Jenkins/arr. Wallace. This closer begins with a mysterious 5/4 canon, then quickly moves into a driving sequence that features percussion on many “world music” instruments such as djembe, chekere, congas and African bells! Thrilling! 2472057 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA 65 .00

CARMINA BURANA #1—Carl Orff/arr. Ford. The power and majesty of Orff’s “Carmina Burana” is now brought to the field in a three-piece show! This spectacular opener contains O Fortuna and In Taberna Quando Sumus. Stunning! 2472405 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 45 .00

CARMINA BURANA #3—Carl Orff/arr. Ford. The powerful closer to the “Carmina Burana” show, this finale uses Fortuna Imperatrix Mundi, the most famous and intense movement, to bring this complete work to it’s thrilling conclusion! 2472407 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 45 .00

COPLAND FINALE—arr. Jay Dawson. Here’s a brilliant way to finish any show! Including Copland’s film music, The Red Pony and the awe-inspiring Fanfare For the Common Man. Powerful! 2474342 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 80 .00

FANFARE FOR THE COMMON MAN—Aaron Copland/arr. Dawson. The stunning, famous and familiar fanfare by Copland expertly arranged by Jay Dawson . Use this to open your show, or for any important ceremonial occasion . Awesome!2437390 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 70 .00

FARANDOLE—George Bizet/arr. Bocook. Bizet’s simple but effective tune from “Suite L’Arlesienne” gives almost every member a chance at the melody as it builds to its rousing finish! 2471875 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40 .00

FIRE OF ETERNAL GLORY—Dmitri Shostakovich/arr. Bocook & Rapp. Featuring a full complement of mallets and a flowing melody for woodwinds, this moving hymn-like setting gradually builds to a glorious conclusion, then tapers to a quiet and sensitive ending . Simply beautiful! 2477284 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA 80 .00

FIREBIRD FINALE—Igor Stravinsky/arr. Story. Celebrate the 100th anniversary of the finale from Stravinsky’s masterwork “Firebird Suite!” It opens with a beautiful solo for either low brass or woodwinds . Many of the meter changes have been squared off, but the character of the original is intact . A stunning closer for any show! 2480372 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40 .00

GREAT GATE OF KIEV, THE (Pictures at an Exhibition - Part 3)—Modest Mussorgsky/arr. Story. The memorable Great Gate of Kiev from “Pictures at an Exhibition” starts out with a soft chordal texture, this chart quickly builds to a stunning conclusion . Spectacular! 10066163 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

HOE DOWN FROM “RODEO”—Aaron Copland/arr. Dawson. This marvelous western theme from Copland’s ballet “Rodeo” is presented as a production number that features your percussion ensemble . Offers lots of room for exciting choreography!2437424 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

HUT ON FOWL’S LEGS, THE (BABA YAGA) (Pictures at an Exhibition - Part 2)—Modest Mussorgsky/arr. Story. Here is a driving, yet very playable arrangement of Hut on Fowl’s Legs (Baba Yaga). Featuring a short percussion break, this one has great visual potential! 10066162 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

IN CAELUM FERO—Karl Jenkins/arr. Wallace. Karl Jenkins is a composer whose music topped both classical and pop charts while being featured on TV commercials of Delta Airlines and DeBeers Diamonds . This opener begins with a dark chorale followed by a broad sweeping uptempo section with unusual percussion effects . Exciting! 2472054 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 75 .00

JOY—arr. Tom Wallace. This exuberant closer is bursting with energy and makes an exciting finish to any performance!2474346 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 75 .00

JUPITER (from The Planets)—Gustav Holst/arr. Bocook. Here is the classic 1986 Jay Bocook arrangement of the powerful Holst masterpiece from “The Planets .” Exquisite writing for maximum impact on the competition field! 2162790 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 75 .00

JUPITER, CHORALE FROM—Gustav Holst/arr. Murtha. An excellent change of pace for any classical show, this marvelous chorale is a showpiece for what your band can do!2471874 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40 .00

MARS—Gustav Holst/arr. Bocook. Everyone knows this riveting movement from Holst’s “The Planets”, and Jay’s arrangement is about as exciting and intense as they come! Makes a great opener or production number! 2392983 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

NESSUN DORMA—Giacomo Puccini/arr. Bocook & Rapp. If your show calls for a gorgeous slower work, they just don’t get any better! Puccini’s most famous tenor aria is sure to have your audience captivated! The scoring for the woodwinds is very rich and is complemented wonderfully by the pit . 2473953 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

NEW WORLD SYMPHONY—Anton Dvorak/arr. Sweeney. Here’s an impressive opener coming from one of the world’s most famous symphonies carefully arranged to maximize the potential of younger bands! With the powerful first movement themes contrasted with passages from the lyrical second movement, your band will sound fantastic! 2471873 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40 .00

NIGHT ON BALD MOUNTAIN—arr. Jay Bocook. One of the most imposing and threatening themes ever written! Jay’s powerful arrangement will make any band sound impressive, and is a great choice to close any show! 2435576 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

ODE TO JOY—arr. Tom Wallace. This is a real challenging closer that erupts in glory! 2318129 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA 75 .00

OUTDOOR OVERTURE, AN—arr. Jay Dawson. The music of Aaron Copland is joyous and powerful . Here’s a challenging opener that is bound to capture everyone’s attention!2474340 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 80 .00

PHANTASM, PART 1 (Haunted House)—J. S. Bach/ arr. Klarfeld & Knight. This chart features an electrifying version of J . S . Bach’s Toccata and Fugue. From the ominous beginning statement to the dynamic uptempo climax of this selection, competitive bands will capture the crowd’s attention!10066754 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

PHANTASM, PART 2 (Illusions)—Dukas & Mussorgsky/arr. Klarfeld & Knight. The music of Dukas and Mussorgsky are featured in this exciting medley . The band opens with a stirring statement from The Sorcerer’s Apprentice and moves into a fast paced rendition of The Hut on Fowl’s Legs that features the percussion section . 10066755 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

PHANTASM, PART 3 (“Spirited” Party)—Grieg & Mussorgsky/arr. Klarfeld & Knight. Bring your band show to a fantastic close with a solemn statement from In the Hall of the Mountain King. The intensity quickly builds as the chart then concludes with explosive music from Night on Bald Mountain.10066756 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

PROMENADE (Pictures at an Exhibition - Part 1)—Modest Mussorgsky/arr. Story. Part one of a three piece show based on Mussorgsky’s “Pictures at an Exhibition .” The meter changes in Promenade have been “squared off” to facilitate easy and quick learning . A stunning beginning to your show this fall!10066161 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

PROMISE OF LIVING, THE—arr. Jay Dawson. This beautiful chorale comes from the Copland opera, “The Tenderland” and includes optional vocalization . This production number is sure to show the expressive side of your band!2474341 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 80 .00

TREPAK—Peter Tchaikovsky/arr. Sharp & Major. Instantly recognizable, this tune from “The Nutcracker Suite” can be used on the field or for holiday parades! The arrangement is energetic and exciting and sure to be a crowd favorite! 2477659 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

VENUS—Gustav Holst/arr. Bocook. As a change of pace to your “Planets” show, this entrancing number has been scored with a delicate beauty that will leave the crowd breathless!2392991 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

ZARABANDA-PALLADIO—Karl Jenkins/arr. Wallace. Zarabanda brings the Baroque Sarabande into the new century and features delicate ostinato patterns . Palladio is instantly recognizable from the Diamond commercials and builds from mallet percussion into a full band tutti finish! 2472055 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA 75 .00

A LA LUNE—arr. Jay Dawson. This colorful chart from

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2006 MACHINE The Cavaliers. “The Cavaliers” have been called “The Green Machine” for decades. In 2006, they proved it! The illustrious history of “The Cavaliers” includes seven DCI titles, but the Machine show is special in that it took nearly two years from concept to completion. With this DVD, you are provided a behind the “cogs” picture of the 2006 championship season! 10026749 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40.00

2007 EUREkA Santa Clara Vanguard. The 2007 “Santa Clara Vanguard” Tour DVD brings you inside the 40th anniversary season of the 6-time World Champion “Vanguard Drum & Bugle Corps” as they perform their show “Eureka.” The DVD also includes the 2007 “Vanguard Cadets” DCI Division II Finals performance and the exclusive combined SCV/BD Anniversary Corps performance from the DCI West Championship at Stanford Stadium in early August.10089743 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25.00

2008 SAMURAI The Cavaliers. The Cavaliers’ 2008 program, Samurai is showcased in this DVD offering. Also included in this DVD is the full performance of the 2008 Cavalier Anniversary Corps!10067921 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40.00

2009 BALLET FOR MARTHA Santa Clara Vanguard. The 2009 Santa Clara Vanguard Tour DVD brings you inside the six-time World Champion Vanguard Drum and Bugle Corps as they perform their show “Ballet for Martha.” The DVD also includes the 2009 Vanguard Cadets DCI Open Class Finals Performance, the 2009 SCV Winter Guard WGI Championship performance, “Behind the Star” episodes and more!10089745 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45.00

2010 BARTOk Santa Clara Vanguard. The “2010 Santa Clara Vanguard Tour DVD” brings you inside the 6-time World Champion “Santa Clara Vanguard Drum and Bugle Corps” as they perform their show “Bartok.” The DVD also includes the 2010 “Vanguard Cadets” final performance, the 2010 “SCV” Winter Guard WGI Finals performance, a performance from the 2010 “Vanguard Cadets” Winter Percussion, “Behind the Star” episodes and more!10274768 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40.00

2010 MAD WORLD The Cavaliers. Here is “The Cavaliers “ 2010 program, “Mad World.” This DVD features a full performance of the show in 5.1 surround sound as well as a behind the scenes look at the development of the production and life on tour with the group. You’ll also see how each section of the corps prepares to take the field.10274761 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40.00

CURRENT APPROACHES TO COLOR gUARD The Cavaliers. Improve your color guard’s technique and performance with this instructional DVD taught by Bruno Zuccala and “The Cavaliers” color guard. Demonstrated is a count-by-count breakdown detailing fundamental flag, rife and saber technique, as well as a look at how “The Cavaliers” guard rehearses each day in preparation for competitions. Your guard will learn from the best and be inspired to give great performances every time!10009836 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55.00

THE gREEN MACHINE: DRUMMINg FOR A NEW MILLENNIUM The Cavaliers. In this DVD taught by “The Cavaliers” percussion staff, your drumline will learn fundamentals, exercises, tuning and care of equipment and so much more to help them become a top competitive line. Also included are audio commentary tracks that provide extra instruction to each individual part of the battery.10009837 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55.00

SCV BATTERY AUDITIONS Murray Gusseck & Leo Sanchez. Get your drumline geared up for the season with this impressive DVD. Murray Gusseck (Santa Clara Vanguard battery caption head) and Leo Sanchez (cymbal instructor) collectively provide nearly three hours of video lessons in large, full-resolution video, covering topics such as technique, sound production, timing, tips on auditioning, practicing, and more! Watch and learn as Murray demonstrates the core principles of his unique technique program at “SCV” that apply to the snare, tenor, and bass sections. These demonstrations are done mainly on the snare drum but apply in large part to all three drum sections of the battery. He also supplies tips on auditioning, practicing, and the gear that “SCV” uses. Leo Sanchez demonstrates the basic crash techniques and common sounds used by “SCV’s” world-famous cymbal line. Crashes such as the Flat crash, Port crash, Orchestral crash, and crash chokes are outlined, as well as sounds like sizzles, zings, dings, taps, crunches, and more. Leo also discusses cymbal line requirements.10077026 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24.95

TRADITIONS Santa Clara Vanguard. This DVD contains video footage of their six DCI Championship performances (‘73, ‘74, ‘78, ‘81, ‘89 and ‘99). The second half of the video contains an in-depth history of the “Santa Clara Vanguard” organization with interviews of people close to the corps.10089746 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35.00

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DELUxE REPAIR kIT Valentino The Valentino Deluxe Repair Kit is an invaluable tool for band directors! The Top Section includes a brass repair kit containing stuck slide tools, water key corks, a mouthpiece puller, a mouthpiece trueing tool, and other brass accessories. The Lower Section includes a complete woodwind repair kit with cork grease, key and tenon corks, and pads for flute, clarinet and saxophone. Don’t start rehearsal without it!

5973592 Deluxe Repair Kit . . . . . . . . . . . . .350.00

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gLEE SHOWSTOPPERS arr. Jay Bocook.

JUMP Recorded by “Van Halen” in 1984 and made popular again thanks to the tv series “Glee,” here is a rock-the-stands version of this signature anthem! With a moderate tempo and pounding groove, this is one your players are sure to really sink their teeth into!10274240 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00

THE SAFETY DANCEThis campy 1983 hit from “Men Without Hats” became the famous mall dance sequence on “Glee.” It’s sure to be a huge hit with your band whether you recreate the dance on the football field or in the stands! Optional vocals are included for the dance sequence.10274243 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00

DREAM ONSince its initial release by “Aerosmith” in 1973, this classic rock ballad has enjoyed continual popularity through the years in film and tv, most recently being featured on “Glee.” This powerful version for the field or stands will bring the house down!10274255 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00

IN THE HEIgHTSarr. Michael Brown & Will Rapp.

PART 1From the award-winning Broadway show “In the Heights,” here is a stunning opening production number for the field. The mallets and woodwinds start things out quietly with Sunrise, before the full ensemble launches into the exciting salsa strains of It Won’t Be Long Now. Rhythmically exciting with plenty of creative opportunities for dance or staging.10274260 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00

PART 2Based on The Club from the award-winning Broadway musical “In the Heights,” here is a sizzling production/dance number featuring a hot Latin style as well as space to show off the percussion section. A brief lyric middle section sets up a final push to the exciting finish.10274263 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00

PART 3Winner of multiple Tony Awards including “Best Musical” and “Best Original Score,” the Broadway sensation “In the Heights” showcases a variety of exciting Latin styles and moods. This closing production opens with the moving ballad When You’re Home and finishes with the rousing title song In the Heights. .10274265 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00

BEST OF JOURNEYarr. Jay Bocook.

DON’T STOP BELIEVIN’Here is “Journey’s” signature hit from 1981 in a high octane version for mature bands! With the mellophones and horns on the signature guitar riff, carefully paced impact points, and a driving percussion score, this is sure to whip the crowd into a frenzy!10274267 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00

OPEN ARMSA power ballad for the ages, this “Journey” classic from 1982 remains as popular today as ever. This stirring arrangement for the field or stands opens quietly with a trumpet solo, then builds to a huge full band statement before closing out with a quiet ending.10274270 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00

ANY WAY YOU WANT IT/LOVIN’, TOUCHIN’, SQUEEZIN’Mash-upSimilar to the “mash-up” on “Glee,” here are two classics from “Journey” together in a powerful and driving chart for the field. Trombones get a chance to shine, before the entire band joins in for an exciting finish!10274272 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00

MUSIC OF HENRY MANCINIarr. Paul Murtha & Will Rapp.

THE PINk PANTHERSlinky, yet sophisticated, this jazzy theme remains one of Henry Mancini’s best! This chart provides a nice mix of full band passages along with dynamic contrasts and a feature spot for woodwinds on the melody.10274280 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00

MOON RIVER/MR. LUCkYThis production number combines two of Henry Mancini’s best-known melodies. Moon River opens with a trumpet solo before expanding to a majestic statement in 4/4. Then Mr. Lucky takes over in a smooth bossa style, and concludes with a dramatic big ending.10274282 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00

BABY ELEPHANT WALk/PETER gUNNIn this well-paced production the woodwinds and mallet percussion are featured on the famous melody of Baby Elephant Walk. Following a rock-style drum break, the low brass leads into the ultimate spy theme Peter Gunn, with the full band blazing to an exciting finish!10274285 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00

JERSEY BOYSarr. Michael Brown & Will Rapp.

PART 1From the popular Broadway musical showcasing the 1960’s pop hits of “Frankie Valli and the Four Seasons,” here is an energetic and dynamic opener based on Can’t Take My Eyes off of You and Big Girls Don’t Cry.10274287 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00

PART 2Written with plenty of variety in scoring and dynamics plus a short percussion break, this entertaining production number is based on the 1960’s “Four Seasons” hits December 1963 (Oh, What a Night) and Walk Like a Man.10274291 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00

PART 3This lush treatment of Frankie Valli’s hit ballad Can’t Take My Eyes off of You opens with a solo or soli for horns followed by a creative mix of modulations and dramatic effects. The ending builds nicely to a climax with a recap of Big Girls Don’t Cry and a powerful finish.10274294 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00

MUSIC OF THE BEATLESarr. Michael Brown.

gET BACkHere’s a rock solid hit from the “Beatles” later years, made famous by their live rooftop performance in London. A perfect opener for a field show, or just rockin’ the stands!10274300 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 45.00

PAPERBACk WRITERRecorded by the “Beatles” in 1966, this popular hit remains a prime example of their unique sound and creativity. This driving arrangement is suitable for the field or stands, and captures the energy and excitement of the original.10274303 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 45.00

LET IT BEThis iconic “Beatles” ballad was one of their last recorded hits. This impressive arrangement features a brief trumpet solo, a powerful build-up and modulation, and ends with a segue into Hey Jude for a truly powerful closing production.10274305 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 45.00

MUSIC OF COLDPLAYarr. Michael Brown.

VIVA LA VIDA“Coldplay” is one of the hottest rock bands to grace the charts. Their huge mega-hit is now a super arrangement for marching band!10066126 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 45.0010066126E . . . . . . . . . . . . . . . . . . . . . . . . . .e-Print E 45.00

CLOCkS“Coldplay” proves that today’s music groups can give us memorable hits suitable for marching band. Here is one of their best from 2003 in a very effective and dynamic arrangement for the field or stands.10274451 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00

LOST!This impressive arrangement of the “Coldplay” hit from 2008 features a wealth of moods and dynamics. Written in a moderate rock tempo, it includes feature spots for woodwinds, solo trumpet, and also places for the entire band to really open up. Powerful!10274454 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00

A TOUCH OF BUBLEIT HAD BETTER BE TONIgHTarr. Jay Dawson. Originally composed by Henry Mancini for the 1963 film “The Pink Panther,” this has become standard repertoire for many performers. The merging of Mancini’s music with the stylings of Michael Buble renders an intense and exciting musical adventure for the field!10274746 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00

FEVERarr. Tom Wallace. Michael Buble’s sultry and soulful vocals have brought this classic standard a breath of fresh air. This arrangement for the field is complete with big band hits, jabs and stabs!10274748 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00

THEME FROM SPIDERMANarr. Joe Murphy. Originally composed for the “Spiderman” cartoon series in the late ‘60s, Michael Buble released his cover of the tune in 2004, showing his talent by performing it in a variety of styles.10274749 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00

EVERYTHINgarr. Jay Dawson. Penned by Michael Buble, this adult contemporary pop hit is a fun and energetic field selection. Perfect as a show closer!10274752 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00

THE SOUND OF MUSICarr. Jay Dawson.

PRE-OPENERThe Sound of MusicThe bucolic Austrian countryside is portrayed while building towards a powerful impact of the title song, The Sound of Music. Use this as your on-field warm-up or show opener.10274754 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00

OPENERMy Favorite Things, Edelweiss, Do-Re-MiMy Favorite Things kicks off this energetic medley. Beautiful woodwinds and expressive musicianship are on display in Edelweiss, and Do-Re-Me is a showcase for all sections, with a special feature for the trumpets.10274757 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00

THE WEDDINgWedding Preparations, MariaHere’s a production number you can stage visually with as much or little detail as you like. Wedding preparations give way to the magnificent cathedral scene where the wedding processional is overlaid with Maria. 10274759 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00

THE ESCAPEThe Chase, Climb Ev’ry MountainAs the von Trapp Family flees their would-be captors, the musical drama reaches its greatest intensity. A percussion feature leads the way to the inspirational closing strains of Climb Ev’ry Mountain. 10274760 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00

AMERICAN IDIOT - THE MUSICALarr. Brian Scott.

AMERICAN IDIOT/ExTRAORDINARY gIRLThe award-winning music of “Green Day” is now the basis of a terrific Broadway musical! Playing to rave reviews, the show is based on “Green Day’s” concept album of the same name. Part one contains the driving tune American Idiot coupled with the catchy Extraordinary Girl. In addition, the chart contains a separate stands and pep band version of American Idiot.10273827 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00

HOLIDAYThe second part of the “American Idiot - The Musical” show contains “Green Day’s” driving punk-tinged Holiday. This is a terrific arrangement that will come together in a hurry. It also makes a top-notch stands tune!10273831 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00

WAkE ME UP WHEN SEPTEMBER ENDS/HOMECOMINgClosing out the “American Idiot - The Musical” show is a medley of two “Green Day” hits. Wake Me Up When September Ends begins with a beautiful trumpet solo and gradually builds into Homecoming, a montage of four different melodies. The excitement keeps building throughout the chart until the final push. This one will bring the down the house!10273834 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00

THE WIZARD OF OZ MEETS THE WIZarr. Victor Lopez.

PART IThe timeless music from “The Wizard of Oz” is coupled with songs from “The Wiz” in a complete halftime show for your band. The opener is a collage of Ding Dong the Witch Is Dead, We’re Off to See the Wizard and The Merry Old Land of Oz from “The Wizard of Oz.” A creative and fun arrangement for the field!10273837 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00

PART IIThis marvelous production uses two tunes from “The Wiz.” So You Wanted to See the Wizard really grooves, and some Latin-style figures give it punch. A brief drum beak leads into the hit song A Brand New Day, which brings the medley to a rousing finish!10273839 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00

PART III“The Wizard of Oz Meets The Wiz” show concludes with two beautiful ballads. The tune Home from “The Wiz” is heard before leading into a grand arrangement of “The Wizard of Oz’s” signature song Over the Rainbow. The grand finale will bring the crowd to its feet!10273841 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00

WORLD OF WARCRAFTarr. Mike Story.

PART IGamers will love this stunning three-piece halftime show based on the spectacular music from the popular interactive video game “World of Warcraft.” Part I begins slowly and mysteriously with Gates of the Black Temple, then builds to a driving up-tempo The Burning Legion Main Title. The innovative, colorful scoring and unique rhythmic drive will engage your band and audience alike!10273883 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 55.00

PART IIThe second part of the World of Warcraft show is based on Lion’s Pride, a very rhythmic dance-like tune with an infectious groove. Beginning with an optional flute solo or soli, the piece builds gradually, featuring virtually every section in the band. Stunning!10273885 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 55.00

PART IIIPart III of the “World of Warcraft” halftime show begins with the incredibly beautiful Mountains of Thunder, featuring an optional trumpet solo. It gradually builds, then gives way to the heroic Wrath of the Lich King theme. This is cutting-edge music that will thrill your both your students and your audience!10273887 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 55.00

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A LA LUNE—arr. Jay Dawson. This colorful chart from “Cirque du Soleil” has everything from parodied circus tunes to driving rhythms . Very unique! 2478512 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

ASCEND—Samuel Hazo/arr. Sweeney & Rapp. This dynamic concert work has been transformed into an extremely effective closer/production for the field . Designed to work especially well with small bands, this arrangement includes a powerful opening, a fugue middle section, percussion section feature and a driving finish! 10008222 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

ATMADJA—arr. Jay Dawson. The ethereal, mysterious opening leads to a powerful fanfare, which is the recurring theme of this “Cirque du Soleil” production . 2480857 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 75 .00

AZTEC FIRE (Easy Version)—Jay Bocook. Wow! This is one burnin’ chart! Jay originally wrote this original Latin opener for big, top level competitive bands, and it became an instant favorite . And believe us, his adaptation for smaller/younger bands is no less exciting . This is the ultimate Spanish opener! 2414415 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40 .00

BOUNTY HUNTER—arr. Ralph Ford. Here is the dramatic and driving music of “Bounty Hunter” from “Advent Rising .” This forceful music has been masterfully adapted for the field . Breathtaking! 10027099 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

CUBAN COFFEE—Victor Lopez. This sizzling Latin original starts out big and bold and just keeps on coming! Featuring solid Latin grooves and commanding harmonies, this chart will bring some heat to the field! 10087947 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

N E W ! DANNY BOY—arr. Ayatey Shabazz. This arrange-ment of the Irish favorite is a lovely field selection, and it also is an excellent warm-up . It’s short in length but big in harmonies that create a fresh sound . 10274497 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 40 .00

N E W ! DANNY BOY—arr. Shane Porter. A beautiful and stirring arrangement, this rendition of the Irish favorite is powerful and moving and sure to draw goosebumps on all who hear it!10274529 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

DISTORTED—arr. Jay Dawson. The dance rhythms of this chart combined with the catchy melody truly capture the essence of “Cirque du Soleil!” 2478510 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

N E W ! EL CONQUISTADOR—Mike Story. Great melodies, big block scoring, and driving percussion make this Latin-style opener a fiery way to begin your field show! Powerful! 10273889 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

EL GATO—Roland Barrett. This is a hot Latin chart that works as a field opener or a parade number and has all the power without the difficulty! Guaranteed to make your band sound great, it works with limited brass instrumentation, too . 2394609 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55 .00

N E W ! EL GATO CALIENTE—Victor Lopez. Here is a strong Latin-jazz original that is a powerful show opener or stands tune . Solid grooves, commanding harmony and big, bold scoring make this a winning chart for your band! 10273876 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

EL ZORRO (The Fox)—Mike Story. Here’s a sizzling Latin opener that doesn’t need a lot of rehearsal time to sound hot! With its big and bold scoring, El Zorro will make any band sound twice its size! 10087989 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

ESPANA CANI—arr. Mike Story. This classic Spanish tune, which features a short optional trumpet solo, would work perfectly as an opener or auxiliary feature . Exciting! 10066166 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

ESTANCIA—Jay Dawson. This playable original Spanish chart really cooks from start to finish! It’s scored to work with smaller band instrumentations, too . A great show opener! 2373280 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

FANFARE FOR THE THIRD PLANET—Richard Saucedo. From his popular concert band work dedicated to our own planet Earth, Richard Saucedo has masterfully adapted this as a field show opener in grand style! Featured are highlights for all sections, including brass, percussion and woodwinds . The impressive finish concludes the piece in stellar fashion! 10008217 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

FANTASMIC #1-MICKEY THE SORCERER—arr. Michael Brown. Disneyland’s theatrical extravaganza comes to marching band! The crowd will enjoy the main theme from “Fantasmic”, which leads into the very memorable Sorcerer’s Apprentice Theme everyone knows from “Fantasia!” It’s great for the young at heart!2473961 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 60 .00

FANTASMIC #2-PRINCESS MEDLEY—arr. Michael Brown. Thrill your band and crowd alike with two songs they grew up with: Beauty and the Beast, from the movie of the same name, and Part of Your World from “The Little Mermaid!” Your trumpet soloist is featured in Part of Your World, and your whole band gets to shine in Beauty and the Beast . Beautiful ballads! 2473962 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 60 .00

FANTASMIC #3-FINALE—arr. Michael Brown. Feature your percussion section in this exciting closer that blends A Night on Bald Mountain with the Disneyland’s “Fantasmic” theme! A dramatic finish to an extraordinary show!2473963 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 60 .00

N E W ! (Hanging Out With) A FRENCH GIRL NAMED LOLA—Ayatey Shabazz. Here’s a fun, peppy tune that will have everyone wanting to meet a French girl named Lola! Lots of energy makes this a winning selection! 10274479 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

N E W ! GRAVITAS—Dallas Burke & Carl Major. This original opener is based on the dramatic concert band composition of the same name . The chart makes use of limited rhythms and ranges while managing to assert an intensity that will have your show off to an exciting start! 10274533 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 60 .00

HALO THEME (from “Halo Suite”)—arr. Ralph Ford. Here is the powerful music from the wildly popular video game “Halo” in a stunning arrangement for marching band! This is “cutting edge” music that will thrill your students and your audience!10009948 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

INCANTATION—arr. Jay Dawson. Exotic mid-Eastern flavor infuses this high energy closer from “Cirque du Soleil: Quidam” featuring a percussion solo, vocals for the wind section and a final fanfare statement! Dynamic! 2480860 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

INTO THE LIGHT—Jay Bocook & Will Rapp. Here is a beautiful and lyrical change-of-pace number taken from the composition for concert band . Opening with a soaring trumpet solo, the piece builds to an emotional peak through a series of well paced phrases and a carefully timed key change . Inspiring! 10008220 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

KA: BATTLEFIELD—arr. Jay Dawson. Conflict and struggle are personified in this bold “Cirque du Soleil” program closer . A well-placed percussion feature offers great visual opportunities, a fine display of drumming and a chance for the winds to “rest their chops” before the final assault! 10090156 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

KA: FLIGHT—arr. Jay Dawson. In this brief but lovely ballad from “Cirque du Soleil,” the perfect contrast to an otherwise intense program is provided . Richly orchestrated, this selection offers multiple tempos for visual interpretation . 10090154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

KA: OPENING PRODUCTION (Shadowplay, Storm)—arr. Jay Dawson. The sensational music from “Cirque du Soleil’s” “KA” grabs your attention immediately with a crescendo from delicate woodwinds to full band fury during Shadowplay. Things are then propelled forward with Storm, in a showcase of your band’s musicianship and intensity . A final tempo burst adds a flourish of velocity to this stunning opener . 10090153 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

KA: PURSUIT—arr. Jay Dawson. Some of the most exotic music from “Cirque du Soleil” is found in this production number . A faint Middle Eastern flavor, highly effective musical layering and a sensational ending are some of the highlights . Each section of the band has its moment of excellence! 10090155 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

KINGDOM HEARTS—arr. Ralph Ford. Everyone will love this majestic music from the incredibly popular game “Kingdom Hearts .” This spectacular closer will be a welcome addition to any show . Rise above the rest with this unforgettable half-time offering!10027101 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

N E W ! LOS DOS BANDIDOS—Brian Scott. After a mysterious intro that builds into a big “hit”, the “two bandits” are represented by a short trumpet duet, which then leads into an up-tempo section filled with great Latin jazz sounds . This chart will be great either on the field or in the stands! 10273823 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

N E W ! MACARENA—arr. Jerry Burns. The classic Spanish tune, La Virgen de la Macarena, has been arranged in a chart that any band can play . Full of great Latin sounds, solid scoring, and an optional trumpet duet, this one is a winner from start to finish!10273915 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40 .00

MALAGUENA—arr. Jay Bocook. Stan Kenton made this chart famous, and it’s been a favorite on the drum corps circuit for years . If you’re looking for the ultimate in an exciting Latin chart, this is it! A true tour de force off the line! 2392959 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

MALAGUENA—arr. Michael Sweeney. This classic Latin chart has been a favorite with bands for years . Mike’s easy version makes it a real powerhouse for small or young groups .2225159 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50 .00

MALAGUENA—arr. Jay Bocook. Probably the best-known Spanish production/concert number of all time! Let your brass players pull out the stops on this exciting arrangement that features impressive written out trumpet solos . 2134260 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 75 .00

MARS—Gustav Holst/arr. Bocook. Everyone knows this riveting movement from Holst’s The Planets, and Jay’s arrangement is about as exciting and intense as they come! Makes a great opener or production number! 2392983 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

MINIMALLY SPEAKING #1 (Newrhythmics)—Richard Saucedo & Michael McIntosh. This opener takes a four-note motif and uses it to build intensity from start to finish! Intricate rhythms, unique harmonies, and driving percussion make this fantastic piece a bold statement for the adventurous band!2473955 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 80 .00

MINIMALLY SPEAKING #2 (Layers)—Richard Saucedo & Michael McIntosh. This mysterious, song-like work creates a shimmering effect that highlights your band’s woodwinds . Nice mallet writing and a powerful brass build near the end create a magical moment in your show! 2473956 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 80 .00

MINIMALLY SPEAKING #3 (Echoes)—Richard Saucedo & Michael McIntosh. A driving rhythmic ostinato underlines this dramatic closer! Brilliant brass lines and block chordal statements make the band sound huge! A powerful finish!2473957 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 80 .00

NIGHT WATCH - MOVEMENT 1—Jay Dawson. Darkly agitated, this show opener pulsates with suspense from beginning to end! 10046432 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

NIGHT WATCH - MOVEMENT 2—Jay Dawson. This production number begins with a foreboding sound, then relaxes into an exotic groove . 10046433 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

NIGHT WATCH - MOVEMENT 3—Jay Dawson. This energetic closer dramatically portrays the beginning of a new day . 10046434 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

NINKOU LATORA—arr. Jay Dawson. Each section of the band gets a chance to shine in this urgent and suspenseful high-velocity production! Taken from “Cirque du Soleil: Quidam,” this will be a definite crowd pleaser! 2480858 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 75 .00

QUEST—Rob Grice & Caleb Doster. The majestic strains of this opener or parade tune will fill the air with excitement! It’s lyrical and energetic and is an impressive addition to any performance!2477660 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

QUIDAM—arr. Jay Dawson. Taken from the “Cirque du Soleil” production of the same name, the haunting introduction gives way to a beautiful ballad! 2480859 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

REVE ROUGE—arr. Jay Dawson. With its lullaby-like qualities, this ballad shows the softer side of “Cirque du Soleil .” Beautiful!2478511 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 80 .00

e SPANISH PARADE SEQUENCE—Paul Lavender & Will Rapp. Customize your own impressive-sounding parade sequence quickly and easily with this versatile collection of exciting Spanish themes! The short full band sections alternate with three easy cadences that can be repeated as needed and used in any order .10088744 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

TROOPER SALUTE—arr. Bocook & Reese. Jay Bocook pays tribute to the rich heritage of the “Troopers” drum and bugle corps in this tapestry of Americana . Thematic material from When Johnny Comes Marching Home, Shenandoah, The Battle Cry of Freedom and Battle Hymn of the Republic is skillfully woven into a breathtaking production number . 2147163 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 75 .00

URBAN—arr. Jay Dawson. Combining hip-hop rhythms with classical-style melodies from “Cirque du Soleil,” this chart is a wildly exotic ending to your show! 2478513 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 80 .00

WORLD OF WARCRAFT - PART I—arr. Mike Story. Gamers will love this stunning three-piece halftime show based on the spectacular music from the popular interactive video game “World of Warcraft .” Part I begins slowly and mysteriously with Gates of the Black Temple, then builds to a driving up-tempo The Burning Legion Main Title. The innovative, colorful scoring and unique rhythmic drive will engage your band and audience alike!10273883 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55 .00

WORLD OF WARCRAFT - PART II—arr. Mike Story. The second part of the “World of Warcraft” show is based on Lion’s Pride, a very rhythmic dance-like tune with an infectious groove . Beginning with an optional flute solo or soli, the piece builds gradually, featuring virtually every section in the band . Stunning! 10273885 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55 .00

WORLD OF WARCRAFT - PART III—arr. Mike Story. Part III of the “World of Warcraft” halftime show begins with the incredibly beautiful Mountains of Thunder, featuring an optional trumpet solo . It gradually builds, then gives way to the heroic Wrath of the Lich King theme . This is cutting-edge music that will thrill your both your students and your audience! 10273887 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55 .00

YOU ARE THE NEW DAY—arr. Brian Scott. This beautiful and inspirational song has been crafted into a stunning arrangement worthy of any show . Designed as a production number or closer, this piece would also be perfect as a chorale warmup for both on the field and off . What a gorgeous chart! 10087965 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

World renowned drum corps, The Blue Devils, brings charts, warm-ups and exercises to your marching band!

AUTUMN John M. Meehan. The “Blue Devils” performed this chorale on their 2005 European tour. Now your band can prepare to take the field when they play this soaring selection.10274709 . . . . . . . . . . . . . . . . . . . . . . . .ME 25.00

BB TUNINgMajor and Minor VersionsWayne Downey/arr. Meehan. As made famous by the “Blue Devils” (originally as F tuning on G bugles), this chordal warm-up exercise contains both major and minor versions.10274708 . . . . . . . . . . . . . . . . . . . . . . . . .M 12.00

BRASS FINgERINg CHARTSJoe Haworth. Fingering charts are a quality resource for brass students of any age and level. Each chart includes a chromatic listing of the primary fingerings for that instrument, as well as several alternate fingerings.10274715 Brass Fingering Chart . . . . . . . . . . 8.00

DIT-08 Scott Johnson. A “Blue Devils” drum line favorite! Be careful not to step in the Odd-8 Mud Pits or Flam Scams!10274701 . . . . . . . . . . . . . . . . . . . . . . . . . A 12.00

DYNAMIC CHORDS VOLUME #1Eoin O’Keeffe & John M. Meehan. Here is a series of five short chord progressions that can be used in conjunction with daily wind warm-ups to help enhance many of the techniques found in today’s marching band shows. From harmonic understanding and sectional listening responsibilities to phrase contouring and weighting of attacks, Dynamic Chords adds a much needed layer to warm-ups that will provide both excitement for the students as well as immediate improvement to show segments.10274710 . . . . . . . . . . . . . . . . . . . . . . . . .M 15.00

ETERNAL FATHER, STRONg TO SAVE/ NAVY HYMNarr. Jim Ott & John M. Meehan. Here is a gorgeous setting of The Navy Hymn as played by the “Blue Devils” that is perfect as a warm-up, on and off the field.10274706 . . . . . . . . . . . . . . . . . . . . . . . .ME 35.00

LEgEND OF THE ONE-EYED SAILORarr. Jim Ott, John M. Meehan, Scott Johnson & Michael Huestis. Here’s the Blue Devils’ signature tune from the 1970s by Chuck Mangione.10274704 . . . . . . . . . . . . . . . . . . . . . . . . .M 75.00

MALFRED Scott Johnson. If you follow the “Blue Devils” on tour in 2011, you’ll hear the drum line playing this in the parking lot!10274703 . . . . . . . . . . . . . . . . . . . . . . . . . A 14.00

MAxIMIZINg FINgER DExTERITYJoe Haworth. Finger dexterity exercises are a great way to improve finger/valve technique without simply playing chromatic, major and minor scales.10274724 Brass Method. . . . . . . . . . . . . . . . . 6.00

PARA-DISE Scott Johnson. Here’s a hip “Blue Devils” cadence based on the ever popular Para-diddle.10274700 . . . . . . . . . . . . . . . . . . . . . . . . . A 14.00

SALVATION IS CREATEDarr. Jim Ott & John M. Meehan. This beautiful setting of Pavel Chesnokov’s work, as played by the “Blue Devils,” makes an excellent warm-up for your winds.10274707 . . . . . . . . . . . . . . . . . . . . . . . .ME 25.00

TUNINg CHORALE Rob Stein. Scored for full marching band winds, this short chorale is a great way to hone the students’ ears while also building up momentum either at the end of a daily warm-up or just before a performance.10274711 . . . . . . . . . . . . . . . . . . . . . . . . .ME 8.00

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AMERICAN IDIOT/EXTRAORDINARY GIRL (American Idiot - The Musical, Part I)—arr. Brian Scott. The award-winning music of “Green Day” is now the basis of a terrific Broadway musical! Playing to rave reviews, the show is based on “Green Day’s” concept album of the same name . Part one contains the driving tune American Idiot coupled with the catchy Extraordinary Girl. In addition, the chart contains a separate stands and pep band version of American Idiot. 10273827 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

e AVATAR - PART 1—arr. Jay Bocook & Will Rapp. The stunning movie “Avatar” has become the top box office earner of all time! Loaded with driving percussion and dark themes, this powerful opening production number from the soundtrack, “The Destruction of Hometree”, portrays a mood of drama and foreboding .10088716 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

e AVATAR - PART 2—arr. Jay Bocook & Will Rapp. Based on the piece from the movie soundtrack, The Bioluminescence of the Night is a hauntingly beautiful melody that is woven throughout James Horner’s masterful score, and is the basis for the end credit song I See You. 10088717 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

e AVATAR - PART 3—arr. Jay Bocook & Will Rapp. This dynamic closing production for the field uses themes from the soundtrack cue War. A variety of moods, textures and effects are displayed, all leading to an exciting conclusion! 10088718 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

N E W ! BABY ELEPHANT WALK/PETER GUNN—arr. Paul Murtha and Will Rapp. In this well-paced production the woodwinds and mallet percussion are featured on the famous melody of Baby Elephant Walk. Following a rock-style drum break, the low brass leads into the ultimate spy theme Peter Gunn, with the full band blazing to an exciting finish! 10274285 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

BATMAN THEME (from the Original Television Series)—arr. Mike Story. Holy marching band, Batman! Everyone will know this unforgettable theme from the ‘60s television series about the alter-egos of Bruce Wayne and Dick Grayson . Kerpow! 10008630 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

BATMAN THEME, THE (from the Motion Picture “Batman”)—arr. Mike Story. The Dark Knight flew onto the silver screen in 1989 and brought this dynamic theme, composed by Danny Elfman, with him . Your band can save Gotham City when they take to the field with this powerful chart! 10008628 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

BATMOBILE CHASE (from Batman Begins)—arr. Mike Story. Get ready for the ride of your life as you and your band hop in the Batmobile and take on Gotham City! The Molossus Theme is featured in this percussive and brassy arrangement that is perfect for the field or the stands . 10001021 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

e BELLA’S LULLABY (from the movie “Twilight”)—Carter Burwell/arr. Murtha. From the hit movie “Twilight,” here is the haunting main theme in a beautiful setting for the field or stands . Includes a trumpet solo that could be performed by alto sax or an amplified flute . Sure to be an instant favorite! 10066111 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55 .00

CLOUD SONG/RIVERDANCE—arr. Tom Wallace. “Riverdance” lit stages on fire and brought Celtic music to the world! This incredible opener features a beautiful introduction and trumpet solo followed by the spirited “Riverdance” theme .2463974 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA 70 .00

e DANNY ELFMAN CLOSER—Danny Elfman/arr. Brown & Rapp. Using the delicate and flowing strains of Ice Dance from “Edward Scissorhands” a rich chorale style is used to lead into an exciting rendition of the main theme from “Beetlejuice .” Raucous and a bit outrageous, this chart powers ahead to a frenzied climax! 10045116 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

e DANNY ELFMAN OPENER—Danny Elfman/arr. Brown & Rapp. This exciting arrangement opens with a mysterious statement from “Spider-Man” followed by the driving and intense theme “Tales from the Crypt .” A short percussion feature leads into a new key and it pushes to a powerful finish! 10045114 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

e DEFYING GRAVITY—arr. Jay Bocook & Will Rapp. As one of the defining moments in the hit musical “Wicked,” this song conveys emotion mixed with excitement . This powerful arrangement is based on the version recorded by the cast of the TV series “Glee .” Magical! 10088733 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

DISNEY’S MAGICAL MARCHES—arr. Johnnie Vinson. Perfect for parades or the stands, this medley of familiar themes is bound to put a smile on everyone’s face! Titles include: Mickey Mouse March; Supercalifragilisticexpialidocious and Zip-A-Dee-Doo-Dah. 2477295 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 40 .00

FANFARE FROM ET (The Extra-Terrestrial)—arr. Paul Lavender. This stunning opening fanfare on John Williams’ irresistible theme comes with a variety of performance options (including solo trumpet cues for the piccolo soli) . 2120822 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 75 .00

FOR YOUR EYES ONLY/JAMES BOND THEME—arr. Mike Story. This closer has it all - a beautiful ballad that brings out your band’s lyrical side and an exciting, well-known movie theme to get the crowd on their feet! Mike kept things in a comfortable range for your players, so they put out their best sound! Works well in any James Bond or movie theme show! 2462109 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

e GET SMART—arr. Michael Brown. From its beginnings as the main title to the popular 60s TV series to the 2008 summer movie version, this well-known theme has taken on a life of its own with its campy spy spoof attitude . Definite fun for the stands!10054900 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

GHOSTBUSTERS—arr. Nick Baratta. This 80’s classic comes rockin’ back in ghoulish fashion! The chart has a great groove, and is perfect for stands, auxiliary and pep band use . Who ya gonna call? Ghostbusters! 10027119 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

GONNA FLY NOW—arr. Mike Story. What could be more inspirational than this theme from the movie “Rocky?” You won’t have to spend lots of rehearsal time on this one, but you’ll find plenty of energy here to pump up your team and crowd! 2393882 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

GONNA FLY NOW (Theme from “Rocky”)—arr. Brian Scott. If there’s one stands tune your band needs in their folder, it’s the classic theme from “Rocky!” Your team will really get pumped when they hear this one! With solid scoring, this chart delivers the goods with a power-house sound! 2460905 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

GONNA FLY NOW—arr. Victor Lopez & Anthony Falcone. In 2006, the music world mourned the passing of jazz trumpet legend Maynard Ferguson . As a tribute, here is a solid and playable arrangement of Gonna Fly Now. It includes an optional solo trumpet part a la Maynard Ferguson that can be played down an octave if desired . Stellar! 10027093 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

GREASED LIGHTNIN’—arr. Michael Brown & Will Rapp. Your band will be “burnin’ up the quarter mile” with this classic tune from the hit Broadway show and movie “Grease!” It features lots of solid full band playing, plus breaks for percussion effects and visuals . Exceptionally scored for small bands looking for a big sound!10008206 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

HAWAII FIVE-O—arr. Doug Adams. Book ‘em, Danno! This classic TV theme is set as a powerful yet easy chart for your marching band . Incredibly powerful! 2436764 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! HAWAII FIVE-O THEME—arr. Tom Wallace. Here’s an authentic-sounding, yet easy version of the iconic theme from the 1968-1980 hit television show . Long a favorite of marching and pep bands, this theme will gain new popularity with the emergence of an updated version of this classic cop drama . “Book ‘em Danno!”10185471 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

N E W ! HAWAII FIVE-O THEME—arr. Paul Murtha. Scored for younger bands, here is a great sounding arrangement of the classic tv theme from the 1960s, made popular again thanks to the hit series on CBS . Your percussion section will love this one! 10191132 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 45 .00

HERNANDO’S HIDEAWAY—arr. Ralph Ford. Bring down the house with this hot arrangement of the Latin standard from “The Pajama Game!” It’s a sizzling feature for your tubas, or your guard can do a spicy tango . Ole! 10045790 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 55 .00

HOLIDAY (American Idiot - The Musical, Part II)—arr. Brian Scott. The second part of the “American Idiot - The Musical” show contains “Green Day’s” driving punk-tinged Holiday. This is a terrific arrangement that will come together in a hurry . It also makes a top-notch stands tune! 10273831 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

N E W ! IN THE HEIGHTS - PART 1—arr. Michael Brown and Will Rapp. From the award-winning Broadway show “In the Heights,” here is a stunning opening production number for the field . The mallets and woodwinds start things out quietly with Sunrise, before the full ensemble launches into the exciting salsa strains of It Won’t Be Long Now. Rhythmically exciting with plenty of creative opportunities for dance or staging . 10274260 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

N E W ! IN THE HEIGHTS - PART 2—arr. Michael Brown and Will Rapp. Based on The Club from the award-winning Broadway musical “In the Heights,” here is a sizzling production/dance number featuring a hot Latin style as well as space to show off the percussion section . A brief lyric middle section sets up a final push to the exciting finish . 10274263 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

N E W ! IN THE HEIGHTS - PART 3—arr. Michael Brown and Will Rapp. Winner of multiple Tony Awards including “Best Musical” and “Best Original Score,” the Broadway sensation “In the Heights” showcases a variety of exciting Latin styles and moods . This closing production opens with the moving ballad When You’re Home and finishes with the rousing title song In the Heights. 10274265 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

e JAI HO (from “Slumdog Millionaire”)—arr. Michael Brown & Will Rapp. From the highly acclaimed “Slumdog Millionaire” soundtrack, here is the Oscar-winning Song of the Year arranged in a joyful and exuberant setting for marching band! Sure to be an audience favorite with the catchy melodies and driving percussion! 10068812 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

JAMES BOND THEME—arr. Mike Story. One of the most recognizable movie themes of all time is now in a great arrangement for younger players! It’s a dynamic production number for any show, and a super stands tune! 10066170 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

JAWS/SUPERMAN—arr. Johnnie Vinson. This creative production number starts with the ominous Jaws theme, and then our hero arrives to save the day! Great sounding chart for young bands! 2393114 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40 .00

JERSEY BOYS - PART 1—arr. Michael Brown and Will Rapp. From the popular Broadway musical showcasing the 1960’s pop hits of “Frankie Valli and the Four Seasons,” here is an energetic and dynamic opener based on Can’t Take My Eyes off of You and Big Girls Don’t Cry. 10274287 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

JERSEY BOYS - PART 2—arr. Michael Brown and Will Rapp. Written with plenty of variety in scoring and dynamics plus a short percussion break, this entertaining production number is based on the 1960’s “Four Seasons” hits December 1963 (Oh, What a Night) and Walk Like a Man. 10274291 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

JERSEY BOYS - PART 3—arr. Michael Brown and Will Rapp. This lush treatment of Frankie Valli’s hit ballad Can’t Take My Eyes off of You opens with a solo or soli for horns followed by a creative mix of modulations and dramatic effects . The ending builds nicely to a climax with a recap of Big Girls Don’t Cry and a powerful finish . 10274294 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

e JOURNEY OF MAN AND YOUTH (Journey of Man - Part 1)—arr. Richard Saucedo. From the acclaimed 2000 movie “Cirque du Soleil: Journey of Man,” this stunning opening production evokes musical imagery of light, color and theatre in a creative and dynamic setting for the field! 10066567 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

JOURNEY OF MAN: FLYING (Journey of Man - Part 2)—arr. Richard Saucedo. Utilizing a “lighter than air” woodwind effect in the opening and closing, take the audience on a magnificent journey of melody, rich harmonies and dramatic emotional pacing with this musical offering from “Cirque du Soleil .” Very effective! 10066568 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

JOURNEY OF MAN: YOUTH (Journey of Man - Part 3)—arr. Richard Saucedo. This exciting arrangement from “Cirque du Soleil” features rhythmic intensity, soaring lyric lines, a fast-paced percussion feature and a powerful theme! 10066570 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

LIVE AND LET DIE—arr. Mike Story. This Paul McCartney and “Wings” classic sounds so good, it’s hard to believe how easy it is! Whether used as part of a James Bond theme show, or in other settings, this chart offers so many effective changes in style it screams for cool general effects . A mellow opening trumpet solo, powerful themes and double time sections are just part of the excitement! Don’t miss it! 2462091 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

MAGNIFICENT SEVEN, THE—arr. Mike Story. Your band will sound magnificent when they play this beloved movie theme! It’s a grand opening to any show and gives each section the spotlight! 10045849 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

MASK OF ZORRO, THE—arr. Jay Bocook & Will Rapp. From the dynamic and exciting soundtrack by James Horner, this impressive opener features a distinctive Spanish flair and plenty of visual possibilities . It’s a fiery way to start your show! 2477263 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

MISSION: IMPOSSIBLE THEME—arr. Paul Lavender. This familiar TV and movie theme sounds as fresh and innovative today as it did when it was first heard nearly 40 years ago! This solid and dynamic arrangement works great with smaller or inexperienced bands, and is perfect for dance features! 10019797 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! MOON RIVER/MR. LUCKY—arr. Paul Murtha and Will Rapp. This production number combines two of Henry Mancini’s best-known melodies . Moon River opens with a trumpet solo before expanding to a majestic statement in 4/4 . Then Mr. Lucky takes over in a smooth bossa style, and concludes with a dramatic big ending . 10274282 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

MUSIC OF THE NIGHT, THE—arr. Paul Lavender. Here is a marvelously paced arrangement of the familiar song from “The Phantom of the Opera .” Opening with a trumpet solo, it builds impressively to a climax then tapers to a quiet ending with the distinctively dissonant “phantom” chords . 2278810 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

NIGHTMARE BEFORE CHRISTMAS, THE - PART 2—Danny Elfman/arr. Brown & Rapp. This unique production number starts off with the devious-sounding This Is Halloween, which includes an alto sax solo and intense full ensemble punches . The mood shifts dramatically to the bluesy swing tune Oogie Boogie Song, treated here in a big-band setting that really wails!10008196 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

ONE HAND, ONE HEART/SOMEWHERE (West Side Story Finale)—arr. Jay Dawson. Two of the most moving selections from Bernstein’s “West Side Story” bring the complete show to a stirring conclusion! Scored to let smaller bands sound their best! 2464055 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

OVER THE RAINBOW—arr. Mike Story. Always a favorite for marching band performance, Over the Rainbow is a classic choice for your closer this year . Featuring an easy trumpet solo and some tasty scoring, this chart would also be perfect as a homecoming tune . 10066169 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

PETER GUNN—arr. Doug Adams. One of the all-time Henry Mancini favorites is presented in a sizzling chart any band can play! Everyone will start to groove when they hear that popular bass riff!10008644 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

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PHANTOM OF THE OPERA, THE—arr. Paul Lavender. The recent hit movie has stirred renewed interest in this groundbreaking Broadway classic . The familiar opening strains are nothing short of stunning! An impressive opener for the field!2278786 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

PINK PANTHER, THE—Henry Mancini/arr. Ford. Arguably Henry Mancini’s most popular melody, this cool arrangement is a solid choice for any show! It comes complete with finger snapping and a slinky trumpet solo . 2477148 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

N E W ! PINK PANTHER, THE—arr. Paul Murtha and Will Rapp. Slinky, yet sophisticated, this jazzy theme remains one of Henry Mancini’s best! This chart provides a nice mix of full band passages along with dynamic contrasts and a feature spot for woodwinds on the melody . 10274280 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

PIRATES OF THE CARIBBEAN (The Curse of the Black Pearl)—arr. Paul Murtha. Ahoy matey! Here is the ultimate in adventure music for the stands or field! Your band will transport the audience from the bleachers to a ship on the high seas with this medley from the blockbuster movie “The Pirates of the Caribbean: The Curse of the Black Pearl!” 2476556 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

PIRATES OF THE CARIBBEAN, PART 1—arr. Michael Brown & Will Rapp. Opening with a sense of anticipation, the lilting woodwind melody is accompanied by vibes and frame drums . The following majestic and dramatic themes finish out this powerful arrangement! Titles include: Fog Bound; The Medallion Calls and The Black Pearl. 2477276 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

PIRATES OF THE CARIBBEAN, PART 2—arr. Michael Brown & Will Rapp. This production number begins with a beautiful chorale section before launching into some of the most intense and exhilarating music of the entire soundtrack! The battery percussion, brass and woodwind sections are all used to their full potential in this impressive sounding segment! Titles include: Blood Ritual and To the Pirates Cave. 2477277 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

PIRATES OF THE CARIBBEAN, PART 3—arr. Michael Brown & Will Rapp. The tender One Last Shot provides the emotionally charged musical climax to the movie and is beautifully orchestrated in this fantastic closer . The chart is then brought to a rousing finish with the energetic He’s a Pirate. Fitting for any swashbuckler! 2477278 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

N E W ! POWERHOUSE—arr. Paul Murtha. The zany music of the “Raymond Scott Quintette,” originally recorded in the late 1930s, was a popular resource for the early Warner Bros . cartoons scored by Carl Stalling . Filled with surprise and humor, any fan of Bugs Bunny will recognize these unforgettable themes! 10274275 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

RAIDERS MARCH—arr. Victor Lopez. John Williams’ spectacular theme to the “Indiana Jones” saga, including the 2008 summer blockbuster hit “Indiana Jones and the Kingdom of the Crystal Skull”, is featured in this exciting arrangement for the field or stands! This will truly be a crowd favorite! 10054911 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

RAIDERS MARCH—arr. Mike Story. John Williams’ timeless theme from the “Indiana Jones” saga is now playable by any band with this effective, yet easy new arrangement! Perfect for the field or the stands, it’s sure to be a crowd favorite! 10027171 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

RAWHIDE—arr. Brian Scott. This classic Western theme and has been given a hip rockabilly feel . With driving percussion and big, bold scoring, this one really shines! 10066144 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

SHOUT IT OUT—arr. Doug Adams. Direct from the hit movie “Drumline”, this hip tune with the well-known riffs and drum solos is sure to be a crowd-pleaser! 2473946 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! SOUL BOSSA NOVA—arr. Paul Murtha. Famously used as the “Austin Powers” theme, this Quincy Jones hit from 1962 is more popular now than ever before! Sure to be recognized by all, you’ll have fun performing this game after game . Yeah, baby, yeah!10274448 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 45 .00

N E W ! SOUND OF MUSIC, THE - OPENER (My Favorite Things, Edelweiss, Do-Re-Mi)—arr. Jay Dawson. My Favorite Things kicks off this energetic medley . Beautiful woodwinds and expressive musicianship are on display in Edelweiss, and Do-Re-Me is a showcase for all sections, with a special feature for the trumpets . 10274757 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

N E W ! SOUND OF MUSIC, THE - PRE-OPENER (The Sound of Music)—arr. Jay Dawson. The bucolic Austrian countryside is portrayed while building towards a powerful impact of the title song, The Sound of Music. Use this as your on-field warm-up or show opener . 10274754 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

N E W ! SOUND OF MUSIC, THE - THE ESCAPE (The Chase, Climb Ev’ry Mountain)—arr. Jay Dawson. As the von Trapp Family flees their would-be captors, the musical drama reaches its greatest intensity . A percussion feature leads the way to the inspirational closing strains of Climb Ev’ry Mountain. 10274760 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

N E W ! SOUND OF MUSIC, THE - THE WEDDING (Wedding Preparations, Maria)—arr. Jay Dawson. Here’s a production number you can stage visually with as much or little detail as you like . Wedding preparations give way to the magnificent cathedral scene where the wedding processional is overlaid with Maria. 10274759 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

SUPERMAN OPENER—arr. Mike Story. The Man of Steel made a triumphant comeback to the silver screen in 2006 with “Superman Returns .” This arrangement of one of John Williams’ most beloved scores begins mysteriously with the Planet Krypton theme, building to a huge push before the powerful Superman Theme. A super opening to your field show! 10023387 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

SUPERMAN THEME—arr. Mike Story. Everyone will instantly recognize this majestic march from the summer blockbuster “Superman Returns!” It contains all of the Main Title themes in a very playable arrangement! 10018995 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! T. J. HOOKER (Main Theme)—arr. Ralph Ford. Classic tv themes make great stands and pep band charts, and this one is no exception . This driving arrangement from the ‘80s police drama featuring William Shatner is an excellent addition to your stands tune library! 10273881 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

e THEME FROM “THE A TEAM”—arr. Paul Murtha. Mr . T and company ruled the TV airwaves in the ‘80s, along with their equally famous and well-known theme song . A great way to pump up the crowd and fire up your own “A” team!10066122 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

TIME WARP—arr. Tom Wallace. A wild and wacky dance tune from “The Rocky Horror Picture Show .” 2338853 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

N E W ! TIME WARP, THE—arr. Shane Porter. “The Rocky Horror Picture Show” has found a new generation of fans, thanks in part to the immensely popular TV show “Glee .” The biggest song from the show is now a creative arrangement for the field . Full of excitement and drive, this chart will be a crowd favorite year after year!10273811 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

e TITAN SPIRIT (Theme from “Remember the Titans”)—arr. Jay Bocook & Will Rapp. From the powerful soundtrack of the 2000 movie “Remember the Titans,” this inspirational and uplifting theme is sure to be familiar to all audiences . Here is an exciting production for the marching field! 10088722 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 65 .00

TONIGHT—Leonard Bernstein/arr. Wallace. An absolutely beautiful closer from “West Side Story .” You’ll create emotion in the stands like you’ve never seen before with Tom Wallace’s great arrangement! 2437499 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 75 .00

TONIGHT/AMERICA (West Side Story Opener)—Leonard Bernstein/Dawson. This exciting opener from “West Side Story” is scored with the smaller band in mind . With reduced instrumentation possibilities, all bands can sound great on this American classic! 2464022 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

WAKE ME UP WHEN SEPTEMBER ENDS/HOMECOMING (American Idiot - The Musical, Part III)—arr. Brian Scott. Closing out the “American Idiot - The Musical” show is a medley of two “Green Day” hits . Wake Me Up When September Ends begins with a beautiful trumpet solo and gradually builds into Homecoming, a montage of four different melodies . The excitement keeps building throughout the chart until the final push . This one will bring the down the house! 10273834 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

WICKED - PART 1—arr. Richard Saucedo. An engaging story of everyone’s two favorite witches from the Land of Oz, “Wicked” is one of the hottest musicals on Broadway! This powerful opener for the field features the dramatic opening strains from the show and the wickedly intense No One Mourns the Wicked .2480406 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

WICKED - PART 2—arr. Richard Saucedo. From the hit Broadway musical, this production number includes a light rock treatment of Dancing Through Life and a creative setting of Defying Gravity . This arrangement has been skillfully constructed to include musical contrasts and visual impact points for the field . 2480407 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

WICKED - PART 3—arr. Richard Saucedo. This dynamic closer from the hit Broadway musical “Wicked,” featuring the tender and moving For Good and the intense No Good Deed and No One Mourns the Wicked, will leave your audience breathless!2480408 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

N E W ! WIZARD OF OZ MEETS THE WIZ, THE - PART I—arr. Victor Lopez. The timeless music from “The Wizard of Oz” is coupled with songs from “The Wiz” in a complete halftime show for your band . The opener is a collage of Ding Dong the Witch Is Dead, We’re Off to See the Wizard and The Merry Old Land of Oz from “The Wizard of Oz .” A creative and fun arrangement for the field!10273837 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

N E W ! WIZARD OF OZ MEETS THE WIZ, THE - PART II—arr. Victor Lopez. This marvelous production uses two tunes from “The Wiz .” So You Wanted to See the Wizard really grooves, and some Latin-style figures give it punch . A brief drum beak leads into the hit song A Brand New Day, which brings the medley to a rousing finish!10273839 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

N E W ! WIZARD OF OZ MEETS THE WIZ, THE - PART III—arr. Victor Lopez. “The Wizard of Oz Meets The Wiz” show concludes with two beautiful ballads . The tune Home from “The Wiz” is heard before leading into a grand arrangement of “The Wizard of Oz’s” signature song Over the Rainbow. The grand finale will bring the crowd to its feet! 10273841 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

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N E W ! BLEACHER FEACHERS—Chris Crockarell & Chris Brooks. Four pep band features like you’ve never heard before! Hot drum parts, funky band chants and hip backup band licks combine for some of the coolest pep band cheers around!2338051 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 35 .00

N E W ! CARTOON CAPERS—arr. Mike Story. Here is an awesome collection of some of the best cartoon themes of all time in four short, individual, timeout-length arrangements that are perfect for the stands or pep band . Included are: Merrily We Roll Along; The Pink Panther; (Meet) The Flintstones and Scooby Doo, Where Are You?10273897 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50 .00

CROWD TEASERS 2001—arr. Lewis Norfleet/Harkins. Five burning time-out length tunes guaranteed to work the crowd into a frenzy! Includes: Back In Black; Also Sprach Zarathustra; Play That Funky Music; Mars and Latin Burner. 2462976 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

N E W ! CROWD TEASERS 2011—arr. David Samuel. These four short tunes are just right to fire up the crowd during any timeout! This pack includes a funky blues riff, a fiery Latin groove, a brilliant fanfare and an intense rock number . All of these are the perfect length to fit between plays to keep the crowd cheering!10274573 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

FOX SPORTS THEMES—arr. Tod Edmondson. The highlight of this collection is the famous NFL On Fox fanfare, known by anyone who’s ever watched pro football on TV! A guaranteed fan energizer, you also get a lot of mileage out of the NHL On Fox and Baseball On Fox fanfares . As an added bonus, the famous 20th Century Fox Fanfare is included . . . a must for every band! 2393718 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

GET INTO THE GAME! CHEER PACK—arr. Allen Gray. Your band will sound like they’re in the Big 10 with this pack of time-out tunes! At just a few measures in length, these short charts pack a collegiate punch! 2477675 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

GRUV JAMZ—arr. Michael Sweeney & Will Rapp. Here’s a great collection of short funky jams perfect for time-outs or just getting rowdy! Includes: Uh-Oh from the movie “Drumline”; The Groove Line; Get Ready and Soul Limbo. 2473983 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50 .00

HALFTIME (Stand Up and Get Crunk)—arr. Jonathan Nelson. The strong brass line of this “Ying Yang Twins” hit makes this a natural for marching band! The crowd is sure to “stand up and get crunk!” 10088829 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

N E W ! HIP HOP STADIUM BLASTERS—Dallas Burke. These three short hip hop tunes will have your band and the crowd swaying in the stands with their hands in the air, waving like they just don’t care! Everyone will love the grooves on these timeouts!10274536 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

HIP-HOP HOOKS—arr. Jeff Simmons. This cheer pack includes just the “hooks” from some of the all-time biggest-selling hip-hop and pop artists, such as Lady Gaga, Flo Rida, Pitbull and the “Beastie Boys .” Instantly recognizable and loads of fun for the stands! Titles include: Bad Romance; I Know You Want Me (Calle Ocho); Fight for Your Right (to Party) and Right Round. 10090163 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

HIP-HOP TIMEOUTS—arr. Ralph Ford. Get the crowd going this year with this set of three timeout-length arrangements of some of the most popular hip-hop tunes around! Featuring Let’s Go by Trick Daddy and T . I .’s Whatever You Like and Live Your Life, these charts will come together quickly and easily! 10087949 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

N E W ! HORSE, THE—arr. Paul Murtha. Originally a pop hit for Cliff Nobles in 1968, here is a high energy updated version designed to sound great with small bands . Featuring a very danceable groove and bass line, as well as hot brass riffs and a short percussion break, this is sure to be a hit with today’s bands! 10274307 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! HORSE, THE—arr. Jerry Burns. One of the most popular tunes with football and basketball crowds everywhere is now in the easiest arrangement ever! Solidly scored and big on sound, this is sure to win, place and show! 10273911 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40 .00

“IN THE RED ZONE” CHEER PACK—arr. Allen Gray. This pack of stands tunes has everything you need to get the crowd on their feet and keep them cheering! Just the right length for timeouts, the set includes two hip hop style jams, a fast-paced gallop, a brass fanfare with band vocals, quotes from Mars, and a short swing cheer . 10274534 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

“IN THE ZONE” CHEER PACK—arr. Allen Gray. This pack of four funky cheers is just right for the game! Your band will rock the stands with these! 2480817 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

JOCK ROCK—arr. Paul Lavender. Take a look at these monster rock hits guaranteed to make any pep band sound terrific! Includes: Rock & Roll Part 2 (The Hey Song); Y.M.C.A.; Tequila; Wild Thing and We Will Rock You. Essential crowd-hyping music! 2341949 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 45 .00

MONSTER JAMS—arr. Paul Murtha, Michael Sweeney & Paul Lavender. Monster rock tunes to strike the fear in the hearts of your opponents! Turn the volume up with this hard-hitting collection, which includes: Frankenstein; Godzilla; Iron Man and Super Freak. 2477292 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

e NFL ON FOX—arr. Michael Brown. Anyone who watches football on television has heard this high-powered and explosive theme song! Perfect for the stands or pep rallies, indoors or on the field, this great sounding chart that’ll get the adrenaline pumpin’! 10019109 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

e POP JAMS VOL. 1—arr. Paul Murtha. Liven up any sports rally or game with these well-known hits! Includes: Poker Face (Lady GaGa); She Wolf (Shakira); Funhouse (Pink) and Single Ladies (Beyonce) . 10088745 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50 .00

QUICKSTAND PACK—arr. Victor Lopez. This set of twelve extremely short arrangements was designed to be performed in between plays, or just about any time! Included are: Celebration; Eye of the Tiger; Gonna Fly Now; Rock Around the Clock; Dragnet; Sweet Georgia Brown; Macarena; Tomahawk Chop; The Merry-Go-Round Broke Down; Hallelujah; Gonna Make You Sweat and Conga.10045813 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

ROCK & ROLL - PART II (The Hey Song)—arr. Paul Lavender. Everybody knows the word(s) to this one! Sure to get the crowd rowdy and loud! 2471287 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! SCREAMIN’ DRUM JAMZ (Stand Cheers for Percussion)—Carl Major. Here are four groovy stands tunes for drum line with band shouts . Cheering for the team is much more fun when the drummers are playing hot licks! 10274537 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

SHORTIES #15—arr. Victor Lopez. The fifteenth installment of the popular “Shorties” series brings four more time out favorites! Titles include: Hey! Baby!; Brain Stew; Beat It and Conga.10066154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

N E W ! SHORTIES #17—arr. Victor Lopez. The 17th volume of this very popular series features four more short timeout-length arrangements for the stands or pep bands . This top-notch set includes: Heavy Action (Theme from “Monday Night Football”); Immigrant Song; The Way You Make Me Feel and Any Way You Want It. 10273857 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

N E W ! SLAMMIN’ JAMMIN’ CHEER PACK II: THE SEQUEL—Dallas Burke. Part 2 of this cheer pack includes all you’ll need to keep the crowd in the game! Featured are some new takes on the old classics along with some new original cheers to spice things up a little . Written with limited instrumentation, these timeouts make a band of any size sound big! 10274535 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60 .00

SLAMMING JAMMING CHEER PACK—arr. Dallas Burke. Eight all-time crowd favorites just right for the stands! These are cheers everyone knows and loves already, so organize the chaos with this well-arranged set! 2463222 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

STADIUM JAMS VOL. 2—arr. Paul Murtha. Here is a dynamic collection of short versions perfect for time-outs and stirring up the crowd! Includes the classic rock hits Back in Black; Enter Sandman; Kernkraft 400 and Sharp Dressed Man. This is an absolute must-have for pep bands!10026498 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .0010026498E . . . . . . . . . . . . . . . . . . . . . . . . . .e-Print ME 50 .00

e STADIUM JAMS VOL. 3—arr. Paul Murtha. Every band needs short versions of hot tunes to fire up the crowd and their team during time-outs or pep rallies . Here’s a collection of indispensable rock classics, including: Barracuda; Carry on Wayward Son; Paranoid and Final Countdown. An absolute must-have for pep bands! 10066602 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

e STADIUM JAMS VOL. 4—arr. Paul Murtha. Featuring hits recorded by “The Black Eyed Peas,” here is a terrific collection of time-out “shorties” for the stands! Includes: Let’s Get It Started; Pump It; I Gotta Feeling and Boom Boom Pow. 10088738 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

e STADIUM JAMS VOL. 5—arr. Jay Bocook. These rousing snippets have been played in college stadiums across the country, and now you can bring this exciting brand of intimidation to your own games! Includes: Verdi’s Requiem; William Tell Overture; Mars and Night on Bald Mountain. 10088739 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

STADIUM ROCK—arr. John Higgins. Some great short rock bits for the stands, including: We Will Rock You; Another One Bites The Dust and We Are The Champions! What more can you need?2206431 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

N E W ! SUPER COOL JAM SHORTS—arr. Ayatey Shabazz. This set of four timeout jams are just what you need to keep the energy pumpin’ in the stands! The cheerleaders and color guard can help out by dancing to: I Know You Want Me (Calle Ocho); Crank That; Da Dip and I Like the Way You Move It. 10274592 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

sTands, cheers & PeP band P

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ALL-STAR SPORTS PAk18 Hot Tunes at the Easy Levelarr. Mike Story.

This is an absolutely super collection of short, easy arrangements for marching or pep band! Mike Story has selected some of the hottest tunes around...tunes that every fan will recognize...and has crafted arrangements that are short, to the point, and exactly what you need to energize the crowd! Parts are included for synthesizer, electric bass and drum set to give your group a really up-to-date sound. Easy and full-sounding, these mini-charts are conveniently printed in a lyre-size book. Songs include: Sweet Georgia Brown; Tequila; Wipe Out; Ghostbusters; I Get Around; Fun, Fun, Fun; The Lion Sleeps Tonight; Jeopardy Theme; Smoke On The Water; Proud Mary; Peter Gunn; Old Time Rock & Roll; Mighty Morphin Power Rangers; The Magnificent Seven; Batman Theme; Sing, Sing, Sing; Cheer Pax and The Star Spangled Banner.

2320091 Flute/Piccolo . . . . . . . . . . . . . . . . . . . . . . . . . 3.952320109 Clarinet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952320117 Clarinet Easy or Bass . . . . . . . . . . . . . . . . . . 3.952320125 Alto Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952320133 Tenor Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952320141 Baritone Sax . . . . . . . . . . . . . . . . . . . . . . . . . 3.952320158 Trumpet 1. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952320166 Trumpet 2. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952320174 Horn in F . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952320182 Horn in Bb . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952320190 Trombone. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952320208 Baritone B. C. . . . . . . . . . . . . . . . . . . . . . . . . 3.95

CHAMPIONSHIP SPORTS PAkarr. Mike Story.

Here’s a collection of crowd energizers that’s guaranteed to get your fans on their feet! The short arrangements are all at the Easy Level, and give you plenty of ammunition for time-outs, pep rallies and other occasions. And check out the song titles...every one’s a winner! Songs include: Land of a Thousand Dances; Imperial March (Darth Vader’s Theme); Gonna Fly Now (Theme from Rocky); Wooly Bully; Your Mama Don’t Dance; Celebration; Star Wars (Main Theme); Freeze Frame; Dragnet; Mony, Mony; Barbara Ann; Gimme Some Lovin’; Jump; La Bamba; Hang On Sloopy; Louie, Louie; Macarena; My Sharona; Oh, Pretty Woman; Merrily We Roll Along (Theme from The Bugs Bunny Show) and Star Spangled Banner.

2394047 Flute/Piccolo . . . . . . . . . . . . . . . . . . . . . . . . . 3.952394054 Clarinet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952394062 Clarinet (Optional Easy Part) . . . . . . . . . . . . 3.952394070 Alto Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952394088 Tenor Sax /Baritone T.C. . . . . . . . . . . . . . . . 3.952394096 Baritone Sax . . . . . . . . . . . . . . . . . . . . . . . . . 3.952394104 Trumpet 1. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952394112 Trumpet 2. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952394120 Horn in F . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952394138 Horn in Bb . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952394146 Trombone. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952394153 Baritone B. C. . . . . . . . . . . . . . . . . . . . . . . . . 3.95

Jam wiTh These rockin’ collecTions!

CLASSIC ROCk HITSVarious Arrangers.

You’ll find some of the hottest tunes around in this great collection, each one taken from Hal Leonard’s “Easy Marching Band Series” and “Series One.” Available in a folio format, these charts work both indoors and out, and even have parts for Electric Bass and Drum Set to give your indoor performance more of a rock sound! Songs include: Another One Bites the Dust; Born to be Wild; Danger Zone; Gimme Some Lovin’; Gonna Make You Sweat; I Feel the Earth Move; I Got You (I Feel Good); Low Rider; My Boyfriend’s Back; Takin’ Care of Business; Twist and Shout; We Will Rock You; What I Like About You; Wild Thing and You Give Love a Bad Name.2341998 Flute . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.252342004 Clarinet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.252342012 Alto Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.252342020 Tenor Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.252342038 Baritone Sax . . . . . . . . . . . . . . . . . . . . . . . . . 3.252342046 Trumpet 1. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.252342053 Trumpet 2. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.252342061 Trumpet 3. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.252342079 Horn in F . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.252342087 Trombone. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.252342095 Baritone B. C. . . . . . . . . . . . . . . . . . . . . . . . . 3.252342103 Baritone T. C.. . . . . . . . . . . . . . . . . . . . . . . . . 3.252342111 Tuba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.252342129 Electric Bass. . . . . . . . . . . . . . . . . . . . . . . . . . 3.252342137 Bells/Xylophone . . . . . . . . . . . . . . . . . . . . . . 3.252342145 Snare Drum . . . . . . . . . . . . . . . . . . . . . . . . . . 3.252342152 Cymbals. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.252342160 Quad-Toms . . . . . . . . . . . . . . . . . . . . . . . . . . 3.252342178 Tonal Bass Drums . . . . . . . . . . . . . . . . . . . . . 3.252342186 Auxiliary Percussion . . . . . . . . . . . . . . . . . . . 3.252342194 Drum Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.252342202 Conductor Score . . . . . . . . . . . . . . . . . . E 16.952342210 Value Pack. . . . . . . . . . . . . . . . . . . . . . . . . .99.00

JOCk JAMS SUPER BOOkVarious Arrangers.

An unbelievable collection of the greatest stands tunes ever assembled in a single publication! Features short time-out versions at the Medium Easy Level of just about every hot jammin’, slammin’, rockin’ and poppin’ tune you could ever think of playing in the stands! If your band plays for any type of sporting event of pep rally, you can’t afford to be without this collection of hits! Includes over 30 stands favorites! Songs include: The Hey Song; Devil with the Blue Dress; Get Ready for This; We Will Rock You; Y.M.C.A; Wild Thing; Gimme Some Lovin’; Born to be Wild; Walk This Way; Twist and Shout and many more!2393148 Flute/Piccolo . . . . . . . . . . . . . . . . . . . . . . . . . 3.502393155 Clarinet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.502393163 Alto Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.502393171 Tenor Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.502393189 Baritone Sax . . . . . . . . . . . . . . . . . . . . . . . . . 3.502393197 Trumpet 1. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.502393205 Trumpet 2. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.502393213 Trumpet 3. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.502393221 Horn in F . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.502393239 Horn in Bb . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.502393247 Trombone. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.502393254 Baritone B. C. . . . . . . . . . . . . . . . . . . . . . . . . 3.502393262 Baritone T. C.. . . . . . . . . . . . . . . . . . . . . . . . . 3.502393270 Tuba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.502393288 Electric Bass. . . . . . . . . . . . . . . . . . . . . . . . . . 3.502393296 Bells/Xylophone . . . . . . . . . . . . . . . . . . . . . . 3.502393304 Snare Drum . . . . . . . . . . . . . . . . . . . . . . . . . . 3.502393312 Cymbals. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.502393320 Quad-Toms . . . . . . . . . . . . . . . . . . . . . . . . . . 3.502393338 Tonal Bass Drums . . . . . . . . . . . . . . . . . . . . . 3.502393346 Auxiliary Percussion . . . . . . . . . . . . . . . . . . . 3.502393353 Drum Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.502393361 Conductor Score . . . . . . . . . . . . . . . . ME 16.952393379 Value Pack. . . . . . . . . . . . . . . . . . . . . . . . . .99.95

STADIUM HIT MIxVarious Composers.

Jam packed with high-energy hits for the stands or field, here is a collection of fifteen easy arrangements you can use year after year! These charts all sound great with limited rehearsal time. Titles include: Accidentally in Love; Boom Boom; Brick House; Fun, Fun, Fun; Funkytown; Get Ready; I Want You Back; Let’s Get It Started; My Girl; Respect; Rock & Roll - Part II (The Hey Song); Secret Agent Man; Smoke on the Water; 25 or 6 to 4 and Yeah!10046533 Flute/Piccolo . . . . . . . . . . . . . . . . . . . . . . . . . 4.5010046543 Clarinet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.5010046546 Alto Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.5010046547 Tenor Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.5010046548 Baritone Sax . . . . . . . . . . . . . . . . . . . . . . . . . 4.5010046549 Trumpet 1. . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.5010046550 Trumpet 2. . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.5010046551 Trumpet 3. . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.5010046552 Horn in F . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.5010046553 Horn in Bb . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.5010046555 Trombone. . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.5010046556 Baritone B. C. . . . . . . . . . . . . . . . . . . . . . . . . 4.5010046557 Baritone T. C.. . . . . . . . . . . . . . . . . . . . . . . . . 4.5010046558 Tuba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.5010046562 Electric Bass. . . . . . . . . . . . . . . . . . . . . . . . . . 4.5010046563 Bells/Xylophone . . . . . . . . . . . . . . . . . . . . . . 4.5010046564 Snare Drum . . . . . . . . . . . . . . . . . . . . . . . . . . 4.5010046565 Cymbals. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.5010046566 Quad-Toms . . . . . . . . . . . . . . . . . . . . . . . . . . 4.5010046567 Tonal Bass Drums . . . . . . . . . . . . . . . . . . . . . 4.5010046568 Auxiliary Percussion . . . . . . . . . . . . . . . . . . . 4.5010046569 Drum Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.5010046571 Conductor Score . . . . . . . . . . . . . . . . . . E 24.9510046570 Value Pack 34 Part Books . . . . . . . . . . . 129.95

THE ULTIMATE COLLECTION FOR MARCHINg AND PEP BAND Various Arrangers. Check out this awesome collection of some of the best rock and pop songs ever! The entire collection is full of winners, and the complete instrumentation makes this perfect for the stands as well as for pep bands. Titles include: Blitzkreig Bop; What’d I Say; Cupid; Gimme Some Lovin’; Great Balls of Fire; (I Can’t Get No) Satisfaction; Shake, Rattle and Roll; Sunshine of Your Love; When a Man Loves a Woman and Hot Stuff. 10088027 Flute/Piccolo . . . . . . . . . . . . . . . . . . . . . . . . 4.9510088028 Clarinet . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.9510088029 Alto Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.9510088030 Baritone Sax . . . . . . . . . . . . . . . . . . . . . . . . 4.9510088031 Trumpet 1. . . . . . . . . . . . . . . . . . . . . . . . . . . 4.9510088036 Trumpet 2. . . . . . . . . . . . . . . . . . . . . . . . . . . 4.9510088038 F Horn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.9510088040 B Flat Horn. . . . . . . . . . . . . . . . . . . . . . . . . . 4.9510088041 Low Brass & Woodwinds Part 1 BC . . . . . 4.9510088042 Low Brass & Woodwinds Part 2 BC . . . . . 4.9510088043 Low Brass & Woodwinds Part 1 TC. . . . . . 4.9510088044 Low Brass & Woodwinds Part 2 TC. . . . . . 4.9510088045 Electric Bass Opt. Baritone BC

(Tuba Double) . . . . . . . . . . . . . . . . . . . . . . . 4.9510088046 Tuba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.9510088047 Mallet Percussion (Bells, Xylophone) . . . . . 4.9510088048 Snare Drum . . . . . . . . . . . . . . . . . . . . . . . . . 4.9510088049 Quad-Toms . . . . . . . . . . . . . . . . . . . . . . . . . 4.9510088050 Tonal Bass Drums (4 Pitch) . . . . . . . . . . . . . 4.9510088051 Cymbals. . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.9510088052 Keyboard. . . . . . . . . . . . . . . . . . . . . . . . . . . 8.9510088053 Drum Set . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.9510088054 Conductor Score . . . . . . . . . . . . . . . . . E 24.95

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2320224 Baritone T. C.. . . . . . . . . . . . . . . . . . . . . . . . . 3.952320232 Tuba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952320240 Bells . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952320257 Xylophone . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952320265 Snare Drum . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952320273 Quad-Toms . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952320281 Bass Drum/Tenor Drum . . . . . . . . . . . . . . . . 3.952320299 Cymbals. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952320307 Keyboard. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952320315 Drum Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952320216 Electric Bass. . . . . . . . . . . . . . . . . . . . . . . . . . 3.952320323 Conductor Score . . . . . . . . . . . . . . . . . . E 15.95

2394161 Electric Bass (Opt. Bariton B.C.). . . . . . . . . . 3.952394179 Baritone T. C. (Optional) . . . . . . . . . . . . . . . 3.952394187 Tuba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952394195 Bells . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952394203 Xylophone . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952394211 Snare Drum . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952394229 Quad-Toms . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952394237 Bass Drum/Tenor Drum . . . . . . . . . . . . . . . . 3.952394245 Cymbals. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952394252 Keyboard. . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.952394260 Drum Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.952394039 Conductor Score . . . . . . . . . . . . . . . . . . E 15.95

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BIG NOISE FROM WINNETKA—arr. Robert W. Smith. Here is a big band classic turned into a rip-roaring showcase for your band! All the stops have been pulled out on this one, with screaming trumpet solos, a percussion feature and in-your-face sounds from start to finish! 2413599 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

BIRDLAND—arr. Tom Wallace. “Weather Report’s” fusion masterpiece is set as a corps-style opener/production number . A serious chart designed to make the most of field show possibilities, Birdland will really set your band apart from the pack! 2395556 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

BIRDLAND—arr. Mike Sweeney. Originally recorded by the innovative jazz fusion group “Weather Report,” Birdland has become one of the most popular jazz tunes ever . The undeniable groove will make it an instant favorite of your band, and the audience won’t be able to help clapping along! 10008204 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

BROOKLYN—arr. Nick Baratta. One of the most progressive musical groups to come along in years is the “Youngblood Brass Band .” This innovative ensemble creates hip-hop interpreted by six horns and two percussionists . Check out this hip, energetic arrangement of one of “YBB’s” best! 10027140 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

CHAMELEON—arr. Chris Sharp. Take a little funk, add a bit of rock, throw in some jazz and you’ve got a hot marching band chart! This Herbie Hancock classic uses exciting ensemble writing and that legendary bass line will have everyone rockin’ out! 10274569 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

CHILDREN OF SANCHEZ—Chuck Mangione/arr. Ford. Here is the Chuck Mangione classic in a dynamic arrangement by Ralph Ford . It’s a real crowd pleaser that your band will love to play! 2471699 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 55 .00

N E W ! COCONUT CHAMPAGNE—arr. Victor Lopez. If you are looking for a dynamite stands chart or production number, look no further than this sizzling arrangement! Made famous by legendary jazzman and trumpeter Maynard Ferguson, this Latin jazz tune has it all . Check it out! 10273807 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55 .00

ECHANO—Chuck Mangione/arr. Dawson. This burning Latin percussion feature is a great change of pace and is sure to get some attention! Jay Dawson’s arranging skills ensure your band will sound its best . 2472048 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

EL GATO TRISTE—Chuck Mangione/arr. Dawson. This pensive Mangione melody will bring your show to a gentle close . But wait! There’s a high-energy tag for that last stunning drill move that will leave them calling for more! 2472049 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

EVERYTHING—arr. Jay Dawson. Penned by Michael Buble, this adult contemporary pop hit is a fun and energetic field selection . Perfect as a show closer! 10274752 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

FEVER—arr. Tom Wallace. Michael Buble’s sultry and soulful vocals have brought this classic standard a breath of fresh air . This arrangement for the field is complete with big band hits, jabs and stabs! 10274748 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

GEORGIA ON MY MIND—arr. Michael Sweeney. This opener really wails! With a tip of the hat to the “Spirit of Atlanta” drum corps, a sultry trumpet solo gets things going before the full ensemble build . The slow, bluesy finish will have them on their feet! 2462489 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

GET IT ON—Bill Chase/arr. Boerma. Bill Chase’s most famous tune makes a fantastic closer for any show! With a percussion solo strategically placed in the middle, and a surprise woodwind climax at the end, this one will have the crowd on their feet! 2472061 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA 70 .00

GET IT ON—arr. Brian Scott. Get the crowd movin’ with this driving jazz-rock classic from Bill Chase! The infectious melody and low brass groove make one hot chart that is sure to be a band and audience favorite! 10045805 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

HANDBAGS AND GLADRAGS—Bill Chase/arr. D’Abo. This tune features your woodwinds in both the opening and closing of the chart and will show off your band’s full potential!2472060 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA 80 .00

IT HAD BETTER BE TONIGHT—arr. Jay Dawson. Originally composed by Henry Mancini for the 1963 film “The Pink Panther,” this has become standard repertoire for many performers . The merging of Mancini’s music with the stylings of Michael Buble renders an intense and exciting musical adventure for the field!10274746 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

JUMP, JIVE AN’ WAIL—arr. Michael Sweeney. This hot chart epitomizes the revitalized swing style that’s sweeping the nation! Louis Prima’s jumpin’ tune has been featured in the jitterbuggin’ Gap TV commercial, and a whole new generation loves it! This arrangement cooks from the beginning all the way to the final shout chorus! 2407377 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

LA SUERTE DE LOS TONTOS—arr. Victor Lopez. Look no further than this jazz and drum corps staple to set the field on fire! This hot Latin chart will definitely get the audience’s attention!10045826 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

LAND OF MAKE BELIEVE—arr. Jay Dawson. Here’s a happy setting of one of Chuck Mangione’s best-loved tunes . It starts off slowly with trumpet and alto sax solos, then kicks it up a notch into a hot samba . Impressive! 2472047 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

N E W ! LEGEND OF THE ONE-EYED SAILOR—arr. Jim Ott, John M. Meehan, Scott Johnson and Michael Huestis. Here’s the Blue Devils’ signature tune from the 1970s by Chuck Mangione . 10274704 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 75 .00

MANGIONE OPENER—arr. Jay Dawson. What a way to open! A powerful fanfare of Feels So Good leads into a driving arrangement of Children of Sanchez. These classic Mangione hit songs have been carefully scored so that even smaller bands sound big! 2472046 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

MERCY, MERCY, MERCY—arr. Jay Dawson. Looking for a cool tune for the stands? You can’t miss with this ‘60s soul classic! 2464147 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 55 .00

MERCY, MERCY, MERCY—arr. Dallas Burke and Carl Major. This smooth, yet sassy jazz/soul classic was ready-made for the marching band field! If you’re looking for a hot standard, here it is! 10274572 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65 .00

OPEN UP WIDE—Bill Chase/arr. Boerma. The legendary works of Bill Chase are now available for your band! This exciting jazz-rock opener features trumpet and trombone soloists, arranged by Scott Boerma of the “Madison Scouts .” 2472059 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA 70 .00

SING SING SING—arr. Jerry Burns. The big band classic from Benny Goodman has been crafted into a great-sounding but oh-so-easy chart that will make any band sound great!10066179 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 40 .00

SING, SING, SING—arr. Ralph Ford. Here is one of the greatest big band tunes ever written in a terrific arrangement for marching band! Some interesting new twists are sure to make this a memorable performance number for your band every time they play it!10008604 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

SPAIN—arr. Jay Bocook. Featuring a dramatic maestoso introduction including trumpet solo, then the churning Latin jazz Chick Corea flair, this impressive production number is a real powerhouse! A short trombone solo is included, and you can use a soloist, small group, or even the entire band on the signature unison lick . Hot!10026465 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA 75 .00

ST. LOUIS BLUES—arr. Jerry Burns. One of the most recognizable jazz tunes ever! W .C . Handy’s St. Louis Blues is surely a classic and this easy marching band arrangement is written to sound huge, outdoors or indoors . Your audience will love this one!10027206 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 40 .00

STOMPIN’ AT THE SAVOY—arr. Mike Story. Great jazz and big band tunes make great marching band charts! Check out this easy but effective swingin’ arrangement of one of the best big band tunes ever! 10087996 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

SWING, SWING, SWING—arr. Jay Bocook & Will Rapp. From the motion picture “1941”, this is John Williams’ tongue-in-cheek tribute to the big band era . This adaptation of the swingin’ arrangement for the “Cadets Drum and Bugle Corps” is a stunning production number for marching band that will leave the crowd in awe! Featuring the sax section, a trumpet solo and hot ensemble punches, it’s just like having a mega jazz band on the field!2340024 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA 75 .00

THEME FROM SPIDERMAN—arr. Joe Murphy. Originally composed for the “Spiderman” cartoon series in the late ‘60s, Michael Buble released his cover of the tune in 2004, showing his talent by performing it in a variety of styles . 10274749 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 80 .00

WATERMELON MAN—arr. Tom Wallace. Herbie Hancock’s jazz/rock hit makes a great chart for the stands, and Tom’s arrangement is just what you’d expect . . .loud and fast! 2373496 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60 .00

WHEN THE SAINTS GO SWINGIN’ IN—arr. Jerry Burns. Get them swingin’ in the stands this year with this solid arrangement of When the Saints Go Marching In! An outstanding addition to any jazz show or New Orleans tribute! 10027214 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 40 .00

GreaT Tools For Drum Majors!We honor the memory of George N. Parks and remember all he has given to the marching band world. The drum major of all drum majors leaves a legacy of field conductors, music educators and strong leaders from all walks of life. He will be greatly missed, but never forgotten.

THE DYNAMIC DRUM MAJOR George Parks. Whatever you do, get yourself a copy of this book! And also get copies for your drum majors and aspiring drum majors! This incredibly outstanding text is the clearest, most complete book on this subject that has ever been written, and is “required reading” for every band director and drum major. Loaded with photographs and diagrams, the “Bible” for drum majors includes topics such as leadership development and teaching techniques, field conducting, competition preparation, showmanship, adjudication, selection and training, philosophy and much more. This is without question an invaluable book, and carries our highest recommendation! 2134005 Book. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19.95

THE ExPRESSIVE DRUM MAJOR BOOk Doug Brasell. The latest title in “The Expressive Drum Major” series, this book is a tremendous tool for all drum majors! Many features from both DVDs are included in this printed edition, such as: conducting pattern examples; conducting standards in legato and marcato; what a judge looks for in competition; cueing standards, performance construction; saluting standards and examples and more.10009959 Paperback Book. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26.95

THE ExPRESSIVE DRUM MAJOR, VOL. 1 Doug Brasell. Drum majors from middle school through college will find this DVD extremely helpful in their quest to be the best drum major they can be. Students are guided through audition preparation; basic field conducting; cueing standards; basic showmanship; muscle coordination; how to prepare for a leadership position and much more. Taught by Doug Brasell, this DVD will be most beneficial for those wanting to take on the challenge of being drum major.5991138 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49.95

THE ExPRESSIVE DRUM MAJOR, VOL. 2 Doug Brasell. In this sequel to “The Expressive Drum Major, Vol. 1” student drum majors will continue to learn and improve on leading the marching band. Advanced field conducting techniques; conducting standards in legato and marcato; advanced cueing and saluting standards are just some of the techniques Doug Brasell teaches in this DVD that will be beneficial to new and seasoned drum majors.10009067 DVD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49.95

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MARCHINg BAND STARTER kITS2045441 With Boxes. . . . . . . . . . . . . . . . . . . .59.95231855 With Envelopes . . . . . . . . . . . . . . . .29.95

BOxES 958389 1” (Model 40-2) . . . . . . . . . . . . . . . . 0.60958397 1 1/2” (Model 40-3) . . . . . . . . . . . . 0.60

ENVELOPES5218532 Marching Band Size (Model 20-1) . . 0.25

File Finder

The first choice!

DRILL DESIgN PAPER - STATE OF THE ART Pad of 50 Sheets Bill Raxsdale.

The first choice of marching band directors and drill instructors everywhere! If you don’t already know about it, see for yourself just how well-designed and useful this is. It will make your life a lot easier during marching band season! 2077709 Book. . . . . . . . . . . . . . . . . . . . . . . . . 12.95

PEPPER PICK!

PEPPER PICK!

PEPPER PICK!

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PEPPER PICK!

classical feaTures BOO-RAY—arr. Chris Brooks. This popular theme from J . S . Bach is a great choice for rounding out a classical show! It includes optional marimba and timpani parts for drum lines with a larger pit . 10028317 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! FLIGHT OF THE BUMBLEBEE—arr. Ricky Burkhead. Show off your mallet players’ skills with this arrangement of Rimsky-Korsakov’s famous piece! Mallets will certainly be flying over the keyboards, leaving the audience in awe!10274589 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

contest features N E W ! 3 BY THREE—Brian Mason. This feature for experienced drum lines is scored for full battery, bells, xylophone, two vibraphones, three marimbas, timpani and accessory percussion . 10274655 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A 55 .00

N E W ! ANORAKS—Chris Crockarell. Here’s a whacky feature that shows off the boomwhackers! 10274619 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

ARUBAN JAM—Ian Smith. If you’ve never been to Aruba, this feature will take you there . Lots of nice colors and great battery writing make this feature a winner for any show! 10067458 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

BARRACUDA—Dustin Schletzer. A short, yet cool, 12/8 battery feature to show off your troops! 10067455 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 30 .00

BLAZED BLUES—Joe & Josh Horvath. Your young drum line can show off their bluesy side with this easy to learn feature . Scored for full battery, xylophone, bells and auxiliary percussion .10028316 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

BORDERLINE—Chris Brooks. An accessible feature for high school drum lines . Scored for battery, four mallets and timpani . 2394906 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

CHEETAH—Dustin Schletzer. A 50-second battery feature that will stop the competition in their tracks! Scored for snare, tenors, cymbals and bass drums . 10028320 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 30 .00

N E W ! CODE MONKEY—Chris Brooks. Your drum line will go bananas for this easy feature! 10274613 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

FALCON—John Hearnes. A great battery-only “transitional” that will work well for the intermediate drumline . An impressive sounding piece that moves along at a swift pace! 10090143 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 25 .00

N E W ! G WHIZ—Ricky Burkhead. Here’s a bright feature for your drum line that will add a burst of melodic energy to your show!10274587 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

N E W ! GALAXY 9—John R. Hearnes. Take a space voyage with this feature for experienced drum lines! 10274629 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA 50 .00

GO WIT D’ FLOW—Chris Brooks. Fun interplay between the snares and tenors makes this feature a visual show-off! A cool groove with a haunting low 2nd xylophone riff makes this one a must-have! 10009818 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

INFERNO—Chris Brooks. This fiery, up-tempo feature is perfect for a contemporary jazz show! Rich mallet colors, lots of timpani and blazin’ battery licks keep this feature moving!10028321 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

N E W ! JAGUAR—John R. Hearnes. Your drum line will sound smooth and suave with this easy feature! 10274616 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! LEVEL 7.4—Julie Davila. This challenging chart pulls out all the stops with this feature that’s scored for full battery, bells, xylophone, two sets of vibes, three marimbas, timpani, synthesizer, bass guitar and accessory percussion . 10274631 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A 55 .00

MO COWBELL—John R. Hearnes. You want cowbells? You GOT cowbells! Scored for full battery, bells and xylophone, this easy percussion feature has a certain “moo-nificent” appeal!10046412 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

MOONWALKIN’—Chris Brooks. A cool little funky “thang” that will have the audience on their feet! Your drumline will easily slide on and off the field with this one! 10046411 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

MORE COWBELL BABY (Ode to the Cowbell)—Carl Major. You can never have too much cowbell! Here’s a whole chart that features not just one, but two cowbells and agogo bells! This one will bring down the house! 10089244 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

OWAMBO—Chris Crockarell. Pull out your African drums for this fun and easy percussion feature! Scored for full battery, xylophone, bells and auxiliary percussion, the jungle beat is infectious! 10028315 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! PRIMAL INSTINCT—Chris Brooks. Your drummers are sure to find their inner warrior when they play this feature!10274626 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

ROLLING BLACKOUT—Chris Brooks. This machismo feature shows off the battery while the pit simmers and grooves hard!10067456 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

N E W ! SOCA DA GROOVE—Lalo Davila. Take a trip to the Caribbean with this feature that includes optional parts for bass guitar and steel pan! 10274618 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 45 .00

SOLSTICE—Erik Johnson. Smooth feature at the medium level with lots of nice mallet work . 2337905 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

SYNCO LA GROOVO—Chris Crockarell. A fun, easy feature with lots of percussion toys to include as many “extras” as you wish . Scored for full battery, bells and xylophone . 10090142 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! TOM TOM TOMAHAWK—David England. Put the toms front and center for this bold feature! 10274617 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 45 .00

TRASHIN’ THE CAMP—arr. Will Rapp. This entertaining tune from Disney’s “Tarzan” makes a terrific percussion feature . Includes suggested visual effects .2430767 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 35 .00

N E W ! TRAVAIL—David England. Your drum line may endure trials and tribulations and maybe even a little pain to get this challenging feature together . But it will be well worth it! 10274641 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A 55 .00

N E W ! TWILIGHT ZONED—Kennan Wylie. The drum line will sound out of this world when they play this challenging feature!10274621 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

WALK THE WALK—Glenn Ceglia. Got bells and xylophone? Then you’ll love this easy marching percussion feature! Easy to play, easy to perform, easy to groove with! 10009816 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

latin features BLUE GROOVE—Kennan Wylie. A cool Latin groove and excellent battery writing make this feature a great choice for any larger drum line! 10028318 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

OYE COMO VA—arr. Thom Hannum. This hot Latin favorite is a guaranteed winner! Scored for full battery, four mallet instruments, timbales and other Latin instruments and optional bass guitar . 2437275 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50 .00

stands features FUNKTAFIED GAME BEATS—Carl Major. Keep the energy up during timeouts when your drumline lets loose on these four jammin’ beats! 10089242 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50 .00

GRIDIRON GROOVES—Joseph Murfin. Perfect for timeouts, these short grooves will keep the stadium rockin’ and jammin’ through every game! 10089243 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

N E W ! GRIDIRON GROOVES II—Joseph Murfin. These four drum line grooves are just the right length to play in any sporting event to get the crowd and the team hyped up!10274546 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

N E W ! JAMIN’ DRUM BEATS IN THE STANDS—Carl Major. Like the title says, here are four short, jamin’ grooves to feature your percussion section during the game . 10274547 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

JAMIN’ FAN JAMZ—Carl Major. Let your drumline lead the timeout cheers with this pack of four fun short features!10089238 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50 .00

PEP GROOVES 2010—Alan Keown. Energize the audience with these four killer grooves that are short but hot!10089286 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

N E W ! PEP GROOVES 2011—Alan Keown. These four short drum line grooves are the perfect length to rock any timeout!10274574 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

N E W ! RAPITY RAP...GONNA DRUM BACK!—Carl Major. This fun and funky percussion feature makes use of snare drum, tenors, bass drums, auxiliary percussion, an electric or keyboard bass and one of your students as a break out rap star! You don’t need two turntables and a microphone when you’ve got a drum line and a student that can rock the house! 10274548 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

features with band

ANY WAY YOU WANT IT—arr. Chris Crockarell & Jay Dawson. Rock the house with this energetic classic by “Journey!” Optional full band parts are included . 2412229 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

BLEACHER FEACHERS—Chris Crockarell & Chris Brooks. Four pep band features like you’ve never heard before! Hot drum parts, funky band chants and hip backup band licks combine for some of the coolest pep band cheers around!2338051 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 35 .00

WALKIN’ ON THE SUN—arr. Chris Brooks & Chris McDonald. The “Smashmouth” hit arranged as a percussion feature with full band . Includes a mini battle between drum-set and battery . 2437192 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

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resources For Your Drumline!

5 DAYS OF DRUM CAMP Carl Major. Your drumline will be ready for anything after they take on these five warmups that each focus on a different technique. From unison rhythms and timing to double beats, from accents and inner beats to triplets and sextuplets, as well as roll break downs and tap rolls, these exercises will have the whole line in shape in five days! 10089246 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00

5 MORE DAYS OF DRUM CAMP Carl Major. The sequel to “5 Days of Drum Camp,” this set features a comprehensive set of warm-ups and technique builders designed to get your battery off to a great start. Each day has a specific set of exercises that should be played at varying tempos to tighten up the ensemble and develop their chops. The intensity builds each day as the students continue to mesh and develop into a seasoned drum line!10274550 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00

BACkFIELD BEATS 2009 Alan Keown & Matt Keown. Three warm ups for superior drumlines. Sharpen their focus, technique and get them grooving before you start the show!10066794 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00

CYMBAL TECHNIQUE 101 Basic to Advanced Edward Capps. Beginning with the basics of holding the cymbals correctly to performing techniques such as zings and scratches, this book and DVD pack gives cymbal players a foundation on which to hone their skills. The book contains detailed descriptions of each technique and gives diagrams to show how the technique is to be carried out. The DVD accompanies the book by giving a complete visual performance of each technique. Cymbal players, band directors and drumline instructors will all find this pack invaluable to the success of the percussion section.5990790 Paperback Book. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34.95

DENNIS DELUCIA’S PERCUSSION DISCUSSION Dennis DeLucia. A complete drum-line method written for beginning to intermediate players including warm-ups, cadences, exercises, a percussion feature and more! Also includes a 26 CD ROM narrated by Dennis himself. Without a doubt, this is the definitive marching percussion method you need to get the most out of your students... the director’s book is incredibly informative even by itself, and the student books will enable you to put into practice the wealth of expertise that Dennis DeLucia has to offer!5424916 Snare Drum . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10.005424924 Quad-Toms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10.005424932 Tonal Bass Drums & Cymbals . . . . . . . . . . . . . . . . . . . . . . . .10.005424940 Pit Percussion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10.005703558 Conductor Score with CD-ROM . . . . . . . . . . . . . . . . . . . . . .40.00

DRUMMER’S DAILY DRILL Dennis DeLucia. A must for every percussionist’s library, from junior high through college level! This book contains exercises, original audition etudes, classic excerpts and independence work-outs for snare drum, timpani, drum set and keyboard percussion. An essential practice regimen for drummers of all ages!5644687 Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15.00

DYNAMIC MUSIC IN THE MIx Michael McIntosh. This far-reaching tool will cover topics such as try-outs, instrumentation, technique, voicing and arranging, tuning, marching and playing, choosing the right technology and amplification solutions, and philosophies of teaching. Battery and front ensemble percussion can make or break a great marching show. Don’t let the percussion be an after-thought with your program this year. Learn from the best how to totally incorporate your percussion program into “the mix” with this truly unique approach to the percussion arts for marching band.10066624 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49.95

FIELD LEVEL Mike Lynch & Scott Brown. If you’re confused about teaching your marching drum line these days, your worries are over. This manual will guide you through everything from tying cymbal knots to explaining the 4-mallet grip for the keyboard players. Exercises and warm-ups are included as well as a CD-ROM containing the music and printable parts for the percussion section. An invaluable tool for directors!10028313 Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40.00

FUNDAMENTAL TECHNIQUES FOR MARCHINg PERCUSSIONThom Hannum. Set your drumline on the path to success with this instructional DVD. It addresses the performance basics for each instrument in the percussion section. Carry positions, play positions, instrument selection and tuning are all covered. It’s like having a percussion expert right in your own bandroom!10025552 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24.95

LIFE’S LITTLE RUDIMENT BOOk David Steinquest. A handy collection of the Percussive Arts Society rudiments including the 26 American Standard rudiments. Also contains short exercises that isolate each hand to develop the individual rudiments. Included is a CD that has all of the exercises performed and all rudiments demonstrated both open and closed.5644695 Snare Drum Book & CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.00

MIDDLE SCHOOL “DRUMLINE IN A BOx” Carl Major. This “drumline in a box” has everything your young percussionists need this season! There are three warm-ups, a cadence and a drumline solo all in one kit. Even your mallet percussionists get in on the action!10028353 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00

THE RUDIMENTAL COOkBOOk Edward Freytag. A must for anyone who’s serious about playing snare drum! Includes 25 great rudimental contest solos, along with the 26 American Standard Rudiments, the Percussive Arts Society Rudiments, and the Drum Corps Hybrid Rudiments. The accompanying CD includes demonstration performances.5975050 Snare Drum Book & CD . . . . . . . . . . . . . . . . . . . . . . . . M 20.005424908 Snare Drum CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.00

RUDIMENTAL DRUM SOLOS FOR THE MARCHINg SNARE DRUMMER Ben Hans. Providing the advancing percussionist with rudimental solo material, this book is meant as a study for developing rudiments in a musical manner. It is designed as a progressive lesson supplement and as material for various performance opportunities. Warm-up exercises and solos featuring the N.A.R.D., P.A.S. and hybrid drum rudiments are included. Good for any serious percussionist.10059676 Snare Drum Book . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 12.95

STADIUM 54An Anthology of Stadium grooves and Steet Beats David Reeves. This collection of ten stadium grooves and four streetbeats is a perfect addition to any marching or pep band’s entertainment package. The pieces vary in length, style and mood so there are plenty of options for just the right stands moment. This set comes with a full score and combination listening and part CD-Rom to print all of your individual parts.10077023 Book with CD-ROM. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36.00

UP FRONT Jim Casella & Jim Ancona. Through the past twenty years or so, the “pit,” or “front ensemble,” has grown to be an integral part of the modern drum corps and marching band activities. This evolution has brought us into a new realm in the world of percussion education and performance, merging outdoor playing styles with indoor playing styles. This book explores the numerous details of a successful front ensemble. Topics included are: equipment; instrument ranges; transposing; instrument care; technique; exercises; teaching techniques; arranging and much, much more.10046445 Paperback Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40.00

Trash can features BASHIN’—Chris Crockarell. By popular demand, more garbage can music! This one also includes pots and buckets on the side! 2474460 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

BUCKET BEATS—Chris Crockarell & Chris Brooks. Here’s a grab-bag of six easy to medium-level features scored for trash cans and buckets! Great for pep rallies and in the stands! 10046424 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E-M 35 .00

CAN IT!—Chris Crockarell. Catch your audience’s eyes and ears with trash cans and buckets! This fun feature is easy to teach and includes some hip visuals for your “canners” and “bucketeers!”10046410 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! CANOPOLIS—Chris Crockarell. Here’s a fun feature scored for full battery, bells, xylophone, accessory percussion and, of course, trash cans! 10274615 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

CANTASTIK—Chris Brooks. Can you dig this? You’ll love this unique feature using as many garbage cans as possible! Scored for bells, xylophone, battery percussion, garbage cans, concert toms, and auxiliary . 2700004 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 45 .00

CANZTANKEROUS—Chris Brooks. With a title like this you’ll get it all . . .garbage cans, buckets, lids, and tons of attitude from your drumline! 10090144 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

DRILL SERGEANT—Dallas Burke. An inventive drum solo that’s well-suited for developing bands, this chart features writing for metal trash cans, plastic trash cans, flag poles and trash can lids . It doesn’t get any more fun than this! 2474382 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

FIRST REFUSAL—Tony McCutchen. An infectious groove will keep the audience on their toes with this hip feature . Some fun trash can deployment adds to its charm! Scored for full battery, bells, xylophone . . . and don’t forget those trash cans! 10067452 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

HEAVY METAL JAM—Chris Crockarell. Here’s a feature for those metallic-minded folks! Trash cans! Band directors love ‘em and drummers can’t wait to bang on ‘em! 10009817 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

iTRASH—Chris Crockarell. Another audience favorite for those trash can lovers! Scored for full battery, bells and xylophone, this fun feature is easy to teach and includes some hip visuals!10067450 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

MASH THE TRASH—John Hearnes. An array of 30-gallon trash cans and a bunch of buckets will make this feature a guaranteed crowd pleaser! 10028314 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

PERCUSSION CONCUSSION—arr. Dallas Burke. And now for something completely different, even for drummers! Imagine your drum line digging into a cool percussion feature scored for seven trash cans, three six foot poles, and some plywood . It’s great to see this kind of creative writing at the easy level!2463321 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

Percussion cadences BAG O’ CADENCES—Chris Crockarell & Chris Brooks. These seven cadences have tons of “punch” but are not difficult to master and perform . Scored for battery and limited accessory instruments . Great for parade use or to bring the band off the field . A recording of all cadences is included with the set . (Optional three, four, and five bass drum parts included .)2412328 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 35 .00

N E W !

BALE O’ CADENCES—Chris Crockarell & Chris Brooks. If you loved Bag O’, Bucket O’, Box O’, and Barrel O’, then you’ll love this next “container” of fun beats to get your band down the street and pepped up at the pep rally! 10274657 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 35 .00

N E W ! BANGING DOWN THE GROOVES CADENCE PACK—Carl Major. Crafted for younger drum lines, this set of three cadences remains playable but challenging enough to keep everyone interested in what the percussionists are saying . . .musically speaking, anyway . 10274543 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

BARREL O’ CADENCES—Chris Crockarell & Chris Brooks. If you enjoyed Bag O’, Bucket O’ and Box O’ then you’ll love this hip collection of seven easy battery cadences that are perfect for parades and entering the field! 10046425 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 35 .00

BASIC CADENCE POWER PACK—Caleb Doster. Here is a pack of three easy cadences in one collection! Young drumlines will love how experienced they’ll sound when they play any of these cadences down the street or onto the field! 10009217 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

N E W ! BIKINI TOP—Alan Keown. The smooth and funky fresh riffs of this cadence will have your band marching in step all the way!10274581 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 25 .00

N E W ! BOMB, THE—Matt Savage. This cadence delivers an intensity that signals THE band has arrived, so step off! 10274579 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 25 .00

N E W ! BOOGIE BEAT—Ayatey Shabazz. Put a little boogie in your band’s step as they march to the beat of this groovin’ cadence!10274481 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 30 .00

BOOM BOX—Alan Keown. Here’s the perfect cadence for your developing drum line! They’ll be rockin’ and rollin’ in no time!2477685 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 20 .00

N E W ! COUGAR—Ayatey Shabazz. Sleek as a cougar, this cadence is just what you need to show off your drumline’s prowess!10274486 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 30 .00

CRANK U UP—Dallas C. Burke. Four funky cadences that will give your battery the juice it needs to get moving!10066767 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50 .00

N E W !

DR. GROOVE—Alan Keown. Intermediate drum lines will dig the solid writing and the hip groove of this cadence! The doctor is in, and he’s prescribed a heavy dose of cool! 10274575 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50 .00

N E W ! DROP THAT BEAT—Chris Whyte. Intermediate to advanced drum lines will love the funky goodness of this cadence!10274576 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 25 .00

EZ BLAZIN’ CADENCES FOR THE SMOKIN’ DRUMLINE!—Chris Crockarell & Chris Brooks. Here is a collection of seven cadences which add an instrumental twist for your percussionists . Yes, you may hear some bucket and trash can sounds mixed in with your marching drums in this diverse styled package of grooves! 10067516 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 35 .00

N E W ! FROM THE ASHES—Matt Savage. This cadence delivers a solid groove for marching then breaks it down hip hop style for a combination everyone will love! 10274578 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 25 .00

N E W ! GROOVICITY—Bryan Mitchell. Chops required! Set the field on fire when your band enters to this flashy cadence that is not for the faint of heart! 10274482 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA 30 .00

N E W !

KICKBUTT CADENCES—Will Rapp. As the title implies, there is nothing bland or boring about these four dynamic cadences! A great tool for motivating your drumline, as well as navigating any parade route with style and attitude! 10274298 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 45 .00

N E W ! LEGACY—Alan Keown. Drum lines will love the chance to show off their chops while laying the smack down on this cadence!10274577 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 25 .00

N E W ! STREET SMARTZ—Joseph Murfin. This cadence lays down the funk while staying intense enough to make even young drum lines sound experienced! 10274542 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 25 .00

N E W ! STREET STRUT’N JAMZ CADENCE PACK—Carl Major. Plenty of runs and funky rhythms create a nice dialog between the different parts of the drum section in this cadence pack . Three jammin’ cadences are included . 10274544 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50 .00

N E W ! SUPATITE—Ayatey Shabazz. The band won’t have any trouble keeping in step with the “super tight” drum licks in this cadence! 10274484 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 30 .00

N E W ! TAKE IT TO THE HOUSE—Alan Keown. The bass drums get turned loose on this hot cadence while the rest of the line gets to “take it to the house!” 10274580 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 25 .00

N E W ! TIGER—Ayatey Shabazz. Here’s a majestic-sounding cadence that shows off the powerful rhythmic skills of your drumline!10274490 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 30 .00

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S T R E E T S T R U T ’ N J A M Z C A D E N C E PACK—Carl Major.

AVATARarr. Jay Bocook & Will Rapp.

PART 110088716 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65 .0010088716E e-Print . . . . . . . . . . . . . . . . . . . . . . . . M 65 .00

PART 210088717 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65 .0010088717E e-Print . . . . . . . . . . . . . . . . . . . . . . . . M 65 .00

PART 310088718 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65 .0010088718E e-Print . . . . . . . . . . . . . . . . . . . . . . . . M 65 .00

CIRQUE DU SOLEIL: kAarr. Jay Dawson.

OPENINg PRODUCTIONShadowplay, Storm10090153 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80 .00

FLIgHT10090154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80 .00

PURSUIT10090155 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80 .00

BATTLEFIELD10090156 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80 .00

ELVIS!arr. Jay Dawson.

CAN’T HELP FALLINg IN LOVE (OPENER)10090157 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60 .00

BURNINg LOVE/C.C. RIDER10090158 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80 .00

HOUND DOg/LOVE ME TENDER/ JAILHOUSE ROCk10090159 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80 .00

CAN’T HELP FALLINg IN LOVE (CLOSER)10090160 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80 .00

MUSIC OF gREEN DAYarr. Mike Story.

21ST CENTURY BREAkDOWN10087981 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

21 gUNS10087984 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

kNOW YOUR ENEMY10087986 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

MUSIC OF JOURNEYANY WAY YOU WANT IT arr. Ralph Ford. 10066158 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50 .00

OPEN ARMS arr. Victor Lopez. 10087929 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50 .00

DON’T STOP BELIEVIN’ arr. Brian Scott. 10087931 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50 .00

MUSIC OF LED ZEPPELINarr. Ralph Ford.

WHOLE LOTTA LOVE10087923 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50 .00

IMMIgRANT SONg10066153 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50 .00

HEARTBREAkER10087925 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50 .00

STAIRWAY TO HEAVEN10087927 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50 .00

BATMAN THEMES THROUgH THE YEARSarr. Mike Story.

THE BATMAN THEMEfrom the Motion Picture “Batman”10008628 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

BATMAN THEMEfrom the Original Television Series10008630 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

BATMOBILE CHASEfrom “Batman Begins”10001021 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45 .00

BON JOVIarr. Paul Murtha.

YOU gIVE LOVE A BAD NAME10045145 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50 .0010045145E e-Print . . . . . . . . . . . . . . . . . . . . . . . . ME 50 .00

WANTED DEAD OR ALIVE10045148 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50 .0010045148E e-Print . . . . . . . . . . . . . . . . . . . . . . . . ME 50 .00

LIVIN’ ON A PRAYER10045151 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50 .0010045151E e-Print . . . . . . . . . . . . . . . . . . . . . . . . ME 50 .00

CIRQUE DU SOLEIL: JOURNEY OF MANarr. Richard Saucedo.

JOURNEY OF MAN AND YOUTH10066567 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65 .0010066567E e-Print . . . . . . . . . . . . . . . . . . . . . . . . ME 65 .00

JOURNEY OF MAN: FLYINg10066568 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65 .00

JOURNEY OF MAN: YOUTH10066570 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65 .00

CIRQUE DU SOLEIL: LA NOUBAarr. Jay Dawson.

DISTORTED2478510 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80 .00

REVE ROUgE2478511 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 80 .00

A LA LUNE2478512 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80 .00

URBAN2478513 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 80 .00

MUSIC OF DANNY ELFMANarr. Michael Brown & Will Rapp.

DANNY ELFMAN OPENER10045114 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65 .0010045114E e-Print . . . . . . . . . . . . . . . . . . . . . . . . . M 65 .00

THE NIgHTMARE BEFORE CHRISTMAS - PART 2 10008196 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65 .00

DANNY ELFMAN CLOSER10045116 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65 .0010045116E e-Print . . . . . . . . . . . . . . . . . . . . . . . . . M 65 .00

EARTH, WIND & FIREarr. Paul Murtha & Will Rapp.

IN THE STONE2477272 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60 .00

AFTER THE LOVE HAS gONE2477273 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60 .00

gETAWAY/SEPTEMBER2477274 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60 .00

MUSIC FROM WICkEDarr. Richard Saucedo.

PART 12480406 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60 .00

PART 22480407 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60 .00

PART 32480408 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60 .00

NIgHT WATCHJay Dawson.

MOVEMENT 110046432 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80 .00

MOVEMENT 210046433 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80 .00

MOVEMENT 310046434 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80 .00

PIANO MAN: THE MUSIC OF BILLY JOELarr. Jay Dawson.

WE DIDN’T START THE FIRE/PIANO MAN10067904 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60 .00

MY LIFE/ONLY THE gOOD DIE YOUNg10067906 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80 .00

AIR DUBLINESQUE10067907 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80 .00

JUST THE WAY YOU ARE10067908 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80 .00

PIRATES OF THE CARIBBEANarr. Michael Brown & Will Rapp.

PART 12477276 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50 .00

PART 22477277 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55 .00

PART 32477278 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50 .00

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Marching Band 2011