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MUSIC Quarter 1 – Module 5-8: Music of Lowlands of Luzon: Elements of Music and Styles 7

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MUSIC Quarter 1 – Module 5-8: Music of Lowlands of Luzon:

Elements of Music and Styles

7

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Music – Grade 7 Alternative Delivery Mode Quarter 1 – Module 5: Improvises Simple Rhythmic/Melodic Accompaniments to Selected Music from the Lowlands of Luzon

First Edition, 2020 Republic Act 8293, section 176 states that: No copyright shall subsist in any work of the Government of the Philippines. However, prior approval of the government agency or office wherein the work is created shall be necessary for exploitation of such work for profit. Such agency or office may, among other things, impose as a condition the payment of royalties. Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand names, trademarks, etc.) included in this module are owned by their respective copyright holders. Every effort has been exerted to locate and seek permission to use these materials from their respective copyright owners. The publisher and authors do not represent nor claim ownership over them. Published by the Department of Education Secretary: Leonor Magtolis Briones Undersecretary: Diosdado M. San Antonio

Printed in the Philippines by ________________________

Department of Education – Region VII, Division of Cebu Province

Office Address: IPHO Bldg., Sudlon, Lahug, Cebu City

Telefax: (032) 255-6405

E-mail Address: [email protected]

Development Team of the Module

Writer: Rose Marie A. Geonzon

Editors: Nenita G. Jaralve

Evelyn G. Patiño

Lay-out Editor: Charmaine L. Juvahib

QA Evaluator: Eden B. Alindao

Moderator: Milanie M. Panique

Management Team: Marilyn S. Andales, EdD, CESO V. - Division Superintendent

Leah B. Apao, Ed.D.CESE – Asst. Schools Division Superintendent

Ester A. Futalan, Ed.D. – Asst. Schools Division Superintendent

Cartesa M. Perico, Ed.D. – Asst. Schools Division Superintendent

Mary Ann P. Flores - CID Chief

Isaiah T. Wagas - EPS In Charge of LRMS

Nenita G. Jaralve – EPS MAPEH

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MUSIC Quarter 1 – Module 5-8: Music of Lowlands of Luzon:

Elements of Music and Styles

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Introductory Message

For the facilitator:

Welcome to the MUSIC 7 Alternative Delivery Mode (ADM) Module on Music of Lowlands of Luzon: Elements of Music and Styles!

This module was collaboratively designed, developed and reviewed by educators both

from public and private institutions to assist you, the teacher or facilitator in helping the

learners meet the standards set by the K to 12 Curriculum while overcoming their

personal, social, and economic constraints in schooling.

This learning resource hopes to engage the learners into guided and independent

learning activities at their own pace and time. Furthermore, this also aims to help learners

acquire the needed 21st century skills while taking into consideration their needs and

circumstances.

In addition to the material in the main text, you will also see this box in the body of the

module:

As a facilitator, you are expected to orient the learners on how to use this module. You

also need to keep track of the learners' progress while allowing them to manage their

own learning. Furthermore, you are expected to encourage and assist the learners as

they do the tasks included in the module.

Notes to the Teacher

This contains helpful tips or strategies that will

help you in guiding the learners.

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For the learner:

Welcome to the Music 7 Alternative Delivery Mode (ADM) Module on Music of Lowlands

of Luzon!

This module was designed to provide you with fun and meaningful opportunities for

guided and independent learning at your own pace and time. You will be enabled to

process the contents of the learning resource while being an active learner.

This module has the following parts and corresponding icons:

What I Need to Know

This will give you an idea of the skills or

competencies you are expected to

learn in the module.

What I Know

This part includes an activity that aims

to check what you already know about

the lesson to take. If you get all the

answers correct (100%), you may

decide to skip this module.

What’s In

This is a brief drill or review to help you

link the current lesson with the previous

one.

What’s New

In this portion, the new lesson will be

introduced to you in various ways such

as a story, a song, a poem, a problem

opener, an activity, or a situation.

What is It

This section provides a brief discussion

of the lesson. This aims to help you

discover and understand new concepts

and skills.

What’s More

This comprises activities for

independent practice to solidify your

understanding and skills of the topic.

You may check the answers to the

exercises using the Answer Key at the

end of the module.

What I Have Learned

This includes questions or blank

sentence/paragraph to be filled into

process what you learned from the

lesson.

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What I Can Do

This section provides an activity which

will help you transfer your new

knowledge or skill into real life

situations or concerns.

Assessment

This is a task which aims to evaluate

your level of mastery in achieving the

learning competency.

Additional Activities

In this portion, another activity will be

given to you to enrich your knowledge

or skill of the lesson learned.

Answer Key

This contains answers to all activities in

the module.

At the end of this module you will also find:

The following are some reminders in using this module:

1. Use the module with care. Do not put unnecessary mark/s on any part of the

module. Use a separate sheet of paper in answering the exercises.

2. Don’t forget to answer What I Know before moving on to the other activities

included in the module.

3. Read the instruction carefully before doing each task.

4. Observe honesty and integrity in doing the tasks and checking your answers.

5. Finish the task at hand before proceeding to the next.

6. Return this module to your teacher/facilitator once you are through with it.

If you encounter any difficulty in answering the tasks in this module, do not hesitate

to consult your teacher or facilitator. Always bear in mind that you are not alone.

We hope that through this material, you will experience meaningful learning and

gain deep understanding of the relevant competencies. You can do it!

References This is a list of all sources used in

developing this module.

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What I Need to Know

This module was designed and written with you in mind. It is here to help you

master the styles and tones of Music. The scope of this module permits it to be used in

many different learning situations.

The language used recognizes the diverse vocabulary level of students. The

lessons are arranged to follow the standard sequence of the course. But the order in

which you read them can be changed to correspond with the textbook you are now using.

The module is divided into three lessons, namely:

• Lesson 5 – improvises simple rhythmic/melodic accompaniments to selected

music from the Lowlands of Luzon;

• Lesson 6 – performs music from Luzon lowlands with own accompaniment;

• Lessons 7-8 – evaluates music and music performances with rubrics on musical

elements and styles.

After going through this module, you are expected to:

1. create your own improvise simple rhythmic/melodic accompaniments to selected

music from the Lowlands of Luzon;

2. perform/present the different accompaniments to selected music from the

Lowlands of Luzon;

3. rate the student’s performance on the selected music from Luzon lowlands with

own accompaniment.

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What I Know

Directions: Choose the letter of the best answer. Write the chosen letter on a

separate sheet of paper.

1. It is a song created by the people of a country or region.

a. folk song

b. classic song

c. love songs

d. rock songs

2. A fixed set of ceremonies, words, etc., that are used during public worship in a

religion.

a. lenten

b. santacruzan

c. liturgy

d. flores de mayo

3. This instrument is made of hollow pieces of bamboo that has been put together

and serve as the orchestra’s wind section.

a. kalatok

b. angklung

c. talunggating

d. bumbong

4. A valve instrument known for its distinctive tone color, wide range, variety of

character and agility.

a. trombone

b. euphonium

c. sousaphone

d. saxophone

5. The quality of the sound made by a particular voice or musical instrument.

a. timbre

b. tempo

c. rhythm

d. chants

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Lesson

5-8

Improvises Simple Rhythmic or Melodic Accompaniments to Selected Music from the Lowlands of Luzon

In other places in the Philippines, people use improvised instruments/ accompaniments to their different musical forms especially in selected music from the Lowlands of Luzon.

What’s In

To fully understand this topic let us first know the difference between Brass Band

instruments and Pangkat Kawayan Instruments used from the Lowlands of Luzon.

• Brass Band Instruments

Is an ensemble of woodwind, brass, and percussion instruments. In the

Philippines, they are usually played in fiestas, religious, and civic celebrations. His/her

repertoire may include folk songs, popular music, and dance music, among others.

Examples are:

1. Clarinet- that has a single-reed mouthpiece and a straight cylindrical

tube with cylindrical bore, and a flared bell.

2. Flute- an aerophone that produces sound from the flow of air across an

opening. This is a known instrument.

3. Piccolo- shorter than flute and the sounds it produces is thinner than

the flute.

4. Tenor Saxophone- a medium-sized member of the saxophone family.

• Pangkat Kawayan Instruments

It is popularly known as the “Singing Bamboos of the Philippines,” is an orchestra

that plays music using non-traditional bamboo instruments. Preferably, all instruments

are made of bamboos.

Examples are:

1. Angklung- a bamboo-rattle tubes attached to a bamboo frame and the

tubes are carved to have a resonant pitch when struck, each angklung

represents a note and is tuned to octaves.

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2. Pan Pipes- small pieces of bamboo in graduated small tubes that has

been put together by a string

3. Bumbong- it is made of hollow pieces of bamboo that has been put

together and serves as the orchestra’s wind section.

4. Talunggating- made from bamboo that follows the musical scale and

style of the typical xylophone.

After knowing the different instruments, answer the following:

1. What is the difference between the Brass Band Instruments and Pangkat Kawayan

Instruments? Cite the difference?

2. What group of instruments is more improvised? Why? Give your opinion.

3. Which of the group is more melodic/ rhythmic? Give your opinion.

4. What do you think is the reason of using different improvising accompaniments?

5. If you are to choose between the two groups of instruments, which is easier to

use?

Notes to the Teacher

You can also give more examples of improvise simple

rhythmic/ melodic accompaniments to fully understand the different

instruments of the music from the Lowland of Luzon. You can also

give a task to make an improvise accompaniments.

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What’s New

Melodic/Rhythmic Defined

A melody, also a tune, voice, or line, is a linear succession of musical tones that

the listener perceives as a single entity. In its most literal sense, a melody is a

combination of pitch and rhythm, while more figuratively, the term can include

successions of other musical elements such as tonal color.

While Rhythm generally means a “movement marked by the regulated succession

of strong and weak elements, or of opposite or different conditions. This general meaning

of regular recurrence or pattern in time can be applied to a wide variety of cyclical natural

phenomena having a periodicity or frequency of anything from microseconds to several

seconds; to several minutes or hours, or, at the most extreme, even over many years.

Rhythm may be defined as the way in which one or more unaccented beats are

grouped into one. A rhythmic group can be apprehended only when its elements are

distinguished from one another, rhythm…always involves interrelationship between a

single, accented (strong) beat and either one or two unaccented (weak) beats.

What is It

Improvises Simple Rhythmic or Melodic Accompaniments to Selected

Music from the Lowlands of Luzon

Now that you have seen the picture of simple rhythmic/melodic accompaniments,

here are the improvised accompaniments used to selected music from the Lowlands of

Luzon.

Angklung - Bamboo-rattle tubes attached to a bamboo frame.

- tubes are carved to have a resonant pitch when struck, each

angklung represents a note and is tuned to octaves.

- plays the counterpoints to the melody.

- played by shaking the lower part with one hand while the upper

end holding it with the other hand steady.

Bumbong (bamboo tube) - made of hollow pieces of bamboo that has been put

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together and serve as the orchestra’s wind section.

- divided into bass (lower) and horn (higher) sections.

- each bumbong represents one note;

- to produce the sound, it has to be blown through a mouthpiece

Kalatok (bamboo knocker) - a percussion instrument made of bamboos that

are strung together with pieces of bamboo with varying tones when

struck by a rubber mallet.

Talunggating (bamboo marimba) – made from bamboo that follows the

musical scale and style of the typical xylophone.

- it plays the melody.

- mallets made out of rattan and rubber are used to play the

instrument.

-

Kalagong – wind instrument that produces a hollow gong-like sound.

- played by tapping the top wholes of the bamboos by two flat and

flexible surface tappers.

- it serves as bass of the group.

Pan Pipes - small pieces of bamboo in graduated small tubes that has been put

together by a string.

- the sound and styling of the wind instruments found in Northern

Philippines.

- each pipe represents a note and is blown to produce the sound.

Tulali(bamboo flute) – made of baga (one of the smallest bamboo varieties).

- a bamboo opening encircled by a banana leafing to a pentatonic

scale played on four holes, one found below and three on top of the

bamboo tube.

Kiskis – a bamboo piece with ridges and serves as a percussion instrument.

- Kiskisis a Filipino word which means “to scratch” or “to rub against

something”.

- It is played by rubbing a rattan stick on its ridges.

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What’s More

Activity 1.1 Understanding the different Improvised Melodic/Rhythmic

Accompaniments from the Lowlands of Luzon

To fully understand the usage of different instruments from the Lowlands of

Luzon, try to open this link:

• Brass Band Instruments

http://himig.com.ph/system/attachements/0000/0006/band-music.jpg

https://www.youtube.com/watch?v=eSwz90GVNYM

• Pangkat Kawayan- Singing Bamboos of the Philippines

http://en.wikipilipinas.org/index.php/Pangkat_Kawayan

https://www.youtube.com/watch?v=FlfwbH8b5Ro

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What I Have Learned

Directions: Identify each instrument if it is a Brass Band or Pangkat Kawayan.

Write your answer on a separate sheet of paper.

__________ 1. Kalagong __________ 11. Alto Saxophone

__________ 2. Pan Pipes __________ 12. Bumbong

__________ 3. Snare drum __________ 13. Kalatok

__________4. Kiskis __________ 14. Cymbals __________ 5. Piccolo __________ 15. Trumpet __________ 6. Tenor Saxophone

__________ 7. Angklung

__________ 8. Clarinet

__________ 9. Tulali

_________ 10. Flute

What I Can Do

To learn more about these musical instruments to selected music from the

Lowland of Luzon, you are going to make/create your own simple rhythmic/melodic

improvised instruments out of recyclable materials that will look and sound similar to the

musical instruments discussed in this quarter.

Note: Your teacher will give you the specific date of submission.

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Assessment

Directions: Choose the words that will define the different instruments in the

Lowland of Luzon. Get your answer from the table. Write your answer on a separate

sheet of paper.

tulali angklung piccolo talunggating

tenor saxophone clarinet cymbals kiskis

alto saxophone flute

__________ 1. It has a single-reed mouthpiece and a straight cylindrical tube with

cylindrical bore, and a flared bare.

__________ 2. It is shorter than the flute, the sound it produces is thinner than the flute.

__________ 3. It is made of baga and a bamboo opening encircled by a banana leafing

to a pentatonic scale played on four holes.

___________4. A bamboo-rattle tubes attached to a bamboo frame.

__________ 5. This instrument uses a large mouthpiece, reed, and ligature than the

alto and soprano saxophones.

__________ 6. It consists of thin, normally round plates of various alloys.

__________ 7. An aerophone that produces its sound from the flow of air across an

opening.

__________ 8. A bamboo piece with ridges and serves as a percussion instrument.

__________ 9. It is commonly used in classical music concert bands, chamber music,

and solo repertoire, military bands, marching and jazz bands.

__________ 10. It is made from bamboo that follows the musical scale and style of the

typical xylophone.

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Additional Activities

You have already known the different instruments in the music of Lowlands of

Luzon. Now, which of the instruments do you prefer and love to use?

Directions: Create your own improvised instrument and present your handmade

accompaniment through a video. Show and play them in any song/s that you have

learned in this quarter.

Rubric of the Presentation

CATEGORY 4

Above Standards

3 Meet

Standards

2 Approaches

Standard

1 Below

Standard

Appearance

Instrument is

decorated

creatively within

the assigned

theme.

Instrument is

decorated

attractively.

Instrument is

decorated, but

sort of messy

looking.

Instrument is

not decorated

or is very

messy.

Quality of Sound

Instrument

offers a wide

dynamic and/or

tonal contrast.

Instrument offers

some dynamic

and/or tonal

contrast.

Instrument offers

little variety of

sound.

Instrument

offers no

variety in

sound.

Quality of Construction

The instrument

shows

considerable

attention to

construction. It

is sturdy, neat

and will stand

up to repeat

playing over a

period of time.

The instrument

shows

considerable

construction. It is

reasonably

sturdy and neat

and will stand up

to being played

more than once.

The instrument

is neatly

constructed but

is fragile and will

probably not

stand up to

being played

more than once.

Pieces are

missing or

falling off.

Seems

“slapped

together” in a

hurry.

Demonstration

Presenter

speaks loudly

and clearly.

Instrument is

visible to class

and its use

demonstrated.

The instrument

is named and

the process for

making it is

described

clearly.

Instrument is

shown to class

and its use

demonstrated.

The instrument

is named and

the process for

making it is

described

clearly. It was

hard to hear the

presenter.

Instrument is

shown to class

and its use

demonstrated.

The instrument

is named, and

the presenter

describes a few

of the steps of

making it.

Instrument is

shown to class

and is named.

The student

cannot

describe the

process used

to make it or

cannot

demonstrate it.

Note to the teacher: If a video presentation is not applicable, an illustration of the improvised

instrument maybe made and drawn in a separate bond paper.

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Answer Key

Assessment

1.Clarinet

2.Piccolo

3.Tulali

4.Angklung

5.Tenor Saxophone

6.Cymbals

7.Flute

8.Kiskis

9.Alto Saxophone

10.Talunggating

What I Have Learned

1.PK

2.BB

3.BB

4.PK

5.BB

6.BB

7.PK

8.BB

9.PK

10.BB

11.BB

12.PK

13.PK

14.BB

15.BB

What I Know

1.A

2.C

3.D

4.B

5.A

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References Music and Arts Learner’s Material

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For inquiries or feedback, please write or call: Department of Education – Region VII, Division of Cebu Province Office Address: IPHO Bldg., Sudlon, Lahug, Cebu City Telefax: (032) 255-6405 Email Address: [email protected]

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