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10 February - 16 February 2012 4 NATIONAL/INTERNATIONAL The Longest-Running and Most Prestigious Indian Film Festival in the U.S. Marks its 12th Year May 23 to 27, 2012 (New York, NY) Filmmakers and producers have until February 15, 2012, to submit shorts, documentaries, or feature films pertaining to the Indian subcontinent for the 12th Annual New York Indian Film Festival (NYIFF), pre- sented by the Indo-Ameri- can Arts Council (IAAC). Scheduled from May 23 to 27 at the eclectic Tribeca Cinemas in Lower Manhat- tan, NYIFF features more than 30 films over a span of five days and attracts some of the most high profile ce- lebrities, media, and guests. The festival will commence with an opening night film screening on May 23 at the Paris Theater, fol- lowed by a VIP gala dinner at the Essex House Ball- room, attracting more than 500 of New York City’s crème de la crème cinephiles. In the past 11 years, NYIFF (formerly known as the IAAC and MIAAC Film Festivals) has premiered some of the most well-known South Asian and foreign films, in- cluding Slumdog Million- aire, Bride and Prejudice, Monsoon Wedding, The Namesake, and several others.“NYIFF is a once-a- year opportunity to experi- ence the rich and diverse film cultures of the Indian subcontinent through a mix of film screenings, discus- sions, industry panels, nightly parties, an awards ceremony, and gala red car- pet events,” says Aseem Chhabra, film journalist, board member of the South Asian Journalists Associa- tion, and Programming Di- rector of NYIFF. “We encour- age filmmakers to submit their movies to one of the few Indian film festivals in the country to attract such large mainstream and South Asian audiences.” Along with a plethora of local, na- tional, and international press, The Wall Street Jour- nal has recognized NYIFF’s efforts, saying that it “has grown into the area's most mainstream Indian film fes- tival, offering features, documentaries, shorts and indies in numerous Indian languages and from various countries. The growth has led not only to a wider range of films, but to new partnerships and inroads to American audiences About the Indo-American Arts Council: The Indo-American Arts Council is a registered not- for-profit arts organization pas- sionately dedicated to showcasing, building awareness, and celebrat- ing artists of Indian origin in the performing, visual and literary arts. Annual festivals of art, dance, play writing and film are scheduled through the year, with several spe- cial events and book launches. NASA’s Chandra finds milky way’s Black Hole Grazing on Asteroids WASHINGTON -- The giant black hole at the center of the Milky Way may be vaporizing and de- vouring asteroids, which could explain the frequent flares observed, according to astronomers using data from NASA's Chandra X-ray Observatory.For several years Chandra has de- tected X-ray flares about once a day from the supermassive black hole known as Sagittarius A*, or "Sgr A*" for short. The flares last a few hours with bright- ness ranging from a few times to nearly one hundred times that of the black hole's regular output. The flares also have been seen in infrared data from ESO's Very Large Telescope in Chile. "People have had doubts about whether as- teroids could form at all in the harsh environment near a supermassive black hole," said Kastytis Zubovas of the University of Leicester in the United Kingdom, and lead author of the report appearing in the Monthly Notices of the Royal Astronomical Soci- ety. "It's exciting because our study suggests that a huge number of them are needed to produce these flares."Zubovas and his col- leagues suggest there is a cloud around Sgr A* con- taining trillions of asteroids and comets, stripped from their parent stars. Asteroids passing within about 100 million miles of the black hole, roughly the distance between the Earth and the sun, would be torn into pieces by the tidal forces from the black hole. These fragments then would be vaporized by friction as they pass through the hot, thin gas flowing onto Sgr A*, similar to a meteor heating up and glowing as it falls through Earth's atmo- sphere. A flare is produced and the remains of the as- teroid are swallowed even- tually by the black hole. "An asteroid's orbit can change if it ventures too close to a star or planet near Sgr A*," said co-author Sergei Nayakshin, also of the University of Leicester. "If it's thrown toward the black hole, it's doomed." The authors esti- mate that it would take as- teroids larger than about six miles in radius to generate the flares observed by Chandra. Meanwhile, Sgr A* also may be consuming smaller asteroids, but these would be difficult to spot be- cause the flares they gener- ate would be fainter. These results reasonably agree with models estimating of how many asteroids are likely to be in this region, as- suming that the number around stars near Earth is similar to the number sur- rounding stars near the cen- ter of the Milky Way."As a reality check, we worked out that a few trillion asteroids should have been removed by the black hole over the 10-billion-year lifetime of the galaxy," said co-author Sera Markoff of the Univer- sity of Amsterdam in the Netherlands. "Only a small fraction of the to- tal would have been con- sumed, so the supply of asteroids would hardly be depleted." Planets thrown into orbits too close to Sgr A* also should be disrupted by tidal forces, although this would happen much less frequently than the disruption of asteroids, because planets are not as common. Such a sce- nario may have been re- sponsible for a previous X-ray brightening of Sgr A* by about a factor of a million about a century ago. While this event hap- pened many decades be- fore X-ray telescopes ex- isted, Chandra and other X-ray missions have seen evidence of an X-ray "light echo" reflecting off nearby clouds, providing a measure of the bright- ness and timing of the flare. "This would be a sudden end to the planet's life, a much more dramatic fate than the planets in our solar sys- tem ever will experience," Zubovas said. Very long observations of Sgr A* will be made with Chandra later in 2012 that will give valuable new information about the frequency and brightness of flares and should help to test the model proposed here to ex- plain them. This work could improve under- standing abo t the forma- tion of asteroids and plan- ets in the harsh environment of Sgr A*. NASA's Marshall Space Flight Center in Huntsville, Ala., manages the Chandra program for NASA's Science Mission Directorate in Washing- ton. The Smithsonian As- trophysical Observatory controls Chandra's sci- ence and flight operations from Cambridge, Mass. Hot Topic: Why M.I.A.’s Middle Finger Matters Rutgers professor weighs in on how 'indecent' Super Bowl halftime antics influence our airwaves (By Amber E. Hopkins- Jenkins) Hip-hop artist M.I.A. of- fers an obscene gesture during the Super Bowl XLVI halftime show in Indianapo- lis on Sunday, February 5, 2012. The Material Girl was upstaged by . . . a bird? Just before the eighth minute of Madonna’s Super Bowl XLVI halftime perfor- mance Sunday night, the middle finger of rapper M.I.A. stole the show from the pop icon. M.I.A., a 37-year-old British hip-hop artist of Sri Lankan descent, flipped her left middle digit to- ward the camera for 110 million viewers’ pleasure at the end of her verse on Madonna’s new single, “Give Me All Your Luvin’.” The rapper’s accompanying lyrics, “I don’t give a [exple- tive],” were unclear to the audience. Eight years ago, dur- ing the Super B o w l XXXVIII halftime show fea- turing Janet Jackson, guest per- former Justin Timberlake ripped off a portion o f Jackson’s costume, mo- mentarily exposing her right breast, which wasadorned with a nipple shield, on live television. His lyrics: "Bet I'll have you naked by the end of this song.” Ellen Goodman, a Rutgers-Camden law pro- fessor and communications law expert, sees similarities between M.I.A.’s finger in Super Bowl XLVI and Janet Jackson’s, ahem, nipple from Super Bowl XXXVIII. “This is not differ- ent from the ‘wardrobe malfunction,’ except that it was intentional, which makes it easier to censure,” says Goodman, referencing the euphemism made infa- mous by Timberlake’s pub- licist during “Nipplegate.” A widespread indecency debate followed the 2004 in- cident, as did increased Federal Communications Commission (FCC) scrutiny, and a $550,000 fine for CBS, which aired the sporting event. According to an apolo- getic statement released by NFL spokesperson Brian McCarthy, the league had no reason to believe M.I.A. would make such a gesture during Sunday night’s show. Apparently, she had not done anything vaguely simi- lar during rehearsal. “The ob- scene gesture in the perfor- mance was completely inap- propriate, very disappointing and we apologize to our fans,” said McCarthy. Now, other non-middle fingers are pointing. The NFL blames NBC for the de- layed censor, NBC blames the NFL for the show’s content, and the Parents Television Council, a con- servative media watchdog group, blames both the NFL and NBC for booking and, thereby enabling, multiple performers with histories of shocking be- havior, including Madonna’s other guests CeeLo Green, Nicki Minaj, and party rockers LMFAO. Considering the plausible repercussions for M.I.A.’s finger, Goodman, who has served as Distinguished Visiting Scholar at the FCC, says the agency has never, to her knowledge, decided whether “the bird” is indecent. “Broadcasters act as if it is and it prob- ably does fall within the ‘fleeting expletives’ policy.” This uptick in discus- sion of “fleeting indecency” in broadcasting is certainly timely. Just last month, the U.S. Supreme Court heard arguments about the FCC’s role in policing the airwaves. The court is cur- rently deliberating whether the FCC’s indecency regu- lations violate the First Amendment’s guarantee of free speech and the Fifth Amendment’s guarantee of due process. Goodman doubts the FCC will levy any fines for Sunday night’s middle fin- ger until the Supreme Court delivers its ruling on the FCC’s policies. “It will be very close – hard to predict which way the court will go,” she says. How close? In a 5 to 4 ruling on the FCC’s in- decency policy in 2009, Justice Antonin Scalia stated that the govern- ment agency was well within its rights to pro- tect the public against what he called “foul- mouthed glitteratae from Hollywood.” CAPAC Chair Blasts Hoekstra Campaign for Racially Charged Super Bowl Ad (Press Release) WASH- INGTON, DC – Following the air- ing of former Congressman Pete Hoekstra’s racially charged politi- cal ad during the Super Bowl last night, Congresswoman Judy Chu (CA-32), Chair of the Congres- sional Asian Pacific American Cau- cus (CAPAC), released the follow- ing statement: “Thirty years ago, a Chinese-American man named Vincent Chin was brutally mur- dered on the streets of Detroit by angry workers who blamed Japan for the plight of the U.S. auto in- dustry,” said Chu. “Three decades later, Pete Hoekstra is stoking the flames of these same anti-Asian sentiments as he runs for the U.S. Senate in the very same state. I am appalled at the Hoekstra campaign’s offensive and insen- sitive Super Bowl ad that relies heavily on negative Asian ste- reotypes. Politics of fear and division will never bring the American people together around the solutions they so desperately need, and I am calling on former Rep. Hoekstra to take down this atrocious ad and issue an apology immediately.” Hoekstra’s ad- vertisement de- picted an Asian woman speaking in broken En- glish and a heavy accent to thank Demo- cratic Senator D e b b i e Stabenow (D-MI) for sending money and jobs overseas. The ad also directed viewers to a Hoekstra-sponsored campaign website that featured Chinese characters and imagery. The Con- gressional Asian Pa- cific American Cau- cus (CAPAC) is com- prised of Members of Congress of Asian and Pacific Islander descent and mem- bers who have a strong dedication to promoting the well- being of the Asian American and Pacific Islander (AAPI) com- munity. Currently Chaired by Con- gresswoman Judy Chu, CAPAC has been addressing the needs of the AAPI community in all ar- eas of American life since it was founded in 1994.

NASA’s Chandra finds milky way’s Black Hole Grazing on ... · This work could improve under-standing abo t the forma- ... FCC’s role in policing the ... INGTON, DC – Following

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10 February - 16 February 2012 4 NATIONAL/INTERNATIONAL

The Longest-Running and Most PrestigiousIndian Film Festival in the U.S.

Marks its 12th Year May 23 to 27, 2012(New York, NY)

Filmmakers and producershave until February 15,2012, to submit shorts,documentaries, or featurefilms pertaining to the Indiansubcontinent for the 12thAnnual New York IndianFilm Festival (NYIFF), pre-sented by the Indo-Ameri-can Arts Council (IAAC).Scheduled from May 23 to27 at the eclectic TribecaCinemas in Lower Manhat-tan, NYIFF features morethan 30 films over a span offive days and attracts someof the most high profile ce-lebrities, media, andguests. The festival willcommence with an openingnight film screening on May23 at the Paris Theater, fol-lowed by a VIP gala dinnerat the Essex House Ball-room, attracting more than500 of New York City’s

crème de la crèmecinephiles. In the past 11years, NYIFF (formerlyknown as the IAAC andMIAAC Film Festivals) haspremiered some of themost well-known SouthAsian and foreign films, in-cluding Slumdog Million-aire, Bride and Prejudice,Monsoon Wedding, TheNamesake, and severalothers.“NYIFF is a once-a-year opportunity to experi-ence the rich and diversefilm cultures of the Indiansubcontinent through a mixof film screenings, discus-sions, industry panels,nightly parties, an awards

ceremony, and gala red car-pet events,” says AseemChhabra, film journalist,board member of the SouthAsian Journalists Associa-tion, and Programming Di-rector of NYIFF. “We encour-age filmmakers to submittheir movies to one of thefew Indian film festivals in thecountry to attract such largemainstream and SouthAsian audiences.” Alongwith a plethora of local, na-tional, and internationalpress, The Wall Street Jour-nal has recognized NYIFF’sefforts, saying that it “hasgrown into the area's mostmainstream Indian film fes-

tival, offering features,documentaries, shorts andindies in numerous Indianlanguages and from variouscountries. The growth hasled not only to a widerrange of films, but to newpartnerships and inroadsto American audiencesAbout the Indo-American ArtsCouncil: The Indo-AmericanArts Council is a registered not-for-profit arts organization pas-sionately dedicated to showcasing,building awareness, and celebrat-ing artists of Indian origin in theperforming, visual and literary arts.Annual festivals of art, dance, playwriting and film are scheduledthrough the year, with several spe-cial events and book launches.

NASA’s Chandra finds milky way’s Black Hole Grazing on AsteroidsWASHINGTON --

The giant black hole at thecenter of the Milky Waymay be vaporizing and de-vouring asteroids, whichcould explain the frequentflares observed, accordingto astronomers using datafrom NASA's Chandra X-rayObservatory.For severalyears Chandra has de-tected X-ray flares aboutonce a day from thesupermassive black holeknown as Sagittarius A*, or"Sgr A*" for short. The flareslast a few hours with bright-ness ranging from a fewtimes to nearly one hundredtimes that of the blackhole's regular output. Theflares also have been seenin infrared data from ESO'sVery Large Telescope inChile.

"People have haddoubts about whether as-teroids could form at all inthe harsh environment neara supermassive blackhole," said KastytisZubovas of the University ofLeicester in the UnitedKingdom, and lead authorof the report appearing in the

Monthly Notices of theRoyal Astronomical Soci-ety. "It's exciting becauseour study suggests that ahuge number of them areneeded to produce theseflares."Zubovas and his col-leagues suggest there is acloud around Sgr A* con-taining trillions of asteroidsand comets, stripped fromtheir parent stars. Asteroidspassing within about 100million miles of the blackhole, roughly the distancebetween the Earth and thesun, would be torn intopieces by the tidal forcesfrom the black hole.

These fragmentsthen would be vaporized byfriction as they pass throughthe hot, thin gas flowing ontoSgr A*, similar to a meteorheating up and glowing asit falls through Earth's atmo-sphere. A flare is producedand the remains of the as-teroid are swallowed even-tually by the black hole.

"An asteroid's orbitcan change if it ventures tooclose to a star or planet nearSgr A*," said co-authorSergei Nayakshin, also of

the University of Leicester."If it's thrown toward theblack hole, it's doomed."

The authors esti-mate that it would take as-teroids larger than about sixmiles in radius to generatethe flares observed byChandra. Meanwhile, Sgr A*also may be consumingsmaller asteroids, but thesewould be difficult to spot be-cause the flares they gener-ate would be fainter. Theseresults reasonably agreewith models estimating ofhow many asteroids arelikely to be in this region, as-suming that the numberaround stars near Earth issimilar to the number sur-rounding stars near the cen-ter of the Milky Way."As areality check, we worked out

that a few trillion asteroidsshould have been removedby the black hole over the10-billion-year lifetime ofthe galaxy," said co-authorSera Markoff of the Univer-sity of Amsterdam in theNetherlands. "Only asmall fraction of the to-tal would have been con-sumed, so the supply ofasteroids would hardlybe depleted." P lanetsthrown into orbits tooclose to Sgr A* a lsoshould be disrupted bytidal forces, althoughthis would happen muchless frequently than thedisruption of asteroids,because planets are notas common. Such a sce-nario may have been re-sponsible for a previous

X-ray brightening of SgrA* by about a factor of amillion about a centuryago. While this event hap-pened many decades be-fore X-ray telescopes ex-isted, Chandra and otherX-ray missions have seenevidence of an X-ray "lightecho" re f lect ing of fnearby clouds, providinga measure of the bright-ness and timing of theflare.

"This would be asudden end to theplanet's life, a much moredramatic fate than theplanets in our solar sys-tem ever will experience,"Zubovas said. Very longobservations of Sgr A*will be made with Chandra

later in 2012 that will givevaluable new informationabout the frequency andbrightness of flares andshould help to test themodel proposed here to ex-plain them. This workcould improve under-standing abo t the forma-tion of asteroids and plan-ets in the harsh environmentof Sgr A*.

NASA's MarshallSpace Flight Center inHuntsville, Ala., managesthe Chandra program forNASA's Science MissionDirectorate in Washing-ton. The Smithsonian As-trophysical Observatorycontrols Chandra's sci-ence and flight operationsfrom Cambridge, Mass.

Hot Topic: Why M.I.A.’s Middle Finger MattersRutgers professor weighs in on how 'indecent' Super Bowl

halftime antics influence our airwaves(By Amber E. Hopkins-

Jenkins)Hip-hop artist M.I.A. of-

fers an obscene gesture

during the Super Bowl XLVIhalftime show in Indianapo-lis on Sunday, February 5,2012.

The Material Girl wasupstaged by . . . a bird?

Just before the eighthminute of Madonna’s SuperBowl XLVI halftime perfor-mance Sunday night, themiddle finger of rapperM.I.A. stole the show fromthe pop icon.

M.I.A., a 37-year-oldBritish hip-hop artist of SriLankan descent, flippedher left middle digit to-ward the camera for 110million viewers’ pleasureat the end of her verse onMadonna’s new single,

“Give Me All Your Luvin’.”The rapper’s accompanyinglyrics, “I don’t give a [exple-tive],” were unclear to the

audience.E i g h t

y e a r sago, dur-ing theS u p e rB o w lXXXVI I Iha l f t imeshow fea-t u r i n gJ a n e tJackson,guest per-f o r m e rJ u s t i nTimberlakeripped offa portiono f

Jackson’s costume, mo-mentarily exposing her rightbreast, which wasadornedwith a nipple shield, on livetelevision. His lyrics: "BetI'll have you naked by theend of this song.”

Ellen Goodman, aRutgers-Camden law pro-fessor and communicationslaw expert, sees similaritiesbetween M.I.A.’s finger inSuper Bowl XLVI andJanet Jackson’s, ahem,nipple from Super BowlXXXVIII. “This is not differ-ent from the ‘wardrobemalfunction,’ except that itwas intentional, whichmakes it easier to censure,”says Goodman, referencing

the euphemism made infa-mous by Timberlake’s pub-licist during “Nipplegate.”

A widespread indecencydebate followed the 2004 in-cident, as did increasedFederal CommunicationsCommission (FCC) scrutiny,and a $550,000 fine for CBS,which aired the sportingevent.

According to an apolo-getic statement released byNFL spokesperson BrianMcCarthy, the league had noreason to believe M.I.A.would make such a gestureduring Sunday night’s show.Apparently, she had notdone anything vaguely simi-lar during rehearsal. “The ob-scene gesture in the perfor-mance was completely inap-propriate, very disappointingand we apologize to ourfans,” said McCarthy.

Now, other non-middlefingers are pointing. TheNFL blames NBC for the de-layed censor, NBC blamesthe NFL for the show’scontent, and the ParentsTelevision Council, a con-servative media watchdoggroup, blames both theNFL and NBC for bookingand, thereby enabling,multiple performers withhistories of shocking be-havior, inc lud ingMadonna’s other guestsCeeLo Green, Nicki Minaj,and party rockers LMFAO.

Considering the plausiblerepercussions for M.I.A.’s

finger, Goodman, who hasserved as DistinguishedVisiting Scholar at theFCC, says the agency hasnever, to her knowledge,decided whether “the bird”is indecent. “Broadcastersact as if it is and it prob-ably does fall within the‘fleeting expletives’ policy.”

This uptick in discus-sion of “fleeting indecency”in broadcasting is certainlytimely. Just last month,the U.S. Supreme Courtheard arguments about theFCC’s role in policing theairwaves. The court is cur-rently deliberating whetherthe FCC’s indecency regu-lations violate the FirstAmendment’s guarantee offree speech and the FifthAmendment’s guarantee ofdue process.

Goodman doubts theFCC will levy any fines forSunday night’s middle fin-ger until the Supreme Courtdelivers its ruling on theFCC’s policies. “It will bevery close – hard to predictwhich way the court willgo,” she says.

How close? In a 5 to4 ruling on the FCC’s in-decency policy in 2009,Justice Antonin Scaliastated that the govern-ment agency was wellwithin its rights to pro-tect the public againstwhat he called “foul-mouthed glitteratae fromHollywood.”

CAPAC Chair Blasts Hoekstra Campaignfor Racially Charged Super Bowl Ad

(Press Release) WASH-INGTON, DC – Following the air-ing of former Congressman PeteHoekstra’s racially charged politi-cal ad during the Super Bowl lastnight, Congresswoman Judy Chu(CA-32), Chair of the Congres-sional Asian Pacific American Cau-cus (CAPAC), released the follow-ing statement: “Thirty years ago,a Chinese-American man namedVincent Chin was brutally mur-dered on the streets of Detroit byangry workers who blamed Japanfor the plight of the U.S. auto in-dustry,” said Chu. “Three decadeslater, Pete Hoekstra is stoking theflames of these same anti-Asiansentiments as he runs for the U.S.Senate in the very same state. Iam appal led at the Hoekstracampaign’s offensive and insen-sitive Super Bowl ad that reliesheavily on negative Asian ste-reotypes. Polit ics of fear and

d iv is ion w i l l never b r ing theAmerican people together aroundthe solutions they so desperatelyneed, and I amcalling on formerRep. Hoekstra totake down thisatrocious ad andissue an apologyimmediately.”Hoekstra’s ad-vertisement de-picted an Asianwoman speakingin broken En-g l ish and aheavy accent tothank Demo-crat ic SenatorD e b b i eStabenow (D-MI)for sendingmoney and jobsoverseas. Thead also directed viewers to a

Hoekstra-sponsored campaignwebsite that featured Chinesecharacters and imagery. The Con-

gressional Asian Pa-cific American Cau-cus (CAPAC) is com-prised of Members ofCongress of Asianand Pacific Islanderdescent and mem-bers who have astrong dedication topromoting the well-being of the AsianAmerican and PacificIslander (AAPI) com-muni ty. Current lyChai red by Con-gresswoman JudyChu, CAPAC hasbeen addressing theneeds of the AAPIcommunity in all ar-eas of American life

since it was founded in 1994.