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8/6/2019 NCSSM Blue Mirror Volume 6 Issue 1
1/32
volume VI issue I
n
Fall2010
blue
mirr ro
cs s m jos r
i utaterl
a dna
l
o trf
au n
er
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I am apart of
Alfred LordTennyson
all Tha
I havemet.
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contents
page two
page six
page four
page eight
page eighteen
page twenty-four
page twenty-two
page twenty
page sixteen
page fourteen
page twelve
page ten
page twenty-six
tw
ophotographs
jozeflisowski
lim
bo
jen
niferkronmiller
drifgintbackintomemory
maraguevarra
xmarksthespot
maililim
hisringtone
brittaniehoward
running
sydneybrowning
blink
tinazheng
tre
ading,
maraguevarra
unfiltered
jenniferkronmiller
welcomehome
xav
ierjarrett
ko
rsakovssyndrome
taylorhouse
alphabetblocks
jen
niferkronmiller
latent
ashgray
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Jordon Pond: Thennie Venablegital photography
page one
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Who am I when I am not me?
I am not this long brown hair behind glass,
those cute dimples or painted cheeks in auburn,the plaid sweaters in lavender colors that Grandma loved on me.
I am skinny, yes, too skinny.
I am not the airtight girls who say they are too fat.
Is this room pink or just a paling shade of red,
shining in dark and deceptive corners to trick me
into a colorful fantasy parallel life?
I am not kitties and ponies and six petaled flowers
I am cobras and mud and thick vines of weeds.
Don't tailor to my every need
and don't tie my facade across my wrist with hearts and love and bracelets.
I am not flowing skirts and high heels that click on ice.
I am him.
I am Samantha called Sam for short,
that baritone voice too deep for these lips,
those hairy legs I don't cover up with stockings
and the boxers I bought for the boyfriend I don't have.
The devil is in the cashier girls,
humiliating me in the sections that are not mine,
are not his,
the stash of lacy bras and thongs and gigglesto fill my drawers with lies.
I am the steamy showers after gym class,
man sweat on my small frame,
his muscles over my breasts,
his eyes closing my own.
I am political correctness, a sexist joke, the kernel of truth in the lie.
Lost in my own body, in that dangerous glance into a mirror,
wrinkled across myself with seams of uncertainty and contradiction.
I am his dreams, labeled and stuffed into a box that wont hold them,
Compressed to fit into a narrow world.I am his dreams and my nightmare,
Our twisted reality.
I am Limbo.
Limbo Jennifer Kronmiller
page t hr ee
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La Merpage f our
Violette Zhucolored pencil and photoshop
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Blink.
A million shards of light pierce through my lens, shatter on my retina.
Voices.
Varying vibrations pass effortlessly through the heavy air and enter the chasm that is my hearing.
Blink. Blinkblinkblink
My eyes cannot stop moving. I take in a whirlwind of movement, flurries of bright dots and areas
of darker color
Why, shes awake!
A sudden change in tone and volume, indicating immense interest or surprise.
My body tightens (I vaguely register a slight rush of alertness and panic) and attempts to spring up.
Somehow, I find myself unable to transport. A confining sensation envelopes my physical being.
TheDrive
Blink Tina Zheng
digitalp
hotography
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(There is presently still the mystery of what a physical being is.)
A strange, disturbing awareness, akin to the panic I just experienced. Though this time, it seems
less physical. I am
Confused?
A slight deviation in the eddies of air that surround me. I strain my dancing eyes to the left and find
a bright figure in close proximity.
A tense moment, characterized by silence, immobility, and concentration.
As my eyes adjust automatically to this lesser degree of remoteness, the monochromatic figure
twists up a line on its upper body. Nuances in the air emerge from the line, now widened to an
amorphous shape and still constantly morphing. I discover the movements coincide with changes
in the tone and sounds waves that I am processing.
How do you feel?
Blink.
Again, that twisted line.
Dont worry; well take excellent care of you.
Blink. I turn my head almost subconsciously to the right. Another disturbance in the currents of air
The figure to my left widens his mouth. An echoing noise is emitted. I cannot discern any meaning
from the patterns. The new figure to my right imitates the first.
A slight push of air to my left, then pressure; I whip my head around and focus my eyes on my
left arm (what an interesting discovery: such a slender appendage). The first figure carries a long
tube.
A foreign, uncomfortable feeling within me.
Danger.
Dont worry; well take excellent care of you.
Sudden penetrating pressure on my arm. The line on my face widens for a moment. I try to stop
the uncontrolled sound coming from my mouth (so unlike how the figures echoes sounded).
It is to no avail.
The sound stops on its own, and I remember nothing more.
Darkness.
I am learning.page six
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I used to think of the world in terms of intersecting lines. I could see two images superimposed over
one another: the real world, smooth and blurred together like runny pastels, and the dissected Pi-
casso one, made up of boxes crisscrossing with squares and angles and yellow grids. I could sort the
universe into categories based on the textures that each sound made, find the mathematical mean of
all the blades of grass, and figure out the hypotenuse the sky made when it clashed with the top of atree, perpendicular to the ground. They tried to teach us left brain and right brain theory in 4th grade
but it went over both sides of my heads. I didnt understand why science couldnt coexist in the sam
hemisphere as art or why gut feelings precluded logic. They spoke of two worlds, separate but equa
but I already had two worlds on top of each other. I already had both. Although sometimes my mind
would go into overdrive and rapid-fire too many thoughts at me every millisecond, and sometimes I
short-circuited. And so then I had neither world. Just blackness.
I remember one sleepless night, plagued by childhood insomnia and too many patterns behind my
eyelids, when I looked out the bedroom window and into the petrifying fluorescent glow of a street-
light. It was a dangerous thing to do and I knew it. I was used to the extrasensory overload I receive
from most objects, the enigma caused by a leg of a chair or one tick of a clock, but usually I could
contain it in a small corner of my mind and lock it away, another paradox that would just remain a
mystery forevermore. The streetlamp, though, was different. It wasnt tangible, something that a lab
could be placed on or that my imaginary filing cabinet could hold. It was just a light. It was a center
point but with no radius, no area, just a diffusing glow of particles, and I wondered where it started,
exactly, since it never really stopped. It just grew thinner and thinner, the light spreading out to the
edges of the world, asymptotically approaching black without ever reaching it. Light was just energy
wasnt it, so where could the energy go? It could never be destroyed. And then a basic 250-watt bulb
became infinite, a vortex into imaginary numbers and imaginary worlds, sucking in its surroundings
like a vacuum or a black hole. It became an abyss of a streetlight with no size or matter or start or
end, just a pure pool of unfiltered, embodied essence.
But then it started getting scary, invading my room and engulfing me in yellow, that sickly color that
I hated and that was tainting my skin and my jaundice eyes and all the grid lines that the symmetry
in my bedroom made. I couldnt handle it. My mind wouldnt wrap around it and I became distraugh
trying to force understanding. I broke down crying, sobbing for my mom, terrified because both
worlds that I knew were coming undone and the lamp outside my bedroom window fit into neither.
was like a giant block of granite in the middle of a roaring stream, dividing the waters into tributaries
changing the paths, and I was stuck treading water on the wrong half of the river.
Thats what it felt like, anyway.
But my mom didnt understand it because she couldnt see it, and if she couldnt see it then it wasnt
real. She wanted my reality condensed, crushed back into the three dimensions it was supposed to
have. She thought there was something wrong with the connections my neurons made, something
wrong with my mind and my perception and my sanity. It turned from a gift to a problem, another
imperfection that had to be wiped away. She wanted me cured, but I could never figure out what ex
actly I was being cured of.
If someone sees things that no else can see, I always wondered, are they crazy? Or do they just have
better vision?
Unfiltered Jennifer Kronmiller
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UntitledBronwynFadem
henna
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Do Not Climb Sydney Browningdigital photography
page nine
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i am a manufacturer's defect
the factory workers went on strike.
my pieces left on the line
picked back up after the raise
but they forgot the motions
and we went back to day one.
they hot-wired my anger
right to my teary eyes.
and left a dent in my exterior
i don't shine like the others.
the compass on my heart is broken
i don't know what to follow now.
my emotions just tangled cables
now each of them the same.
and the worst of all
they altered the path of my neurons.my senses are distorted.
all i can hear is your voice
ringing in my ears,
the feeling of falling
away from you - vertigo.
your lost touch is still
sending signals up my spine.
and your image, forever lies
reflected on my retinas.
your taste embedded in my tongue.
more sour than sweet.
our memories on repeat, leaving me
forever stuck in this moment -
anterograde amnesia.
they never taught this heart how to let go.
Korsakovs
SyndromeTaylor House
page t en
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i am a scuba diver of the broken,
finding lost treasuresby dumpster diving
for thrown away people
letting the garbage i collect
turn into gold
turn into armor
and so much more
than i ever should
theres that taste of sourness
as i kiss each thin white scarkisses that taste
like bitterness and pain and lust
nights that taste
like heat and sweat
tears of salt
and one-sided love
i jump in after the broken
ready to breathe
my life into hisonly to wake up
drowning
in a sea of air
alone.
mara guevarra
treading,
Shell at Supage eleven
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set Annie Venabledigital photographypage t welv
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Acrid apathy sweating from suspended nothingness,
Bendable to your will and yet
Claustraphobically avoidant of all you say.
Dreams in black and white, sketched lazily over a colored world.
Ethereal, surreal light shows
Flayed across traffic lights that never turn green.
Gorge yourself senseless on a binge that never pays off in the end.Hide away beneath your skin,
Invisible to all except those who look, so
Just. Don't. Look.
Kill all your desires so they'll never fail,
Lose your love so that it lies undisturbed underground, and
Make way for those insecurities that you can never push away.
Nameless we all are as a whole,
Oblique masses that blur together,
Pretending that this prepubescent paradise will last a lifetime.
Quiver in your boots and quake, quell your rising fear.
Read a book on happiness in a secluded corner of a cemetery.
Simmer embers down to ashes, like the
Teachers teaching teachers while the students all decay.
Underneath the facade of normalcy is a wilder world,
Very like your own insides:
Wobbly molds of Jell-o and juvenile crash courses.
Xerox your personality, but don't forget to add a watermark.
Zip your jacket tight around your fears.
A D i f f i c u l t L o v e
Alphabet BlocksJennifer Kronmiller
page t hir t e e n
TylerHayes
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The skyswollen, gray, vastmoans, sending a shockwave through my body. My heart skips
a beat or two, or at least thats how it feels. I release the breath that I hadnt noticed I was holding for
he longest time allowing the warm air to rush past my lips and hang around me. My nostrils fill with
he smell of the day-old veggie pizza I had that morning for breakfast. I flex my fingers in an attempt t
regain control again. The empty pasture spread before us, which had once seemed so broad and openbecomes a shrinking plain of grass trying to overtake everyone of my senses. I squeeze my eyes shut
ightly.
Dude, youre always so afraid of these things, Thom says leaning over. He lightly punches me
on the shoulder and chuckles before continuing, all of a sudden growing serious. I..I know you like
boyI mean guysand all, but could you at least toughen up a bit?
My eyes, downcast before, venture upwards seeking out his face. Handsome, strong, rugged. T
mage of what a real man should be. It pisses me off how easily he can expect me to adapt to his wan
and needs, how easily he believes I can turn my true persona on and off. I move to give him that trad
mark finger of minethe one that so many bigots have been on the receiving end of, but the sky erup
n a flash of brilliance, and I halt. Sometimes, I wonder if thunderstorms are nothing more than the go
from ancient Rome fighting it out. Or maybe, that one God is just upset and needs to cry. Doesnt eve
one break down at some point?
Welcome HomeXavier Jarrett
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Whether or not Im right, I still cringe in anticipation, waiting on the clash, the thun
of the giants to arrive. Thats the worse part. Waiting. Waiting on something that you kno
will happen at any time. The noise deafens me, and I leap from the old wooden fence we
perched on. My shoes sink into the muddy ground, and I drop my handbag. I curse silent
Let me help you, Thom offers, leaving his seat on the fence and crouching low to
grab the phone that had fallen from my bag.
Just stop it! I yell at him. I snatch the phone away and shove it into my back pock
Whawhats your problem, Ben? he asks, handing me my bag back.
You! I shout. I sling the loud pink purse onto my shoulder and stare at the half-naked wan covering his shirt. These past few months have been nothing, but you criticizing ever
choice I make. Seriously, I know it hasnt been easy dealing with me as a best friend. Who
wants to hang with the school fag? Things arent easy on my end, either, though. I dont w
to feel like such an outcast, a person who has to struggle for every small scrap of hope th
my way. I have tried to be such a man. Believe me, I have tried every damn method. It
just not me. My own parents cant stand to look at me, Thom. I just wantI just want to g
home.
I pull my feet out of the mud, tuning out the horrid sucking noise it makes as the la
remnants of its dark ingredients fall back to the ground. Closing my eyes against the stale
after-storm air around me, I trudge off back towards my cara car I had taken here in hopof rekindling my friendship with the guy who had known me since we were in diapers. A
guy who had played ninja assassin with me all those nights ago when the darkness seeme
overwhelming, we couldnt see more than two feet in front of us. A guy who had left his
and only girlfriend to come to my last ballet recital. A guy who had stood by and watched
get beat down for being who I was meant to be, for being gay. A guy who had called to a
ogize that night for not being man enough to step in. A guy who I knew I loved as a broth
and could never leave behind.
Ben, wait. The tone of his voice causes me to stop. It reminds me of the days wh
things were simple. II know that its been hard, and I havent bbeen there as much a
should have, but I wanna make this riright. I turn around, and hes standing with his ar
spread open, seeming as if he is trying to engulf the entire world. The smell of his cologndrifts over, and I give in. My feet, covered in the black muck, carry me back the few shor
yards I had managed to put between us.
We can make things right again, Ben. I promise. A homea home is not somethin
physical. Its more than that. Its a place where you feel safe. Name that place, and I swea
you, I will make sure thats where you end up.
I whisper the first thing that comes to mind: Your arms.
I feel the tension in his arms relax as if he is about to pull away. I freeze, afraid that
only home I truly know is about to depart. The pressure returns, though, increasing stead
until I cant move.
If its what you want, he whispers back. The storm quiets to nothing but the occa
al rumble in the distance. Nothing disturbs the silence that has once again returned to its p
in the field.
Welcome home, Ben.
Suspended DisbeliefJennifer Kronmiller, digital photography
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ner Tyler Hayesdigital photographypage e ight ee n
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I walked a mile your shoes like you said to
I crossed the desert in a purple haze
Now you dont know what Im talking about
You see I should have started back again
I spent my life being chased, chasedThen I met you and I could rest my head
Until the drink rot that bed
And fifty men in Italian suits marched into our room
Their cigarettes drove me away
And you stayed
Why did you stay?
I have a few tricks up my sleeve
So the devil wont catch me anytime soon
But I do like that bass you play
So I crept back into our roomAnd there you lay with someone else
So I took my hammer and it fell
You yelled but it didnt do anyone any good
And I was running again, the fifty suits were back
And now my hands are broken and burned
My mind is cracked and turned
And one drink will save my life
The Devil finally chased me down.
RunningSydney Browning
page t we n t y
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I was working late, Daddy said to my Momma.
We were all sitting at the dinner table, eating my favorite spaghetti with meatballs.
Momma gave me two meatballs today because she said I was growin up to be a big boy, just
like my Daddy. I was almost finished with both of them already, but when I looked over at
Momma and Daddys plates, they hadnt even touched theirs. I figured they didnt wanna grow
anymore; thats probably why they always call each other fat.
Please, Phillip. I want to work this out, but we cant get anywhere if youre going to-
Momma stopped talking cause Daddy gave her a real mean look and put his hand on the table.
I looked at Daddy then I grabbed another roll from the middle of the table. Right when I was
about to take a bite, Momma got up from the table and went upstairs. Daddy finally looked
up from his phone and took another bite of his dinner. His phone started ringing, and I played
along to his ringtone with my fork.
Cut it out, kid, he said real mean, then he took his phone out of his pocket and laid it
on the table.
I stopped then and ate the rest of my dinner. Then, a couple of minutes later, it rang
again. I tried real hard to hold it in, but I couldnt help playing along to the ringtone again.While I was boppin my head to the beat, Daddy hit me on my head with his fist. I fell out the
chair and hit my head on the cabinet under the sink, then I screamed - but not a lot cause I
aint no sissy. I tried hard to keep the tears in my eyes, but they came pourin out and I got real
scared then.
Get up! An stop cryin like a little girl, he yelled.
I was cryin real hard then, and I knew I was gonna be in trouble cause thats when he
got up from his chair. He started walkin over to me, pullin off his belt while he came, and I
could tell that I had made him angry. Right then, Momma came back downstairs.
Phillip, stop it! You cant keep hitting him like this!
Stay out of this, its between father and son!
I tried to crawl over to Momma then so she could protect me, but Daddy kicked me and
I had to stop. Thats when he pulled back his arm real high, and brought the belt down on me
so hard that I could feel blood on my back. I think I fell asleep then, cause the only thing I re-
member after that is black.
***
When I woke up, Momma was cleanin my back and puttin Band-Aids on it. Daddy was
sittin in his Lazy-Boy chair, watching football and drinkin beer when I looked over at him.
When he saw that I was awake again, he started laughin real hard.
Little punk finally up for good, eh? Kid goes unconscious after the first hit! An you say
hes mine, he said, laughin even harder.
Thats when my Momma did somethin I never thought shed do. She picked up a opencan of beer on the table, got up, walked over to Daddy, and threw it right in his eyes! He
yelled and got up real quick, rubbin his eyes while he ran to the bathroom. I looked at Momma
and she told me it was alright. I was still tryin to figure out though why she did that she knew
Daddy was gonna beat her for it.
When the water stopped runnin, I got scared for me and Momma. Figurin that I had to
be a man and protect her, I got up and walked real slow to stand in front of her. My back was
still hurtin a whole bunch, but I sucked up the pain so I could save her.
Jason, sweetie, what are you doing? she asked me while she tried to push me back
onto the couch.
Protecting you, I said real simple.
t
i l l F i
d
His Ringtone Brittanie Howard
t y l e
r H a y e s
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Daddy came out of the bathroom then and kept clenchin his fists while he walked over to
us. He had a real mean look in his eyes while he was starin at us, and his lip was pulled up a little
like a angry dog growlin. As soon as he got close, he pulled back his fist to hit me. I closed my
eyes and tried to make my muscles strong so I wouldnt fall, but right when I was expecting to feel
it, I felt something go past me and heard Momma scream. When I turned around to look at her,
she was half laying on the table and half laying on the floor, tryin to get back up. Daddy pushed
me down and went over to her, then he grabbed her by her hair and threw her on the couch.
Stop it, Phillip! she screamed, tryin her best to push Daddy away. With one hand Daddy held
her down, and with the other he kept hittin her in the head. After a couple of minutes, Momma
stopped makin noise and her body just sat there, not movin at all. Daddy got up and put his fin-
gers on her neck, then his eyes got real big. He started backin away then, grabbed his keys and
wallet, and went out the front door real fast. I figured Momma was pretending to be asleep so he
would stop, like I do sometimes. I walked over to her then to tell her it was okay that she could
stop pretending because he was gone.
Momma, its alright. Hes gone now. You can get up, I told her, shakin her arm.
I heard the truck in the driveway start up, and the engine made a whole bunch of noise as it
went down the road. I looked at Momma again and she still wasnt movin, so I pushed her harder
this time. Nothin happened, so I kept trying, until I was practically beating her to wake her up.
The tears started comin again, and I sat down and laid my head on my Momma, hopin she wouldwake up soon.
His ringtone went off again and made his phone fall off the table, but this time, I just sat real
still with my Momma.
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Waves of Grain Annie Venabledigital photograph
page t we n t y- t hr e e
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Two icebergs in your father's gold Acura
and your car seat swells
with my liquid contents. Fourteen days
till summer clocks in,why haven't you thawed yet?
Frostbite folds mechanical arms
over your loud little treasure:
X marks the spot where
Blackbeard didn't give a shit,
burying more selfishness
than I could ever attempt.
And although you tell me
I will not let you worm
your way inside
I want to explain
your eyelashes remind me
something of the butterflies I caught
one grey summer with my bare fingers,
the fragile life wilting
between my child's hands.
X Marks the
Spot maili lim
page t we n t y- f o ur
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we walk under lined-up lamp posts,
and i look up at you,
so that i can find your smile
in the dim lighting;
you go ahead of me,
your body far,
the distance between us
growing as big as our awkward silences;
i dont cry out
but i wish that just once
just this one time
you could look back at me,
and see me reaching out to you,my kindred spirit.
mara guevarra
drifting back intomy memory.
R e l e
a s eMara
Guevarra
l i
page t we n t y- f ive
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cover image
the advent o f
mara guevarra
experimentation
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BlueM
irro
rFall2010
An it a Gand h iPe t e r G eMark G rebenAbigail Gr uchacz
K at r in a G ut ie r r e zT yler HayesJ enn if e r K r onmille rB renna Mu l d rowJ en i f e r Spos itC at hy W o odPe t e r G e
K at r in a G ut ie r r e zJ enn if e r K r onmille rJ ohn Mit che ll
Mia d e los ReyesC at hy W o o dT in a Z he n g
E d it or - in - C hie f
L it e r at ur e E d it orAr t E d it orPr o d uct io n E d it o r
Mail i L im
J o ze f L is ows kiMara GuevarraNick L iu
J o hn W o o d man s ee
St r awb r id ge St ud ios
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