Nikolay Khrust

Microsonettoper soprano, flauto traverso alla barocco / flauto grande, clarinetto in B, percussioni, violoncello, MIDI-tastiera & elettronica

2012

Microsonetto

Microsonetto is written on CLXXI sonnet by Petrarch. ‘Micro-’ references to using microtonality, but also paying special attention to details; the work is written as an impression of a singing manner of a singer, who was a first interpreter of this work. Conceptually, the piece behaves like a ‘musical sonde’, which dives on music history and ‘excites’ its different layers (and certain concrete works indeed); quotations however are not demonstrated as a poster, but uses as a part of united vibration of single ‘music history soup’.

Nikolay Khrust

Interpreters, Instruments and Accessories

Soprano: Microphone, connected to processing and (slight) amplification Usually Soprano also uses special small MIDI keyboard, earphones and a small Max-MSP patch — microtonal tuner, which assists to keep microtonal pitches right. This patch could be run on the main ‘Hammond’ computer (see below), in this case small keyboards and earphones should be plugged into that computer. Otherwise Soprano can use her own separate laptop for tuning purposes only (and plug there earphones and tuning keyboards)]

Flute: Baroque transverse flute ‘in H’* (a1 = 415 Hz, written as semitone transposed) Modern flute[also plays piano in episode K–L]

Clarinet: Clarinet B* (not. in C) Microphone, connected to processing [also plays piano in K–L]

Percussion:Glasses with water: b*, dj1**, a2, c$3, fis<3, fis<<3, g>>3Crotales a1, d2, g2, h2, cis3 Temple bell with water — b1AnvilChinese gong Suspended cymbal with soft timpani mallet Brushes and all regular mallets for instruments listed above Microphone for crotale a2 and gong, connected to processing [also plays piano in K–L]

Microtonal ‘Hammond’ Organ, Pianoforte & Electronics (one piano player, possibly audio designer needed for assistance):Piano MIDI keyboard with full range (actual playing range is H1—d4), modulation wheel and sustain and volume pedals connected MacBook with Max-MSP patch run Audio interface (computer and all processing mics should be connected here) Amplification system MIDI controller All MIDI, audio and power cables The patch remaps MIDI keys to different microtonal pitches depending on defined number of pitches per octave and base pitch. These parameters are recorded in shortcut presets which are written in organ part in special frames. Presets are switched in laptop keyboard; they also control organ timbre, electronic processing of the voice, plays samples. Real organ pitches are written in small staff below the regular organ part staves (they are for playing, small staff below is for listening). The last bar is very long (its duration could be up to a minute): it is an organ harmonics’ cadence. Keyboard player keeps the triad and periodically fade in and fade out organ harmonics by MIDI controller sliders (or an audio designer can do it, if he/she is sitting nearby). Period of fading in-out of every harmonic should be long (a few seconds) and regular. But periods of different harmonics should have different duration: so the result should be a polyphony of harmonics, which volumes oscillates independently from each other. Soprano’s tuning patch could be also run on this computer (see above)

Violoncello:Violoncello Metallic mute Metallic slider Microphone, connected to processing Distortion and Wah pedal (for electric guitar)

* ** how letters mark pitches see next page

All mordents (including microtonal) should be performed in baroque style: start with the top note (make a tie with precedent note if needed), sing and play grace notes very light, free, connected with the main note, do not ‘sag’ on them.

Glissando should be spread on whole duration of a note. Do not make rests between phrases, bars.

Notes: * Here Helmholz notation is used (H = si of the big octave, b1 = si-bemol of the first octave), in preset markings English ‘scientific notation’ is used

(B4 = si of the first octave, B-flat3 = si-bemol of small octave). ** Microtonal pitches are marked as follow

Duration of the work is approx. 10:45

CLXXI

Higher Lower

Quartetone $ j

1/6 of tone << (in score: double arrow down) >> (in score: double arrow up)

1/8 of tone < (in score: single arrow down) > (in score: single arrow up)

1/12 of tone – +

A B C D E F G H I J K L M N O P R S

Giunto m’ha Amor fra belle e crude braccia, che m’ancidono a torto; e s’io mi doglio, doppia ’l martìr; onde pur, com’io soglio, il meglio è ch’io mi mora amando, e ché porìa questa il Re qualor più agghiaccia arder co gli occhi, e rompre ogni aspro scoglio; et ha sì egual a le bellezze orgoglio, che di piacer altrui par che le Nulla posso levar io per mi’ ’ngegno del bel diamante ond’ell’ha il cor sì duro; l’altro è d’un marmo che si mova e ned ella a me per tutto ’l suo disdegno torrà già mai, né per sembiante oscuro, le mie speranze, e i miei dolci

В прекрасные убийственные руки Амур толкнул меня, и навсегда Мне лучше бы умолкнуть — ведь когда Я жалуюсь, он умножает муки. Она могла бы — просто так, от скуки — Поджечь глазами Рейн под толщей льда, Столь, кажется, красой своей горда, Что горьки ей чужого счастья звуки. Что я ни делай, сколько ни хитри, Алмаз — не сердце у нее внутри, И мне едва ли что-нибудь поможет. Но и она, сколь грозно ни гляди, Надежды не убьет в моей груди, Предела нежным вздохам не положит.

Pedal

Cl.Vc.

Sopr.

Earphones for tuning

Fl.

Small MIDI Keyboardfor tuning microtonal pitches

Perc.

MacBook Pro

Crotale a2

Crotales

Anvil

Cymbal

MIDI Controller

MIDI Keyboard(‘Hammond’)

USB

USB

FireWire/Thunderbolt

Pf. & Keyb.

MIDI

Disposed near the cello player

Possible connection

Aux 1Aux 2Aux 3Aux 4

Insert

In 1 In 2 In 3 In 4 In 6, 7 In 8, 9In 5

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Main Output

Mixer

1 Vocal2 Cello3 Clarinet4 Percussion

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* a1 of the baroque flute = 415 Hz, which is semitone lower than the modern base frequency of 440 Hz. Thus, baroque a1 is exactly the same pitch as modern g#1. So, baroque flute part is written semitone higher(“in H”) as a compensation of this difference. After change to modern flute (bar 36) the part is written in C.!

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MicrosonettoNikolay Khrust

Words by Francesco Petrarca (CLXXI)

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$ _ 60 (Larghetto)

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