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UNIVERSITY OF MACEDONIA

ECONOMIC AND SOCIAL SCIENCES

DEPARTMENT OF MUSIC SCIENCE AND ART

2010 2011

STUDENTS GUIDE 2010-2011

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2010 2011STUDENTS GUIDE 2010-2011

/CONTENTS ./p.

- 1Table I - Elective Courses

Ia - 2Table Ia - Elective Courses

. - 3

Table II. Prerequisite Courses Chains of Courses

- 4-5Table III - Core Courses as Elective Courses

6-7Specialization Applied Music Studies

IV. 8Table IV. EMPHASIS Courses

/Major 9-26

i. () 9-15i. European (Classical) Music

ii. 16-18ii. Byzantine Music

iii. () 19-21

iii. Greek Traditional (Folk) Music

iv. 22-26iv. Contemporary Music

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1

../P.I.= /PrivateInstruction, /L= /Applied(Lab), /C= /Class/W= /Winter, /S= /Summer

1. ( )/SeePrerequisitesCoursesChainsofCourses(TableII).

2 /Thecourseisofferedafterauditionbyjury.

3 ..()./ItisofferedonlytostudentsoftheG.T.(Folk)MusicMajor.

4. .2, .../Seealsofootnoteno.2bytheAppliedMusicStudiesProgram.

5. ( IV)/SeeEmphasisCourses(TableIV).

A/A.

Code

TableI ElectiveCourses /Major

Type

.

Sem

/

H/WECTS

1. /AestheticofMusic /C /W 2 22. /ArchitectureofMusicSpaces /C /S 2 23. 1 ()/E(C)M& M/CM E/L /W 3 34. Suzuki

/C /S 2 2

5. /C /W 2 26. /BasicImprovisation

Techniques ( )()/E(C)M& M/CM E/L /W/S 3 3

7. /ByzantineChoir1 .. /L /S 3 38. /SpecificTopicsonAcoustics1 /C /W 3 29. /Introductionto

AncientGreekMusic/C /S 2 2

10. / IntroductiontoJazzTheory /C /W 2 211. /Introductionto

SchenkerianAnalysis/C /S 2 2

12. /GreekLanguageforBeginners

/C /W/S 4 4

13. /GreekLanguageforAdvanced

/C /W/S 4 4

14. /InstrumentationwithTraditionalInstrumentsIVI

2

()/GT(F)M E/L /W/S 2 3

15. /MusicTechnologyLab 1 /L /S 3 316. /ElectronicMusic /C /W 2 217. /SociologyofMusic /C /S 2 218. /ScientificResearchStructureCourseI

II3

/C /W/S 2 2

19. /C /W/S 2 220. /

StudyofBooksaboutMusicTheoryDevelopmentIIV3

/C /W/S 2 2

21. /C /W 2 222. /MusicInventionIII /C /W/S 2 223. /ChamberMusicVVI1 ()/E(C)M E/L /W/S 1 324. //MusicandComputersI /C /W/S 2 225. /MusicPerformance E/L /W/S 3 326. Finale/MusicNotationandFinale /C /W 2 227. , /Musicin

theMedia,FilmandTheater /C /W/S 2 2

28.

/MusicCriticism /C /W 2 229. /LanguageIIV /C /W/S 3 230. /ElectiveInstrument

VoiceIIV4

()/E(C)M, ..&

M/CMA.E./P.I. /W/S 3

31. /MusicManagementandAdministration

/C /S 2 2

32. ( )/Dancing(TraditionalDances)

/L /W/S 2 2

33. /OrchestraVVI1 ()/E(C)M E/L /W/S 3 334. /PianoAccompanimentII 2+5 ()/E(C)M A.E./P.I. /W/S 1 335. /ContemporaryMusic

PerformancePraxis /L /W/S 3 3

36. /C /W 2 237. /RhythmicalPracticePercussion

IIIIV1

()/GT(F)M /L /W/S 2 3

38. /JazzCombos V M/CM /L /W/S 3 339. Alexander/AlexanderTechnique /L /S 3 240. /OboeBassoonTechniquesIIV

( ..)()/E(C)M A.E./P.I. /W/S 1 3

41. & /ActingonMusicPraxis&ShadowTheatre

/C /W/S 2 2

42. /MusicPhilosophy /C /S 2 243. /Psychoacoustics /C /W 2 244. /MusicPsychology /C /W 2 2

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2

A/A Ia /TableIa ElectiveCourses /Major /C /D

1. /AestheticofMusic 2. /ArchitectureofMusicSpaces 3. ()/E(C)M& M/CM 4. Suzuki

5. 6. /BasicImprovisationTechniques ( ) ()/E(C)M& M/CM 7. /ByzantineChoir .. 8. /SpecificTopicsonAcoustics 9. /IntroductiontoAncient

GreekMusic

10. / IntroductiontoJazzTheory 11. /Introductionto

SchenkerianAnalysis

12. /GreekLanguageforBeginners

13. /GreekLanguageforAdvanced

14. /Instrumentation

withTraditionalInstrumentsIVI ()/GT(F)M 15. /MusicTechnologyLab 16. /ElectronicMusic 17. /SociologyofMusic 18. /ScientificResearchStructureCourseIII 19. 20. /Study

ofBooksaboutMusic TheoryDevelopmentIIV

21. 22. /MusicInventionIII 23. /ChamberMusicVVI ()/E(C)M 24. //MusicandComputersI 25. /MusicPerformance 26. Finale/MusicNotationandFinale 27. , /Musicinthe

Media,FilmandTheater

28. /MusicCriticism 29. /LanguageIIV 30. /ElectiveInstrument

VoiceIIV

()/E(C)M, ..&

M/CM

31. /MusicManagementandAdministration

32. ( )/Dancing(TraditionalDances)

33. /OrchestraVVI1 ()/E(C)M 34. /PianoAccompaniment II ()/E(C)M 35. 36. 37. /RhythmicalPracticePercussionIIIIV ()/GT(F)M 38. /JazzCombos V M/CM 39. Alexander/AlexanderTechnique 40. /OboeBassoonTechniquesIIV(

..)()/E(C)M

41. & /ActingonMusicPraxis&ShadowTheatre

42. /MusicPhilosophy 43. /Psychoacoustics 44. /MusicPsychology

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3

/ IIV / / ( ) , . .As it concerns the courses ELECTIVE INSTRUMENT /VOICE IIV, the studentmay choose to start taking the course seriesat1

st,3rd&5th

Semester(providedthathe/shehasauditionedforthecourse).Changeofthemainsubjectofthecourseisnotallowed.

: IV, IVIII, II, VIII, V, ( ) , IV IVI, / / ( ) .The courses: CHAMBER MUSIC IV, TRADITIONAL MUSIC ENSEMBLES IVIII, MUSIC ANALYSIS III, CONTEMPORARY MUSIC IVIII, GREEK

ECHOGEOLOGICAL TOPICS IIV, DANCING (TRADITIONAL DANCES) III, HISTORY OF MUSIC IIV and INSTRUMENTATION WITH TRADITIONAL

INSTRUMENTSIVI, arenotpartofcourseseriesandtheyaretreatedasseparatecourses.

/ElectiveCourses

.. (4) , . (. , a, III), . , (. II).

Allcorecourses(excludingprivatelessons)canbetakenaselectivesbyanystudentofthedepartmentwhodoesnottakethemascorecourses.

Electivecoursescanbetakenfreelyinthesemesterinwhichtheyareoffered(maximumnumberofelectivepersemester:4courses)regardless

ofthestudentsmajor.Studentsmayonlychoosethosecoursesofferedintheparticularyearofstudyandtheymust complywiththesemester

structure(seeTables I,Ia,III).Incasesomeelectivecoursesarepartofacourseseries,theyneedtobetakenasaseriesandaregovernedby

regulationsforcourseseries(seeTableII).

/Emphasis (. IV): (03) ECTS (...). ...

:

(. I, Ia, III), 15 (8) (03)ECTS (..), .. ,

(. II).

. TableII.PrerequisiteCoursesChainsofCourses

/Introductionto

Acoustics

/Electro

Acoustics

/Music

TechnologyLab

/Music

TechnologyLab

/SpecialTopicson

Acoustics

/IntroductiontoByzantineMusic

/

IntroductiontoByzantineMusic /ByzantineChoir

/Counterpoint /Counterpoint /Fugue /Fugue

/Instrumentation

/Introductionto

Orchestration

/Orchestration /Orchestration

/MusicPedagogy /MusicPedagogy /MusicPedagogy

/ElectronicMusic //MusicandComputers //MusicandComputers

/Harmony /Harmony

/FiguredBass /FiguredBass

IV

/OrchestralExcerptsStudy /OrchestralExcerptsStudy

/MelostisTrigenias /MelostisTrigenias

/ChamberMusic IV /ChamberMusicVVI

/Form /Form

/Choir IV /or /Orchestra V /OrchestraVVI

/RhythmicalPracticePercussionIII /RhythmicalPracticePercussionIIIIV

/JazzCombosIII /JazzCombosIIIIV

K/PercussionEnsembleIIV K/PercussionEnsembleVVI

/

VocalInterpretationinFolkMusicResearchandRegistrationI

/ Vocal

InterpretationinFolkMusicResearchandRegistrationII

/ScientificResearchStructureCourseIII

/Introductionto

ScientificResearchMethodology

/BachelorsThesis[ :

()

/ConcerntheSpecializations:ChantingInterpretationand

Performance&GreekTraditional(Folk)Music]

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A/A

TableIII CoreCoursesasElectiveCourses/Major

1. /Harmony II EM/AMS 2. /EarSolfegeRhythm

Training IV>>

3. /HistoryofMusic IV >> 4. /FormIII >> 5. /IntroductiontoByzantine

Music >>

6. /Instrumentation >> 7. /CounterpointIII1 >> 8. /Choir IV >> 9. /Introductionto

Orchestration>>

10. /IntroductiontoAcoustics >> 11. /Electroacoustic1 >> 12. /Introductionto

Ethnomusicology>>

13. /MusicTechnologyLab >> 14. /MusicPedagogy I1 >> 15. /IntroductiontoScientificResearch

Methodology

>>

16. /MusicEnsemblesConductingIII

>>

17. /TheoryofAtonalMusic >> 18. /EarlyChildhoodMusicEducation >> 19.

/IntroductiontoAppliedMusicTeaching>>

20. /CorrepetitionIVI2 ()/E(C)M 21. /Speech >> 22. /StageMovement >> 23. /StageActingIII >> 24. /TheatreScience >> 25. /Opera

PerformanceParticipation IV>>

26. /ChamberMusic /PercussionEnsemble VI

1

>>

27. /FiguredBassIII1 >> 28. /SpecialTopicsin

theHistoryofMusic >>

29. /OrchestralExcerptsStudy IV

1

>>

30. /Orchestra IV >> 31. /DoublebassesWorkshopIII >> 32. /Introductionto

TeachingPractice

>>,BM&M/CM(/

Accordion)

33. /Chorostasia V BM 34. /HistoryofChristianWorship

II>>

35. /TheoryofByzantineMusic VI >> 36. / ByzantineMusicPaleography II >> 37. /Byzantine

Chanting&Musicology >>

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5

) :1. , 2. 3.

() . ,

,

.

) , : , . , 08 ECTS

(1) .

20102011 2007 2008.

TheSyllabus20102011appliesalsoforthe20072008incomingstudents.

1. ( )/SeePrerequisitescoursesorchainsofcourses(Table ).2

... , /othosestudents

whomajorinAppliedMusicStudiesSpecializationwithMajorAppliedAreaVoiceorOrchestraInstrument,offeredhalfhourcourse.

A/A

TableIII CoreCoursesasElectiveCourses/Major

38. () /IntroductiontoTraditionalGreekMusic I

()/GT(F)M

39. /TraditionalMusicEnsemblesIVI

>>

40. /MusicandPoeticStructureinTraditionalMusicI

>>

41. / EarandBodyTrainingI >> 42. / HistoryofGreekMusic I >> 43. /MelostisTrigeniasI1 >> 44. /RhythmicalPractice

PercussionI>>

45. /GreekMusicalInstruments >> 46. / IntroductiontoPoeticsI >> 47. / EarandBodyTraining

IIV1

>>

48. /VocalInterpretationinFolkMusicResearchandRegistrationIII

1

>>

49. /EchogeologicalTopics IV >> 50. () /GreekTraditional(Folk)Music

TeachingMethod

>>

51. /ContemporaryMusicIVIII M/CM 52. /OrchestrationIII1 >> 53. /FugueIII1 >> 54. /MusicAnalysis >> 55. /ScorePerformance

onPiano>>

56. /BacherlorsThesis1 /AllMajors

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6

Specialization Applied Music Studies

1 .TheMajorfieldofstudywhichtheSpecializationAppliedMusicStudiesbelongsdependson thechoiceoftheMajorAppliedAreabythestudent. , .. , .

2 V: (..) (, , ), , : V, . .. //, : (, , ) , .. , . .. .. / .. () .

// Hours/Week/Semester

/Courses/Typ

e/Total / 1 2 3 4 5 6 7 8

/Required 45 95

/Major AppliedArea I-VIII

1

A.E./P.I. 8 8 1 1 1 1 1 1 1 1

/History of Music IV O/C 4 8 2 2 2 2

/Harmony II O/C 2 4 2 2--

/Ear-Solfege-Rhythm Training IV

E/L 4 8 2 2 2 2

/Form I II O/C 2 4 2 2

/Introduction to ByzantineMusic -

O/C 2 6 3 3

() /Introduction to

Traditional Greek Music -O/C 2 6 3 3

/Instrumentation E/L 1 2 2/Counterpoint O/C 1 2 2

/Choir-IV E/L 4 12 3 3 3 3

/Introduction toOrchestration

O/C 1 2 2

/Introductionto Acoustics

O/C 1 3 3

/Electro acoustic O/C 1 3 3

/Introduction toEthnomusicology

O/C 1 3 3

/Music Technology Lab

E/L 1 3 3

/MusicPedagogy I-

O/C 3 6 2 2 2

/Introduction to

Scientific Research MethodologyO/C 1 2 2

/Special Topics in the Historyof Music

O/C 1 2 2

/MusicEnsembles Conducting I-II

E/L 2 4 2 2

/Theory ofAtonal Music

O/C 1 2 2

/Early ChildhoodMusic Education

O/C 1 2 2

/Introduction to Applied

Music TeachingE/L 1 3 3

//Bachelors Thesis 1

/Emphasis per Major & Specialization2&3

8 16.. = /P.I. = Private Instruction

/Free Electives 6 12 = /L = Applied Courses (Lab)

/Total 60 125 = /C = Class Work

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3 /Emphasis(/TableIV): (03)ECTS (...). ... :

(. I,Ia,III), 15

(8) (03)ECTS (..). ..

, (. II).

/ECTS/Semester

/Courses/Typ

eECTS 1 2 3 4 5 6 7 8

/Required 174

/Major

Applied Area I-VIII1

A.E./P.I. 81 9 9 9 10 10 10 12 12

/History of Music - IV O/C 8 2 2 2 2

/Harmony II O/C 4 2 2--

/Ear-Solfege-RhythmTraining - IV

E/L 12 3 3 3 3

/Form I - II O/C 4 2 2

/Introduction to ByzantineMusic -

O/C 4 2 2

()/Introduction to

Traditional Greek Music -

O/C 4 2 2

/Instrumentation E/L 2 2/Counterpoint O/C 2 2

/Choir-IV E/L 12 3 3 3 3

/Introduction toOrchestration

O/C 3 3

/Introduction to

AcousticsO/C 2 2

/Electroacoustic

O/C 2 2

/Introduction to

EthnomusicologyO/C 3 3

/Music Technology

Lab E/L 3 3

/MusicPedagogy I-

O/C 9 3 3 3

/Introduction to Scientific

Research Methodology

O/C 2 2

/Special Topics in the

History of Music O/C 2 2

/Music Ensembles

Conducting I-IIE/L 6 3 3

/Theory of Atonal Music

O/C 3 3

/EarlyChildhood Music Education

O/C 2 2

/Introduction toApplied Music Teaching

E/L 4 4

//Bachelors Thesis 30 22 22 23 26 21 18 23 19

/Emphasis per Major &

Specialization2 & 3

24

/Free Electives 12

/Total 240.. = /P.I. = Private Instruction

= /L = Applied Courses (Lab) = /C = Class Work

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1 . ( )/SeePrerequisitescoursesorchainsofcourses(Table ).2 : ///,

.., .3

. .2, .../Seefootnoteno.2bytheAppliedMusicStudiesProgram.4

/Thecourseisofferedafterauditionbyjury.

A/A.

Code

IV.

TABLEIV.EMPHASISCourses(03 ECTS)

Major /C /D

1. /MusicTechnologyLab1

/ALL

2. /MusicPerformance >> 3. /Contemporary

MusicPerformancePraxis >>

4. /ElectiveInstrument VoiceIIV3 ()/E(C)M 5. /Speech >> 6. /StageActingIII >> 7. /Opera

PerformanceParticipation IV2

>>

8. /RhythmicalPracticePercussionI ( /onlyforpercussionists)

>>

9. /OboeBassoonTechniquesIIV( ..)

>>

10. /OrchestralExcerptsStudy IV

1+2

>>

11. /DoublebassesWorkshopIII2 >> 12. /Orchestra VI1+2 >> 13.

( .. ) >>

14. /PianoAccompanimentII2 >> 15. /FiguredBassIII2 >> 16. /ChamberMusic

/PercussionEnsemble VI1+2

>>

17. /ByzantineChoir1 .. 18. / /Elective

Instrument/DimotikoTragoudiVoiceIIV3

>>

19. /Speech >> 20. /HistoryofChristianWorship

I>>

21. /ByzantineChanting&Musicology II

>>

22.

/ByzantineMusicPaleography II >>

23. /TraditionalMusicEnsembles VVI

>>

24. /InstrumentationwithTraditionalInstruments IVI

4

()/GT(F)M

25. /TraditionalMusicEnsemblesIVIII

>>

26. /RhythmicalPracticePercussion IIV

1

>>

27. /MelostisTrigenias I1 >> 28. /IntroductiontoPoeticsI >> 29. / EarandBodyTrainingIIV1 >> 30. /

EchogeologicalTopics IV>>

31. /JazzCombos V M/CM 32. /Elective

Instrument VoiceIIV3

>>

33. /Orchestration III1 >> 34. /FiguredBassIII2 >> 35. /MusicAnalysis >> 36. /ChamberMusic VI1+2 >> 37. /ScorePerformanceon

Piano>>

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2010 2011STUDENTS GUIDE 2010 - 2011

(i) () (i) European (Classical) Music Major

: Specialization: Voice

:Specialization for Keyboard and Plucked String Instruments:

/ Piano/Guitar

, :Specialization for Strings, Winds and Percussion:

/Violin/Viola/Violoncello/Contrabass/Flute/Oboe/Clarinet/Saxophone/Bassoon/Horn

/Trumpet/Trombone/Tuba/Percussion


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(i) ()

(i) European (Classical) Music Major

H Specialization Voice


/Courses /Type /Total / 1 2 3 4 5 6 7 8 /Specialization 8 8

/Voice* I-VII A.E./P.I. 7 7 1 1 1 1 1 1 1- /Voice Bachelors Thesis* VIII

A.E./P.I. 1 1 1

/Required 41 71-

/Correpetition I-VIE/L 6 6 1 1 1 1

/Piano - IV A.E./P.I. 4 2 --/ Ear-Solfege-Rhythm

Training - IVE/L 4 8 2 2 2 2

/Harmony II O/C 2 4 2 2/History of Music

IV O/C 4 8 2 2 2 2/Form I - II O/C 2 4 2 2

/Instrumentation E/L 1 2 2/Speech - O/C 2 3 1 1

/Stage Movement - O/C 2 3 1 1/Choir - II E/L 2 6 3 3

/Stage Acting I-II E/L 2 4 2 2/Theatre Science - O/C 2 3 1 1-

/Opera-PerformanceParticipation -IV

E/L 4 10 2 2 2 2

/MusicPedagogy I-

O/C 2 4 2 2

/Introduction to Teaching

Practice* - O/C 2 4 2 2

/RequiredElectives

4 12

(

)/Language (Italian orGerman) I-IV

O/C 4 12

/Free Electives 11 26

/Total 64 117

.. = /P.I. = Private Instruction


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/ECTS/Semester

/Courses /Type ECTS 1 2 3 4 5 6 7 8

/Specialization 104/Voice* I-VII A.E./P.I. 84 12 12 12 12 12 12 12-

/Voice BachelorsThesis* VIII

A.E./P.I. 20 20

/Required 102-

/Correpetition I-VIE/L 12 2 2 2 2 2 2

/Piano - IV A.E./P.I. 12 3 3 3 3--

/ Ear-Solfege-Rhythm Training - IV

E/L 12 3 3 3 3

/Harmony II O/C 4 2 2/History of

Music - IVO/C 8 2 2 2 2

/Form I - II O/C 4 2 2/Instrumentation E/L 2 2

/Speech - O/C 6 3 3/Stage Movement

-O/C 4 2 2

/Choir - II E/L 6 3 3/Stage Acting

I-IIE/L 6 3 3

/Theatre Science-

O/C 4 2 2

-/Opera-

Performance Participation -IVE/L 12 3 3 3 3

/MusicPedagogy I-

O/C 6 3 3

/Introduction toTeaching Practice* -

O/C 4 2 2

/Required Electives

8

()/Language (Italian

or German) I-IVO/C 8

/Free Electives 26 29 27 27 27 25 25 19 27



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12

/

Specialization for Keyboard and Plucked String Instruments Piano/Guitar



/Instrument I-VII A.E./P.I. 7 16 2 2 2 2 2 2 2

/Instrument Bachelors

Thesis VIIIA.E./P.I. 1 2

/Required 34 68/Harmony II O/C 2 4 2 2

--/ Ear-Solfege-Rhythm

Training IVE/L 4 8 2 2 2 2


/Form I II O/C 2 4 2 2/Instrumentation E/L 1 2 2

/Counterpoint I-II O/C 2 4 2 2

/Choir - IV E/L 4 12 3 3 3 3/Chamber Music - IV

E/L 4 4 1 1 1 1

/Figured Bass I-II E/L 2 4 2 2

/Special Topics in theHistory of Music -

O/C 2 4 2 2

/MusicPedagogy I-I

O/C 2 4 2 2

/Music Ensembles

Conducting I-IIE/L 2 4 2 2


O/C 1 2 2


Practice* - O/C 2 4 2 2


/Total 60 120

.. = /P.I. = PrivateInstruction,

= /L = Applied Courses (Lab), = /C = Class Work

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13

/ECTS/Semester


/Specialization 118

/Instrument I-VII A.E./P.I. 96 14 14 14 14 13 13 14

/Instrument BachelorsThesis VIII

A.E./P.I. 22 22

/Required 86

/Harmony II O/C 4 2 2--/ Ear-Solfege-Rhythm

Training IVE/L 12 3 3 3 3

/History ofMusic IV O/C 8 2 2 2 2

/Form I II O/C 4 2 2 /Instrumentation E/L 2 2

/Counterpoint I-II O/C 4 2 2

/Choir - IV E/L 12 3 3 3 3/ChamberMusic - IV

E/L 12 3 3 3 3

/Figured BassI-II

E/L 6 3 3


History of Music -O/C 4 2 2

/MusicPedagogy I-I

O/C 6 3 3

/Music Ensembles



O/C 2 2


O/C 4 2 2

/Free Electives 36 25 23 27 27 27 27 21 27



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14

, (1)*/(2)*/(3)*/(4)*/(5)*/(6)*/(7)*/

(8)*/(9)*/(10)/(11)*/(12)*/(13)*/(14)*

Specialization for Strings, Winds and Percussion(1)Violin*/(2)Viola*/(3)Violoncello*/(4)Contrabass/(5)Fflute*/(6)Oboe*/(7)Clarinet*/

(8)Saxophone*/(9)Bassoon*/(10)Horn*/(11)Trumpet*/(12)Trombone*/(13)Tuba*/(14)Percussion*

1 : )

I-IV , , ) A -V : - - -II III-IV--IV.

2

: (1)/(3) (3&4)/(5)/(6)/(7) - /(8) --/(9)/(11) /(12)/(13)/(14). Depends on the main Specialization area of the student: (1)Viola/(3)Baroquecello or (3&4)Viola da gamba/(5)Piccolo/(6)Cor anglais/(7)Basso Clarinet Clarinet in Eb/(8)Saxophone Soprano-Tenor-Baritone/(9)Contrabassoon/(11)Trumpet piccolo/(12) Euphonium/(13)Tuba Eb or F /(14)Traditional Percussions.


/Courses /Type /Total / H/W 1 2 3 4 5 6 7 8

/Specialization 8 14/Instrument I-VII* A.E./P.I. 7 12 2 2 2 2 1 1 2

/Instrument Bachelors

Thesis VIII*A.E./P.I. 1 2 2

/Required 33 54/Piano - IV A.E./P.I. 4 2

/Harmony II O/C 2 4 2 2/History of Music

IV O/C 4 8 2 2 2 2--/ Ear-Solfege-Rhythm

Training - IV

E/L 4 8 2 2 2 2

/Form I - II O/C 2 4 2 2

/Instrumentation E/L 1 2 2/Chamber Music

- (14)/Percussion Ensemble

- IV

E/L 4 4 1 1 1 1

/Orchestra - IV1 E/L 4 12 3 3 3 3

/Orchestral

Excerpts Study IV1

A.E./P.I. 4 2

/MusicPedagogy I-

O/C 2 4 2 2


Practice* -

O/C 2 4 2 2

/RequiredElectives

2 2

/Relative

Instrument I-II2

A.E./P.I. 2 2 1 1

/Double-basses Workshop (

/only for double-basissts)

E/L 2 2 1 1

-/Rhythmical Practice-Percussion I-

(/only forpercussionists)

E/L 2 4 2 2

/Chamber Music- (14)

/Percussion EnsembleV -VI

E/L 2 2 1 1


/Total 60 100

.. = /P.I. = PrivateInstruction,


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1 : )

I-IV , , ) A -V : - - -II III-IV--IV.

2

: (1)/(3) (3&4)/(5)/(6)/(7) - /(8) --/(9)/(11) /(12)/(13)/(14). Depends on the main Specialization area of the student: (1)Viola/(3)Baroquecello or (3&4)Viola da gamba/(5)Piccolo/(6)Cor anglais/(7)Basso Clarinet Clarinet in Eb/(8)Saxophone Soprano-Tenor-Baritone/(9)Contrabassoon/(11)Trumpet piccolo/(12) Euphonium/(13)Tuba Eb or F /(14)Traditional Percussions.

/ECTS/Semester

/Courses/Type

ECTS 1 2 3 4 5 6 7 8

/Specialization 116/Instrument I-VII* A.E./P.I. 94 14 14 14 14 12 12 14

/Instrument BachelorsThesis VIII*

A.E./P.I. 22 22

/Required 88/Piano - IV A.E./P.I. 12 3 3 3 3

/Harmony II O/C 4 2 2/History of

Music - IV O/C 8 2 2 2 2--/ Ear-Solfege-Rhythm

Training - IVE/L 12 3 3 3 3

/Form I - II O/C 4 2 2

/Instrumentation E/L 2 2/Chamber

Music - (14)

/Percussion Ensemble - IV

E/L 12 3 3 3 3

/Orchestra - IV1 E/L 12 3 3 3 3

/Orchestral

Excerpts Study IV1

A.E./P.I. 12 3 3 3 3

/MusicPedagogy I-

O/C . 6 3 3


O/C 4 2 2

/Required Electives

6

/Relative

Instrument I-II2

A.E./P.I. 6 3 3

/Double-basses

Workshop (/only for double-

basissts)

E/L 6 3 3

-/Rhythmical Practice-Percussion I- (/only for

percussionists)

E/L 6 3 3

/ChamberMusic - (14)

/Percussion EnsembleV -VI

E/L 6 3 3

/Free Electives 30 28 26 28 28 24 24 19 27



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2010 2011STUDENTS GUIDE 2010 - 2011

(ii) (ii) Byzantine Music Major

Specialization Chanting Interpretation and Performance


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18

/ECTS/Semester


/Specialization 106/

Chanting Interpretation andPerformance I-VII

A.E./P.I. 84 12 12 12 12 12 12 12

/ Chanting

Interpretation and Performance Bachelors Interpretation

Performance VIII

A.E./P.I. 22 22

/Required 78/Harmony -II O/C 2 2

/ Chorostasia-V

E/L 12 2 2 2 2 2 2

/History of Christian Worship I E/L 6 3 3/Theory of Byzantine Music -VI

E/L 12 2 2 2 2 2 2

/ByzantineChanting & MusicologyI-II

E/L 6 3 3

()/ Introduction to

Traditional Greek Music -I

O/C 4 2 2

/ History ofMusic -

O/C 4 2 2

/Speech - O/C 6 3 3/History of Greek Music -I

O/C 4 2 2

/Traditional Music

Ensembles V-VE/L 6 3 3

/Byzantine Music Paleography -II

E/L 6 3 3

/MusicPedagogy I-

O/C 6 3 3

/ Introduction to

Chanting Teaching Method -O/C 4 2 2

//Bachelors Thesis 16 25 23 24 24 25 25 14 24

/Free Electives 40

/Total 240

.. = /P.I. = Private Instruction = /L = Applied Courses (Lab)

= /C = Class Work

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2010 2011STUDENTS GUIDE 2010 - 2011

(iii) () (iii) Greek Traditional (Folk) Music Major

() Specialization Greek Traditional (Folk) Music

(--)Specialization Poetics (Composition Melos Poetry in Traditional Music)

:

Specializations Traditional Instruments Interpretation and Performance:

-/Dimotiko Tragoudi (Voice)

(/)/Strings (Lyra, Violin

A (//I///)Avlos (Clarino, Caval, Ney, Flogera, Zournas, Askavlos)

(////)Plucked (Canonaki, Oud, Lute, Tamboura, Bouzouki)

(//)Brass Winds (Trombone, Corneta, Trompeta)

, /Percussion, Santouri


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(iii) () : (1) () , (2) (--, (3) : -*/(*/*)/(*/*/I*/*/*/*)/A(*/*/*/*/*)/(*/*/*)/*/ *

(1) Specialization Greek Traditional (Folk) Music(2) Specialization Poetics (Composition Melos Poetry in Traditional Music)

(3) Specializations Traditional Instruments Interpretation and PerformanceDimotiko Tragoudi(Voice)*/ Strings (Lyra*, Violin*)/Avlos (Clarino*, Caval*, Ney*, Flogera*, Zournas*, Askavlos*)

Plucked (Canonaki*, Oud*, Lute*, Tamboura*, Bouzouki*)/Brass Winds (Trombone*, Corneta*, Trompeta*)/Percussion*/Santouri*


/Courses /Type/Total

(1)/(2)/(3)/ H/W(1)/(2)/(3) 1 2 3 4 5 6 7 8

/Specialization 8 8/16/16(1) /Major

Applied Area* I-VIIIA.E./P.I. 7 7 1 1 1 1 1 1 1

(1) //Bachelors

Interpretation Performance VIIIA.E./P.I. 1 1 1

(2) -2.*/Poetics-2

nd

MAA* I-VII(3) */Instrument I-VII

A.E./P.I. 7 14 2 2 2 2 2 2 2

(2) & (3) - //Bachelors

Interpretation Performance VIIIA.E./P.I. 1 2 2

/Required 33 77

/Traditional MusicEnsembles I-VI

E/L 8 16 2 2 2 2 2 2 2 2

()

/Introduction to TraditionalGreek Music -

O/C 2 6 3 3

/ Music and

Poetic Structure in TraditionalMusic I-

O/C 2 4 2 2

-/ Earand Body Training I-

E/L 2 4 2 2

/History of Greek Music -I

O/C 2 4 2 2

/Melos tisTrigenias I-

E/L 2 6 3 3

-/Rhythmical Practice-Percussion I-

E/L 2 4 2 2

/GreekMusical Instruments

O/C 1 3 3

(1&3) /Introduction to Poetics I-

(2) -/Ear and Body Training I-IV

E/L 2 4 2 2

-

/Vocal Interpretation inFolk Music-Research and

Registration I-II

O/C 2 6 3 3

/ Echogeological

Topics -IV

E/L 4 12 3 3 3 3

/MusicPedagogy I-

O/C 2 4 2 2

()

/Greek Traditional (Folk)Music Teaching Method -

E/L 2 4 2 2

(1)//Bachelors Thesis 1

/Required Electives 2 4

()/Dances (Greek

Traditional Dances) -E/L 2 4

.. = /P.I. = Private Instruction, = /L = Applied Courses (Lab),

= /C = Class Work

/Free Electives(1)16

(2&3) 17(1) 32

(2&3) 34

/Total 60(1) 121(2&3) 131

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/ECTS/Semester

/Courses /TypeECTS

(1)/(2) & (3)1 2 3 4 5 6 7 8

/Specialization 106/120(1)

/Major Applied Area*I-VII

A.E./P.I. 84 12 12 12 12 12 12 12

(2) -2.*/Poetics-2

nd

MAA* I-VII(3) */Instrument I-VII

A.E./P.I. 98 14 14 14 14 14 14 14

(1), (2) & (3) -

//BachelorsInterpretation Performance VIII

A.E./P.I. 22 22

/Required 92

/Traditional Music

Ensembles I-VIE/L 24 3 3 3 3 3 3 3 3

()/Introduction to

Traditional Greek Music -

O/C 4 2 2

/ Music

and Poetic Structure inTraditional Music I-

O/C 4 2 2

-/ Earand Body Training I-

E/L 6 3 3

/History of Greek Music -I

O/C 4 2 2

/Melos tisTrigenias I-

E/L 6 3 3

-/Rhythmical Practice-Percussion

I-E/L 6 3 3

/Greek

Musical InstrumentsO/C 2 2

(1&3) /Introduction to Poetics I-

(2) -/Ear and Body Training I-IV

E/L 6 3 3

-

/Vocal Interpretationin Folk Music-Research and

Registration I-II

O/C 4 2 2

/

Echogeological Topics -IVE/L 12 3 3 3 3

/MusicPedagogy I-

O/C 6 3 3

()/Greek Traditional

(Folk) Music Teaching Method -

E/L 8 4 4

(1)//Bachelors Thesis 16 24/26 24/26 24/26 26/28 23/25 23/25 22/24 32

/Required Electives 4

()/Dances (Greek

Traditional Dances) -E/L 4

/Free Electives(1) 32

(2&3) 34


= /C = Class Work

/Total 250

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2010 2011STUDENTS GUIDE 2010 - 2011

(iv) (iv) Contemporary Music Major

Specialization Composition

Specialization Accordion


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(iv) (iv) Contemporary Music Major

Specialization Composition


/Courses /Type /Total / 1 2 3 4 5 6 7 8 /Specialization 8 16/Composition I-VII A.E./P.I. 7 14 2 2 2 2 2 2 2

/Composition - Bachelors

Recital VIIIA.E./P.I. 1 2 2

/Required 37 68/Piano - IV A.E./P.I. 4 2

/Harmony II O/C 2 4 2 2--

/Ear-Solfege-Rhythm Training - IV

E/L 4 8 2 2 2 2


/Form I - II O/C 2 4 2 2

/Instrumentation E/L

1 2 2/ContemporaryMusic I-VIII

O/C 8 16 2 2 2 2 2 2 2 2

/Introduction to

OrchestrationO/C 1 2 2

/Counterpoint I-II O/C 2 4 2 2/Orchestration I-II O/C 2 4 2 2

/Fugue I-II O/C 2 4 2 2/ Music

Analysis -O/C 2 4 2 2


E/L 2 4 2 2

/Score Performance on Piano

O/C 1 2 2


/Total 60 114


= /C = Class Work

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24

/ECTS/Semester


/Specialization 120/Composition I-VII A.E./P.I. 98 14 14 14 14 14 14 14

/Composition - Bachelors

Recital VIIIA.E./P.I. 22 22

/Required 90/Piano - IV A.E./P.I. 12 3 3 3 3

/Harmony II O/C 4 2 2--/Ear-Solfege-Rhythm

Training - IVE/L 12 3 3 3 3

/History of Music

- IV O/C 8 2 2 2 2/ Form I - II O/C 4 2 2

/Instrumentation E/L 2 2/Contemporary

Music I-VIIIO/C 16 2 2 2 2 2 2 2 2

/Introduction to

OrchestrationO/C 3 3

/Counterpoint I-II O/C 4 2 2/Orchestration I-II O/C 6 3 3

/Fugue I-II O/C 4 2 2/ Music

Analysis -O/C 6 3 3

/Music Ensembles

Conducting I-II

E/L 6 3 3

/Score Performance on Piano

O/C 3 3

/Free Electives 30 30 31 29 29 24 24 19 24

/Total 240.. = /P.I. = Private Instruction,

= /L = Applied Courses (Lab), = /C = Class Work

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Specialization Accordion



/Instrument I-VII A.E./P.I. 7 16 2 2 2 2 2 2 2

/InstrumentBachelors Thesis VIII

A.E./P.I. 1 2

/Required 34 68/Harmony II O/C 2 4 2 2

--/ Ear-Solfege-Rhythm Training

IVE/L 4 8 2 2 2 2


/Form I II O/C 2 4 2 2/Instrumentation E/L 1 2 2

/Counterpoint I-II O/C 2 4 2 2/Choir - IV E/L 4 12 3 3 3 3

/Chamber Music - IV

E/L 4 4 1 1 1 1

/Figured Bass I-II E/L 2 4 2 2

/Special Topics in the Historyof Music -

O/C 2 4 2 2

/MusicPedagogy I-I

O/C 2 4 2 2


E/L 2 4 2 2

/Early ChildhoodMusic Education

O/C 1 2 2


Practice - O/C 2 4 2 2


/Total 60 120


= /C = Class Work

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/ECTS/Semester


/Specialization 118/Instrument I-VII A.E./P.I. 96 14 14 14 14 13 13 14

/Instrument BachelorsThesis VIII

A.E./P.I. 22 22

/Required 86

/Harmony II O/C 4 2 2--/ Ear-Solfege-Rhythm

Training IVE/L 12 3 3 3 3

/History of Music IV O/C 8 2 2 2 2

/Form I II O/C 4 2 2/Instrumentation E/L 2 2

/Counterpoint I-II O/C 4 2 2

/Choir - IV E/L 12 3 3 3 3/Chamber Music

- IVE/L 12 3 3 3 3

/Figured BassI-II

E/L 6 3 3


History of Music -O/C 4 2 2

/MusicPedagogy I- I

O/C 6 3 3

/Music Ensembles



O/C 2 2


Practice - O/C 4 2 2

/Free Electives 36 25 23 27 27 27 27 21 27



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odigos_met_2010_2011