Otava Mar. 2011 (FI)

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    Maaliskuun paja Otavan opistolla 10.-12.3.2011 - live- ja nettiosallistuminenmahdollista: ks. linkit kommentissa

    ConnectIrmeli posted to #seminaarikannu 08.03.2011 (fi) 50 comments

    ToolsConnectIrmeli said

    ku | #seminaarikannu | Maaliskuun paja Otavan opistolla 10.-12.3.20... http://www.qaiku.com/channels/show/seminaarikannu/view/88eb8a78...

    3 14.10.2012 14:24

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    50 comments Bottom

    Hitto! Hieno tekniikka. Kyp katteeks.Maan epvirallisena kansalais/kansallisstriimaajana puurran silti valitsemallani minimalistisellaSimple-and-stupid -tiell, jolla knnykn tytyy haastaa vaikka yleisradiokalusto - omilla joustavuus/nopeusvahvuuksillaan. Oon kyll haaveillut tostavaan-naps-rinnakkaiskuvasta/kuvanjaosta, jossa lisukkeena ois androtabletti, mm.palautteenhallintaa/keskustelua varten. Tuommoisen varustuksen kuljettaa viel akkuineenshortsi/liiviasussa ja viritt kyttkuntoon minuutissa.

    personaleu commented on posted to #seminaarikannu Niittymaantie 10.03.2011 (fi)

    @Ile @ConnectIrmeli taidan ensin jumpata homman toimimaan yhdell kameralla jamikrofonilla ennenkuin alan - etenkin yksin toimiessa - hankkimaan lis kameroita ja niidenkuvaa yhdistv tekniikkaa:-).

    Mutta olisihan se kiva jonkun mikseritypydn ress ohjata useampien (vaikkapa nen- ja kasvojentunnistuksen osaavien robotti)kameroiden kuvaa&nt eett... eikun johonkinterabitethernettiin.

    jal commented on posted to #seminaarikannu helsinki 10.03.2011 (fi)

    Nytt tosi hienolta tuo striimaustekniikka. Kaikki striimaajat, kurkkikaapa @ConnectIrmeli:nlinkkaama MakingOf-video...

    Ile commented on posted to #seminaarikannu 10.03.2011 (fi)

    Striimaus klo 8.30 alkaen http://www.otavanopisto.fi/pajat-peda...

    Ningiin tallentuu esitykset ja etukteis- ja jlkirapoilu http://verkkopeda.ning.com/

    TNN:08.30-10:00 Tutkiva oppiminen ja sisllt. Miten uuteen teknologiaan perustuviaoppimisympristj voidaan kytt tutkivan oppimisen apuna. Yhdess tuotettu tieto ja sensoveltaminen. Kai Hakkarainen, Turun yliopisto10:00-10:30 Mit kuuluu aihioille? Pasi Silander10:30-11:30 Konnektiivinen oppiminen. Irmeli Aro

    12.15-13.00 Shkiset oppimateriaalit. Minna Sallanen, oppimateriaalien kustannustoimittaja,Kustannusosakeyhti Otava13.00-13.45 Nelj nyttm kuinka opit jonglraamaan? Nelj erilaista sisllntuotannontapaa. Jari Sarja, verkkopedagogi, Otavan Opisto

    14.15-15.00 Mobiilituottaminen Hyvt hetket talteen? Muistiinpanot elmn? Etn lasn?Outi Vahtila ja Marko Rantanen, HAMK15.00-16.30 Dramaturginen sisllntuotanto: ksikirjoitettu sislt ja opettaja dramaturgina.Jori Pitknen, luokanopettaja, draamaohjaaja

    ConnectIrmeli commented on posted to #seminaarikannu 10.03.2011 (fi)

    Kaksi oppimisaiheista uutista tnn @ hs.fi:

    Tutkijat: Koulun tuettava erilaisia temperamentteja:Vilkkaus ei kuitenkaan yksinn lis syrjytymist. Esimerkiksi suuri luokkakoko, epvakaa kotiymprist ja periytyv herkkyys ympristn vaikutuksille pahentavat tilannetta.

    Aivolannoitetta kouluihin:Koska juostessa liikkuvat jalat, Cotman odotti, ett juoksun jlkeen kasvutekijn tasot olisivat korkeimmillaan ai vojen niill alueilla, jotka stelevt raajoja.Ylltys oli suuri, kun kasvutekij olikin eniten oppimista ja muistia stelevill alueil la.

    Juokseminen ei siis liikuttanut vain jalkoja, vaan mys aivoja, ja hermosolujen uudiskasvu oli kiihkeint siell, miss uudet asiat opitaan ja tallennetaan muistiin. Tulos on vahvistettu lukuisissa tutkimuksissa ja niiden viesti on: Jos haluat oppia, kannattaa liikkua. Juokse, l nostele painoja.

    ConnectIrmeli commented on posted to #seminaarikannu 09.03.2011 (fi)

    Maailma muuttuu ja koulu sen mukana mutta kuinka muuttuvat oppimateriaalit? Maaliskuun pajassa selvitetn muun muassa millaisia vaatimuksia tutkiva oppiminen asettaa oppimateriaaleille ja mit on aihiopohjainen materiaalintuotanto. Lisksi pajassa pohditaan oppikirjan tulevaisuutta, mobiilisisltj ja opettajaa dramaturgina. Esill ovat mys konnektiivinen oppiminen, sosiaalisen median mahdollisuudet opetuskytss sek laajennettu todellisuus oppimateriaalin rikastajana.

    Ohjelma ja linkit ilmoittautumiseen paikan plle sek verkkotytilan + striimin osoitteet:

    http://paja.internetix.fi/2011/03/maa...ConnectIrmeli commented on posted to #seminaarikannu 08.03.2011 (fi)

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    ku | #seminaarikannu | Maaliskuun paja Otavan opistolla 10.-12.3.20... http://www.qaiku.com/channels/show/seminaarikannu/view/88eb8a78...

    3 14.10.2012 14:24

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    Draama -nyttmll kysymyksiin saa vastauksia. Kirjautua / osallistua voi helposti mysmonen sosiaalisen verkoston profiilin kautta, joita osallistujilla jo on entuudestaan.Tietoa ei anneta valmiina. -Kaikki on mahdollista sen mukaan, mit osallistujat toivovat, ehdottavat,tuottavat...Keskeist on saada ihmiset kiinnostumaan ja mukaan - innostumaan.

    ConnectIrmeli commented on posted to #seminaarikannu 10.03.2011 (fi)

    Nelj nyttm kuinka opit jonglraamaan? Nelj erilaista sisllntuotannon tapaa. JariSarja, verkkopedagogi, Otavan Opisto

    Jonglrauksen opettaminen - ihana esimerkki jatkoksi aamupivn puheenvuoroille! Oppiikooppija, jos opettaja kertoo, mit jonglrauksesta on kirjoitettu kirjoissa :). ...vai jos hnopettaa jonglraamalla ja opettelee samalla taitoa ja sen vivahteita lis.

    Onko oppiminen nyttmst johtuen:Museo - l koske! Ymprist on tehty staattiseksi. Kaikki on valmista. mitn et voi enkehitt. Kaikki saatava tieto on jo saatu irti. Uusia esineit voi tulla, mutta vanhaa eipivitet.DraamaSeikkaluVerstas

    Tst linkist listietoa kustakin toteutetusta nyttmst:http://www.verkkopedagogiikka.fi /sarj...

    Museosta erityisesti:http://www.verkkopedagogiikka.fi/muse...

    ConnectIrmeli commented on posted to #seminaarikannu 10.03.2011 (fi)

    Minna Sallanen, oppimateriaalien kustannustoimittaja, Kustannusosakeyhti Otava listaashkisen tulevaisuuden haasteita:

    Haasteita, kustantajaksikirjoittaminen - kirjoittaja tarvitsee vlineen kytn ymmrryst, jota perinteisenmateriaalin kirjoittajalla ei olekysynt - sit ei vaan kouluissa viel ole jakelu - erittin avoin haaste; oppikirja knnykss kuulostaa todella eksoottiseltakoulujen kyttvalmiudet - liittyy kysyntn; vaikka pkaupunkiseudulla on jo lytauluja jatietokoneita luokissa, monessa koulussa eri puolilla Suomea opetetaan vielpiirtoheitinkalvoilta

    Haasteita, kustantajaopettamisen haasteet - valmius ottaa uudet menetelmt vastaan ja kyttn jakelu - millaisiin vlineisiin on varaakyttmahdollisuudet - tasa-arvo (peruskouluissa erityisesti); kaikilla pitisi olla yhtlisetmahdollisuuden asuinpaikasta riippumatta

    Yleiskysymys: Onko eri oppiaineiden vlill eroja? Vastaus: Erot ovat enemmn opettajanvalinnoista kuin oppiaineesta riippuvia.

    ConnectIrmeli commented on posted to #seminaarikannu 10.03.2011 (fi)

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    ku | #seminaarikannu | Maaliskuun paja Otavan opistolla 10.-12.3.20... http://www.qaiku.com/channels/show/seminaarikannu/view/88eb8a78...

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    Tehdas -nyttm: keskeist on valmistusprosessi! -Vaikka laatija jo osaa, hn ky prosessinvaihe vaiheelta uudestaan ja uudestaan lpi - jotta uudet osallistujat psevt juoneenmukaan.

    vlineet kuntoon - ei jonglrata tennispalloilla...vaihe vaiheelta - esim. tss tapauksessa: l katsele palloja, ne eivt vaihda suuntaa,katse eteen pin... Ensimminen vaihe selitetn ja harjoitellaan rimmisen

    perusteellisesti ...katse, heittosuunta, kden liike, polvet... Kun osaa ensin heitt, voiseuraavaksi alkaa optetella kiinni ottamista.Tehtaassa kaikki tekevt samalla tavalla. Malli opetetaan rimmisen perusteellisesti. Sen jlkeen poikkeamat eivt ole mahdollisisia.

    ConnectIrmeli commented on posted to #seminaarikannu 10.03.2011 (fi)

    Museo -tyyppinen opetus j siihen, mihin se yhden kerran laadittiin. Mistn et kirjaudusisn ja kartuta tietoa... Jossain voi olla hankalasti tavoitettava yllpitj - joka ei ehk olekuitenkaan halukas muuttamaan alkuperist tietoa.

    Draama -nyttm: Draama nyttmn tarkoittaa sit, ett ihmiset ovat tiedonlhde.Minulle sattui ihan vasta urheiluvamma polveen. Lkrikirjasta lysin tietysti faktaa, mutta ei si it tiedosta ollut hyty. Onneksi netist lytyi kohtalotovereita. Heill ol i tarinaa kerrottava sen osalta kuinka kauan paraneminen kesti. Joku oli mys kokeillut erilaisia polvitukia ja siihenkin lytyi vinkkej, ett mist saa parasta palvelua. Tavallaan osallistun parhaillaan itse sosiaalisen median kautta samaan draamaan. Laitan kuvia ortoosista ja vertailen muiden polvitukia omani. Kvin mys lkrill, mutta hoito oli juuri se mink moni oli kuvannut eli ei l eikata.

    Draamassa tieto el ja muokkautuu ihmisten kokemusten mukana. Osallistuminen on ydinjuttu samoin kuin samaistuminen jos kerta noin tukeva laihdutti noin paljon niin kyll minkin. Tai jos tuokin oppi jongleeraamaan niin miksen minkin oppisi samoin menetelmin.

    Toisten kokemukset motivoivat yrittmn. Verrattuna museoon - ktt pit kuntouttaaheittelemll palloja; ei pelkstn lukea pallojen heittmisest...Mys: jos kertojakin oppi, niin kyll minkin... http://www.verkkopedagogiikka.fi/sarj...

    ConnectIrmeli commented on posted to #seminaarikannu 10.03.2011 (fi)

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    ku | #seminaarikannu | Maaliskuun paja Otavan opistolla 10.-12.3.20... http://www.qaiku.com/channels/show/seminaarikannu/view/88eb8a78...

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    Viittaan qaiku -ketjuun: 65. Bisnestreffit: Kuva arvoitus? 11.2.2011

    Mobiilikeskoulu Mustialassa 25.-26.5.2011 https://sites.google.com/site/mobiili...AVO -hankkeen Mobiiliopas https://sites.google.com/site/avomobi...

    Wiki: AVO - Mobiilit oppimisessa ja vuorovaikutuksessa https://wiki.hamk.fi/display/avomobii...

    ConnectIrmeli commented on posted to #seminaarikannu 10.03.2011 (fi)

    Vuorossa esitys verkon vlityksell: Mobiilituottaminen Hyvt hetket talteen? Muistiinpanotelmn? Etn lasn? Outi Vahtila ja Marko Rantanen, HAMK

    Mit mobiilivideointi edellytt?Miten mobiilivideoita voi ottaa?Miten mobiilivideoita voi kytt?Miten mobiilivideo eroaa tavallisella kameralla / videokameralla otetusta videosta?Miksi mobiilivideo on niin suosittu?

    ConnectIrmeli commented on posted to #seminaarikannu 10.03.2011 (fi)

    Yleiskommentissa kysytn, eik perusteelliseen osaamiseen psemiseksi tarvita vakiointia

    - kaikkia vaiheita. Halveksiiko pelkn seikkailun korostaminen perinteist oppimista... Vastaus:Jos j liian pitkksi aikaa museoon, oppilaat ovat kadonneet, kun alkaisit kohentaatilannetta...

    -Nyt ollaan niin syvll museossa, ett seikkailua tulee korostaa niin paljon, ett liikett alkaanky kytnnss. Liikkkeeseen jminen ei ole pmr - kuten ei pelkn oppimisen tilansaavuttaminenkaan...

    ConnectIrmeli commented on posted to #seminaarikannu 10.03.2011 (fi)

    Jkiekko metaforana...

    Museo - pisteprssi; kun maali on sinne kirjattu, se on siell ja pysyyDraama - vitelln pubissa, oliko kysess paitsiomaali; jokaisella on mahdollisuus sanoamielipiteensTehdas - tuotetaan uusia Selnteit; ongelmat ovat suuret siin vaihessa, kun menetelm onvanhentunut

    Verstas, seikkailuvalmista itsellesi vlineet -12 kohdan ohje

    kaikille ei koskaan tule samaa lopputulosta joskus menee ihan pieleenkuinka teet ilmapalloista jonglrauspallojavalmista pallo viinipullon korkin ymprilleopiskelijoita voi innostaa tutkimaan esim. miss ja miten pallot valmistetaan - eettisyys,kestvyys... < -- > tutkimusprojekteja; materiaalin ekologisuus...learning by using, creativity - laaditaan videoprojekti pallojen suunnittelusta javalmistamisesta (huolestuvatko vanhemmat, jos koulussa tehdn viikko pelkkvideota...)

    http://www.verkkopedagogiikka.fi/sarj...

    ConnectIrmeli commented on posted to #seminaarikannu 10.03.2011 (fi)

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    ku | #seminaarikannu | Maaliskuun paja Otavan opistolla 10.-12.3.20... http://www.qaiku.com/channels/show/seminaarikannu/view/88eb8a78...

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    Totean, ett olen oppinut tmn mielentyhjennysharjoituksen omassa esityksessnimainitsemani pivn kuvan kautta oppimieni kuvakertomusten kautta. Mit trkempi jakeskittymist vaativampi tilanne edess, sit enemmn olen huomannutkuvatyhjennyksen auttavan!

    Aristoteleen dramaturgia http://oppimateriaali.wikidot.com/ari...

    Freytagin pyramidi: http://oppimateriaali.wikidot.com/fre...

    eeppinen dramatirgia (Brecht)aihelhtinen dramaturgia - trke oppimateriaalissa / opettamisessapaikkalhtinen dramaturgia - inspiroidutaan paikastafragmentaarinen dramaturgia - esitys koostuu irrallisista osista, jotka eivt kommunikoi =>oma mieli alkaa tuottaa merkitysyhteyksi

    Kyseess oli mielentyhjennyharjoitus, jota kytetn paljon - ennen luovan kirjoittamisenaloittamista. -Mielenkiintoista... tulee mieleen mikroblogien kytt ennen varsinaistabloggausta tai vaikkapa artikkelin kirjoittamista!

    Tm on toteutunut vahingossa monta kertaa, kun pitkn kommentin kirjoittamisen jlkeenpainaa enteri - ja hups kaikki hvisi. Toisen kirjoitusrupeaman kommentti on sitten ihantysin eri nkkulmasta - ja poikkeuksetta tuntuu huomattavasti paremmalta kuin eka.

    ConnectIrmeli commented on posted to #seminaarikannu 10.03.2011 (fi)

    Dramaturginen sisllntuotanto: ksikirjoitettu sislt ja opettaja dramaturgina. Jori Pitknen,luokanopettaja, draamaohjaaja

    dramaturgiaa ei opita kirjoista lukemalla...kirjoitustehtv: vajaat 10 minuuttia - kirjoita, mit mieleen tulee; automaattikirjoitus, mielenvirtaa...

    ConnectIrmeli commented on posted to #seminaarikannu 10.03.2011 (fi)

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    ku | #seminaarikannu | Maaliskuun paja Otavan opistolla 10.-12.3.20... http://www.qaiku.com/channels/show/seminaarikannu/view/88eb8a78...

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    Malleja / esimerkkej ksikirjoitusprosessista: http://oppimateriaali.wikidot.com/kuv...

    "Dramaturgia on erittin lhell opettamista" - oppiaineisto tuodaan nkyville mahdollisimmanhyvin "esityst" palvelevasti

    Oppituntia ei voi suunnitella ehdottoman kaavan mukaan - oppilaat tulevat aina jollakin tavallavaikuttamaan etenemiseen

    ARISTOTEELINEN OPPITUNTI

    jnnityksen kasvu, huippukohta ja hidas lasku lopetukseen (esim. reflektio eettisistkysymyksist - mit tapahtui)alkaa alustaTAI

    Osallistava teatteri (Pieta Koskenniemi, 2007) http://oppimateriaali.wikidot.com/osa...

    Aristoteleen runousoppi: http://fi.wikipedia.org/wiki/Runousop...

    Ilmainen ksikirjoitustykalu http://noodi.metropolia.fi/

    Kuva: Harjoituksena tehtiin taululle yhteisen tajunnan avulla hahmo:luennoitsija

    ConnectIrmeli commented on posted to #seminaarikannu 10.03.2011 (fi)

    aleatorinen dramatirgia - yleis saa heitt noppaa aiheen tyylistrihmastodramaturgia - useita polkuja; yleisn valinnat ratkaisevan lopun

    Devisingesityksen rakentaminen oppilaiden kanssaomistajuus siirtyy oppilaille => enemmn sitoutumista, suurempi tunneside => enemmn j mys mieleen (vrt. Kolb, kokemuksellinen oppiminen)mm. aihelhtinen esitys - oppija saa vaikuttaa, miten esitys rakentuu ja mik on lopputulos

    ConnectIrmeli commented on posted to #seminaarikannu 10.03.2011 (fi)

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    ku | #seminaarikannu | Maaliskuun paja Otavan opistolla 10.-12.3.20... http://www.qaiku.com/channels/show/seminaarikannu/view/88eb8a78...

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    Marja Ahola, Koulutuskeskus Salpauksesta kertoo suomen kielen opettamisestamaahanmuuttajille etn / verkossa / monimuotona

    Torstain 11.3. kirjosta valikoin

    09.15-10.00 Oppiminen, kieltenopetus ja verkot: suomen etn. Marja Ahola, KoulutuskeskusSalpaus10.00-10.45 Some ja oppimateriaali. Anne Rongas10.45-11.30 Laajennettu todellisuus oppimateriaalin rikastajana. Sanni Siltanen, Erikoistutkija,VTT

    12.00-12.15 Matka ja kohtalon etsiminen antiikin mytologia, Myyttikestien kolmas osa. PiaHouni, teatteritieteen dosentti12.15-13.45 Kalamalja: Oppisisltjen tulevaisuus

    14.15-15.00 Sarjatulta: 10 vinkki joilla saat etneuvottelun eponnistumaan.Edu-teknoparikon Jouni Karnasaari15.00-17.00 Pajatyskentely: toiminnan ja koulutuksen suunnittelu, kokemuksenvaihtoa,tekemist ja raportointia. Pedagogiset ohjaajat; Myyttikestien tyskentelyosuus

    Koko ohjelma virtuaaliosallistumislinkkeineen: http://paja.internetix.fi/2011/03/maa...

    ConnectIrmeli commented on posted to #seminaarikannu 11.03.2011 (fi)

    Hei otavalaiset ja kaikki muut, tss oma tmn pivn kontributio tlt Sotkumon puskasta.Uskoni ettyn muuntumisesta mikroduunaavaksi lhityksi on vuoden 2011 aikanavahvistunut.@ConnectIrmeliteet upeeta rapoa. Olen liven lsn asynkronisesti - whateverthat means in Finnish language

    visualradio commented on posted to #seminaarikannu Sotkamo 10.03.2011 (fi)

    alkaa lopusta (dekkarityyli) - "mit tapahtui" kelataan sitten alusta; oppilaat voivat vaikuttaa

    ConnectIrmeli commented on posted to #seminaarikannu 10.03.2011 (fi)

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    Miten luoda houkutksia? ...tai voiko niit vltt?

    kytnnn tilanteitaaitoja tekstejomaan tyhn sidottujamit oppija pit itselleen trken ympristssnomaan elmn liittyv

    ConnectIrmeli commented on posted to #seminaarikannu 11.03.2011 (fi)

    (Kielen) oppimiseen tarvitaan (Wygotski):

    altistuminensisistminenkielitajutystaminentaitaminentarjouma

    ConnectIrmeli commented on posted to #seminaarikannu 11.03.2011 (fi)

    Ksitykset oppimisesta...opettajan (omaan kokemukseen perustuva? humanistinen? sosio-kulttuurinen?)opiskelijan (omaan kokemukseen perustuva? mekanistinen? kulttuurisidonnainen?)

    ...ohjaavat sit, miten kielt opiskellaan ja opitaan.

    Oma huomio: erittin arvokasta ja trke tyst oppimisksitysten dialogi vauhtiin myssilloin, kun poisopitaan suomalaisten kesken uustyskentely - reflektiota: aamun#bisnestreffit #tieke #mikroduuni

    ConnectIrmeli commented on posted to #seminaarikannu 11.03.2011 (fi)

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    Emancipatory learning http://www.humiliationstudies.org/doc...

    ...A third type, emancipatory learning, can free us from libidinal, linguistic, epistemic,institutional, and environmental forces that limit our options and our control over our lives

    Some ja oppimateriaali. Anne Rongas

    Opettajan tekijnoikeusopas http://www.opettajantekijanoikeus.fi/...

    Ilmipohjainen oppiminen ja opetus http://ilmiopohjaisuus.ning.com/

    oppilailta kysyttess - he kokevat tuottamansa materiaalin virtuaalijakamisen mynteisenasianaopettaja jakaa ja edist omalla esimerkilln yhteisen hyvn ja avunannon etiikkaaottamalla oppilaita (ja verkostoja) mukaan tuottamaan oppimisaineistojaopiskelija psee - kirjan julkaisuun verrattuna - lismn laatimaansa ajantasaistamateriaalia oppimisaineistoihineletn viel nettiajan kivikautta - tieto aineistoista levi sosiaalisen verkostoitumisenkautta vinkkaamalla (kuva!) => tiedonlouhintavlineet muuttavat jatkossa toimintakentt

    Yleiskommentissa viitataan Kai Hakkaraisen eilen mainitsemiin oppimisen proteeseihin -kuvan vlineet toimivat proteesina niin kauan kuin niit tarvitaan => tarvittaessa liitetnoppimiseen seuraava tukeva proteesi=> oppija innostuu aineiston kehittmisen prosessista niin paljon => ekspansiivinenoppiminen, ett tuotos on valmistuessaan en sivuseikka

    ConnectIrmeli commented on posted to #seminaarikannu 11.03.2011 (fi)

    Oppimisen ksite monimuotoistuu, mittarit muuttuvatKsitykset kielenoppimisesta muuttuvat - millaista kielt tarvitaan tyelmss?Ammattialakohtaista tilannesidonnaista kielt? Tsmtarpeita, esim. hoivakieliMiss kielt opitaan ...mobiilisti pilviss?

    ConnectIrmeli commented on posted to #seminaarikannu 11.03.2011 (fi)

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    In-Place Augmented Reality 3D Sketching of Mechanical Systems http://www.youtube.com /watch?v=M4qZ0G...

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    VTT palvelee jos ja kun kysymyksi her aiheesta myhemmin: http://www.vtt.fi/

    ConnectIrmeli commented on posted to #seminaarikannu 11.03.2011 (fi)

    Laajennettu todellisuus oppimateriaalin rikastajana. Sanni Siltanen, Erikoistutkija, VTT

    Augmented reality. Education http://www.youtube.com/watch?v=eJIFkY...

    ConnectIrmeli commented on posted to #seminaarikannu 11.03.2011 (fi)

    Emancipatory knowledge is knowledge gained through critical self-reflection, as distinct from the knowledge gained from our technical interest in the objective world or our practical i nterest in social relationships

    Emancipatory learning results in self-knowledge, particularly understanding of our meaning perspectives.

    ConnectIrmeli commented on posted to #seminaarikannu 11.03.2011 (en)

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    "Myytit saavat aikaan liikahduksia alitajunnan alueella."

    ConnectIrmeli commented on posted to #seminaarikannu 11.03.2011 (fi)

    Matka ja kohtalon etsiminen antiikin mytologia, Myyttikestien kolmas osa. Pia Houni,teatteritieteen dosentti ht tp://www.otavanopisto.fi/myyttikest...

    "kohtalo ja tragedia ovat aina samaan aikaan lsn..."

    myyttien monikerroksisuus on pitnyt mytologioita esill halki antiikin jlkeisen(taide)historian=> draamakirjallisuustmn pivn Kreikan kirjallisuudessa vahva taikausko lsnmyyteill on pyritty rakentamaanalkutarionoita: miten tuntemattomasta tuli tunnettua, mitenkosmos on luotu... (Ovidius: Metamorfooseja), viittaa alitajunnan maastoon (->luomisenlhteen)vahvasti esill varhaisessa kristillisyydess

    "Otavan Opiston ja Kriittisen korkeakoulun yhteinen Myyttikestit-seminaarisarja kynnistyitammikuussa ja jatkuu kerran kuukaudessa uusilla aiheilla koko kevn ajan. Myyttikestientarkoitus on esitell ja pohtia maailman eri mytologioiden perusaiheita ja yhteisi piirteit.Sarja jatkuu maaliskuussa teemalla Ihmisen kasvun ja kivun paikat. -Maaliskuussa Myyttikestit jrjestetn 11. - 12.3.2011 teemalla Ihmisen kasvun ja kivun paikat. Aihetta on alustamassateatteritieteen dosentti Pia Houni. Huhtikuussa (15. - 16.4.) kirjailija, kouluttaja Antti Kylliinenpuolestaan johdattelee myyttien avulla aiheeseen ihminen vastakkaisten voimien jnnitteess.Toukokuussa (13. - 14.5.) Myyttikestit huipentuu nimens mukaisesti kesteihin, joissa

    ksitelln osallistujien mukanaan tuomia myyttej."ConnectIrmeli commented on posted to #seminaarikannu 11.03.2011 (fi)

    Your chat is offline

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    Kalamaljasta

    Voiko kohtaloaan muuttaa...?!

    ConnectIrmeli commented on posted to #seminaarikannu 11.03.2011 (fi)

    (kts. esim. Henrik Enckell 2006, 142-146)

    ConnectIrmeli commented on posted to #seminaarikannu 11.03.2011 (fi)

    "Ihmisten tietoisuus historiastaan lisntyi - lissi kiinnostusta myytteihin."

    ConnectIrmeli commented on posted to #seminaarikannu 11.03.2011 (fi)

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    @ConnectIrmeli Kiitos mielenkiintoisista virikkeist. Nostan tss esille itselleni trkeit "juurinyt" ja miten erotan osaamisen siirtmisess:

    MuseoDraama

    Kalamaljasta

    "Yksikn jrkiargumentti ei tehoa, jos tunnetasolla ei pst tapahtumaan mitn."Antiikin ihmiselle yhteis oli trkempi kuin minuus.Aristoteleen mukaan koko yhteis pit kasvattaa.Ajattelun taitoa kannattaa harjoittaa.

    "Nietzschen teoria ikuisesta paluusta on hyv esimerkki siit, kuinka teorialla voi olla jotakinmerkityksellist annettavaa mys yksilllisell kokemuksen tasolla riippumatta siit,allekirjoittaako teorian faktisena totuutena, kosmologisena maailmanselityksen. Sill voi ollamerkityksellist annettavaa yksillle itselleen, ja se voi list ymmrryst itsest sek toisista."(Seinl, Filosofia itseksi tulemisena teoksessa Mit on filosofia? Gaudeamus, 2010, s. 226)

    => heinsirkkamainen tapa ottaa vastaan media, tietoa, perinnett... voi ollakin hyv- Kalevalan merkitys lhivuosikymmenin verrattuna edellisiin- Yhtlisyydet eri perinteiden / myyttien vlill siin, miten ne pyrkivt selittvt universaaliaihmisyytt- Toukokullee otetaan vastaan toivomuksia omista myyteist

    ConnectIrmeli commented on posted to #seminaarikannu 11.03.2011 (fi)

    Kalamaljasta

    "Sivistys on sit, miten ihminen reagoi kohtaloonsa.""Meidn ajan myyttiset perheet ova tositeeveess -en ki m noin paha ole ""Kirjoittaako media nykyajan myytti?""ritilanteissa nousee prussuomalaisia ja muita hahmoja...""Ksitys hyvst elmst: julkkis..."Perheen dynamiikka = tragedia. AristotelesYhteiskunta on pedagogisoitunut. Individualismia korostetaan, Samaan aikaan seurataanloputtomasti, miten asuntoa tulee sisustaa, laittaa ruokaa jne. Valistus = poisitseaiheutetusta alaikisyydest!Media on kasvoton taluttaja - kuka tahansa voi kertoa, miten pit el. Ei edist ajatteluayhtn.Onko ajattelijoiden syyt edelleen sitkesti jatkaa tarinoiden kerrontaa?

    ConnectIrmeli commented on posted to #seminaarikannu 11.03.2011 (fi)

    "Kun ei usko mihinkn, uskoo mihin vaan""Myytit ovat olleet elm helpottava tekij - verrattuna informaatiohkyyn"Kalevalan suhde informaatiohkyyn!Myytit malleineen ja selityksineen luovat yhteisllisyytt"Tn pivn - vaikka ollaan yhteisllisi - yhteinen tarina puuttuu""Ennen: yksi kansakunta, yksi tarina""Oman kulttuurin / antiikin ymmrrys vs. new age, zeitgeist...""Sytykkeit innostuvaan oppimiseen""Oman henkilkohtaisen myytin kieriminen auki - kaikki oma aikuisuus ja kasvutarinakietautuu; pedagogisesti jnnittv"

    ConnectIrmeli commented on posted to #seminaarikannu 11.03.2011 (fi)

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    @ConnectIrmeli Kiitos nist rapoista ja mukanaolostasi pajassa! Linkitin ketjun mysverkkopedaningiin.

    TAircommented on posted to #seminaarikannu kotona tai nurkilla 14.03.2011 (fi)

    Sarjatulta: 10 vinkki joilla saat etneuvottelun eponnistumaan. Edu-teknoparikon JouniKarnasaari

    1) l valmistaudu2) l testaa3) Kokeile uutta tuotantotilanteessa4) Panikoi - ongelmatilanteiden alleviivailu on varmin tapa eponnistua (esiintyjn tehtv eitodellakaan ole tuoda toimimattomuutta tai sotkua esiin, vaan lipua tyylikksti niiden ohi)5) Luota tekniikkaan - tekniikan ihmiset eivt koskaan luota! Tsekkaa, ett on flppi- taivalkotaulu ja kirjoitusvlineet - erityisen trke, kun siirrytn pilvipalveluihin.6) l vlit aikatauluista7) Oleta8) Kuorruta - kuvittele, ett lentv teksti sanoo sanasi painavammin*9) Toista virheesi - pid opitusta avuttomuudesta sitkesti kiinni. Olisiko OK, ett metsuripyyt teknisen tuen kyttmn sahaa...?!10) __________?

    ConnectIrmeli commented on posted to #seminaarikannu 11.03.2011 (fi)

    TehdasSeikkailuLaajennettu todellisuus

    Matkailun markkinoinnissa on seikkailua hydynnetty myyttisen vetovoimatekijn. Urbaaninihmisen seikkailu hiihtokeskuksessa rajoituu usein kmpn ja baarin vliseen hoiperteluun juhlatamineissa ja rinteeess yls hissill ja alas suksilla tai lumilaudalla.

    visualradio commented on posted to #seminaarikannu Sotkamo 11.03.2011 (fi)

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    ,alice in wonderland costumes:http://www.howcostumes.com/Alice-in-W...Hoi,Evening Dresses online:http://www.didweddingdress.net/ ! Let me introduce myself: I'mMarta and I work for the Dutch dress community. I love supporting my local artisans andhighlighting the great work coming out of the Netherlands. Today I'm proud to announce thatOctober's dress Twitter background was dreamed up by industrial designerKenneth?Veenenbos?and architect Nelliana van den Baard, who can usually be foundcollaborating on paper lamps in their dress shop,bustiers:http://www.howcostumes.com /New-Corset... ,?. They stepped outside their comfort zone and designed our Twitterbackground to celebra:http://www.corndress.com/Bras.html te?,silk cocktaildresses:http://www.talkdress.org/cocktail-dre... , an annual summit of visual leaders,chiffoncocktail dresses:http://www.talkdress.org/cocktail-dre... , including dress own CreativeDirector. Kenneth and Nelliana were more than happy to answer some questions about theirinspiration for this month's bold design.

    How was designing for the Twitter Artist Series different from your lamps?It was a lot of fun to work with geometric patterns in 2D. We call our graphic "Lost in

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    Tell us a little bit about your design."Lost in Geometry" tells the story of the road to your dreams,bridal veilsheadpieces:http://www.talkdress.org/Headpieces.h... , just like?The Wizard of Oz.?In ourgraphic it is Snowpuppe (the snowman) who is looking for something. He is lost in the valleysand mountains of the folded paper and is walking on his own yellow brick road.?Snowpuppehopes to find the right direction,adult vampire costumes:http://www.howcostumes.com /Vampire-Co... , just like we do.

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    G Posted by Silke ,blue suede pumps:http://www.mapshoes.net/gianmarco-lor...

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    Geraldine1203 commented on posted to #seminaarikannu 4 days ago (zh)

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    Geraldine1203 commented on posted to #seminaarikannu 4 days ago (zh)

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    Geraldine1203 commented on posted to #seminaarikannu 4 days ago (zh)

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    Adalgiso commented on posted to #seminaarikannu 4 days ago (zh)

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    When you find a great pair of wedding shoes, you just know. They're comfortable to wear andthey make you feel like a million bucks. But what happens if they're the wrong color? Or

    they're too plain? Or you just want to add some personality of your own? Luckily, it's fairlyeasy to take your wedding shoes from "almost there" to perfect.

    As you walk down the aisle, all eyes will be on you from your head to your feet. And speakingof your feet, what will they be wearing? If you want to make a grand entrance, there's nothinglike a fabulous pair of shoes.

    You can paint your soles with glitter and glue (see "Hard Glitter" above). If you're feelingartistic, you can even paint your own designs onto the soles with acrylic artist's paint beforecovering them with Mod Podge or clear glue. This is a great place to add your initials (or aromantic quote, if you have a small enough paintbrush and a steady enough hand) in a placethat won't compete with the rest of your look.

    While it's possible to find premade shoe sole covers in stores, if you buy them you will stillneed to apply the covers to your shoes carefully and cut around the edges with a sharp knife.As long as you'll need such precision and creativity anyway, you may as well take matters into

    your own hands (and feet!) and pick the exact pattern you like.Carefully tape off any sections of the shoe that you don't want covered in glitter. (Thisincludes the inside of the shoe.) For hard-to-tape curves, you can also press in a layer ofputty to shield the shoe from glitter spills. Make sure the putty is non-greasy and a neutralcolor so it doesn't leave residue on the inside of your shoe.

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    Go On, Get Attached

    Whether you add enough rhinestones to dazzle your guests the moment you step into thesunshine, or you keep your decoration subtle, your footwear is a perfect opportunity to flauntyour style. Let your personality show with every step down the aisle.

    Mix the glitter with the glue, stir thoroughly, and paint it onto the shoe with a small, firmpaintbrush. Use several coats, making sure the previous one is completely dry before startingon the next.

    Unlike the flower arrangements, the fondue fountain, or the DJ's tie (sorry, bridezillas),wedding shoes actually need to be perfect. Wearing uncomfortable footwear can ruin yourenjoyment of your wedding and give you a pained smile in every photo. You don't want tomentally complete "I do!" with, "..wish I could kick these things off finally."

    Shoe soles are the perfect place to add a little jazz to your wedding ensemble. Perfectlystraddling the line between subtle and sassy, flashy soles tell the world that this bride isn'tafraid to show some spirit. Whether you're looking for or you just aren't satisfied with plainwhite pumps, fancy soles are a good place to start.

    How much glitter? That's your choice. You can glitter the entire shoe,transparentbra:http://www.doesshop.org/ , or tape off some preferred areas. Consider a glitter stripedown the heel, accents on the toes, or even a stencil along the side.

    You can expand your sole-cover selection to encompass the wide range of colors, textures,and patterns offered by.. contact paper! Yes, the same material you'd buy to line your shelvesand drawers can also be turned into a s triking addition to your bridal footwear. Simply applythe sticky side to the bottom of your shoe (pressing firmly into the middle of the sole first, withever-widening strokes, to avoid trapping air bubbles) and cut away the excess with a sharpknife. If you want a shiny look,short prom dresses:http://www.doesshop.org/ , cover the endresult with a layer of glossy epoxy.

    Forget diamonds; a hot glue gun is a girl's best friend. Of course, once you have the glue, youcan have the diamonds too. Take your cue from Paul Simon and throw a few diamonds on thesoles of your high-heeled shoesor rhinestones, as the case may be. Be sure the heels arehigh enough to keep the sparkles off the ground. Whether you want to spell out somethingcute like, "I do!" or try something more complicated, like reproducing your fianc's andyour zodiac constellations, there's nothing like a shiny collection of gems to make themessage sparkle.

    Your wedding shoes are a perfect opportunity to create a memento that will last a lifetime. Ifyou want to imbue your keepsake with the mood of your wedding day, leave your shoes plainand ask your wedding party to sign them after the ceremony. You can epoxy both shoesafterward, ensuring that the signatures never rub off or fade.

    Hard Glitter

    Leave Something for Later

    First, find a clear, strong glue (Mod Podge works well) and the glitter of your choice at any artsupply or craft store. A super-fine glitter will look like the sparkles are coming from deep insidethe shoe, whereas a coarser glitter will add texture and cast disco ball reflections as you walk.

    Don't forget, hot glue works wonders for attaching any embellishments you like. From bowsand ruffles to beading and silk flowers, your shoes are a blank canvas. The tips of the toesand the spike of the heel are great places to start. Just remember that less is generally more.Pick one style of embellishment and leave it at that.

    You can choose several glitter colors if you want to paint a gradient from the front of the shoeto the back, but keep in mind that the more complex the project you're attempting, the more

    important it is to try it on a spare pair of shoes first.

    Add a spectacular sparkle by imbuing your wedding shoes with glitter. This is no "arts andcrafts day" project; rather than leaving a single speck of glitter on the aisle, the sparkles willbe entirely fused to your shoe. No one will be able to tell that the shoes weren't made thatway.

    Before you start painting, score the surface you'll be glittering with sandpaper or anotherabrasive material. As counter-intuitive as it sounds, it helps to crosshatch slight cuts in thesurface of the shoe with a very sharp knifejust be careful you don't cut through the shoe.

    Add as many coats as you like until the shoes are shinier and more magical than Dorothy'sruby slippers. If any glitter comes off on your hands after the shoes are dry, add one additionalcoat of clear glue on top.

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