Passport P250 Manual

8/6/2019 Passport P250 Manual

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Owner's Manual forPassportP/N 051854REV B

From Fender Pro Audio

PORTABLESOUND SYSTEM S


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Fender Musical Instruments7975 North Hayden Road, Scottsdale, Arizona 85258 U.S.A.

Fender knows the importance of sound reinforcement. From the simple box-top mixerto today's professional touring concert systems, the need to communicate, to make theconnection b etween the performer and the audience is foremost in Fender' s mind.

Perhaps no other single piece of gear can make or break your band's sound. You see,your sound system is more than just a combination of dials, wires and speakers. It isan integral part of the audio chain and should be treated with special care and attentionto d etail.

At Fender, we know what building quality musical instruments and sound reinforcementequipment is all about. In fact, many of the world' s best sounding electric musicalinstruments and sound reinforcement equipment proud ly wear the Fender name.

Whether you need a simple box top powered mixer for your Saturday afternoon jam, ora professional full-size concert system, Fender has the sound reinforcement equipmentto meet your needs.

Wishing you years of enjoyment and a heartfelt thank you,

Bill SchultzChairmanFender Musical Instruments Corporation

Bi l l Schul tz


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System Components:

The Passport System Contains:

The Passport "Power Tower" Mixer/ Amp lifierTwo Passport Speaker SystemsTwo Fender P-51 Dynamic MicrophonesTwo Micropho ne Cables, 6m (20')Two Speak er Cables, 9m (30')One IEC Power Cable

System Components Page: 3Introduction Page: 4Power Handling & Safety Precautions Page: 5Transportation Latches Page: 6Set up and Connections Page: 7

Powering Up Page: 7Setting System Levels Page: 8Placement & Mounting Page: 8Power Tower Page: 8Microphones & Speakers: Page: 9

Controls Page: 9Connections Page: 12Typical Set-up Application Page: 14Specifications Page: 15

Explanation of Graphic Symbols

The lightning flash within a triangle alerts the user to thepresence of potentially dangerous voltages within theproducts enclosure. These voltages may be sufficient to causeelectric shock to humans.

The exclamation mark within a triangle is to alert the user to thepresence of important operating, safety andmaintenance/service instructions in the owners manual, or

other literature provided with this product.

TABLE OF CONTENTS

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4

250 Watts of Clear Stereo Sound

Built-in Digital Reverb

VIP (Vocal Input Priority) AutomaticallyLowers Background Music WhenSpeaking Speaking into Mic 1 Input

3-Pin XLR, 1/4 inch TRS and Stereo RCAInput Jacks Accommodate Almost AnyInput Connection

Individual Controls On Each ChannelPatch Point for Outboard Gear

Switchable Line Voltage For Easy UseAnywhere In The World

Switchable Main/Monitor Operation

Everything You Need To Get Started:Passport Mixer AmplifierTwo MicrophonesTwo Microphone Cables

Two Speaker CablesPower CableTwo High Sensitivity, Full-RangeSpeaker Enclosures

Thank you for your purchase of a Fender Passport,the worlds first fully self-contained, portable audiosystem. Your Passport includes everything you willneed for great sound Anywhere.

Carry your Passport as you would a large sized suitcase. Flip open the two latches, and youll discovertwo full-range speaker cabinets, a powered mixer,two dynamic microphones, and all the cables youneed to get started. Use your Passport to amplifyvoices, musical instruments, CDs, tape playback andmore. Passports quick and easy set-up, its ability to

cover large audiences and simple operation are thehallmarks of this new and innovative product.

The Passports control panel features 4 stereochannels with 8 inputs (4 XLR, & 4 line input) and leftand right RCA input jacks to allow for music playbackfrom a CD or cassette player. Moreover, four 6.5speakers in each cabinet work together to deliverclean full range coverage, while the self-poweredmixer provides 250 watts of clear stereo sound.

When speaking to the masses, the Passports VIP(Vocal Input Priority) feature can be used to reduce orduck the background music level as you begin tospeak and then restores it when you have finishedspeaking. Experiment with the tone controls, digitalreverb, speaker placement and discover thePassports incredible versatility.

WARNING:

-TO PREVENT DAMAGE, FIRE OR SHOCKHAZARD, DO NOT EXPOSE THIS UNIT TO RAINOR MOISTURE.

-NO USER SERVICEABLE PARTS INSIDE,REFER SERVICING TO QUALIFIED PERSONNELONLY.

-THIS UNIT MUST BE EARTH GROUNDED.

INTRODUCTION

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5

Power Requirements

AC Power:100 volts to 240 volts, 50-60 Hz.

DC Operation (with optional converter):For any situation where AC power may not be readilyavailable, such as outdoor sports events, rodeos,political rallies, and even emergency public address,the Passport system can be powered from a 12 voltDC car-type battery. For these applications youmust use the Fender Passport DC-DCconverter/adapter (optional). To maximize theamount of time the Passport will function on astandard car battery, however, its power section hasbeen designed to operate at slightly reducedmaximum levels during this application. Thisreduction in peak output will be unnoticeable in all butthe most demanding continuous high outputapplications.

The Fender Passport sound system is supplied witha detachable power cable with an IEC femaleconnector and a male AC connector. Depending onthe territory in which the Passport system ispurchased, the power cable will be supplied with oneof a number of male AC connectors to accommodatethe different safety and code requirements of specificcountries. All AC cables supplied with Passportproducts are three pin grounded types.

Under no circumstances should the ground(earth) pin be disconnected or removed.

Your Passport System features a Switch-Mode-Power-Supply designed to operate on any AC voltageand line frequency to convert AC power withmaximum efficiency.

When traveling abroad with the Passport system, asa standard precaution, always check the local voltageand set the voltage selector switch located adjacentto the power input socket on the rear of the mixer / amplifier to the appropriate operating range. Thischeck must be performed before connecting thepower cable. The Fender Passport has two rangesettings: 115v or 230v .

Failure to select the appropriate voltage range will

cause the unit to go into protect mode, void anywarranty and may cause damage to the unit.

For example, The United States of America isstandardized at 117 volts/60 Hz, Japan operates on100 volts/50 Hz. For both of these countries therange selector must be set to 115v. Countries in theEEC have standardized at 230 volts/50 Hz., however,there are different types of AC plugs used. For allthese countries the selector should be at the 230vposition. When using plug adapters or operating in aterritory other than the one in which the unit waspurchased, take great care to comply with local

safety requirements and electrical codes of practice.

If you are not sure of the local voltage, wiringcodes & colors, AC grounding, or correctprocedures for connection, consult a qualifiedtechnician.

POWER HANDLING SAFETY PRECAUTIONS


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WarningUnder no circumstances should the ground pin onthe Passport or on any of your electrical equipmentbe lifted. It is possible that under certaincircumstances a combination of different types ofungrounded equipment can create a life threatening

shock hazard. Microphones have metal cases andare connected through the mic cable to the mixerschassis. Your Passport mixer may be correctlygrounded if the buildings wiring is to code and theground pin on the A/C plug is properly connected.However if for any reason external A/C poweredequipment with ungrounded A/C connections areused in conjunction with the Passport system (e.g. anungrounded music amplifier), there may be adifference in potential to the microphone case. Withthis combination a performer holding a (grounded)microphone coming into contact with an ungroundeditem of powered equipment may be subject todangerous electrical shocks.

By following the correct procedures and safetyprecautions, risks of severe shock hazard can beminimized. Always check the A/C connection andparticularly the voltage between the microphone andany other A/C equipment. Best of all, avoid operatingthe system in conjunction with ungrounded orimproperly grounded electrical equipment.

To open and close your Passport system, simplyfollow these guidelines:

1. Place your finger tip under the safety latch and

gently lift. When the safety latch has disengaged, liftthe main latch to remove the speaker.

2. Position the speaker on the tower foot and bringthe speaker in to close the engagement with thetower and latch. Position the main latch hook overthe speaker notch and close the main handle. Thesafety latch will automatically engage.

Note: These parts are precision engineered and no force is needed to secure them. Careful alignment of parts will ensure easy operation.

TRANSPORTATION LATCHES

Foot Engagement Notch

Safety LatchMain Latch


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Before turning on the Power, read the safetywarnings on pages 3 and 4.

It is wise to establish a routine for connecting and

powering up your sound system. Provided you have aproperly grounded A/C outlet or outlet strip withsufficient power handling capacity, plug all soundsystem equipment into the same outlet or strip. Thiswill enhance system safety and performance. Takecare that the AC circuit is capable of handling the peakpower demands of your system. Consult the producthandbooks or a qualified electrician if in doubt.

When setting up for a new event be sure to followthese simple set-up guidelines:

1. All cables and microphones can be found in the

rear storage compartment of the Passport tower. Toaccess this compartment, simply lift the latch and pullopen the storage door.

2. First, turn all channel Level, VIP (channel 1 ONLY)and Rev/Aux controls to their full counterclockwise(OFF) position. Next, place all EQ and Pan controls at12 oclock in their center notched positions.

3. Select the desired operating mode on the frontpanel Mode switch adjacent to the right Mastercontrol. With the Mode switch in its upper positionoperation is normal - L-R Stereo. (This configuration covers 90% of normal use.) With the switch in itslower position the Passport functions as a monohouse (audience) mixer, with a separate monitormix. Your Passport System is now in its nominal setup configuration.

4. Next, connect each speakercable to the appropriate Left &Right Speaker outputs (redbackground) on the tower and oneach speaker front panel with theenclosed cables.

5. Connect all sources such as microphones,keyboards etc., into the appropriate inputs. (For more details see page 12, Input / Output Connections).

6. Finally, check the local voltage and set the voltageselector switch located adjacent to the power inputsocket on the rear of the mixer / amplifier to theappropriate operating range. (See Safety Precautions on page 5.) Plug the power cable intothe IEC (power cord) socket on the rear of thePassport Tower and connect the other end to aproperly grounded 3 wire AC power outlet.

POWERING UPTurn the Power Switch to the ON position. ThePower LED will illuminate and the system will turn on.If other powered equipment is to be attached to thesystem, it is always advisable to turn on yourPassport last. In this way any transient spikes and

thumps caused by other equipment will not beamplified and sent to your system speakers. For thesame reasons it is advisable to turn off your Passportsystem first before turning off the attachedequipment.

Should the Protect LED not illuminate when thepower switch is operated check your powerconnections thoroughly, and re-try. In the unlikelyevent that the Protect LED illuminates when the power

SET-UP AND CONNECTIONS

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Mode switch

This full-page illustration can be found on page 14.


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switch is operated, turn off the power switch andunplug both speaker cables.

Re-set the system by turning on the power switch. Ifthe Protect LED illuminates, the system is indicatinga short circuit is present on one or more of the cablesor connections. The Passport will not operate untilthe short is corrected. If the Protect LED stays onwith no speaker cables connected, this indicates afault with your system, consult an authorized servicecenter technician.

Set-up System Volume and LevelsTo set system volume and operating levels, be sure tofollow these simple set-up guidelines:

1. First, slowly raise the large Left and Right Mastervolume controls to their 12 oclock notched positions.

2. Use a microphone (or other source) in the sameposition as it will be used on stage and in the mannerin which it will be used for the event. Slowly bring upthe appropriate channel input level control (ie: if the microphone is plugged into Mic/Line 1 input, the appropriate channel control is labeled Mic/Line 1Level) , listening for the onset of feedback or howling oruntil the required level is reached. Have a helperwalk the audience area to make sure coverage andlevels are sufficient for your needs. The systemsoverall volume can be raised simply by rotating the Leftand Right Master volume controls to the desired level.

3. Consider the application and needs of the eventand set the System EQ control as appropriate. Thisis best achieved by playing recorded material of thesame type as your show program, or by having anassistant speak into the microphone while you listenin the audience area.

For public address (spoken voice), it is advisable to

rotate the System EQ control clockwise to enhance themid and high frequencies, and limit the low frequencycontent. For large outdoor spaces this will also give themaximum headroom and output capability. Forsustained low frequency program material (such ascertain musical programs) which demand more power,rotate the system EQ control counter-clockwise.Carefully consider the individual events needs and setyour control for the maximum effect.

For more technical applications information andgeneral sound systems operational instruction, wesuggest you read the Fender Book - Making theConnection.

Placement & MountingPlacement of the Passport Speaker Systems and theTower can have significant influence on theperformance of your sound system. It is advisablewhen operating any sound equipment controls thatyou are in a position to hear the effect of any changesmade. Speaker systems must be placed with greatcare to achieve the best effect. It is always advisableto elevate the speakers.

Consider the proximity of the users to themicrophones. For example: a person holding amicrophone close to their mouth and talking/singingeven at a medium level, inputs literally hundreds oftimes more signal power than one using the mic at adistance of one meter (three feet). The resultantdifference in control settings between these twoexamples will significantly effect the quality andquantity of sound you will achieve with your system.

Power Tower In setting up the system, the Passport Mixing consoleshould ideally be placed where system performancecan be evaluated by the operator. If no ongoingadjustments will be necessary, the mixer may beplaced conveniently and where the cable lengths allow.

Take care to place the Power Tower where the cables willnot trip anyone. All cables should be carefully secured.

The storage compartment in the rear of the Towercan hold cables, microphones and other systemparts. To open simply slide the catch upwards andpull open.

The mains (AC) fuse holder is under the IEC (powercord) socket on the right rear of the Tower. To changea fuse, remove the IEC plug and, using anappropriate tool pull out the fuse holder. Note thereis a spare fuse in the fuse holder; the Passport utilizesa 6.3A 250V fuse. Only replace fuses with one of anidentical value and size.

The Passport System is weather resistant in itspacked- transport mode. However, when operatingoutdoors, take care to fully protect the Power Towerin the event of exposure to rain.

Remember to allow free air flow over the heatsinkarea on the top rear of the Tower.

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Microphones & Speaker SystemsTake the time to study the potential audience area tobe covered with careful attention to the horizontaland vertical angles the speakers will have to cover.The height of the speakers above the audience iscritical to effective sound coverage and optimum

quality. For maximum sound quality and minimumroom interference, Passports speakers have beenspecially designed to work with tripod and speakersupport systems. Using the optional Passport Tripodkit, set the speakers at the maximum safe height thatwill allow listeners at the rear of the audience area toget a clear view of the speaker systems. Nothingabsorbs sound better that a few hundred peoplebetween you and the speaker system. Always setup speaker support and tripod systems in strictaccordance with the owners manuals and safetyrequirements of those devices.

It is very important that the speakers are aimed andpositioned as far away from and in front of themicrophones as cables allow. A microphone isdesigned to pick-up any and all sounds. YourPassport P-51 microphones have a cardioid pick-uppattern and are designed to reject as much soundcoming from the sides and rear of the microphone aspossible. If the loudest sound the microphone picks-up is the sound from the speaker systems,destructive feedback-howling will result. Position thespeakers and the microphones so the minimumamount of amplified sound gets back to themicrophone(s), and the maximum amount of thesound you wish to reinforce is input. In this waygreater volume before feedback can be realized anddisruptive howling-feedback reduced or avoided.

For music and other types of entertainment, placethe speaker systems symmetrically either side of thestage, in relation to the audience. For effectivestereo reproduction, all of the audience must hearboth speakers. For mono or speech onlyapplications, consider placing the speakers as closetogether as possible and angled for coverage of theaudience area. In this way greater output levels canbe reached and a more natural single point source is

created for the sound. Again, placement of thespeakers is a critical element in the successful use ofyour sound system. Take time to carefully considerthe variables and by all means experiment. There isno absolute right and wrong in sound, just whatworks best for you in your application.

This control features a detented or notchedposition indicator

Channels 1 - 4

Level: The Level controladjusts the amount of incomingsignal sent to the rest of themixing stages. Correctadjustment of this control iscritical for clean, and undistortedoperation of the PassportSystem. Follow set-up

instructions on page 6.

VIP (channel 1 only): The VIP orVocal Input Priority controladjusts the threshold at whichthe level of all other channels areautomatically reduced in favor ofthe microphone attached to theMic 1 input. This unique featurepermits a user to speak while

other inputs (such as background music) continue attemporarily reduced levels. Adjust this control whilespeaking into a microphone on channel 1, with otherprogram material input through another channel.Depending on the duration and level of the signalbeing input to Mic 1 and the position of the thresholdcontrol, the VIP circuit will trigger a reduction in levelof all the other channels. The original levels will be

automatically restored when there is no signalpresent on channel 1. The duration of the reductionin level will depend on how strong a signal is input tothe VIP circuit. Adjust for the amount of this effectdesired for your application. In typical use the circuitwill return normal levels in about 4 seconds. With thethreshold higher or a stronger signal normal levelswill be restored after approximately 6 seconds. TheVIP circuit has an intentionally slow release time. Theslow release prevents interruptions through themomentary restoration of music when a talkerpauses for thought. With a hand held microphoneand normal speech the VIP will operate properly setto approximately the two oclock position, if the useris further from the microphone, a higher setting will beneeded. Care should be taken to avoid the VIPtriggering on sound from the main speakers. At highthreshold settings the microphone may hear themain system speakers and trigger a reduction inlevel. Note: The VIP Threshold is sensed Pre-Fader. When not in use, turn this control to theOff position. See the section referring to speakerplacement and mounting and avoid setting the VIPthreshold unnecessarily high.

MONO MIC / LINE CONTROLS


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EQ Equalization ContourControl : This unique andpowerful feature of the Passportallows fast and easy adjustmentof the tonal character of amicrophone or other source. For

close microphone use, wherelow frequencies may become excessive, simplyrotate the control to the left until things sound better.For musical instruments or other sources wheresubtle or more significant boosting of both the highand low frequencies is desired, simply rotate thecontrol to the right until the sound achieves thedesirable balance. Note: This control features adetented or notched position indicator at its center orflat position. For each new mix set-up start with thiscontrol in the notched position.

Rev/Aux : This control adjusts

the amount of signal sent to theReverb processor, and to theRev/Aux output jack. Reverb canbe used to enhance the soundquality of any performancewhere appropriate and desired.

In the full left position the control is effectively off.Care should be taken to set the Reverb return mastercontrol to a middle position or above, beforeadjusting levels from the individual channels. Whenthe reverb/auxiliary mix is set, overall levels of reverbcan be adjusted at the master control. See MonitorMix in the Mode Select Switch & Function Section.

Pan The Pan control features anotched position indicator andadjusts the perceived positionof the mono signal from the inputwithin the stereo panoramacreated by the two speakersystems. Full Left or Right

rotation of this control sends the signal to the thatchannel only, with no signal sent to the other.Intermediate settings allow 3/4 - 1/4 ratios and so on.

Level: See Mono Mic/LineLevel.

EQ Low : The Low FrequencyEqualization Control adjusts therelative level of the low frequencycontent. The EQ Low controlfeatures a notched positionindicator.

EQ Hi : The High FrequencyEqualization Control adjusts therelative level of the highfrequency content. The EQ Highcontrol features a notchedposition indicator.

Rev/Aux : See Rev/Aux at left.

Bal : The Balance cont roladjusts the relative volume levelof the left and right speakers.The Balance control features anotched position indicator.

STEREO LINE CONTROLS


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A. Master Output Level Controls, Left/Main,Right/Monitor For the majority of applications the Passport systemhas been balanced to operate with these controls attheir notched 12 oclock positions. In situations

where more gain is required, for example where amicrophone (s) is at some distance from the user andmore volume is required than can be reached withthe input channel level controls, the master controlsgive an additional 6 dB of gain. Set the system up inthe normal manner and adjust levels as necessary.Should more overall sensitivity be required the mastercontrols can be raised. Care should be taken toavoid feedback, or howling. The Master controlsfeature notched position indicators.

If possible always operate the Master controls in theirnotched position. Should the overall mix level need

to be increased or reduced when the system is set upand balanced, the Masters can be rotated to anyposition that work under the circumstances.

B. Mode Select Switch & FunctionThe Mode switch enables the Passport System to bere-configured for stage monitor applications. Withthe Mode switch in its upper position operation isnormal - L-R Stereo. (This configuration covers 90% of normal use.). With the switch in its lower positionthe Passport functions as a mono house (audience)mixer, with a separate monitor mix. The mono/housemix is derived from the channel sends, the Pan and

balance controls becoming inoperative, and the LeftMaster becomes the mono - House Master control.

Now a separate mix can be created by using theREV/AUX send controls on each channel. Set upyour house mix first. The monitor mix level is createdfrom the channel REV/AUX send control, and thenrouted directly to the Right Master Level Control.

Reverb is not returned to this Monitor mix. Reverbis available to the house (Main) mix bus only, howeverthe reverb level sends are also controlled from thechannel REV/AUX level controls. Reverb level to theLeft Master, now the house mix, is as normal,controlled from the Reverb Master.

Connect the House speakers to the Left-Mainspeaker connectors and the Monitor speakers to theRight-Monitor connectors.

C. Master - ReverbThe Reverb Master controls the overall amount ofsignal that is returned from the digital reverbprocessor section to the Left and Right mix busses.(Note: see Mode Switch operation)

The Passport Sound System features an 8 bit digitalreverb, intended to provide enhancement for vocalsand musical instruments. This reverb system hasbeen optimized for use across a wide variety ofapplications. Relative mix levels to the reverbprocessor are adjusted at the individual input channelRev/Aux Send controls. The overall mix sent to thedigital reverb section is processed and returned to theReverb Master control and after its level is set to themain mix busses.

Caution should be exercised to avoid overloading thereverb bus. If reverb is desired on one or more inputsignals, set the Reverb Master to a central positionand bring up the input channel reverb send controluntil the desired level is reached. Avoid having theReverb Master too low with the channel sends in highpositions.

MASTER CONTROLS

A

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External Reverb or EffectsFor applications that demand a more sophisticatedor variable reverb effect, an external device can beconnected to the Passport through the Rev/Aux sendand return circuit.

The level sent to the Rev/Aux output is derived fromthe Rev/Aux bus and is monophonic. The returnsignal from a mono or stereo external device is routedto the left and right mix busses respectively. Thereturn/input connector should be wired to route theleft return signal to the tip of the 1/4 two circuit jackplug, and the right return signal to the ring. Groundis to the sleeve.

Send level is set on the channel Rev/Aux sendcontrols. Return level is set on the output of theexternal device. The internal digital reverb continuesto be active and can be muted or mix in via the

Reverb Master control.

System EQ The Passport System isdesigned to be used in a widevariety of applications withdistinctly different needs. TheSystem EQ control allows theoverall sound of the system to be

varied to suit particular uses and environments. Forpublic address applications where voicecommunication is paramount, the control can berotated clockwise into the blue section, where thefrequency range is tilted upwards towards the mid& high frequencies. At the same time vocalarticulation is enhanced, the low frequency range isreduced to improve the available system headroom.

Conversely in distant miked applications where, forexample a panel meeting is amplified to a wideaudience, there may be need to control the mid tohigh frequency content of the signal. Rotating theSystem EQ control counter clockwise progressivelytilts downward the mid & high frequency content.Whatever the job, careful use of this control willsignificantly enhance the effectiveness of yourPassport System. Carefully consider the needs ofthe particular event you are amplifying and theacoustics of the room.

**Remember: There is no control on any mixer, at anyprice, that can compensate for poorly positionedspeakers or badly positioned or appliedmicrophones. Use your judgment and experience tofind the best system interface with the room.Experiment and evaluate!

Microphone Inputs, 1 - 4:Input is via an XLR type connector. Wiredfor pin 2 hi/pos, pin 3 low/neg, and pin 1ground. These inputs are intended for lowlevel signals such as microphones. Useonly high quality microphones, such as the

Fender P-51 for optimum performance.

Line Inputs, 1 - 4:

Input is via a 1/4 TRS ( two circuit/stereo)phone connector. This is also a balancedinput, designed to receive line level inputsignals from playback devices, direct

boxes and keyboards. The 1/4 inputs can alsoaccept unbalanced sources, however when usedwith an unbalanced source, any balanced sourceconnected to the microphone inputs at the sametime will not operate.

Stereo Inputs, 5 - 6:Input is via either a pair of standard RCAstereo jacks or a Stereo 1/4 phone jack.

If using a 1/4 phone jack, the jack shouldbe wired for Tip=Left, Ring=Right andSleeve=Ground. (This is the standard

format of commercially available cables). Thesensitivity of these inputs is suited for playbackdevices such as CDs, Cassettes, DAT or Mini Disc.Outputs from instruments such as keyboards canalso be accommodated. A mono source input tothese channels will require different cabling. Use atwo circuit (stereo) phone plug and wire the signal toboth the Tip and Ring, with the ground to sleeve.

INPUT / OUTPUT CONNECTIONS


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PO W E RPO W E R

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TYPICAL SET-UP APPLICATION


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FREQUENCY 20 Hz to 40 kHz +/- 1 dB (at send output)RESPONSE 30 Hz to 30 kHz +/- 1 dB

(at speaker output, with processor threshold exceeded)

DISTORTION 80 dB @1 w, A WTD

POWER OUTPUT 125W/ch continuous average power, 4 or 8 , both channelsdriven with THD < 1%

INPUT IMPEDANCE Mic Input: 2 k CHANNELS 1 - 4 Line Input: 66 k

INPUT IMPEDANCE Phono: 78 k STEREO CHANNELS 1/4: 78 k

MAXIMUM INPUT LEVEL Mic Input: -7 dBuLine Input: 30 dBuStereo Input: 26 dBu

RETURN INPUT IMPEDANCE 47k

FUSE TYPE T6.3A, 250V

RETURN SENSITIVITY 0 dB for rated output power

PASSPORT SYSTEMWidth 840 mm (33.7 in.)Height 615 mm (24.2 in.)Depth 300 mm (11.8 in.)Weight 24 kgs (53 lbs)

SPEAKERSWidth 340 mm (13.4 in.)Height 610 mm (24.2 in.)Depth 300 mm (11.8 in.)Weight 6.8 kgs (15 lbs)

POWER TOWERWidth 185 mm (7.3 in.)Height 615 mm (24.2 in.)Depth 300 mm (11.8 in.)Weight 10.5 kgs (23 lbs)Tower Footprint 350 x 300 mm (13.8 in. x 11.8 in.)

MICROPHONES Dynamic Cardioid, balanced.

CABLES XL -M to XL-F, 6 m. (20 feet)

SPEAKER CABLES 1/4 in. to 1/4 in., 9 m (30 feet)

0 dBu is referenced to 0.775 volts rms

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SPECIFICATIONS

A PRODUCT OF:FENDER MUSICAL INSTRUMENTS CORP.

CORONA, CA 9 17 20 USA

Documents

Passport P250 Manual