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DEPA TMENT OF THEAT E & D AMA A THU MILLE THEAT E OCTOBER 7 - 17, 2010

Pentecost program

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Program for the UM Dept. of Theatre & Drama production of "Pentecost" October 7 - 17, 2010 in the Arthur Miller Theatre in Ann Arbor.

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Page 1: Pentecost program

Depa tment of theat e & D ama a thu mille theat eoctober 7 - 17, 2010

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For 25 years, music was her life, but she is just as passionate about her career in real estate. As one of the area’s leading real estate professionals, Maryanne puts everything she has into helping oth-ers with one of the most important investments of their lives: a home. Whether on stage or helping her clients with all their real estate needs, you can be sure Maryanne is Putting a Passion Into Her Performance. Maryanne Telese can help make your next move in Ann Arbor your best yet.

Maryanne will donate 20% of her commission to the School of Music, Theatre & Dance

Maryanne Telese, Realtor®

Passionate Performance

1898 West Stadium Blvd. Ann Arbor MI 48103

Cellular734.645.3065

Voice Mail734.741.4149

E-mail

[email protected]

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The University of Michigan, School of Music, Theatre & Dance,Department of Theatre & Drama presents

by David EdgarDirector

Scenic DesignerCostume DesignerLighting Designer

Sound DesignerCreative Acoustics Consultant

Dialect CoachAssistant Director

Assistant Dialect CoachDramaturg

Stage Manager

Malcolm TulipMarguerite WoodwardCorey LubowichAdam McCarthyColin FultonJonah ThompsonAnnette MassonRoman MicevicBonnie GruesenMatthew BouseRachael D. Albert

The School of Music, Theatre & Dance acknowledges the generosity of McKinley Associates, Inc. whose support has helped make this production possible.

Setting: An abandoned church of the Romanesque period, in an unnamed south-east European country, in the 1990s

Pentecost will be performed with one intermission.

Pentecost is presented through special arrangement with Samuel French, Inc.

The performers in this production are undergraduate students in the SMTD. The designers are undergraduate students in the Dept. of Theatre & Drama. Scenery, costumes, properties, sound, and lighting were realized by the students and staff of University Productions, the producing unit of the SMTD. Ticket sales assist in providing SMTD students with practical training experience before live audiences. Thank you for supporting our educational mission.

Latecomers will be seated at a suitable break. As a courtesy to others, please set cellular phones and pagers to silent mode and refrain from texting during the performance. Photography, audio recording and videotaping of any kind are not permitted.

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Martin McDonagh’s The Cripple of Inishmaan Druid and Atlantic Theater CompanyGarry Hynes director

Thu-Sun, Mar 10-13Power CenTer

The Cripple of Inishmaan is “a break-your-heart, cruelly funny evening directed with an exhilarating ruthlessness and acted with a bracing lack of sentimentality.” (The Guardian) The second play in Martin McDonagh’s “Aran Islands” trilogy, it is infused with his trademark humor, rich with macabre cruelty, and teeming with eccentric island characters. Ireland’s acclaimed Druid Theater Company makes its UMS debut with this 2008 production.

IndIvIdual PerforManCeS SPonSored by University of Michigan health systeMlinda and MaUrice Binkow PhilanthroPic fUnd

MedIa ParTnerS Michigan radio 91.7 fM, Between the lines, and ann arBor’s 107one.

Ad #2 — U Prod Into the Woods First Proof of Ad Due: Fri, Sep 17Final Ad Due to U Prod: Mon, Sep 20 Size: 5 x 3 15/16 Color: B&W Ad Runs: October 14-24

734.764.2538 | www.ums.org

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Cast of CharaCters

Gabriella Pecs, an art curator ..................................................................... Emily BermanOliver Davenport, an English art historian ....................................................Joey RichterFather Sergei Bojovic, Orthodox ................................................................Yuriy SardarovFather Petr Karolyi, Catholic ................................................................... Matthew SochaMikhail Czaba, a minister.....................................................................Myles MershmanPusbas, the leader of Heritage ..................................................................Josh BerkowitzLeo Katz, an American art historian .........................................................Reed CampbellAnna Jedlikova, a former dissident ...................................................... Keleki GottschalkToni Newsome, an English TV hostess ...................................................... Emma Donson

Girl/Restorer ..................................................................................... Brittany UomolealeSwedish Man/Restorer/Commando ...........................................................Gordon GrangerSoldier/Commando ................................................................................ Devin RossinskyCzaba’s Secretary/Policewoman ...................................................................Quinn Scillian

Yasmin, Palestinian Kuwaiti ............................................................................Alli BrownRaif, Azeri ................................................................................................... Dan RubensAntonio, Mozambican .............................................................. Jeffery Owen Freelon, Jr.Amira, Bosnian ................................................................................................ Elly JarvisMarina, Russian .....................................................................................Alexandra EdenGrigori, Ukrainian .............................................................................................Jesse PeriAbdul, Afghan ................................................................................... Derek Joseph TranTunu, Sri Lankan ........................................................................................Sango TajimaNico, “Bosnian” Roma .....................................................................................Paul KochCleopatra, “Bosnian” Roma .........................................................................Aimée GarciaFatima, Kurd ...................................................................................... Madeline Sharton

about the Playwright

DaviD eDgar (Playwright) is one of England’s foremost political playwrights. He is the only living playwright to have had plays directed by the incumbent artistic directors of both the major British companies (Trevor Nunn, co-director of The Life And Adventures Of Nicholas Nickleby for the RSC and Sir Peter Hall, who directed Edgar’s re-working of Entertaining Strangers for the National Theatre in 1987). His theatre credits include, among many others:  Testing the Echo (2008); Playing with Fire (2005); The Continental Divide

(2003); The Prisoner’s Dilemma (2002); Albert Speer (2000); Pentecost, (1994); The Shape of the Table (1990). He is the recipient of numerous awards including the Arts Council’s John Whiting Award for Destiny, the Society of West End Theatres and a New York Tony Best Play Award for Nicholas Nickleby, the Plays and Players’ Best Play Award for Maydays and the Evening Standard Best Play Award for Pentecost. His book, How Plays Work, is published by Nick Hern Books (2009).

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from the Dramaturg

from the DireCtor

In 1998, I was in Ames, Iowa, by the banks of the Skunk River, to meet with designers at Iowa State University’s Theatre Department in preparation for a production to be developed during an upcoming residency I was to embark upon that fall. Arriving from the airport to the theatre, I was greeted by the sight of young actors strolling on grass verges, sitting on steps and railings, standing nose-to-the-wall chirruping in languages from across Europe and Africa as well as the Middle and Far East. Gregg Henry, then Chair of the Department and now Artistic Director of the Kennedy Center American College Theater Festival, told me that they were preparing for their roles in a play called Pentecost by David Edgar. The focus, commitment and concentration of the young actors were immediately apparent and impressive.

Eleven years later not far from the banks of the Huron River in Ann Arbor, this image came back to me while trying to choose a play for the 2010-11 season. Given the challenges of the piece — the number of the characters to be costumed, the set that would be need to be built and painted to match the text, the demands upon the actors; learning art history, Sinhalese, Bulgarian, Arabic, Turkish and others, understanding the Balkan conflict of the 1990’s, and much more — I am grateful on behalf of the students to the Department and to University Productions and to the donors for their support for a project which has been so rewarding for all involved. — Malcolm Tulip

“Restoration”, “Conservation”, and the Debate over Presenting Art“Art restoration” and “art conservation” may appear to be nearly identical. This may seem

like a trivial linguistic choice. In fact, they represent opposing viewpoints on the role modern institutions should play in the upkeep of classical art. However as David Edgar’s characters demonstrate, there is a hotly contested debate over “restoration” and “conservation.”

“Restoration” projects return works to their original conditions. Restorers, skilled artists hired by the museum or gallery, often repair damaged works. Fading sections are touched up; punctures and cracks are filled. The goal here is brighter colors, sharper detail, and a “like new” appearance. Restoration had been popular and common; however, there has been a backlash against this work. Scholars argue that art should not be “restored” to a past appearance, but “conserved” for future generations. Conservation is focused on establishing the causes of deterioration, and preventing further aging. The conservationist, often from a scientific background, performs a number of tests on the painting to understand its composition to determine the best methods of preservation, and, any treatment applied to the painting is entirely reversible.

Overzealous restorations are a major source of controversy within the art world. Botched restorations, where unwise chemical treatments or incorrect pigments have resulted in discoloration and damage, require additional work from cautious, preventative, conservationists. The existence of advocacy groups such as Artwatch International Inc, which monitors restoration projects and blocks those it deems harmful, illustrates that the ideological disputes seen in Pentecost are as fiercely argued in real life as in Edgar’s play.

— Matthew Bouse

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Stay in touch with……the School of Music, Theatre & Dance online! Have a comment or feedback for us? Send it our way - we're always looking to know what you think.

Sign-up for our E-Mail club: www.music.umich.edu/emailclub

Become a fan: www.facebook.com/umichsmtd

Follow us on Twitt er @umsmtduprod

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about the Cast

about the artists

Josh berkowitz (Pusbas) senior, BFA Perf., West Bloomfield, MIemily berman (Gabriella) junior, BFA Perf./senior, BA Economics, Chicago, ILalli brown (Yasmin) sophomore, BFA Perf., Bloomfield Township, MIreeD CamPbell (Leo Katz) junior, BFA Perf., San Francisco, CAemma Donson (Toni) junior, BFA Perf., Ossining, NYalexanDra eDen (Marina) junior, BFA Perf., Montgomery, ALJeffery owen freelon, Jr. (Antonio) sophomore, BFA Perf., Chicago, ILaimée garCia (Cleopatra) sophomore, BFA Perf., Cumming, GAkeleki gottsChalk (Jedlikova) junior, BFA Perf., San Rafael, CAgorDon granger (Swedish Man/Restorer/Commando) senior, BFA Perf., Mamaroneck, NYelly Jarvis (Amira) sophomore, BFA Perf., St. Cloud, MNPaul koCh (Nico) senior, BFA Perf., Mill Valley, CAmyles mershman (Czaba) junior, BFA Perf., Shelby Township, MIJesse Peri (Grigori) junior, BFA. Perf., Stinson Beach, CAJoey riChter (Oliver) senior, BFA Perf., Laguna Niguel, CADevin rossinsky (Soldier/Commando) sophomore, BFA Perf., Roslyn Hieghts, NYDan rubens (Raif) junior, BFA Perf./senior, BA English, Mattawan, MIyuriy sarDarov (Bojovic) senior, BFA Perf., Highland Park, ILQuinn sCillian (Secretary/Policewoman) sophomore, BFA Perf., Grosse Pointe Park, MImaDeline sharton (Fatima) sophomore, BFA Perf., Newton, MAmatthew soCha (Karolyi) junior, BFA Perf., Naperville, ILsango taJima (Tunu) junior, BFA Perf., Itami, Hyogo, JapanDerek JosePh tran (Abdul) sophomore, BFA Perf. Temple City, CAbrittany uomoleale (Girl/Restorer) sophomore, BFA Perf., Westport, CT

raChael D. albert (Stage Manager) is a junior BFA in design and production concentrating in stage management and lighting design.  UM:  Macbeth  (1st ASM),  (Re)Visionary Dances (ASM), The Show-Off (ASM). MUSKET: Man of La Mancha (1st ASM), Kiss of the Spider Woman (ASM). Basement Arts: Donut Play (With Guns) (SM). StarKidProductions: A Very Potter Sequel (ALD). Regional Theatre: Arena Stage: Asst. company manager & props crew (2010), production intern (2009).

Colin fulton (Sound Designer) is a junior Interarts Performance major focusing on sound and multimedia performance/design. UM: Basement Arts: Animal Farm (composer), Freshman Directors / Interarts Showcase (TD, board op., performer), After Ashley (LD), Deadman’s Cellphone (SD). Ann Arbor Dance Works 2010 (recording mixer); This Loopy World, Faculty Follies (projections); Gulliblur’s Travels (band); stagehand, camera op., video editor (2010).

Corey lubowiCh (Costume Designer) is a senior BFA design and production candidate in the Dept. of Theatre & Drama. UM: Under Milk Wood (costume design), Ragtime

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about the artists

Special thanks to the following experts for their assistance with the multiple languages featured in this production: Professor Michael Makin, Alina Makin, Ewa Pasek, Sharifa Bilbeisi, Chandra Kalubowila, Chamila Kannangara, Mila Shevchenko, and Yalcin Yanikoglu.

This production is entered in the Kennedy Center American College Theater Festival (KC/ACTF). The aims of this national theater

education program are to identify and promote quality in college-level theater productions. To this end, each production entered is eligible for a response by a regional KC/ACTF representative, and certain students are selected to participate in KC/ACTF programs involving awards, scholarships, and special grants for actors, playwrights, designers, and critics at both the regional and national levels.

aCknowleDgments

(Asst. CD), The Marriage of Figaro (Asst. SD). A Very Potter Sequel (Starkid Produtions, costumes & scenery); Measure for Measure (Rude Mechanicals, SD); Dr. Horrible…Blog (Basement Arts, director); The Full Monty (MUSKET, SD); Me and My Dick (Basement Arts, SD). Regional Theatre: ensemble113: The Best Medicine (costumes & scenery), Election Day (SD, Chicago Premiere), Reefer Madness (director). www.luboworks.com

aDam mCCarthy (Lighting Designer) is a senior BFA in design and production concentrating in lighting and scenic design. UM: All’s Well that Ends Well (LD); Uncommon Women and Others (LD and PD); The Show-Off (LD); Rent (ALD);  Jane Deegan’s senior thesis Sideman (LD). June Saito’s Art Thesis Baited by Beauty (LD). Regional Theatre: Santa Fe Opera, properties carpenter (2010); Berkshire Theatre Festival, general technician (2008), properties carpenter (2009). www.AMcCDesign.com

malColm tuliP (Director) is an Asst. Professor in the Dept. of Theatre & Drama and a graduate of L’École Jacques Lecoq. UM: Trafford Tanzi, All’s Well That Ends Well, Jonesin’, Tales from Ovid, You Can’t Take It with You, The Burial at Thebes, A Midsummer Night’s Dream, Friends, The Rover, The Diary of a Scoundrel. Regional Theatre: Directing: Amadeus, Retreat from Moscow, Humble Boy, Threepenny Opera, Art, Elizabeth Rex, The Caretaker, The Merry Wives of Windsor, MI Shakespeare Festival, Iowa State Univ. Acting: Rosencrantz and Guildenstern are Dead, Amadeus, I Am My Own Wife, Blithe Spirit.

marguerite wooDwarD (Scenic Designer) is a senior BFA candidate in design & production, concentrating in scenic and costume design. UM: All’s Well That End’s Well (SD), Richard II (SD, Rude Mechanicals), Man of La Mancha (costume coordinator, MUSKET), A Very Potter Musical (CD, Basement Arts), Side Man (CD, Senior Directing Thesis). Regional Theatre: Music Theatre of Wichita (scenic painter, 2010), Michigan Shakespeare Festival (stitcher/dresser, 2009, ASD, 2008).

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staff for PenteCost

SChOOL OF MUSiC, ThEATRE & DAnCEDean .........................................................Christopher Kendall

DEPARTMEnT OF ThEATRE & DRAMAChair ...............................................................Priscilla LindsayDepartment Administrator ............................... Jennifer KnappStudent Services ...........................................Becky SeauvageauPerformance/Directing .. Erik Fredricksen, Sarah-Jane Gwillim, Philip Kerr, Annette Masson, Janet Maylie, John Neville-Andrews, Jerry Schwiebert, Malcolm TulipDesign/Production ................... Toni Y. Auletti, George Bacon, Mark Allen Berg, Gary Decker, Douglas Edwards, Jessica Hahn, Richard W. Lindsay, Jr., Vincent Mountain, Rob Murphy, Christianne Myers, Henry Reynolds, Arthur Ridley, Nancy UffnerTheatre Studies/Playwriting .........................Glenda Dickerson, Mbala Nkanga, OyamO, E.J. Westlake, Leigh WoodsArts Mgmt. .......... Jeffrey Kuras, Greg Poggi, Kerianne M. TupacInterarts..................................... Holly Hughes, Malcolm TulipProfessors Emeriti ....................... Jack E. Bender, Alan Billings, John Russell Brown, Peter W. Ferran, Zelma Weisfeld

UnivERSiTY PRODUCTiOnSDirector ................................................................Jeffrey KurasDepartment Administrator ............................. Fatima AbdullahOffice Assistant III/Usher Coordinator .................Shelda SmithMarketing & Communications Dir. ........... Kerianne M. TupacGraphic Design ...............................................Don HammondPhotographer .................................... Peter Smith PhotographyInformation Systems Manager .........................Henry ReynoldsFacilities Manager ................................................Shannon RiceHouse Manager ............................................ Dianne WidzinskiSenior Backstage Operations Mgr. .........................Barry LaRueBackstage Operations Mgrs. ........Mark Gordon, David Pickell, Kurt Thoma, Donald C. WatkinsAdministrative Office Assistants ................. Zoë Allen-Wickler, Allison Brown, Abrielle Case, Pauline Hagedorn, Sara Shvartzman, Kevin Tan, Caleb White

PRODUCTiOn STAFFProduction Manager .....................................Amanda MengdenProduction Stage Manager...................................Nancy UffnerProduction Office Assistants ....................................Bianca Lee, Brandon Penberton, Elise WootenTechnical Director (Power) ............................ Douglas EdwardsMaster Carpenter (Power) .................................Michael BraicoCarpenter (Power) ......................................... Brandon CarruthTechnical Director (Walgreen) ...............Richard W. Lindsay, Jr.Carpenter (Walgreen) ...................................... Robert MichaelCharge Scenic Artist ...........................................Toni Y. Auletti

Scenic Artist .....................................................Beth SandmaierProperties Master ................................................Arthur RidleyAsst. Properties Master ........................................Patrick DroneMaster Electrician............................................Mark Allen BergSound Engineers .......................Roger Arnett, Henry ReynoldsCostume Shop Manager ................................... Lynn HolbrookAssoc. Costume Shop Manager .......................... George BaconCutter/Drapers ...........................................Virginia R. Luedke, Lea M. Morello, T J WilliamsonCrafts Artisan ...........................................Elizabeth GundersonCostume Stock Administrator .............................. Renae Skoog

PRODUCTiOn CREWFirst Asst. Stage Manager ................................ Michael BarbourAsst. Stage Manager..................................Porscha KazmierczakAsst. Master Electrician .....................................Charles MalottScenery (Walgreen).........................C. J. Eldred, Aimee Garcia, Elisabeth Griebel, Andrew Klopach, Sarah Ogar, Eli Schlatter, Samantha Vettrus, Weston Wittry, students of Theatre 250Professional Painters ..............Laura Strowe, Kathryn Van Horn Paint ..........Jordan Braun*, Catherine Cornell*, Claire DiVizio, Christine Ella, Elena Garcia*, Richard Grasso, Austin Kozlowski, Alicia Moore, Jordan Schroeder, Nicolas Ward, students of Theatre 250Props ....... Rachael Albert, Michelle Bryan, Holland Grossman, Tyler Jones, Catherine Keys, Louis King, Trevor St John-Gilbert, Katherine Thomas, students of Theatre 250Professional Stitchers .........................................Laura Kantner, Rene Plante, Suzanne YoungCostumes ............................... Joshua Beurer, Amalea Chininis, Corey Davis, Carrie Fisk, Catherine Herron, Austin Hoeltzel, Laura Irion, Adrienne Johnson, Maura Niemisto, Desiree Oakley, Yonit Olsham, students of Theatre 250Lighting ....................Rachael Albert, Mary Clare Blake-Booth, Zachary Broughman, Andrew Burkhardt, Nathaniel Daly, Kimberly Hunter, Claire Jaffe, Andrew Lott, Charles Malott, Adam McCarthy, Tess Nugent, Sarah Petty, Amanda Rutishauser, William Welch, Andrew Wysocki, students of Theatre 250Sound......................................................................... Jesse Peri

RUnninG CREWScenery/Props .................................................. Michaela Byrne, Aislinn Frantz, Taylor LoudermanLight Board Operator ..............................................Jenn JacobsLighting ................................................................. Emily LyonSound................................................................... Kelsey SochaWardrobe ..................Will Decamp, Renee Gross, Devon Perry‡ Crew Head * Practicum Student

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for your information

lateComer PoliCy

Latecomers will be seated at a suitable break or scene change.

Pagers, Cellular Phones, watCh alarms

Please set pagers to silent mode. Cellular phones should be deactivated. Please deactivate your electronic watch alarm so it will not interrupt the performance. Please refrain from texting during the performance.

emergenCy ProCeDure

In the event of fire or severe storm, you will be instructed by an announcement from the stage indicating the best method of exit. Please notice the multiple red exit signs in the theatre. For your safety, please exit in a calm and orderly manner.

Cameras anD reCorDing DeviCes

The use of cameras — with or without a flash — recorders, or other electronic devices inside the theatre is strictly prohibited.

fooD anD Drink

No food or drink is allowed in the theatre.

ChilDren

As a courtesy to our audience and the performers, children under the age of three will not be admitted to performances. All children must have a ticket. If your child proves disruptive or excessively restless, you may be asked to leave by House Management.

tiCket sales anD information

hours: Monday – Friday: 9 am – 5 pm Saturday: 10 am - 1 pmEvening of Performance: 7 pm – 8:15 pmPhone: (734) 764-2538 Address: 911 N. Univ., Ann Arbor, MI 48109

season subsCriPtion DisCounts

Discounted tickets through subscription packages are available; call for options.

tiCket exChanges

Subscribers may exchange their tickets by mail or in person at no charge. Non subscribers may exchange their tickets by mail or in person for a small processing fee. Exchanged tickets must be received by the Ticket Office (by mail or in person) at least 48 hours prior to the performance and are made only for another performance of the same play.

grouP DisCounts

Discounts are available for groups of 15 or more.

gift CertifiCates

Perfect for all occasions, gift certificates are available in any amount.

Parking

For your parking convenience, we recommend arriving early. Prepaid parking passes are also available at the League Ticket Office.

aCCessibility

Accessible ramps, elevators, parking, restrooms, and wheelchair seating are

available for patrons with disabilities. Accessible restrooms are located off the main lobby.

sounD enhanCement

The theatre is equipped with an infrared listening system for

listening enhancement. Lightweight, wireless headsets are available free of charge from House Management.

large Print Programs

Large print programs are available free of charge from House Management.

Comments? write us at: University Productions, Attn.: J. Kuras911 N. UniversityAnn Arbor, MI 48109-1265

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U-M Friends of Theatre & Drama Annual Gifts from July 1, 2009 - September 17, 2010

Gifts provide scholarship support, bring in guest artists, and create important performance opportunities for students.

gifts of $1,000 & above

AnonymousRichard & Mona AlonzoAnne & Jim DuderstadtPriscilla Lindsay & Richard Ferguson-WagstaffeLynn & Philip MetzgerP. LaMont & JoAnn King OkeyJudith & Donald Rumelhart

gifts of $500-$999Herb & Carol AmsterRalph P. BeebeH. D. CameronJill & Jim GabbeBarbara GalvinDr. & Mrs. David J. HerzigJohn & Gretchen Neal JacksonAlan & Jean KrischRobert & Pearson MacekGregory & Allison PoggiStuart Erwin SacksDr. William W. TaylorMichael Shoemaker Wright III

gifts of $250-$499William & Ilene BirgeJanet & Erik FredricksenJanet & David FritschCharlotte HansonRose & John HendersonLockheed Martin CorporationMary & Chandler MatthewsPeggy McCracken & Douglas AndersonDr. & Mrs. James McNamara, Jr.Joseph A. PlacekClifford & Ingrid SheldonGeorge W. & Mary Tewksbury

Brent WagnerJack & Jerry WeidenbachZelma H. WeisfeldStephen Zuckerman & Darlene Kaplan

gifts of $100-$249Tim & Leah AdamsFrank & Valerie BernackiSteven F. BestEric & Doris BillesJill Chukerman Test & Thomas TestHal CooperDTE Energy FoundationMarilyn L. FriedmanIrita & Robert GriersonNorman & Deborah HerbertJolene C. HermalinMarie & Thomas JarboeJoan A. BinkowCharles Kelly FoundationDiane KirkpatrickS. J. MacKinneyShelley MacMillan & Gary DeckerWalter Mugdan & Vivienne LenkColin & Nancy OatleyRobert & Zibby OnealP & G FundJames J. PiperRobert & Denise RichterJohn Romani & Barbara AndersonBonnie R. SchaferMaureen Schafer & David KlerkxKim & Fay SebalyHarriet C. SelinNancy & James WhiteMarina & Bob WhitmanJames & Gladys YoungJ. Norman & Dorothy Wilkinson

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For online giving, visit www.giving.umich.edu, e-mail Anna Sampson at [email protected] or call 734-763-9769School of Music, Theatre & Dance • Development Office • 2005 Baits Drive • Ann Arbor, MI 48109-2075

i want to support the Dept. of Theatre & Drama with a gift to the: ❏ Friends of Theatre & Drama (364139) ❏ Friends of Theatre & Drama Endowment (796749)In the amount of: ❏ $1,000 ❏ $500 ❏ $250 ❏ $100 ❏Other ______

EID AGOP BvX11 MUSS Code: (364139/796749)

❏ Enclosed is my employer (or my spouse’s) matching gift form.❏ My check is made payable to the University of Michigan.❏ Charge my gift to ❏ VISA ❏ Master Card ❏ Discover ❏ Amer. Exp.

Acct. #: ________________________________________ Exp. Date: ________________

Signature ________________________________________________________________

Name _________________________________________________________________

Address _________________________________________________________________

Home Phone: ( ) _____________________ E-mail: ____________________________

gifts unDer $100John D. & Nancy Webb BabingtonBank of America FoundationDr. Elizabeth S. BishopJonathan W. & Gertrude BulkleyDr. James CavalcoliElizabeth DexterLillian G. DruryEdison InternationalSuzy & Niels EnglebergDr. & Mrs. James E. FrounfelterJanice R. GeddesDr. & Mrs. Thomas D. GelehrterJoyce & Steven GerberEdward B. & Mona L. GoldmanMary Sue GrantRobert A. Green, M.D.Kirk A. HaasDon P. HaefnerJessica M. HahnMichele HahnElaine M. KaiserBonnie S. KerschbaumDr. Marvin M. KirshMary A. & John KnoxSharon & Erich Krumrei

Jerold & Judith LaxMax Lepler & Rex L. DotsonBrigitte A. MaassenMelvin & Jean ManisJanis A. McDowellBill & Diana PrattRobert & Lisa ProuseJohn E. RhinehartAnna Sampson & Daniel HerbertDylan M. SaundersDr. & Mrs. Eugene M. SilvermanDr. & Mrs. Jeoffrey K. StrossCharlotte SundelsonVirginia O. VassJoseph C. WaltersCarl & Beth WilliamsDr. Leigh A. WoodsPamela & Nathan ZauelWanda E. Zissis

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dream.where excellence comes to

Superior conservatory training at a world-class research university. Prestigious, resident faculty and exceptional student talent. It’s all here: www.music.umich.eduOur Town, Dept. of Theatre & Drama, February 2010