Powers for Good

8/12/2019 Powers for Good

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A Game by Sage LaTorra with Art by Dennis Culver andDoc Shaner

Thanks to Sarah, for putting up with all the comics, and

the Prost Crew, for figuring it all out.

The text of this book is licensed under a Creative

Commons Attribution 4.0 International License.

Issue #0


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INTRODUCTIONWelcome, loyal readers, to Powers for Good Issue 0: Dr.

Fission vs. the World! This roleplaying game holds the

promise of unlimited adventure as you take on the roles

of heroes and villains with powers far beyond those of

mortal men.

This being your introduction to the superheroic world

of Powers for Good well keep things simple. Issue 0

focuses on one team of heroes, one villainous plot, and

just the rules you need to play. The rest is yours, as are

these rulesyou can do whatever you want with them(including selling your own adventures) so long as you

give attribution.

But enough about the future, fan of the fantastic! Lets

get you acquainted with Powers for Good so you can set

out on your first adventure.

GETTINGREADYTOPLAY

Powers for Good is a game. In this strange breed of gameyou play with a few other people by talking, describing,

and using these rules.

One person will be the Gamemaster (GM for short),

everyone else is a player. Each player will have one

superhero who they playtheyll be responsible for

what their character says, thinks, and does. The GM

has domain over the other vast spaces of the world: the

villains, bystanders, and the physical space itself.

To play youll need to gather a few friends, 24 being

best, as well as some basic materials: paper, pencils, and

dice. Blank paper works fine, but youll be better off with

the character sheets that came along with this book.

Powers for Good uses a strange bestiary of dice. Youll

need at least one four-, six-, eight-, ten-, and twelve-

sided dice, but more is better. When referring to dice weuse the notation dX to mean a dice with X sides.


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RECOMMENDEDREADINGThese comics and cartoons exemplify the tone that Powers

For Good emulates. Use them as inspiration or even play

out these exact stories, forging your own version.

JLAby Grant Morrison and Howard Porter

Captain Britain and MI-13by Paul Cornell and Leonard

Kirk

Astonishing X-Menby Joss Whedon and John Cassady

New X-Menby Grant Morrison and various artists

All-Star Supermanby Grant Morrison and Frank Quietly

Legion of Superheroesvol. 4 (1994)


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GETTING

STARTED


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Enough with the pleasantries and introductions,

courageous reader! Lets step up and make your next

favorite hero or heroine.

Theres two parts to making characters: first you make

the team, choosing members and giving them shortdescriptions. Then each player chooses a character to

play and fleshes them out as a true powerhouse in the

battle against evil.

TEAMCREATIONYou wont be fighting the good fight alonewere here

to make an entire menagerie of majestic superheroes.

1. NAMEChoose a namefor your superhero team. Everyone has

to agree to any name you choose. If you dont have any

ideas handy, consider yourselves The Atomic Sentinels,

the greatest heroes of the Cold War.

2. ROSTERGo around the table twice, having each person (includingthe GM) add one character to the teams roster. Just

write the name of each character to the rosteryoull fill

in more detail later.

If you cant come up with a character, consider adding

one of these: Freedom

Blue Eagle Girder

Microwave Man

Armory

Electron

The Masked Hero

Alamos

The Silver Soldier

Fleet Leviathan

Binary

The Professor

Athena

Prowl


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3. CHOOSEHEROESOnce every player has added two characters to the list,

the last player to add a hero gets to choose which hero

they will play in this adventure. The choice is theirs

alone to make; they do not have to choose a hero they

added to the roster.

The heroes that no one selects will be the supporting

cast. Theyre still played by the players, not the GM, but

theyre not in the spotlight for this adventure.

4. SUPPORTINGCAST

Each member of the supporting cast is described by twothings: their personality and their powers. Just like the

heroes being played by the players, a supporting casts

personality is two words that sum up who they are.

Sample Supporting Cast Personalities: Relentless

crusader, inspiring leader, reluctant hero, stoic friend,

dark loner.

A supporting casts powers are just a short description of

what they bring to the team and how they save the day.

A good power is short (a sentence at most) and describes

what they can do in broad strokes, not specifics.

Sample Supporting Cast Powers: Outcast from the fifth

dimension, living fluid, superspeed, impossible escape

artist.

Starting with the player who chose their hero last, each

player takes turns writing either personality or powers

for one supporting cast. The same player cannot write

both the powers and personality of the same hero unless

there are no other choices left.


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CHARACTERCREATIONWhile the team is the star of the show, the players

characters are the ones in the spotlight. They are the

face of the team, the ones we care about, the ones we

watch dive headfirst into the noble scrum against evil

in all its forms.

During team creation each player chose one hero

to play and helped describe the supporting cast. The

supporting cast and team are done now, its time for

the players to give some detail to their heroes. The GMs

job during this process is to guide everyone through thesteps and ask questions to give everyone a clearer idea

of who these heroes are.

1. PERSONALITYWhile we may think of these titans of truth as elemental

forces they are also people. While they leave the

problems of everyday life behind while in costume, their

personalitiesstill shine through.

A characters personality is two words that describe

who they are and how they interact with others. Think of

it as a summary of how to play the character. In addition

to telling others how you envision your character, a

characters personality can also provide a bonus when

working alongside someone whos personality is similar

or dramatically opposed.

2. POWERSPowersare how a hero does what they have to. Think

of describing your heros greatest triumphs: what words

would you use to describe the tools the hero uses?

Did they rely on their supercharged brain, endless

preparations, and a gadget for every occasion? Or was

it their unlimited budget, detective skills, and kung fu?Maybe their unmatched strength, invulnerability, alien

eyes, and inspiring presence?


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Your character can have as many as six powers. Having

fewer than that isnt a limitationyou can adapt your

hero as needed during play. You should have at least

three to start with just to give you a basis.

Describe each power with a few words. A good power isone thats big enough to be used many ways but narrow

enough to suggest how it could be used. Shapeshifting

alien DNA is a good power since it applies to many

things, but suggest a direct use. Powers can have clear

physical manifestations or they can be abstract qualities:

being a brilliant tactician is as much of a power as rock-

hard fists.

Powers dont have ranks or ratings themselves. Think

of powers as the nozzle on the end of a garden hose: the

power shapes how the underlying strength can be used.

3. COREIf powers are the nozzle on the end of a hose, coredice

are the water. When you have to take up dice to back up

what your character is doing you take them from thecharacters core and apply them through their powers.

Every character starts with these dice in their core:

d12

d8

d6

d4

As you play your character the size of these dice may

change temporarilythe d12 might be downgraded to ad10, for examplebut any time you refresh your core you

set it back to these dice.

4. DETERMINATIONEvery hero has reserves they can draw on when the chips

are down, this is called determination. You start with

0 determination but that will change as soon as you start

making rolls.


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THEGAME


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When you sit down to play Powers for Good what actually

happens is a conversation. Its not any one persons job to

say everything or make everyone else have fun. Everyone

gets a say. Take turns, certainly, but not turns like in

chess. Take turns like you would when talking with agroup of people: let someone else talk for a bit, chime in

with your own two cents, listen and respond.

There are two modes of play in Powers For Good: action

and preparation. Actionis when theres an immediate

threat youre interacting withmaybe a bank heist, time

bomb, or alien landing party. Preparation is all the

superhero stuff that takes place while not in the action.

That might be turning up clues about the villains plans,

putting a plan into motion, or simply healing up.

During play youll move between action and

preparation as needed. Generally youll know youre in

action when you start describing what your character

does in detail: I dash past the cybermonkies to try and

grab the bomb before it goes off. Youre in preparation

when you describe what youre characters doing moregenerally: Im going to use my connections at the police

department to look up the two-bit thugs associates and

try to trace them back to whomever is pulling the strings.

Its ultimately the GMs call if something will be resolved

as action or preparation.

STARTINGTHEGAMEThe GM always starts the game by presenting the playercharacters in action. The exact action is up to the GM

(though the adventure in this book may provide ideas),

whats important is that the player characters start in

heroic action. Dont sweat how the player characters got

to the actiontheyre superheroes after all.


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ACTIONWhen you act despite forces controlled by the GM

(villains, minions, natural disasters, and more) the GM

will describe the forces that stand in your way. Listen

carefully, the more obstacles are in your way the tougher

your roll will be.

The GM will tell you a target number based on the

obstacles in your way. You can then assign one dice from

your core for each power your character is using, as fits

the situation. Which dice you use is up to you, you dont

always have to use the same dice with the same power.

I dash through the rubble at superspeed, get to the

Doctors device before he knows whats happening and

start pulling out pieces at random to disable it I say,

trying to disable Fissions Doomsday Device before he can

end the world. Dr. Fission is firing bolts of nuclear energy

at you, trying to lead you by enough to hit you before

you reach it. Of course the buildings still collapsingaround you, so youre having to dodge falling brick,

and the device is far beyond any technology youve ever

seen Ben replies. The bricks arent a problem, I use my

vibrational frequency to pass through them harmlessly.

Of course you do Ben says with a smile, your target

number is 6. Okay, Im taking the d12 from my core for

my superspeed and a d6 for my vibrational frequency.

Once youve chosen dice from your core roll all of them

together and add up the result. If you like you can spend

determination to increase you resulteach point of

determination spent adds one to the total.

If your total is equal to or greater than your target

number, congratulations, you succeeded! The GM will

describe your outcome.

If your total was less than the target number youre

in trouble. The GM will describe what happens, but you

gain a point of determination.


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I roll my dice and get a 3 on the d12 and a 6 on the d6.

Sweet success!

No matter the outcome every roll has consequences. First,

gain a point of determination for each dice that stayedin your pool and wasnt rolled.

I still had two d4s in my core while I rolled the d12 and

d6, so I mark two points of determination.

Once youve marked determination you can return the

dice you rolled to your core. Find the die that rolled the

highest (in case of a tie, choose the smaller die), thatdie is reduced by one size and returned to your pool.

One size means the next smallest die: d12 becomes d10,

d10 becomes d8, d8 becomes d6, d6 becomes d4. If a d4

would be reduced it is instead removed from your core

entirely, you cant roll it until your core is restored. The

only exception is if a d4 is the only die you have left, in

which case it stays a d4 no matter the roll.

All other dice are returned to your core without

changing size.

My d6 rolled highest, so I reduced it by one size to a d4

and return it to my core. I put the d12 back in my core

unchanged.


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TEAMWORKWhile every hero is a true titan of power, together they

are something more. When your actions benefit another

hero as they roll the dice, choose a die from your core

and push it forward, this indicates that youre helping.

When the ally youre helping rolls, roll your helping

die as well. Your die counts towards your allys total and

you can choose to spend determination if you like. If your

personality is very similar or dramatically opposed with

your allys (your call) you add an additional 1 to the total.

This great benefit comes with risk: after the roll all

players consider all dice rolled when finding the highestroll to reduce when returned to the core. That means that

if you rolled highest your dice will be the one reduced,

intrepid adventurer! Additionally, if you fail, youre

subject to the effects of that failure as the GM describes

them. With great power comes great danger.

Girder is mounting an assault on the Red Brigade and I

help by creating plasma armor around him. I take a d8from my core and push it forward to indicate my help.

When Girder rolls I also roll my d8 and get a 7. I add that

to his total, making it 15, more than enough. Since my 7

is the highest dice rolled it becomes a d6 when returned

to my core, all of Girders dice are not changed when

returned to his core.

An entire team of heroes can work together for truly

titanic tasks. Each can provide a helping die and a

personality bonus. Only one die is ever reduced as the

result of a roll, the highest amongst all those rolled. In

case of a tie on two dice of equal size its up to the heroes

involved to decide whos die is reduced.

SUPPORTINGCAST

Each player may describe any supporting cast doing

anything they wish. If a supporting cast helps a player

character, the player adds 1 to their roll.


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INFORMATIONThe GM will honestly describe the situation around you

as best you can perceive it, but sometimes a hero may

pour their considerable powers into finding something

out. Usually this is done during preparation, but if you

find yourself needing information during the GM phase

you can describe how you use one power to perceive

what you otherwise wouldnt, reduce one of your core

dice by a step, and ask the GM one question about the

situation, the villain, or anything else pertinent. The GM

will answer honestly and completely, with details based

on the powers used.When acting on the information the GM gives you,

you add +1 to your rolls.


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PREPARATIONWhen action dies down youll shift to describing what

your characters are up to in broader strokes: how they

hunt down the secret base, repair their battle suit, or

recover in their secret identity. This is all preparation.

Beware that villains dont just twiddle their thumbs

while out of the action. The more time you take before

hunting down their base the more prepared they will

be. The same time that lets you ready for a new fight lets

them get ready as well. Sometimes you wont even be in

control of how much time you have to preparethe GMwill interrupt your plans with action.

LEAVINGACTIONAs soon as the action dies down (the GM gets the final

judgement on this) each player:

Erases all their determination

Increases each die in their core by one step. Dice that

have been removed return as d4s. May modify or replace one of their powers


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PREPARINGThe GM will ask what each player character is up to in

the lull between action. The amount of detail is up to the

GM and player, but generally a high level description

is fineI lay low in my secret identity for a few days

or I immediately go into the lab and start building a

new device to counteract the nullifier. If the characters

action, in the GMs judgement, is:

Uncovering new information, the GM answers

any one question the player has that their character

could discover, the player takes +1 when they act on

that information. Partaking in a normal life, the player gains 2

determination.

Recovering, resting, or restoring, the player

increases two core dice one step each, up to the starting

core of d12, d8, d6, d4

Putting a plan in motion, add a d4 to their core

and a power for the plan. If theyre working on an

existing plan, increase the core dice for that plan byone size instead.

BACKTOACTIONAt some point play will transfer back to action as the

players actions or the villains plots come to fruition.

When this happens just go back to describing what your

character does in detail and using the action rules.


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CHANGINGCHARACTERSEach time you sit down to play Powers for Good youll

start with some action, switch back and forth between

preparation and action, and then eventually call it a

night. If your adventure naturally draws to a closethe

villain is defeatedthat makes a good stopping point.

Otherwise, end a session with preparation, since it sets

you up for action next time.

When starting a new adventure with an established

team you can choose to play a new hero from the teams

roster. Choose a hero that no one else is playing andcreate them as a character using the rules in chapter 2.

Keep in mind their established personality and powers.

You dont have to use them exactly, but they should serve

as a basis for whatever you come up with.

The hero you played in the previous session becomes

Supporting Cast. Keep their personality the same and

choose one power for them to use in support.


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THEGMYour job, intrepid GM, is to present the living breathing

world around the heroes. You play the villains sure, but

youre also the wind in their hair as they swing from

skyscraper to skyscraper and the pavement that cracks

beneath their mighty knuckles. Play your roles with

gusto, embellish freely, and follow these rules.

Yes, GM, you have rules too. These rules guide you, just

like the players rules guide them. Youll still be using the

full power of your considerable creativity, but working

with a set of rules that help shape that creativity into theevil plots and great acts that heroes deserve.

Your rules hinge on your goals. Your goals are what

youre playing to do. Theyre not goals that you reach

and are done with, theyre things that you strive for

over and over again. To help you do that, you always

act according to your guides. Your guides are things you

always do, all the time, to promote a comic book feel.

From moment to moment youll be making threats. Athreat is a way of taking the fictional world around the

players and shaping it into something that they have to

react to. Threats are ways of driving action, drawing the

players in, and making the game roll onwards.


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GOALS Play to find out what happens

Throw the players into action

Honestly describe the world around the heroes

These are it, these are what youre playing to do.

First and foremost, play to find out what happens.

Youll know the villains plot, sure, but thats just the

villains plan, and no plan survives contact with the

enemy. You are not here to guide the players from one

encounter to the next. All you know is what resources the

villain has to bring to bare at any time, their plan may

adapt. Even the powers available to them may change. Bedynamic; dont guide the players to a known conclusion.

Your next goal is to throw the players into

action. Superheroes are reactive by nature, so give

them something to react to. Strike at the world around

them. Do something nefarious. Above all, give them

action to dive in to.

You are responsible for the whole world, which can

be a daunting task. Fear not, GM! While you may havethe entire world to work with, youll already know what

tools the villain has at their disposal. Beyond that all you

need to do is honestly describe the world around

the heroes. Give them details of their surroundings,

their actions, their enemies. Appeal to their senses. Bring

the world to life.

Of course this isnt just any world, this is a heroic

world. Dont worry over how the heroes fit into society,

how the courts work when a superpowered villain is

brought in by a masked vigilante. Dont worry about the

heroes get to the location to confront the villain. If theres

something that doesnt seem to make sense, gloss over

itthis is a world where masked heroes do daily battle

against titanic forces that would enslave mankind.


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GUIDES Address the players by their superhero names

Use comic book logic

Bring everyone to life

Ask questions

Think off-panel

Your guides are what you do, all the time, to promote

your goals.

You address the players by their superhero

namesbecause this is all about the heroes, right? You

dont ask Dan what hes doing because what hes doing is

playing a game. What his character, Freedom, is doingon the other hand is probably far more interesting.

Comic book logic prevails because without it

superheroes just dont make much sense. Dont worry

about how one person can hold an entire bridge without

just punching though it, or why running at superspeed

doesnt cause some inconvenient sonic booms. This is

a comic, faithful GM! Powers are not something set in

stone that we can measure, they are constantly changingways for heroes to save the day in unexpected ways and

show their true colors.

Of course that doesnt mean everything is believable. If

someone does something that just really doesnt fit at all,

talk it over with them and adjust. Set your threshold for

disbelief as high as it will go and get on with the game.

While the players just think about one character you

have to bring everyone to life. Youbring the masses of

bystanders, villains, sidekicks, and everyone else

to lifeby playing them simply and with vigor. Take your

first assumption about every character the heroes meet

and play it big. When the heroes meet a mad scientist

dont reach for a detailed, nuanced character. Simply

think of the stock mad scientists youve seen in comics,

movies, and TV, and sell that to the players with details.A memorable GM character is not filled with complexity;

they are understood and easy to identify.


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Even when presenting the entire world you dont

have to know everything. Ask questions and use the

answers. If a players question puts you on the spot and

you dont know the answer, turn it back around to them.

When Isaac says to me Have I fought Dr. Fission before?I simply reply I dont know, have you? Hes been around

for a while, its certainly possible. What you ask about

is up to you; youre not obligated to let the players have

a say over anything but their characters. But when you

do come across something you dont already know the

answer to, use the players as a resource to fill it in.

Even though the heroes are the stars, important

things can take place off-panel.Not every event

takes place in front of the player characters, you can have

a dramatic event occur off-panel and just show them

the results. The villain doesnt have to flip the switch on

the doomsday machine in front of the players for them

to see the effects.


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THREATSThreats are how you find ways to drive the action forward.

Theyre guides to you, the GM, to take the whirling

situation around the players and drive it forward.

During play you may know that something bad

happens, either because the players missed a roll or

because the villains are acting without interference.

Threats are ways to find a specific answer to what goes

wrong now? Theyre a lens you can use to view the

world and find the consequences of a failed roll or a

new dastardly act.

Your threats are: Do irreparable harm to something valuable

Take definite hold of something or someone

Put someone in a spot

Exploit a weakness

Tell them the requirements or consequences and ask

DOIRREPARABLEHARMTOSOMETHINGVALUABLE

Look for something important or useful that can be hurtand hurt it. The villain is firing blast of atomic energy

every which way? You can use that as this type of threat

by saying a blast of energy strikes the airfoil and it

starts to drop from the sky as the electronics short out,

what do you do?

TAKEDEFINITEHOLDOFSOMETHINGORSOMEONE

Look for a villain (or environmental factor) that can

take control of somethingmaybe a location, weapon,

or hostage. The ground is crumbling as the earthquake

rages? You can use that as this type of threat by saying

the sidewalk under Prowl gives way and he tumbles into

the depths, what do you do?


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PUTSOMEONEINASPOT

Look for someone (likely a player character, but maybe

supporting cast or innocent bystander) and put them

someplace dangerous, inconvenient, or otherwise hostile.

The heroes are fighting a raging battle in a deserted

industrial complex? You can use this type of threat by

saying your punch throws the robot back into one of

the smokestacks which starts to crumble and bring the

entire building down around you, what do you do?

EXPLOITAWEAKNESS

Look for a point where the heroes are weak and exploitthat. This may be intentional on the part of a villain or

simple bad luck for the player characters. The Professor

has waded into battle in his power armor? You can use

this type of threat by saying the assassin dodges your

blow and with a deft strike cuts through the weak join

in your armor, rendering your left arm powerless, what

do you do?

TELLTHEMTHEREQUIREMENTSORCONSEQUENCESANDASK

Look for a way the heroes could overcome a failure and

tell them what theyll risk to do it. This is a particularly

good threat for a failed roll: they can still do what they

set out to, but theyll have to compromise to get it. Alamos

is trying to reach Dr. Fission before he can set off the

bomb? You can use this threat by saying the only way

you can get to him in time is to make a diveyoull stophim, but youll both go tumbling off the platform, what

do you do?


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ROLLINGTHEDICEWhen the players act despite some obstacleyour villains,

the environment, or anything elseits time to roll the

dice. Usually the players will declare they do something,

like I grab the gem before he can get to it, and youll

tell them well, youre trying to beat him to it, so youll

have to roll.

The player needs you to tell them what number to

roll against.

If the player is at a disadvantage, tell them

their target number is7. If the player is doing

something thats outside their heros abilities orcompeting against someone thats better than them (an

average human brawling with a chemically enhanced

goliath) theyre at a disadvantage.

If the player as at an advantage, tell them

their target number is3. If the player is doing

something thats their characters focus or competing

against someone thats beneath them (an expert martial

artist against a group of thugs) theyre at an advantage.Otherwise, tell them their target number is 5.

This covers anything that doesnt clearly put the player

at advantage or disadvantage: racing against another

super-speedster, or holding up a collapsing building

with the might of Jupiter.

SUCCESS

When the players roll is equal to or greater than the

target number they succeed. That means that things turn

out as well as could be hopedthe concrete details are

up to your judgement. In some cases the best a character

can hope for may be pretty bad, thats fine so long as you

give the player the best potential outcome.

Especially in cases where the best possible outcome

isnt great, tell the player what a likely success is goingto be: well, this is an entire skyscraper falling on your

head, at best youll hold it for a minute or two.


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FAILURE

When the players roll is less than the target number

they fail. That means that something goes wrong for

themthe situation deteriorates in some way. Use your

threats to help figure out what that isremember that

your threats are tools to figure out what something goes

wrong means in any given situation.

In some cases something goes wrong may not be

too bad. A skilled martial artist versus a gang of street

thugs isnt really at risk of being taken captive, but they

might get surrounded or slowed down long enough for

the mastermind to get away.Always tell the player likely outcomes of a failure, at

least in general terms: youre taking a big risk here,

failure means youll probably be out of the fight or at

worst, thisll take some time, and let the mastermind

get away.


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VILLAINOUSPLOTSThe dastardly doers-of-evil that the heroes face are what

drives heroic adventures. The heroes are fundamentally

reactivewithout some evil plot in motion theyd be

reduced to saving kittens from trees and helping old folks

across the street. As a GM, your job is to bring a villains

plot to life and let the players do their best against it.

This idea of an evil scheme is known as avillainous

plot (thats plot as in a plan, not plot as in a story).

Writing up your villainous planor using the one in this

bookmakes it easy to put your players into the action.

A villainous plot is made up of an agenda, countdown,and resources. The agendais what the villain is trying

to accomplish. The countdown is what will happen,

unless the players intervene. You may end up adding

more as play progresses, each tracking some events set

in motion. Finally, the resourcesare what the villain

has at their disposal. The villain themself is usually a

resource to their own plot.

Each resource might be a thing, person, connection,debt, or a group of one or more of those. Each individual

resource list whats its powerfulin, and what itsweak

in. These serve as a guide to the GM on what situations

might put a given hero at advantage or disadvantage. A

intelligent computer virus might be powerful in digital

hijacking, putting any but the most technological

heroes at a disadvantage to stop it from taking over the

computers of a missile silo. Its always the GMs call if

advantage or disadvantage is warranted, powerful and

weak areas are a guide to help the GM.


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USINGVILLAINOUSPLOTS

Start by reading over the plot. Once youve got a broad

idea of it, youre ready to play.

Start play with the player characters arriving to

interfere with the first step of the countdown. Choose

some resources that fit the situation and throw them at

the heroes. Then see what happens.

Sometimes the heroes will fail. Theyll run out of core

dice and be at your mercy. What happens to them is up

to the villainmost will at least want a chance to taunt

the heroes before doing away with them in the most

obnoxious way possible. Update the countdown as itmoves along without the players intervention. If the

villains plan for the helpless heroes isnt immediate,

start a new countdown for it as well.

Sometimes the heroes will interfere with the plan,

but not stop it. Take a look at the remaining parts of

the countdown and update them to work with what the

villain has. Maybe if they didnt get the power core in

their raid theyll try for a different power source, orchoose a new target for their lass powerful death beam

whatever you think the villain would do to pursue their

agenda.

Sometimes the heroes will entirely derail the plot.

Thats great. Look at what resources the villain has left

and consider the villains disposition. Will they make

an all-out assault? Start a new plan? Retreat to plan

something worse?

Dont get invested in any given outcome. Entire teams

of heroes can be made quickly, so dont worry if they get

wiped out. Villains and their resources are only limited by

the GMs imagination. Theres always another adventure.


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DR. FISSIONVS.

THEWORLD


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Dr. Fission was once Doctor Frederick Eshawn, a noted

pioneer of atomic power. A horrible lab accident twisted

his body, leaving him a strange mutant only able to

survive in an environment full of radiation. His only

choice for survival was a specially crafted suit that keepshim alive in a cloud of radiation that would be deadly

to anyone else. Deprived of human contact the Doctor

was driven mad, blaming society for his condition and

setting out to create a world full of radiation in which

he could survive without his suit.

AGENDABring about a radiated wasteland where Dr. Fission can

survive without his suit.

COUNTDOWN Attack on the Atoll: distract the heroes

Out to Launch: send Fissionbots to steal nuclear weapons

while heroes are occupied

The Doctor Is In: set off the worlds nuclear weaponsand bring about Dr. Fissions perfect vision

ATTACKONTHEATOLLDr. Fission has planted false information to draw two

groups of heroes in to conflict so that his true plan

may move forward unhindered! Using government

double agents Dr. Fission has convinced international

superteam The All Nation Squad that the player

characters are planning to steal something valuable

from remote Suwarrow Atoll while at the same time

planting information for the player characters that The

All Nation Squad is doing the same. Likely Resources:

Government double agents, Red Star, Hurricane, Djinn,

Strike, Cosmos, Fortress.


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OUTTOLAUNCH!While the battle raged on Suwarrow Atoll Dr. Fission

put his fissionbots in motion to infiltrate missile silos

all over the world! Using their advanced technology

and pure force theyll launch the missiles towards Dr.

Fission. Unless someone can stop them, that is. Likely

Resources:Fissionbots (a lot of them)

THEDOCTORISINHovering high over the Earth in his nuclear suit Dr.

Fission is gathering the worlds atomic armaments to

create a destructive blast that will leave him as thesole inhabitant of Earth. What hope remains? Likely

Resources: Dr. Fission, rogue warheads


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RESOURCESThese are Dr. Fissions primary resources, his arsenal of

annihilation.

GOVERNMENTDOUBLEAGENTSGovernments around the world have been infiltrated by

Dr. Fissions moles. Theyll do his bidding and turn the

great political powers to his whims (though once found

out, theyre done).

Powerful: Deception, twisting government resources

Weak: Confrontation, overt action

REDSTARA Chinese hero gifted with the light and gravity of a star.

Powerful: Light blasts, gravity manipulation

Weak: Endurance, control

HURRICANE

Originally from the island of St. Lucia, Hurricane wasswept out to sea only to be blessed by water spirits with

control of water in all its forms.

Powerful:Water control, dedication

Weak: Combat skills, strategy

DJINNSearing fire with human form, Djinn is a purifying flame

barely contained.

Powerful: Fire, reckless action

Weak: Teamwork

STRIKEThe only remaining survivor of a super soldier program,

Strikes seemingly human body conceals one of the most

inspiring tactical minds.Powerful: Inspiration, tactics

Weak: Lightly enhanced, failing enhancements


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COSMOSFalling to Earth isnt so bad, if you survive. The cause

of Cosmoss powers are unclear, but when the re-entry

capsule failed Cosmoss powers manifested and allowed

her to return to earth safely.

Powerful: Indestructible, energy absorption

Weak: Untrained

FORTRESSThe Castle That Walks was once a tower in some crumbling

keep. Waking to a strange sentience, Fortress took to

defending those without the benefit of a body of stone.Powerful: Towering, made of stone

Weak: Slow, cares too much

FISSIONBOTSNothing like a nuclear powered robot to do your bidding.

Powerful: Destruction, computer overrides

Weak: Improvisation

DR. FISSIONDriven mad by the power suit that contains him (and is

powered by him) Dr. Fission wants nothing more than

to make the world into a nuclear wasteland paradise.

Powerful: Nuclear blasts, mad plans

Weak: Self control, bragging

ROGUEWARHEADSOnce Dr. Fission has control of the missiles hell use them

as his own personal puppets driven by the technology

of his suit.

Powerful: Blowing up

Weak: Everything else

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