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STAND 160
Artur Ramon Art presents the highlights that will exhibit this year 2019 at
the stand 160 at TEFAF Maastricht, from March 14th to 24th.
The Virgin AnnunciateTroyes or Ile-de-France, late 15th , early 16th century
Limestone (with traces of polychromy and gilding)
38 x 40 x 34 cm
Master of the Altarpiece of the Chapel of the Good Morning
Crucified Christ Burgos, c. 1500
Christ made with oak wood. Cross made with carved and polychromed wood
Christ: 105 x 94 x 25 cm, Cross with the four Evangelists: 224 x 186 cm
Provenance: Barcelona, Francisco Godia Collection.
Virgin and ChildMalines, c.1500
Carved, polychromed and gilt wood
35.5 x 10.5 x 8.5 cm
Stamped with the Malines three-bar mark, gilder’s mark on the cloak
CasketSpain, 16th century
Stuccoed wood, polychromed, perforated
gilding
18.5 x 28 x 21 cm
Gothic boxCatalonia, 15th century
Carved wood, interior of lid polychromed
70 x 110 x 59 cm
Provenance: Barcelona, Plandiura Collection.
Large plate of the tricolour seriesTalavera ceramic
c. 1625-1650
Diameter: 41.5 cm
Plate of the tricolour seriesTalavera ceramic
First half of the 17th century
Diameter 37 cm
France, Dieppe School of ivory carving
Period of the King Louis XIV From an engraving by Crispijn de Passe the Elder (c. 1565-1637), after a design by Maerten de Vos (1532-1603)
The Fall of MankindIvory, ajouré
105 x 75 mm
Set of parcel-gilt silver cupsGermany and Russia
1620 - 1752
Set of parcel-gilt silver cupsGermany and Russia
1620 - 1752
Silver gilt platePalermo, 1623-1624
Attributed to the silversmith Giancola Viviano, with markings from the consul Francesco Raguseo.
Diam. 44.4 cm
Drinking VesselAnonymous, possibly from the Viceroyalty of New Spain (Mexico)
First quarter of the 17th century.
Silver gilt and cabochons of opaque enamel; moulded, melted, and engraved in the pointillé technique
14.5 cm total height x 15 cm long x 15 cm maximum width and 6.5 x 4.7 cm at the base
Vergós Group
The Prophet Baruchc. 1475-1500
Oil on panel
52 x 37.5 cm
Aragonese school
Predella
c. 1460
Tempera painting with stucco reliefs, gilded with gold leaf on wood
Painting 49,5 x 227 cm, Total 57 x 232 x 12 cm
Provenance: Barcelona, Junyer Vidal Collection
Henri Fantin-Latour
Grenoble, 1816 – Buré, Orne, 1904
Still life with prunes1894
Oil on canvas
25,5 x 35 cm
Signed “Fantin” on the bottom left
Provenance: Paris, Gustave Tempelaere ; Amsterdam, E. J. van Wisselingh & Co ; La Haye, H. Kröller-Muller.
Ignacio Arias
Madrid, c. 1618 – 1653
Still Life (Still life with box of sweets, pieces of glass, ceramic pot from Tonalá, pot and drinking vessel)c. 1640-1652
Oil on canvas
58 x 85,5 cm
Provenance: collection of Bernardino de Melgar y Álvarez de Abreu (1863-1942), Marquis of Benavites
(lawyer, politician, collector, bibliophile and member of the Royal Academy of History).
Joaquín Sorolla
Valencia, 1863-Madrid, 1923
Burial in the Catacombs 1885
Oil on canvas
54,5 x 81,5 cm
Dedicated, signed, and initialed on the lower right hand corner: “Al Sr. D. Francisco Pradilla/ su muy afmo /J Sorolla”
Provenance: Collection of the painter Francisco Pradilla, director of the Spanish School in Rome during Sorolla’s residence, from
1885 to 1889.
Documentation: The work comes from the collection of Blanca Pons-Sorolla. A certificate of authenticity was issued by Francisco
Pons-Sorolla y Arnau on May 20th, 1980.
