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Music
Richmond
PRIM
ARY
LessonTopics
Music Key competencesSTRAND 1 Listening
STRAND 2 Musical performanceSTRAND 3 Moving and dancing
1 Venues for Music 6
bull Venuesfortheperformanceofmusicthroughouthistory
bull Propertiesofsound
bull Experimentingwiththepropertiesofsound
bull StoryVenues for Music bull Culturalawarenessandexpression
bull Competenceinmathematicsscienceandtechnology
2 Fermata Sign 8
bull Thefermatasignbull Reviewofnotevaluesandrestsbull Reviewofsound-lengtheningsigns
bull Vocalperformancebull Performingrhythmswithbodypercussionbull Accompanyingpiecesofmusicwithbodypercussionostinatos
bull Fermata Sign bull Linguisticcompetencebull Competenceinmathematicsscienceandtechnology
3 Plink Plank Plunk 10
bull Partsofapieceofmusicintroductionbridgeandcoda
bull Reviewofmusicalforms
bull Performingadancewithacomplexformbull Creatingandperformingstepsforadancebull Singingwiththenamesforthenotes
bull Plink Plank Plunk L Anderson
bull Initiativeandentrepreneurshipbull Linguisticcompetence
4 Please Repeat 12
bull ReviewofnotesfromDoorCtoRersquoorDrsquoontherecorderrepeatsignsandmusicalscales
bull Musicalimprovisation
bull Performingontherecorderandmalletpercussioninstruments
bull Improvisingoveragivenbackingtrack
bull Please Repeat bull Socialandciviccompetencesbull Learningtolearn
5 Electrophones 14
bull Activelisteningwithgraphicscoresbull Electrophonesbull Instrumentselectricguitarandsynthesiser
bull Experimentingwithelectrophones bull Feuillet Ineacutedit No 4 O Messiaen
bull Culturalawarenessandexpression
bull Digitalcompetence
6 The Zulu Warrior 16
bull MusicaroundtheworldAfricaandAmerica
bull Instrumentsdjembezurnabanjoandquena
bull Reviewofelectrophones
bull Vocalperformancebull Accompanyingpiecesofmusicwithobjectsthatmakeasound
bull Creatingandperformingvocalostinatostoaccompanyapieceofmusic
bull ExcerptsofmusicfromAfricaandAmerica
bull The Zulu Warriortraditionalsong
bull Culturalawarenessandexpression
bull Socialandciviccompetences
7 En Todo Tempo Faz Ben 18
bull MusicintheMiddleAgesbull Listeningtopiecesofclassicalmusic
bull Instrumentstaborandthree-holedpipe
bull Writingareviewofaconcert
bull Performingontherecorderbull Accompanyingpiecesofmusicon schoolpercussioninstruments
bull Creatingandperforminglyricsfor a givenmelody
bull ExcerptsofmusicfromtheMiddleAges
bull En Todo Tempo Faz Ben CantigaNo111AlfonsoXtheWise
bull Initiativeandentrepreneurshipbull Linguisticcompetence
8 Eine Kleine Nachtmusik 20
bull Accidentalsthesharpbull Intervalstonesandsemitonesbull ThenoteFaorFonthestavetherecorderandmalletpercussioninstruments
bull Listeningtopiecesofclassicalmusic
bull Performingontherecorderbull Accompanyingpiecesofmusicon malletandschoolpercussioninstruments
bull Eine Kleine NachtmusikWAMozart
bull Competenceinmathematicsscienceandtechnology
bull Learningtolearn
term 1 review Oh Christmas Tree 22
bull Reviewofthecontentsandmusicalpracticeofterm1 bull Oh Christmas TreetraditionalChristmassong
bull Learningtolearnbull Socialandciviccompetences
Contents term 1
2
LessonTopics
Music Key competencesSTRAND 1 Listening
STRAND 2 Musical performanceSTRAND 3 Moving and dancing
9 How a Song Is Born 24
bull Phasesofcreatingasongbull Professionalsfromtheworldofmusicbull Musicandadvertising
bull Vocalperformancebull Creatingandperformingajingle
bull Story How a Song Is Born
bull Jingle Robbie the Robotic Backpack
bull Socialandciviccompetencesbull Initiativeandentrepreneurship
10 The Quartet 26
bull Thespeechorgansbull Thehearingorgansbull Reviewoftypesofvoicesbull Reviewofprofessionalsfromtheworldof music
bull Vocalperformanceincanonbull Creatingandperformingbody
percussionrhythmstoaccompanyapieceofmusicincanon
bull Experimentingwiththevoice
bull The Quartet bull Competenceinmathematicsscienceandtechnology
bull Socialandciviccompetences
11 Prussiarsquos Glory 28
bull Activelisteningwithgraphicscoresbull Typesofmusicalbandsmarchingbandbigbandandrockband
bull Reviewofthespeechandhearingorgans
bull Accompanyingpiecesofmusicwithbodypercussionandschoolpercussioninstruments
bull Prussiarsquos Glory JGPiefke
bull Culturalawarenessandexpression
bull Learningtolearn
12 Autumn Leaves 30
bull Improvisationbull Syncopationbull ReviewofthenoteFaorFontherecorderandmalletpercussioninstruments
bull Vocalperformancebull Performingontherecorderandmallet
percussioninstrumentsbull Improvisingoveragivenpiece
ofmusic
bull Autumn LeavesJKosmaandJMercer
bull Culturalawarenessandexpression
bull Initiativeandentrepreneurship
13 America 32bull Musicaltheatre bull Performingadancewithacomplex
formbull Vocalperformancebull Accompanyingpiecesofmusic
withbodypercussion
bull America from West Side StoryLBernstein
bull Irsquove Got Rhythm from Girl CrazyGGershwin
bull Competenceinmathematicsscienceandtechnology
bull Digitalcompetence
14 Sakura Sakura 34
bull MusicaroundtheworldAsiaandOceania
bull Instrumentskotositaranddidgeridoo
bull Makingamalletpercussioninstrument
bull Performingwiththevoiceandontherecorder
bull Creatingandperformingmelodicostinatostoaccompanyasong
bull ExcerptsofmusicfromAsiaandOceania
bull Sakura Sakuratraditionalsong
bull Culturalawarenessandexpression
bull Initiativeandentrepreneurship
15 Music in the Modern Era 36
bull MusicintheModernEraRenaissanceBaroqueandClassicalperiods
bull Listeningtopiecesofclassicalmusicbull Theluthier
bull Singingwiththenamesforthenotes bull ExcerptsofmusicfromtheModernEra
bull Culturalawarenessandexpression
bull Digitalcompetence
16 Vivaldirsquos Autumn 38
bull Accidentalstheflatandthenaturalbull ThenoteSiborBbonthestavetherecorderandmalletpercussioninstruments
bull Performingontherecorderandschoolandmalletpercussioninstruments
bull Singingwiththenamesforthenotesbull Melodicdictation
bull Autumnfrom The Four SeasonsAVivaldi
bull Competenceinmathematicsscienceandtechnology
bull Linguisticcompetence
term 2 review Samuel Goldenberg and Schmuyle 40
bull Reviewofthecontentsandmusicalpracticeofterm2 bull Excerpts from Pictures at an ExhibitionM Mussorgsky
bull Learningtolearnbull Linguisticcompetence
term 2
3
term 3
LessonTopics
Music Key competencesSTRAND 1 Listening
STRAND 2 Musical performanceSTRAND 3 Moving and dancing
17Music and Other Art Forms 42
bull Connectionbetweenmusicandotherartformspaintingsculpturearchitectureandliterature
bull Musicandlanguagethelyricsofsongs
bull Vocalperformancebull Writingandperforminglyricsforagivenmelody
bull Story Music and Other Art Forms
bull Blowinrsquo in the WindBDylan
bull Initiativeandentrepreneurshipbull Linguisticcompetence
18Oh Susanna 44
bull Waysofaccompanyingamelodywithrhythmswithaparallelmelodyandwithchords
bull Reviewofaccidentals
bull Vocalperformancebull Performingontherecorderandmalletpercussioninstruments
bull Accompanyingpiecesofmusiconschoolpercussioninstruments
bull Oh Susannatraditionalsong
bull Competenceinmathematicsscienceandtechnology
bull Socialandciviccompetences
19Sweet Eyes 46
bull Themeandvariationsbull Reviewofbinaryternaryandrondoformsbull Listeningtopiecesofclassicalmusic
bull Performingontherecorderandmalletpercussioninstruments
bull Creatingandperformingavariationforagiventheme
bull Sweet Eyestraditionalsong
bull Linguisticcompetencebull Initiativeandentrepreneurship
20The Young Personrsquos Guide to the Orchestra 48
bull Theorchestrabull Activelisteningwithgraphicscoresbull Listeningtopiecesofclassicalmusicbull ComposerBBrittenbull Reviewoftypesofensembles
bull Accompanyingpiecesofmusicwithbodypercussion
bull Theme from The Young Personrsquos Guide to the OrchestraBBritten
bull Culturalawarenessandexpression
bull Competenceinmathematicsscienceandtechnology
21 World Dances 50
bull Worlddancestangobhangrarumbabellydancegumbootdanceandhip hop
bull Reviewofthepositionoftheinstrumentsintheorchestra
bull Creatingandperformingacomplexchoreographyforadance
bull Singingwiththenamesforthenotes
bull Excerptsofmusicfromworlddances
bull Bonsue-2000TheGoodPeople
bull Initiativeandentrepreneurshipbull Digitalcompetence
22 Britches Full of Stitches 52
bull MusicaroundtheworldEuropebull InstrumentsbagpipesPortugueseguitarandcajoacuten
bull Unconventionalwaysofrepresentingmusic
bull Performingontherecorderbull Creatingandperformingapieceofmusicfromagivengraphicscore
bull ExcerptsofmusicfromEurope
bull Britches Full of Stitchestraditionalsong
bull Socialandciviccompetencesbull Linguisticcompetence
23 Music in the Late Modern Period 54
bull MusicinthelatemodernperiodRomanticismcontemporarymusicandpopularmusicofthe20thcentury
bull Listeningtopiecesofclassicalmusicbull Writingareviewofarecord
bull Vocalperformance bull Excerptsofmusicfromthelatemodernperiod
bull Digitalcompetencebull Initiativeandentrepreneurship
24 Danse Macabre 56
bull Programmemusicbull Listeningtopiecesofclassicalmusicbull Reviewofthehistoryofmusic
bull Actingoutscenesbasedonapieceofprogrammemusic
bull Danse MacabreCSaint-Saeumlns
bull Excerptsofprogrammemusic
bull Culturalawarenessandexpression
bull Learningtolearn
term 3 review Take the Train 58
bull Reviewofthecontentsandmusicalpracticeofterm3 bull Take the Train bull Socialandciviccompetencesbull Learningtolearn
4
Scores Topics Music
Scarborough Fair 60 bull ReviewofthenotesDoorCReorDMiorEFaorFSolorGLaorASiorBDorsquoorCrsquoandRersquoorDrsquoonthestaveandtherecorder
bull PerformingamelodywiththenotesDoorCtoRersquoorDrsquobull Accompanyingpiecesofmusiconschoolandmalletpercussioninstruments
bull Scarborough Fairtraditionalsong
Remember Me 61 bull PerformingamelodywiththenotesDoorCtoRersquoorDrsquobull Accompanyingpiecesofmusiconschoolpercussioninstruments
bull Remember Me
Adeste Fideles 62 bull ThenoteFaorFonthestaveandtherecorderbull PerformingamelodywiththenotesDoorCtoRersquoorDrsquoandFaorFintwogroupsofrecorders
bull Adeste FidelestraditionalChristmassong
Allegretto 63 bull PerformingamelodywiththenotesReorDtoRersquoorDrsquoandFaorFbull Accompanyingpiecesofmusiconschoolpercussioninstruments
bull AllegrettoSSuzuki
Tin Tan 64 bull PerformingamelodywiththenotesFaorFtoRersquoorDrsquobull Accompanyingpiecesofmusiconschoolandmalletpercussioninstruments
bull Tin Tanmedlyoftraditionalsongs
Symphony No 1 65 bull ThenoteSiborBbonthestaveandtherecorderbull PerformingamelodywiththenotesReorDtoSiborBbintwogroupsofrecorders
bull Symphony No 1GMahler
Stella Splendens 66 bull ThenoteSiorBandSiborBbinthesamepieceofmusicbull PerformingamelodywiththenotesDoorCtoRersquoorDrsquoandSiborBbintwogroupsofrecorders
bull Stella SplendensfromLlibre Vermell de Montserrat
Spring 67 bull PerformingamelodywiththenotesFaorFtoRersquoorDrsquoandSiborBbbull Accompanyingpiecesofmusiconschoolandmalletpercussioninstruments
bull Springfrom The Four SeasonsAVivaldi
La Cucaracha 68 bull PerformingamelodywiththenotesDoorCtoRersquoorDrsquoandSiborBbbull Accompanyingpiecesofmusiconschoolpercussioninstruments
bull La Cucarachatraditionalsong
Yellow Submarine 69 bull PerformingamelodywiththenotesReorDtoRersquoorDrsquoandSiborBbbull Accompanyingpiecesofmusiconschoolandmalletpercussioninstruments
bull Yellow SubmarineTheBeatles
The notes you know on the recorder 70
RECORDERTAB
instrument practice
5
6
The Roman Empire
The Modern Era
The Present Age
The Middle Ages
There have always been venues for music The Romans built amphitheatres outdoors with the seats in a semicircle in front
of the stage The acoustics were so good that we still use them nowadays
Nowadays we still use venues from the past but we donrsquot only listen to music in concert halls Contemporary music uses
electronic equipment to amplify sound so that it can be played on big stages
to thousands of people
During the Middle Ages monks sang Gregorian chant in cathedrals a type of religious music performed a cappella in Latin In village squares and cities jongleurs set up small
portable stages where they performed their productions
During the Modern Era the royalty and nobility loved to organise concerts and dances in the chambers of their
palaces They also began to stage operas in theatres with a big stage and a separate orchestra pit
Activity 1 Story Venues for Music CD 1 track 2 () bull Contents Venues for the performance of music throughout history Properties of sound () All track numbers refer to the Class Audio
Listen and read about venues for music throughout history
1
12
Venues for Music1TERM
7 Activity 2 Properties of sound CD 1 track 3
Listen and say which properties of sound change in each pair of instruments
2
13
Answer the questions
bull When a pianist and a violinist perform the same melody which property of sound changes
bull The human ear canrsquot hear sounds below 16 Hz Which property of sound are we talking about
bull When a sound exceeds 100 dB it starts to become dangerous for our ears Which property of sound are we talking about
3
Properties of sound
When an object vibrates it emits waves These waves are transmitted through the air or another medium to our ears and we perceive them as sound
The four properties of sound can be expressed or measured in different ways
bull Timbre is the property that allows us to distinguish between different instruments voices and other sounds
bullDynamics or volume tells us if a sound is loud or quiet Itrsquos measured in decibels (dB) In music we show it with dynamic indicators (119185 119185 119185 119184 119185 119184 119183 119183 119183 119183 cresc or and dim or )
bull Duration tells us if a sound is long or short In music we show it with note values and rests Itrsquos measured in beats (on the metronome) or in seconds
bull Pitch or tone tells us if a sound is high or low In music we show it with musical notes An object that emits a high sound vibrates more quickly than one that emits a low sound and the frequency of this vibration is measured in hertz (Hz)
high sound(more vibrations per second)
low sound(fewer vibrations per second)
1
3
2
4
TERM 1
lesson 1
Activity 1 Fermata Sign CD 1 track 4 Backing track CD 1 track 5 bull Contents The fermata sign Review of note values and rests
Fermata Sign
The fermata (
) is a sound-lengthening sign
It shows that the duration of a note or rest can be lengthened for as long as the performer or conductor wishes
The fermata sign is written above the stave on the note or rest that it lengthens
tradetrade
44 Œ œ œ œ w wpermil œjœ œ œ œ œ œ
Œ œ œ œ permil œjœ œ œ œ œ œ ww
U U U
Fer ta signFer ma ta sign
isis
usedal
aso---
ma-- lotknown
inasthisa
songhold
When you see one just play the note and hold on
semibreve 119133 four beats
minim 119134 two beats
crotchet 119135 119101 one beat
quaver 119136 119102 half a beat
semiquaver 119137 119103 a quarter of a beat
ReVIeW
Listen and sing along1
15
14
8
Activity 3 Fermata Sign CD 1 track 4
Play with body percussion2
Say the right rhythm to accompany the song and explain why Then listen and play along
3
14
The musicians are in the wrong places Explain where they should be and why
4
R L
R L
R L
R L
If to this rhythm
We add a tie
We get
You know two other sound-lengthening signs
bull The tie joins two or more notes of the same pitch adding their lengths together
bull A dotted note or rest lengthens the duration of the note or rest by half its original value 119134 119164
119134 119135(
ReVIeW
R L R both R L R both R L R R L R R L R both
snap R L R L snap R L R L
R L R L snap snap snap
R L R L R L R L
TERM 1
9
lesson 2
Listen and learn the dance Then make up the missing steps and dance it with your classmates1
16
introduction
introduction
AA B A B A CC A B AAbridge coda
codabridge
Make up the steps
Make up the steps Make up the stepsTake five steps make a statue and take another
five steps back to your partner Repeat
Greet your partner with body percussion
Take three steps to the side and snap your fingers
Repeat in the other direction
With your partner turn eight steps
in each direction
A
C
B
10 Activity 1 Plink Plank Plunk by L Anderson CD 1 track 6 bull Contents Parts of a piece of music introduction bridge and coda
Plink Plank Plunk
Parts of a piece of music
The organisation of the parts that make up a piece of music determines its musical form The forms that you know are
bull Binary made up of two parts that can be the same (AA) or different (AB)
bull Ternary made up of three parts that can all be different (ABC) or with one of them repeated (ABA)
bull Rondo in this form one of the parts called chorus is repeated The parts after it called verses are always different (ABACAhellip)
In addition to the main parts that make up a piece of music (A B Chellip) composers use different sections to join the parts together
bull The introduction is at the start of a piece of music It introduces the style the tempo and the character of the music It also attracts the listenerrsquos attention
bull The bridge is the section that joins two parts of a piece of music Itrsquos usually instrumental and short in duration
bull The coda mdash a word of Italian origin that means lsquotailrsquo mdash is the final section and helps to close the piece of music Sometimes itrsquos shown on the score with the symbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
Andante24amp
amp
amp
amp
œœœœ œ permil œJœJ permil œ œœœ œ permilœ
jœ œœ œ Œ
œœœœœ permilœjœœœ œ
permilœjœ œ œœ œœ œœœ
œœœ
œœœœ permilœJœtrade œ œ
jœ œj œ tradeœœ permilœJœ
trade œ œjœ œj
œ tradeœœpermil œjœ tradeœ œ
permil œjœœœœœ œœ ˙rit
Look at the score and sing it with the names for the notes2
Which property of sound does each unit measure3
decibel (dB) hertz (Hz) second (s)
Introduction bridge or coda
part B coda
introduction bridgepart A
TERM 1
11
lesson 3
Review the notes you know on the recorder Then look at the repeat signs on the score and play along1
18
17
tradetrade
Please re-peat
Please re-peat
Please re-peat Please re-peat
Please re-peat
1
tradetrade2
tradetrade
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(GLOCKENSPIEL)
Fine
DC al Fine and Codafi
Do or C Mi or E Sol or G Si or BRe or D Fa or F La or A Dorsquo or Crsquo Rersquo or Drsquo
bull ThepartsofasongarenrsquotalwaysrepeatedinexactlythesamewayToshowwhichbarsaredifferentintherepetitionweusethesymbols
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
tradetradeU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
and
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
2
tradetrade
Please re peat- Please re peat-
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
bull ThesignDa Capo al Fine(DC al Fine)meansthatwemustrepeatthescoreuptothewordFine
bull ThecodaisthepartofasongthatendsapieceofmusicItrsquosalsoshownwiththesymbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
REVIEW
12 Activity 1 Please Repeat CD1 track 7Backingtrack CD1 track 8bullContentsReviewofnotesfromDoorCtoRersquoorDrsquoontherecorderReviewofrepeatsignsReviewofmusicalscalesMusicalimprovisation
Please Repeat
Which scale is each score composed in Play them on your recorder
2
Musical improvisation means creating music spontaneously without preparing it before We can do it over a melody or using a backing track but we must always maintain the metre the musical form and the scale of the piece of music
Follow the instructions and improvise over the backing track
bull Choose an instrument
bull Start by improvising simple rhythms with crotchets and quavers and then try more complicated rhythms Remember that the rests are also a part of the music
bull If you chose a melodic instrument use these notes
bull Improvise following this musical form
introduction(4 bars)
improvisation(24 bars)
coda(4 bars)
24
bull Let your musical ear be your guide and have fun
3
18
A musical scale is a series of musical notes in ascending or descending order and it can start on any note There are many types of scales
bull The diatonic scale is made up of seven notes
bull The pentatonic scale has only five notes
ReVIeW
TERM 1
13
lesson 4
Activity 3 Backing track CD 1 track 8
Sing the verses and chorus and play the introduction the bridge and the coda of this Christmas song1
122
121
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Not only green when summerrsquos here But also when itrsquos cold and drear
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
For every year the Christmas tree Brings to us all the greatest glee
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
introduction
mf
rit
mf
mf
mf
mf
rit
bridge and coda
22
Oh Christmas Tree
Activity 1 Oh Christmas Tree CD 1 track 21 Backing track CD 1 track 22 bull Contents Review
Listen and answer the questions
bull Whatisthemetreofthesong
bull Arethereanysharps
bull Arethereanysound-lengtheningsigns
bull WhatdynamicsshouldweusetoperformtheintroductionArethereanychangesindynamicsafterthis
bull WhatisthetempoofthemusicArethereanychangesinthetempoduringthepieceofmusic
bull Howshouldwecombinethefollowingpartsofthesongintroductionbridgecodachorusandverses
Choose one of the songs from this term and make up an introduction a bridge or a coda for it
Which properties change in each pair of sounds Which unit of measurement do we use for each one
2
121
3
4
Listen and say the characteristics of each piece of music5
123 ThismusicisfromhelliptheRomanEmpire
theMiddleAgestheModernErathePresentAge
Youcouldhearthismusicinhellip
amphitheatrescathedralssquareschambersinpalacestheatresbigconcerthalls
Theinstrumentsyoucanhearinthispieceofmusicarehellip
electrophoneschordophonesaerophonesmembranophones
idiophones
Themusiciansperformingthispieceofmusiccomefromhellip
SouthernAfricaNorthAfricaNorthAmericaSouthAmericasomewhere
else
1
1
3
3
2
2
4
4
TERM 1 review
23Activity 2Oh Christmas Tree CD 1 track 21 Activity 5Musicandmusicians CD 1 track 23
tradetrade
tradetrade
tradetrade
Shhh shhh shhh shhh
(whistle) (whistle) (whistle)
(whistle)(whistle)
(whistle)
44
44
44 sum
Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ
œOacutetrade œOacutetrade œOacutetrade œOacutetrade
Œ permilœjœjpermilŒ sum Œ permilœ
jœjpermilŒ
steam sound
whistle of the locomotive
whistle of the train
introduction bridge and coda
verses
So the train is in the station (The station)Very soon it will depart (And where to)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
Now the train has started moving (Be careful)It is really going now (Go now)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
And the time spent at our old school (For so long)Will become a distant dream (A nice dream)It is full of happy memoriesIt is full of special momentsThat we will never forget
Listen and accompany the song with the vocal and instrumental ostinatos1
231
230
58
Take the Train
Activity 1 Take the Train CD 2 track 30 Backing track CD 2 track 31 bull Contents Review
2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w
Use the clues to find whatrsquos missing in this piece of music by Richard Wagner Complete the score in your Activity Book Then make up lyrics for the music and sing
2
1 Is the speed we go at medium speed or slow
2 One three quarters one quarter one and a rest
3 Yoursquoll get it sooner or later itrsquos an indicator
4 Go down a semitone and wersquore almost home
5 The first time was fun so play another one
6 Find the signature in time and everything will be fine
7 Let the rhythm guide there are five notes to decide
8 Give the note a hand help it to expand
9 Odd or even is irrelevant the order is more important
10 Separate the bars itrsquos not very hard
Andante
mf
3
1
64 10
5 7
9
24
8
1
TERM 3 review
59
Scarborough Fair
Scarborough Fair CD 3 track 2 Backing track CD 3 track 3
INSTRUMENT PRACTICE
33
32
The notes you know on the recorder
mp
p
p
Andante
mp
p
p
Andante
Do or C Sol or GMi or E Si or BRe or D La or AFa or F Rersquo or DrsquoDorsquo or Crsquo
60
Remember Me
Remember Me CD 3 track 4 Backing track CD 3 track 5
INSTRUMENT PRACTICE
35
34
mp mf
Andante
p
p
1 2
61
Adeste Fideles
Adeste Fideles CD 3 track 6 Backing track CD 3 track 7
37
36
The note Fa or F
mf
Allegro
mp
62
Allegretto
INSTRUMENT PRACTICE
Allegretto by S Suzuki CD 3 track 8 Backing track CD 3 track 9
39
38
Andante
63
Tin Tan
Tin Tan CD 3 track 10 Backing track CD 3 track 11
311
310
mf
Allegro
mf
mf
mf
64
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
LessonTopics
Music Key competencesSTRAND 1 Listening
STRAND 2 Musical performanceSTRAND 3 Moving and dancing
1 Venues for Music 6
bull Venuesfortheperformanceofmusicthroughouthistory
bull Propertiesofsound
bull Experimentingwiththepropertiesofsound
bull StoryVenues for Music bull Culturalawarenessandexpression
bull Competenceinmathematicsscienceandtechnology
2 Fermata Sign 8
bull Thefermatasignbull Reviewofnotevaluesandrestsbull Reviewofsound-lengtheningsigns
bull Vocalperformancebull Performingrhythmswithbodypercussionbull Accompanyingpiecesofmusicwithbodypercussionostinatos
bull Fermata Sign bull Linguisticcompetencebull Competenceinmathematicsscienceandtechnology
3 Plink Plank Plunk 10
bull Partsofapieceofmusicintroductionbridgeandcoda
bull Reviewofmusicalforms
bull Performingadancewithacomplexformbull Creatingandperformingstepsforadancebull Singingwiththenamesforthenotes
bull Plink Plank Plunk L Anderson
bull Initiativeandentrepreneurshipbull Linguisticcompetence
4 Please Repeat 12
bull ReviewofnotesfromDoorCtoRersquoorDrsquoontherecorderrepeatsignsandmusicalscales
bull Musicalimprovisation
bull Performingontherecorderandmalletpercussioninstruments
bull Improvisingoveragivenbackingtrack
bull Please Repeat bull Socialandciviccompetencesbull Learningtolearn
5 Electrophones 14
bull Activelisteningwithgraphicscoresbull Electrophonesbull Instrumentselectricguitarandsynthesiser
bull Experimentingwithelectrophones bull Feuillet Ineacutedit No 4 O Messiaen
bull Culturalawarenessandexpression
bull Digitalcompetence
6 The Zulu Warrior 16
bull MusicaroundtheworldAfricaandAmerica
bull Instrumentsdjembezurnabanjoandquena
bull Reviewofelectrophones
bull Vocalperformancebull Accompanyingpiecesofmusicwithobjectsthatmakeasound
bull Creatingandperformingvocalostinatostoaccompanyapieceofmusic
bull ExcerptsofmusicfromAfricaandAmerica
bull The Zulu Warriortraditionalsong
bull Culturalawarenessandexpression
bull Socialandciviccompetences
7 En Todo Tempo Faz Ben 18
bull MusicintheMiddleAgesbull Listeningtopiecesofclassicalmusic
bull Instrumentstaborandthree-holedpipe
bull Writingareviewofaconcert
bull Performingontherecorderbull Accompanyingpiecesofmusicon schoolpercussioninstruments
bull Creatingandperforminglyricsfor a givenmelody
bull ExcerptsofmusicfromtheMiddleAges
bull En Todo Tempo Faz Ben CantigaNo111AlfonsoXtheWise
bull Initiativeandentrepreneurshipbull Linguisticcompetence
8 Eine Kleine Nachtmusik 20
bull Accidentalsthesharpbull Intervalstonesandsemitonesbull ThenoteFaorFonthestavetherecorderandmalletpercussioninstruments
bull Listeningtopiecesofclassicalmusic
bull Performingontherecorderbull Accompanyingpiecesofmusicon malletandschoolpercussioninstruments
bull Eine Kleine NachtmusikWAMozart
bull Competenceinmathematicsscienceandtechnology
bull Learningtolearn
term 1 review Oh Christmas Tree 22
bull Reviewofthecontentsandmusicalpracticeofterm1 bull Oh Christmas TreetraditionalChristmassong
bull Learningtolearnbull Socialandciviccompetences
Contents term 1
2
LessonTopics
Music Key competencesSTRAND 1 Listening
STRAND 2 Musical performanceSTRAND 3 Moving and dancing
9 How a Song Is Born 24
bull Phasesofcreatingasongbull Professionalsfromtheworldofmusicbull Musicandadvertising
bull Vocalperformancebull Creatingandperformingajingle
bull Story How a Song Is Born
bull Jingle Robbie the Robotic Backpack
bull Socialandciviccompetencesbull Initiativeandentrepreneurship
10 The Quartet 26
bull Thespeechorgansbull Thehearingorgansbull Reviewoftypesofvoicesbull Reviewofprofessionalsfromtheworldof music
bull Vocalperformanceincanonbull Creatingandperformingbody
percussionrhythmstoaccompanyapieceofmusicincanon
bull Experimentingwiththevoice
bull The Quartet bull Competenceinmathematicsscienceandtechnology
bull Socialandciviccompetences
11 Prussiarsquos Glory 28
bull Activelisteningwithgraphicscoresbull Typesofmusicalbandsmarchingbandbigbandandrockband
bull Reviewofthespeechandhearingorgans
bull Accompanyingpiecesofmusicwithbodypercussionandschoolpercussioninstruments
bull Prussiarsquos Glory JGPiefke
bull Culturalawarenessandexpression
bull Learningtolearn
12 Autumn Leaves 30
bull Improvisationbull Syncopationbull ReviewofthenoteFaorFontherecorderandmalletpercussioninstruments
bull Vocalperformancebull Performingontherecorderandmallet
percussioninstrumentsbull Improvisingoveragivenpiece
ofmusic
bull Autumn LeavesJKosmaandJMercer
bull Culturalawarenessandexpression
bull Initiativeandentrepreneurship
13 America 32bull Musicaltheatre bull Performingadancewithacomplex
formbull Vocalperformancebull Accompanyingpiecesofmusic
withbodypercussion
bull America from West Side StoryLBernstein
bull Irsquove Got Rhythm from Girl CrazyGGershwin
bull Competenceinmathematicsscienceandtechnology
bull Digitalcompetence
14 Sakura Sakura 34
bull MusicaroundtheworldAsiaandOceania
bull Instrumentskotositaranddidgeridoo
bull Makingamalletpercussioninstrument
bull Performingwiththevoiceandontherecorder
bull Creatingandperformingmelodicostinatostoaccompanyasong
bull ExcerptsofmusicfromAsiaandOceania
bull Sakura Sakuratraditionalsong
bull Culturalawarenessandexpression
bull Initiativeandentrepreneurship
15 Music in the Modern Era 36
bull MusicintheModernEraRenaissanceBaroqueandClassicalperiods
bull Listeningtopiecesofclassicalmusicbull Theluthier
bull Singingwiththenamesforthenotes bull ExcerptsofmusicfromtheModernEra
bull Culturalawarenessandexpression
bull Digitalcompetence
16 Vivaldirsquos Autumn 38
bull Accidentalstheflatandthenaturalbull ThenoteSiborBbonthestavetherecorderandmalletpercussioninstruments
bull Performingontherecorderandschoolandmalletpercussioninstruments
bull Singingwiththenamesforthenotesbull Melodicdictation
bull Autumnfrom The Four SeasonsAVivaldi
bull Competenceinmathematicsscienceandtechnology
bull Linguisticcompetence
term 2 review Samuel Goldenberg and Schmuyle 40
bull Reviewofthecontentsandmusicalpracticeofterm2 bull Excerpts from Pictures at an ExhibitionM Mussorgsky
bull Learningtolearnbull Linguisticcompetence
term 2
3
term 3
LessonTopics
Music Key competencesSTRAND 1 Listening
STRAND 2 Musical performanceSTRAND 3 Moving and dancing
17Music and Other Art Forms 42
bull Connectionbetweenmusicandotherartformspaintingsculpturearchitectureandliterature
bull Musicandlanguagethelyricsofsongs
bull Vocalperformancebull Writingandperforminglyricsforagivenmelody
bull Story Music and Other Art Forms
bull Blowinrsquo in the WindBDylan
bull Initiativeandentrepreneurshipbull Linguisticcompetence
18Oh Susanna 44
bull Waysofaccompanyingamelodywithrhythmswithaparallelmelodyandwithchords
bull Reviewofaccidentals
bull Vocalperformancebull Performingontherecorderandmalletpercussioninstruments
bull Accompanyingpiecesofmusiconschoolpercussioninstruments
bull Oh Susannatraditionalsong
bull Competenceinmathematicsscienceandtechnology
bull Socialandciviccompetences
19Sweet Eyes 46
bull Themeandvariationsbull Reviewofbinaryternaryandrondoformsbull Listeningtopiecesofclassicalmusic
bull Performingontherecorderandmalletpercussioninstruments
bull Creatingandperformingavariationforagiventheme
bull Sweet Eyestraditionalsong
bull Linguisticcompetencebull Initiativeandentrepreneurship
20The Young Personrsquos Guide to the Orchestra 48
bull Theorchestrabull Activelisteningwithgraphicscoresbull Listeningtopiecesofclassicalmusicbull ComposerBBrittenbull Reviewoftypesofensembles
bull Accompanyingpiecesofmusicwithbodypercussion
bull Theme from The Young Personrsquos Guide to the OrchestraBBritten
bull Culturalawarenessandexpression
bull Competenceinmathematicsscienceandtechnology
21 World Dances 50
bull Worlddancestangobhangrarumbabellydancegumbootdanceandhip hop
bull Reviewofthepositionoftheinstrumentsintheorchestra
bull Creatingandperformingacomplexchoreographyforadance
bull Singingwiththenamesforthenotes
bull Excerptsofmusicfromworlddances
bull Bonsue-2000TheGoodPeople
bull Initiativeandentrepreneurshipbull Digitalcompetence
22 Britches Full of Stitches 52
bull MusicaroundtheworldEuropebull InstrumentsbagpipesPortugueseguitarandcajoacuten
bull Unconventionalwaysofrepresentingmusic
bull Performingontherecorderbull Creatingandperformingapieceofmusicfromagivengraphicscore
bull ExcerptsofmusicfromEurope
bull Britches Full of Stitchestraditionalsong
bull Socialandciviccompetencesbull Linguisticcompetence
23 Music in the Late Modern Period 54
bull MusicinthelatemodernperiodRomanticismcontemporarymusicandpopularmusicofthe20thcentury
bull Listeningtopiecesofclassicalmusicbull Writingareviewofarecord
bull Vocalperformance bull Excerptsofmusicfromthelatemodernperiod
bull Digitalcompetencebull Initiativeandentrepreneurship
24 Danse Macabre 56
bull Programmemusicbull Listeningtopiecesofclassicalmusicbull Reviewofthehistoryofmusic
bull Actingoutscenesbasedonapieceofprogrammemusic
bull Danse MacabreCSaint-Saeumlns
bull Excerptsofprogrammemusic
bull Culturalawarenessandexpression
bull Learningtolearn
term 3 review Take the Train 58
bull Reviewofthecontentsandmusicalpracticeofterm3 bull Take the Train bull Socialandciviccompetencesbull Learningtolearn
4
Scores Topics Music
Scarborough Fair 60 bull ReviewofthenotesDoorCReorDMiorEFaorFSolorGLaorASiorBDorsquoorCrsquoandRersquoorDrsquoonthestaveandtherecorder
bull PerformingamelodywiththenotesDoorCtoRersquoorDrsquobull Accompanyingpiecesofmusiconschoolandmalletpercussioninstruments
bull Scarborough Fairtraditionalsong
Remember Me 61 bull PerformingamelodywiththenotesDoorCtoRersquoorDrsquobull Accompanyingpiecesofmusiconschoolpercussioninstruments
bull Remember Me
Adeste Fideles 62 bull ThenoteFaorFonthestaveandtherecorderbull PerformingamelodywiththenotesDoorCtoRersquoorDrsquoandFaorFintwogroupsofrecorders
bull Adeste FidelestraditionalChristmassong
Allegretto 63 bull PerformingamelodywiththenotesReorDtoRersquoorDrsquoandFaorFbull Accompanyingpiecesofmusiconschoolpercussioninstruments
bull AllegrettoSSuzuki
Tin Tan 64 bull PerformingamelodywiththenotesFaorFtoRersquoorDrsquobull Accompanyingpiecesofmusiconschoolandmalletpercussioninstruments
bull Tin Tanmedlyoftraditionalsongs
Symphony No 1 65 bull ThenoteSiborBbonthestaveandtherecorderbull PerformingamelodywiththenotesReorDtoSiborBbintwogroupsofrecorders
bull Symphony No 1GMahler
Stella Splendens 66 bull ThenoteSiorBandSiborBbinthesamepieceofmusicbull PerformingamelodywiththenotesDoorCtoRersquoorDrsquoandSiborBbintwogroupsofrecorders
bull Stella SplendensfromLlibre Vermell de Montserrat
Spring 67 bull PerformingamelodywiththenotesFaorFtoRersquoorDrsquoandSiborBbbull Accompanyingpiecesofmusiconschoolandmalletpercussioninstruments
bull Springfrom The Four SeasonsAVivaldi
La Cucaracha 68 bull PerformingamelodywiththenotesDoorCtoRersquoorDrsquoandSiborBbbull Accompanyingpiecesofmusiconschoolpercussioninstruments
bull La Cucarachatraditionalsong
Yellow Submarine 69 bull PerformingamelodywiththenotesReorDtoRersquoorDrsquoandSiborBbbull Accompanyingpiecesofmusiconschoolandmalletpercussioninstruments
bull Yellow SubmarineTheBeatles
The notes you know on the recorder 70
RECORDERTAB
instrument practice
5
6
The Roman Empire
The Modern Era
The Present Age
The Middle Ages
There have always been venues for music The Romans built amphitheatres outdoors with the seats in a semicircle in front
of the stage The acoustics were so good that we still use them nowadays
Nowadays we still use venues from the past but we donrsquot only listen to music in concert halls Contemporary music uses
electronic equipment to amplify sound so that it can be played on big stages
to thousands of people
During the Middle Ages monks sang Gregorian chant in cathedrals a type of religious music performed a cappella in Latin In village squares and cities jongleurs set up small
portable stages where they performed their productions
During the Modern Era the royalty and nobility loved to organise concerts and dances in the chambers of their
palaces They also began to stage operas in theatres with a big stage and a separate orchestra pit
Activity 1 Story Venues for Music CD 1 track 2 () bull Contents Venues for the performance of music throughout history Properties of sound () All track numbers refer to the Class Audio
Listen and read about venues for music throughout history
1
12
Venues for Music1TERM
7 Activity 2 Properties of sound CD 1 track 3
Listen and say which properties of sound change in each pair of instruments
2
13
Answer the questions
bull When a pianist and a violinist perform the same melody which property of sound changes
bull The human ear canrsquot hear sounds below 16 Hz Which property of sound are we talking about
bull When a sound exceeds 100 dB it starts to become dangerous for our ears Which property of sound are we talking about
3
Properties of sound
When an object vibrates it emits waves These waves are transmitted through the air or another medium to our ears and we perceive them as sound
The four properties of sound can be expressed or measured in different ways
bull Timbre is the property that allows us to distinguish between different instruments voices and other sounds
bullDynamics or volume tells us if a sound is loud or quiet Itrsquos measured in decibels (dB) In music we show it with dynamic indicators (119185 119185 119185 119184 119185 119184 119183 119183 119183 119183 cresc or and dim or )
bull Duration tells us if a sound is long or short In music we show it with note values and rests Itrsquos measured in beats (on the metronome) or in seconds
bull Pitch or tone tells us if a sound is high or low In music we show it with musical notes An object that emits a high sound vibrates more quickly than one that emits a low sound and the frequency of this vibration is measured in hertz (Hz)
high sound(more vibrations per second)
low sound(fewer vibrations per second)
1
3
2
4
TERM 1
lesson 1
Activity 1 Fermata Sign CD 1 track 4 Backing track CD 1 track 5 bull Contents The fermata sign Review of note values and rests
Fermata Sign
The fermata (
) is a sound-lengthening sign
It shows that the duration of a note or rest can be lengthened for as long as the performer or conductor wishes
The fermata sign is written above the stave on the note or rest that it lengthens
tradetrade
44 Œ œ œ œ w wpermil œjœ œ œ œ œ œ
Œ œ œ œ permil œjœ œ œ œ œ œ ww
U U U
Fer ta signFer ma ta sign
isis
usedal
aso---
ma-- lotknown
inasthisa
songhold
When you see one just play the note and hold on
semibreve 119133 four beats
minim 119134 two beats
crotchet 119135 119101 one beat
quaver 119136 119102 half a beat
semiquaver 119137 119103 a quarter of a beat
ReVIeW
Listen and sing along1
15
14
8
Activity 3 Fermata Sign CD 1 track 4
Play with body percussion2
Say the right rhythm to accompany the song and explain why Then listen and play along
3
14
The musicians are in the wrong places Explain where they should be and why
4
R L
R L
R L
R L
If to this rhythm
We add a tie
We get
You know two other sound-lengthening signs
bull The tie joins two or more notes of the same pitch adding their lengths together
bull A dotted note or rest lengthens the duration of the note or rest by half its original value 119134 119164
119134 119135(
ReVIeW
R L R both R L R both R L R R L R R L R both
snap R L R L snap R L R L
R L R L snap snap snap
R L R L R L R L
TERM 1
9
lesson 2
Listen and learn the dance Then make up the missing steps and dance it with your classmates1
16
introduction
introduction
AA B A B A CC A B AAbridge coda
codabridge
Make up the steps
Make up the steps Make up the stepsTake five steps make a statue and take another
five steps back to your partner Repeat
Greet your partner with body percussion
Take three steps to the side and snap your fingers
Repeat in the other direction
With your partner turn eight steps
in each direction
A
C
B
10 Activity 1 Plink Plank Plunk by L Anderson CD 1 track 6 bull Contents Parts of a piece of music introduction bridge and coda
Plink Plank Plunk
Parts of a piece of music
The organisation of the parts that make up a piece of music determines its musical form The forms that you know are
bull Binary made up of two parts that can be the same (AA) or different (AB)
bull Ternary made up of three parts that can all be different (ABC) or with one of them repeated (ABA)
bull Rondo in this form one of the parts called chorus is repeated The parts after it called verses are always different (ABACAhellip)
In addition to the main parts that make up a piece of music (A B Chellip) composers use different sections to join the parts together
bull The introduction is at the start of a piece of music It introduces the style the tempo and the character of the music It also attracts the listenerrsquos attention
bull The bridge is the section that joins two parts of a piece of music Itrsquos usually instrumental and short in duration
bull The coda mdash a word of Italian origin that means lsquotailrsquo mdash is the final section and helps to close the piece of music Sometimes itrsquos shown on the score with the symbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
Andante24amp
amp
amp
amp
œœœœ œ permil œJœJ permil œ œœœ œ permilœ
jœ œœ œ Œ
œœœœœ permilœjœœœ œ
permilœjœ œ œœ œœ œœœ
œœœ
œœœœ permilœJœtrade œ œ
jœ œj œ tradeœœ permilœJœ
trade œ œjœ œj
œ tradeœœpermil œjœ tradeœ œ
permil œjœœœœœ œœ ˙rit
Look at the score and sing it with the names for the notes2
Which property of sound does each unit measure3
decibel (dB) hertz (Hz) second (s)
Introduction bridge or coda
part B coda
introduction bridgepart A
TERM 1
11
lesson 3
Review the notes you know on the recorder Then look at the repeat signs on the score and play along1
18
17
tradetrade
Please re-peat
Please re-peat
Please re-peat Please re-peat
Please re-peat
1
tradetrade2
tradetrade
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(GLOCKENSPIEL)
Fine
DC al Fine and Codafi
Do or C Mi or E Sol or G Si or BRe or D Fa or F La or A Dorsquo or Crsquo Rersquo or Drsquo
bull ThepartsofasongarenrsquotalwaysrepeatedinexactlythesamewayToshowwhichbarsaredifferentintherepetitionweusethesymbols
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
tradetradeU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
and
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
2
tradetrade
Please re peat- Please re peat-
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
bull ThesignDa Capo al Fine(DC al Fine)meansthatwemustrepeatthescoreuptothewordFine
bull ThecodaisthepartofasongthatendsapieceofmusicItrsquosalsoshownwiththesymbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
REVIEW
12 Activity 1 Please Repeat CD1 track 7Backingtrack CD1 track 8bullContentsReviewofnotesfromDoorCtoRersquoorDrsquoontherecorderReviewofrepeatsignsReviewofmusicalscalesMusicalimprovisation
Please Repeat
Which scale is each score composed in Play them on your recorder
2
Musical improvisation means creating music spontaneously without preparing it before We can do it over a melody or using a backing track but we must always maintain the metre the musical form and the scale of the piece of music
Follow the instructions and improvise over the backing track
bull Choose an instrument
bull Start by improvising simple rhythms with crotchets and quavers and then try more complicated rhythms Remember that the rests are also a part of the music
bull If you chose a melodic instrument use these notes
bull Improvise following this musical form
introduction(4 bars)
improvisation(24 bars)
coda(4 bars)
24
bull Let your musical ear be your guide and have fun
3
18
A musical scale is a series of musical notes in ascending or descending order and it can start on any note There are many types of scales
bull The diatonic scale is made up of seven notes
bull The pentatonic scale has only five notes
ReVIeW
TERM 1
13
lesson 4
Activity 3 Backing track CD 1 track 8
Sing the verses and chorus and play the introduction the bridge and the coda of this Christmas song1
122
121
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Not only green when summerrsquos here But also when itrsquos cold and drear
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
For every year the Christmas tree Brings to us all the greatest glee
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
introduction
mf
rit
mf
mf
mf
mf
rit
bridge and coda
22
Oh Christmas Tree
Activity 1 Oh Christmas Tree CD 1 track 21 Backing track CD 1 track 22 bull Contents Review
Listen and answer the questions
bull Whatisthemetreofthesong
bull Arethereanysharps
bull Arethereanysound-lengtheningsigns
bull WhatdynamicsshouldweusetoperformtheintroductionArethereanychangesindynamicsafterthis
bull WhatisthetempoofthemusicArethereanychangesinthetempoduringthepieceofmusic
bull Howshouldwecombinethefollowingpartsofthesongintroductionbridgecodachorusandverses
Choose one of the songs from this term and make up an introduction a bridge or a coda for it
Which properties change in each pair of sounds Which unit of measurement do we use for each one
2
121
3
4
Listen and say the characteristics of each piece of music5
123 ThismusicisfromhelliptheRomanEmpire
theMiddleAgestheModernErathePresentAge
Youcouldhearthismusicinhellip
amphitheatrescathedralssquareschambersinpalacestheatresbigconcerthalls
Theinstrumentsyoucanhearinthispieceofmusicarehellip
electrophoneschordophonesaerophonesmembranophones
idiophones
Themusiciansperformingthispieceofmusiccomefromhellip
SouthernAfricaNorthAfricaNorthAmericaSouthAmericasomewhere
else
1
1
3
3
2
2
4
4
TERM 1 review
23Activity 2Oh Christmas Tree CD 1 track 21 Activity 5Musicandmusicians CD 1 track 23
tradetrade
tradetrade
tradetrade
Shhh shhh shhh shhh
(whistle) (whistle) (whistle)
(whistle)(whistle)
(whistle)
44
44
44 sum
Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ
œOacutetrade œOacutetrade œOacutetrade œOacutetrade
Œ permilœjœjpermilŒ sum Œ permilœ
jœjpermilŒ
steam sound
whistle of the locomotive
whistle of the train
introduction bridge and coda
verses
So the train is in the station (The station)Very soon it will depart (And where to)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
Now the train has started moving (Be careful)It is really going now (Go now)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
And the time spent at our old school (For so long)Will become a distant dream (A nice dream)It is full of happy memoriesIt is full of special momentsThat we will never forget
Listen and accompany the song with the vocal and instrumental ostinatos1
231
230
58
Take the Train
Activity 1 Take the Train CD 2 track 30 Backing track CD 2 track 31 bull Contents Review
2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w
Use the clues to find whatrsquos missing in this piece of music by Richard Wagner Complete the score in your Activity Book Then make up lyrics for the music and sing
2
1 Is the speed we go at medium speed or slow
2 One three quarters one quarter one and a rest
3 Yoursquoll get it sooner or later itrsquos an indicator
4 Go down a semitone and wersquore almost home
5 The first time was fun so play another one
6 Find the signature in time and everything will be fine
7 Let the rhythm guide there are five notes to decide
8 Give the note a hand help it to expand
9 Odd or even is irrelevant the order is more important
10 Separate the bars itrsquos not very hard
Andante
mf
3
1
64 10
5 7
9
24
8
1
TERM 3 review
59
Scarborough Fair
Scarborough Fair CD 3 track 2 Backing track CD 3 track 3
INSTRUMENT PRACTICE
33
32
The notes you know on the recorder
mp
p
p
Andante
mp
p
p
Andante
Do or C Sol or GMi or E Si or BRe or D La or AFa or F Rersquo or DrsquoDorsquo or Crsquo
60
Remember Me
Remember Me CD 3 track 4 Backing track CD 3 track 5
INSTRUMENT PRACTICE
35
34
mp mf
Andante
p
p
1 2
61
Adeste Fideles
Adeste Fideles CD 3 track 6 Backing track CD 3 track 7
37
36
The note Fa or F
mf
Allegro
mp
62
Allegretto
INSTRUMENT PRACTICE
Allegretto by S Suzuki CD 3 track 8 Backing track CD 3 track 9
39
38
Andante
63
Tin Tan
Tin Tan CD 3 track 10 Backing track CD 3 track 11
311
310
mf
Allegro
mf
mf
mf
64
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
LessonTopics
Music Key competencesSTRAND 1 Listening
STRAND 2 Musical performanceSTRAND 3 Moving and dancing
9 How a Song Is Born 24
bull Phasesofcreatingasongbull Professionalsfromtheworldofmusicbull Musicandadvertising
bull Vocalperformancebull Creatingandperformingajingle
bull Story How a Song Is Born
bull Jingle Robbie the Robotic Backpack
bull Socialandciviccompetencesbull Initiativeandentrepreneurship
10 The Quartet 26
bull Thespeechorgansbull Thehearingorgansbull Reviewoftypesofvoicesbull Reviewofprofessionalsfromtheworldof music
bull Vocalperformanceincanonbull Creatingandperformingbody
percussionrhythmstoaccompanyapieceofmusicincanon
bull Experimentingwiththevoice
bull The Quartet bull Competenceinmathematicsscienceandtechnology
bull Socialandciviccompetences
11 Prussiarsquos Glory 28
bull Activelisteningwithgraphicscoresbull Typesofmusicalbandsmarchingbandbigbandandrockband
bull Reviewofthespeechandhearingorgans
bull Accompanyingpiecesofmusicwithbodypercussionandschoolpercussioninstruments
bull Prussiarsquos Glory JGPiefke
bull Culturalawarenessandexpression
bull Learningtolearn
12 Autumn Leaves 30
bull Improvisationbull Syncopationbull ReviewofthenoteFaorFontherecorderandmalletpercussioninstruments
bull Vocalperformancebull Performingontherecorderandmallet
percussioninstrumentsbull Improvisingoveragivenpiece
ofmusic
bull Autumn LeavesJKosmaandJMercer
bull Culturalawarenessandexpression
bull Initiativeandentrepreneurship
13 America 32bull Musicaltheatre bull Performingadancewithacomplex
formbull Vocalperformancebull Accompanyingpiecesofmusic
withbodypercussion
bull America from West Side StoryLBernstein
bull Irsquove Got Rhythm from Girl CrazyGGershwin
bull Competenceinmathematicsscienceandtechnology
bull Digitalcompetence
14 Sakura Sakura 34
bull MusicaroundtheworldAsiaandOceania
bull Instrumentskotositaranddidgeridoo
bull Makingamalletpercussioninstrument
bull Performingwiththevoiceandontherecorder
bull Creatingandperformingmelodicostinatostoaccompanyasong
bull ExcerptsofmusicfromAsiaandOceania
bull Sakura Sakuratraditionalsong
bull Culturalawarenessandexpression
bull Initiativeandentrepreneurship
15 Music in the Modern Era 36
bull MusicintheModernEraRenaissanceBaroqueandClassicalperiods
bull Listeningtopiecesofclassicalmusicbull Theluthier
bull Singingwiththenamesforthenotes bull ExcerptsofmusicfromtheModernEra
bull Culturalawarenessandexpression
bull Digitalcompetence
16 Vivaldirsquos Autumn 38
bull Accidentalstheflatandthenaturalbull ThenoteSiborBbonthestavetherecorderandmalletpercussioninstruments
bull Performingontherecorderandschoolandmalletpercussioninstruments
bull Singingwiththenamesforthenotesbull Melodicdictation
bull Autumnfrom The Four SeasonsAVivaldi
bull Competenceinmathematicsscienceandtechnology
bull Linguisticcompetence
term 2 review Samuel Goldenberg and Schmuyle 40
bull Reviewofthecontentsandmusicalpracticeofterm2 bull Excerpts from Pictures at an ExhibitionM Mussorgsky
bull Learningtolearnbull Linguisticcompetence
term 2
3
term 3
LessonTopics
Music Key competencesSTRAND 1 Listening
STRAND 2 Musical performanceSTRAND 3 Moving and dancing
17Music and Other Art Forms 42
bull Connectionbetweenmusicandotherartformspaintingsculpturearchitectureandliterature
bull Musicandlanguagethelyricsofsongs
bull Vocalperformancebull Writingandperforminglyricsforagivenmelody
bull Story Music and Other Art Forms
bull Blowinrsquo in the WindBDylan
bull Initiativeandentrepreneurshipbull Linguisticcompetence
18Oh Susanna 44
bull Waysofaccompanyingamelodywithrhythmswithaparallelmelodyandwithchords
bull Reviewofaccidentals
bull Vocalperformancebull Performingontherecorderandmalletpercussioninstruments
bull Accompanyingpiecesofmusiconschoolpercussioninstruments
bull Oh Susannatraditionalsong
bull Competenceinmathematicsscienceandtechnology
bull Socialandciviccompetences
19Sweet Eyes 46
bull Themeandvariationsbull Reviewofbinaryternaryandrondoformsbull Listeningtopiecesofclassicalmusic
bull Performingontherecorderandmalletpercussioninstruments
bull Creatingandperformingavariationforagiventheme
bull Sweet Eyestraditionalsong
bull Linguisticcompetencebull Initiativeandentrepreneurship
20The Young Personrsquos Guide to the Orchestra 48
bull Theorchestrabull Activelisteningwithgraphicscoresbull Listeningtopiecesofclassicalmusicbull ComposerBBrittenbull Reviewoftypesofensembles
bull Accompanyingpiecesofmusicwithbodypercussion
bull Theme from The Young Personrsquos Guide to the OrchestraBBritten
bull Culturalawarenessandexpression
bull Competenceinmathematicsscienceandtechnology
21 World Dances 50
bull Worlddancestangobhangrarumbabellydancegumbootdanceandhip hop
bull Reviewofthepositionoftheinstrumentsintheorchestra
bull Creatingandperformingacomplexchoreographyforadance
bull Singingwiththenamesforthenotes
bull Excerptsofmusicfromworlddances
bull Bonsue-2000TheGoodPeople
bull Initiativeandentrepreneurshipbull Digitalcompetence
22 Britches Full of Stitches 52
bull MusicaroundtheworldEuropebull InstrumentsbagpipesPortugueseguitarandcajoacuten
bull Unconventionalwaysofrepresentingmusic
bull Performingontherecorderbull Creatingandperformingapieceofmusicfromagivengraphicscore
bull ExcerptsofmusicfromEurope
bull Britches Full of Stitchestraditionalsong
bull Socialandciviccompetencesbull Linguisticcompetence
23 Music in the Late Modern Period 54
bull MusicinthelatemodernperiodRomanticismcontemporarymusicandpopularmusicofthe20thcentury
bull Listeningtopiecesofclassicalmusicbull Writingareviewofarecord
bull Vocalperformance bull Excerptsofmusicfromthelatemodernperiod
bull Digitalcompetencebull Initiativeandentrepreneurship
24 Danse Macabre 56
bull Programmemusicbull Listeningtopiecesofclassicalmusicbull Reviewofthehistoryofmusic
bull Actingoutscenesbasedonapieceofprogrammemusic
bull Danse MacabreCSaint-Saeumlns
bull Excerptsofprogrammemusic
bull Culturalawarenessandexpression
bull Learningtolearn
term 3 review Take the Train 58
bull Reviewofthecontentsandmusicalpracticeofterm3 bull Take the Train bull Socialandciviccompetencesbull Learningtolearn
4
Scores Topics Music
Scarborough Fair 60 bull ReviewofthenotesDoorCReorDMiorEFaorFSolorGLaorASiorBDorsquoorCrsquoandRersquoorDrsquoonthestaveandtherecorder
bull PerformingamelodywiththenotesDoorCtoRersquoorDrsquobull Accompanyingpiecesofmusiconschoolandmalletpercussioninstruments
bull Scarborough Fairtraditionalsong
Remember Me 61 bull PerformingamelodywiththenotesDoorCtoRersquoorDrsquobull Accompanyingpiecesofmusiconschoolpercussioninstruments
bull Remember Me
Adeste Fideles 62 bull ThenoteFaorFonthestaveandtherecorderbull PerformingamelodywiththenotesDoorCtoRersquoorDrsquoandFaorFintwogroupsofrecorders
bull Adeste FidelestraditionalChristmassong
Allegretto 63 bull PerformingamelodywiththenotesReorDtoRersquoorDrsquoandFaorFbull Accompanyingpiecesofmusiconschoolpercussioninstruments
bull AllegrettoSSuzuki
Tin Tan 64 bull PerformingamelodywiththenotesFaorFtoRersquoorDrsquobull Accompanyingpiecesofmusiconschoolandmalletpercussioninstruments
bull Tin Tanmedlyoftraditionalsongs
Symphony No 1 65 bull ThenoteSiborBbonthestaveandtherecorderbull PerformingamelodywiththenotesReorDtoSiborBbintwogroupsofrecorders
bull Symphony No 1GMahler
Stella Splendens 66 bull ThenoteSiorBandSiborBbinthesamepieceofmusicbull PerformingamelodywiththenotesDoorCtoRersquoorDrsquoandSiborBbintwogroupsofrecorders
bull Stella SplendensfromLlibre Vermell de Montserrat
Spring 67 bull PerformingamelodywiththenotesFaorFtoRersquoorDrsquoandSiborBbbull Accompanyingpiecesofmusiconschoolandmalletpercussioninstruments
bull Springfrom The Four SeasonsAVivaldi
La Cucaracha 68 bull PerformingamelodywiththenotesDoorCtoRersquoorDrsquoandSiborBbbull Accompanyingpiecesofmusiconschoolpercussioninstruments
bull La Cucarachatraditionalsong
Yellow Submarine 69 bull PerformingamelodywiththenotesReorDtoRersquoorDrsquoandSiborBbbull Accompanyingpiecesofmusiconschoolandmalletpercussioninstruments
bull Yellow SubmarineTheBeatles
The notes you know on the recorder 70
RECORDERTAB
instrument practice
5
6
The Roman Empire
The Modern Era
The Present Age
The Middle Ages
There have always been venues for music The Romans built amphitheatres outdoors with the seats in a semicircle in front
of the stage The acoustics were so good that we still use them nowadays
Nowadays we still use venues from the past but we donrsquot only listen to music in concert halls Contemporary music uses
electronic equipment to amplify sound so that it can be played on big stages
to thousands of people
During the Middle Ages monks sang Gregorian chant in cathedrals a type of religious music performed a cappella in Latin In village squares and cities jongleurs set up small
portable stages where they performed their productions
During the Modern Era the royalty and nobility loved to organise concerts and dances in the chambers of their
palaces They also began to stage operas in theatres with a big stage and a separate orchestra pit
Activity 1 Story Venues for Music CD 1 track 2 () bull Contents Venues for the performance of music throughout history Properties of sound () All track numbers refer to the Class Audio
Listen and read about venues for music throughout history
1
12
Venues for Music1TERM
7 Activity 2 Properties of sound CD 1 track 3
Listen and say which properties of sound change in each pair of instruments
2
13
Answer the questions
bull When a pianist and a violinist perform the same melody which property of sound changes
bull The human ear canrsquot hear sounds below 16 Hz Which property of sound are we talking about
bull When a sound exceeds 100 dB it starts to become dangerous for our ears Which property of sound are we talking about
3
Properties of sound
When an object vibrates it emits waves These waves are transmitted through the air or another medium to our ears and we perceive them as sound
The four properties of sound can be expressed or measured in different ways
bull Timbre is the property that allows us to distinguish between different instruments voices and other sounds
bullDynamics or volume tells us if a sound is loud or quiet Itrsquos measured in decibels (dB) In music we show it with dynamic indicators (119185 119185 119185 119184 119185 119184 119183 119183 119183 119183 cresc or and dim or )
bull Duration tells us if a sound is long or short In music we show it with note values and rests Itrsquos measured in beats (on the metronome) or in seconds
bull Pitch or tone tells us if a sound is high or low In music we show it with musical notes An object that emits a high sound vibrates more quickly than one that emits a low sound and the frequency of this vibration is measured in hertz (Hz)
high sound(more vibrations per second)
low sound(fewer vibrations per second)
1
3
2
4
TERM 1
lesson 1
Activity 1 Fermata Sign CD 1 track 4 Backing track CD 1 track 5 bull Contents The fermata sign Review of note values and rests
Fermata Sign
The fermata (
) is a sound-lengthening sign
It shows that the duration of a note or rest can be lengthened for as long as the performer or conductor wishes
The fermata sign is written above the stave on the note or rest that it lengthens
tradetrade
44 Œ œ œ œ w wpermil œjœ œ œ œ œ œ
Œ œ œ œ permil œjœ œ œ œ œ œ ww
U U U
Fer ta signFer ma ta sign
isis
usedal
aso---
ma-- lotknown
inasthisa
songhold
When you see one just play the note and hold on
semibreve 119133 four beats
minim 119134 two beats
crotchet 119135 119101 one beat
quaver 119136 119102 half a beat
semiquaver 119137 119103 a quarter of a beat
ReVIeW
Listen and sing along1
15
14
8
Activity 3 Fermata Sign CD 1 track 4
Play with body percussion2
Say the right rhythm to accompany the song and explain why Then listen and play along
3
14
The musicians are in the wrong places Explain where they should be and why
4
R L
R L
R L
R L
If to this rhythm
We add a tie
We get
You know two other sound-lengthening signs
bull The tie joins two or more notes of the same pitch adding their lengths together
bull A dotted note or rest lengthens the duration of the note or rest by half its original value 119134 119164
119134 119135(
ReVIeW
R L R both R L R both R L R R L R R L R both
snap R L R L snap R L R L
R L R L snap snap snap
R L R L R L R L
TERM 1
9
lesson 2
Listen and learn the dance Then make up the missing steps and dance it with your classmates1
16
introduction
introduction
AA B A B A CC A B AAbridge coda
codabridge
Make up the steps
Make up the steps Make up the stepsTake five steps make a statue and take another
five steps back to your partner Repeat
Greet your partner with body percussion
Take three steps to the side and snap your fingers
Repeat in the other direction
With your partner turn eight steps
in each direction
A
C
B
10 Activity 1 Plink Plank Plunk by L Anderson CD 1 track 6 bull Contents Parts of a piece of music introduction bridge and coda
Plink Plank Plunk
Parts of a piece of music
The organisation of the parts that make up a piece of music determines its musical form The forms that you know are
bull Binary made up of two parts that can be the same (AA) or different (AB)
bull Ternary made up of three parts that can all be different (ABC) or with one of them repeated (ABA)
bull Rondo in this form one of the parts called chorus is repeated The parts after it called verses are always different (ABACAhellip)
In addition to the main parts that make up a piece of music (A B Chellip) composers use different sections to join the parts together
bull The introduction is at the start of a piece of music It introduces the style the tempo and the character of the music It also attracts the listenerrsquos attention
bull The bridge is the section that joins two parts of a piece of music Itrsquos usually instrumental and short in duration
bull The coda mdash a word of Italian origin that means lsquotailrsquo mdash is the final section and helps to close the piece of music Sometimes itrsquos shown on the score with the symbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
Andante24amp
amp
amp
amp
œœœœ œ permil œJœJ permil œ œœœ œ permilœ
jœ œœ œ Œ
œœœœœ permilœjœœœ œ
permilœjœ œ œœ œœ œœœ
œœœ
œœœœ permilœJœtrade œ œ
jœ œj œ tradeœœ permilœJœ
trade œ œjœ œj
œ tradeœœpermil œjœ tradeœ œ
permil œjœœœœœ œœ ˙rit
Look at the score and sing it with the names for the notes2
Which property of sound does each unit measure3
decibel (dB) hertz (Hz) second (s)
Introduction bridge or coda
part B coda
introduction bridgepart A
TERM 1
11
lesson 3
Review the notes you know on the recorder Then look at the repeat signs on the score and play along1
18
17
tradetrade
Please re-peat
Please re-peat
Please re-peat Please re-peat
Please re-peat
1
tradetrade2
tradetrade
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(GLOCKENSPIEL)
Fine
DC al Fine and Codafi
Do or C Mi or E Sol or G Si or BRe or D Fa or F La or A Dorsquo or Crsquo Rersquo or Drsquo
bull ThepartsofasongarenrsquotalwaysrepeatedinexactlythesamewayToshowwhichbarsaredifferentintherepetitionweusethesymbols
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
tradetradeU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
and
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
2
tradetrade
Please re peat- Please re peat-
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
bull ThesignDa Capo al Fine(DC al Fine)meansthatwemustrepeatthescoreuptothewordFine
bull ThecodaisthepartofasongthatendsapieceofmusicItrsquosalsoshownwiththesymbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
REVIEW
12 Activity 1 Please Repeat CD1 track 7Backingtrack CD1 track 8bullContentsReviewofnotesfromDoorCtoRersquoorDrsquoontherecorderReviewofrepeatsignsReviewofmusicalscalesMusicalimprovisation
Please Repeat
Which scale is each score composed in Play them on your recorder
2
Musical improvisation means creating music spontaneously without preparing it before We can do it over a melody or using a backing track but we must always maintain the metre the musical form and the scale of the piece of music
Follow the instructions and improvise over the backing track
bull Choose an instrument
bull Start by improvising simple rhythms with crotchets and quavers and then try more complicated rhythms Remember that the rests are also a part of the music
bull If you chose a melodic instrument use these notes
bull Improvise following this musical form
introduction(4 bars)
improvisation(24 bars)
coda(4 bars)
24
bull Let your musical ear be your guide and have fun
3
18
A musical scale is a series of musical notes in ascending or descending order and it can start on any note There are many types of scales
bull The diatonic scale is made up of seven notes
bull The pentatonic scale has only five notes
ReVIeW
TERM 1
13
lesson 4
Activity 3 Backing track CD 1 track 8
Sing the verses and chorus and play the introduction the bridge and the coda of this Christmas song1
122
121
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Not only green when summerrsquos here But also when itrsquos cold and drear
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
For every year the Christmas tree Brings to us all the greatest glee
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
introduction
mf
rit
mf
mf
mf
mf
rit
bridge and coda
22
Oh Christmas Tree
Activity 1 Oh Christmas Tree CD 1 track 21 Backing track CD 1 track 22 bull Contents Review
Listen and answer the questions
bull Whatisthemetreofthesong
bull Arethereanysharps
bull Arethereanysound-lengtheningsigns
bull WhatdynamicsshouldweusetoperformtheintroductionArethereanychangesindynamicsafterthis
bull WhatisthetempoofthemusicArethereanychangesinthetempoduringthepieceofmusic
bull Howshouldwecombinethefollowingpartsofthesongintroductionbridgecodachorusandverses
Choose one of the songs from this term and make up an introduction a bridge or a coda for it
Which properties change in each pair of sounds Which unit of measurement do we use for each one
2
121
3
4
Listen and say the characteristics of each piece of music5
123 ThismusicisfromhelliptheRomanEmpire
theMiddleAgestheModernErathePresentAge
Youcouldhearthismusicinhellip
amphitheatrescathedralssquareschambersinpalacestheatresbigconcerthalls
Theinstrumentsyoucanhearinthispieceofmusicarehellip
electrophoneschordophonesaerophonesmembranophones
idiophones
Themusiciansperformingthispieceofmusiccomefromhellip
SouthernAfricaNorthAfricaNorthAmericaSouthAmericasomewhere
else
1
1
3
3
2
2
4
4
TERM 1 review
23Activity 2Oh Christmas Tree CD 1 track 21 Activity 5Musicandmusicians CD 1 track 23
tradetrade
tradetrade
tradetrade
Shhh shhh shhh shhh
(whistle) (whistle) (whistle)
(whistle)(whistle)
(whistle)
44
44
44 sum
Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ
œOacutetrade œOacutetrade œOacutetrade œOacutetrade
Œ permilœjœjpermilŒ sum Œ permilœ
jœjpermilŒ
steam sound
whistle of the locomotive
whistle of the train
introduction bridge and coda
verses
So the train is in the station (The station)Very soon it will depart (And where to)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
Now the train has started moving (Be careful)It is really going now (Go now)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
And the time spent at our old school (For so long)Will become a distant dream (A nice dream)It is full of happy memoriesIt is full of special momentsThat we will never forget
Listen and accompany the song with the vocal and instrumental ostinatos1
231
230
58
Take the Train
Activity 1 Take the Train CD 2 track 30 Backing track CD 2 track 31 bull Contents Review
2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w
Use the clues to find whatrsquos missing in this piece of music by Richard Wagner Complete the score in your Activity Book Then make up lyrics for the music and sing
2
1 Is the speed we go at medium speed or slow
2 One three quarters one quarter one and a rest
3 Yoursquoll get it sooner or later itrsquos an indicator
4 Go down a semitone and wersquore almost home
5 The first time was fun so play another one
6 Find the signature in time and everything will be fine
7 Let the rhythm guide there are five notes to decide
8 Give the note a hand help it to expand
9 Odd or even is irrelevant the order is more important
10 Separate the bars itrsquos not very hard
Andante
mf
3
1
64 10
5 7
9
24
8
1
TERM 3 review
59
Scarborough Fair
Scarborough Fair CD 3 track 2 Backing track CD 3 track 3
INSTRUMENT PRACTICE
33
32
The notes you know on the recorder
mp
p
p
Andante
mp
p
p
Andante
Do or C Sol or GMi or E Si or BRe or D La or AFa or F Rersquo or DrsquoDorsquo or Crsquo
60
Remember Me
Remember Me CD 3 track 4 Backing track CD 3 track 5
INSTRUMENT PRACTICE
35
34
mp mf
Andante
p
p
1 2
61
Adeste Fideles
Adeste Fideles CD 3 track 6 Backing track CD 3 track 7
37
36
The note Fa or F
mf
Allegro
mp
62
Allegretto
INSTRUMENT PRACTICE
Allegretto by S Suzuki CD 3 track 8 Backing track CD 3 track 9
39
38
Andante
63
Tin Tan
Tin Tan CD 3 track 10 Backing track CD 3 track 11
311
310
mf
Allegro
mf
mf
mf
64
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
term 3
LessonTopics
Music Key competencesSTRAND 1 Listening
STRAND 2 Musical performanceSTRAND 3 Moving and dancing
17Music and Other Art Forms 42
bull Connectionbetweenmusicandotherartformspaintingsculpturearchitectureandliterature
bull Musicandlanguagethelyricsofsongs
bull Vocalperformancebull Writingandperforminglyricsforagivenmelody
bull Story Music and Other Art Forms
bull Blowinrsquo in the WindBDylan
bull Initiativeandentrepreneurshipbull Linguisticcompetence
18Oh Susanna 44
bull Waysofaccompanyingamelodywithrhythmswithaparallelmelodyandwithchords
bull Reviewofaccidentals
bull Vocalperformancebull Performingontherecorderandmalletpercussioninstruments
bull Accompanyingpiecesofmusiconschoolpercussioninstruments
bull Oh Susannatraditionalsong
bull Competenceinmathematicsscienceandtechnology
bull Socialandciviccompetences
19Sweet Eyes 46
bull Themeandvariationsbull Reviewofbinaryternaryandrondoformsbull Listeningtopiecesofclassicalmusic
bull Performingontherecorderandmalletpercussioninstruments
bull Creatingandperformingavariationforagiventheme
bull Sweet Eyestraditionalsong
bull Linguisticcompetencebull Initiativeandentrepreneurship
20The Young Personrsquos Guide to the Orchestra 48
bull Theorchestrabull Activelisteningwithgraphicscoresbull Listeningtopiecesofclassicalmusicbull ComposerBBrittenbull Reviewoftypesofensembles
bull Accompanyingpiecesofmusicwithbodypercussion
bull Theme from The Young Personrsquos Guide to the OrchestraBBritten
bull Culturalawarenessandexpression
bull Competenceinmathematicsscienceandtechnology
21 World Dances 50
bull Worlddancestangobhangrarumbabellydancegumbootdanceandhip hop
bull Reviewofthepositionoftheinstrumentsintheorchestra
bull Creatingandperformingacomplexchoreographyforadance
bull Singingwiththenamesforthenotes
bull Excerptsofmusicfromworlddances
bull Bonsue-2000TheGoodPeople
bull Initiativeandentrepreneurshipbull Digitalcompetence
22 Britches Full of Stitches 52
bull MusicaroundtheworldEuropebull InstrumentsbagpipesPortugueseguitarandcajoacuten
bull Unconventionalwaysofrepresentingmusic
bull Performingontherecorderbull Creatingandperformingapieceofmusicfromagivengraphicscore
bull ExcerptsofmusicfromEurope
bull Britches Full of Stitchestraditionalsong
bull Socialandciviccompetencesbull Linguisticcompetence
23 Music in the Late Modern Period 54
bull MusicinthelatemodernperiodRomanticismcontemporarymusicandpopularmusicofthe20thcentury
bull Listeningtopiecesofclassicalmusicbull Writingareviewofarecord
bull Vocalperformance bull Excerptsofmusicfromthelatemodernperiod
bull Digitalcompetencebull Initiativeandentrepreneurship
24 Danse Macabre 56
bull Programmemusicbull Listeningtopiecesofclassicalmusicbull Reviewofthehistoryofmusic
bull Actingoutscenesbasedonapieceofprogrammemusic
bull Danse MacabreCSaint-Saeumlns
bull Excerptsofprogrammemusic
bull Culturalawarenessandexpression
bull Learningtolearn
term 3 review Take the Train 58
bull Reviewofthecontentsandmusicalpracticeofterm3 bull Take the Train bull Socialandciviccompetencesbull Learningtolearn
4
Scores Topics Music
Scarborough Fair 60 bull ReviewofthenotesDoorCReorDMiorEFaorFSolorGLaorASiorBDorsquoorCrsquoandRersquoorDrsquoonthestaveandtherecorder
bull PerformingamelodywiththenotesDoorCtoRersquoorDrsquobull Accompanyingpiecesofmusiconschoolandmalletpercussioninstruments
bull Scarborough Fairtraditionalsong
Remember Me 61 bull PerformingamelodywiththenotesDoorCtoRersquoorDrsquobull Accompanyingpiecesofmusiconschoolpercussioninstruments
bull Remember Me
Adeste Fideles 62 bull ThenoteFaorFonthestaveandtherecorderbull PerformingamelodywiththenotesDoorCtoRersquoorDrsquoandFaorFintwogroupsofrecorders
bull Adeste FidelestraditionalChristmassong
Allegretto 63 bull PerformingamelodywiththenotesReorDtoRersquoorDrsquoandFaorFbull Accompanyingpiecesofmusiconschoolpercussioninstruments
bull AllegrettoSSuzuki
Tin Tan 64 bull PerformingamelodywiththenotesFaorFtoRersquoorDrsquobull Accompanyingpiecesofmusiconschoolandmalletpercussioninstruments
bull Tin Tanmedlyoftraditionalsongs
Symphony No 1 65 bull ThenoteSiborBbonthestaveandtherecorderbull PerformingamelodywiththenotesReorDtoSiborBbintwogroupsofrecorders
bull Symphony No 1GMahler
Stella Splendens 66 bull ThenoteSiorBandSiborBbinthesamepieceofmusicbull PerformingamelodywiththenotesDoorCtoRersquoorDrsquoandSiborBbintwogroupsofrecorders
bull Stella SplendensfromLlibre Vermell de Montserrat
Spring 67 bull PerformingamelodywiththenotesFaorFtoRersquoorDrsquoandSiborBbbull Accompanyingpiecesofmusiconschoolandmalletpercussioninstruments
bull Springfrom The Four SeasonsAVivaldi
La Cucaracha 68 bull PerformingamelodywiththenotesDoorCtoRersquoorDrsquoandSiborBbbull Accompanyingpiecesofmusiconschoolpercussioninstruments
bull La Cucarachatraditionalsong
Yellow Submarine 69 bull PerformingamelodywiththenotesReorDtoRersquoorDrsquoandSiborBbbull Accompanyingpiecesofmusiconschoolandmalletpercussioninstruments
bull Yellow SubmarineTheBeatles
The notes you know on the recorder 70
RECORDERTAB
instrument practice
5
6
The Roman Empire
The Modern Era
The Present Age
The Middle Ages
There have always been venues for music The Romans built amphitheatres outdoors with the seats in a semicircle in front
of the stage The acoustics were so good that we still use them nowadays
Nowadays we still use venues from the past but we donrsquot only listen to music in concert halls Contemporary music uses
electronic equipment to amplify sound so that it can be played on big stages
to thousands of people
During the Middle Ages monks sang Gregorian chant in cathedrals a type of religious music performed a cappella in Latin In village squares and cities jongleurs set up small
portable stages where they performed their productions
During the Modern Era the royalty and nobility loved to organise concerts and dances in the chambers of their
palaces They also began to stage operas in theatres with a big stage and a separate orchestra pit
Activity 1 Story Venues for Music CD 1 track 2 () bull Contents Venues for the performance of music throughout history Properties of sound () All track numbers refer to the Class Audio
Listen and read about venues for music throughout history
1
12
Venues for Music1TERM
7 Activity 2 Properties of sound CD 1 track 3
Listen and say which properties of sound change in each pair of instruments
2
13
Answer the questions
bull When a pianist and a violinist perform the same melody which property of sound changes
bull The human ear canrsquot hear sounds below 16 Hz Which property of sound are we talking about
bull When a sound exceeds 100 dB it starts to become dangerous for our ears Which property of sound are we talking about
3
Properties of sound
When an object vibrates it emits waves These waves are transmitted through the air or another medium to our ears and we perceive them as sound
The four properties of sound can be expressed or measured in different ways
bull Timbre is the property that allows us to distinguish between different instruments voices and other sounds
bullDynamics or volume tells us if a sound is loud or quiet Itrsquos measured in decibels (dB) In music we show it with dynamic indicators (119185 119185 119185 119184 119185 119184 119183 119183 119183 119183 cresc or and dim or )
bull Duration tells us if a sound is long or short In music we show it with note values and rests Itrsquos measured in beats (on the metronome) or in seconds
bull Pitch or tone tells us if a sound is high or low In music we show it with musical notes An object that emits a high sound vibrates more quickly than one that emits a low sound and the frequency of this vibration is measured in hertz (Hz)
high sound(more vibrations per second)
low sound(fewer vibrations per second)
1
3
2
4
TERM 1
lesson 1
Activity 1 Fermata Sign CD 1 track 4 Backing track CD 1 track 5 bull Contents The fermata sign Review of note values and rests
Fermata Sign
The fermata (
) is a sound-lengthening sign
It shows that the duration of a note or rest can be lengthened for as long as the performer or conductor wishes
The fermata sign is written above the stave on the note or rest that it lengthens
tradetrade
44 Œ œ œ œ w wpermil œjœ œ œ œ œ œ
Œ œ œ œ permil œjœ œ œ œ œ œ ww
U U U
Fer ta signFer ma ta sign
isis
usedal
aso---
ma-- lotknown
inasthisa
songhold
When you see one just play the note and hold on
semibreve 119133 four beats
minim 119134 two beats
crotchet 119135 119101 one beat
quaver 119136 119102 half a beat
semiquaver 119137 119103 a quarter of a beat
ReVIeW
Listen and sing along1
15
14
8
Activity 3 Fermata Sign CD 1 track 4
Play with body percussion2
Say the right rhythm to accompany the song and explain why Then listen and play along
3
14
The musicians are in the wrong places Explain where they should be and why
4
R L
R L
R L
R L
If to this rhythm
We add a tie
We get
You know two other sound-lengthening signs
bull The tie joins two or more notes of the same pitch adding their lengths together
bull A dotted note or rest lengthens the duration of the note or rest by half its original value 119134 119164
119134 119135(
ReVIeW
R L R both R L R both R L R R L R R L R both
snap R L R L snap R L R L
R L R L snap snap snap
R L R L R L R L
TERM 1
9
lesson 2
Listen and learn the dance Then make up the missing steps and dance it with your classmates1
16
introduction
introduction
AA B A B A CC A B AAbridge coda
codabridge
Make up the steps
Make up the steps Make up the stepsTake five steps make a statue and take another
five steps back to your partner Repeat
Greet your partner with body percussion
Take three steps to the side and snap your fingers
Repeat in the other direction
With your partner turn eight steps
in each direction
A
C
B
10 Activity 1 Plink Plank Plunk by L Anderson CD 1 track 6 bull Contents Parts of a piece of music introduction bridge and coda
Plink Plank Plunk
Parts of a piece of music
The organisation of the parts that make up a piece of music determines its musical form The forms that you know are
bull Binary made up of two parts that can be the same (AA) or different (AB)
bull Ternary made up of three parts that can all be different (ABC) or with one of them repeated (ABA)
bull Rondo in this form one of the parts called chorus is repeated The parts after it called verses are always different (ABACAhellip)
In addition to the main parts that make up a piece of music (A B Chellip) composers use different sections to join the parts together
bull The introduction is at the start of a piece of music It introduces the style the tempo and the character of the music It also attracts the listenerrsquos attention
bull The bridge is the section that joins two parts of a piece of music Itrsquos usually instrumental and short in duration
bull The coda mdash a word of Italian origin that means lsquotailrsquo mdash is the final section and helps to close the piece of music Sometimes itrsquos shown on the score with the symbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
Andante24amp
amp
amp
amp
œœœœ œ permil œJœJ permil œ œœœ œ permilœ
jœ œœ œ Œ
œœœœœ permilœjœœœ œ
permilœjœ œ œœ œœ œœœ
œœœ
œœœœ permilœJœtrade œ œ
jœ œj œ tradeœœ permilœJœ
trade œ œjœ œj
œ tradeœœpermil œjœ tradeœ œ
permil œjœœœœœ œœ ˙rit
Look at the score and sing it with the names for the notes2
Which property of sound does each unit measure3
decibel (dB) hertz (Hz) second (s)
Introduction bridge or coda
part B coda
introduction bridgepart A
TERM 1
11
lesson 3
Review the notes you know on the recorder Then look at the repeat signs on the score and play along1
18
17
tradetrade
Please re-peat
Please re-peat
Please re-peat Please re-peat
Please re-peat
1
tradetrade2
tradetrade
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(GLOCKENSPIEL)
Fine
DC al Fine and Codafi
Do or C Mi or E Sol or G Si or BRe or D Fa or F La or A Dorsquo or Crsquo Rersquo or Drsquo
bull ThepartsofasongarenrsquotalwaysrepeatedinexactlythesamewayToshowwhichbarsaredifferentintherepetitionweusethesymbols
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
tradetradeU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
and
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
2
tradetrade
Please re peat- Please re peat-
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
bull ThesignDa Capo al Fine(DC al Fine)meansthatwemustrepeatthescoreuptothewordFine
bull ThecodaisthepartofasongthatendsapieceofmusicItrsquosalsoshownwiththesymbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
REVIEW
12 Activity 1 Please Repeat CD1 track 7Backingtrack CD1 track 8bullContentsReviewofnotesfromDoorCtoRersquoorDrsquoontherecorderReviewofrepeatsignsReviewofmusicalscalesMusicalimprovisation
Please Repeat
Which scale is each score composed in Play them on your recorder
2
Musical improvisation means creating music spontaneously without preparing it before We can do it over a melody or using a backing track but we must always maintain the metre the musical form and the scale of the piece of music
Follow the instructions and improvise over the backing track
bull Choose an instrument
bull Start by improvising simple rhythms with crotchets and quavers and then try more complicated rhythms Remember that the rests are also a part of the music
bull If you chose a melodic instrument use these notes
bull Improvise following this musical form
introduction(4 bars)
improvisation(24 bars)
coda(4 bars)
24
bull Let your musical ear be your guide and have fun
3
18
A musical scale is a series of musical notes in ascending or descending order and it can start on any note There are many types of scales
bull The diatonic scale is made up of seven notes
bull The pentatonic scale has only five notes
ReVIeW
TERM 1
13
lesson 4
Activity 3 Backing track CD 1 track 8
Sing the verses and chorus and play the introduction the bridge and the coda of this Christmas song1
122
121
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Not only green when summerrsquos here But also when itrsquos cold and drear
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
For every year the Christmas tree Brings to us all the greatest glee
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
introduction
mf
rit
mf
mf
mf
mf
rit
bridge and coda
22
Oh Christmas Tree
Activity 1 Oh Christmas Tree CD 1 track 21 Backing track CD 1 track 22 bull Contents Review
Listen and answer the questions
bull Whatisthemetreofthesong
bull Arethereanysharps
bull Arethereanysound-lengtheningsigns
bull WhatdynamicsshouldweusetoperformtheintroductionArethereanychangesindynamicsafterthis
bull WhatisthetempoofthemusicArethereanychangesinthetempoduringthepieceofmusic
bull Howshouldwecombinethefollowingpartsofthesongintroductionbridgecodachorusandverses
Choose one of the songs from this term and make up an introduction a bridge or a coda for it
Which properties change in each pair of sounds Which unit of measurement do we use for each one
2
121
3
4
Listen and say the characteristics of each piece of music5
123 ThismusicisfromhelliptheRomanEmpire
theMiddleAgestheModernErathePresentAge
Youcouldhearthismusicinhellip
amphitheatrescathedralssquareschambersinpalacestheatresbigconcerthalls
Theinstrumentsyoucanhearinthispieceofmusicarehellip
electrophoneschordophonesaerophonesmembranophones
idiophones
Themusiciansperformingthispieceofmusiccomefromhellip
SouthernAfricaNorthAfricaNorthAmericaSouthAmericasomewhere
else
1
1
3
3
2
2
4
4
TERM 1 review
23Activity 2Oh Christmas Tree CD 1 track 21 Activity 5Musicandmusicians CD 1 track 23
tradetrade
tradetrade
tradetrade
Shhh shhh shhh shhh
(whistle) (whistle) (whistle)
(whistle)(whistle)
(whistle)
44
44
44 sum
Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ
œOacutetrade œOacutetrade œOacutetrade œOacutetrade
Œ permilœjœjpermilŒ sum Œ permilœ
jœjpermilŒ
steam sound
whistle of the locomotive
whistle of the train
introduction bridge and coda
verses
So the train is in the station (The station)Very soon it will depart (And where to)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
Now the train has started moving (Be careful)It is really going now (Go now)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
And the time spent at our old school (For so long)Will become a distant dream (A nice dream)It is full of happy memoriesIt is full of special momentsThat we will never forget
Listen and accompany the song with the vocal and instrumental ostinatos1
231
230
58
Take the Train
Activity 1 Take the Train CD 2 track 30 Backing track CD 2 track 31 bull Contents Review
2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w
Use the clues to find whatrsquos missing in this piece of music by Richard Wagner Complete the score in your Activity Book Then make up lyrics for the music and sing
2
1 Is the speed we go at medium speed or slow
2 One three quarters one quarter one and a rest
3 Yoursquoll get it sooner or later itrsquos an indicator
4 Go down a semitone and wersquore almost home
5 The first time was fun so play another one
6 Find the signature in time and everything will be fine
7 Let the rhythm guide there are five notes to decide
8 Give the note a hand help it to expand
9 Odd or even is irrelevant the order is more important
10 Separate the bars itrsquos not very hard
Andante
mf
3
1
64 10
5 7
9
24
8
1
TERM 3 review
59
Scarborough Fair
Scarborough Fair CD 3 track 2 Backing track CD 3 track 3
INSTRUMENT PRACTICE
33
32
The notes you know on the recorder
mp
p
p
Andante
mp
p
p
Andante
Do or C Sol or GMi or E Si or BRe or D La or AFa or F Rersquo or DrsquoDorsquo or Crsquo
60
Remember Me
Remember Me CD 3 track 4 Backing track CD 3 track 5
INSTRUMENT PRACTICE
35
34
mp mf
Andante
p
p
1 2
61
Adeste Fideles
Adeste Fideles CD 3 track 6 Backing track CD 3 track 7
37
36
The note Fa or F
mf
Allegro
mp
62
Allegretto
INSTRUMENT PRACTICE
Allegretto by S Suzuki CD 3 track 8 Backing track CD 3 track 9
39
38
Andante
63
Tin Tan
Tin Tan CD 3 track 10 Backing track CD 3 track 11
311
310
mf
Allegro
mf
mf
mf
64
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
Scores Topics Music
Scarborough Fair 60 bull ReviewofthenotesDoorCReorDMiorEFaorFSolorGLaorASiorBDorsquoorCrsquoandRersquoorDrsquoonthestaveandtherecorder
bull PerformingamelodywiththenotesDoorCtoRersquoorDrsquobull Accompanyingpiecesofmusiconschoolandmalletpercussioninstruments
bull Scarborough Fairtraditionalsong
Remember Me 61 bull PerformingamelodywiththenotesDoorCtoRersquoorDrsquobull Accompanyingpiecesofmusiconschoolpercussioninstruments
bull Remember Me
Adeste Fideles 62 bull ThenoteFaorFonthestaveandtherecorderbull PerformingamelodywiththenotesDoorCtoRersquoorDrsquoandFaorFintwogroupsofrecorders
bull Adeste FidelestraditionalChristmassong
Allegretto 63 bull PerformingamelodywiththenotesReorDtoRersquoorDrsquoandFaorFbull Accompanyingpiecesofmusiconschoolpercussioninstruments
bull AllegrettoSSuzuki
Tin Tan 64 bull PerformingamelodywiththenotesFaorFtoRersquoorDrsquobull Accompanyingpiecesofmusiconschoolandmalletpercussioninstruments
bull Tin Tanmedlyoftraditionalsongs
Symphony No 1 65 bull ThenoteSiborBbonthestaveandtherecorderbull PerformingamelodywiththenotesReorDtoSiborBbintwogroupsofrecorders
bull Symphony No 1GMahler
Stella Splendens 66 bull ThenoteSiorBandSiborBbinthesamepieceofmusicbull PerformingamelodywiththenotesDoorCtoRersquoorDrsquoandSiborBbintwogroupsofrecorders
bull Stella SplendensfromLlibre Vermell de Montserrat
Spring 67 bull PerformingamelodywiththenotesFaorFtoRersquoorDrsquoandSiborBbbull Accompanyingpiecesofmusiconschoolandmalletpercussioninstruments
bull Springfrom The Four SeasonsAVivaldi
La Cucaracha 68 bull PerformingamelodywiththenotesDoorCtoRersquoorDrsquoandSiborBbbull Accompanyingpiecesofmusiconschoolpercussioninstruments
bull La Cucarachatraditionalsong
Yellow Submarine 69 bull PerformingamelodywiththenotesReorDtoRersquoorDrsquoandSiborBbbull Accompanyingpiecesofmusiconschoolandmalletpercussioninstruments
bull Yellow SubmarineTheBeatles
The notes you know on the recorder 70
RECORDERTAB
instrument practice
5
6
The Roman Empire
The Modern Era
The Present Age
The Middle Ages
There have always been venues for music The Romans built amphitheatres outdoors with the seats in a semicircle in front
of the stage The acoustics were so good that we still use them nowadays
Nowadays we still use venues from the past but we donrsquot only listen to music in concert halls Contemporary music uses
electronic equipment to amplify sound so that it can be played on big stages
to thousands of people
During the Middle Ages monks sang Gregorian chant in cathedrals a type of religious music performed a cappella in Latin In village squares and cities jongleurs set up small
portable stages where they performed their productions
During the Modern Era the royalty and nobility loved to organise concerts and dances in the chambers of their
palaces They also began to stage operas in theatres with a big stage and a separate orchestra pit
Activity 1 Story Venues for Music CD 1 track 2 () bull Contents Venues for the performance of music throughout history Properties of sound () All track numbers refer to the Class Audio
Listen and read about venues for music throughout history
1
12
Venues for Music1TERM
7 Activity 2 Properties of sound CD 1 track 3
Listen and say which properties of sound change in each pair of instruments
2
13
Answer the questions
bull When a pianist and a violinist perform the same melody which property of sound changes
bull The human ear canrsquot hear sounds below 16 Hz Which property of sound are we talking about
bull When a sound exceeds 100 dB it starts to become dangerous for our ears Which property of sound are we talking about
3
Properties of sound
When an object vibrates it emits waves These waves are transmitted through the air or another medium to our ears and we perceive them as sound
The four properties of sound can be expressed or measured in different ways
bull Timbre is the property that allows us to distinguish between different instruments voices and other sounds
bullDynamics or volume tells us if a sound is loud or quiet Itrsquos measured in decibels (dB) In music we show it with dynamic indicators (119185 119185 119185 119184 119185 119184 119183 119183 119183 119183 cresc or and dim or )
bull Duration tells us if a sound is long or short In music we show it with note values and rests Itrsquos measured in beats (on the metronome) or in seconds
bull Pitch or tone tells us if a sound is high or low In music we show it with musical notes An object that emits a high sound vibrates more quickly than one that emits a low sound and the frequency of this vibration is measured in hertz (Hz)
high sound(more vibrations per second)
low sound(fewer vibrations per second)
1
3
2
4
TERM 1
lesson 1
Activity 1 Fermata Sign CD 1 track 4 Backing track CD 1 track 5 bull Contents The fermata sign Review of note values and rests
Fermata Sign
The fermata (
) is a sound-lengthening sign
It shows that the duration of a note or rest can be lengthened for as long as the performer or conductor wishes
The fermata sign is written above the stave on the note or rest that it lengthens
tradetrade
44 Œ œ œ œ w wpermil œjœ œ œ œ œ œ
Œ œ œ œ permil œjœ œ œ œ œ œ ww
U U U
Fer ta signFer ma ta sign
isis
usedal
aso---
ma-- lotknown
inasthisa
songhold
When you see one just play the note and hold on
semibreve 119133 four beats
minim 119134 two beats
crotchet 119135 119101 one beat
quaver 119136 119102 half a beat
semiquaver 119137 119103 a quarter of a beat
ReVIeW
Listen and sing along1
15
14
8
Activity 3 Fermata Sign CD 1 track 4
Play with body percussion2
Say the right rhythm to accompany the song and explain why Then listen and play along
3
14
The musicians are in the wrong places Explain where they should be and why
4
R L
R L
R L
R L
If to this rhythm
We add a tie
We get
You know two other sound-lengthening signs
bull The tie joins two or more notes of the same pitch adding their lengths together
bull A dotted note or rest lengthens the duration of the note or rest by half its original value 119134 119164
119134 119135(
ReVIeW
R L R both R L R both R L R R L R R L R both
snap R L R L snap R L R L
R L R L snap snap snap
R L R L R L R L
TERM 1
9
lesson 2
Listen and learn the dance Then make up the missing steps and dance it with your classmates1
16
introduction
introduction
AA B A B A CC A B AAbridge coda
codabridge
Make up the steps
Make up the steps Make up the stepsTake five steps make a statue and take another
five steps back to your partner Repeat
Greet your partner with body percussion
Take three steps to the side and snap your fingers
Repeat in the other direction
With your partner turn eight steps
in each direction
A
C
B
10 Activity 1 Plink Plank Plunk by L Anderson CD 1 track 6 bull Contents Parts of a piece of music introduction bridge and coda
Plink Plank Plunk
Parts of a piece of music
The organisation of the parts that make up a piece of music determines its musical form The forms that you know are
bull Binary made up of two parts that can be the same (AA) or different (AB)
bull Ternary made up of three parts that can all be different (ABC) or with one of them repeated (ABA)
bull Rondo in this form one of the parts called chorus is repeated The parts after it called verses are always different (ABACAhellip)
In addition to the main parts that make up a piece of music (A B Chellip) composers use different sections to join the parts together
bull The introduction is at the start of a piece of music It introduces the style the tempo and the character of the music It also attracts the listenerrsquos attention
bull The bridge is the section that joins two parts of a piece of music Itrsquos usually instrumental and short in duration
bull The coda mdash a word of Italian origin that means lsquotailrsquo mdash is the final section and helps to close the piece of music Sometimes itrsquos shown on the score with the symbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
Andante24amp
amp
amp
amp
œœœœ œ permil œJœJ permil œ œœœ œ permilœ
jœ œœ œ Œ
œœœœœ permilœjœœœ œ
permilœjœ œ œœ œœ œœœ
œœœ
œœœœ permilœJœtrade œ œ
jœ œj œ tradeœœ permilœJœ
trade œ œjœ œj
œ tradeœœpermil œjœ tradeœ œ
permil œjœœœœœ œœ ˙rit
Look at the score and sing it with the names for the notes2
Which property of sound does each unit measure3
decibel (dB) hertz (Hz) second (s)
Introduction bridge or coda
part B coda
introduction bridgepart A
TERM 1
11
lesson 3
Review the notes you know on the recorder Then look at the repeat signs on the score and play along1
18
17
tradetrade
Please re-peat
Please re-peat
Please re-peat Please re-peat
Please re-peat
1
tradetrade2
tradetrade
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(GLOCKENSPIEL)
Fine
DC al Fine and Codafi
Do or C Mi or E Sol or G Si or BRe or D Fa or F La or A Dorsquo or Crsquo Rersquo or Drsquo
bull ThepartsofasongarenrsquotalwaysrepeatedinexactlythesamewayToshowwhichbarsaredifferentintherepetitionweusethesymbols
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
tradetradeU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
and
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
2
tradetrade
Please re peat- Please re peat-
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
bull ThesignDa Capo al Fine(DC al Fine)meansthatwemustrepeatthescoreuptothewordFine
bull ThecodaisthepartofasongthatendsapieceofmusicItrsquosalsoshownwiththesymbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
REVIEW
12 Activity 1 Please Repeat CD1 track 7Backingtrack CD1 track 8bullContentsReviewofnotesfromDoorCtoRersquoorDrsquoontherecorderReviewofrepeatsignsReviewofmusicalscalesMusicalimprovisation
Please Repeat
Which scale is each score composed in Play them on your recorder
2
Musical improvisation means creating music spontaneously without preparing it before We can do it over a melody or using a backing track but we must always maintain the metre the musical form and the scale of the piece of music
Follow the instructions and improvise over the backing track
bull Choose an instrument
bull Start by improvising simple rhythms with crotchets and quavers and then try more complicated rhythms Remember that the rests are also a part of the music
bull If you chose a melodic instrument use these notes
bull Improvise following this musical form
introduction(4 bars)
improvisation(24 bars)
coda(4 bars)
24
bull Let your musical ear be your guide and have fun
3
18
A musical scale is a series of musical notes in ascending or descending order and it can start on any note There are many types of scales
bull The diatonic scale is made up of seven notes
bull The pentatonic scale has only five notes
ReVIeW
TERM 1
13
lesson 4
Activity 3 Backing track CD 1 track 8
Sing the verses and chorus and play the introduction the bridge and the coda of this Christmas song1
122
121
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Not only green when summerrsquos here But also when itrsquos cold and drear
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
For every year the Christmas tree Brings to us all the greatest glee
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
introduction
mf
rit
mf
mf
mf
mf
rit
bridge and coda
22
Oh Christmas Tree
Activity 1 Oh Christmas Tree CD 1 track 21 Backing track CD 1 track 22 bull Contents Review
Listen and answer the questions
bull Whatisthemetreofthesong
bull Arethereanysharps
bull Arethereanysound-lengtheningsigns
bull WhatdynamicsshouldweusetoperformtheintroductionArethereanychangesindynamicsafterthis
bull WhatisthetempoofthemusicArethereanychangesinthetempoduringthepieceofmusic
bull Howshouldwecombinethefollowingpartsofthesongintroductionbridgecodachorusandverses
Choose one of the songs from this term and make up an introduction a bridge or a coda for it
Which properties change in each pair of sounds Which unit of measurement do we use for each one
2
121
3
4
Listen and say the characteristics of each piece of music5
123 ThismusicisfromhelliptheRomanEmpire
theMiddleAgestheModernErathePresentAge
Youcouldhearthismusicinhellip
amphitheatrescathedralssquareschambersinpalacestheatresbigconcerthalls
Theinstrumentsyoucanhearinthispieceofmusicarehellip
electrophoneschordophonesaerophonesmembranophones
idiophones
Themusiciansperformingthispieceofmusiccomefromhellip
SouthernAfricaNorthAfricaNorthAmericaSouthAmericasomewhere
else
1
1
3
3
2
2
4
4
TERM 1 review
23Activity 2Oh Christmas Tree CD 1 track 21 Activity 5Musicandmusicians CD 1 track 23
tradetrade
tradetrade
tradetrade
Shhh shhh shhh shhh
(whistle) (whistle) (whistle)
(whistle)(whistle)
(whistle)
44
44
44 sum
Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ
œOacutetrade œOacutetrade œOacutetrade œOacutetrade
Œ permilœjœjpermilŒ sum Œ permilœ
jœjpermilŒ
steam sound
whistle of the locomotive
whistle of the train
introduction bridge and coda
verses
So the train is in the station (The station)Very soon it will depart (And where to)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
Now the train has started moving (Be careful)It is really going now (Go now)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
And the time spent at our old school (For so long)Will become a distant dream (A nice dream)It is full of happy memoriesIt is full of special momentsThat we will never forget
Listen and accompany the song with the vocal and instrumental ostinatos1
231
230
58
Take the Train
Activity 1 Take the Train CD 2 track 30 Backing track CD 2 track 31 bull Contents Review
2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w
Use the clues to find whatrsquos missing in this piece of music by Richard Wagner Complete the score in your Activity Book Then make up lyrics for the music and sing
2
1 Is the speed we go at medium speed or slow
2 One three quarters one quarter one and a rest
3 Yoursquoll get it sooner or later itrsquos an indicator
4 Go down a semitone and wersquore almost home
5 The first time was fun so play another one
6 Find the signature in time and everything will be fine
7 Let the rhythm guide there are five notes to decide
8 Give the note a hand help it to expand
9 Odd or even is irrelevant the order is more important
10 Separate the bars itrsquos not very hard
Andante
mf
3
1
64 10
5 7
9
24
8
1
TERM 3 review
59
Scarborough Fair
Scarborough Fair CD 3 track 2 Backing track CD 3 track 3
INSTRUMENT PRACTICE
33
32
The notes you know on the recorder
mp
p
p
Andante
mp
p
p
Andante
Do or C Sol or GMi or E Si or BRe or D La or AFa or F Rersquo or DrsquoDorsquo or Crsquo
60
Remember Me
Remember Me CD 3 track 4 Backing track CD 3 track 5
INSTRUMENT PRACTICE
35
34
mp mf
Andante
p
p
1 2
61
Adeste Fideles
Adeste Fideles CD 3 track 6 Backing track CD 3 track 7
37
36
The note Fa or F
mf
Allegro
mp
62
Allegretto
INSTRUMENT PRACTICE
Allegretto by S Suzuki CD 3 track 8 Backing track CD 3 track 9
39
38
Andante
63
Tin Tan
Tin Tan CD 3 track 10 Backing track CD 3 track 11
311
310
mf
Allegro
mf
mf
mf
64
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
6
The Roman Empire
The Modern Era
The Present Age
The Middle Ages
There have always been venues for music The Romans built amphitheatres outdoors with the seats in a semicircle in front
of the stage The acoustics were so good that we still use them nowadays
Nowadays we still use venues from the past but we donrsquot only listen to music in concert halls Contemporary music uses
electronic equipment to amplify sound so that it can be played on big stages
to thousands of people
During the Middle Ages monks sang Gregorian chant in cathedrals a type of religious music performed a cappella in Latin In village squares and cities jongleurs set up small
portable stages where they performed their productions
During the Modern Era the royalty and nobility loved to organise concerts and dances in the chambers of their
palaces They also began to stage operas in theatres with a big stage and a separate orchestra pit
Activity 1 Story Venues for Music CD 1 track 2 () bull Contents Venues for the performance of music throughout history Properties of sound () All track numbers refer to the Class Audio
Listen and read about venues for music throughout history
1
12
Venues for Music1TERM
7 Activity 2 Properties of sound CD 1 track 3
Listen and say which properties of sound change in each pair of instruments
2
13
Answer the questions
bull When a pianist and a violinist perform the same melody which property of sound changes
bull The human ear canrsquot hear sounds below 16 Hz Which property of sound are we talking about
bull When a sound exceeds 100 dB it starts to become dangerous for our ears Which property of sound are we talking about
3
Properties of sound
When an object vibrates it emits waves These waves are transmitted through the air or another medium to our ears and we perceive them as sound
The four properties of sound can be expressed or measured in different ways
bull Timbre is the property that allows us to distinguish between different instruments voices and other sounds
bullDynamics or volume tells us if a sound is loud or quiet Itrsquos measured in decibels (dB) In music we show it with dynamic indicators (119185 119185 119185 119184 119185 119184 119183 119183 119183 119183 cresc or and dim or )
bull Duration tells us if a sound is long or short In music we show it with note values and rests Itrsquos measured in beats (on the metronome) or in seconds
bull Pitch or tone tells us if a sound is high or low In music we show it with musical notes An object that emits a high sound vibrates more quickly than one that emits a low sound and the frequency of this vibration is measured in hertz (Hz)
high sound(more vibrations per second)
low sound(fewer vibrations per second)
1
3
2
4
TERM 1
lesson 1
Activity 1 Fermata Sign CD 1 track 4 Backing track CD 1 track 5 bull Contents The fermata sign Review of note values and rests
Fermata Sign
The fermata (
) is a sound-lengthening sign
It shows that the duration of a note or rest can be lengthened for as long as the performer or conductor wishes
The fermata sign is written above the stave on the note or rest that it lengthens
tradetrade
44 Œ œ œ œ w wpermil œjœ œ œ œ œ œ
Œ œ œ œ permil œjœ œ œ œ œ œ ww
U U U
Fer ta signFer ma ta sign
isis
usedal
aso---
ma-- lotknown
inasthisa
songhold
When you see one just play the note and hold on
semibreve 119133 four beats
minim 119134 two beats
crotchet 119135 119101 one beat
quaver 119136 119102 half a beat
semiquaver 119137 119103 a quarter of a beat
ReVIeW
Listen and sing along1
15
14
8
Activity 3 Fermata Sign CD 1 track 4
Play with body percussion2
Say the right rhythm to accompany the song and explain why Then listen and play along
3
14
The musicians are in the wrong places Explain where they should be and why
4
R L
R L
R L
R L
If to this rhythm
We add a tie
We get
You know two other sound-lengthening signs
bull The tie joins two or more notes of the same pitch adding their lengths together
bull A dotted note or rest lengthens the duration of the note or rest by half its original value 119134 119164
119134 119135(
ReVIeW
R L R both R L R both R L R R L R R L R both
snap R L R L snap R L R L
R L R L snap snap snap
R L R L R L R L
TERM 1
9
lesson 2
Listen and learn the dance Then make up the missing steps and dance it with your classmates1
16
introduction
introduction
AA B A B A CC A B AAbridge coda
codabridge
Make up the steps
Make up the steps Make up the stepsTake five steps make a statue and take another
five steps back to your partner Repeat
Greet your partner with body percussion
Take three steps to the side and snap your fingers
Repeat in the other direction
With your partner turn eight steps
in each direction
A
C
B
10 Activity 1 Plink Plank Plunk by L Anderson CD 1 track 6 bull Contents Parts of a piece of music introduction bridge and coda
Plink Plank Plunk
Parts of a piece of music
The organisation of the parts that make up a piece of music determines its musical form The forms that you know are
bull Binary made up of two parts that can be the same (AA) or different (AB)
bull Ternary made up of three parts that can all be different (ABC) or with one of them repeated (ABA)
bull Rondo in this form one of the parts called chorus is repeated The parts after it called verses are always different (ABACAhellip)
In addition to the main parts that make up a piece of music (A B Chellip) composers use different sections to join the parts together
bull The introduction is at the start of a piece of music It introduces the style the tempo and the character of the music It also attracts the listenerrsquos attention
bull The bridge is the section that joins two parts of a piece of music Itrsquos usually instrumental and short in duration
bull The coda mdash a word of Italian origin that means lsquotailrsquo mdash is the final section and helps to close the piece of music Sometimes itrsquos shown on the score with the symbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
Andante24amp
amp
amp
amp
œœœœ œ permil œJœJ permil œ œœœ œ permilœ
jœ œœ œ Œ
œœœœœ permilœjœœœ œ
permilœjœ œ œœ œœ œœœ
œœœ
œœœœ permilœJœtrade œ œ
jœ œj œ tradeœœ permilœJœ
trade œ œjœ œj
œ tradeœœpermil œjœ tradeœ œ
permil œjœœœœœ œœ ˙rit
Look at the score and sing it with the names for the notes2
Which property of sound does each unit measure3
decibel (dB) hertz (Hz) second (s)
Introduction bridge or coda
part B coda
introduction bridgepart A
TERM 1
11
lesson 3
Review the notes you know on the recorder Then look at the repeat signs on the score and play along1
18
17
tradetrade
Please re-peat
Please re-peat
Please re-peat Please re-peat
Please re-peat
1
tradetrade2
tradetrade
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(GLOCKENSPIEL)
Fine
DC al Fine and Codafi
Do or C Mi or E Sol or G Si or BRe or D Fa or F La or A Dorsquo or Crsquo Rersquo or Drsquo
bull ThepartsofasongarenrsquotalwaysrepeatedinexactlythesamewayToshowwhichbarsaredifferentintherepetitionweusethesymbols
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
tradetradeU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
and
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
2
tradetrade
Please re peat- Please re peat-
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
bull ThesignDa Capo al Fine(DC al Fine)meansthatwemustrepeatthescoreuptothewordFine
bull ThecodaisthepartofasongthatendsapieceofmusicItrsquosalsoshownwiththesymbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
REVIEW
12 Activity 1 Please Repeat CD1 track 7Backingtrack CD1 track 8bullContentsReviewofnotesfromDoorCtoRersquoorDrsquoontherecorderReviewofrepeatsignsReviewofmusicalscalesMusicalimprovisation
Please Repeat
Which scale is each score composed in Play them on your recorder
2
Musical improvisation means creating music spontaneously without preparing it before We can do it over a melody or using a backing track but we must always maintain the metre the musical form and the scale of the piece of music
Follow the instructions and improvise over the backing track
bull Choose an instrument
bull Start by improvising simple rhythms with crotchets and quavers and then try more complicated rhythms Remember that the rests are also a part of the music
bull If you chose a melodic instrument use these notes
bull Improvise following this musical form
introduction(4 bars)
improvisation(24 bars)
coda(4 bars)
24
bull Let your musical ear be your guide and have fun
3
18
A musical scale is a series of musical notes in ascending or descending order and it can start on any note There are many types of scales
bull The diatonic scale is made up of seven notes
bull The pentatonic scale has only five notes
ReVIeW
TERM 1
13
lesson 4
Activity 3 Backing track CD 1 track 8
Sing the verses and chorus and play the introduction the bridge and the coda of this Christmas song1
122
121
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Not only green when summerrsquos here But also when itrsquos cold and drear
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
For every year the Christmas tree Brings to us all the greatest glee
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
introduction
mf
rit
mf
mf
mf
mf
rit
bridge and coda
22
Oh Christmas Tree
Activity 1 Oh Christmas Tree CD 1 track 21 Backing track CD 1 track 22 bull Contents Review
Listen and answer the questions
bull Whatisthemetreofthesong
bull Arethereanysharps
bull Arethereanysound-lengtheningsigns
bull WhatdynamicsshouldweusetoperformtheintroductionArethereanychangesindynamicsafterthis
bull WhatisthetempoofthemusicArethereanychangesinthetempoduringthepieceofmusic
bull Howshouldwecombinethefollowingpartsofthesongintroductionbridgecodachorusandverses
Choose one of the songs from this term and make up an introduction a bridge or a coda for it
Which properties change in each pair of sounds Which unit of measurement do we use for each one
2
121
3
4
Listen and say the characteristics of each piece of music5
123 ThismusicisfromhelliptheRomanEmpire
theMiddleAgestheModernErathePresentAge
Youcouldhearthismusicinhellip
amphitheatrescathedralssquareschambersinpalacestheatresbigconcerthalls
Theinstrumentsyoucanhearinthispieceofmusicarehellip
electrophoneschordophonesaerophonesmembranophones
idiophones
Themusiciansperformingthispieceofmusiccomefromhellip
SouthernAfricaNorthAfricaNorthAmericaSouthAmericasomewhere
else
1
1
3
3
2
2
4
4
TERM 1 review
23Activity 2Oh Christmas Tree CD 1 track 21 Activity 5Musicandmusicians CD 1 track 23
tradetrade
tradetrade
tradetrade
Shhh shhh shhh shhh
(whistle) (whistle) (whistle)
(whistle)(whistle)
(whistle)
44
44
44 sum
Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ
œOacutetrade œOacutetrade œOacutetrade œOacutetrade
Œ permilœjœjpermilŒ sum Œ permilœ
jœjpermilŒ
steam sound
whistle of the locomotive
whistle of the train
introduction bridge and coda
verses
So the train is in the station (The station)Very soon it will depart (And where to)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
Now the train has started moving (Be careful)It is really going now (Go now)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
And the time spent at our old school (For so long)Will become a distant dream (A nice dream)It is full of happy memoriesIt is full of special momentsThat we will never forget
Listen and accompany the song with the vocal and instrumental ostinatos1
231
230
58
Take the Train
Activity 1 Take the Train CD 2 track 30 Backing track CD 2 track 31 bull Contents Review
2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w
Use the clues to find whatrsquos missing in this piece of music by Richard Wagner Complete the score in your Activity Book Then make up lyrics for the music and sing
2
1 Is the speed we go at medium speed or slow
2 One three quarters one quarter one and a rest
3 Yoursquoll get it sooner or later itrsquos an indicator
4 Go down a semitone and wersquore almost home
5 The first time was fun so play another one
6 Find the signature in time and everything will be fine
7 Let the rhythm guide there are five notes to decide
8 Give the note a hand help it to expand
9 Odd or even is irrelevant the order is more important
10 Separate the bars itrsquos not very hard
Andante
mf
3
1
64 10
5 7
9
24
8
1
TERM 3 review
59
Scarborough Fair
Scarborough Fair CD 3 track 2 Backing track CD 3 track 3
INSTRUMENT PRACTICE
33
32
The notes you know on the recorder
mp
p
p
Andante
mp
p
p
Andante
Do or C Sol or GMi or E Si or BRe or D La or AFa or F Rersquo or DrsquoDorsquo or Crsquo
60
Remember Me
Remember Me CD 3 track 4 Backing track CD 3 track 5
INSTRUMENT PRACTICE
35
34
mp mf
Andante
p
p
1 2
61
Adeste Fideles
Adeste Fideles CD 3 track 6 Backing track CD 3 track 7
37
36
The note Fa or F
mf
Allegro
mp
62
Allegretto
INSTRUMENT PRACTICE
Allegretto by S Suzuki CD 3 track 8 Backing track CD 3 track 9
39
38
Andante
63
Tin Tan
Tin Tan CD 3 track 10 Backing track CD 3 track 11
311
310
mf
Allegro
mf
mf
mf
64
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
7 Activity 2 Properties of sound CD 1 track 3
Listen and say which properties of sound change in each pair of instruments
2
13
Answer the questions
bull When a pianist and a violinist perform the same melody which property of sound changes
bull The human ear canrsquot hear sounds below 16 Hz Which property of sound are we talking about
bull When a sound exceeds 100 dB it starts to become dangerous for our ears Which property of sound are we talking about
3
Properties of sound
When an object vibrates it emits waves These waves are transmitted through the air or another medium to our ears and we perceive them as sound
The four properties of sound can be expressed or measured in different ways
bull Timbre is the property that allows us to distinguish between different instruments voices and other sounds
bullDynamics or volume tells us if a sound is loud or quiet Itrsquos measured in decibels (dB) In music we show it with dynamic indicators (119185 119185 119185 119184 119185 119184 119183 119183 119183 119183 cresc or and dim or )
bull Duration tells us if a sound is long or short In music we show it with note values and rests Itrsquos measured in beats (on the metronome) or in seconds
bull Pitch or tone tells us if a sound is high or low In music we show it with musical notes An object that emits a high sound vibrates more quickly than one that emits a low sound and the frequency of this vibration is measured in hertz (Hz)
high sound(more vibrations per second)
low sound(fewer vibrations per second)
1
3
2
4
TERM 1
lesson 1
Activity 1 Fermata Sign CD 1 track 4 Backing track CD 1 track 5 bull Contents The fermata sign Review of note values and rests
Fermata Sign
The fermata (
) is a sound-lengthening sign
It shows that the duration of a note or rest can be lengthened for as long as the performer or conductor wishes
The fermata sign is written above the stave on the note or rest that it lengthens
tradetrade
44 Œ œ œ œ w wpermil œjœ œ œ œ œ œ
Œ œ œ œ permil œjœ œ œ œ œ œ ww
U U U
Fer ta signFer ma ta sign
isis
usedal
aso---
ma-- lotknown
inasthisa
songhold
When you see one just play the note and hold on
semibreve 119133 four beats
minim 119134 two beats
crotchet 119135 119101 one beat
quaver 119136 119102 half a beat
semiquaver 119137 119103 a quarter of a beat
ReVIeW
Listen and sing along1
15
14
8
Activity 3 Fermata Sign CD 1 track 4
Play with body percussion2
Say the right rhythm to accompany the song and explain why Then listen and play along
3
14
The musicians are in the wrong places Explain where they should be and why
4
R L
R L
R L
R L
If to this rhythm
We add a tie
We get
You know two other sound-lengthening signs
bull The tie joins two or more notes of the same pitch adding their lengths together
bull A dotted note or rest lengthens the duration of the note or rest by half its original value 119134 119164
119134 119135(
ReVIeW
R L R both R L R both R L R R L R R L R both
snap R L R L snap R L R L
R L R L snap snap snap
R L R L R L R L
TERM 1
9
lesson 2
Listen and learn the dance Then make up the missing steps and dance it with your classmates1
16
introduction
introduction
AA B A B A CC A B AAbridge coda
codabridge
Make up the steps
Make up the steps Make up the stepsTake five steps make a statue and take another
five steps back to your partner Repeat
Greet your partner with body percussion
Take three steps to the side and snap your fingers
Repeat in the other direction
With your partner turn eight steps
in each direction
A
C
B
10 Activity 1 Plink Plank Plunk by L Anderson CD 1 track 6 bull Contents Parts of a piece of music introduction bridge and coda
Plink Plank Plunk
Parts of a piece of music
The organisation of the parts that make up a piece of music determines its musical form The forms that you know are
bull Binary made up of two parts that can be the same (AA) or different (AB)
bull Ternary made up of three parts that can all be different (ABC) or with one of them repeated (ABA)
bull Rondo in this form one of the parts called chorus is repeated The parts after it called verses are always different (ABACAhellip)
In addition to the main parts that make up a piece of music (A B Chellip) composers use different sections to join the parts together
bull The introduction is at the start of a piece of music It introduces the style the tempo and the character of the music It also attracts the listenerrsquos attention
bull The bridge is the section that joins two parts of a piece of music Itrsquos usually instrumental and short in duration
bull The coda mdash a word of Italian origin that means lsquotailrsquo mdash is the final section and helps to close the piece of music Sometimes itrsquos shown on the score with the symbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
Andante24amp
amp
amp
amp
œœœœ œ permil œJœJ permil œ œœœ œ permilœ
jœ œœ œ Œ
œœœœœ permilœjœœœ œ
permilœjœ œ œœ œœ œœœ
œœœ
œœœœ permilœJœtrade œ œ
jœ œj œ tradeœœ permilœJœ
trade œ œjœ œj
œ tradeœœpermil œjœ tradeœ œ
permil œjœœœœœ œœ ˙rit
Look at the score and sing it with the names for the notes2
Which property of sound does each unit measure3
decibel (dB) hertz (Hz) second (s)
Introduction bridge or coda
part B coda
introduction bridgepart A
TERM 1
11
lesson 3
Review the notes you know on the recorder Then look at the repeat signs on the score and play along1
18
17
tradetrade
Please re-peat
Please re-peat
Please re-peat Please re-peat
Please re-peat
1
tradetrade2
tradetrade
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(GLOCKENSPIEL)
Fine
DC al Fine and Codafi
Do or C Mi or E Sol or G Si or BRe or D Fa or F La or A Dorsquo or Crsquo Rersquo or Drsquo
bull ThepartsofasongarenrsquotalwaysrepeatedinexactlythesamewayToshowwhichbarsaredifferentintherepetitionweusethesymbols
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
tradetradeU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
and
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
2
tradetrade
Please re peat- Please re peat-
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
bull ThesignDa Capo al Fine(DC al Fine)meansthatwemustrepeatthescoreuptothewordFine
bull ThecodaisthepartofasongthatendsapieceofmusicItrsquosalsoshownwiththesymbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
REVIEW
12 Activity 1 Please Repeat CD1 track 7Backingtrack CD1 track 8bullContentsReviewofnotesfromDoorCtoRersquoorDrsquoontherecorderReviewofrepeatsignsReviewofmusicalscalesMusicalimprovisation
Please Repeat
Which scale is each score composed in Play them on your recorder
2
Musical improvisation means creating music spontaneously without preparing it before We can do it over a melody or using a backing track but we must always maintain the metre the musical form and the scale of the piece of music
Follow the instructions and improvise over the backing track
bull Choose an instrument
bull Start by improvising simple rhythms with crotchets and quavers and then try more complicated rhythms Remember that the rests are also a part of the music
bull If you chose a melodic instrument use these notes
bull Improvise following this musical form
introduction(4 bars)
improvisation(24 bars)
coda(4 bars)
24
bull Let your musical ear be your guide and have fun
3
18
A musical scale is a series of musical notes in ascending or descending order and it can start on any note There are many types of scales
bull The diatonic scale is made up of seven notes
bull The pentatonic scale has only five notes
ReVIeW
TERM 1
13
lesson 4
Activity 3 Backing track CD 1 track 8
Sing the verses and chorus and play the introduction the bridge and the coda of this Christmas song1
122
121
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Not only green when summerrsquos here But also when itrsquos cold and drear
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
For every year the Christmas tree Brings to us all the greatest glee
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
introduction
mf
rit
mf
mf
mf
mf
rit
bridge and coda
22
Oh Christmas Tree
Activity 1 Oh Christmas Tree CD 1 track 21 Backing track CD 1 track 22 bull Contents Review
Listen and answer the questions
bull Whatisthemetreofthesong
bull Arethereanysharps
bull Arethereanysound-lengtheningsigns
bull WhatdynamicsshouldweusetoperformtheintroductionArethereanychangesindynamicsafterthis
bull WhatisthetempoofthemusicArethereanychangesinthetempoduringthepieceofmusic
bull Howshouldwecombinethefollowingpartsofthesongintroductionbridgecodachorusandverses
Choose one of the songs from this term and make up an introduction a bridge or a coda for it
Which properties change in each pair of sounds Which unit of measurement do we use for each one
2
121
3
4
Listen and say the characteristics of each piece of music5
123 ThismusicisfromhelliptheRomanEmpire
theMiddleAgestheModernErathePresentAge
Youcouldhearthismusicinhellip
amphitheatrescathedralssquareschambersinpalacestheatresbigconcerthalls
Theinstrumentsyoucanhearinthispieceofmusicarehellip
electrophoneschordophonesaerophonesmembranophones
idiophones
Themusiciansperformingthispieceofmusiccomefromhellip
SouthernAfricaNorthAfricaNorthAmericaSouthAmericasomewhere
else
1
1
3
3
2
2
4
4
TERM 1 review
23Activity 2Oh Christmas Tree CD 1 track 21 Activity 5Musicandmusicians CD 1 track 23
tradetrade
tradetrade
tradetrade
Shhh shhh shhh shhh
(whistle) (whistle) (whistle)
(whistle)(whistle)
(whistle)
44
44
44 sum
Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ
œOacutetrade œOacutetrade œOacutetrade œOacutetrade
Œ permilœjœjpermilŒ sum Œ permilœ
jœjpermilŒ
steam sound
whistle of the locomotive
whistle of the train
introduction bridge and coda
verses
So the train is in the station (The station)Very soon it will depart (And where to)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
Now the train has started moving (Be careful)It is really going now (Go now)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
And the time spent at our old school (For so long)Will become a distant dream (A nice dream)It is full of happy memoriesIt is full of special momentsThat we will never forget
Listen and accompany the song with the vocal and instrumental ostinatos1
231
230
58
Take the Train
Activity 1 Take the Train CD 2 track 30 Backing track CD 2 track 31 bull Contents Review
2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w
Use the clues to find whatrsquos missing in this piece of music by Richard Wagner Complete the score in your Activity Book Then make up lyrics for the music and sing
2
1 Is the speed we go at medium speed or slow
2 One three quarters one quarter one and a rest
3 Yoursquoll get it sooner or later itrsquos an indicator
4 Go down a semitone and wersquore almost home
5 The first time was fun so play another one
6 Find the signature in time and everything will be fine
7 Let the rhythm guide there are five notes to decide
8 Give the note a hand help it to expand
9 Odd or even is irrelevant the order is more important
10 Separate the bars itrsquos not very hard
Andante
mf
3
1
64 10
5 7
9
24
8
1
TERM 3 review
59
Scarborough Fair
Scarborough Fair CD 3 track 2 Backing track CD 3 track 3
INSTRUMENT PRACTICE
33
32
The notes you know on the recorder
mp
p
p
Andante
mp
p
p
Andante
Do or C Sol or GMi or E Si or BRe or D La or AFa or F Rersquo or DrsquoDorsquo or Crsquo
60
Remember Me
Remember Me CD 3 track 4 Backing track CD 3 track 5
INSTRUMENT PRACTICE
35
34
mp mf
Andante
p
p
1 2
61
Adeste Fideles
Adeste Fideles CD 3 track 6 Backing track CD 3 track 7
37
36
The note Fa or F
mf
Allegro
mp
62
Allegretto
INSTRUMENT PRACTICE
Allegretto by S Suzuki CD 3 track 8 Backing track CD 3 track 9
39
38
Andante
63
Tin Tan
Tin Tan CD 3 track 10 Backing track CD 3 track 11
311
310
mf
Allegro
mf
mf
mf
64
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
Activity 1 Fermata Sign CD 1 track 4 Backing track CD 1 track 5 bull Contents The fermata sign Review of note values and rests
Fermata Sign
The fermata (
) is a sound-lengthening sign
It shows that the duration of a note or rest can be lengthened for as long as the performer or conductor wishes
The fermata sign is written above the stave on the note or rest that it lengthens
tradetrade
44 Œ œ œ œ w wpermil œjœ œ œ œ œ œ
Œ œ œ œ permil œjœ œ œ œ œ œ ww
U U U
Fer ta signFer ma ta sign
isis
usedal
aso---
ma-- lotknown
inasthisa
songhold
When you see one just play the note and hold on
semibreve 119133 four beats
minim 119134 two beats
crotchet 119135 119101 one beat
quaver 119136 119102 half a beat
semiquaver 119137 119103 a quarter of a beat
ReVIeW
Listen and sing along1
15
14
8
Activity 3 Fermata Sign CD 1 track 4
Play with body percussion2
Say the right rhythm to accompany the song and explain why Then listen and play along
3
14
The musicians are in the wrong places Explain where they should be and why
4
R L
R L
R L
R L
If to this rhythm
We add a tie
We get
You know two other sound-lengthening signs
bull The tie joins two or more notes of the same pitch adding their lengths together
bull A dotted note or rest lengthens the duration of the note or rest by half its original value 119134 119164
119134 119135(
ReVIeW
R L R both R L R both R L R R L R R L R both
snap R L R L snap R L R L
R L R L snap snap snap
R L R L R L R L
TERM 1
9
lesson 2
Listen and learn the dance Then make up the missing steps and dance it with your classmates1
16
introduction
introduction
AA B A B A CC A B AAbridge coda
codabridge
Make up the steps
Make up the steps Make up the stepsTake five steps make a statue and take another
five steps back to your partner Repeat
Greet your partner with body percussion
Take three steps to the side and snap your fingers
Repeat in the other direction
With your partner turn eight steps
in each direction
A
C
B
10 Activity 1 Plink Plank Plunk by L Anderson CD 1 track 6 bull Contents Parts of a piece of music introduction bridge and coda
Plink Plank Plunk
Parts of a piece of music
The organisation of the parts that make up a piece of music determines its musical form The forms that you know are
bull Binary made up of two parts that can be the same (AA) or different (AB)
bull Ternary made up of three parts that can all be different (ABC) or with one of them repeated (ABA)
bull Rondo in this form one of the parts called chorus is repeated The parts after it called verses are always different (ABACAhellip)
In addition to the main parts that make up a piece of music (A B Chellip) composers use different sections to join the parts together
bull The introduction is at the start of a piece of music It introduces the style the tempo and the character of the music It also attracts the listenerrsquos attention
bull The bridge is the section that joins two parts of a piece of music Itrsquos usually instrumental and short in duration
bull The coda mdash a word of Italian origin that means lsquotailrsquo mdash is the final section and helps to close the piece of music Sometimes itrsquos shown on the score with the symbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
Andante24amp
amp
amp
amp
œœœœ œ permil œJœJ permil œ œœœ œ permilœ
jœ œœ œ Œ
œœœœœ permilœjœœœ œ
permilœjœ œ œœ œœ œœœ
œœœ
œœœœ permilœJœtrade œ œ
jœ œj œ tradeœœ permilœJœ
trade œ œjœ œj
œ tradeœœpermil œjœ tradeœ œ
permil œjœœœœœ œœ ˙rit
Look at the score and sing it with the names for the notes2
Which property of sound does each unit measure3
decibel (dB) hertz (Hz) second (s)
Introduction bridge or coda
part B coda
introduction bridgepart A
TERM 1
11
lesson 3
Review the notes you know on the recorder Then look at the repeat signs on the score and play along1
18
17
tradetrade
Please re-peat
Please re-peat
Please re-peat Please re-peat
Please re-peat
1
tradetrade2
tradetrade
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(GLOCKENSPIEL)
Fine
DC al Fine and Codafi
Do or C Mi or E Sol or G Si or BRe or D Fa or F La or A Dorsquo or Crsquo Rersquo or Drsquo
bull ThepartsofasongarenrsquotalwaysrepeatedinexactlythesamewayToshowwhichbarsaredifferentintherepetitionweusethesymbols
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
tradetradeU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
and
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
2
tradetrade
Please re peat- Please re peat-
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
bull ThesignDa Capo al Fine(DC al Fine)meansthatwemustrepeatthescoreuptothewordFine
bull ThecodaisthepartofasongthatendsapieceofmusicItrsquosalsoshownwiththesymbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
REVIEW
12 Activity 1 Please Repeat CD1 track 7Backingtrack CD1 track 8bullContentsReviewofnotesfromDoorCtoRersquoorDrsquoontherecorderReviewofrepeatsignsReviewofmusicalscalesMusicalimprovisation
Please Repeat
Which scale is each score composed in Play them on your recorder
2
Musical improvisation means creating music spontaneously without preparing it before We can do it over a melody or using a backing track but we must always maintain the metre the musical form and the scale of the piece of music
Follow the instructions and improvise over the backing track
bull Choose an instrument
bull Start by improvising simple rhythms with crotchets and quavers and then try more complicated rhythms Remember that the rests are also a part of the music
bull If you chose a melodic instrument use these notes
bull Improvise following this musical form
introduction(4 bars)
improvisation(24 bars)
coda(4 bars)
24
bull Let your musical ear be your guide and have fun
3
18
A musical scale is a series of musical notes in ascending or descending order and it can start on any note There are many types of scales
bull The diatonic scale is made up of seven notes
bull The pentatonic scale has only five notes
ReVIeW
TERM 1
13
lesson 4
Activity 3 Backing track CD 1 track 8
Sing the verses and chorus and play the introduction the bridge and the coda of this Christmas song1
122
121
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Not only green when summerrsquos here But also when itrsquos cold and drear
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
For every year the Christmas tree Brings to us all the greatest glee
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
introduction
mf
rit
mf
mf
mf
mf
rit
bridge and coda
22
Oh Christmas Tree
Activity 1 Oh Christmas Tree CD 1 track 21 Backing track CD 1 track 22 bull Contents Review
Listen and answer the questions
bull Whatisthemetreofthesong
bull Arethereanysharps
bull Arethereanysound-lengtheningsigns
bull WhatdynamicsshouldweusetoperformtheintroductionArethereanychangesindynamicsafterthis
bull WhatisthetempoofthemusicArethereanychangesinthetempoduringthepieceofmusic
bull Howshouldwecombinethefollowingpartsofthesongintroductionbridgecodachorusandverses
Choose one of the songs from this term and make up an introduction a bridge or a coda for it
Which properties change in each pair of sounds Which unit of measurement do we use for each one
2
121
3
4
Listen and say the characteristics of each piece of music5
123 ThismusicisfromhelliptheRomanEmpire
theMiddleAgestheModernErathePresentAge
Youcouldhearthismusicinhellip
amphitheatrescathedralssquareschambersinpalacestheatresbigconcerthalls
Theinstrumentsyoucanhearinthispieceofmusicarehellip
electrophoneschordophonesaerophonesmembranophones
idiophones
Themusiciansperformingthispieceofmusiccomefromhellip
SouthernAfricaNorthAfricaNorthAmericaSouthAmericasomewhere
else
1
1
3
3
2
2
4
4
TERM 1 review
23Activity 2Oh Christmas Tree CD 1 track 21 Activity 5Musicandmusicians CD 1 track 23
tradetrade
tradetrade
tradetrade
Shhh shhh shhh shhh
(whistle) (whistle) (whistle)
(whistle)(whistle)
(whistle)
44
44
44 sum
Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ
œOacutetrade œOacutetrade œOacutetrade œOacutetrade
Œ permilœjœjpermilŒ sum Œ permilœ
jœjpermilŒ
steam sound
whistle of the locomotive
whistle of the train
introduction bridge and coda
verses
So the train is in the station (The station)Very soon it will depart (And where to)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
Now the train has started moving (Be careful)It is really going now (Go now)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
And the time spent at our old school (For so long)Will become a distant dream (A nice dream)It is full of happy memoriesIt is full of special momentsThat we will never forget
Listen and accompany the song with the vocal and instrumental ostinatos1
231
230
58
Take the Train
Activity 1 Take the Train CD 2 track 30 Backing track CD 2 track 31 bull Contents Review
2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w
Use the clues to find whatrsquos missing in this piece of music by Richard Wagner Complete the score in your Activity Book Then make up lyrics for the music and sing
2
1 Is the speed we go at medium speed or slow
2 One three quarters one quarter one and a rest
3 Yoursquoll get it sooner or later itrsquos an indicator
4 Go down a semitone and wersquore almost home
5 The first time was fun so play another one
6 Find the signature in time and everything will be fine
7 Let the rhythm guide there are five notes to decide
8 Give the note a hand help it to expand
9 Odd or even is irrelevant the order is more important
10 Separate the bars itrsquos not very hard
Andante
mf
3
1
64 10
5 7
9
24
8
1
TERM 3 review
59
Scarborough Fair
Scarborough Fair CD 3 track 2 Backing track CD 3 track 3
INSTRUMENT PRACTICE
33
32
The notes you know on the recorder
mp
p
p
Andante
mp
p
p
Andante
Do or C Sol or GMi or E Si or BRe or D La or AFa or F Rersquo or DrsquoDorsquo or Crsquo
60
Remember Me
Remember Me CD 3 track 4 Backing track CD 3 track 5
INSTRUMENT PRACTICE
35
34
mp mf
Andante
p
p
1 2
61
Adeste Fideles
Adeste Fideles CD 3 track 6 Backing track CD 3 track 7
37
36
The note Fa or F
mf
Allegro
mp
62
Allegretto
INSTRUMENT PRACTICE
Allegretto by S Suzuki CD 3 track 8 Backing track CD 3 track 9
39
38
Andante
63
Tin Tan
Tin Tan CD 3 track 10 Backing track CD 3 track 11
311
310
mf
Allegro
mf
mf
mf
64
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
Activity 3 Fermata Sign CD 1 track 4
Play with body percussion2
Say the right rhythm to accompany the song and explain why Then listen and play along
3
14
The musicians are in the wrong places Explain where they should be and why
4
R L
R L
R L
R L
If to this rhythm
We add a tie
We get
You know two other sound-lengthening signs
bull The tie joins two or more notes of the same pitch adding their lengths together
bull A dotted note or rest lengthens the duration of the note or rest by half its original value 119134 119164
119134 119135(
ReVIeW
R L R both R L R both R L R R L R R L R both
snap R L R L snap R L R L
R L R L snap snap snap
R L R L R L R L
TERM 1
9
lesson 2
Listen and learn the dance Then make up the missing steps and dance it with your classmates1
16
introduction
introduction
AA B A B A CC A B AAbridge coda
codabridge
Make up the steps
Make up the steps Make up the stepsTake five steps make a statue and take another
five steps back to your partner Repeat
Greet your partner with body percussion
Take three steps to the side and snap your fingers
Repeat in the other direction
With your partner turn eight steps
in each direction
A
C
B
10 Activity 1 Plink Plank Plunk by L Anderson CD 1 track 6 bull Contents Parts of a piece of music introduction bridge and coda
Plink Plank Plunk
Parts of a piece of music
The organisation of the parts that make up a piece of music determines its musical form The forms that you know are
bull Binary made up of two parts that can be the same (AA) or different (AB)
bull Ternary made up of three parts that can all be different (ABC) or with one of them repeated (ABA)
bull Rondo in this form one of the parts called chorus is repeated The parts after it called verses are always different (ABACAhellip)
In addition to the main parts that make up a piece of music (A B Chellip) composers use different sections to join the parts together
bull The introduction is at the start of a piece of music It introduces the style the tempo and the character of the music It also attracts the listenerrsquos attention
bull The bridge is the section that joins two parts of a piece of music Itrsquos usually instrumental and short in duration
bull The coda mdash a word of Italian origin that means lsquotailrsquo mdash is the final section and helps to close the piece of music Sometimes itrsquos shown on the score with the symbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
Andante24amp
amp
amp
amp
œœœœ œ permil œJœJ permil œ œœœ œ permilœ
jœ œœ œ Œ
œœœœœ permilœjœœœ œ
permilœjœ œ œœ œœ œœœ
œœœ
œœœœ permilœJœtrade œ œ
jœ œj œ tradeœœ permilœJœ
trade œ œjœ œj
œ tradeœœpermil œjœ tradeœ œ
permil œjœœœœœ œœ ˙rit
Look at the score and sing it with the names for the notes2
Which property of sound does each unit measure3
decibel (dB) hertz (Hz) second (s)
Introduction bridge or coda
part B coda
introduction bridgepart A
TERM 1
11
lesson 3
Review the notes you know on the recorder Then look at the repeat signs on the score and play along1
18
17
tradetrade
Please re-peat
Please re-peat
Please re-peat Please re-peat
Please re-peat
1
tradetrade2
tradetrade
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(GLOCKENSPIEL)
Fine
DC al Fine and Codafi
Do or C Mi or E Sol or G Si or BRe or D Fa or F La or A Dorsquo or Crsquo Rersquo or Drsquo
bull ThepartsofasongarenrsquotalwaysrepeatedinexactlythesamewayToshowwhichbarsaredifferentintherepetitionweusethesymbols
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
tradetradeU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
and
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
2
tradetrade
Please re peat- Please re peat-
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
bull ThesignDa Capo al Fine(DC al Fine)meansthatwemustrepeatthescoreuptothewordFine
bull ThecodaisthepartofasongthatendsapieceofmusicItrsquosalsoshownwiththesymbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
REVIEW
12 Activity 1 Please Repeat CD1 track 7Backingtrack CD1 track 8bullContentsReviewofnotesfromDoorCtoRersquoorDrsquoontherecorderReviewofrepeatsignsReviewofmusicalscalesMusicalimprovisation
Please Repeat
Which scale is each score composed in Play them on your recorder
2
Musical improvisation means creating music spontaneously without preparing it before We can do it over a melody or using a backing track but we must always maintain the metre the musical form and the scale of the piece of music
Follow the instructions and improvise over the backing track
bull Choose an instrument
bull Start by improvising simple rhythms with crotchets and quavers and then try more complicated rhythms Remember that the rests are also a part of the music
bull If you chose a melodic instrument use these notes
bull Improvise following this musical form
introduction(4 bars)
improvisation(24 bars)
coda(4 bars)
24
bull Let your musical ear be your guide and have fun
3
18
A musical scale is a series of musical notes in ascending or descending order and it can start on any note There are many types of scales
bull The diatonic scale is made up of seven notes
bull The pentatonic scale has only five notes
ReVIeW
TERM 1
13
lesson 4
Activity 3 Backing track CD 1 track 8
Sing the verses and chorus and play the introduction the bridge and the coda of this Christmas song1
122
121
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Not only green when summerrsquos here But also when itrsquos cold and drear
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
For every year the Christmas tree Brings to us all the greatest glee
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
introduction
mf
rit
mf
mf
mf
mf
rit
bridge and coda
22
Oh Christmas Tree
Activity 1 Oh Christmas Tree CD 1 track 21 Backing track CD 1 track 22 bull Contents Review
Listen and answer the questions
bull Whatisthemetreofthesong
bull Arethereanysharps
bull Arethereanysound-lengtheningsigns
bull WhatdynamicsshouldweusetoperformtheintroductionArethereanychangesindynamicsafterthis
bull WhatisthetempoofthemusicArethereanychangesinthetempoduringthepieceofmusic
bull Howshouldwecombinethefollowingpartsofthesongintroductionbridgecodachorusandverses
Choose one of the songs from this term and make up an introduction a bridge or a coda for it
Which properties change in each pair of sounds Which unit of measurement do we use for each one
2
121
3
4
Listen and say the characteristics of each piece of music5
123 ThismusicisfromhelliptheRomanEmpire
theMiddleAgestheModernErathePresentAge
Youcouldhearthismusicinhellip
amphitheatrescathedralssquareschambersinpalacestheatresbigconcerthalls
Theinstrumentsyoucanhearinthispieceofmusicarehellip
electrophoneschordophonesaerophonesmembranophones
idiophones
Themusiciansperformingthispieceofmusiccomefromhellip
SouthernAfricaNorthAfricaNorthAmericaSouthAmericasomewhere
else
1
1
3
3
2
2
4
4
TERM 1 review
23Activity 2Oh Christmas Tree CD 1 track 21 Activity 5Musicandmusicians CD 1 track 23
tradetrade
tradetrade
tradetrade
Shhh shhh shhh shhh
(whistle) (whistle) (whistle)
(whistle)(whistle)
(whistle)
44
44
44 sum
Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ
œOacutetrade œOacutetrade œOacutetrade œOacutetrade
Œ permilœjœjpermilŒ sum Œ permilœ
jœjpermilŒ
steam sound
whistle of the locomotive
whistle of the train
introduction bridge and coda
verses
So the train is in the station (The station)Very soon it will depart (And where to)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
Now the train has started moving (Be careful)It is really going now (Go now)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
And the time spent at our old school (For so long)Will become a distant dream (A nice dream)It is full of happy memoriesIt is full of special momentsThat we will never forget
Listen and accompany the song with the vocal and instrumental ostinatos1
231
230
58
Take the Train
Activity 1 Take the Train CD 2 track 30 Backing track CD 2 track 31 bull Contents Review
2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w
Use the clues to find whatrsquos missing in this piece of music by Richard Wagner Complete the score in your Activity Book Then make up lyrics for the music and sing
2
1 Is the speed we go at medium speed or slow
2 One three quarters one quarter one and a rest
3 Yoursquoll get it sooner or later itrsquos an indicator
4 Go down a semitone and wersquore almost home
5 The first time was fun so play another one
6 Find the signature in time and everything will be fine
7 Let the rhythm guide there are five notes to decide
8 Give the note a hand help it to expand
9 Odd or even is irrelevant the order is more important
10 Separate the bars itrsquos not very hard
Andante
mf
3
1
64 10
5 7
9
24
8
1
TERM 3 review
59
Scarborough Fair
Scarborough Fair CD 3 track 2 Backing track CD 3 track 3
INSTRUMENT PRACTICE
33
32
The notes you know on the recorder
mp
p
p
Andante
mp
p
p
Andante
Do or C Sol or GMi or E Si or BRe or D La or AFa or F Rersquo or DrsquoDorsquo or Crsquo
60
Remember Me
Remember Me CD 3 track 4 Backing track CD 3 track 5
INSTRUMENT PRACTICE
35
34
mp mf
Andante
p
p
1 2
61
Adeste Fideles
Adeste Fideles CD 3 track 6 Backing track CD 3 track 7
37
36
The note Fa or F
mf
Allegro
mp
62
Allegretto
INSTRUMENT PRACTICE
Allegretto by S Suzuki CD 3 track 8 Backing track CD 3 track 9
39
38
Andante
63
Tin Tan
Tin Tan CD 3 track 10 Backing track CD 3 track 11
311
310
mf
Allegro
mf
mf
mf
64
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
Listen and learn the dance Then make up the missing steps and dance it with your classmates1
16
introduction
introduction
AA B A B A CC A B AAbridge coda
codabridge
Make up the steps
Make up the steps Make up the stepsTake five steps make a statue and take another
five steps back to your partner Repeat
Greet your partner with body percussion
Take three steps to the side and snap your fingers
Repeat in the other direction
With your partner turn eight steps
in each direction
A
C
B
10 Activity 1 Plink Plank Plunk by L Anderson CD 1 track 6 bull Contents Parts of a piece of music introduction bridge and coda
Plink Plank Plunk
Parts of a piece of music
The organisation of the parts that make up a piece of music determines its musical form The forms that you know are
bull Binary made up of two parts that can be the same (AA) or different (AB)
bull Ternary made up of three parts that can all be different (ABC) or with one of them repeated (ABA)
bull Rondo in this form one of the parts called chorus is repeated The parts after it called verses are always different (ABACAhellip)
In addition to the main parts that make up a piece of music (A B Chellip) composers use different sections to join the parts together
bull The introduction is at the start of a piece of music It introduces the style the tempo and the character of the music It also attracts the listenerrsquos attention
bull The bridge is the section that joins two parts of a piece of music Itrsquos usually instrumental and short in duration
bull The coda mdash a word of Italian origin that means lsquotailrsquo mdash is the final section and helps to close the piece of music Sometimes itrsquos shown on the score with the symbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
Andante24amp
amp
amp
amp
œœœœ œ permil œJœJ permil œ œœœ œ permilœ
jœ œœ œ Œ
œœœœœ permilœjœœœ œ
permilœjœ œ œœ œœ œœœ
œœœ
œœœœ permilœJœtrade œ œ
jœ œj œ tradeœœ permilœJœ
trade œ œjœ œj
œ tradeœœpermil œjœ tradeœ œ
permil œjœœœœœ œœ ˙rit
Look at the score and sing it with the names for the notes2
Which property of sound does each unit measure3
decibel (dB) hertz (Hz) second (s)
Introduction bridge or coda
part B coda
introduction bridgepart A
TERM 1
11
lesson 3
Review the notes you know on the recorder Then look at the repeat signs on the score and play along1
18
17
tradetrade
Please re-peat
Please re-peat
Please re-peat Please re-peat
Please re-peat
1
tradetrade2
tradetrade
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(GLOCKENSPIEL)
Fine
DC al Fine and Codafi
Do or C Mi or E Sol or G Si or BRe or D Fa or F La or A Dorsquo or Crsquo Rersquo or Drsquo
bull ThepartsofasongarenrsquotalwaysrepeatedinexactlythesamewayToshowwhichbarsaredifferentintherepetitionweusethesymbols
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
tradetradeU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
and
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
2
tradetrade
Please re peat- Please re peat-
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
bull ThesignDa Capo al Fine(DC al Fine)meansthatwemustrepeatthescoreuptothewordFine
bull ThecodaisthepartofasongthatendsapieceofmusicItrsquosalsoshownwiththesymbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
REVIEW
12 Activity 1 Please Repeat CD1 track 7Backingtrack CD1 track 8bullContentsReviewofnotesfromDoorCtoRersquoorDrsquoontherecorderReviewofrepeatsignsReviewofmusicalscalesMusicalimprovisation
Please Repeat
Which scale is each score composed in Play them on your recorder
2
Musical improvisation means creating music spontaneously without preparing it before We can do it over a melody or using a backing track but we must always maintain the metre the musical form and the scale of the piece of music
Follow the instructions and improvise over the backing track
bull Choose an instrument
bull Start by improvising simple rhythms with crotchets and quavers and then try more complicated rhythms Remember that the rests are also a part of the music
bull If you chose a melodic instrument use these notes
bull Improvise following this musical form
introduction(4 bars)
improvisation(24 bars)
coda(4 bars)
24
bull Let your musical ear be your guide and have fun
3
18
A musical scale is a series of musical notes in ascending or descending order and it can start on any note There are many types of scales
bull The diatonic scale is made up of seven notes
bull The pentatonic scale has only five notes
ReVIeW
TERM 1
13
lesson 4
Activity 3 Backing track CD 1 track 8
Sing the verses and chorus and play the introduction the bridge and the coda of this Christmas song1
122
121
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Not only green when summerrsquos here But also when itrsquos cold and drear
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
For every year the Christmas tree Brings to us all the greatest glee
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
introduction
mf
rit
mf
mf
mf
mf
rit
bridge and coda
22
Oh Christmas Tree
Activity 1 Oh Christmas Tree CD 1 track 21 Backing track CD 1 track 22 bull Contents Review
Listen and answer the questions
bull Whatisthemetreofthesong
bull Arethereanysharps
bull Arethereanysound-lengtheningsigns
bull WhatdynamicsshouldweusetoperformtheintroductionArethereanychangesindynamicsafterthis
bull WhatisthetempoofthemusicArethereanychangesinthetempoduringthepieceofmusic
bull Howshouldwecombinethefollowingpartsofthesongintroductionbridgecodachorusandverses
Choose one of the songs from this term and make up an introduction a bridge or a coda for it
Which properties change in each pair of sounds Which unit of measurement do we use for each one
2
121
3
4
Listen and say the characteristics of each piece of music5
123 ThismusicisfromhelliptheRomanEmpire
theMiddleAgestheModernErathePresentAge
Youcouldhearthismusicinhellip
amphitheatrescathedralssquareschambersinpalacestheatresbigconcerthalls
Theinstrumentsyoucanhearinthispieceofmusicarehellip
electrophoneschordophonesaerophonesmembranophones
idiophones
Themusiciansperformingthispieceofmusiccomefromhellip
SouthernAfricaNorthAfricaNorthAmericaSouthAmericasomewhere
else
1
1
3
3
2
2
4
4
TERM 1 review
23Activity 2Oh Christmas Tree CD 1 track 21 Activity 5Musicandmusicians CD 1 track 23
tradetrade
tradetrade
tradetrade
Shhh shhh shhh shhh
(whistle) (whistle) (whistle)
(whistle)(whistle)
(whistle)
44
44
44 sum
Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ
œOacutetrade œOacutetrade œOacutetrade œOacutetrade
Œ permilœjœjpermilŒ sum Œ permilœ
jœjpermilŒ
steam sound
whistle of the locomotive
whistle of the train
introduction bridge and coda
verses
So the train is in the station (The station)Very soon it will depart (And where to)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
Now the train has started moving (Be careful)It is really going now (Go now)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
And the time spent at our old school (For so long)Will become a distant dream (A nice dream)It is full of happy memoriesIt is full of special momentsThat we will never forget
Listen and accompany the song with the vocal and instrumental ostinatos1
231
230
58
Take the Train
Activity 1 Take the Train CD 2 track 30 Backing track CD 2 track 31 bull Contents Review
2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w
Use the clues to find whatrsquos missing in this piece of music by Richard Wagner Complete the score in your Activity Book Then make up lyrics for the music and sing
2
1 Is the speed we go at medium speed or slow
2 One three quarters one quarter one and a rest
3 Yoursquoll get it sooner or later itrsquos an indicator
4 Go down a semitone and wersquore almost home
5 The first time was fun so play another one
6 Find the signature in time and everything will be fine
7 Let the rhythm guide there are five notes to decide
8 Give the note a hand help it to expand
9 Odd or even is irrelevant the order is more important
10 Separate the bars itrsquos not very hard
Andante
mf
3
1
64 10
5 7
9
24
8
1
TERM 3 review
59
Scarborough Fair
Scarborough Fair CD 3 track 2 Backing track CD 3 track 3
INSTRUMENT PRACTICE
33
32
The notes you know on the recorder
mp
p
p
Andante
mp
p
p
Andante
Do or C Sol or GMi or E Si or BRe or D La or AFa or F Rersquo or DrsquoDorsquo or Crsquo
60
Remember Me
Remember Me CD 3 track 4 Backing track CD 3 track 5
INSTRUMENT PRACTICE
35
34
mp mf
Andante
p
p
1 2
61
Adeste Fideles
Adeste Fideles CD 3 track 6 Backing track CD 3 track 7
37
36
The note Fa or F
mf
Allegro
mp
62
Allegretto
INSTRUMENT PRACTICE
Allegretto by S Suzuki CD 3 track 8 Backing track CD 3 track 9
39
38
Andante
63
Tin Tan
Tin Tan CD 3 track 10 Backing track CD 3 track 11
311
310
mf
Allegro
mf
mf
mf
64
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
Parts of a piece of music
The organisation of the parts that make up a piece of music determines its musical form The forms that you know are
bull Binary made up of two parts that can be the same (AA) or different (AB)
bull Ternary made up of three parts that can all be different (ABC) or with one of them repeated (ABA)
bull Rondo in this form one of the parts called chorus is repeated The parts after it called verses are always different (ABACAhellip)
In addition to the main parts that make up a piece of music (A B Chellip) composers use different sections to join the parts together
bull The introduction is at the start of a piece of music It introduces the style the tempo and the character of the music It also attracts the listenerrsquos attention
bull The bridge is the section that joins two parts of a piece of music Itrsquos usually instrumental and short in duration
bull The coda mdash a word of Italian origin that means lsquotailrsquo mdash is the final section and helps to close the piece of music Sometimes itrsquos shown on the score with the symbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
Andante24amp
amp
amp
amp
œœœœ œ permil œJœJ permil œ œœœ œ permilœ
jœ œœ œ Œ
œœœœœ permilœjœœœ œ
permilœjœ œ œœ œœ œœœ
œœœ
œœœœ permilœJœtrade œ œ
jœ œj œ tradeœœ permilœJœ
trade œ œjœ œj
œ tradeœœpermil œjœ tradeœ œ
permil œjœœœœœ œœ ˙rit
Look at the score and sing it with the names for the notes2
Which property of sound does each unit measure3
decibel (dB) hertz (Hz) second (s)
Introduction bridge or coda
part B coda
introduction bridgepart A
TERM 1
11
lesson 3
Review the notes you know on the recorder Then look at the repeat signs on the score and play along1
18
17
tradetrade
Please re-peat
Please re-peat
Please re-peat Please re-peat
Please re-peat
1
tradetrade2
tradetrade
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(GLOCKENSPIEL)
Fine
DC al Fine and Codafi
Do or C Mi or E Sol or G Si or BRe or D Fa or F La or A Dorsquo or Crsquo Rersquo or Drsquo
bull ThepartsofasongarenrsquotalwaysrepeatedinexactlythesamewayToshowwhichbarsaredifferentintherepetitionweusethesymbols
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
tradetradeU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
and
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
2
tradetrade
Please re peat- Please re peat-
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
bull ThesignDa Capo al Fine(DC al Fine)meansthatwemustrepeatthescoreuptothewordFine
bull ThecodaisthepartofasongthatendsapieceofmusicItrsquosalsoshownwiththesymbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
REVIEW
12 Activity 1 Please Repeat CD1 track 7Backingtrack CD1 track 8bullContentsReviewofnotesfromDoorCtoRersquoorDrsquoontherecorderReviewofrepeatsignsReviewofmusicalscalesMusicalimprovisation
Please Repeat
Which scale is each score composed in Play them on your recorder
2
Musical improvisation means creating music spontaneously without preparing it before We can do it over a melody or using a backing track but we must always maintain the metre the musical form and the scale of the piece of music
Follow the instructions and improvise over the backing track
bull Choose an instrument
bull Start by improvising simple rhythms with crotchets and quavers and then try more complicated rhythms Remember that the rests are also a part of the music
bull If you chose a melodic instrument use these notes
bull Improvise following this musical form
introduction(4 bars)
improvisation(24 bars)
coda(4 bars)
24
bull Let your musical ear be your guide and have fun
3
18
A musical scale is a series of musical notes in ascending or descending order and it can start on any note There are many types of scales
bull The diatonic scale is made up of seven notes
bull The pentatonic scale has only five notes
ReVIeW
TERM 1
13
lesson 4
Activity 3 Backing track CD 1 track 8
Sing the verses and chorus and play the introduction the bridge and the coda of this Christmas song1
122
121
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Not only green when summerrsquos here But also when itrsquos cold and drear
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
For every year the Christmas tree Brings to us all the greatest glee
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
introduction
mf
rit
mf
mf
mf
mf
rit
bridge and coda
22
Oh Christmas Tree
Activity 1 Oh Christmas Tree CD 1 track 21 Backing track CD 1 track 22 bull Contents Review
Listen and answer the questions
bull Whatisthemetreofthesong
bull Arethereanysharps
bull Arethereanysound-lengtheningsigns
bull WhatdynamicsshouldweusetoperformtheintroductionArethereanychangesindynamicsafterthis
bull WhatisthetempoofthemusicArethereanychangesinthetempoduringthepieceofmusic
bull Howshouldwecombinethefollowingpartsofthesongintroductionbridgecodachorusandverses
Choose one of the songs from this term and make up an introduction a bridge or a coda for it
Which properties change in each pair of sounds Which unit of measurement do we use for each one
2
121
3
4
Listen and say the characteristics of each piece of music5
123 ThismusicisfromhelliptheRomanEmpire
theMiddleAgestheModernErathePresentAge
Youcouldhearthismusicinhellip
amphitheatrescathedralssquareschambersinpalacestheatresbigconcerthalls
Theinstrumentsyoucanhearinthispieceofmusicarehellip
electrophoneschordophonesaerophonesmembranophones
idiophones
Themusiciansperformingthispieceofmusiccomefromhellip
SouthernAfricaNorthAfricaNorthAmericaSouthAmericasomewhere
else
1
1
3
3
2
2
4
4
TERM 1 review
23Activity 2Oh Christmas Tree CD 1 track 21 Activity 5Musicandmusicians CD 1 track 23
tradetrade
tradetrade
tradetrade
Shhh shhh shhh shhh
(whistle) (whistle) (whistle)
(whistle)(whistle)
(whistle)
44
44
44 sum
Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ
œOacutetrade œOacutetrade œOacutetrade œOacutetrade
Œ permilœjœjpermilŒ sum Œ permilœ
jœjpermilŒ
steam sound
whistle of the locomotive
whistle of the train
introduction bridge and coda
verses
So the train is in the station (The station)Very soon it will depart (And where to)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
Now the train has started moving (Be careful)It is really going now (Go now)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
And the time spent at our old school (For so long)Will become a distant dream (A nice dream)It is full of happy memoriesIt is full of special momentsThat we will never forget
Listen and accompany the song with the vocal and instrumental ostinatos1
231
230
58
Take the Train
Activity 1 Take the Train CD 2 track 30 Backing track CD 2 track 31 bull Contents Review
2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w
Use the clues to find whatrsquos missing in this piece of music by Richard Wagner Complete the score in your Activity Book Then make up lyrics for the music and sing
2
1 Is the speed we go at medium speed or slow
2 One three quarters one quarter one and a rest
3 Yoursquoll get it sooner or later itrsquos an indicator
4 Go down a semitone and wersquore almost home
5 The first time was fun so play another one
6 Find the signature in time and everything will be fine
7 Let the rhythm guide there are five notes to decide
8 Give the note a hand help it to expand
9 Odd or even is irrelevant the order is more important
10 Separate the bars itrsquos not very hard
Andante
mf
3
1
64 10
5 7
9
24
8
1
TERM 3 review
59
Scarborough Fair
Scarborough Fair CD 3 track 2 Backing track CD 3 track 3
INSTRUMENT PRACTICE
33
32
The notes you know on the recorder
mp
p
p
Andante
mp
p
p
Andante
Do or C Sol or GMi or E Si or BRe or D La or AFa or F Rersquo or DrsquoDorsquo or Crsquo
60
Remember Me
Remember Me CD 3 track 4 Backing track CD 3 track 5
INSTRUMENT PRACTICE
35
34
mp mf
Andante
p
p
1 2
61
Adeste Fideles
Adeste Fideles CD 3 track 6 Backing track CD 3 track 7
37
36
The note Fa or F
mf
Allegro
mp
62
Allegretto
INSTRUMENT PRACTICE
Allegretto by S Suzuki CD 3 track 8 Backing track CD 3 track 9
39
38
Andante
63
Tin Tan
Tin Tan CD 3 track 10 Backing track CD 3 track 11
311
310
mf
Allegro
mf
mf
mf
64
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
Review the notes you know on the recorder Then look at the repeat signs on the score and play along1
18
17
tradetrade
Please re-peat
Please re-peat
Please re-peat Please re-peat
Please re-peat
1
tradetrade2
tradetrade
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(GLOCKENSPIEL)
Fine
DC al Fine and Codafi
Do or C Mi or E Sol or G Si or BRe or D Fa or F La or A Dorsquo or Crsquo Rersquo or Drsquo
bull ThepartsofasongarenrsquotalwaysrepeatedinexactlythesamewayToshowwhichbarsaredifferentintherepetitionweusethesymbols
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
tradetradeU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
and
tradetrade
Please re peat- Please re peat-
1
tradetrade
Please re peat-
2
tradetrade
Please re peat- Please re peat-
24amp
amp
ampU
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœœœœ œ œ œ permil œ œ œ permil œ œ œ permil œ œ œ œ
œ œ œ œœœœœœ œœœœœœ œœœœœœ œ œ œ
(RECORDER) (RECORDER)
(RECORDER)
(RECORDER)
(METALLOPHONE)
Fine
DC al Fine and Coda fi
bull ThesignDa Capo al Fine(DC al Fine)meansthatwemustrepeatthescoreuptothewordFine
bull ThecodaisthepartofasongthatendsapieceofmusicItrsquosalsoshownwiththesymbol
Re peat- Re peat-
Re peat-
Re peat-
please please
1ordf vez
please
2ordf vez
please Re peat- please
Fine
DC a Fine y Coda
REVIEW
12 Activity 1 Please Repeat CD1 track 7Backingtrack CD1 track 8bullContentsReviewofnotesfromDoorCtoRersquoorDrsquoontherecorderReviewofrepeatsignsReviewofmusicalscalesMusicalimprovisation
Please Repeat
Which scale is each score composed in Play them on your recorder
2
Musical improvisation means creating music spontaneously without preparing it before We can do it over a melody or using a backing track but we must always maintain the metre the musical form and the scale of the piece of music
Follow the instructions and improvise over the backing track
bull Choose an instrument
bull Start by improvising simple rhythms with crotchets and quavers and then try more complicated rhythms Remember that the rests are also a part of the music
bull If you chose a melodic instrument use these notes
bull Improvise following this musical form
introduction(4 bars)
improvisation(24 bars)
coda(4 bars)
24
bull Let your musical ear be your guide and have fun
3
18
A musical scale is a series of musical notes in ascending or descending order and it can start on any note There are many types of scales
bull The diatonic scale is made up of seven notes
bull The pentatonic scale has only five notes
ReVIeW
TERM 1
13
lesson 4
Activity 3 Backing track CD 1 track 8
Sing the verses and chorus and play the introduction the bridge and the coda of this Christmas song1
122
121
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Not only green when summerrsquos here But also when itrsquos cold and drear
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
For every year the Christmas tree Brings to us all the greatest glee
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
introduction
mf
rit
mf
mf
mf
mf
rit
bridge and coda
22
Oh Christmas Tree
Activity 1 Oh Christmas Tree CD 1 track 21 Backing track CD 1 track 22 bull Contents Review
Listen and answer the questions
bull Whatisthemetreofthesong
bull Arethereanysharps
bull Arethereanysound-lengtheningsigns
bull WhatdynamicsshouldweusetoperformtheintroductionArethereanychangesindynamicsafterthis
bull WhatisthetempoofthemusicArethereanychangesinthetempoduringthepieceofmusic
bull Howshouldwecombinethefollowingpartsofthesongintroductionbridgecodachorusandverses
Choose one of the songs from this term and make up an introduction a bridge or a coda for it
Which properties change in each pair of sounds Which unit of measurement do we use for each one
2
121
3
4
Listen and say the characteristics of each piece of music5
123 ThismusicisfromhelliptheRomanEmpire
theMiddleAgestheModernErathePresentAge
Youcouldhearthismusicinhellip
amphitheatrescathedralssquareschambersinpalacestheatresbigconcerthalls
Theinstrumentsyoucanhearinthispieceofmusicarehellip
electrophoneschordophonesaerophonesmembranophones
idiophones
Themusiciansperformingthispieceofmusiccomefromhellip
SouthernAfricaNorthAfricaNorthAmericaSouthAmericasomewhere
else
1
1
3
3
2
2
4
4
TERM 1 review
23Activity 2Oh Christmas Tree CD 1 track 21 Activity 5Musicandmusicians CD 1 track 23
tradetrade
tradetrade
tradetrade
Shhh shhh shhh shhh
(whistle) (whistle) (whistle)
(whistle)(whistle)
(whistle)
44
44
44 sum
Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ
œOacutetrade œOacutetrade œOacutetrade œOacutetrade
Œ permilœjœjpermilŒ sum Œ permilœ
jœjpermilŒ
steam sound
whistle of the locomotive
whistle of the train
introduction bridge and coda
verses
So the train is in the station (The station)Very soon it will depart (And where to)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
Now the train has started moving (Be careful)It is really going now (Go now)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
And the time spent at our old school (For so long)Will become a distant dream (A nice dream)It is full of happy memoriesIt is full of special momentsThat we will never forget
Listen and accompany the song with the vocal and instrumental ostinatos1
231
230
58
Take the Train
Activity 1 Take the Train CD 2 track 30 Backing track CD 2 track 31 bull Contents Review
2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w
Use the clues to find whatrsquos missing in this piece of music by Richard Wagner Complete the score in your Activity Book Then make up lyrics for the music and sing
2
1 Is the speed we go at medium speed or slow
2 One three quarters one quarter one and a rest
3 Yoursquoll get it sooner or later itrsquos an indicator
4 Go down a semitone and wersquore almost home
5 The first time was fun so play another one
6 Find the signature in time and everything will be fine
7 Let the rhythm guide there are five notes to decide
8 Give the note a hand help it to expand
9 Odd or even is irrelevant the order is more important
10 Separate the bars itrsquos not very hard
Andante
mf
3
1
64 10
5 7
9
24
8
1
TERM 3 review
59
Scarborough Fair
Scarborough Fair CD 3 track 2 Backing track CD 3 track 3
INSTRUMENT PRACTICE
33
32
The notes you know on the recorder
mp
p
p
Andante
mp
p
p
Andante
Do or C Sol or GMi or E Si or BRe or D La or AFa or F Rersquo or DrsquoDorsquo or Crsquo
60
Remember Me
Remember Me CD 3 track 4 Backing track CD 3 track 5
INSTRUMENT PRACTICE
35
34
mp mf
Andante
p
p
1 2
61
Adeste Fideles
Adeste Fideles CD 3 track 6 Backing track CD 3 track 7
37
36
The note Fa or F
mf
Allegro
mp
62
Allegretto
INSTRUMENT PRACTICE
Allegretto by S Suzuki CD 3 track 8 Backing track CD 3 track 9
39
38
Andante
63
Tin Tan
Tin Tan CD 3 track 10 Backing track CD 3 track 11
311
310
mf
Allegro
mf
mf
mf
64
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
Which scale is each score composed in Play them on your recorder
2
Musical improvisation means creating music spontaneously without preparing it before We can do it over a melody or using a backing track but we must always maintain the metre the musical form and the scale of the piece of music
Follow the instructions and improvise over the backing track
bull Choose an instrument
bull Start by improvising simple rhythms with crotchets and quavers and then try more complicated rhythms Remember that the rests are also a part of the music
bull If you chose a melodic instrument use these notes
bull Improvise following this musical form
introduction(4 bars)
improvisation(24 bars)
coda(4 bars)
24
bull Let your musical ear be your guide and have fun
3
18
A musical scale is a series of musical notes in ascending or descending order and it can start on any note There are many types of scales
bull The diatonic scale is made up of seven notes
bull The pentatonic scale has only five notes
ReVIeW
TERM 1
13
lesson 4
Activity 3 Backing track CD 1 track 8
Sing the verses and chorus and play the introduction the bridge and the coda of this Christmas song1
122
121
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Not only green when summerrsquos here But also when itrsquos cold and drear
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
For every year the Christmas tree Brings to us all the greatest glee
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
introduction
mf
rit
mf
mf
mf
mf
rit
bridge and coda
22
Oh Christmas Tree
Activity 1 Oh Christmas Tree CD 1 track 21 Backing track CD 1 track 22 bull Contents Review
Listen and answer the questions
bull Whatisthemetreofthesong
bull Arethereanysharps
bull Arethereanysound-lengtheningsigns
bull WhatdynamicsshouldweusetoperformtheintroductionArethereanychangesindynamicsafterthis
bull WhatisthetempoofthemusicArethereanychangesinthetempoduringthepieceofmusic
bull Howshouldwecombinethefollowingpartsofthesongintroductionbridgecodachorusandverses
Choose one of the songs from this term and make up an introduction a bridge or a coda for it
Which properties change in each pair of sounds Which unit of measurement do we use for each one
2
121
3
4
Listen and say the characteristics of each piece of music5
123 ThismusicisfromhelliptheRomanEmpire
theMiddleAgestheModernErathePresentAge
Youcouldhearthismusicinhellip
amphitheatrescathedralssquareschambersinpalacestheatresbigconcerthalls
Theinstrumentsyoucanhearinthispieceofmusicarehellip
electrophoneschordophonesaerophonesmembranophones
idiophones
Themusiciansperformingthispieceofmusiccomefromhellip
SouthernAfricaNorthAfricaNorthAmericaSouthAmericasomewhere
else
1
1
3
3
2
2
4
4
TERM 1 review
23Activity 2Oh Christmas Tree CD 1 track 21 Activity 5Musicandmusicians CD 1 track 23
tradetrade
tradetrade
tradetrade
Shhh shhh shhh shhh
(whistle) (whistle) (whistle)
(whistle)(whistle)
(whistle)
44
44
44 sum
Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ
œOacutetrade œOacutetrade œOacutetrade œOacutetrade
Œ permilœjœjpermilŒ sum Œ permilœ
jœjpermilŒ
steam sound
whistle of the locomotive
whistle of the train
introduction bridge and coda
verses
So the train is in the station (The station)Very soon it will depart (And where to)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
Now the train has started moving (Be careful)It is really going now (Go now)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
And the time spent at our old school (For so long)Will become a distant dream (A nice dream)It is full of happy memoriesIt is full of special momentsThat we will never forget
Listen and accompany the song with the vocal and instrumental ostinatos1
231
230
58
Take the Train
Activity 1 Take the Train CD 2 track 30 Backing track CD 2 track 31 bull Contents Review
2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w
Use the clues to find whatrsquos missing in this piece of music by Richard Wagner Complete the score in your Activity Book Then make up lyrics for the music and sing
2
1 Is the speed we go at medium speed or slow
2 One three quarters one quarter one and a rest
3 Yoursquoll get it sooner or later itrsquos an indicator
4 Go down a semitone and wersquore almost home
5 The first time was fun so play another one
6 Find the signature in time and everything will be fine
7 Let the rhythm guide there are five notes to decide
8 Give the note a hand help it to expand
9 Odd or even is irrelevant the order is more important
10 Separate the bars itrsquos not very hard
Andante
mf
3
1
64 10
5 7
9
24
8
1
TERM 3 review
59
Scarborough Fair
Scarborough Fair CD 3 track 2 Backing track CD 3 track 3
INSTRUMENT PRACTICE
33
32
The notes you know on the recorder
mp
p
p
Andante
mp
p
p
Andante
Do or C Sol or GMi or E Si or BRe or D La or AFa or F Rersquo or DrsquoDorsquo or Crsquo
60
Remember Me
Remember Me CD 3 track 4 Backing track CD 3 track 5
INSTRUMENT PRACTICE
35
34
mp mf
Andante
p
p
1 2
61
Adeste Fideles
Adeste Fideles CD 3 track 6 Backing track CD 3 track 7
37
36
The note Fa or F
mf
Allegro
mp
62
Allegretto
INSTRUMENT PRACTICE
Allegretto by S Suzuki CD 3 track 8 Backing track CD 3 track 9
39
38
Andante
63
Tin Tan
Tin Tan CD 3 track 10 Backing track CD 3 track 11
311
310
mf
Allegro
mf
mf
mf
64
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
Sing the verses and chorus and play the introduction the bridge and the coda of this Christmas song1
122
121
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Not only green when summerrsquos here But also when itrsquos cold and drear
Oh Christmas tree Oh Christmas tree Your leaves are so unchanging
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
For every year the Christmas tree Brings to us all the greatest glee
Oh Christmas tree Oh Christmas tree Much pleasure you can give me
introduction
mf
rit
mf
mf
mf
mf
rit
bridge and coda
22
Oh Christmas Tree
Activity 1 Oh Christmas Tree CD 1 track 21 Backing track CD 1 track 22 bull Contents Review
Listen and answer the questions
bull Whatisthemetreofthesong
bull Arethereanysharps
bull Arethereanysound-lengtheningsigns
bull WhatdynamicsshouldweusetoperformtheintroductionArethereanychangesindynamicsafterthis
bull WhatisthetempoofthemusicArethereanychangesinthetempoduringthepieceofmusic
bull Howshouldwecombinethefollowingpartsofthesongintroductionbridgecodachorusandverses
Choose one of the songs from this term and make up an introduction a bridge or a coda for it
Which properties change in each pair of sounds Which unit of measurement do we use for each one
2
121
3
4
Listen and say the characteristics of each piece of music5
123 ThismusicisfromhelliptheRomanEmpire
theMiddleAgestheModernErathePresentAge
Youcouldhearthismusicinhellip
amphitheatrescathedralssquareschambersinpalacestheatresbigconcerthalls
Theinstrumentsyoucanhearinthispieceofmusicarehellip
electrophoneschordophonesaerophonesmembranophones
idiophones
Themusiciansperformingthispieceofmusiccomefromhellip
SouthernAfricaNorthAfricaNorthAmericaSouthAmericasomewhere
else
1
1
3
3
2
2
4
4
TERM 1 review
23Activity 2Oh Christmas Tree CD 1 track 21 Activity 5Musicandmusicians CD 1 track 23
tradetrade
tradetrade
tradetrade
Shhh shhh shhh shhh
(whistle) (whistle) (whistle)
(whistle)(whistle)
(whistle)
44
44
44 sum
Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ
œOacutetrade œOacutetrade œOacutetrade œOacutetrade
Œ permilœjœjpermilŒ sum Œ permilœ
jœjpermilŒ
steam sound
whistle of the locomotive
whistle of the train
introduction bridge and coda
verses
So the train is in the station (The station)Very soon it will depart (And where to)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
Now the train has started moving (Be careful)It is really going now (Go now)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
And the time spent at our old school (For so long)Will become a distant dream (A nice dream)It is full of happy memoriesIt is full of special momentsThat we will never forget
Listen and accompany the song with the vocal and instrumental ostinatos1
231
230
58
Take the Train
Activity 1 Take the Train CD 2 track 30 Backing track CD 2 track 31 bull Contents Review
2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w
Use the clues to find whatrsquos missing in this piece of music by Richard Wagner Complete the score in your Activity Book Then make up lyrics for the music and sing
2
1 Is the speed we go at medium speed or slow
2 One three quarters one quarter one and a rest
3 Yoursquoll get it sooner or later itrsquos an indicator
4 Go down a semitone and wersquore almost home
5 The first time was fun so play another one
6 Find the signature in time and everything will be fine
7 Let the rhythm guide there are five notes to decide
8 Give the note a hand help it to expand
9 Odd or even is irrelevant the order is more important
10 Separate the bars itrsquos not very hard
Andante
mf
3
1
64 10
5 7
9
24
8
1
TERM 3 review
59
Scarborough Fair
Scarborough Fair CD 3 track 2 Backing track CD 3 track 3
INSTRUMENT PRACTICE
33
32
The notes you know on the recorder
mp
p
p
Andante
mp
p
p
Andante
Do or C Sol or GMi or E Si or BRe or D La or AFa or F Rersquo or DrsquoDorsquo or Crsquo
60
Remember Me
Remember Me CD 3 track 4 Backing track CD 3 track 5
INSTRUMENT PRACTICE
35
34
mp mf
Andante
p
p
1 2
61
Adeste Fideles
Adeste Fideles CD 3 track 6 Backing track CD 3 track 7
37
36
The note Fa or F
mf
Allegro
mp
62
Allegretto
INSTRUMENT PRACTICE
Allegretto by S Suzuki CD 3 track 8 Backing track CD 3 track 9
39
38
Andante
63
Tin Tan
Tin Tan CD 3 track 10 Backing track CD 3 track 11
311
310
mf
Allegro
mf
mf
mf
64
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
Listen and answer the questions
bull Whatisthemetreofthesong
bull Arethereanysharps
bull Arethereanysound-lengtheningsigns
bull WhatdynamicsshouldweusetoperformtheintroductionArethereanychangesindynamicsafterthis
bull WhatisthetempoofthemusicArethereanychangesinthetempoduringthepieceofmusic
bull Howshouldwecombinethefollowingpartsofthesongintroductionbridgecodachorusandverses
Choose one of the songs from this term and make up an introduction a bridge or a coda for it
Which properties change in each pair of sounds Which unit of measurement do we use for each one
2
121
3
4
Listen and say the characteristics of each piece of music5
123 ThismusicisfromhelliptheRomanEmpire
theMiddleAgestheModernErathePresentAge
Youcouldhearthismusicinhellip
amphitheatrescathedralssquareschambersinpalacestheatresbigconcerthalls
Theinstrumentsyoucanhearinthispieceofmusicarehellip
electrophoneschordophonesaerophonesmembranophones
idiophones
Themusiciansperformingthispieceofmusiccomefromhellip
SouthernAfricaNorthAfricaNorthAmericaSouthAmericasomewhere
else
1
1
3
3
2
2
4
4
TERM 1 review
23Activity 2Oh Christmas Tree CD 1 track 21 Activity 5Musicandmusicians CD 1 track 23
tradetrade
tradetrade
tradetrade
Shhh shhh shhh shhh
(whistle) (whistle) (whistle)
(whistle)(whistle)
(whistle)
44
44
44 sum
Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ
œOacutetrade œOacutetrade œOacutetrade œOacutetrade
Œ permilœjœjpermilŒ sum Œ permilœ
jœjpermilŒ
steam sound
whistle of the locomotive
whistle of the train
introduction bridge and coda
verses
So the train is in the station (The station)Very soon it will depart (And where to)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
Now the train has started moving (Be careful)It is really going now (Go now)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
And the time spent at our old school (For so long)Will become a distant dream (A nice dream)It is full of happy memoriesIt is full of special momentsThat we will never forget
Listen and accompany the song with the vocal and instrumental ostinatos1
231
230
58
Take the Train
Activity 1 Take the Train CD 2 track 30 Backing track CD 2 track 31 bull Contents Review
2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w
Use the clues to find whatrsquos missing in this piece of music by Richard Wagner Complete the score in your Activity Book Then make up lyrics for the music and sing
2
1 Is the speed we go at medium speed or slow
2 One three quarters one quarter one and a rest
3 Yoursquoll get it sooner or later itrsquos an indicator
4 Go down a semitone and wersquore almost home
5 The first time was fun so play another one
6 Find the signature in time and everything will be fine
7 Let the rhythm guide there are five notes to decide
8 Give the note a hand help it to expand
9 Odd or even is irrelevant the order is more important
10 Separate the bars itrsquos not very hard
Andante
mf
3
1
64 10
5 7
9
24
8
1
TERM 3 review
59
Scarborough Fair
Scarborough Fair CD 3 track 2 Backing track CD 3 track 3
INSTRUMENT PRACTICE
33
32
The notes you know on the recorder
mp
p
p
Andante
mp
p
p
Andante
Do or C Sol or GMi or E Si or BRe or D La or AFa or F Rersquo or DrsquoDorsquo or Crsquo
60
Remember Me
Remember Me CD 3 track 4 Backing track CD 3 track 5
INSTRUMENT PRACTICE
35
34
mp mf
Andante
p
p
1 2
61
Adeste Fideles
Adeste Fideles CD 3 track 6 Backing track CD 3 track 7
37
36
The note Fa or F
mf
Allegro
mp
62
Allegretto
INSTRUMENT PRACTICE
Allegretto by S Suzuki CD 3 track 8 Backing track CD 3 track 9
39
38
Andante
63
Tin Tan
Tin Tan CD 3 track 10 Backing track CD 3 track 11
311
310
mf
Allegro
mf
mf
mf
64
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
tradetrade
tradetrade
tradetrade
Shhh shhh shhh shhh
(whistle) (whistle) (whistle)
(whistle)(whistle)
(whistle)
44
44
44 sum
Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ Œ ˙ Œ
œOacutetrade œOacutetrade œOacutetrade œOacutetrade
Œ permilœjœjpermilŒ sum Œ permilœ
jœjpermilŒ
steam sound
whistle of the locomotive
whistle of the train
introduction bridge and coda
verses
So the train is in the station (The station)Very soon it will depart (And where to)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
Now the train has started moving (Be careful)It is really going now (Go now)It will take us all to high schoolWersquove already got our ticketsNothing else can stop us now
And the time spent at our old school (For so long)Will become a distant dream (A nice dream)It is full of happy memoriesIt is full of special momentsThat we will never forget
Listen and accompany the song with the vocal and instrumental ostinatos1
231
230
58
Take the Train
Activity 1 Take the Train CD 2 track 30 Backing track CD 2 track 31 bull Contents Review
2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w
Use the clues to find whatrsquos missing in this piece of music by Richard Wagner Complete the score in your Activity Book Then make up lyrics for the music and sing
2
1 Is the speed we go at medium speed or slow
2 One three quarters one quarter one and a rest
3 Yoursquoll get it sooner or later itrsquos an indicator
4 Go down a semitone and wersquore almost home
5 The first time was fun so play another one
6 Find the signature in time and everything will be fine
7 Let the rhythm guide there are five notes to decide
8 Give the note a hand help it to expand
9 Odd or even is irrelevant the order is more important
10 Separate the bars itrsquos not very hard
Andante
mf
3
1
64 10
5 7
9
24
8
1
TERM 3 review
59
Scarborough Fair
Scarborough Fair CD 3 track 2 Backing track CD 3 track 3
INSTRUMENT PRACTICE
33
32
The notes you know on the recorder
mp
p
p
Andante
mp
p
p
Andante
Do or C Sol or GMi or E Si or BRe or D La or AFa or F Rersquo or DrsquoDorsquo or Crsquo
60
Remember Me
Remember Me CD 3 track 4 Backing track CD 3 track 5
INSTRUMENT PRACTICE
35
34
mp mf
Andante
p
p
1 2
61
Adeste Fideles
Adeste Fideles CD 3 track 6 Backing track CD 3 track 7
37
36
The note Fa or F
mf
Allegro
mp
62
Allegretto
INSTRUMENT PRACTICE
Allegretto by S Suzuki CD 3 track 8 Backing track CD 3 track 9
39
38
Andante
63
Tin Tan
Tin Tan CD 3 track 10 Backing track CD 3 track 11
311
310
mf
Allegro
mf
mf
mf
64
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w2
amp
amp
œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ tradeœœ œ tradeœ œ œ tradeœœ Œœ œ tradeœœ Œ
œ œ œ œ œ trade œ œ œ trade œ œ Œ w
Use the clues to find whatrsquos missing in this piece of music by Richard Wagner Complete the score in your Activity Book Then make up lyrics for the music and sing
2
1 Is the speed we go at medium speed or slow
2 One three quarters one quarter one and a rest
3 Yoursquoll get it sooner or later itrsquos an indicator
4 Go down a semitone and wersquore almost home
5 The first time was fun so play another one
6 Find the signature in time and everything will be fine
7 Let the rhythm guide there are five notes to decide
8 Give the note a hand help it to expand
9 Odd or even is irrelevant the order is more important
10 Separate the bars itrsquos not very hard
Andante
mf
3
1
64 10
5 7
9
24
8
1
TERM 3 review
59
Scarborough Fair
Scarborough Fair CD 3 track 2 Backing track CD 3 track 3
INSTRUMENT PRACTICE
33
32
The notes you know on the recorder
mp
p
p
Andante
mp
p
p
Andante
Do or C Sol or GMi or E Si or BRe or D La or AFa or F Rersquo or DrsquoDorsquo or Crsquo
60
Remember Me
Remember Me CD 3 track 4 Backing track CD 3 track 5
INSTRUMENT PRACTICE
35
34
mp mf
Andante
p
p
1 2
61
Adeste Fideles
Adeste Fideles CD 3 track 6 Backing track CD 3 track 7
37
36
The note Fa or F
mf
Allegro
mp
62
Allegretto
INSTRUMENT PRACTICE
Allegretto by S Suzuki CD 3 track 8 Backing track CD 3 track 9
39
38
Andante
63
Tin Tan
Tin Tan CD 3 track 10 Backing track CD 3 track 11
311
310
mf
Allegro
mf
mf
mf
64
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
Scarborough Fair
Scarborough Fair CD 3 track 2 Backing track CD 3 track 3
INSTRUMENT PRACTICE
33
32
The notes you know on the recorder
mp
p
p
Andante
mp
p
p
Andante
Do or C Sol or GMi or E Si or BRe or D La or AFa or F Rersquo or DrsquoDorsquo or Crsquo
60
Remember Me
Remember Me CD 3 track 4 Backing track CD 3 track 5
INSTRUMENT PRACTICE
35
34
mp mf
Andante
p
p
1 2
61
Adeste Fideles
Adeste Fideles CD 3 track 6 Backing track CD 3 track 7
37
36
The note Fa or F
mf
Allegro
mp
62
Allegretto
INSTRUMENT PRACTICE
Allegretto by S Suzuki CD 3 track 8 Backing track CD 3 track 9
39
38
Andante
63
Tin Tan
Tin Tan CD 3 track 10 Backing track CD 3 track 11
311
310
mf
Allegro
mf
mf
mf
64
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
Remember Me
Remember Me CD 3 track 4 Backing track CD 3 track 5
INSTRUMENT PRACTICE
35
34
mp mf
Andante
p
p
1 2
61
Adeste Fideles
Adeste Fideles CD 3 track 6 Backing track CD 3 track 7
37
36
The note Fa or F
mf
Allegro
mp
62
Allegretto
INSTRUMENT PRACTICE
Allegretto by S Suzuki CD 3 track 8 Backing track CD 3 track 9
39
38
Andante
63
Tin Tan
Tin Tan CD 3 track 10 Backing track CD 3 track 11
311
310
mf
Allegro
mf
mf
mf
64
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
Adeste Fideles
Adeste Fideles CD 3 track 6 Backing track CD 3 track 7
37
36
The note Fa or F
mf
Allegro
mp
62
Allegretto
INSTRUMENT PRACTICE
Allegretto by S Suzuki CD 3 track 8 Backing track CD 3 track 9
39
38
Andante
63
Tin Tan
Tin Tan CD 3 track 10 Backing track CD 3 track 11
311
310
mf
Allegro
mf
mf
mf
64
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
Allegretto
INSTRUMENT PRACTICE
Allegretto by S Suzuki CD 3 track 8 Backing track CD 3 track 9
39
38
Andante
63
Tin Tan
Tin Tan CD 3 track 10 Backing track CD 3 track 11
311
310
mf
Allegro
mf
mf
mf
64
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
Tin Tan
Tin Tan CD 3 track 10 Backing track CD 3 track 11
311
310
mf
Allegro
mf
mf
mf
64
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
Symphony No 1
INSTRUMENT PRACTICE
Symphony No 1 by G Mahler CD 3 track 12 Backing track CD 3 track 13
313
312
The note Sib or BbAdagio
65
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
Stella Splendens
Stella Splendens from Llibre Vermell de Montserrat CD 3 track 14 Backing track CD 3 track 15
315
314
Andante
66
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
Spring
INSTRUMENT PRACTICE
Spring from The Four Seasons by A Vivaldi CD 3 track 16 Backing track CD 3 track 17
317
316
mf p
Andante
mf p
mf p
mf
mf
mf
p
p
p
67
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
La Cucaracha
La Cucaracha CD 3 track 18 Backing track CD 3 track 19
319
318
Allegro
mf
mf
mf
1 2
1 2
68
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
Yellow Submarine
INSTRUMENT PRACTICE
Yellow Submarine by The Beatles CD 3 track 20 Backing track CD 3 track 21
321
320
Andante
DC
mf
mf
mf
mf
Andante
DC
mf
mf
mf
mf
69
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71
The notes you know on the recorder
ReDo Mi FaFa Sol
F
C D E F G
70
INSTRUMENT PRACTICE
SibLa Si Dorsquo Rersquo
Bb B Crsquo
Drsquo
A
71