Piano Vocals

Diva 1

Girls

Keys 1

Hu mi- di ty'sri sing.- ba ro- me ter'sget tin'low

q = 136 A35

Hu mi- di ty'sri sing.- ba ro- me ter'sget tin'low

Csus4 C F‹ B¨‹/F F‹

Diva 1

Girls

Keys 1

Ac cor- ding- to all sour ces,- the street's the place to go.

40

Ac cor- ding- to all sour ces,- the street's the place to go.

B¨‹/F F‹ B¨‹/F Csus

Diva 1

Girls

Keys 1

"Cause to night- for the first time just a bout- half passed

44

First time

C Fm7 B¨m7

3

It's Raining Men Audition Extract

Musical supervisor Stephen "Spud" Murphy

Priscilla The Musical

3

Diva 1

Girls

Keys 1

ten, for the first time in his to- - ry it's gon na- start rain ing- men.

48

Half passed ten.

Csus4 C Csus4 C

Diva 1

Girls

Keys 1

It's rain ing- men,

52

It's rain ing- men,

Diva 1

Girls

Keys 1

HalHal le lu- - jah,it's rain ing- men. Ev' ry spe - ci men.-

54

HalHal le lu- - jah,it's rain ing- men. Ev' ry spe - ci men.-

D¨ E¨ Csus4 C Fm

Piano Vocals

#2 - It's Raining Men (New NY 3.3.11)

2

Diva 1

Girls

Keys 1

Tall, blonde, dark and lean. Rough and tough and strong and mean

58

Tall, blonde, dark and lean. Rough and tough and strong and mean.

D¨ Fm/C B¨m Csus4 C Csus4 C

Diva 1

Girls

Keys 1

God bless Mo ther- Na ture,- she re ar- range- the sky,

B62

God bless Mo ther- Na ture,- she re ar- range- the sky,

D¨maj7 E¨sus4 E¨ Csus4 C

Diva 1

Girls

Keys 1

So that each and ev' ry- wo man-

66

each and ev' ry- wo

Fsus4 Fm D¨ A¨/C

Piano Vocals

#2 - It's Raining Men (New NY 3.3.11)

3

Diva 1

Girls

Keys 1

Sothat each and ev' ry- wo man,- can findthe per fect- guy.

70

man- Sothat each and ev' ry- wo man,- can findthe per fect- guy.

B¨m A¨/C D¨ D¨ Dº Dº/F C/E Fm C/G

Diva 1

Girls

Keys 1

Oo

74

Oo

C7 F‹ F‹7/E¨

Diva 1

Girls

Keys 1

It's Rain ing- Men

77

F‹6/D B¨‹7/D¨ C

own feel

Piano Vocals

#2 - It's Raining Men (New NY 3.3.11)

4

Diva 1

Girls

Keys 1

It's Rain ing- Men,

C81

Hal le- lu- jah.- Hal le- lu- jah.- Hal le- lu- jah.-

F‹ E¨6 D¨Œ„Š7

Diva 1

Girls

Keys 1

Tall, blonde, dark, lean men. Rough and tough.

84

Tall, blonde, dark, lean men. It's rain ing-

C7 F‹

Diva 1

Girls

Keys 1

And strong and mean. At half past ten it's

86

men. It's rain ing- men. It's

E¨6 D¨Œ„Š7

Piano Vocals

#2 - It's Raining Men (New NY 3.3.11)

5

Diva 1

Girls

Keys 1

gon na- start rain ing- men.

88

gon na- start rain ing- men.

C7 F‹ D¨Œ„Š7E¨6 F‹

Piano Vocals

#2 - It's Raining Men (New NY 3.3.11)

6

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Piano Vocal

Voice

Keys 1

q = 125

B- A6 G^ E-7

Mee ting- mis ter right the man of my dreams. The

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/A A B- A6

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one who showedme true love, or least it seems. Fin al- ly- you

7

G^ E-7 /A A B- A6

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Priscilla The Musical

Musical supervisor: Stephen "Spud" Murphy

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came a long- the way i feel a bout- you it just can't be wrong.

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Fin al- ly it's happ ened to me right in front of my face and i just

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B- A6 G^ E-7

can not- shake itit. I can't shake it.

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Who, who. Yeah, yeah. Shake

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A Am7 Bm7/A

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Piano Vocal2

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it, shake it. Shake your groove thing, shake your groove thing, yeah, yeah.

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Show 'em howwe do it now. Show 'em howwe do it now.

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Piano Vocal 3

{ we're bump in'- boot ies- and hav in'- us a ball.

34

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Piano Vocal4

MARION – AUDITION SCENE 1 THAT IT’S ONLY A THRILL OF BOY MEETING GIRL OPPOSITES ATTRACT IT’S PHYSICAL ONLY LOGICAL YOU MUST TRY TO IGNORE THAT IT MEANS MORE THAN THAT

MISS UNDERSTANDING/DIVAS

OH WHAT’S LOVE GOT TO DO, GOT TO DO WITH IT WHAT’S LOVE BUT A SECOND HAND EMOTION WHAT’S LOVE GOT TO DO, GOT TO DO WITH IT WHO NEEDS A HEART WHEN A HEART CAN BE BROKEN?

SCENE I-1A: DRESSING ROOM/BERNADETTE’S FLAT

TICK enters the backstage dressing room and pulls off his wig. The phone rings on his dressing table. Lights up on MARION.

TICK Hello.

MARION

Ding dong, Avon calling!

TICK Marion! It’s so good to hear your voice. There’s nothing wrong is there? I hope you don’t need money darls cos –

MARION Don’t get your tits in a tangle. Did you like the photos?

TICK

I loved the photos. He’s looking so grown up.

MARION

He sure is, Tick, and guess what? – He’s started asking about you.

TICK Oh… what have you told him?

MARION

That his dad works in showbiz in Sydney.

TICK Show business! More like target practice. You should see it here.

MARION

Good idea. How’s next weekend?

TICK Are you kidding?

MARION

He needs to meet his father, Tick.

TICK Marion, I’m not a father – I’m a drag queen on the verge of a nervous breakdown…

MARION

How about this then? I need a show and it sounds like you need a change of scenery. Why don’t you come out here?

TICK Oh, Marion, I’d love to see him really; I just…I just don’t think I’m ready yet….

MARION

You’ve had six years, husband. Rehearsal’s over…

TICK I think about him every day....

MARION

Thoughts are cheap Tick – get your act together and head for the Alice. It’s time to meet your son.

MARION hangs up the phone and exits. TICK looks at his snapshot of BENJI.

MARION – AUDITION SCENE 2

SCENE II-10: ALICE SPRINGS CASINO MUSIC: BOOGIE WONDERLAND

DIVAS/PUNTERS DANCE – BOOGIE WONDERLAND DANCE – BOOGIE WONDERLAND

PUNTERS MIDNIGHT CREEPS SO SLOWLY INTO HEARTS OF MEN WHO NEED MORE THAN THEY GET DAYLIGHT DEALS A BAD HAND TO A WOMAN WHO HAS LAID TOO MANY BETS

MARION

(On the phone.) A bus full of drag queens can’t be that hard to find. Just follow the trail of glitter. (To JULES) MARION Jules, go pull a dress out of my closet and borrow Pam’s wig from reception. You’re going onstage. JULES Me? No way! (beat) Yes!

DIVAS/PUNTERS DANCE – BOOGIE WONDERLAND

TICK enters. MARION

My God – husband! Husband! It's so good to see you!

TICK Hiya, wife.

MARION You’re a day late! I’ve got eight Aboriginal trackers combing the outback.

TICK Sorry – long story.

MARION The show starts in less than an hour! Where are the others? TICK They’re unpacking the bus. Where is he?

MARION (To one of the staff.) Do me a favour – go upstairs and get Benji, will you? (To TICK.) Won’t be a sec. You've lost weight, you rotten old queer.

TICK

I can finally get into that one-piece of yours, you know, the sunflowers?

MARION You’re not still doing the "Poseidon Adventure" routine?

TICK

Hey, that was some of your best choreography! MARION You think so - ? MUSIC: MORNING AFTER

TICK THERE’S GOT TO BE A MORNING AFTER

TICK/MARION

IF WE CAN HOLD ON THROUGH THE NIGHT WE HAVE A CHANCE TO FIND THE SUNSHINE LET’S KEEP ON LOOKING FOR THE LIGHT

TICK and MARION collapse laughing. BENJI runs on.

BENJI stops short at the sight of TICK.

PUNTERS/ CASINO STAFF

ALL THE LOVE IN THE WORLD CAN'T BE GONE

MARION Benj, this is Tick.

BENJI

You came! I told Mum you would!

TICK (Moved) Hello, Benj.

PUNTERS/ CASINO STAFF ALL THE NEED TO BE LOVED CAN'T BE WRONG

After a beat, BENJI holds out his hand. TICK shakes it.

BENJI

Well come on, I want to show you everything – the pool, my stuff, my fish –

MARION Tick has work to do first.

BENJI What work?

TICK

(Quickly) Business.

BENJI Show business?

TICK No.

MARION

So you, it’s off to bed.

BENJI Can’t I stay up late – just this once?

TICK No.

MARION There will be plenty of time––

BENJI (Persistent) But Mum said you were bringing some friends – can I meet them first?

TICK No.

BENJI Are they businessmen?

BERNADETTE’s voice is heard offstage.

BERNADETTE Mitzi! Where are you darling? (entering) There you are. Oh hello, you must be Marion.

MARION

Hello.

BERNADETTE Nice to finally meet you. I thought we’d never get here. I must say when Tick first told us about you it came as a hell of a––

BERNADETTE sees BENJI.

TICK

Surprise...

BERNADETTE faints.

CASINO STAFF/PUNTERS/DIVAS DANCE – BOOGIE WONDERLAND DANCE – BOOGIE WONDERLAND

THE MIRROR STARES YOU IN THE FACE AND SAYS "BABY, UH UH IT DON'T WORK" YOU SAY YOUR PRAYERS THOUGH YOU DON'T CARE YOU DANCE AND SHAKE THE HURT DANCE – BOOGIE WONDERLAND DANCE – BOOGIE WONDERLAND

Segue immediately to …