RELIVING THE PAST:RELIVING THE PAST:

FILMFILM

NOIRNOIR

COMPARISON OF CINAMATOGRAPHY COMPONENTS COMPARISON OF CINAMATOGRAPHY COMPONENTS OF CLASSICAL CINEMA AND FILM NOIROF CLASSICAL CINEMA AND FILM NOIR

CLASSICAL CINEMACLASSICAL CINEMA HIGH KEY(LOW HIGH KEY(LOW

CONTRAST)LIGHTINGCONTRAST)LIGHTING BALANCED THREE-POINT BALANCED THREE-POINT

LIGHTINGLIGHTING DAY-FOR-NIGHTDAY-FOR-NIGHT SHALLOW FOCUSSHALLOW FOCUS

SYMMETRICAL MISE-EN-SCENESYMMETRICAL MISE-EN-SCENE EYE-LEVEL CAMERAEYE-LEVEL CAMERA

OPEN,UNOBSTRUCTED VIEWSOPEN,UNOBSTRUCTED VIEWS

FILM NOIRFILM NOIR LOW KEY(HIGH CONTRAST LOW KEY(HIGH CONTRAST

LIGHTINGLIGHTING IMBALANCED LIGHTINGIMBALANCED LIGHTING NIGHT FOR NIGHTNIGHT FOR NIGHT

DEEP FOCUSDEEP FOCUS WIDE ANGLE FOCAL LENGTHWIDE ANGLE FOCAL LENGTH DISSYMMETRICAL DISSYMMETRICAL EXTREME LOW AND HIGH EXTREME LOW AND HIGH

ANGLESANGLES FOREGROUND OBSTRUCTIONSFOREGROUND OBSTRUCTIONS

NEO-NOIR 1981 NEO-NOIR 1981 BODY HEATBODY HEAT KATHLEEN TURNER AND WM HURT KATHLEEN TURNER AND WM HURT—FLORIDA WIFE SEDUCES ATTORNEYBOYFRIEND TO KILL HER —FLORIDA WIFE SEDUCES ATTORNEYBOYFRIEND TO KILL HER

HUSBANDHUSBAND

GREGORY PECK , INGRID BERGMAN SPELLBOUND

EARLYEARLYHITCHCOCKHITCHCOCKSOUND TRACKSOUND TRACKBY MIKLOS ROZCABY MIKLOS ROZCA

NOIR CHARACTERSNOIR CHARACTERS ROBERT MITCHUM ROBERT MITCHUM

EX ESCAPED EX ESCAPED CONVICTCONVICT

MULTITALENTED.MULTITALENTED. WROTE ORATORIO WROTE ORATORIO

PREMIERED PREMIERED HOLLYWOOD BOWLHOLLYWOOD BOWL

DOUBLE INDEMNITYDOUBLE INDEMNITYGREAT TRIANGLE OF GREAT TRIANGLE OF

STANWYCH, STANWYCH, MCMURRAY, MCMURRAY, ROBINSONROBINSON

PROBLEM WITH PROBLEM WITH CODECODE

Barbara StanwychBarbara Stanwych

DOUBLE INDEMNITYDOUBLE INDEMNITY

POP ART FILM NOIRPOP ART FILM NOIR

NNYYMM

MURDER IS AN MURDER IS AN INTEGRAL INTEGRAL PART OF NOIR.PART OF NOIR.

THE MURDER THE MURDER MAY BE FOR MAY BE FOR HIRE, HIRE, CLASSICALLY CLASSICALLY THE THE MURDERER IS MURDERER IS MANIPULTED MANIPULTED INTO INTO PERFORMING PERFORMING THE ACT.THE ACT.

IMPORTANCE OR INVESTIGATOR IMPORTANCE OR INVESTIGATOR OR DETECTIVE AS MALE LEADOR DETECTIVE AS MALE LEAD

Bogey and BacallBogey and Bacall

Cinematography StyleCinematography Style

Vertical BlindsVertical Blinds Technology Technology

aspects: phone, aspects: phone, lightlight

Angle shotsAngle shots Cameraman on Cameraman on

GroundGround Day shots at nightDay shots at night

Noir Special EffectsNoir Special Effects

RAIN, FOGRAIN, FOG ISOLATIONISOLATION LABYRINTHLABYRINTH FEMME FATALEFEMME FATALE VOICE OVERVOICE OVER FLASHBACKFLASHBACK

RAIN, RAIN,RAINRAIN, RAIN,RAIN

► COBBLE STONESCOBBLE STONES► DARKDARK► ANGLED SHOT ANGLED SHOT

FROM GROUNDFROM GROUND

DARK PHOTOGRAPHYDARK PHOTOGRAPHY

DARK DIFFUSED LIGHTINGDARK DIFFUSED LIGHTING

DIFFUSION LENS DIFFUSION LENS AND NIGHT AND NIGHT PHOTOGRAPHY PHOTOGRAPHY BROUGHT BY BROUGHT BY GERMAN GERMAN CINAMATOGRAPHECINAMATOGRAPHERS AND RS AND DEVELOPED DEVELOPED DURING WAR FOR DURING WAR FOR NIGHT WARFARE.NIGHT WARFARE.

NIGHT IN THE CITYNIGHT IN THE CITY

RICHARD WIDMARKRICHARD WIDMARK

MIKE MAZURKIMIKE MAZURKI

GENE TIERNEYGENE TIERNEY