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Romantic Poetry Project: A Woman’s Perspective Hannah More (February 2, 1745 September 7, 1833) Here and There http://www.poemhunter.com/poem/hereandthere11/comments.asp Here bliss is short, imperfect, insincere, But total, absolute, and perfect there. Here time's a moment, short our happiest state, There infinite duration is our date. Here Satan tempts, and troubles e'en the best, In a weak sinful body here I dwell, But there I drop this frail and sickly shell. Here my best thoughts are stain'd with guilt and fear, But love and pardon shall be perfect there. Here my best duties are defiled with sin, There all is ease without and peace within. Here feeble faith supplies my only light, There faith and hope are swallow'd up in sight. Here love of self my fairest work destroys, There love of God shall perfect all my joys. Here things, as in a glass, are darkly shown, There I shall know as clearly as I'm known. Frail are the fairest flowers which bloom below, There freshest palms on roots immortal grow. Here wants or cares perplex my anxious mind, But spirits there a calm fruition find. Here disappointments my best schemes destroy, There those that sow'd in tears shall reap in joy. Here vanity is stamp'd on all below, Perfection there one very good shall grow. Here my fond heart is fasten'd on some friend, Whose kindness may, whose life must have an end. But there no failure can I ever prove, God cannot disappoint, for God is love. Here Christ for sinners suffer'd, groan'd, and bled, But there he reigns the great triumphant head: Here mock'd and scourged, he wore a crown of thorns, A crown of glory there his brow adorns. Here error clouds the will, and dims the sight,

Romantic Poetry Project: A Woman’s Perspective

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Analysis of Hannah More's 'Here and There' and Agnes Strickland's 'The Butterfly's First Flight'.

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  • RomanticPoetryProject:AWomansPerspective

    HannahMore(February2,1745September7,1833)HereandTherehttp://www.poemhunter.com/poem/hereandthere11/comments.aspHereblississhort,imperfect,insincere,Buttotal,absolute,andperfectthere.Heretime'samoment,shortourhappieststate,Thereinfinitedurationisourdate.HereSatantempts,andtroublese'enthebest,InaweaksinfulbodyhereIdwell,ButthereIdropthisfrailandsicklyshell.Heremybestthoughtsarestain'dwithguiltandfear,Butloveandpardonshallbeperfectthere.Heremybestdutiesaredefiledwithsin,Therealliseasewithoutandpeacewithin.Herefeeblefaithsuppliesmyonlylight,Therefaithandhopeareswallow'dupinsight.Hereloveofselfmyfairestworkdestroys,ThereloveofGodshallperfectallmyjoys.Herethings,asinaglass,aredarklyshown,ThereIshallknowasclearlyasI'mknown.Frailarethefairestflowerswhichbloombelow,Therefreshestpalmsonrootsimmortalgrow.Herewantsorcaresperplexmyanxiousmind,Butspiritsthereacalmfruitionfind.Heredisappointmentsmybestschemesdestroy,Therethosethatsow'dintearsshallreapinjoy.Herevanityisstamp'donallbelow,Perfectionthereoneverygoodshallgrow.Heremyfondheartisfasten'donsomefriend,Whosekindnessmay,whoselifemusthaveanend.ButtherenofailurecanIeverprove,Godcannotdisappoint,forGodislove.HereChristforsinnerssuffer'd,groan'd,andbled,Buttherehereignsthegreattriumphanthead:Heremock'dandscourged,heworeacrownofthorns,Acrownofglorytherehisbrowadorns.Hereerrorcloudsthewill,anddimsthesight,

  • Thereallisknowledge,purityandlight.Heresoimperfectisthismortalstate,IfblestmyselfImournsomeother'sfate.AteveryhumanwoIhererepine,Thejoyofeverysaintshalltherebemine.HereifIlean,theworldshallpiercemyheart,ButtherethatbrokenreedandIshallpart.HereonnopromisedgoodcanIdepend,ButtheretheRockofAgesismyfriend.Hereifsomesuddenjoydelightinspire,ThedreadtoloseitdampstherisingfireButtherewhatevergoodthesoulemploy,Thethoughtthat'tiseternal,crownsthejoy. DictionHannahMoreusesmanydescriptivewordstocontrastthetwolocationsthatsheismentioninginthepoem..Sheusesbothinformalandformalwordswhichdramaticallycontrastthetwolocations.Thedictionportraystheauthorsfeelingsabouthersurroundingsandfeelingsattributedtolocation.ImagesTheauthorusesvividimageryinherpoemtodepictbothpositiveandnegativeimagesinthereadersminds.Shereferredtonounsthatreflecthappinessandsadnesssuchasflowersandsinners.Shedescribestheplacesheisatwithsorrow,angerandsolitudewhiletheplacesshedreamstobeatdepictsjoyandhappiness.DetailsThedetailsofthepoemareleftout,theplacesheisatandwhereshewantstobeareunknown.However,thereadercanfillthevoidbyimaginingtheplacesthattheauthorcouldpotentiallybeat.LanguageThelanguagecontrastswidelyinthepoem.Thishelpstheaudiencefocusontheauthorsmessageofcontrastingfeelingsbasedonlocation.Herlanguagedrawsattentiontotheauthorsdeepassociationswithwheresheis.Theauthorsuseofallusionalsomakesthepoemmorecolloquialtocontrastthemostlyformaldiction.SentenceStructureEachsentenceinHereandThereconsistsofanegativeclauseconcerningwheretheauthorcurrentlyisfollowedbyapositiveclausedescribingwhereMorehopestobe.Sincetheattitudefluctuatesfrompositivetonegativethroughoutthepoem,thereadermustdecidewhichlocationtheycanrelatetomore.Attheconclusionofthepoem,Moreshiftsthelocationsinrelationtoherfeelings.HereandTherebyHannahMore,depictsRomanticismthroughitsemphasisonemotionsandexperiences.ThepoemitselfdescribesMoreslustasforplacesthatshewantstobeatandhatredforwheresheiscurrentlylocated.Theauthorcontrastsherthoughtswithhercurrentstate

  • ofbeingandherlustforherdesiredlocation,thereaderisabletorelatetoherwant.Thereadercanchoosethelocationthattheyfeelmostattachedtoandreflectiveoftheirownlives,thiscanbeachievedbyMoresdescriptivelanguage.Inthepoem,Moreisalsoshowingherdisdaintowardshercurrentstateinwishingthatshewereinaplaceentirelydifferent,asomewhatdreamlikeplace.Perhapssheisdreamingofaplacemorelikeheavenandconsideringdeathasabetterstatethanlife.WhenMorereferencesJesusChrist,thisshowsthatshehopesthatheappreciatedhisownlifeevenafterhesacrificedhimself.ShementionsthatHeremybestdutiesaredefiledwithsinshowingthatsheisnotatpeacewithherselfinhercurrentplace.Throughoutthepoem,thereaderbecomesmoreawareofhersubtlesuggestionthatherdesireddreamplaceisheaven.Thishastheabilitytodepressthereaderastheyhopetheyneverbeinthatsituation.ThisisalsoacharacteristicofromanticismlustforatimebetterthantheirowntimewhichMorebelievesistheafterlifeinheaven.AgnesStrickland(August19,1796July8,1874)TheButterflysFirstFlighthttp://allpoetry.com/poem/8604431TheButterflysFirstFlightbyAgnesStricklandThouhastburstfromthyprison,Brightchildoftheair,LikeaspiritjustrisenFromitsmansionofcare.ThouartjoyouslywingingThyfirstardentflight,WherethegaylarkissingingHernotesofdelight.WherethesunbeamsarethrowingTheirgloriesonthine,TillthycoloursareglowingWithtintsmoredivine.ThentastingnewpleasureInsummer'sgreenbowers,ReposingatleisureOnfreshopen'dflowersOr,delightedtohoverAroundthemtoseeWhosecharms,airyrover,BloomsweetestfortheeAndfondlyexhaling

  • TheirfragrancetilldayFromthybrighteyeisfailingAndfadingawayThenseekingsomeblossomWhichlookstothewest,ThoudostfindinitsbosomSweetshelterandrestAndtheredostbetaketheeTilldarknessiso'er,AndthesunbeamsawaketheeTopleasureoncemore.SThespeakerofthispoemisAgnesStrickland.OTheauthorisdescribingabutterflyandthepointatwhichithatchedoutofitscocoonduringspring.Apossiblereasonastowhytheauthorisdescribingthisisbecausesheismesmerizedbyitsbeauty.ATheaudienceismostlikelytobeofpeoplewhoappreciatenaturesbeauty.Itcanbeassumedthattheaudienceisveryeducatedandaristocratic,muchlikethatofthepeopleduringtheRomanticerawhohadlotsoftimetospendoutdoorsinthenature.PThereasonbehindthetextistoworshipthebeautyofthebutterflyasittakesitsfirstflightintothegreatmightyworld.Itallowstheaudiencetoseethebutterflyasaelegantyettoughatthesametime,travelinginaworldwithmanydangers.SThegeneraltopicwithinthispoemisthebeautyofabutterfly.TTheattitudethatthewriterexpressesisoneofobjectivityandwonder.Itdepictsthebutterflysreleaseintothevastworldofnature.ThispoetisrepresentativeoftheRomanticsensibilitybecausethisitseekstodescribenatureatitsbest.inthisparticularpoem,itplacesavividemphasisonthebirthofabutterflyasitevolvesfromitscocoon.Itinvokesanemotionofaweandamazement.Theauthorallowstheaudiencetofullyappreciatethebutterflysmajesticbeautyasitshowsthebutterflysflight.Theauthorisabletoallowtoaudiencethegraspthewondersofthebutterfly.Becauseofthismagnificentbutterfly,theaudiencecansensethattheauthormaybegoingthroughsomesortofbildingsromanastheglorificationoftheindividualisoneoftheelementsinromanticliterature.Theauthorobviouslywantsthereaderstoappreciatenatureasitisandexpressesitbydescribingabutterflyslifespan.Apossibleperspectivethatonemayseeoftheauthoristhatshebelievesthatsheisinaprisonherselfandtheonlywayshecanachievecomfortisbygettingout,muchlikethebutterflygotoutofthecocoon.CharlotteSmith(May41749October281806)Eveninghttp://www.poemhunter.com/poem/evening39/OH!soothinghour,whenglowingday,

  • Lowinthewesternwavedeclines,Andvillagemurmursdieaway,AndbrightthevesperplanetshinesIlovetohearthegaleofEvenBreathingalongthenewleaf'dcopse,AndfeelthefresheningdewofHeaven,Fallsilentlyinlimpiddrops.For,likeafriend'sconsolingsighs,ThatbreezeofnighttomeappearsAnd,assoftdewfromPity'seyes,Descendthosepurecelestialtears.Alas!forthosewholonghaveborne,Likeme,aheartbysorrowriven,Who,buttheplaintivewinds,willmourn,Whattearswillfall,butthoseofHeaven?Title:Thetitleisratherblandandsimple,itcanbeinferredthatthepoemwillbeaboutnightfallanddarkness.Paraphrase:CharlotteSmithbeginsEveningbydescribingthesunsetandthecitizensofthetowndriftingbackintotheirhomes.Shedescribesthemoonrisingintotheskyshiningandvivid.Shestatesthatherheartisfilledwithsorrowandasksforsomeonetosharehersorrow.Connotation:Thepoemitselfisfilledtothebrimwithfigurativelanguage.Theauthordescribestheeveningbreezeasafriendsconsolingsighs.Thissuggeststhatthebreezeissimilartoafriendintermsofcomfortandsympathy.Attitude:Thetoneinthebeginningisrathercalm,smoothandrelaxed.Thetonethenshiftsintothatofsorrow,lonelinessandsadness.Somethingismakingtheauthorsad,butitisnotknown.Shift:Thefirststanzaiscalm,secondstanzatonebecomessadandlonely.However,therearenoindicationsoftoneshiftsthroughwords,justexpressions.Theseparationofstanzasidentifiedthetoneshift.Title:Myinitialinterpretationwasaccurateasitdescribedtheevening.Thepoemdealtwithsadness,sorrowandlonelinessaswell.Theme:Thepoetissuggestingthatnightfallcanbecomelonely,butthewindkeepsonecompany,comfortingandsympathizing.Thispoemdepictsromanticsensibilitybecauseitvividlyportraysthearrivalofnightfallandtheelementsofnature,wind,thatkeepsalonelysoulcompany.Romanticismisoftendefinedasturningtowardonesinnerselfandawayfromindustrialization.Romanticsensibilityistoturntowardimaginationandnature,thiscanbeseeninthepoemastheauthorusesherimaginationtoseethewindasacompanion,butthewinditselfispartofnature.Romanticisminvolvesviewingnatureastransformation,theauthorisobviouslytransformedbythewindsconsolingfeel.Figurativelanguageisusedthroughouttheentirepoemtodepictthemanyevents,suchasthenightbreezecomparedtoafriendsconsolingsigh.Theeveningsymbolizesatimeofgreatdarknessandlonelinessthatcannotbeescaped.Thereisnoonethatyoucanruntotoopenup

  • youremotionstointhenight.Onlynatureandspecificallythenightbreezewillbeabletoconsoleonestroubles.Atnight,thedarknessoftheeveningwillshadowthemind,bothgoodandbadthoughts.Thepoemitselfisratherdescriptiveoftheeveningandthefeelingsaroundher.Theauthordoesafantasticjobinrepresentingtheromanticerawithromanticsensibility.