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.30 .20 .20 .20 .20 .20 .20 .20 .40 .20 .20 .50 .35 .50 Zo-•• 13rr>XR'D Sydnty : Paling f.!! Co., LId. Piano Solo, in "Book of 7 Melodies" 1.2 5 Pi ano Solo, arr , by B. Whelpley .50 Pi ano Solo, err. by Marachal-Lcepke (sirn- plified) .35 P iano Four-Hands, arr. by Brower-Whelpley .60 Orga n Solo, arr , by R. Goes-Custard .50 Ha rp (wi th organ ad lib .), ar r. by A. F . P int o .60 Violin and Piano, arr. by Kreisler .60 Violin and Piano, arr. by G. Strube .50 Violin and Piano (simplified), arr . by P. T h. Miersch .50 Violoncello and Pi ano . 50 Violin, 'Ce llo and Piano, an . by H. Riesen- feld, in HE. M. Co. Trio Al bum," Vo l. IV 2.00 Cornet and Piano, arr. by H. G. Blaisdell 50 C Melody Saxophone and Piano. Trans. by . ] . Gurewich 60 E!:> (Alto) Saxophone and Piano. T ran s. by . J. Gurewich 60 Orchestra ( Cornet Solo). arr . by G. Stru be '80 Song Orchestration (Eb, D [" or Bb) '80 1\tIilitary Band (Cornet Solo) 1'00 Ukulele, arr, by C. S. De Lana '40 Steel G':iitar, arr: by C. S. De Lana :40 Man dolin and Pian o 50 2 Mandolins and Piano '60 Ma ndolin and Guita r '35 2 Mandolins and Gu itar .50 Mandolin Orchestra, arr. by H. F. Odell: . 1st Mandolin 2nd Man dolin 3rd Mandolin Tenor -Mandala Mand o-'Cello Mando-Bass Banjo Obbligato Guitar Accompaniment Piano Accompaniment Flute Violonc ello Trombone and Piano, arr. by M . Alloo Guitar Solo Flute and Piano INSTRUMENTAL ARRANGEMENTS Paris : C OJlalla, Ej' Cil. BY WORDS BY D.np. U19yri ,h! IP/I. by G. Schirma' . &loll THE RO SARY B«lin : Ed. Bou f.!! G. Bock ROBERT CAMERON ROGERS ,AHa or Bass,fn BI. ET HE LBERT ,NEVIN VOCAL ED ITIONS London .. G. Scltirmer. W. Song with Piano Accompan iment (Six Keys) High Sop.or F - Edition with E n glish, Frenc h & German words (6 Keys) .50 Edition with French & English words (F, D., C, B'j .50 E dit ion wi th German & English word s (EJ" D., C, B.j .50 Ed ition with It ali an & En glish word s (DJ,) .50 Ed ition with Spanish & En glish words (6 Keys) .50 Ed itio n with Danish & En glish words (D!:» .50 Ed ition with R ussian & En glish word s (Db) .50 Ed it ion with Espera nt o & En g. word s ( D lJ ) .50 Ed itio n with Violin obb ligato (Eb, C) .60 Song with Gui t ar Accomp anime nt .40 Duet for Sop. and Alto, in E" .50 Duet for Sop. and T en ., in EJ, . 50 Duet for Mez, Sop. and Bar., in C .50 Quartet for Mixed Voices .15 Quartet for Men 's Voices . 15 Quartet for Women's Voices . 15 THE HO LY HO UR- (Edition with Sacred words for Church use) (E I1 , C, B") .45 THE HO LY HO UR-Q uar tet for Mixed Va •• 15 TH E HOLY HO UR-Qu art et for Men's vs , . 15 THE HOLY HO UR-Qu art et for Women 's Voices .15 THE BOSTON MUSIC COMPANY : BOSTON: MASSACHUSETTS NEW YORK : G. SCHIRMER, IN C.

ROSARY - OC Public Libraries OTHER NOTABLE COMPOSITIONS By ETHELBERT NEVIN "Nevin's songs have lyrical contour, lyrical impulses; they come forward in graceful curves like waves, and

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Page 1: ROSARY - OC Public Libraries OTHER NOTABLE COMPOSITIONS By ETHELBERT NEVIN "Nevin's songs have lyrical contour, lyrical impulses; they come forward in graceful curves like waves, and

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Zo-•• •13rr>XR'D

Sydnty : Paling f.!! Co., LId.

P iano Solo, in "Book of 7 Melodies" 1.2 5Piano Solo, arr, by B. Whelpley .50Pi ano Solo, er r. by M ar achal-Lcepke (sirn-

plified) .35Piano Four-Hands, ar r. by Brower-Whelpley .60Organ Solo, arr, by R. Goes-Cust ard .50Ha rp (with organ ad lib .), ar r. by A. F . P into .60Violin and Piano, arr. by Kreisler .60Violin and P iano, arr. by G. Strube .50Violin and P iano (simplified), arr . by P. T h.

Miersch .50Violoncello and Pi ano .50Violin, 'Cello and Pi ano, an. by H . R iesen­

feld, in HE. M. Co. T rio Album," Vol.IV 2.00

Cornet and Pi ano, ar r . by H. G. Blais dell 50C Melody Saxophone and Piano. T rans. b y .

] . Gurewich 60E!:> (Alto) Saxophone and Piano. T ran s. by .

J. Gurewich 60Orchest ra (Cornet Solo). arr. by G. Strube '80Song Orchestr at ion (Eb , D [" or Bb) '801\tIilitary Band (Corn et Solo) 1'00Ukulele, arr, by C. S. De Lana '40Ste el G':iitar, arr: by C. S. De Lana :40Man dolin and Piano 502 M andolins and Piano '60Ma ndolin and Guita r ' 352 Mandolins and Guitar .50Ma ndol in Orc hestr a, ar r . by H . F. Odell: .

1st M andolin2nd Mandolin3rd Mandol inT enor-MandalaM ando-'CelloMando-BassBanjo ObbligatoGuitar AccompanimentPiano AccompanimentFluteViolonc ello

T rombone and Piano, arr . by M. AllooGuitar SoloFlute and Piano

INSTRUMENTAL ARRANGEMENTS

Paris : COJlalla, Ej' Cil.

BY

WORDS BY

D.np . U19yri,h! IP/I. by G. Schirma'. &loll

THE

ROSARY

B«lin : Ed. Bou f.!! G. Bock

ROBERT CAMERON ROGERS

,AHa or Bass,fn BI.

l~"~

ETHELBERT ,NEVIN

VOCAL ED ITIONS

London .. G. Scltirmer. W.

Song with Pi ano Accompaniment (Six Keys)

High Sop.or Ten.~nF

~~ ~

- Edi t ion with English, French & Germanwords (6 Keys) .50

Edit ion with Frenc h & E nglish words (F,D., C, B'j .50

E dit ion with German & English word s (EJ"D., C, B.j .50

Ed ition wit h Italian & English word s (DJ,) .50Ed ition with Spanish & English words

(6 Keys) .50Ed itio n with D anish & English words (D!:» .50Ed itio n with R ussian & En glish words (Db) .50Ed it ion with Esperant o & En g. word s (D lJ) .50Ed itio n with Violin obb ligato (Eb, C) .60Song with Gui t ar Accomp animent .40D uet for Sop. and Alt o, in E" .50Duet for Sop. and T en ., in EJ, .50D ue t for Me z, Sop. and Bar., in C .50Quar tet for Mixed Voices .15Quartet for Men's Voices .15Quartet for Wo men' s Voices . 15THE HO LY HO UR-(E dition wit h Sacred

words for Church use) (E I1 , C, B") .45THE HO LY HO UR-Quar tet for M ixed Va••15TH E HOLY HO UR-Quartet for M en' s vs, . 15THE HOLY HO UR-Quartet for Women's

Voices .15

THE BOSTON MUSIC COMPANY : BOSTON: MASSACHUSETTSNEW YORK : G. SCHIRMER, IN C.

Page 2: ROSARY - OC Public Libraries OTHER NOTABLE COMPOSITIONS By ETHELBERT NEVIN "Nevin's songs have lyrical contour, lyrical impulses; they come forward in graceful curves like waves, and

THE ROSARYLE ROSAIRE

DER ROSENKRANZ

3

ROBERT CAMERON ROGERSFre,,,,!> version by Mme. C. EscRigGerman version by Carl Engel

ETHELBERT NEVIN

Lento ed intimop

VOICE

PIANO

• with thee, heart,The hours I spent dearComme un 1'0 - sai - re son/ pour moi

Oft denk' mit Weh _ mut ich zu - ruck

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I I

p~.. .

! ~q'~< ii · I

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.. . IIiIj 'q~- ~-

*

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I co~ntt~m ~- v~r ev - 'ryTou_ jours j e les ccnnp - te pen -Die, strah-lend in der jun- g..n

~ , -.......

~ I\)i jIJ- ~

...J -> -I.~ • .~ :;:;::::::

,­me;

sai e-ntjGluck,

Are as a string of pearls toLes hew - res qui nous u - nis ­Der hol-den Stun -den,reich an

oco ra . 1":1.

• -.one ~ - part, My ro - sa - ry, my ro - sa - r yl

sant a toi, B eall" - - coup trop vite el - - les pas - saient/ .Lie - be Glanz , Den Per - len gleich am Ro - sen - k ranz

~poco raIl.

L.U.I":I--.

.-./-··

:?: ".:--- ~;::::-... 1 dolce·· "- ··

~~ ·

It

l ··< ~ ~:

I ·· ··~

... .

Cop y 1'1'gll t , 1898 , by G. Sc h-ir-mer, J1'. *B. M. Co. 2701

Fa,. et l COIl TIt ,.ielO~polttado ('olV61'me a 1(1ley d~ R ep" bli c4 Nt.I; i~·afla

e l~ el a~o 11)12 PIJ " IA e Busi on X u,ic {'omp lfII Y Printed in U. S. A.

Page 3: ROSARY - OC Public Libraries OTHER NOTABLE COMPOSITIONS By ETHELBERT NEVIN "Nevin's songs have lyrical contour, lyrical impulses; they come forward in graceful curves like waves, and

4

motto largnmente

r'fro,

a te1lljJo~ mp

.It. Each hour a pearl,each pearl a

,To still a heart ab- sencepray'r IU

U _ ne pri _ ,m a cha - que Iryain POUy cal - mer man coeur aux a _

Wie sle, so reiht der Stun - den Zahl , Ein lich - ter Kranz,sich je _ des -

0; te1llfJo

~~1I , : ~~":1

·I 4

~ "~-6r.;!

~ :: :mp .1

·· . ·. ·~

.... IT ~j '~~- ~ :6 ... . IT,;j-

*-..''fro.

• , .. .. ...

t."

t:llr r

rn - towrung: I each bead the end, And there abois, Jar - rive at"u - si Jus ~ qu.Ja la fil1, Mais la pel1dmal Zur Ket - te von Ge - be - ten fromm- Bis ich zum

.>: I""motto largamente_______ I

, i t.

0

~~ ':617 U pj"11 dolce

<

.I ---- b~ i- ,, ~ . .:.·'~l

~

=4 =qr 'Xro.~ ~::

*i ' dolcissimo

.1';:;- (";\ a f!1/I)JO

:> (";\ p

t. cross IS hung! 0 mem - 0 - ries that bless andIt - fI e croix! 0 doux mo - ments si plei"s d'e -

Kreu - ze komm'l 1m Geist ent - schwund'- ner Se - lig -a t elll)Jo

:> r-. ~ ---.......~~ ~~rr. _ F- ..

i P quasi arpeggio

< f ciltrato ..--:: • --- f~:;;- -..."., b.. ::!

· , .. ',' ~

B. M. . Co. 21iJl

Page 4: ROSARY - OC Public Libraries OTHER NOTABLE COMPOSITIONS By ETHELBERT NEVIN "Nevin's songs have lyrical contour, lyrical impulses; they come forward in graceful curves like waves, and

5

" ,

f\

., ' 0 bar-ren gain

-t

burnl and bit - ter loss!mm, A eous tou.jours, ie dais pen - setj .

keit Kiiss' ich sie a1l', In stum - mem Leid,

f\~~ r .....,~ .. .. ~... ------~;:;.. F-

- '--'" - ----....-----.. patetico .---...<

~ ~ .. --- i~:l :!! t ~.. .. I ..·~= f '

~ r ~r. ~ .'., .•.

'.to.

f

~.

11Iff\ sempre C1YJSC. , • I > ~ >

,

I kfss el ch be"ad, ahd strive at last to learn To kiss the] 'em - bras - se cha - que grai n .J If,S - qt"a la croi x} Tn - chant d'ap -Bis end - lich mir der Schmerz der letz - ten Stund' Drangt, 0 Ge-

> > >>

l..

/ ::precresc; .. q'"iI . ..~ --6

< m > > ::>-f------:

t ~ .,J .IIi -.;-:::: I 1 :er ··

-- =" =i

t *~' ,''.to.

f po el~ • -'

co ace . ff> 1":'\ Larg o pp 1":'\

, ,

cross , sweet - heart! to kiss the cross.p relldre en - f in Ii rem - bras - ser.

lieb - - - - tern , das Krenz zum Mund.

p oco acceJ: - u~ --0~

~1":'\ --

:~ 1 -ii ""*" ~

. ,~ :f< ff

.f ;popp

1":'\

~-

..;~ ~

I .,s i ~. ---~

... -

H.M.Co. 270t

Page 5: ROSARY - OC Public Libraries OTHER NOTABLE COMPOSITIONS By ETHELBERT NEVIN "Nevin's songs have lyrical contour, lyrical impulses; they come forward in graceful curves like waves, and

OTHER NOTABLE COMPOSITIONSBy ETHELBERT NEVIN

"Nevin's songs h ave lyrical contour, lyrical im pulses; they come forward in graceful cu rves lik e waves,and when they reach their desrlnat lon, they rise to their climax and make a beautiful end. • • • If you{eel in a man's work a quality. which you can only define by making an adjective of h is name, th en hiswor k h as that individuality without which no genius-however infinite h is paim-could hold his ownthrough the rus h c f tlme, Yes. I think we may call Ethelbert N evin a great composer of great songs."

--RUPERT HUQHES--

MAY I N TUSCANY (Mallia in T ouano) Complete, 1.251. Arlecchi no .602. Nottur no (in Bccceecto'e Villa) .753. Barchet ta .604. M isericordia .605. II Ru signuolo (I n M y Nelgbbcr'a Gard en) .756. La Pastcrena (Mon tep iano) . 60

MELODIES (Tran script ions) Complete , 1.251. One SDrin ll Morning 2. At T wUlghtJ . Tell Me (Diles-moi) 4. The R osa ry5. Time Enough (R ed Ie Zeit) 6. T he M erry Lark1. Ob , That We T wo Wer e },fayingl

EGYPTIAN LOVE SONG .60

--- - J'{evin Piano Pieces- - - -SKETCH BOOK (Songe and Piano Piecea) Complete, 1.25

1. Gavotte .502. Love Song .503. Berceuse .504. Se renat a .60S. Valse RhaplO die .60

WATER S CENES Complete , 1.251. D ragon Fl y .602. Ophelia .603. W ater N ym ph .604. Narcissus .60S. Barcar olle .75

IN ARCAD Y Complete, 1.251. A Sh epherd', Tale .602. Shepherds All an d M ai dem Fair .753. Lullaby e .604. T ournament .15

Little Boy BlueH igh, Blt,' ,Medium , Alt . 60

At TwilightHigh, G; Medium, F .60

Time Enough (Rechte Zeit)H igh, B ,; Medium, A ,; Luw, G, (e. & g.) .50

----- J'{evin Songs- - - --

Doriswith ccc, of pWno, violin and 'cello

High, F; M edium, Elt .90with piano lUC. High, F; M edium D (e. & g.) . 60

One Spring Morning (Friihlingsmorgen)with ace. of Piano, violin and 'cello

High, Em.; M edium, Dm. (e. & g.) .75with piano ace., same keys .75

Deep in a Rose's Glowing Heartwith ace. of piano , violin and 'cello

High, A; :Medium, G . 60with piano acc., same keys .50

--- -Violin and Piano- - - -A Life Lesson (v'There, little girl, don't cry")H igh, Blti M edium, G . 60

o T hat W e Two Were Mayingwith piano ace. High, A; LO'W, F . 60duet with piano ace. S op. and Tenor, A It

Sop. and Alia, A I>Alto and Bass, P Eacb .75

Narcissusvoice and piano High, A \:J,' Lo», F . 60

Lov e SongAutumnMelodyHabaneraNarcissus (Arr. by G. Strube)Narcissus (Stmpllfied arr. by A. M offat)Barca rolleLullabyeRomance (Transcr. b y C. Engel)Sl um ber Song (OD. posth .)T he Rosary (Arr. by Fri tl: Kr eisler )The Rosary (Arr. by G. Strube)T h e Rosary (Simplified a rr , by P. T h . MJench)

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.75

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- - - - Organ Editions- - - -----Orchestra Editions- - - -

Lov e Song (Arr. by Edward Shippen Barnes)Slumber Song (Arr. by E. H . Lemare)At T wilight (Arr . by A. H . Ryd er)Ophelia (Arr. by P . J. M ansfield)Narcissus (Arr. by R. Gose-Custa rd)A Shep herd 's T ale (Arr. by P. J. M 3nlIfidd)M iser icord ia (Arr. b y P. J. Mansfield)T be Rosary (Arr. by R. Goes-Custard)W edding Prelude an d Inte rmezzoOrg an Folio (9 pieces)

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.00Complete 1.00

POPULAR CON CERTLibrary Number

1. 0 That We T wo Were May inll )7. Coun try Dance8. In Arcady9. Narcissus

11. R omance12. Bar chetta32 . Lov e Song

{Song of Lo ve

52. The Old Mill

Smalla rch .

.80

FullOren.1.10

The Boston Music Company Boston, Mass.2388