Transcript
Page 1: ROSARY - OC Public Libraries OTHER NOTABLE COMPOSITIONS By ETHELBERT NEVIN "Nevin's songs have lyrical contour, lyrical impulses; they come forward in graceful curves like waves, and

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Zo-•• •13rr>XR'D

Sydnty : Paling f.!! Co., LId.

P iano Solo, in "Book of 7 Melodies" 1.2 5Piano Solo, arr, by B. Whelpley .50Pi ano Solo, er r. by M ar achal-Lcepke (sirn-

plified) .35Piano Four-Hands, ar r. by Brower-Whelpley .60Organ Solo, arr, by R. Goes-Cust ard .50Ha rp (with organ ad lib .), ar r. by A. F . P into .60Violin and Piano, arr. by Kreisler .60Violin and P iano, arr. by G. Strube .50Violin and P iano (simplified), arr . by P. T h.

Miersch .50Violoncello and Pi ano .50Violin, 'Cello and Pi ano, an. by H . R iesen­

feld, in HE. M. Co. T rio Album," Vol.IV 2.00

Cornet and Pi ano, ar r . by H. G. Blais dell 50C Melody Saxophone and Piano. T rans. b y .

] . Gurewich 60E!:> (Alto) Saxophone and Piano. T ran s. by .

J. Gurewich 60Orchest ra (Cornet Solo). arr. by G. Strube '80Song Orchestr at ion (Eb , D [" or Bb) '801\tIilitary Band (Corn et Solo) 1'00Ukulele, arr, by C. S. De Lana '40Ste el G':iitar, arr: by C. S. De Lana :40Man dolin and Piano 502 M andolins and Piano '60Ma ndolin and Guita r ' 352 Mandolins and Guitar .50Ma ndol in Orc hestr a, ar r . by H . F. Odell: .

1st M andolin2nd Mandolin3rd Mandol inT enor-MandalaM ando-'CelloMando-BassBanjo ObbligatoGuitar AccompanimentPiano AccompanimentFluteViolonc ello

T rombone and Piano, arr . by M. AllooGuitar SoloFlute and Piano

INSTRUMENTAL ARRANGEMENTS

Paris : COJlalla, Ej' Cil.

BY

WORDS BY

D.np . U19yri,h! IP/I. by G. Schirma'. &loll

THE

ROSARY

B«lin : Ed. Bou f.!! G. Bock

ROBERT CAMERON ROGERS

,AHa or Bass,fn BI.

l~"~

ETHELBERT ,NEVIN

VOCAL ED ITIONS

London .. G. Scltirmer. W.

Song with Pi ano Accompaniment (Six Keys)

High Sop.or Ten.~nF

~~ ~

- Edi t ion with English, French & Germanwords (6 Keys) .50

Edit ion with Frenc h & E nglish words (F,D., C, B'j .50

E dit ion with German & English word s (EJ"D., C, B.j .50

Ed ition wit h Italian & English word s (DJ,) .50Ed ition with Spanish & English words

(6 Keys) .50Ed itio n with D anish & English words (D!:» .50Ed itio n with R ussian & En glish words (Db) .50Ed it ion with Esperant o & En g. word s (D lJ) .50Ed itio n with Violin obb ligato (Eb, C) .60Song with Gui t ar Accomp animent .40D uet for Sop. and Alt o, in E" .50Duet for Sop. and T en ., in EJ, .50D ue t for Me z, Sop. and Bar., in C .50Quar tet for Mixed Voices .15Quartet for Men's Voices .15Quartet for Wo men' s Voices . 15THE HO LY HO UR-(E dition wit h Sacred

words for Church use) (E I1 , C, B") .45THE HO LY HO UR-Quar tet for M ixed Va••15TH E HOLY HO UR-Quartet for M en' s vs, . 15THE HOLY HO UR-Quartet for Women's

Voices .15

THE BOSTON MUSIC COMPANY : BOSTON: MASSACHUSETTSNEW YORK : G. SCHIRMER, IN C.

Page 2: ROSARY - OC Public Libraries OTHER NOTABLE COMPOSITIONS By ETHELBERT NEVIN "Nevin's songs have lyrical contour, lyrical impulses; they come forward in graceful curves like waves, and

THE ROSARYLE ROSAIRE

DER ROSENKRANZ

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ROBERT CAMERON ROGERSFre,,,,!> version by Mme. C. EscRigGerman version by Carl Engel

ETHELBERT NEVIN

Lento ed intimop

VOICE

PIANO

• with thee, heart,The hours I spent dearComme un 1'0 - sai - re son/ pour moi

Oft denk' mit Weh _ mut ich zu - ruck

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I co~ntt~m ~- v~r ev - 'ryTou_ jours j e les ccnnp - te pen -Die, strah-lend in der jun- g..n

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...J -> -I.~ • .~ :;:;::::::

,­me;

sai e-ntjGluck,

Are as a string of pearls toLes hew - res qui nous u - nis ­Der hol-den Stun -den,reich an

oco ra . 1":1.

• -.one ~ - part, My ro - sa - ry, my ro - sa - r yl

sant a toi, B eall" - - coup trop vite el - - les pas - saient/ .Lie - be Glanz , Den Per - len gleich am Ro - sen - k ranz

~poco raIl.

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Cop y 1'1'gll t , 1898 , by G. Sc h-ir-mer, J1'. *B. M. Co. 2701

Fa,. et l COIl TIt ,.ielO~polttado ('olV61'me a 1(1ley d~ R ep" bli c4 Nt.I; i~·afla

e l~ el a~o 11)12 PIJ " IA e Busi on X u,ic {'omp lfII Y Printed in U. S. A.

Page 3: ROSARY - OC Public Libraries OTHER NOTABLE COMPOSITIONS By ETHELBERT NEVIN "Nevin's songs have lyrical contour, lyrical impulses; they come forward in graceful curves like waves, and

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motto largnmente

r'fro,

a te1lljJo~ mp

.It. Each hour a pearl,each pearl a

,To still a heart ab- sencepray'r IU

U _ ne pri _ ,m a cha - que Iryain POUy cal - mer man coeur aux a _

Wie sle, so reiht der Stun - den Zahl , Ein lich - ter Kranz,sich je _ des -

0; te1llfJo

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rn - towrung: I each bead the end, And there abois, Jar - rive at"u - si Jus ~ qu.Ja la fil1, Mais la pel1dmal Zur Ket - te von Ge - be - ten fromm- Bis ich zum

.>: I""motto largamente_______ I

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*i ' dolcissimo

.1';:;- (";\ a f!1/I)JO

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t. cross IS hung! 0 mem - 0 - ries that bless andIt - fI e croix! 0 doux mo - ments si plei"s d'e -

Kreu - ze komm'l 1m Geist ent - schwund'- ner Se - lig -a t elll)Jo

:> r-. ~ ---.......~~ ~~rr. _ F- ..

i P quasi arpeggio

< f ciltrato ..--:: • --- f~:;;- -..."., b.. ::!

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B. M. . Co. 21iJl

Page 4: ROSARY - OC Public Libraries OTHER NOTABLE COMPOSITIONS By ETHELBERT NEVIN "Nevin's songs have lyrical contour, lyrical impulses; they come forward in graceful curves like waves, and

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f\

., ' 0 bar-ren gain

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burnl and bit - ter loss!mm, A eous tou.jours, ie dais pen - setj .

keit Kiiss' ich sie a1l', In stum - mem Leid,

f\~~ r .....,~ .. .. ~... ------~;:;.. F-

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11Iff\ sempre C1YJSC. , • I > ~ >

,

I kfss el ch be"ad, ahd strive at last to learn To kiss the] 'em - bras - se cha - que grai n .J If,S - qt"a la croi x} Tn - chant d'ap -Bis end - lich mir der Schmerz der letz - ten Stund' Drangt, 0 Ge-

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f po el~ • -'

co ace . ff> 1":'\ Larg o pp 1":'\

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cross , sweet - heart! to kiss the cross.p relldre en - f in Ii rem - bras - ser.

lieb - - - - tern , das Krenz zum Mund.

p oco acceJ: - u~ --0~

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H.M.Co. 270t

Page 5: ROSARY - OC Public Libraries OTHER NOTABLE COMPOSITIONS By ETHELBERT NEVIN "Nevin's songs have lyrical contour, lyrical impulses; they come forward in graceful curves like waves, and

OTHER NOTABLE COMPOSITIONSBy ETHELBERT NEVIN

"Nevin's songs h ave lyrical contour, lyrical im pulses; they come forward in graceful cu rves lik e waves,and when they reach their desrlnat lon, they rise to their climax and make a beautiful end. • • • If you{eel in a man's work a quality. which you can only define by making an adjective of h is name, th en hiswor k h as that individuality without which no genius-however infinite h is paim-could hold his ownthrough the rus h c f tlme, Yes. I think we may call Ethelbert N evin a great composer of great songs."

--RUPERT HUQHES--

MAY I N TUSCANY (Mallia in T ouano) Complete, 1.251. Arlecchi no .602. Nottur no (in Bccceecto'e Villa) .753. Barchet ta .604. M isericordia .605. II Ru signuolo (I n M y Nelgbbcr'a Gard en) .756. La Pastcrena (Mon tep iano) . 60

MELODIES (Tran script ions) Complete , 1.251. One SDrin ll Morning 2. At T wUlghtJ . Tell Me (Diles-moi) 4. The R osa ry5. Time Enough (R ed Ie Zeit) 6. T he M erry Lark1. Ob , That We T wo Wer e },fayingl

EGYPTIAN LOVE SONG .60

--- - J'{evin Piano Pieces- - - -SKETCH BOOK (Songe and Piano Piecea) Complete, 1.25

1. Gavotte .502. Love Song .503. Berceuse .504. Se renat a .60S. Valse RhaplO die .60

WATER S CENES Complete , 1.251. D ragon Fl y .602. Ophelia .603. W ater N ym ph .604. Narcissus .60S. Barcar olle .75

IN ARCAD Y Complete, 1.251. A Sh epherd', Tale .602. Shepherds All an d M ai dem Fair .753. Lullaby e .604. T ournament .15

Little Boy BlueH igh, Blt,' ,Medium , Alt . 60

At TwilightHigh, G; Medium, F .60

Time Enough (Rechte Zeit)H igh, B ,; Medium, A ,; Luw, G, (e. & g.) .50

----- J'{evin Songs- - - --

Doriswith ccc, of pWno, violin and 'cello

High, F; M edium, Elt .90with piano lUC. High, F; M edium D (e. & g.) . 60

One Spring Morning (Friihlingsmorgen)with ace. of Piano, violin and 'cello

High, Em.; M edium, Dm. (e. & g.) .75with piano ace., same keys .75

Deep in a Rose's Glowing Heartwith ace. of piano , violin and 'cello

High, A; :Medium, G . 60with piano acc., same keys .50

--- -Violin and Piano- - - -A Life Lesson (v'There, little girl, don't cry")H igh, Blti M edium, G . 60

o T hat W e Two Were Mayingwith piano ace. High, A; LO'W, F . 60duet with piano ace. S op. and Tenor, A It

Sop. and Alia, A I>Alto and Bass, P Eacb .75

Narcissusvoice and piano High, A \:J,' Lo», F . 60

Lov e SongAutumnMelodyHabaneraNarcissus (Arr. by G. Strube)Narcissus (Stmpllfied arr. by A. M offat)Barca rolleLullabyeRomance (Transcr. b y C. Engel)Sl um ber Song (OD. posth .)T he Rosary (Arr. by Fri tl: Kr eisler )The Rosary (Arr. by G. Strube)T h e Rosary (Simplified a rr , by P. T h . MJench)

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- - - - Organ Editions- - - -----Orchestra Editions- - - -

Lov e Song (Arr. by Edward Shippen Barnes)Slumber Song (Arr. by E. H . Lemare)At T wilight (Arr . by A. H . Ryd er)Ophelia (Arr. by P . J. M ansfield)Narcissus (Arr. by R. Gose-Custa rd)A Shep herd 's T ale (Arr. by P. J. M 3nlIfidd)M iser icord ia (Arr. b y P. J. Mansfield)T be Rosary (Arr. by R. Goes-Custard)W edding Prelude an d Inte rmezzoOrg an Folio (9 pieces)

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POPULAR CON CERTLibrary Number

1. 0 That We T wo Were May inll )7. Coun try Dance8. In Arcady9. Narcissus

11. R omance12. Bar chetta32 . Lov e Song

{Song of Lo ve

52. The Old Mill

Smalla rch .

.80

FullOren.1.10

The Boston Music Company Boston, Mass.2388