Russian Literature VIII(1980) 579-604 OSIP BRIK: A ......The bibliography includes not only Brik's printed works, but his film scenarios and opera librettos as well. For the scenarios,

Russian Literature VIII(1980) 579-604 ©North-Holland Publishing Company

OSIP BRIK: A BIBLIOGRAPHY

BENGT JANGFELDT

This bibliography has been compiled from various sources: Osip Brik's private archive in Moscow; the catalogue in the Majakovskij Museum in Moscow; and, finally, the holdings of the Lenin Library, where I have been working in several stages in my search for articles by Brik. Most of the items presented in the bibliography I have been able to check myself; for some of them, especially the newspaper articles from the late thirties, I have had to rely on the catalogue in the Majakovskij Museum - unfortunately, the library of this museum has been closed for many years, and no recheck has therefore been possible.

Since I have not had access to all articles but have had to rely on second-hand sources, I cannot always indicate both numbers/dates and pages. I have, however, for each item tried to provide as much information as possible, so as to make it easier for anyone interest- ed to find the article in question.

All items are given in the alphabetical order of the sources under each year.

Brik often signed his articles with his initials. Sometimes the authorship cannot be established with full certainty; in those cases the initials - [O.B.] or [B.] - are given in brackets.

The bibliography includes not only Brik's printed works, but his film scenarios and opera librettos as well. For the scenarios, two dates are given -the first indicates the year the film was produced, the second one (in parentheses) the year it was first shown.

I would like, posthumously, to express my gratitude to L.Ju.Brik and V.A.Katanjan, who kindly afforded me free access to Brik's archive. I also want to thank M.B.Jampol'skij, who has been helpful in checking Brik's articles on film.

580 Bengt Jangfeldt

N.B.

When this bibliography was already in print, Rosemarie Zieg- ler's "Zu einer Bibliographie der Werke von O.M.Brik" appeared in the Wiener Slawistischer Almanach, 1980, Band 5. This work differs from mine mainly in one respect: the author has chosen to include not only printed (or staged/filmed) works, but also manuscripts (26 of which are undated), stenographs, translations, and even quotations from Brik cited in other sources. Rosemarie Ziegler's bibliography (which includes 29 items borrowed from Vahan D.Barooshian's "A Bibliography of Brik's Works" [see my "Post Scriptum"]) also contains several works by Brik that I have overlooked (especially from the years 1930-1944); on the other hand, my bibliography comprises almost as many items that are not found in her bibliography (mainly from the period 1917- 1930). Furthermore, my bibliography gives the right titles and datings of some items rendered incorrectly in Rosemarie Zieg- let's work (Nos.7,37 and 280) and also fixes the sources and dates of articles that the author presents as "undatiert" (Nos. 145 and 256, 325,328 and 329).

It would be meaningless to publish yet another incomplete list of Brik's works, and I have therefore included in my bibliography all (printed) items from Rosemarie Ziegler's bibliography that were originally lacking in mine. These are marked with an asterisk.

I do not list manuscripts or stenographs in my bibliography, but would in this connection like to complete Rosemarie Zieg- ler's list of archive materials (all titles are from Brik's private archive):

i. [O ritme], 1916-1917 (2 pp.) 2. Plan lekcii po "teorii po~zii" (4 pp.) 3. [Tezisy lekcii po stichotvornoj re'i], 1931 (2 pp.) 4. [Lekcija po stichotvornoj re'i], 22.11.1931 (15 pp.) 5. [O stichotvornoj re'i] (6 pp.) 6. Ritm i semantika (4 pp.)

• . v . ,

7. Rltmlceskl 3 impul's (i p.) 8. K po~tike dramy (i p.) 9. Nadpis' i uzor (i p°)

i0. [0 Christofore Kolumbe] (2 pp.) Ii. Za sovetskuju operu (2 pp.) 12. Vospominanija o Majakovskom (7 pp.) 13. Proletarskoe iskusstvo [tezisy] (2 pp.) 14 [Tezisy o Proletkul'te] (4 pp.)

I would also like to date one undated stenograph in Rosemarie Ziegler's list: the lecture "Majakovskij i Mejerchol'd" (No.305 in her bibliography) should probably be "Mejerchol'd i Vl.Maja- kovskij", held on April 2, 1934.

Osip Brik: A Bibliography 581

BHB~HOFPACHH O.M.BPHKA

Eoce~aemca P.O.~o6co~y

1915

i. Xne~a!, anbMaHax Bs~n, H.1915, CTp.12--13. [Pe~. Ha no3~y 06~a~o e ~ma~ax.]

1916

2. [Pe~.] Ce~BMoe noKp~Bano. CTHXH, ~emonucb, H.1916: 9, CTp.311. *

3. [Pe~.] KpOBO~a~H~ TypKa M Bon~e~HHK MaFFH. C~eHa- pH~ KoMe~MM B Tpex ~e~CTBH~X, COCTaBneHH~ K.M.MH- KnameBcKHM, ma~ xe, 1916:10, CTp.349. *

4. [Pe~.] C.AycneH~ep. Cep~e BOHHa, ma~ ~, 1916:11, CTp.314. *

1917

5. [Pe~.] A.OKyneB, Ha A~ne-peKe M ~p.paccKas~, ~emonucb, H.1917:1, CTp.325.

6. [Peu.] H.TMM~OBCKM~, ~BOp~HcKaH 6epnora. POMaH, ma~ xe.

7. ~eMoKpaTz3a~HH HcKyCCTBa, ma~ ~e, 1917:7/8, Mmnb-

aBFyCT, CTp.298--302.

8. [Pe~.] Hsunam~Me 3BeHBH. HOgB~. ~.BapTa~eB, A.Bepe- SHH, H.BOCCS, A.FarapHH, ma~ xe, CTp.328-329.

9. [Pe~.] EBFeHH~ FnMKMaH, CTHXH 1908--1916 H Onbra ~anMaToBa, CTHXM, ma~ ~e, CTp.329.

i0. [Pe~.] Pycc~a~ CBO60~a. E~eHe~en~HHK ~i, ras. Ho- eaa xus~, H.1917:17, 7(20) MaH, CTp.4.

ii. B KONL~TeTe nO Hapo~HoMy o6pagoBaHHm, ma~ xe, 1917: 37, 1(14) HmH~, CTp.4. [B.]

12. Kynn~-npo~ama H xy~o~eCTBeHH~e COKpOBM~a (no hOBO- MY CTaT~M A.H.BeHya "BaKpeno~eHHe xy~o~ecTBeHH~X co~poBHm", "HoBa~ ~s~"~50), ma~ xe, 1917:58, 25 MmHH (8 HDn~), CTp.5.

13. [Pe~.] A.A.FHpc, ABCTpO-BeHFpMH, Ba~KaH~ H Typ~MH, ma~ xe, 1917:100, 13(26) aBF., CTp.5. [O.B.]

14. MoH nOSMUMS, ma~ xe, 1917:193(197), 5(18) ~eK.,CTp. 4.

15. BOnbmeBHKM H aBTopcKoe npaBo, ma~ xe, 1917:202(196), 15 (28) ~eK., CTp. i.

16. "HapO~HOe npocBe~eHMe", ma~ ~e, 1917:210 (204) , 24 ~eK. (8 HHB.i918) , CTp.8.

17. BByKOB~e nOBTOp~, C~op~u~u no ~eopuu no~mu~ec~o~o ~s~a, B~H.II, H.1917, CTp.24--62. CM. ~43.

582 Bengt Jangfeldt

1918

18. ABTOHOMHOe HCKyCCTBO, Fa3. Beuepn~ 3ee3¢a, 9.1918:1, 22 ~HB.

19. YTpO O POCCH~, ma~ xe, 1918:2, 23 ~HB.

20. ~poneTapc~a~ noa3H~, ma~ xe, 1918:4, 25 ~HB.

21. YnHua, ma~ xe, 1918:17, 23(10)~eBp., CTp.3.

22. [Pe~.] AnbMaHax "CTpeMHHH~", 2, ma~ xe, CTp.8.

23. 3aHBneHHe no nobody "MHcTepHH--6y~", Fa3. ~U3~b uc~yccmea, N.1918, 21 Ho~6p~. [Konn. CTaTbS, C B. BapaHOB~M-POCCHHe, ~.BaynMH~M, A.KapeB~M, A.MaT- BeeB~M, H.RyHHH~M, H.mKO~bHHKOM, C.qeXOHHH~M, ~.mTepeH6epFoM H ~p.]

24. ~peHa}K HCKyCCTBy, rag. HoKyoomso ~OA4A4yH~, H.1918:1, 7 ~eK., CTp.1.

25. Xy~O~HHK--nponeTapH~, ma~ xe, 1918:2, 15 ~eK., CTp. I.

26. B~ npaB~, TOBapHm MymTaKOB[, ma~ ~e, 1918:3, 22 ~eK., CTp.1.

27. ~eTyqH~ TeaTp, ma~ ~e, CTp.3. [C B.Ma~KoBcKHm.]

28. YueneBmH~ 6oF, ~a~ xe, 1918:4, 29 ~eK., CTp.2.

29. Xy~O~HHKH TpeTbe~ KaTeF0pHH, ma~ ~e, CTp.3.

30. HeyMeCTHOe nOnHTHKaHCTBO, ~HU~H~ y~o~, H.1918:2, CTp.28-29.

31. HOB~e oT~en~ ~OMHCCapHaTa no npocBe~eHHm, ras. Ho- ea~ ~us~, ~.1918:215(209), 3(16)~HB., CTp.4.

32. Pa6oKH~ TeaTp POCCHSC~O~ Pecny6nHKH, ma~ ~e, 1918: 3(217), 5(18)~HB., CTp.4.

33. TpH TeaTpa, ma~ xe, 1918:23(237), 31 HHB.(13 ~eBp.) , CTp. 4.

1919

34. Xy~o~HHK H KOMMyHa, ~so~pa3umenD~oe ucwyccmeo, H.1919:1, CTp.25-26.

35. ~eFKOCTB N~:~CnH, ra3. ~c~yccmeo, M.1919:5, 1 anpen~, CTp. I.

36. He TepnHT oTnaraTenbcTBa, ma~ ~e, 1919:6, 8 zmn~, CTp.l.

37. Be~ pynH, ras. Ec~yccmeo ~o~u~y~, H.1919:5, 5 ~HB., CTp.3.

38. ~OBOnBHO coFnamaTenbcTBa, ma~ ~e, 1919:6, 12 HHB., CTp.1.


39. ECTb Ha~ qeM no~yMaTB, man xe, 1919:9, 2 ~eBp., CTp. I.

40. HaneT Ha ~yTypH3M, man x~, 1919:10,9 ~eBp., CTp.3.

41. KaK 9TO cnyqHnoc~ [M] AnonnoHoBcKHe HaB~KM (HO ~ypHa~aM) , man xe, CTp.3.

42. Te3Mc~ no ~oKna~y T.BpMK "MyseH M nponeTapcKa~ Kyn~Typa", man xe, 1919:11, CTp.4.

43. BByKOB~e nOBTOp~, Mosmu~a. C4op~u~u no meopuu no3mu- ~ec~oeo 2s~a, H.1919, CTp.58-98. Hepeneq. ~17.

44. Ham ~OnF, XyOoxecmee~a~ xus~D, H.1919:1, CTp.3-4.

1920

45. BapHH, non H KynaK B Hapo~H~X cKasKax, [npe~Hcno- BHe K] Eapu~, non u ~yna~. Hapo¢~e c~as~u, M.1920, CTp.3-22.

46. [Pe~.] B.BpmcoB, HayKa o CTHXe, MpoAemapc~a~ ~ynD- mypa, M.1920:13/14, CTp.102-104.

1921

47. ~eno Bcex, A~um-Pocma, M.1921:16, 12 aBr., CTp. I.

48. Co6paTb npo~Hanor Mano, ma~ ~e, 1921:18, 14 a~r.

49. B nops~Ke ~H~, C6. Mcwyccmeo e npouseoOcmee, M.1921, CTp.7-8.

1922

50. B qe~ ~pHsHC, ExeHeCenb~u~ ~e~mpan~oeo ¢o~a pa~om- ~u~oe npocee~e~u~ u uc~yccme, M.1922:1, CTp.9-10.

51. "H~N~" M ~yn~T-pa6o~a, man xe, 1922:9/I0,CTp.I0-II.

52. 0 HenpHnMqHO~, 3peAu~a, M.1922:5, CTp.10.

53. "~enesHaH nHTa", TeampaAD~aa Moc~ea, M.1922:22, 5-17 HHB., CTp.7.

54. AFHT--XOnn, ~p~umax, M.1922:4, CTp.5-6.

55. [KonneKTMBHOe sa~BneHHe o ~ypHa/le ~p~umax], ma~ xe, CTp.13.

56. MO~ rnoccapH~, man xe, 1922:5, CTp. II. [O.B.]

57. Mo~ rnoccapH~, man xe, 1922:6, CTp.8-9. [O.B.]

58. 9CTeTHKecKaH yrOnOB~HHa, man ~e, 1922:7, CTp.9.

59. MO~ rnOCCapH~, man xe, 1922:8, CTp.9. [O.B.]

1923

60. HCEyCCTBO 06~BnHT~, ~yp~anucm, M.1923:6, CTp.26-- 28.

584 Bengt Jangfeldt

61. BaneT--"CKeTHHF--pMHF" ~e~e, 3penu~a, M.1923:19,C.12-13.

62. FepMaHcKHe Xy~O~HHKM M TeaTp, ma~ xe,1923:20,c.8-9.

63. He TaK npOCTO!, ma~ xe, 1923:21, CTp.7.

64. K BceHapO~HOMy TeaTpy, man xe, CTp.10-11.

65. "A nH pmc", ma~ xe, 3923:22, CTp.10-11.'

66. Cy~b6a TaH~a, ma~ xe, 1923:23, CTp.10--11.

67. 9TO He m6Hne~, ma~ xe, 1923:30, CTp. I1.

68. MexaHM~ecKH~ 6aneT, ma~ xe, 1923:58, cTp.8-9.

69. Anc!, man xe, 1923:61, CTp.4.

70. Xy~O~HMK--KON~4yHMCT Kop~ Fpocc, Kpac~a~ ~uea, M.1923:1, 7 HHB., CTp.20.

71. 3a qTO 6OpeTCH ~e~?, ~e~, M.-H.1923:I, CTp.3-7. [Konn. CTaTBH, C H.AceeB~M, B.ApBaTOB~M, B.KymHe- pOM, B.Ma~KOBCKMM, C.TpeTBHKOB~M M H.qy~aKoM.]

72. Hama cnoBecHa~ pa6oTa, man xe, CTp.40--41. [C B.Ma- ~KOBCKMM. ]

73. B HpoM3BO~CTBO!, ma~ xe, cTp.105-108.

74. He HOHyTqHUa, ma~ xe, CTp. I09-142. OT~.Hs~.M.1923, 36 CTp.

75. T.H. ~opManBH~ MeTO~, ma~ xe, CTp.213-215.

76. Ycny~nHBN~ 9CTeT, ma~ xe, 1923:2, CTp.92-I03.

77. COCHOBCKOMy, ma~ xe, 1923:3, CTp.4.

78. YBa~aeMh~ ToBapHm pe~aKTop!, ma~ xe, cTp.40a. [BMeCTe C C.TpeT~KOB~M, H.AceeB~ H ~p.]

79. Ce qenoBeK, 0~o~e~, M.1923:19, CTp. II-12.

80. ~Kona KOHCTpyKTMBM3Ma, ~a~ ~e, 1923:20, cTp.6.

1924

81. [KonneKTHBHOe nMCBMO nO HOBO~y cMepTH ~.HOHOBO~], ra3. Be~ep~a Moc~ea, M.1924, 26 Ma~.

82. Ka~aHHa~ Hy~Ha peKna~a, ~yp~a~ucm, M.1924:i0, CTp.61-62.

83. PeKnaMa CTMXOM, ma~ xe, 1924:12, CTp.51--52.

84. ~OTOMOHTa~, Fa3. 3ap~ Bocmo~a, T6HnHCH, 1924:683, 21 CeHT., CTp.4.

85. /L'O6OB~ ~OnOBa, Spe~u~a, M.1924:89, CTp.9.

86. [Hpe~HcnoBHe K] Kamano~ noc~epm~o~ e~cmae~u npous- eeCe~u~ ~.C.Donoeo~, M.1924."


87. COFnameHHe MOCKOBCKO~ ACCO~Ha~HH HponeTapcKHx HMcaTene~ MAHH H Fpynn~ "He~", ~e~, M.-H.1924:4 (= Ha caMoM ~ene 192!:4), CTp.4-5, H Ha nocmy, M.1924:1, CTH.283-286.

88. Pa3Ban BxyTeMaca. ~o~na~Ha~ 3anHcKa o nono~eHHH B~c~Mx Xy~o~eCTBeHHO-TexHHqecKHx MacTepcKHx, ~e~, 1924:4, CTp.27-28. [HO~nHC. npe~ce~aTeneM HHxyKa O.M.BpHK M ~p. qneHaMH HHxyKa.]

89. Hpo3-paHoTa, ma~ xe, CTp.59.

90. "He B TeaTpe, a B KnyHe!", ma~ xe,1924:I(5),CTp.22.

91. 0T KapTMH~ K CHT~y, ma~ xe, 1924:2, CTp.27--34.

92. Xy~O~HHK-KOHCTpyKTOp 91}OHOB~ CepFeeBHa HonoBa, 0~o~e~, M.1924:25, cTp.10. ~

93. 0CTpOBCKM~ CTy~eHTaM, CmyCeHm, M.1924:1, CTp.7.

1925

94. ~aKT npOTHB aHeK~oTa, Fas. Be~ep~a Moc~ea, M.1925: 235, 14 OKT., CTp.3.

95. [0TBeT Ha aHKeTy] qTO FoBopHT nHcaTenM o nOCTaHOB-- neHHH ~K PKH(H), ~yp~a~ucm, M.1925:8/9, CTp.33.

96. qenoBeK HBeT qenoBeKa, Fa3. KU~O, 1925:27, 22 CeHT.

97. HpOTMB KHHO~paN~:~, ~a~ xe, 1925:32, 27 OKT.

98. HacTe~B-nH?, ma~ xe, 1925:36, 24 HO~HpH, CTp.2.

99. Ha COBe~aHHH paHOTHM~OB He#a, Coeemc~oe uc~yccmeo, M.1925:1, CTp.93-95. [Hsno~eHHe ~oKna~a BpHKa.]

1926

I00. O~Ha H~ HecKon~KHX, ~yp~anucm, M.1926:8/9,CTp.53-54.

101. HeT H HeHsBeCTHO, Fas. Ku~o, M.1926:14,6anp., CTp.3.

102. KoNm4epqecKM~ pacqeT, ma~ ~e, 1926:34,26 aB~.,CTp.3.

103. [0TBeT Ha aHKeTy] MacTepa o c~eHapHH, Ku~o~po~m, M.1926:9/I0, CTp.12.

104. HoqeMy noHpaBHnCH "~eMeHT", Ha numepamyp~o~ nocmy, M.1926:2, c~p.30-32. C~. ~168.

105. BpmcoB npOTMB HeHHHa, ma~ ~e, 1926:5/6,CTp.28-30.

106. ~e pas, Hoe~ spumen~, M.1926:27, CTp.5-6.

107. "Bes nepeMeH", ~a~ ~e, 1926:28, CTp.7.

108. "CHHHH Hnysa" H 9cTpa~HMK~, ~a~ ~e,1926:29, CTp.7.

109. CBOH H qy~He, ma~ xe, 1926:30, CTp.12.

Ii0. "0TBpaTHTen~H~" ~aHp, ma~ xe, 1926:31, CTp.6.

586 Bengt Jangfeldt

iii. 3aqeM ~e K qopTy, man xe, 1926:32, CTp.7.

112. HyCT~ pe3BHTCH..., man xe, 1926:33, CTp.10.

113. "EBPpa~-HCKaTenB npMKnDqeHz~",ma~xe, 1926:38, c.6.

114. "Fpo3a" B KaMepHOM, ma~ xe, 1926:39, CTp.7.

115. OT~a~Te noMemeHMe!, man xe, 1926:41, CTp.9.

116. Ha XOnOCTOM xo~y, man xe, 1926:45, CTp.13-14.

117. Hocne~HH~ KpHK, Coeemc~u~ ~pa~, M.1926:7, CTp.3-4.

118. H~CCH HyK, ma~ xe, 1926:17/18, CTp.4.

119. KHHO B TeaTpe Me~epxon~a, man xe, 1926:20, CTp.6-7.

120. 100% 6paKa, ma~ xe, 1926:25, CTp.3.

121. KHHO M KHHOmKH, ma~ ~e, 1926:27,~CTp.3.

122. KapTHH~, KOTOp~e HaM He noKa3~BamT, Co6emc~oe

~uno, M.1926:2, CTp.9.

123. qeFo He BH~HT Fna3, ma~ xe, CTp.22-23.

124. ¢OTO B KHHO, ma~ xe, 1926:4/5, CTp.23.

125. ~OTO--Ka~p npOTMB KapTHH~, Co6emo~oe ~omo, M.1926: 2, CTp.40-42.

1927

126. Ho~e~a ~aKTa, Fas. Kuno, M.1927:14, 5 anp.

127. Honno6e~, man xe, 1927:15, 12 anp., CTp.3.

128. ~POTHB ~aHpOB~X EapTMHOK, ~a~ ~e, 1927:27, 5 Mmn~, CTp.3.

129. OcTamcB BepeH!, man xe, 1927:45, CTp.4.

130. qMTaTen~!, Hoe~ ~e~, M.1927:1, CTp.l-2 [Bes noR- nHcH. ABTOpCTBO yCTaHaBnMBaeTC~ no ~o~o~y ~e~y,

1928:12, CTp.48.]

131. Ba nOnMTH~y!, man xe, CTp.19-24.

132. Ba HOBaTOpCTBO!, ma~ xe, CTp.25-28.

133. ~pOTMBOKMHOH~Me, man ~e, 1927:2, CTp.27-30.

134. BnHme ~ ~aKTy, ma~ xe, CTp.32-34. CM. ~167.

135. HpOTOKOn O HOnOHCKOM, ~a~ xe, 1927:3, CTp.46. [B~nMcKa Ms CTeHOFpaMNm~ sace~aHHH COTpy~HMEOB ~ypHa~a Ho~ ~e~ OT 5 MapTa 1927 r.]

136. PMTM H CHHTaKCMC, ~a~ xe, 1927:3, CTp.15--20; 1927:4, CTp.23-29; 1927:5, CTp.32--37; 1927:6, CTp.33--39.

137. ECnH 6~ B san sace~aHHH..., man 2e, 1927:5, CTp. 4-5. [Hs 3an~cHo~ ~HM~KH ~e~a.]


138. ~a3-6aH~, ma~ xe, 1927:6, CTp.10--12. [H3 3anHc- HOS EHM~KM ~e~a.l

139. M~- ~yTypHCT~, ma~ xe, 1927:8/9, CTp.49--52.

140. RpOTHB pOMaHTHKH, ma~ xe, 1927:10, CTp. I-2.

141. YqHTB nzcaTene~, ma~ xe, CTp.33--37. CM. ~170.

142. ~HKcauHg ~aKTa, ma~ xe, 1927:11/12, CTp.44--50.

143. ~e~ ~ K~HO, ma~ xe, CTp.63-66,67,69,70. [CTeHO-- FpaN~4a coBe~aHH~.]

144. PaCuo~O~ma4pb, M.1927, 16 CTp. ["FpoTecK", C B. Ma~KoBcKHM.]

145. ~eHcKa~--BH~oBa~, Co6emo~u~ 9~pa~, M.1927:21, 24 MaH, CTp.3--4.

146. HO cy~ecTBy C~eHapHOFO KpH3Hca, Co6emoEoe ~uHo, M.1927:8/9, CTp. II--12.

147. Pa~ep XaFFap~, ~o~mop Tep~. B o~pa6oTKe ~. H O. BpHK, M.-~.1927, 120 CTp.

148. ~cmpaCa nepe¢ cmo~u~a~u (B no~cKax HOBOS ScTpa~hl), M.1927, 24 CTp.

1928

149. Te~Hc~ MaHKOBC~OFO, ~us~ uc~yccmea, ~.1928:41, c~p.5. [~.]

150. ~HTepaTypH~e HTO~H 1928 rosa, ma~ xe, 1928:48,c.5.

151. BHHMaHHe!, FaB.KO~CO~O~DC~a~ npa~a, M.1928:245,c.3.

152. [0TBeT Ha aHKeTy] HHcaTenH o TOnCT~X ~ypHanax, Ha ~u~epa~yp~o~ nocmy, M.1928:20/21, CTp.90.

153. ~pOTHB "TBOpqecKo~" nHqHOCTH, HO~ ~e~, M.1928: 2, CTp.12--14. CM. ~166.

154. 3a neFKH~ ~aHp, ~a~ ~e, CTp.34-39.

155. OT KapTHH~ E ~OTO, ~a~ ~e, 1928:3, CTp.29--33.

156. "O~HHHa~aT~" BepTOBa [H] "0KTH6pb" 9~3eHmTe~Ha [PHHF ~e~a], ma~ xe, 1928:4, CTp.27-33.

157. Pa~rpo~ ~a~eeBa, ma~ xe, 1928:5, CTp. I-5. CM.~169.

~58. CHMynHuH~ HeBMeHHeMOCTH,~a~ xe, 1928:7, CTp. I-3.

159. Eomo~o~ Vu~us~xa~a, 1928(1929). [CUeHapHS.]

160. CHHHH Gnysa ~ MoccenbnpoM, Curia dnysa, 1928:4, CTp.53--55. *

161. HOTO~O~ qHH~H3--xaHa (HB 7--O~ qaCTH), Co~e~c~u~ ~pa~, M.1928:46, CTp.12-13. ~

588 Bengt Jangfeldt

162. Hpe~HcnoBHe, B.ApBaTOB, Co~uoAoeu~ec~aa no2mu~a, M.1928, CTp.7-12.

163. ~HTepaTypH~e KONLMeHTapHH K nepBoMy TON[y, B.Ma~KOB- CKH~, Couu~e~u~, T.I, M.1928, CTp.31-56. [B.no~n.]

1929

164. ~ea-Eyn~¢u-¢ea, 1929(1930). [C~eHapH~.]

165. ~ono~ anOnHTHSM!, K~uea u peeo~u~, M.1929:12, CTp.48-49. [OTBeT Ha aHKeTy.]

166. RpOTMB "TBOpqecKo~" nMqHOCTH, ~umepamypa ~a~ma, M.1929, CTp.75-78. Hepeneq. ~153.

167. BnHme K ~aKTy, ma~ xe, CTp.78-83. Repeneq. ~134.

168. HoqeNs, noHpaBMnCH "~eMeHT", ma~ xe, CTp.84--88. Hepeneq. ~i04.

169. Pa3rpoM Ca~eeBa, ma~ xe, CTp.88-93. Hepeneq.~157.

170. YqMTb nHcaTene~, ma~ xe, CTp.180-185. Hepeneq.~141.

171. Pa3no~eHHe cm~eTa, ma~ xe, CTp.219-222.

172. Onuy~, 1929. [CUeHapM~.]'

173. He TeopHH, a nO3yHr, MeqamD u pe6o~u~, M. 1929:1, CTp.25-31.

174. ~ogTB/Ia~M~MpB/Ia~HMMpOBI4qMa~KoBCKH~, ~OADHM~ Ma~- ~oec~u~, M.-Z.1929, CTp.91--102. 2-e Hs~. M.1931. C~. ~188.

1930

175. KpaTKaH 6zoFpa~HH H o6meCTBeHHO--nHTepaTypH~ nyT~ Ma~KOBCKOFO (npMMepH~ MaTepHa~ ~n~ ~OKna~qMKOB), K~y4~ ~amepuan, M.1930:5, CTp.28-31.

176. KaK qMTaTB CTMXM MaHKOBCKOFO, ~y~H~ penepmyap, M.1930:5, CTp.32.

177. ~oca~Ha~ OmHOKa, K~u~a u peeonn~u~,M.1930:2,cTp.28. ~

178. 3a nHTepaTypHym onHMnHa~y, ~umepamypua~ ~asema, M.1930, 20 aBF., CTp. I. ~

179. Mocwea ~opum, 1930. ["MenoN~4Ma", c B.MaHKoBcKHM.]

180. HOgT nponeTapcKoA peBonmuHH, ~uo~ep, M.1930:14, CTp.15-16.

181. Ce~o¢~A, 1930. [CUeHapH~.]'

1931

182. Ke~ d~mv?, 1931(1932). [CUeHapH~ nO CTHXOTB. MaR- EOBC~OFO. ]

183. MaHKOBCKM~ ~eTHM, KHu~a ~onoOe2u, M.1931:9, c.50-52.


184. "qHTa~ '~HTFaSeTy' N~] y3HaeM...", ~umepamyp~a~ sasema, M.1931, 5 Ma~, CTp.2.*

185. He OTCTaHeM!, ma~ xe, 1931, 18 ~eK., CTp.3.*

186. YKeHHK MaHKOBCKOFO, Ha AumepamypHo~ nocmy, M.1931: i, CTp.29-30. *

187. C~eHapHMe MMTapCTBa, Fas. Coeemc~oe uc~ycomso, M.1931:19, 18 anp., CTp.2.

188. ~OgT Bna)THN~4p Bna~HN~4pOBHq Ma~KoBcKH~, HmOAb~ Ma~moec~u~, M.1931, CTp.91-101. 2-e Hs~. ~174.

1932

189. MaHKoBcKH~ -- Xy~O~HHK, BnaCumup Ma~oec~u~ [Anb6OM pHCyHKOB H nnaKaTOB], M. [6.r.], CTp.7-10.

190. ~yTb KynemoBa, Fa3. KU~O, M.1932:22, 12 Ma~, CTp.3.

191. Pa6OTO~, a He ~HCKyCCHHNK4, ma~ xe, 1932, 18 Ma~, CTp. I. ~

192. [HepeBo~] ~yH ApaFoH: My3~Ka 6y~He~. HeCH~ hOBnOB ~eMqyFa, ~mepa~ypHa~ sa3ema, M.1932,17 ~eK., CTp.4. *

193. KaMapHHCKH~ My~HK. 0Tp~BOK MS ~paMaTHqeCKO~ nOgN~, 9rn4so~ mecToS, mam ~e, 1932, 23 ~eK., CTp.2. ~

194. "B 1933 saKoHqy HaqaToe...", ~a~ ~e, 1932, 29 ~eK., CTp. 3. *

195. OKTH6pbcKa~ nogMa MaHKoBCKOFO, 30 ¢~e~, M.1932: 10/11, CTp.79-84.

1933

196. ~amapu~cmu~ mymu~. Onepa. TeKCT B onepHo~ o@pa6OT- Ke - O.M.BpHK. PoC.AK.Man~ onepH~ TeaTp, ~.1933/ 1934, CeSOH VI.

197. AKTyanBHOCTb npoitLnoro, npe~HcnoBHe K ~196, CTp.3--5.

198. O ~aHHMaTenbHOCTH, taB. K~Ho, M.1933:27, 4 HmHH, C.2.

199. 3a KHHo~paMaTyprHm, ma~ xe, 1933:32, 4 HmnH,CTp.l.

200. KpacH~e aHren~, ~a~ ~e,1933, 28 O~T~6p~, CTp.2. ~

201. CBOe nH~O, ~a~ 2e, 1933:53, i0 HoH6pH, CTp.2.

202. HamH Te3Hc~ K B~CTynneHHHM Ha c~e~e, ~umepamyp- ~aa sasema, M.1933, 23 Ma~, CTp.3. ~

203. 0 KHHFe B.~KnOBCKOrO qy~o~ U ~eemuH, mam me, 1933, 23 Hmn~, CTp.4.'

204. Bon~maH y~aqa, ~a~e, 1933, ii HOH6p~, CTp.2. *

205. HoBa~ nogMa AceeBa, ma~ ~e, 1933, ii ~eK.,CTp.2. ~

590 Bengt Jangfeldt

206. Me~Be~b~ ycnyra, ~umepamyp~ ~pumu~, M.1933:2, CTp.169--175.

207. ~Be HOBeCTH FeOpFH~ ~TOpMa, ma~ xe, 1933:3,c.140-143.

208. 0 3a~yMqHBOM 6OpMOTaHHH, ma~ xe, 1933:7,CTp. I12--I15.

209. KaMapHHCKH~MymHK. 8--O~ 9HH30~, 02oHe~, M.1933:22, CTp.8--9.

210. HOST ~ TeaTp, Fa3. Coeemc~oe uc~yccmeo, M.1933:18, 14 anp., CTp.3.

211. HHcaTenb H TeaTp, Teamp u Opa~amyp2u~, 1933:5, CTp.10-11. *

212. MymHK B onepe, 30 ~e~, M.1933:11/12, CTp.74-76.

1934

213. Ee2e~u~ Easapoe. Hbeca no pOMaHy H.C.TypreHeBa Om~ u Cemu, M.1934, 56 CTp. [C 0.~eOHH~OB~M.]

214. AceeB ~ o6OpOHHaH TeMa, 3Ha~a, M.1934:6, c.222-231.

215. ~OBOnHO pa6OTaTB B "FnyXOHeMym", ra3. Ku~o,M.1934, 22 MapTa, CTp.2. *

216. 3a6~TaH TeMa, ma~ xe, 1934,16 anp., CTp.3. *

217. Konxo3 H HeKHcTaH cHna, ma~ xe, 1934, 16 MaH, CTp.3. ~

218. l-£no~ cenapaTH3Ma, ma~ xe, 1934, 22 MaH, CTp.3. *

219. ~ypHaH qyBCTBHTenbHOCTB, ~umepamypHa~ sasema, M.1934, 16 MapTa, CTp.2. *

220. Ta~Ha Tpex 6yKB, ma~ xe, 1934, 8 anp., CTp.3. [C B. KaTaHHHOM.]*

221. HS nHTepaTypHoFO Hac~e~cTBa B.MaHKOBCKOFo, ma~ ~e, 1934, 14 anp., CTp.2. *

222. "HOgSHH ~D6HT B MHCTHKy o~eKaTBCH...", ma~ xe, 16 anp., CTp. i. ~

223. BanOBHH, ma~ ~e, 1934, 28 anp., CTp.4. ~

224. 0 ~pyTKOB, T~ 6eccMepTeH, ~a~ xe, 1934, 16 Ma~, C.2.*

225. He 6y~eM 3aMa~qHBaTb, ma~ ~e, 1934, 26 Ma~, CTp.2."

226. CTHn~ H TeMa, ma~ xe, 1934, i0 HmH~, CTp.2. "~

227. ~yx npOCTOKBaIUH, ~a~ xe, 1934, 26 HmHH, CTp.4.

228. CneuH~HKa H mTaMn, ma~ ~e, 1934, 30 OKT., CTp.3.*

229. [HepeBo~] ~yH ApaFOH: ~eBpa~B. 0Tp~BOK, ~a~ xe, 1934, 6 HoH6pH, CTp. I."

230. "Y~e npH couHanH3Me", ma~ ~e, 1934, i0 HoH6pH, CTp.3. ~


231. ~eHHH B CTMXaX Ma~KoBcKoFo, ~umepamyp~ ~pumu~, M.1934:4, CTp.106-116.

232. 0 non~3e TBOpqecKHx o6~e~HHeHH~, man Xe, 1934:5, CTp.155-160.

233. ~epeBo~ 21 CTHXOTBOpeHHH HeMe~KHX nOSTOB B KH.~.R. [IL~nnep, Ho~su~ aep~a~c~o~ peeo~uu 1848 a., M.1934.

234. KaMap~HCKH~ My~HK. ~H6peTTO ~nH onep~, an~MaHax C Maa~oec~u~, M.1934, CTp.130-194.

1935

235. 0 MaHKOBCKOM, ra3. EyCeHose~, M.1935, 13 anp.

236. 3HaMeHaTenBHN~ ycnex, 3~a~, M.1935:1, CTp.187-192. *

237. H~e~u~. Onepa. ~H~peTTO ~ TeKCT nO O~HOHMeHHO~ nOBeCTH H.~.HaBnoBa - O.M.BpHK, 1935.

238. HOBeCTB H nH6peTTO, H~eHu~M. C6. CTaTe~ H MaTepHa-- nOB, ~.1935, CTp.18--20.

239. Bna~HN~4p Bna~Hw~poBHq MaHKOBCKH~, ~pac~oap~ee~ ~pac~o~nome~, M.1935:7, CTp.2.

240. "HpHBeT y~apHHKy...", ~umepamypHa~ 8a3ema, M.1935, 30 anp., CTp.6. ~

241. O 6HoFpa~HH nosTa, ras. ~umepamyp~ ~e~u~apa¢, ~.1935:17, 14 anp. To ~e - ra3. Co~uanucmuuec~u~ npuaopo¢, ~.1935, 14 anp.

242. B MacTepcKo~ CTHXa, taB. Ce~epo-~a~a3c~ ~oAD- ~e~u~, ~HTHFOpC~ 1935, 18 anp.

243. B MacTepcKo~ Bna~H~pa MaHKOBCEOFO, C~eHa, M. 1935: 3, CTp.16.

244. HOST peBonmUMOHHO~ O~OpOH~, Fa~. C~eNa, M.1935:86, 14 anp.

245. ~HHra, KOTOpym HalO nHcaTb. K nHTHneTH~ CO ~H~ c~epTH B.Ma~KOBCKOFO, Xy¢o~ecmee~ ~umepamypa, M.1935:5, CTp. I-3.

246. ~HTepaTypH~ 6paK, man ~e, 1935:11, CTp.32-33. ~

247. B HOry C BpeMeHeM (K 5-neTHm co ~HH CMepTH B.B. Ma~KoBcKoro),ras.~o~o~u~ec~aa ~us~, M.1935, 18 anp.

1936

248. Ma~KoBcKH~ O ra3eTHOM HB~Ke, B nO~O~D pa~oHHo~ saseme, 1936:5, CTp.12-16.

249. Ma~KoBcEHS O raseTHO~ pa6oTe, B no~o~D ~a~pu~o- saeo¢c~o~ aaseme, 1936:7, CTp.13-22.

592 Bengt Jangfeldt

250.

251.

252.

253.

254.

255.

256.

257.

258.

259.

260.

261.

262.

263.

264.

1937

265.

266.

267.

268.

269.

270.

~ODT peBOMD~HOHHOFO nponeTapHaTa, Fa3. 3a ~o~y- ~ucmu~ec~oe npocee~e~ue, M.1936:53, i6 anp.

H3 TeopMH H npaKTMKH C~eHapMcTa, C6. Ka~ ~ pa6o- mae~ ~a¢ ~u~oc~e~apue~, M.1936, CTp.41--53.

F~e Tpex~ff4HyTKH?, Fa3. KUHO, M.1936:5, 26 HHB.,C.4.

B.Ma~KOBCKH~,~emu. C~eHapH~, ma~ ~e, 26 ~eBp., C.3. *

~OgT cOBeTCKO~ DnOXH, ~umepamypa ~ ~o~e, M.1936: 2, CTp.15-16.

C~enaT~ Bce B~BO/3bl, ~umepamyp~a~ easema, M.1936: 15, i0 MapTa, CTp. I.

COqMHeHMH MaHKoBcKoFo. TOM BTOpOH, ~umepamyp~oe o4ospe~ue, M.1936:6, CTp.7-10. [Peu. B.Ma~KOB- CKH~, Eon~oe co4pa~ue co~u~enu~, ~.II, M.1936.]

MaHKOBCKH~ -- pe~aKTop H opFaHH3aTop (MaTepMan~ K nHTepaTypHO~ 6Horpa~HM), ~umepa~yp~ ~pum~, M.1936:4, CTp. I13-146. CM. ~274.

BnOK H MaHKoBcKH~, ra3. ~umepamypHM~ ~eHu~epaO, ~.1936:1, 1 HHB.

Ma~xoBcKM~ o"~HacKax" M"anore~x",ma~ ~e,1936, 14anp.

~m6MMoe opy~Me, [npe~McnoBHe K] Ma~osc~u~ yA~aemca, Maa~oec~u~ c~eemc~, Ma~oec~u~ usCesaemca, M.1936, CTp.3-8. CM. ~268.

0qepK CTHXOM, Hamu Oocmu~e~u~, M.1936:4, CTp.138-143.

O MaHKoBCKOM, 0eo~e~, M.1936:10, i0 anp., CTp. I-2.

TeMa MaHKoBCKOFO, Fa3. Coeemc~oe uc~yccmeo, M.1936: 17, ii anp., CTp.3.

HapO~H~ nOgT, [BCTynMTen~Ha~ CTaT~ K] B.Ma~OB- C~M~,~po~a~HM~ ~ap~. C6. CTMXOB, M.1936, CTp.7-10.

MaHKoBcKH~ H HymKMH, ra3. Be~ep~ Moc~ea, M.1937, 9 ~eBp.

HOgT peBonm~HH, ma~ xe, 1937:242, 20 O~T.

MaHKOBCKM~ -- ~HpHK, Fa3. ~a ~o~yHuomu~ec~oe ~po- cee~e~ue, M.1937, 14 anp.

~6HMOe opy~He, Fa3. Ka~e~c~u~ pa6oqu~, qe~H6HH-- cKaH o6n., 1937, 18 anp. CoKpameHH~ BapHaHT ~260.

K DKpaHH3a~HH "EBFeHHH 0HeFHHa", Fa3. ~uHo, M.1937: 8, 17 ~eBp., CTp.2. [C 0.~eOHH~OB~M.]

BanB3aK no 9FFepTy, ma~ xe, 1937:16, 4 anp., CTp.4.


271. HO3T-6OnbmeBHH. K 7-O~ FO~OB~HHe cMepTM B.B.Ma~KOB- CKOFO, ~ec~a~ npom~mne~ocmb, 1937:52, 13 anp.

272. Ka6MHeTHaH nO93HH, ~umepamyp~a~ 2asema, M.1937, i0 Hmn~, CTp.5. ~

273. HeBe~ peBonm~MH, ras. Muo~epaEa~ npaeCa, M.1937, 14 anp. To me - Fa3. 3a yOapHMe me~nM, ~enKoBo, 1937, 18 anp.

274. Ma~KOBCKH~ M nHTepaTypHoe ~BM~eHHe 1917--1930 FF. (MaTepMa~ ~ nHTepaTypHO~ 6Horpa~HH) , [KONm4eHTa-- pHz HI B.MaHHOBCHH~, SonHoe codpaHue COUUHeHu~, T.XII, M.1937, CTp.405-432. BapHaHT ~257.

275. ECT5 ~M y MaHKOBCKOFO "TMrI~"?, Fas. Coeemc~oe uc- ~yccmeo, M.1937:17, Ii anp. To ~e - ra3. Pa6oqu~ nymD, CMOneHCK, 1937, 14 anp.

276. Ma~KOBCKH~ H ~apcHaH nonM~Hs, ras. Cmazu~osopc~u~ nponemapu~, CTaJqMHOFOpCK, 1937, 14 anp.

1938

277. Ma~HOBCKH~ Ha c~eHe. K 8-o~ FO~OB~HHe CO ~HH cMep- TH, ~e~aOa ~oc~oec~ux spenu~, M.1938:11, CTp.8.

278. O HpHTHKe cueHapMH, FaB. HUGO, M.1938:23, 17 Ma~,c.3.

279. ~m~OB~ H pO~HHe, ras. Ko2u~y~ap, Fp~soBeu, 1938, 14 anp. C~. ~290.

280. Bcno~HaH MaHHOBCHOFO, Kypopm~a~ sasema, CoqH, 1938:85, 14 anp., CTp.4.

281. BHna~ B N~4pOBym nHTepaTypy, ma~ xe, 1938, 26 MmH~.

282. HOgT-6OeU, ras. ~e~aa u~¢ycmpua, M.1938, 18 Mmns. To ~e- ra~. Cmanu~c~aa npaeCa,~ymHzHo, 1938,20H~an~.

283. Ham nOgT, Fa~. ~e~u~spa¢c~a~ npa~¢a, 1938,18m0nH. To ~e - ras. ~oee~, ~HO, 1938, 20 zmn~.

284. Eeee~ pe~oAD~uu. MMKpO~OHH~e maTepzan~ BcecomBHOFO Pa~HoHoN~4TeTa. ~#qH ~eTe~ cTap~ero Bo3pacTa. Hpe~H- CnOBMe H COCTaBneHHe O.M.BpHKa, M.1938, 13 CTp.

285. HO~SH~ MaHHoBcHoFo, ra3. Spu~a~o~a~ ~o~y~a, qHCTOnOn~, 1938, 18 anp.

286. PaHHM~ MaHKOBCKH~, Fa3. Ceeep~ ~o~co~oAe~, ApXaHren~cH, 1938:49, 14 anp., CTp.2.

287. Cnyma~Te, ToBapH~M nOTOMKH!, raB. Coeemc~oe ucwyccmeo, M.1938:48, 14 anp.

288. TeaTp ny6nH~HcTa, ma~ xe, 1938:94, 18 Mmn~.

289. Hey~a~Ha~ nBeca, ma~ ~e, 1938, 26 zmn~.

594 Bengt Jangfeldt

290. Hpe~HcnoBHe, B.MaHKoBcKM~, Cmuxu o PoCu~e, M.1938, CTp.3-6. To me qTO ~279.

291. Bna~HNt~4p Ma~KOBCKH~,[BCTynHTenBHa~ CTaTb~ K] B.Ma- HKOBCKH~, C~uxu. ~o~. ~posa, M.-~.I938,CTp.5-32.

292. BO~Ha B CTHXaX MaHKOBC~OFO, Fa~.~ypmc~a~ npaeCa, HmeBcK, 1938, 14 anp.

293. HOgT--naTpHOT, ras. Xap~oec~u~ pa4o~u~, 1938, 13 anp., To me - ras. Ha cmpa~e, M.1938, 20 zmn~.

1939

294. TBopqecKHe nyTH cOBeTCKO~ KHHOKOMe~HH. MS peqH TOB. O.BpHKa, ras. KU~O, M.1939, ii HmHH, CTp.2. ~

295. CHH~H nTH~a, ma~ xe, 1939:39, 23 aBr., CTp.2.

"KOMaH~Hp~ sanaca", mam xe, 1939:~4,23 CeHT.,CTp.3. 296.

1940

297.

298.

299.

300.

301.

302.

303.

304.

305.

306.

307.

1941

308.

309.

HOgT Bna~HN~4p MaHKOBCKH~, ~pyx~e pe6ama, M.1940:4, anpenb, CTp.15-18.

Bna~HMMp MaHKOBCKH~ (TeaTpanH3OBaHH~ paccKa3 o mH3HH H TBopqecTBe C qTeHHeM CTHXOB, HHC~eHHpOB-- KaMH H neHHeM), 3ame~u~, M.1940:3, CTp. I-21.

"ROCTaB~HKH nO~CO6HOFO MaTepHana", SeesCa, ~.1940: 7, CTp.158-163. [C O.~eOHH~OB~M.]

Ta~aHT~MBe~IKI4~ HOST COBeTCKO~ 9nOXH, Fa3.H36ecmu~, M.1940, 12 anp. To me - ra3. Hacmpaxe, M.1940, 12 anp.

MaHKOBCKH~ -- C~eHapHcT, Ho~yccm60 ~UHO, M.1940:4, anpenB, CTp.8-9.

YqeHbe - CBeT, a HeyqeHbe -- TBMa, ma~ xe, 1940:10,CTp. 57-58.

Fna3aN~4 nogTa, Fa3. KU~O, M.1940:16, ii anp.,cTp.3.

HM0 - HcKyCCTBO MOnO~X, C6. Ma~oea~o~y, ~.1940, CTp. 88-107.

C~yua~ e eyn~a~e, 1940(1941). [C~eHapH~, C M.Po- ~eH~enb~OM.]

Ma~oBc~H~ H ~y~Ka, Coeemc~a~ ~ys~a, M.1940:4, CTp.51-59.

HOgT--6Onb~eBHK, ras. Co~uanucmu~ec~oe se~eOenue, M.1940, 14 anp.

9psa~, I"a3. 3eesCa, MOnOTOB, 1941, 17 aBr,

ApI4~CliHS 6paK, ma~ xe, 1941, 23 aBr.


310. BaH~HTCKMe ~eH~, man xe, 1941, 31 aBF. ~

311. B~CTpen KoneTTa, man xe, 1941, 7 CeHT.

312. 3HMe HaBCTpeqy, man xe, 1941, 18 CeHT. %

313. CTpaHHa~ MCTOpHH, man xe, 1941, 12 OKT.

314. HO nobody ~aHpa, Fa3. KuHO, M.1941:4, 24 ~HB., CTp.3.

1942

315. /IBDKHaH, ypanbcKaH, Fa3.36e30a, MOnOTOB, 1942, 22 ~eBp. ~

316. Banna~a 06 HcnaH~e, man xe, 1942, I0 MapTa.

317. Hame CnOBO, man xe, 1942, 19 MapTa.

318. Mea~ Ppos~. HCTOpMqecKaH TpaFe~HH, MOnOTOB, 1942, 72 CTp.

1943

319. YTOqHMn, Kpo~oOun, M.1943:24, CTp.7.'

320. Cno~Ha~ KOM6HHa~HH, ~a~ xe, 1943:28, CTp.5. ~

321. HenpM~TH~ Easyc, man xe, 1943:29, CTp.6.'

322. B FecTano, man xe, 1943:40, CTp.4. ~

323. O TOM, qero HeT, man xe, 1943:46/47, CTp.6."

324 [0KHO Tacc], ~umepamypa u uc~yccmeo, 1943, 18~eK., CTp.4. ~

325. KaK y~apHna BpaFa Ha~a pyccKas ~yFa, O~HO Tact ~788, 1943, aBr.

1944

326. KapTHHa BBKii.rra Ha ynH~y, S~a~, M.1944:12, CTp. 187-191.

327. 0 H~Ke, Kpo~o@uA, M.1944:2, CTp.7. [C A.KaFaHO-- BHqeM. ] ~

328. Ha npMeMe y 6eCHOBaTOFO rnaBHOKOMaH~ym~erO, 0~HO Tacc ~899, 1944, ~eBp.

329. '~am/4CTCEO~ ~ynBType HTOr, 0~0 Tacc ~946, 1944,anp.

330. "Cep~eqH~e ~pysB~", ~pu~e6o~a [HpMnomeHHe K ras. B 6o~ sa poOu~y], 1944, 1 ~HB."

596 Bengt Jangfeldt

POST SCRIPTUM TO THE BIBLIOGRAPHY

Osip Maksimovi~ Brik's (1888-1945) scholarly output was not great. It is limited to two works, which, however, represent epoch-making contributions to the study of the laws regulating poetic language: Zvukovye povtory (1917) and Ritm i sintaksis (1927). Notwith- standing this small scholarly production, his role in both pre- and postrevolutionary Russian culture cannot be exaggerated. He was one of the founders of Opojaz and publisher of Sborniki po teorii po~ti~eskogo jazyka and Majakovskij's first major works; he was - par- ticularly after the revolution - a sharp and prolific journalist; one of the leaders of the Art section (IZO) of Narkompros and editor of Iskusstvo kommuny in 1918- 1919; one of the initiators of the Communist-futurist collective (Kom-Fut) in 1919 and 1921; one of the main theoreticians of production art and the head of Inchuk in 1920-1923; in close cooperation with Majakovskij the initiator of the Lef group and the main theoreti- cian of Lef ideology, expressed in the journals Lef and Novyj Lef; the author of several film scenarios (for example, the famous Potomok ~ingiz-chana), etc. After Majakovskij's suicide in 1930 - and especially after Stalin's canonization of the poet in 1935 - Brik became an ardent propagandist of Majakovskij's works. All this taken together makes Osip Brik one of the most important and intriguing figures in the de- velopment of Russian culture during the "modernist" period. To this, however, must be added yet another dimension, no less important than Brik's purely cultural work: his role in Majakovskij's life, from the day he and his wife Lili Jur'evna Brik got acquainted with the poet in 1915 until the suicide in 1930. This relationship continues to stimulate debates even today; for some it is an example of decadent bourgeois morals and arouses moral indignation, almost inexplic" able in its bitter animosity toward the Briks (this is the official Soviet stand, as it has developed in the last ten years); for others it is seen as a kind of experiment in living, an attempt to create new rela- tions for love and friendship- in this interpretation the Brik-Majakovskij relationship sometimes reaches the status of an idealized myth.

In spite of Brik's indisputable place in Russian cultural life, very little has been written about him. In the Soviet Union not one separate work - article or book - has been dedicated to Brik; in the West, Roman Jakobson (1964) and Masha Enzensberger (1974) have written about him. Recently, however, a whole book on


Brik was published - Vahan D.Barooshian's Brik and Mayakovsky (The Hague 1978, 157 pp.).

The title of the book has an almost magic ring, but it is also puzzling. What does the conjunction "and" mean? Does it mean "the influence of Brik on Majakov- skij"? This would no doubt be an interesting problem to inquire into. We know that Majakovskij always paid great attention to Brik's advice. "Edinstvennym sovet- ~ikom Majakovskogo, kotoromu on doverjal bol'~e, ~em sebe, byl O.M.Brik", wrote Lili Brik (1941). Brik fur- nished Majakovskij with literature and told him about books that he had read (Majakovskij was no great reader). We also know that Majakovskij even made changes in his poems at the advice of Brik. There can be no doubt that Brik's brilliant and paradoxical mind had a profound impact on Majakovskij's way of perceiv- ing his poetry and the world. It would therefore be fruitful to examine Majakovskij's poetry and "bytovoe povedenie" during the periods when, for one reason or another, he lived apart from Brik. One such period was the winter of 1917-1918, to which I shall return later.

The conjunction could also mean "Brik's and Maja- kovskij's life together". This problem, of course, is of lesser literary significance but would be interesting to investigate from a strictly biographical point of view. Such an investigation, however, would have to include L.Ju.Brik as well, since the three lived their lives together. One, not very fortunate attempt at a description of the "Brik-Majakovskij family" has recently been made (Charters 1979).

Several more meanings could of course be attached to the conjunction "and" in this context. What, then, is the author's own definition?

"This book is an attempt (...) primarily to portray the historical Brik and to describe and assess his life, work and the role and significance in the history of [Russian formalism, cubo-futurism, the Rus- sian artistic avant-garde - BJ] and against the back- ground of revolutionary Russia, from approximately 1915 to 1930. The book also defines Brik's and his wife's relationship to Mayakovsky, with whom they lived for some fifteen years until Mayakovsky's suicide in 1930; and it explains the Briks ' efforts after 1930 to find a place for Mayakovsky in the history of Soviet literature.<...> various aspects of Mayakov- sky's own personal life, views and activities are necessarily treated so as to illuminate the views and activities of the Briks" (pp.VII-VIII) .

These are the contents of the first four chapters;

598 Bengt Jangfeldt

the fifth and last chapter "concerns the ironic fate of the Briks in the Soviet Union today" (p.VIII).

As we see, the conjunction discussed above means Both biography and theory, both an assessment of his (and his wife's) relationship to Majakovskij and of his role and significance in the history of the Rus- sian avant-garde movements, and of his role after 1930, and of his posthumous fate. The author's task has thus been to give a more or less total picture of Brik. He writes: "If this book has a principal aim, it is to discover, without polemical intent, an objective path to the historical truth about Brik" (p.VIII) [My italics - BJ].

Investigating the cultural life in Russia during the first years after the revolutions is, to be true, anything but an easy task. Much material is still hidden from the scholars, and new discoveries will therefore mercilessly revise our knowledge in its present state. Until the archives are made accessible, all results must be considered to be preliminary, a fact acknowledged by Barooshian, who calls his study "a kind of preliminary investigation" (p.VIII).

There is, however, a contradiction between the author's acknowledgment of the preliminary character of his work and the book's "principal aim" (if it has one!), i.e. to discover "an objective path to the historical truth about Brik". This contradiction is perhaps, and unfortunately, the most striking feature of the book: definite and sometimes even presumptuous statements, assessments and explanations made on the basis of more than preliminary sources and research. It abounds in misinterpretations, incorrect datings and footnotes, and the author sometimes displays a startling ignorance of elementary facts. All this, no doubt, is a result of the author's poor conception of the epoch and material treated - and this, in turn, is a consequence of his incomplete knowledge of Brik's writings.

Barooshian's book is provided with "A Bibliography of Brik's Works" (pp. 149-154). In his preface, the author states: "Up to 1930, the list is, as far as can be established, complete. After 1930, it is less than complete" (p.VIII).

The bibliography contains 163 items, 100 before 1930 and 63 after. Up to 1930, the works are spread over the years as follows: 1915 - i; 1916- i; 1917-i; 1918 - 3; 1919 - 9; 1920 - i; 1921 - 3; 1922 - 5; 1923 - 20; 1924 - 7; 1925 - 6; 1926 - 14; 1927 - 19;1928 - 7; 1929 - 3.

It is obvious that Barooshian's bibliography is


compiled on the basis of an inexact and incomplete list of Brik's works (containing 105 items) that cir- culated in Moscow in the mid seventies. The core of his bibliography is the same, as well as the mistakes. "A Bibliography of Brik's Works" is deficient in two main respects: it is far from complete and it is inexact (the latter fault being aggravated by poor proof-reading). The bibliography preceding this Post Scriptum contains 330 items, 174 of which were printed before 1930, i.e. 74 more than Barooshian's list. Spread over the years, it looks like this: 1915 -- i; 1916-3; 1917 - 13; 1918 - 16; 1919 - ii; 1920 - 2; 1921 - 3; 1922 - i0; 1923 - 21; 1924 - 13; 1925 - 6; 1926 - 26; 1927 - 23; 1928 - 15; 1929 - ii.

As can be seen, Barooshian has overlooked no less than 28 articles from 1917-1919, the crucial years of war communism when Brik's attitude toward the Bolshe- vik regime gradually developed. And he has missed completely Brik's contributions in 1926 to Novyj zritel', a journal of which he was for some time the editor.

The inexactitudes can be subdivided into erroneous datings, erroneous titles and sources, erroneous page indications, and even the inclusion of articles not written by Brik - all in all, more than thirty mistakes, not counting the numerous misprints. Since my own bibliography is printed above, I will here call attention only to some of the most aggravating faults.

"Zvukovye povtory" was not published in 1916, but in 1917 (i.e. in the second Sbornik po teorii po~ti~e- skogo jazyka) ; "Ucelev~ij bog" was not published in Iskusstvo kommuny, 1919, No.6, but 1918, No.4; "Gosu- darstvennye trudovye chudo~estvennye kommuny" (Iskus- stvo, 1919, No.l) was not written by Brik but by a I.Teper (if this is a pseudonym, it should be mentioned); "Esteti6eskaja.ugolov~ina" was not published in 1933, but in 1922 (Ermita~, No.7); "~kola konstruktivizma" was not published in Zarja vostoka but in Ogo- nek (1923, No.20) ; Boris Arvatov's Sociologi~eskaja po~tika was not published in 1926 but in 1928. Fur- thermore, Barooshian includes in his bibliography articles signed "Lef" (but for some reason not all of them) - if these are to be included, it should at least be mentioned that they are collective; on the other hand, one cannot be certain which Lef articles Brik participated in writing. Works written in cooperation with Majakovskij are given separately, at the end of the bibliography; however, two works written jointly are included in the general bibliography without it being mentioned that Majakovskij is the co- author.

600 Bengt Jangfeldt

If, furthermore, one compares the bibliography with the footnotes, one finds that items correctly rendered in the bibliography are incorrect in the footnotes, and vice versa. Thus for example the article "Chudo~niki kommuna" in Izobrazitel'noe iskusstvo, 1919, No.I, is in a footnote on p.138 called "Iskusstvo i kommuna" and dated 1918. On the other hand, the source of the article "~kola konstruktivizma" mentioned above is in a footnote on p.142 rendered correctly - Ogonek. In the footnotes - and in the main text - one also finds references to articles by Brik not listed in the bibliography.

It is of course impossible to portray O.M.Brik with such poor knowledge of his writings. Besides this, Barooshian's book has no plan - and cannot have one, for such Scattered knowledge must be puzzling to the author himself. The conjunction "and" discussed above has lured the author into a completely unsystematic journey in (inexact) chronology, literary theory (i.e. mostly recapitulations of Brik's articles), private life, gossip (very often no sources are given for high- ly classified information, e.g. on Brik's work for the ~eka). All this makes it impossible to discuss Baroo- shian's book as a whole - it lacks conception, and even indubitable finds (like some unpublished proto- cols) are marred by incomprehensible mistakes and misinterpretations. I will therefore instead give some examples of the most blatant faults (the numerous mis- datings will not be treated unless they are of great significance to the matter in question).

- (pp.4,146) . Barooshian states that Majakovskij "in 1915 married Lily Brik". It is a well-known fact that Majakovskij and Lili Brik never married.

- (p.9). Brik is said to have been occupied with "linguistic research" within Opojaz. This is a rather peculiar statement, since the members of Opojaz (as opposed to the members of the MLK) were more interest- ed in the "literary" side of poetics, e.g. versifica- tion and plot. Brik himself never dedicated himself to purely linguistic studies.

- (p.12). Speaking about Majakovskij's and Brik's activities after the February revolution and their cooperation with Gor'kij, Barooshian quotes a letter to Gor'kij "not untypical of the common view of futurist poetry at the time [my italics - BJ]. The letter, however, was written in May, 1916.

- (p.14). A minor inconsistency, typical, however, of the book: Barooshian says that "Lunacharsky occa- sionally visited the Brik-Mayakovsky apartment", but only seven lines later (p.15) we learn that the com-


missar was "a frequent guest at the Brik-Mayakovsky apartment".

- (p.20). "In early December (1917)", writes Baroo- shian, "Mayakovsky left Petrograd to work in Moscow for a private film company" Majakovskij's work for the Neptun company, however, began only in March, 1918 - the reason for Majakovskij's leaving Petrograd was quite another: his disappointment with Luna~arskij and the Bolsheviks' cultural policy. One witness to this fact is none other than - Osip Brik (1940). See also Jangfeldt 1979.

- (p.24). Gazeta Futuristov was published on March 15, 1918. According to Barooshian, it contained "this interesting note, perhaps written by Mayakovsky, on the effect of the existing artistic monuments" [my italics - BJ]. This "interesting note" is no note but "Manifest Letu~ej Federacii Futuristov", the main manifesto in the paper, printed as an editorial. And it was not "perhaps" written by Majakovskij but signed by all three futurists - Majakovskij, Kamenskij, Bur- ljuk. It is obvious that Barooshian has never seen Gazeta Futuristov, although he quotes it as his pri- mary source (p.135). "Manifest Letu6ej Federacii Futu- ristov" has never been included in Majakovskij's col- lected works and was first published in Jangfeldt 1975.

Continuing his discussion of Gazeta Futuristov, of which he has no first-hand knowledge, Barooshian quotes Majakovskij as having said (in "Otkrytoe pis'mo rabo~im") that "only the spirit of the revolution will rid us of the rags of the old art" [my italics - BJ]. What Majakovskij actually says is not "the spirit of the revolution" but "the revolution of the spirit" - Revoljucija Ducha. This is not only a careless trans- lation but shows that Barooshian has not understood at all Majakovskij's (and the other futurists') posi- tion during the spring of 1918.

"Revoljucija Ducha" was the basic concept - borrowed from the symbolists - of the Moscow futurists during this period, which was one of both artistic and political anarchism. The Revolution of the Spirit was the third revolution that was to come after the political and economical revolutions - a spiritual change without which the revolution would be "kaput" (as Ma- jakovskij wrote in "IV Internacional") . In "Manifest Letu6ej Federacii Futuristov" the three futurists urged "the proletarians of the factories and the land" "k tret'ej beskrovnoj, no ~estokoj revoljucii, revoljucii ducha". The Revolution of the Spirit was a concept that Majakovskij never abandoned, and in "IV In- ternacional", his first major critical evaluation of

602 Bengt Jangfeldt

the October revolution (1922), he wrote:

KoMMyHap~! FOTOB~Te HOB~ 6yHT B FpH~y~e~ KONLMyHMCTMqecEo~ C~TOCTM.

BSp~BaNL~ N~ICnH FO~OB~ cO~poFaH, apTHnnepHe~ cep~e~ yxaH, BcTaeT H3 BpeMeH peBonm~HH ~pyraH - TpeTB~ peBonm~H~ ~yxa.

December, 1917, until July, 1918, was also a period when Majakovskij and Brik were separated from each other. What impact did this have on Majakovskij's "behaviour"? Is it probable that Majakovskij would have been so involved in anarchist activities (which even included occupying a restaurant, in the best anarchist manner), had the politically more farsight- ed Brik been there? I do not think so. It would seem that a book dedicated to Brik and Majakovskij should have paid attention to this question. Unfortunately, Barooshian is prevented from discussing it, since he has overlooked 25 articles by Brik from 1917-1918.

- (pp.28-31). Barooshian makes a great effort to prove that a "reconciliation" between the Bolsheviks and some of the cultural workers - Gor'kij, Brik, Ma- jakovskij and others - took place in June-July, 1918. His sources, however, give no support to his conclu- sions. Thus, for example, he quotes an article by Luna~arskij (probably written in 1920) and claims that Luna~arskij, when referring to Brik, has a special June meeting in mind - whereas it is obvious that the author is speaking about the first post-revolutionary period in general.

It is true that some kind of rapprochement did take place in July-August, 1918, but the cultural workers finally sided with the Bolshevik regime only in Sep- tember-0ctober, in connection with the changed political situation (for a discussion of this question, see Jangfeldt 1979). Barooshian's deficient feeling for chronology, however, makes it difficult to discuss in detail his arguments. One example: on July 28 Brik reached an agreement with Luna~arskij about the orga- nization of a publishing venture (IMO) which was to be subsidized by Narkompros. Barooshian says that in this connection Brik "submitted a list of ten titles for projected publication". But this list was not


"submitted" in July, 1918, but at the beginning of February, 1919 - which is clear from the source Baroo- shian himself quotes, namely Brik 1940.

This list, furthermore, is said to include "poetry by Mayakovsky <...} and one book called 'The Will of Millions'". It should be no secret to anyone that "Volja millionov" was the preliminary title of Maja- kovskij's long poem 150.000.000. This poem, however, seems to be completely unknown to the author, since some pages later (on p.35) he calls it a play (!). The list also included "one book on poetry with artistic illustrations". The Russian title is "Al'manach 'Sego- dnja v stichach i risunkach'", which is quite another thing.

- (p.45,48,49). The author here speaks about "one central, unifying idea that governs his [i.e. Brik's] thinking". It would no doubt be edifying to learn a little about this idea - but unfortunately the quotations are taken from the above-mentioned article "Go- sudarstvennye trudovye chudo~estvennye kommuny" which was not written by Brik. And even if the article were written by Brik, it would be hard to consider the ideas presented therein as "central" to Brik's thinking.

- (p.82). Barooshian's poor conception of his sub- ject is well illustrated by his discussion of the crisis within Lef at the beginning of 1925. After the January conference, Barooshian argues, Majakovskij sent Nikolaj ~u~ak a letter in which he "tried unsuc- cessfully to persuade Chuzhak to reconsider his posi- tion". The reason for this failure may perhaps be con- nected with the fact that Majakovskij's letter was not sent in January, 1925, but two years earlier, on Jan- uary 22, 1823, after another conflict with ~u~ak.

Such examples could easily be multiplied, but there is no point in going into further detail. It goes without saying that any attempt "to discover <...} the objective path to the historical truth about Brik" that is based on such poor knowledge of Brik's (and Maja- kovskij's) oeuvre is doomed to failure.

Stockholms Universitet

604 Bengt Jangfeldt

REFERENCES

Brik, Lili

1941

Brik, Osip

1940

"Iz vospominanij o stichach Majakovskogo", Z~a, No.4.

"IMO - Iskusstvo molodych", sb. Majakovskomu, Leningrad.

Charters, Ann & Samuel

1979 I love. The Story of Vladimir Mayakovsky and Lili Brik, New York.

Enzensberger, Masha

1974 "Osip Brik: Selected Writings Introduction", Screen, No.3.

Jakobson, Roman

1964 "Postscript", in: "O.M.Brik. Two Essays on Poetic Language", Michigan Slavic Materials, Ann Arbor.

Jangfeldt, Bengt

1975 "Notes on 'Manifest Letu~ej Federacii Futuristov' and the Revolution of the Spirit", Vladimir Maja- kovskij. Memoirs and Essay8, Stockholm.

1979 "Russian Futurism 1917-1919", Art, Society, ReVo- lution: Russia 1917-19~I, Stockholm.

Documents

Russian Literature VIII(1980) 579-604 OSIP BRIK: A ......The bibliography includes not only Brik's printed works, but his film scenarios and opera librettos as well. For the scenarios,