SCHOOL OF JEWELLERY - smgkentltd.com Summer Course Brochure... · sculpture, as well as spiculums. Learn hammering and forming techniques and how to move metal. ... Artcam Jewelsmith,

SCHOOL OF JEWELLERYSUMMER SHORT COURSES 2013



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Do you need advice or guidance on the suitability of any of our summer or flexible bespoke courses?

Using my experience as a graduate of the School of Jewellery, practising designer, maker and short course co-ordinator, I can help you select the most relevant training for your professional or personal creative development.

Tel:+44 (0) 121 248 4584 Mon/Tue/Thurs 9am to 2.30pm

E:[email protected]

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Welcome to the School of Jewellery which is positioned within the Faculty of Birmingham Institute of Art and Design at Birmingham City University. Behind its 1890’s façade, this unique facility offers an outstanding contemporary environment in which to learn and study. In addition to a full programme covering all aspects of jewellery, silversmithing, horology and gemmology, the School has an enviable range of traditional and cutting edge equipment and technology, which students can access, and is the largest School of its kind in Europe.

We hope you will join us here on one of our exciting Summer Short Courses.

Welcome to our 2013 Short Course Programme. We are delighted to launch this year’s selection of courses at Birmingham City University’s renowned School of Jewellery, based in the heart of the historic Jewellery Quarter.

These courses are a very important part of the School’s wide portfolio of education and training. They offer the opportunity to anyone involved in the jewellery or creative industries to learn highly specialised techniques and approaches in a relatively short time frame. In keeping with our reputation we have once again engaged some of the very best tutors from industry and academia.

Please refer to the programme for further information about each course. Due to the intensive and specialist practical nature of the courses, student places are limited to between six and ten students per course, therefore we suggest you reserve your place early to avoid disappointment.

We look forward to welcoming you to the School of Jewellery.

Professor Jack Cunningham PhD / Head of the School of Jewellery

Gay Penfold / Manager, Jewellery Industry Innovation Centre

Dawn Meaden-Johnson / Short Course Co-ordinator

The imges used throughout this brochure do not necessarily represent the adjacent course text,

however they do depict student work.

Jewellery by Zehava H

ashai Spellm

an

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Anticlastic & Synclastic Creative Hammering: MasterclassCynthia Eid |

During this five day course you will explore the infinite possibilities of synclastic and anticlastic forming.

These “Shellforming” techniques allow us to create complex three-dimensional structures from a single sheet of metal, beginning with any shape; square or amoeba, round or long/thin and fluidly combine concave and convex curves. You will learn to use a hammer to transform a flat piece of metal into elegant fluidity.

You will be working on a time saving Jewellery scale during this workshop, but the techniques apply to larger scales. Synclasting

can create domes for brooches, bracelets, bowls etc. Anticlasting can be used to create open forms for jewellery or sculpture, as well as spiculums. Learn hammering and forming techniques and how to move metal. Through methodical hammering, metal is stretched or compressed, changing its form. You will learn how to hammer comfortably and with control, the techniques will allow beginners to easily hammer for hours at a time. Demonstrations will alternate with hands-on practice time. You may choose to practice on samples, or to create finished designs. Students with basic jewellery and metalsmithing skills, as well as professionals, are welcome.

Cynthia Eid is an internationally recognised jeweller and silversmith who has been hammering and forming silver and copper for over 40 years. She has co-written the book Forming for Jewellers and Metalsmiths which is being published by Tim McCreight’s Brynmorgen Press.

Antique Jewellery Revealed

David Byrne FGA, DGA, MIRV | 17 & 18 July 2013 | £270

This two day introductory course will give you a fascinating insight into jewellery types and styles from the late 18th century through to the mid-20th century. Focusing on affordable everyday jewellery of each period, you will learn key information for dating jewellery on stylistic grounds. This will involve discussing diamond cuts, gemstone types, hallmarks and the jewellery construction techniques used in these historical periods.

In addition, part of the course will be devoted to discussing methods used for the identification of fakes and reproductions and the current price, both at auction and in the antique market.

This course may be of interest to antiques enthusiasts or those working in the jewellery, pawnbroking or antiques trades. No prior knowledge of antiques is required. You should bring along one piece of antique jewellery for discussion during the course if you have one.

David Byrne originally studied at the School of Jewellery in Birmingham, he has a Retail Jewellery Diploma and became a Fellow of the Gemmological Association in 1990. David is a member of the Institute of Registered Valuers (IRV) and he currently works as independent jewellery valuer for local auction houses as their antique jewellery

and silver valuer. He also provides expert insurance valuations for modern jewellery retailers. David has extensive trade knowledge from working in the jewellery trade for many years and he also teaches at the School of Jewellery on courses requiring his area of expertise.

8th-12th July 2013 | £565

Jewellery by C

ynhia Eid (left) &

Natalie S

alisbury (right)

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CAD Rhino: An Introduction

Paul Yeomans | 5-7 August 2013 | £360

Familiarise yourself with a reasonably priced Computer Aided Design (CAD) software package suitable for jewellers and other creative industries.

During this three day course you will cover the creation of 2D lines and curves to produce 3D surfaces and solid models for client presentation, digital model making and/or manufacture. You will concentrate on common and industry specific modelling techniques to generate a true 3D representation of your design and you will build your skills using step-by-step practical tutorials and tutor guidance. No previous CAD experience is necessary.

Paul Yeomans is a CAD/CAM technologist at the Jewellery Industry Innovation Centre who specialises in Rhino Software, which also involves undertaking a wide variety of new product development work. Prior to joining the team over five years ago he worked as a CAD technician in industry. Paul also teaches at the School of Jewellery on specialised CAD and Rapid Prototyping courses.

Bespoke Training Option

CAD

Option 1: CAD: 3D Scanning DayGain insight and practical knowledge about the Roland LPX600 and Cimcore Infinite Arm scanning systems

to obtain hands-on experience of exciting new 3D technology. Discover how to scan and manipulate real-world objects and collect data on their shapes

using laser technology to replicate single components and learn how to successfully reduce or increase the scale using Computer Aided Design (CAD) to

produce a computer file suitable for building a model for casting. Training is one-to-one tuition tailored to your specific needs, as much as time permits.

Option 2: CAD: Training Day Obtain one-to-one tailored tuition at any skill level

on any of the following CAD software options;Artcam Jewelsmith, Jewelcad, Rhino or Solidworks.

Date to suit you: Subject to tutor availability.

Please contact us for a quotation if you would like to add additional training days.

Course fee £425 (Up to 2 persons)

“Excellent, I would defi nitely recommend

this course”

- Niki Byrne

CAD Rhino An Introduction

Tutor: Paul Yeomans

Jewellery by C

loe Duran (left) &

Hum

phrey Wong (right)

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Coloured Resins in Jewellery:An Introduction Clare John |Monday 29 July 2013 | £170

This course is a useful introduction in how to introduce gorgeous colour easily to your work by using resin and produce wonderful cold enamel finishes without the use of expensive machines. Resin is odourless and ideal for those working on a small scale. This one day course will introduce you to the basic techniques of using resin, you will embed objects and pictures, sample various special effect resins and cover problem solving. By the end of the day you will have made several jewellery samples.

Clare John has been a practising jeweller for over thirty years and she runs her own successful

jewellery business. She specialises in using different forms of resin in her work. Clare also uses her extensive knowledge in the use of resin to undertake consultancy and training work in the jewellery and associated industries, as well as occasionally teaching for the School of Jewellery, in her area of expertise. She also designs and writes projects for magazine articles and is a guest designer on Jewellery Maker TV.


Colour Resins inJewellery: Advanced

Techniques

This one day course is ideal for tutors or technicians who require a more in-depth knowledge about

the types of resins and their applications; mould making and use of ready-made moulds; finishing and polishing: adapting other materials and best workshop

practise including health and safety information.

This one-to-one tuition can be tailored to your specific needs, as much as the time allows.

Date to suit you: Subject to tutor availability.Tutor: Clare John


Course fee £425

“An excellent course, well paced and it exceeded my

expectations”

- Diane Perry

Colourful Resin Jewellery

Tutor: Clare John

Jewellery by C

lare John

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Creative Engraving & Punched Surface Decoration

Robert Campbell-Legg | 22-24 July 2013 | £395

Discover the historic art of Hand Engraving during this three day practical course, you will start by learning basic engraving techniques which includes essential tool preparation/safety, holding methods and transfer/tracing out designs. You will also explore how various shaped tools can produce different patterns or cuts and how to use the ‘Graver’ to create decorative stitches. During the course you will also learn how to make punches and how to use them to mark and decorate the surface of the metal. Techniques will be practised on copper.

Robert Campbell-Legg started his trade experience as an apprentice to WW Allen, working as a Hand Engraver and Diesinker for the printing industry, he subsequently trained as a silversmith and jeweller and was a designer maker in London for several years before returning to Birmingham.

In addition to teaching, he has completed many prestigious commissions including the trophy and trainer’s prize for the King George V and Queen Elizabeth Diamond stakes at Ascot.

Robert recently retired as a full-time tutor at the School


Colouring Anodised

Aluminium

Explore with one-to-one tuition on how pre-anodised aluminium sheet can be decorated in a variety of ways

to create stunning colour, pattern or texture effects. Time does not permit the forming of

aluminium to be included in a one day session, however, this can be arranged as a separate

or additional day at the same cost.

Date to suit you: Subject to tutor availability. Tutor: Samantha Chilton


Course fee per option £425 (Up to 2 persons)

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of Jewellery after 23 years, however he continues to work as a maker and he also teaches part-time at the School of Jewellery on courses involving his areas of expertise.

Image: D

awnstorm

Jewellery

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Decorative Inlaying and Overlaying

Use this course to explore the techniques of Inlaying with silver to create unique and gorgeous patterns within metal. The tutor will demonstrate how to inlay silver wire into steel as used by traditional metal smiths of India, China and bespoke gun manufacturers. The tutor will also show you how to overlay silver onto copper by soldering and using a rolling mill to create interesting visual effects. Materials will be provided.

This course is ideal for those with a basic knowledge of jewellery making or silversmithing who would like to discover two alternative and unusual methods of surface decoration.

Robert Campbell-Legg started his trade experience as an apprentice to WW Allen working as a Hand Engraver and Diesinker for the printing industry, he subsequently trained as a silversmith and jeweller and was a designer maker in London for several years before returning to Birmingham. In addition to teaching, he has completed many prestigious commissions including the trophy and trainer’s prize for the King George V and Queen Elizabeth Diamond stakes at Ascot. Robert recently retired as a full-time tutor at the School of Jewellery after 23 years, however continues to work as a maker. He also teaches part-time at the School of Jewellery on courses in his areas of expertise.

Diamonds: Identifying Synthetic, Treated & Imitation DiamondsKate Hopley | Tuesday 16 July 2013 | £160

Diamond sales outnumber sales of all other types of Gemstones, they are subsequently widely imitated by both natural and man-made gem and diamond materials and they can also be treated to make them more saleable. During this course you will be shown you how to separate a diamond from its imitations, using standard Gemmological instruments including a thermal diamond tester, the emphasis being on synthetic moissanite and cubic zirconia (C.Z.) which are today’s most successful imitators. As synthetic Diamonds are also becoming more widely used, you will be also be shown how to look for essential synthetics indicators using standard Gemmological tools, and in which occurrence

you should send a diamond to a Gemmological Laboratory for investigation. Also covered is the recognition and identification of Fracture Filling and Laser Drilling diamond treatment methods using a 10x lens and a microscope. No previous gemmology knowledge is required in order to participate, those working in the jewellery industry would acquire essential knowledge, also a fascinating course for enthusiasts. All necessary equipment is provided, as are course notes.

Kate Hopley has been a Fellow (FGA) of Gem*A (Gemmological Association of Great Britain) since 1996, a

Robert Campbell-Legg | 25 & 26 July 2013 | £295

holder of the Gem*A’s Diamond Diploma (DGA), since 1997, a correspondence tutor for the Gem*A, and a qualified Graduate Gemmologist (GG) of the GIA (Gemmological Institute of America). She originally studied at the School of Jewellery in Birmingham and has been teaching since 1997, including being their course Director of Gemmology from 2006 to 2011. Kate has completed a course in diamond polishing in Hatton Garden and regularly attends international workshops. Kate specialises in training students to FGA and DGA level, achieving a sound track record of student pass rates, and delivering courses to the jewellery trade.

Jewellery by A

nnie Cracknell

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Diamond Grading – A Basic Guide

Monday 5 August 2013 | £160

See and handle graded diamonds in this exciting one day course developed to help you understand how diamond grades differ. During the course the tutor will explain what is involved in grading polished diamonds for colour, cut and clarity and explain other factors to be considered for grading laboratories written reports. You will be provided with an extensive set of course notes, which you will retain.

This course is ideal for those working in the jewellery trade or for diamond and gemmology enthusiasts who require a brief introduction to the grading of polished diamonds.

No previous gemmology experience is required.

Grenville Millington has extensive experience as a tutor for the Retail Jewellery Diploma and FGA (Gemmological Association of Great Britain) gemmology courses and was a regular contributor to the FGA’s Gem and Jewellery magazine, he has run his own independent gem testing and diamond grading business and has broad jewellery trade knowledge and expertise.

Grenville Millington F.G.A, R.J.DIP, BA (Hons) |

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DiamondMounting

On this one day course, you can obtain one-to-one tuition on fabricating mounts for stones which can be tailored to your specific needs as much as time

permits. This can include techniques such as marking out, gaps, gallery wires, drilling and piercing out,

Date to suit you: Subject to tutor availability. Tutor: Cassie Reed


“This course was excellent and the tutor provided a

wealth of knowledge. A very enjoyable worthwhile day”

- Velma Peake

Diamond Awaress (Grading) Day

Tutor: Grenville Millington

Jewellery by E

mily R

ichard

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Electroforming

On this one day course, you will obtain one-to-one tuition tailored to suit your specific

needs, as much as time will allow. Please contact us for a quotation if you would

like to add additional training days.

Dates to suit you: Subject to tutor availability.

Course fee £480

Enamelling: One-Day Introduction

Tamizan Savill | Monday 24 June| £170

You will find this course an ideal starting point if you would like to learn how Vitreous Enamel can add vibrant colour to your jewellery. The basic techniques of enamelling will be demonstrated, such as preparation of metals, and firing enamels, including blending and layering colours and some specialised finishes.

You will complete a sample piece of enamelling during the course and the tutor will also discuss how you should consider incorporating your ideas for using enamel in a piece of jewellery at the design stage.

Tamizan Savill runs her own jewellery business in Bristol

specialising in enamelled work and she has a wide range of teaching experience. She is a member of the Association for Contemporary Jewellery and the British Society of Enamellers. Tamizan has exhibited her work internationally and has completed commissions for Bristol Cathedral and Macrorie House Museum in Maritsburg, South Africa.

Jewellery by Tam

izan Savill

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Fusing, Granulation, Soldering & Keum Boo with Argentium Silver: MasterclassCynthia Eid | 3-5 July 2013 | £425

During this three day course you will discover how easy it is to granulate and fuse this innovative metal under the guidance of renowned Argentium Silver specialist Cynthia Eid.

Argentium Sterling (AS) is an alloy that is more than 92.5% pure silver; it does not firescale, is highly tarnish resistant, is more malleable and ductile than traditional sterling. It fuses and welds more easily than traditional sterling and can be hardened using a kitchen oven or kiln. Because the germanium in the alloy makes AS conduct heat differently than Sterling Silver, annealing, soldering, and hardening will be demonstrated in

addition to granulation and fusing. Demonstrations will include using a torch to fuse gold granules to AS sheet and wire. Argentium Sterling is also a wonderful material to use for Keum Boo, (an Asian gilding technique used to apply thin sheets of 24K gold to silver with heat and pressure) since the surface doesn’t need to be heated and pickled as extensively as traditional sterling prior to application of the gold foil.

Demonstrations will alternate with hands-on practice time. Participants may choose to practice on samples, or to create finished designs. Students with basic and metalsmithing skills,

as well as professionals, are welcome.

Cynthia Eid is an internationally recognised jeweller and silversmith with over forty years of experience. She has been working with Argentium Silver since 1999, and is the author of The Technical Guide to Argentium Sterling used by Rio Grande, as well as articles published by the Society of North American Goldsmiths and Art Jewelry magazine. (www.cynthiaeid.com)

Fabricating Hinges for Jewellery or Boxes

Cassie Reed | Tuesday 16 July 2013 | £170

This course has been specially developed to offer practical guidance to makers who would like to learn the art of hinge making. With step-by-step tutor guidance you will work through the techniques required to construct a hinge design, select the correct size/length of tube, hinge and pin cutting and the fitting and joining process. You will work in base metal to practise on, or if you prefer, you may bring an item you wish to fit a hinge to.

Those wishing to fabricate using precious metal will be required to make a local purchase with tutor guidance.

Cassie Reed is a graduate of the School of Jewellery who has extensive experience working in the jewellery trade for over 25 years as a Fine Jeweller, Diamond Mounter and Master Model Maker.

Cassie undertakes trade and private jewellery commissions and she has worked for companies including Harrods and Barbour and prestigious clients including House of Commons, V&A Museum, Tower of London and others. Cassie also teaches a wide range of skills across all levels on a variety of courses involving her areas of expertise.

Jewellery by R

ebecca Walklet (lleft) &

Cynthia E

id (right)

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Jewellery Fine Techniques Masterclass

Richard Witek | 22-26 July 2013 | £465

This essential course is designed to provide practical understanding and knowledge and help you develop your professional making skills further.

During the course you will cover techniques and methods for hand-made jewellery, fine jewellery, model making, diamond mounting, and jobbing jewellery and learn many trade tips.

This hands-on course will also include trouble-shooting and demonstrations and it is aimed at the designer/maker, in-house jeweller or model maker, therefore it is essential you have an intermediate or advanced level of skill in order to attend.

You will be required to provide your own precious metals, details and supplier information will be provided prior to the course. Richard Witek has run his own successful fine jewellery business in the West Midlands for many years; he has more than 30 years of extensive trade experience and industry knowledge as well as a wide range of teaching experience. Richarrd is often engaged to teach at the School of Jewellery on a variety of courses and projects involving his areas of expertise.

Japanese Inspired Patinas on Press Formed Shapes

Rebecca Walklett | 15-17 July 2013 | £375

Use this exciting course to explore the use of Japanese style patinas such as Su-tanpan, Sakusan-do and Ohaguro and heating and their quenching methods, to create a variety of excitingly subtle green/blue, orange, red and brown colours on hollow 3D forms.

The tutor will guide your experimentation of mould making from acrylic and how to use it to create press formed items in copper using the controlled power of a hydraulic press, which can also be used to create jewellery components, boxes or small vessels. Samples of patinas on silver will be shown and advice given on how to achieve these

colours. Most of the chemicals used have household alternatives and the tutor will advise on where to obtain them and how to use them safely during the course and home/workshop usage.

You will complete a variety of samples, a jewellery item or small box in copper. This is essentially a simple but fascinating process that opens up an exciting world of possibilities to introduce colour and a 3D element to your jewellery or silversmithing work.

Rebecca Walklett has a BA in 3D Design and is a practising metalsmith and jeweller with a passion for colour and form. Inspired by Michael Rowe

and Richard Hughes’ book on patination, she has spent over 20 years exploring the use of patinas and colour in her work, which has been exhibited nationally.

Rebecca specialises in working in copper to create patinated press forms and she has been teaching these techniques for over 10 years.

Jewellery by R

ebecca Walklet (left) &

Em

ily Richard (right)

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Jewellery Making in Silver for Beginners

Katherine Campbell-Legg | 1-4 July 2013 | £395

Transforming a piece of silver into a simple piece of jewellery can be a fulfilling and exciting creative process. This informal four day course will introduce you to the traditional techniques and tools used to make jewellery.

The aim of this course by demonstrations and step-by-step structured guidance from the tutor, is to instil confidence as you use techniques such as filing, soldering/annealing, sawing/cutting and simple shaping and finishing to create a piece of silver jewellery during the course and to continue making afterwards. You will start by using copper (which has similar working properties to silver) to practise

on, then progress to using silver for your final piece. This course is an ideal introduction if you are taking your first steps in jewellery making. Copper, a small amount of sheet silver and tools will be provided.

Katherine Campbell-Legg is an established designer maker who has worked in Birmingham’s Jewellery Quarter for over 15 years. During this time she has been developing and perfecting her jewellery and exhibiting in UK galleries. Katherine has taught regularly at the School of Jewellery for several years and is a member of Centrepiece, a Jewellery Quarter designer maker group.

Jewellery Making (Intermediate): Tips of the Trade & TroubleshootingCarlton Campbell | 25-28 June 2013 | £395

This four day open workshop offers you the opportunity to work independently on your own project.

This course will provide practical understanding and knowledge for those wishing to develop their professional making skills further and you can gain expert advice from the tutor on any existing practical issues you may have.

During this course you may like to undertake your own inspiring new project, complete a difficult existing project with technical assistance and guidance or learn tips of the trade from an experienced trade practitioner. Those booking a course place will

benefit from the opportunity of direct email contact with the tutor prior to the course to discuss any technical issues they may wish to follow up during the course. You should bring your own precious metals/materials; hand tools and solder or materials are also available to purchase locally as necessary with tutor guidance if required.

Carlton Campbell has more than 40 years’ trade experience as a jewellery mounter, including working for one of the country’s leading regalia jewellers, Toye Kenning & Spencer who manufacture many bespoke hand-made jewels for large organisations and individuals.

His vast industry experience has enabled him to provide an expert tuition in a wide range of skills, instil confidence and convey essential practical skills and trade tips to makers.

Jewellery by Lana C

rabb (left) & Zehava H

ashai Spellm

an (right)

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Laser Welding (Rofin)

On this one day course, you will obtain one-to-one tuition tailored to your specific

need, from Laser Research Fellow and Jeweller Dr Ann-Marie Carey PhD.



Course fee: £425 (Up to 2 persons)

Jewellery Illustration for Communication

Zoe Phillips | Monday 29 July 2013 | £160

Communicating your jewellery design ideas is essential for every successful business, whether you use illustrations to communicate a commission idea with a customer, accurately explain a technical issue to a trade supplier, promote your design ideas through a portfolio or create a stunning image for a competition entry. This course aims to help you develop your drawing skills, you will be shown how to produce elegant hand-rendered jewellery illustrations of metal and gemstones, how to produce realistic quick and readable sketches and how to produce a drawing for a portfolio or presentation.

Zoe Phillips graduated from the prestigious jewellery course at Edinburgh College of Art. She spent several years as a new product development specialist and designer at the Jewellery Industry Innovation Centre (JIIC) and as a bespoke designer in jewellery retail. Zoe also specialises in coaching jewellery creatives on design, marketing and trend evaluation, in addition to running her own successful fine jewellery business.

“A must do for all jewellers. Excellent”

- John Gaunt,

Bespoke one-to-one Laser Welding

Jewellery by Yotong W

u

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Make It Pay: How to Generate Money from your CreativityPete Mosley | Monday 15 July 2013 | £115

This essential course will help you explore options for increasing your income and earning more from your creative output, knowledge and experience.

During the course you will look into how you value yourself and how to effectively manage the money cycle of selling, invoicing and expenditure. Importantly this course is about the value of what you do or create, the price you charge and your financial survival, not accounting, self-assessments or balance sheets.

Pete Mosley has worked in the Arts for over 30 years, originally University based he offered post graduates business support and

advice connecting to creative Industries. Currently he is the business editor for Craft and Design Magazines offline and on-line content and he also writes and blogs about the business of creativity and professional development.

Pete also presents at national seminars, and he designs and delivers specialist training throughout the UK, advising creative individuals and businesses. His book Make your Creativity Pay was published in association with Craft and Design Magazine in 2012.

Me, Myself and Why? Masterclass

David Clarke |

Innovative silversmith David Clarke offers this challenging and thought-provoking course opportunity for professional makers to return to a safe environment and be supported through questioning their own practice.

Working in groups and occasionally individually, this workshop provides space to reflect and focus through questioning on what is important for you as an individual maker. During five individually paced days, you will test out and experience alternative ways of working as well as potentially enjoying the risks of opening up your ways of thinking and making.

Day 1: Arrive. Settle with a piece that is important to you. Through open discussion and reflection identify what the essence of the piece is. Day 2: Take Apart. Look at the materials, form and the thinking, via a series of 2D &3D creative actions.Day 3: Explore. What is the potential? Fast intuitive play and workshops of making and thinking.Day 4: Build. Reflecting on the previous three days events you begin to make but with focus and spontaneity.Day 5: DELIVER. Pause and reflect on a busy creative week, centred on individuals needs, limits and potential.

David Clarke is a graduate of the Royal College of Art, who produces highly original and innovative pieces that aesthetically challenge traditional silversmithing forms. He is a highly regarded and award winning British Silversmith who has curated several installations in Europe. His work has been purchased by many influential and prestigious galleries such as The Victoria and Albert Museum, The Worshipful Company of Goldsmith and he also teaches nationally and internationally.

22-26 July 2013 | £525

Silversm

ithing by David C

larke

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Making Sculptural Paper Jewellery

Sarah Kelly |

This inspiring new four day course will introduce you to a selection of sculptural crafting techniques and how they can be used to create gorgeous contemporary paper jewellery. A series of demonstrations by the tutor will show how paper can be formed, folded and finished to create beautiful, dimensional jewellery. You will then be supplied with a range of papers and encouraged to be hands-on in your practical experimentation, bring your own ideas and be inventive in exploring paper in varying forms as creative material and as a wearable 3D art form.

This course will enable you to develop a skill set for creating

your own pieces of unique art from paper and in addition this course aims to illustrate the capabilities that paper holds within a jewellery context, enabling you to use paper to communicate creative ideas in an accessible, lightweight and economical way.

This course is perfect for those with creative minds wishing to explore the use of this appealing and familiar material.

Sarah Kelly is a well-known designer and maker who specialises in creating innovative statement jewellery made in paper under her brand name of ‘Saloukee’. Her collections

are created with the emphasis on elegance, clean lines and wearability and Sarah is the author of Paper Jewellery recently published by AC Black.

She also teaches nationally on a variety of courses involving her area of expertise, including the role of visiting tutor for the BA Jewellery Design & Related Products course at the School of Jewellery in Birmingham.

8-11 July 2013 | £425

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Marketing on the Internet:Effective Timesaving TacticsPete Mosley | Tuesday 16 July 2013 | £115

can become a trustworthy and valuable part of your marketing strategy.

Pete Mosley has worked in the Arts for over 30 years, originally University based he offered post graduates business support and advice connecting to creative industries. Currently he is the business editor for Craft and Design Magazines offline and on-line content and he also writes and blogs about the business. of creativity and professional development.

Pete also presents at national seminars, and he designs and delivers specialist training throughout the UK, advising

creative individuals and businesses His book Make your Creativity Pay was published in association with Craft and Design Magazine in 2012.

The internet is a powerful marketing tool for makers and during this course the tutor will demystify the use of websites, blogs and social media for marketing, in a clear and accessible language and put an end to your anxiety about using the internet to connect with your customers.

You will discover how to take advantage of the internet to promote your work by using a blend of tactics to get your sales message across effectively, without losing hours and patience in the process.

In addition the tutor will explain how low or no-cost online tools

Jewellery by S

arah Kelly

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Mokumé Gané

Alistair McCallum |

Mokumé Gané is the traditional Japanese metal working technique of wood grain metal, which can be utilised by jewellers or silversmiths to create highly decorative layered patterns by the lamination of metals.

This practical course will begin by introducing you to Mokumé Gané techniques using general workshop equipment. You will then make a personal interpretation of the process using your individual designs by creating sheets from sandwiched layers of copper, silver or gilding metal. If you wish to use silver you will be required to make a local purchase with the guidance of the tutor.

Alistair McCallum has practised the Japanese metal working technique of Mokume Gané for over 30 years, exploring different ways of producing innovative, distinctive patterns and establishing his own unique style of work. Alistair strongly believes that the highly decorative surface pattern produced by Mokume Gané it is best used on simple forms, where the relationship of pattern to the form is in harmony and balance, he recognised this philosophy when visiting Japan, and his experiences there continue to influence his work.

15-18 July 2013 | £495


Microsetting(Gravermax)

On this one day course, you will obtain one-to-one tuition on Gravermax microscopic setting equipment,

which can include the use and types of gravers, graver polishing and sharpening, and making setting tools.

The course content can be tailored to suit your specific needs, as much as time will allow.

Date to suit you, subject to tutor availability.Tutor: Harry Forster Stringer

Course Fee: £995 (up to 2 perons)

Gravermax engraving tuition can also be be arranged. Please contact us with your requirements.

Jewellery by A

listair McC

allum

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Photographing Jewellery: A Basic Guide

Whilst this course does not endeavour to make you a professional jewellery photographer in a day, in this limited time you will gain a basic understanding of the processes involved in taking a good photograph of jewellery and obtain invaluable tips of the trade from a jewellery specialist professional photographer.

During the morning session, with tutor guidance, you will use your own digital camera to take several shots of your own jewellery/item, during which time you will obtain an overview of how to set up your work and consider backgrounds. The tutor will also discuss useful camera

and lighting accessories such as reflectors or diffusers and advise how the use of correct lighting can be more important than an expensive camera.

The afternoon session will provide a basic introduction to editing photographs with Adobe Photoshop to create images suitable for use. After the course you will be able to practise the basic techniques learned and work towards confidently taking photographs of your own jewellery.

Important note: It is essential for you to bring your own digital camera and you must bring in your own jewellery items to

photograph, which must be covered by your own insurance.

Rob Popper is a professional photographer specialising in jewellery, accessories, textiles, glass and ceramics. He is also an experienced tutor of digital photography at all skill levels and he has taught for broad range of creative/craft educators and associations.

9 July 2013 | £180Rob Popper |

Making Mounts & Setting Asymmetrical Stones or Found Objects

During this informative new course you will have the opportunity to learn techniques for creating mounts, simple setting of unusually shaped stones or found objects and learn many ‘Tips of the Trade’. Using traditional jewellery making techniques you will work on your own fabrication and setting project and you will be required to bring in a selection of stones/objects to discuss the possibilities with the tutor of fabricating and setting the chosen item to create a pendant or similar item. The tutor will also advise how bezel rub-over style of settings and claw settings can be adapted for use, demonstrate the technical aspect of how your fabrication will

hold your items and also how a constructed cage setting can also be a very useful method of setting for the more difficult/odd shaped stones. Those with basic making skills will take part in a guided project of how to make a bezel setting for a supplied cabachon type stone. Base metal will be provided for practise, if you prefer to work in silver you will need to make a local purchase with tutor guidance.

Important note: The emphasis of this course is to assist you to resolve the issue of creating a piece of jewellery from an asymmetrical item. Those requiring traditional stonesetting skills are advised to attend our

Stonesetting – An Introduction course.

Cassie Reed is a graduate of the School of Jewellery who has extensive experience working in the jewellery trade for over 25 years as a Fine Jeweller, Diamond Mounter and Master Model Maker. Cassie undertakes trade and private jewellery commissions and she has worked for companies including Harrods and Barbour and prestigious clients including House of Commons, V&A Museum, Tower of London and others. Cassie also teaches a wide range of skills across all levels on a variety of courses involving her areas of expertise.

8 & 9 July 2013 | £295Cassie Reed |

Jewellery by A

nna Lorenz 33

34 3534

Silversmithing: An Introduction to Hand Raising

Samantha Chilton MA |

This four day workshop has been designed for those requiring a basic introduction to silversmithing. Students will take part in a step-by-step guided project with the tutor, making a shallow bowl with a simple base in order to make use of and practise basic silversmithing techniques such as Blocking, Raising, Planishing, Soldering and Annealing. You may borrow basic hand tools from the School or make a local purchase, a list will be provided prior to the course.

Samantha Chilton has been working in jewellery, silversmithing and creative industries for over 25 years, and has been involved in all

areas of the creative process, ranging from design through to final manufacture. Samantha is a School of Jewellery graduate silversmith and jeweller who also specialises in the application and finishing processes of materials such as decorative anodised aluminium and coloured titanium. Samantha regularly teaches at the School of Jewellery and works at the Jewellery Industry Innovation Centre (JIIC) as a specialist in the areas of surface finishing technologies and applications which involves her undertaking a wide variety of new product development work, research, consultancies, and training.

2-6 July 2013 | £395

Polishing for Jewellers & Silversmiths: Masterclass

Stephen M Goldsmith |

Precision metal polishing, often underrated in the industry is one of the skills that can make or break a piece in minutes that has taken hours to make.

During this essential course Stephen M Goldsmith, an expert trade polisher with over 40 years’ experience, will teach you some of the tips and techniques of the trade to enable you to obtain a more professional finish to your work. This course covers traditional methods; machinery techniques; the theory behind the methods as well as giving you practical experience. Also covered are professional finish preparation; hand polishing; burnishing; use of abrasives and the use

of a variety of tools (leather, felt, brushes, mops) to achieve a variety of finishes. Antique restoration techniques and the care of polished silver are also included. This course is suitable for jewellers, silversmiths or those wishing to extend their knowledge from other disciplines such as design and sculpture.

Important notes:A) No sample jewellery items will be available for you to practise on, it is essential you bring your own, covered by your own insurance.B) Despite the use of extraction it is inevitable that some dust particles will be in the air and anyone with a medical condition should consult their doctor before

reserving a place on this course.Stephen M Goldsmith is an apprentice of C Vander of Hatton Garden; he has worked for Stuart Devlin and Nayler Brothers (Garrards the Crown Jewellers workshop) on their polishing and gilding projects. Stephen started his own business in 2003, advising the Army, Buckingham Palace and The Royal Mint on the care of their special silver pieces. He has also worked in the Tower of London Jewel House and is currently working with West End celebrity jeweller, Theo Fennell. Stephen is a fellow of the Institute of Professional Goldsmiths and has judged the polishing section for Goldsmiths’ Craft and Design Council’s Awards, many times.

24-26 June 2013 | £395

Jewellery by O

livia Nem

eshanyi

36 37

Successful Silver Soldering

Carlton Campbell |

Soldering silver is an essential technique that can be difficult and time-consuming to master successfully. During this one day course you will learn how to prepare the metal (sterling silver) in the correct way by annealing, which types of silver solder and flux are suitable for different types of work, how to make a perfectly fitting form and the use of acid to clean the oxidisation. The tutor will then show you how to produce a neat solder join and you will then practise soldering metal pieces and cleaning the soldered items ready for polishing. By the end of the day you will have received many ‘hints and tips of the trade’. This course is suitable for anyone who

would like to learn how to solder with confidence. No previous knowledge of jewellery making is required.

Carlton Campbell has more than40 years trade experience asa jewellery mounter, includingworking for one of the country’sleading regalia jewellers,Toye Kenning & Spencer whomanufacture many bespoke handmade jewels for large organisations and individuals. His vast industry experience has enables him to provide an expert tuition in a wide range of skills, instil confidence and convey essential practical skillsand trade tips to makers.

Monday 24 June 2013 | £170

Stonesetting: An Introduction

Nigel Yates |

This popular introductory course is designed for those who have little or no experience of stonesetting who wish to learn basic styles of Channel, Claw, Rub-Over and other settings, along with essential tool preparation and maintenance.

Your course fee includes a set of nine cast silver rings of various styles with appropriate cubic zirconium stones, which you will work on and practise setting during the course, by the end of the week you will have set stones into a variety of settings that you will be able to take home. You will be required to bring your own hand tools, a list will be provided prior to the course.

This course does not cover making mounts for stones; which are covered in our Jewellery Fine Techniques short course. Due to the intensity of this course student places are limited to nine.

Nigel Yates has been working in the jewellery industry and Birmingham’s Jewellery Quarter since 1984, specialising in stonesetting and laser welding. He has extensive trade knowledge and expertise and he carries out private and trade commissions, and regularly teaches specialised short courses.

1-5 July 2013 | £495

Jewellery by P

ortia Bartlett (left) &

Natalie S

alisbury (right)

38

teaching since 1997, including being their course Director of Gemmology from 2006 to 2011.Kate has completed a course in diamond polishing in Hatton Garden and regularly attends international workshops and she specialises in training students to FGA and DGA level, achieving a sound track record of student pass rates, and delivering courses to the jewellery trade.

Synthetic Gemstones: What Lies Behind the Sparkle of the Stone?Kate Hopley |

This stimulating and informative workshop examines the synthetic gemstones that may be encountered in the jewellery industry today, with the focus being Sapphire, Ruby, Emerald, Diamond and Opal.

Firstly, the course covers at a basic level, the actual manufacturing methods used in the production of synthetics and the key features and aspects to look for in separating synthetic gemstones from their natural counterparts. Using Sapphire as the most appropriate gemstone example in this instance, the

tutor will first show you how to recognise several different types of synthetic gemstones, such as Verneuil Flame Fusion synthetics, to the more deceptive Flux material and others.

This course gives plenty of opportunity for you to examine a wide range of synthetics. Pricing and identifying synthetics in jewellery settings will be discussed, with informal question and answer sessions throughout. This course is open to all, although those working in the jewellery industry would gain essential gemmology knowledge.

All necessary equipment is provided, as are course notes.

Kate Hopley has been a Fellow (FGA) of Gem*A (Gemmological Association of Great Britain) since 1996, a holder of the Gem*A’s Diamond Diploma (DGA), since 1997, a correspondence tutor for the Gem*A, and a qualified Graduate Gemmologist (GG) of the GIA (Gemmological Institute of America).

She originally studied at the School of Jewellery in Birmingham and has been

23 & 24 July 2013 | £295

Jewellery by C

hristopher Hay 39

40 41

Valuation and Appraisal of Jewellery

David Byrne FGS, DGA, MRV |

This fascinating and intensive course covers the appraisal and valuation methodology needed to give you the skills to value and appraise all types of jewellery, infill diamonds, enhanced and synthetically treated stones, and you will also cover the legal requirements for these valuations.

The valuing and pricing of mounts will also be included programme, and the ‘The Valuers Guide’ will be used. You will be shown how to assess gemstone colour and how to apply the grading to universal pricing of all gemstones and pearls. Course notes will be provided for all sessions and you will have the opportunity to compile working notes which will

be explained, practiced and used on all valuations.

This course would benefit anyone working in jewellery retailers, auctioneers, pawnbrokers and those involved in antiques, however jewellery enthusiasts are also most welcome to attend.

David Byrne originally studied at the School of Jewellery in Birmingham, he has a Retail Jewellery Diploma and became a Fellow of the Gemmological Association in 1990. David is a member of the Institute of Registered Valuers (IRV) and has worked in the jewellery trade for many years.

David is now an independent jewellery valuer, currently working for local auction houses as their antique jewellery and silver valuer and he also provides expert insurance valuations for modern jewellery retailers, he also teaches at the School of Jewellery on courses requiring his area of expertise.

29 July-1 August 2013 | £445

Transparency in Enamel: Tips & Troubleshooting

Tamizan Savill |

Using transparent enamels in an imaginative way can highlight the beauty of gorgeous patterns or textures on the metal below. Blending and layering transparent enamels can create subtle tones of colour and areas of light and shade in your work. During this enjoyable course you will experiment with use of foils, cloisonné wires and creating textures in the metal. How to improve your results and correct common problems with enamelling. During the course you will gain many ‘tips of the trade’. This course is suitable for those who have some experience, or have completed an introductory enamelling course and need

further guidance and you may bring in samples of your work or current projects, etc. A small amount of silver sheet will be provided for you to work on and the tutor will have additional blanks for sale if you make quick progress during the day.

Tamizan Savill runs her own jewellery business in Bristol specialising in enamelled work and she has a wide range of teaching experience. She is a member of the Association for Contemporary Jewellery and the British Society of Enamellers. Tamizan has exhibited her work internationally completed comissions for Bristol Cathedral and Macrorie House Museum, South Africa.

Tuesday 25 June 2013 | £170


ashai Spellm

an

42

A-Z Course listing

8-12 July 2013

17 & 18 July 2013

5-7 August 2013

29 July 2013

22-24 July 2013

25 & 26 July 2013

05 August 2012

16 July 2013

24 June 2013

16 July 2013

3-5 July 2013

15-17 July 2013

5 August 2013

25-28 June 2013

1-4 July 2013

22-26 July 2012

15 July 2013

Course TutorDate Cost

Anticlastic and Synclastic Creative Hammering: Materclass

Antique Jewellery Revelaed


Colourful Resin Jewellery: An Introduction


Decorative Inlaying & Overlaying

Diamond Grading: A Basic Guide

Diamonds: Identifying Synthetic, Treated & Imitation Diamonds

Enameling: One day introduction


Fusing, Granulation, Soldering & Keum Boo with Argentium Silver

Japenese Inspired Patinas on Press Formed Shapes


Jewellery Making: Intermediate


Jewellery: Fine Techniques Masterclass

Make it pay: How to Generate Money from your Creativity

Cynthia Eid

David Byrne

Paul Yeomans

Clare John

Robert Campbell-Legg

Rovert Campbell-Legg

Grenville Millington

Kate Hopley

Tamizan Savill

Cassie Reed

Cynthia Eid

Rebecca Walklett

Zoe Phillips

Carlton Campbell

Katherine Campbell-Legg

Richard Witek

Pete Mosley

£565

£270

£360

£170

£395

£295

£160

£160

£170

£170

£425

£375

£160

£395

£395

£465

£115

43



Marketing on the Internet: Effective Timesaving Tactics


Mokume Gane Masterclass

Mounts & Setting Asymmetrical Stones or Found Objects

Photographing Jewellery: Basic Guide



Stone Setting: An Introduction


Synthetic Gemstones: Behind the sparkle of the stone

Transparency in Enamel: Tips & Trouble Shooting

Vaulation & Appraisal of Jewellery

8-11 July 2013

16 July 2013

22-26 July 2013

15-18 July 2013

8 & 9 July 2013

9 July 2013

24-26 June 2013

2-6 July 2013

1-5 July 2013

24 June 2013

23 & 24 June 2013

25 June 2013

29 July-2 August 2013

£425

£115

£525

£495

£295

£180

£395

£395

£495

£170

£295

£170

£445

Sarah Kelly

Pete Mosley

David Clarke

Alistair McCallum

Cassie Reed

Rob Popper

Stephen M Goldsmith

Samantha Chilton

Nigel Yates

Carlton Campbell

Kate Hopley

Tamizan Savill

David Byrne

A-Z Course Listing Continued

44 45

Reservation Information &Booking Conditions

Making a course reservationReserve your course place by telephoning

us on 0121 248 4584 to advise your

credit/debit card details.

Short Course offi ce opening hoursMon/Tue/Thurs 9am to 2.30pm

Course fee payments need not be paid to us

immediately, however by giving us your card

details you are agreeing to pay the course

fee in full and attend your chosen course.

We will take a payment from your card once

we know your course will definitely proceed

(May/June time depending on your course

date) and we will advise you by email when

we intend to do this. This deferred payment

applies only to payments made by credit /

debit card.

Course places are allocated on a first come

first served basis. Course content may vary

slightly from that described in this brochure

in order to cater for individual students

needs. Please note we cannot reserve you

a place on any of the courses until we are in

receipt of your payment details.

Booking conditionsA) Your course may be cancelled if there

are not enough reservations to

make it viable. Should this occur you will

be notified at least four weeks before

the course start date. Should we need to

cancel your course for any reason we will

telephone you immediately and refund your

course fee in full if a payment has already

been taken.

Please be aware we cannot accept any

responsibility for travel or accommodation

arrangements you may have made should a

course cancellation occur. If you think you

may be affected by this you should contact

your insurance broker for advice about

personal insurance coverage.

B) If you need to cancel your course

reservation you must give us a minimum

of four weeks’ notice before the course

start date in writing or by email. A £175

cancellation fee is applicable to all courses,

however if you course fee is less than £175,

your cancellation fee will be the same cost

as your course fee.

The cancellation fee will be deducted from

your refund or charged to your credit /

debit card if you have not yet made a

card payment. No refunds will be given

Continued: Reservation Information & Booking Conditions

tools and/or materials if necessary; this is

dependent on the individual project you

have chosen to do, the course content or

both.

If tools or materials are required for your

course, a student tool/materials list will be

compiled by the tutor and sent to you in

advance.

In some cases materials or kits will be

supplied by the tutor. If this is applicable to

your course you will pay for them prior to the

course and retain these, alternatively you

may need to make a local purchase with the

tutor’s assistance. This information this will

be sent to you approximately four weeks or

earlier than the start date of your course.

Small hand tools are not readily available

from the School, all students should bring

their own if they have them (eg. Pliers, Files

or Saw, etc.)

Travelling to the SchoolA map of the local area will be supplied in

advance.

By Rail: Birmingham New Street, Snow

Hill and Moor Street Stations are around a

five-minute taxi ride to the School. There

is a train available direct from Moor Street

Station (a five-minutes walk from New

Street Station) to the Jewellery Quarter

Station

By Bus: Take the 101 from Livery Street

by Snow Hill Station or Colmore Row by

Victoria Square and get off at the ‘The

Clock’ Frederick Street,

Jewellery Quarter.

By Road: M6 to Junction 6, follow the

A38/M5 to Junction 3, follow the A456

then the A450/M42 join M6 to Junction 6.

for cancellations of less than four weeks’

notice, we may however be able to transfer

your reservation to an alternative course,

availability permitting.

Once your course is established as viable to

proceed we will send you a letter or email

confirming all the details and you will also

receive:

-A map of the area

-Student tools/materials list (if applicable)

-Local supplier list for tools/materials (if

applicable)

-Local Hotels/ Apartments list. We

are sorry, but we are unable to provide

accommodation for short course students.

Tools/materialsMany courses are of a practical nature,

therefore you should make allowance for

the additional cost of purchasing hand

46 47

Parking: There is no parking available

on site, however there is a multi-storey car

park located on Vyse Street (B18 6LP)

which is a two-minute walk to the School,

or pay and display parking on local roads.

EmployabilityBirmingham City University is committed

to preparing students for successful

employability and professional careers. We

have an innovative approach to employability

that will help you obtain an interesting

and well-paid graduate job. Read our

Employability Statement to find out more:

www.bcu.ac.uk/courses/employability-

statement

Students with disabilitiesBirmingham City University’s Disability

Service aims to enable students with

disabilities or learning support needs to

make the most of their time at university.

We regard disclosure of a disability as a

positive thing and think it is important that

you feel you can tell us about

any disability you may have so we can try to

support your individual needs.

If you have not made us aware of your

disability or you feel you may have a

disability please contact the Disability

Service on 0121 331 5128 or email us at

[email protected] Alternatively you can

discuss this with our advisor when booking

your short course place.

Equal opportunitiesBirmingham City University promotes

equality of opportunity in every aspect of

its provision. For full details of our Equal

Opportunities Policy, please visit www.bcu.

ac.uk


Useful Websiteswww.schoolofjewellery.co.uk

www.bcu.ac.uk/biad

www.visitbirmingham.com

www.jquarter.org.uk

HeritageOur contribution to the education of

the citizens of Birmingham and beyond

stretches back through a succession of

predecessor institutions for over 160 years.

We achieved University status in 1992 as

the University of Central England, changing

to Birmingham City University in 2007,

reflecting our commitment to, and pride in,

our home city.

This information is intended as a general

guide to the University’s courses and

facilities and forms no part of any contract

between you and the University.

Although reasonable steps are taken to

provide the courses as described, the

University cannot guarantee the provision of

any course or facility.

Any course may be altered or withdrawn

owing to circumstances beyond the

University’s control. It is strongly

recommended that prospective students

contact the relevant faculty or visit the

University website to obtain the most up-to-

date course information.

For full terms and conditions please log on

to; www.bcu.ac.uk/about-us/policies-and-

procedures


About the designA collaboration with 3rd year students studying

Graphic Design: Visual Communication, this years

design team came out 3 classmates wanting to

collaborate together.

The Concept behind our design came from a mixture

of what the School had asked of us, along with our

desire to create a design the school hadn’t seen

before.

With almost a delicate design, we also knew the

use of space was vital to create something pleasing

to the eye. The use of the refraction patterns came

from this also, as well as a want to tie everything

together with imigary that was reminisant of

jewellery, yet not literal.

Chelsea Herbert

NatalieTaylor

JackGraham

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Contact detailsDawn Meaden-Johnson, Short Course Co-ordinator

Tel: +44 (0) 121 248 4584 Mon/Tue/Thurs 9am to 2.30pmE: [email protected]

Birmingham City University Birmingham Institute of Art & Design School of JewelleryVittoria StreetBirminghamB1 3PAEngland.

4 54














8th-12th July 2013 | £565

Jewellery by C

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this course”

- Niki Byrne


Tutor: Paul Yeomans

Jewellery by C

loe Duran (left) &

Hum

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Techniques







Course fee £425


expectations”

- Diane Perry


Tutor: Clare John

Jewellery by C

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Jewellery by A

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Course fee £480







Jewellery by Tam

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17

18 19














Jewellery by R


Cynthia E

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20 21
















Jewellery by R


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21

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Jewellery by Lana C


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David Clarke |





22-26 July 2013 | £525

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Sarah Kelly |








8-11 July 2013 | £425

29









Jewellery by S

arah Kelly

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Mokumé Gané

Alistair McCallum |




15-18 July 2013 | £495









Jewellery by A

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Jewellery by A

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2-6 July 2013 | £395








24-26 June 2013 | £395

Jewellery by O

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36 37


Carlton Campbell |




Monday 24 June 2013 | £170


Nigel Yates |





1-5 July 2013 | £495

Jewellery by P


Natalie S

alisbury (right)

38










23 & 24 July 2013 | £295

Jewellery by C

hristopher Hay 39

40 41









29 July-1 August 2013 | £445


Tamizan Savill |






ashai Spellm

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42

A-Z Course listing

8-12 July 2013

17 & 18 July 2013

5-7 August 2013

29 July 2013

22-24 July 2013

25 & 26 July 2013

05 August 2012

16 July 2013

24 June 2013

16 July 2013

3-5 July 2013

15-17 July 2013

5 August 2013

25-28 June 2013

1-4 July 2013

22-26 July 2012

15 July 2013



















Cynthia Eid

David Byrne

Paul Yeomans

Clare John




Kate Hopley

Tamizan Savill

Cassie Reed

Cynthia Eid

Rebecca Walklett

Zoe Phillips

Carlton Campbell


Richard Witek

Pete Mosley

£565

£270

£360

£170

£395

£295

£160

£160

£170

£170

£425

£375

£160

£395

£395

£465

£115

43















8-11 July 2013

16 July 2013

22-26 July 2013

15-18 July 2013

8 & 9 July 2013

9 July 2013

24-26 June 2013

2-6 July 2013

1-5 July 2013

24 June 2013

23 & 24 June 2013

25 June 2013


£425

£115

£525

£495

£295

£180

£395

£395

£495

£170

£295

£170

£445

Sarah Kelly

Pete Mosley

David Clarke

Alistair McCallum

Cassie Reed

Rob Popper

Stephen M Goldsmith

Samantha Chilton

Nigel Yates

Carlton Campbell

Kate Hopley

Tamizan Savill

David Byrne


44 45
















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Jewellery Quarter.











receive:

-A map of the area



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46 47














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www.bcu.ac.uk/biad


www.jquarter.org.uk









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procedures









before.







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8th-12th July 2013 | £565

Jewellery by C

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this course”

- Niki Byrne


Tutor: Paul Yeomans

Jewellery by C

loe Duran (left) &

Hum

phrey Wong (right)

8







Techniques







Course fee £425


expectations”

- Diane Perry


Tutor: Clare John

Jewellery by C

lare John

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Course fee £480







Jewellery by Tam

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17

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Jewellery by R


Cynthia E

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20 21
















Jewellery by R


Em

ily Richard (right)

21

22 23














Jewellery by Lana C


ashai Spellm

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24 25













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David Clarke |





22-26 July 2013 | £525

Silversm

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Sarah Kelly |








8-11 July 2013 | £425

29









Jewellery by S

arah Kelly

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Mokumé Gané

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15-18 July 2013 | £495









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2-6 July 2013 | £395








24-26 June 2013 | £395

Jewellery by O

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36 37


Carlton Campbell |




Monday 24 June 2013 | £170


Nigel Yates |





1-5 July 2013 | £495

Jewellery by P


Natalie S

alisbury (right)

38










23 & 24 July 2013 | £295

Jewellery by C

hristopher Hay 39

40 41









29 July-1 August 2013 | £445


Tamizan Savill |






ashai Spellm

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42

A-Z Course listing

8-12 July 2013

17 & 18 July 2013

5-7 August 2013

29 July 2013

22-24 July 2013

25 & 26 July 2013

05 August 2012

16 July 2013

24 June 2013

16 July 2013

3-5 July 2013

15-17 July 2013

5 August 2013

25-28 June 2013

1-4 July 2013

22-26 July 2012

15 July 2013



















Cynthia Eid

David Byrne

Paul Yeomans

Clare John




Kate Hopley

Tamizan Savill

Cassie Reed

Cynthia Eid

Rebecca Walklett

Zoe Phillips

Carlton Campbell


Richard Witek

Pete Mosley

£565

£270

£360

£170

£395

£295

£160

£160

£170

£170

£425

£375

£160

£395

£395

£465

£115

43















8-11 July 2013

16 July 2013

22-26 July 2013

15-18 July 2013

8 & 9 July 2013

9 July 2013

24-26 June 2013

2-6 July 2013

1-5 July 2013

24 June 2013

23 & 24 June 2013

25 June 2013


£425

£115

£525

£495

£295

£180

£395

£395

£495

£170

£295

£170

£445

Sarah Kelly

Pete Mosley

David Clarke

Alistair McCallum

Cassie Reed

Rob Popper

Stephen M Goldsmith

Samantha Chilton

Nigel Yates

Carlton Campbell

Kate Hopley

Tamizan Savill

David Byrne


44 45
















debit card.
















been taken.















as your course fee.









both.




advance.












or Saw, etc.)


advance.







Station





Jewellery Quarter.











receive:

-A map of the area



applicable)







46 47














statement





















ac.uk



www.bcu.ac.uk/biad


www.jquarter.org.uk









our home city.


















procedures









before.







Chelsea Herbert

NatalieTaylor

JackGraham

ww

w.ta

ylor

myd

esig

n.co

.uk

ww

w.J

ackG

raha

mde

sign

.com

ww

w.B

ehan

ce.n

et/

Che

lsea

Her

bert

4848




4 54














8th-12th July 2013 | £565

Jewellery by C

ynhia Eid (left) &

Natalie S

alisbury (right)

6 7







CAD











this course”

- Niki Byrne


Tutor: Paul Yeomans

Jewellery by C

loe Duran (left) &

Hum

phrey Wong (right)

8







Techniques







Course fee £425


expectations”

- Diane Perry


Tutor: Clare John

Jewellery by C

lare John

9

10 1111








Colouring Anodised

Aluminium








10


Image: D

awnstorm

Jewellery

12 13











Jewellery by A

nnie Cracknell

14 15








1515


DiamondMounting







- Velma Peake



Jewellery by E

mily R

ichard

15

16 17


Electroforming





Course fee £480







Jewellery by Tam

izan Savill

17

18 19














Jewellery by R


Cynthia E

id (right)

20 21
















Jewellery by R


Em

ily Richard (right)

21

22 23














Jewellery by Lana C


ashai Spellm

an (right)

24 25













- John Gaunt,



u

25

26 2726 27








David Clarke |





22-26 July 2013 | £525

Silversm

ithing by David C

larke

2928


Sarah Kelly |








8-11 July 2013 | £425

29









Jewellery by S

arah Kelly

3131

Mokumé Gané

Alistair McCallum |




15-18 July 2013 | £495









Jewellery by A

listair McC

allum

30

3232

















Jewellery by A

nna Lorenz 33

34 3534






2-6 July 2013 | £395








24-26 June 2013 | £395

Jewellery by O

livia Nem

eshanyi

36 37


Carlton Campbell |




Monday 24 June 2013 | £170


Nigel Yates |





1-5 July 2013 | £495

Jewellery by P


Natalie S

alisbury (right)

38










23 & 24 July 2013 | £295

Jewellery by C

hristopher Hay 39

40 41









29 July-1 August 2013 | £445


Tamizan Savill |






ashai Spellm

an

42

A-Z Course listing

8-12 July 2013

17 & 18 July 2013

5-7 August 2013

29 July 2013

22-24 July 2013

25 & 26 July 2013

05 August 2012

16 July 2013

24 June 2013

16 July 2013

3-5 July 2013

15-17 July 2013

5 August 2013

25-28 June 2013

1-4 July 2013

22-26 July 2012

15 July 2013



















Cynthia Eid

David Byrne

Paul Yeomans

Clare John




Kate Hopley

Tamizan Savill

Cassie Reed

Cynthia Eid

Rebecca Walklett

Zoe Phillips

Carlton Campbell


Richard Witek

Pete Mosley

£565

£270

£360

£170

£395

£295

£160

£160

£170

£170

£425

£375

£160

£395

£395

£465

£115

43















8-11 July 2013

16 July 2013

22-26 July 2013

15-18 July 2013

8 & 9 July 2013

9 July 2013

24-26 June 2013

2-6 July 2013

1-5 July 2013

24 June 2013

23 & 24 June 2013

25 June 2013


£425

£115

£525

£495

£295

£180

£395

£395

£495

£170

£295

£170

£445

Sarah Kelly

Pete Mosley

David Clarke

Alistair McCallum

Cassie Reed

Rob Popper

Stephen M Goldsmith

Samantha Chilton

Nigel Yates

Carlton Campbell

Kate Hopley

Tamizan Savill

David Byrne


44 45
















debit card.
















been taken.















as your course fee.









both.




advance.












or Saw, etc.)


advance.







Station





Jewellery Quarter.











receive:

-A map of the area



applicable)







46 47














statement





















ac.uk



www.bcu.ac.uk/biad


www.jquarter.org.uk









our home city.


















procedures









before.







Chelsea Herbert

NatalieTaylor

JackGraham

ww

w.ta

ylor

myd

esig

n.co

.uk

ww

w.J

ackG

raha

mde

sign

.com

ww

w.B

ehan

ce.n

et/

Che

lsea

Her

bert

4848




Documents

SCHOOL OF JEWELLERY - smgkentltd.com Summer Course Brochure... · sculpture, as well as spiculums. Learn hammering and forming techniques and how to move metal. ... Artcam Jewelsmith,