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The catalog of the 13th annual Sculpture Objects & Functional Art Fair, better known as SOFA, held April 16-19, 2010 at the Park Avenue Armory.
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The 13th Annual Sculpture Objects & Functional Art Fair
April 16–19,2010
Park Avenue ArmoryPark Avenue & 67th Street
Ruth Duckworth
Untitled #9921102009
porcelain
26 x 38 x 6
Represented by Thea Burger
photo by Guy Nicol
S C U L P T U R E O B J E C T S & F U N C T I O N A L A R T
All dimensions in the catalog are in inches (h x w x d) unless otherwise noted
SOFA NEW YORK is produced by
The Art Fair Company, Inc.
Library of Congress – in Publ ication Data
SOFA NEW YORK 2010Sculpture Objects & Functional Art Fair
ISBN 09789206512009913077
Published in 2010 by The Art Fair Company, Chicago, I l l inois
Graphic Design by Design-360º Incorporated, Chicago, I l l inoisPrinted by Pressroom Printer & Designer, Hong Kong
The Art Fair Company, Inc.
Producer of SOFA NEW YORK 2010
4401 North Ravenswood, Suite 301
Chicago, IL 60640
voice 773.506.8860
fax 773.345.0774
www.sofaexpo.com
Michael Franks
Chief Executive Officer
The Art Fair Company, Inc.
Mark Lyman
President
The Art Fair Company, Inc.
Founder/Director, SOFA Fairs
Anne Meszko
Julie Oimoen
Kate Jordan
Greg Worthington
Barbara Smythe-Jones
Patrick Seda
Michael Macigewski
Bridget Trost
Aaron Anderson
Stephanie Hatzivassiliou
Ginger Piotter
Heidi Hribernik
Erinn M. Cox
Donald Bromagin
Joe Ponegalek
S C U L P T U R E O B J E C T S & F U N C T I O N A L A R T
4
5
6 Acknowledgements
14 Lectures Series
18 Essays
20 Ruth Duckworth: True to Form
24 Time Present, Time Future
Emmanuel Cooper
28 Finnish Ceramics
Emma Crichton-Miller
32 Exhibitor Information
164 Resources
204 Index of Exhibitors
210 Index of Artists
S C U L P T U R E O B J E C T S & F U N C T I O N A L A R T
Welcome to SOFA NEW YORK 2010!
It is interesting and encouraging to see top work
being sold at SOFA fairs, which is similar to what
we have seen in the major auctions—the best work
being sold for a premium. It is a testament to the
unsurpassed virtuosity of process and sophistication
of many of the works at SOFA, but also a tribute to
the resilient dealers, museum curators and collectors
who stalwartly supported them through recent
economic challenges.
Congratulations to Director Holly Hotchner and
the Board of Governors of the Museum of Arts
and Design as they approach MAD’s second
anniversary in its new home at 2 Columbus Circle,
this extraordinary facility was likewise the result of
much forward-thinking and perseverance. We are
delighted to partner with MAD again on its Spring
Benefit, held in the Tiffany Room at SOFA NEW
YORK’s Opening Night Preview. MAD continues to
be a leader in promoting the very best of our
field, and their innovative educational programming
and exhibitions deserve not only SOFA’s recognition,
but yours.
We are also delighted to partner with other
prominent New York museums and organizations
on SOFA NEW YORK’s VIP programming, and
wish to thank The Andrea and Charles Bronfman
Philanthropies, American Folk Art Museum, The
Asia Society, The Jewish Museum, Metropolitan
Museum of Art and the Whitney Museum of
American Art, for their ongoing partnership.
2009 was the first year of our newly reorganized
company, The Art Fair Company, and I am pleased
to report it has been a time of both consolidation
and growth. Our flagship, SOFA CHICAGO is
“steady as she goes,” enjoying a successful fair in
2009, marked by palpable excitement on the show
floor and a remarkable rebounding in sales. 2009
also saw the Western expansion of the SOFA brand
with the addition of SOFA WEST: Santa Fe last
summer. Over 10,000 persons attended the inaugural
fair (2000 on Opening Night! ) and we couldn’t be
more encouraged. This year, hopes are even higher
as the fair moves to early July to join Santa Fe’s
high summer season of art, with such venerable
Santa Fe institutions as the Santa Fe Opera and
International Folk Art Market in full swing.
We are further delighted that the prestigious
Museum of New Mexico Foundation, charged with
oversight of the major museums in New Mexico
including the Museum of Art, has expanded its
participation in SOFA WEST: Santa Fe’s Opening
Night. The Foundation plans a private preview
for its highest level supporters, inviting its Circles
membership and Business Council to an exclusive,
early viewing of the fair. These individuals and
companies are the movers and shakers of Santa
Fe and New Mexico’s vibrant arts and culture. We
hope you will save the date now to head West with
SOFA, July 8 – 11, Opening Night, Wednesday,
July 7, at the Santa Fe Convention Center.
Thanks are due as always to the many individuals
and organizations that assist with the production
of the Lecture Series, which once again offers an
exciting line-up of presentations. And to the hard-
working SOFA team who organized and started
up a new fair in 2009!
We at SOFA do what we do because we love the
art and the close-knit community of talented and
engaged people who create and support it.
If you are new to SOFA, welcome and enjoy!
Mark Lyman
Founder/Director of SOFA
President, The Art Fair Company
Anne Meszko
Director of Advertising and Programming
SOFA NEW YORK ExhibitorAdvisory Committee:
Robert Aibel
Clare Beck
Rob Coffland
Leslie Ferrin
Stefan Friedemann
Scott Jacobson
Joan Mirviss
Sienna Patti
Adrian Sassoon
Participating galleries, artists,speakers and organizations
Acme Safe Co.
Jane Adlin
John Alden
Paul Allingham
American Fixture & Display Corp.
American Folk Art Museum
Andrea & Charles Bronfman Philanthropies
Sarah Archer
Art Jewelry Forum
Asia Society
The Bailey Family
Cindy Barba
John Barman
Daniel Belasco
Nancy Blume
Bronfman Corporation
Desiree Bucks
Thea Burger
Winn Burke
Julian Chu
Matt Cline
Sarah Coffin
Collectify
Cooper-Hewitt, National Design Museum
Keith Couser
Cowtan & Tout
Susan Cummins
Design 360°
Dietl International
Ulysses Dietz
Floyd Dillman
Jack Dobson
Annie Dowhie
Lenny Dowhie
Bryan Dowling
D. Scott Evans
Jane Evans
Matthew Fiorello
Randy Flezar
Peter Fox
The Franks Family
Don Friedlich
Carlo Garcia
Peter Gee
Charles Gifford
Jared Goss
Trudi Greenway
Greenwich House Pottery
Lou Grotta
Sandy Grotta
John Hamilton
Lauren Hartman
Constantine Hatzivassiliou
Heckler Electric
Scott Hodes
Holly Hotchner
Michael Hribernik
Joseph Hunt
The Jewish Museum
Howard Jones
Ani Kasten
Elizabeth Edwards Kirrane
Lee Kogan
Nanette Laitman
Stephanie Lang
Jack Lenor Larsen
Cristopher Levy
David Ling
Linda Lofstrom
LongHouse Reserve
Wayne Lowery
Ellie Lyman
Nate Lyman
Sue Magnuson
Jeanne Malkin
David McFadden
Kevin McCormack
Metropolitan Museum of Art
Museum of Arts and Design
NFA Space Contemporary Art + Exhibit Services, Inc.
Ann Nathan
Newark Museum
Mary-Kate O’Hare
John Olson
Robert Panarella
Miry Park
Karl Piotter
Valerie Pistole
Pressroom Printer & Designer
Reliable Transport
Bruce Robbins
Willy Say
Linda Schlenger
Miroslava Sedova
Select Contracting
The Seventh Regiment Armory Conservancy
Franklin Silverstone
Society of North American Goldsmiths
Will Spicer
Jennifer Stark
Joe Striefsky
Three Wine Company
Barbara Tober
Matko Tomicic
Marilyn White
Whitney Museum of American Art
Robert Zale
We would like to thank the following individuals and organizations:
photo: David Barnes
We dedicate the
SOFA NEW YORK
2010 catalog to our
friend Trudi Greenway
and her incredible
love and laugh.
8
Dear Friends,
On behalf of the Board of Trustees and staff of the Museum of Arts
and Design, a warm welcome back to the collectors and visitors of
SOFA NEW YORK 2010, the Thirteenth Annual International Exposition
of Sculpture Objects and Functional Art.
This year we are honoring longtime MAD trustee, collector, friend
and colleague Sandy Grotta. Sandy’s sense of style and intense
commitment to our field has continued to transform the Park Avenue
Armory since the inception of the event. We would not be here today
without Sandy’s vision.
A Year of Firsts
2009, our first full year of operation at Columbus Circle, was a
year of many firsts for the Museum of Arts and Design. It was
the first year in which:
· 500,000 people have come through our doors;
· membership numbered over seven thousand people, tripling
that at our former location;
· twelve exhibitions were presented annually;
· dedicated galleries showcased the permanent collection including
the first contemporary jewelry gallery in a museum setting;
· artists worked in open studios, connecting artists and designers
with the creative process of “making” with the public;
· arts education classrooms served more then 10,000 children, youth,
and families with arts education and hands-on art making projects;
· more than 100 events featuring performance art, film, and
other media were presented in our state of the art theatre;
· visitors and members relaxed and enjoyed our summer
Pop-Up Wine Bar;
· shopping in the Retail Store was available off site in our
Pop-Up Store located on the Upper East Side; and,
· Museum visitors and guests could dine at Robert, MAD’s
new restaurant located on the 9th Floor with its panoramic
views and design themed décor and furniture.
A Year of Making Art
As we enter a new decade and our second year at Columbus Circle,
we are planning an exciting program of exhibitions focused on “the
art of making art”. Come to the Museum to see our current shows:
· Bigger, Better, More: The Art of Viola Frey features the artist’s
monumental ceramic figures, bricolage sculptures, paintings,
and works on paper;
· Portable Treasuries: Silver Jewelry from the Nadler Collection
is drawn from one of the most comprehensive holdings of ethnic
and contemporary jewelry in the world. Portions of the collection
have been generously donated to MAD by collectors Daniel and
Serga Nadler.
· Intertwined: Contemporary Baskets from the Sara and David
Lieberman Collection, an extraordinary display of the range of
basket making today, also represents a major gift to the collection.
And, at the end of April, we will be presenting Dead or Alive
featuring works by international contemporary artists who use
organic materials to create engaging and inspiring objects and
installations. The exhibition will highlight the creative processes that
repurpose natural material, transforming the ordinary and overlooked
into the extraordinary and memorable.
Many thanks to our SOFA Committee: Arlene Caplan, Michele Cohen,
Marcia Docter, Kris Fuchs, Lewis Kruger, Nanette Laitman, Jack
Lenor Larsen, Jeffrey Manocherian, Klara Silverstein, Barbara Shuster,
and Barbara Tober. Special thanks also to Mark Lyman and The Art
Fair Company. Their passionate and dedicated commitment to our
field has encouraged tens of thousands of people to become collectors
of arts and design.
Lastly, thanks to all of you for your continued generous support
of the Museum.
Warmest Regards,
Holly Hotchner
The Nanette L. Laitman Director
9
Board of Trustees
Lewis Kruger Chairman
Jerome A. Chazen Chairman Emeritas
Barbara Tober Chairman Emerita
Jack VivinettoTreasurer
Holly Hotchner Director
Stanley S. Arkin
Ambassador Diego E. Arria
Kay Bucksbaum
Cecily Carson
Tzili Charney
Simona Chazen
Michele Cohen
Dan Dailey
Eric Dobkin
Marcia Docter
Lisa Elson
C. Virginia Fields
Carolee Friedlander
Kris Fuchs
Seth Glickenhaus
Sandra B. Grotta
Chris Hacker
Edwin B. Hathaway
Linda Johnson
Ann Kaplan
J. Jeffrey Kauffman
Fred Kleisner
Nanette Laitman
Jeffrey Manocherian
Barbara Karp Shuster
Ruth Siegel
Alan Siegel
Klara Silverstein
William S. Taubman
Suzanne Tick
Miles Young
MUSEUM OF ARTS AND DESIGN
A.
First pop-up wine bar
MADCRUSH
photo: Stephanie Goto
B.
500,001 Visitor
photo: Oskar Landi
C.
First Restaurant Robert
photo: Emily Baltz
D.
First MAD Saturday
Family Day Program
photo: Christina Latimer
E.
First Pop-Up Store
for The Store at MAD
photo: Wai LeeE.
D.
C.
B.
A.
Dear Friends:
It is a great pleasure to welcome everyone to the Park Avenue Armory for the 13th Annual Sculpture Objects & Functional
Art Fair: SOFA NEW YORK 2010.
This year’s SOFA exhibitions and lecture series – as well as the stunning three-dimensional contemporary art pieces on view –
will surely excite even the most discerning art critic, and the extended schedule allows for an even more relaxed and leisurely
art experience. New York is a city where hundreds of cultures come together to create a unique fabric, and we are thrilled that
SOFA each year introduces artists and galleries from around the world to the City’s thriving art community. We are especially
delighted to welcome the emerging artists and galleries that make up a quarter of all the exhibitors gathered this week. While
you are here, make sure to take advantage of some the other exciting cultural experiences available in each of the five
boroughs.
On behalf of all New Yorkers, I thank SOFA for choosing to once again host this event in our great City. Please accept my best
wishes for a successful show.
Sincerely,
Michael R. Bloomberg
Mayor
60 internationally known interior designers and architects
Building the SOFA brand
Promoting the Fairs to their colleagues
Attending with discerning clients
SOFA National Designer CommitteeSpecial thanks to the National Designer Committee for their support of SOFA.
Honorary Chair
Jack Lenor Larsen
Co-Chairs
Nancy Epstein
Steven Gambrel
Amy Lau
David Ling
Suzanne Lovell
Maya and Joyce Romanoff
Committee
Frank de Biasi and Gene Meyer
Bruce Bierman
Lars Bolander
Darcy R. Bonner
Christopher B. Boshears
Geoffrey Bradfield
Patricia Brownell
Mario Buatta
Barclay Butera
Sherrill Canet
Ellie Cullman
Joanne De Palma
Jamie Drake
Arthur Dunnam
Douglas Durkin
Andrew Fisher
Lisa Frazar
Patrick Gallagher
Jennifer Garrigues
Alexander Gorlin
Philip Gorrivan
George Larson
Timothy Macdonald
David Mann
Brian McCarthy
Richard Mishaan
Juan Montoya
Brian Murphy
Sandra Nunnerley
Dennis Rolland
H. Parkin Saunders
Tom Scheerer
Steven Sclaroff
Betty Sherrill
Michael Simon
Marjorie Shushan
Stephen Miller Siegel
Matthew Patrick Smyth
Stephanie Stokes
Carolyn Tocks
Timothy Van Dam and Ronald Wagner
Alan Wazenberg
Jennifer Watty
Jeffrey Weisman
Ilene Wetson
Matthew White and Frank Webb
Rod Winterrowd
Michel Cox Witmer
Stephanie Wolhner
Le
Lecture Series
ectures
11:15 am – 12:15 pm
Holding Objects: What It Means to Wear Jewelry – ThePsychoanalytic MechanismsAn introduction to core psycho-
analytic concepts that activate
jewelry and allow artists to com-
municate and mediate complex
and dynamic interactions between
people. Rock Hushka, Director of Curatorial Administration/
Curator of Contemporary and
Northwest Art, Tacoma Art
Museum. Sponsored by Art
Jewelry Forum and Society of
North American Goldsmiths
(SNAG)
12:30 – 1:30 pm
OUT OF CHINA:Monumental PorcelainUK artist Felicity Aylieff has mademonumental porcelain vases in
Jingdezhen, China since 2006.
She discusses this experience
and the vibrantly decorated works
made there, many over six feet in
height. Represented by Clare Beck
at Adrian Sassoon, London
1:45 – 2:45 pm
ANIMADutch artist/jeweler Ruudt Peterstalks about his exploration of the
feminine subconscious in men
by drawing with wax underwater,
a freeform process that makes
manifest the latent, androgynous
unconscious in gracile, delicate
and fragile works. Represented
by Ornamentum, Hudson, NY
3 – 4 pm
A Thin Silver LiningPainter and sculptor SibyllePeretti creates dreamlike figurativework that is both tender and
disturbing and questions the
human relationship with nature.
Peretti speaks about her thematic
choices and the magical style
she employs. Represented by
Heller Gallery, New York
4:15 – 5:15 pm
Jewelry Design: Surface in Depth??Italian goldsmith StefanoMarchetti traces the developmentof his work, from the experimental
mosaics Pointillisme in Metallo,
1989 through his current work.
Marchetti is the recipient of the
2009 Italian Jewellry Award,
Naples, Italy. Represented by
Charon Kransen Arts, New York;
sponsored by Society of North
American Goldsmiths (SNAG)
16
Lecture Series Presented by SOFA NEW YORK
Lectures take place Friday, April 16 and Saturday, April 17
in the Armory’s Tiffany Room. Admission to the Lecture Series
is included with purchase of SOFA ticket.
Friday, April 16
17
10 – 11 am
Inventing a Visual Vocabulary:the Collaborations of PaulStankard and Jon KuhnGlass masters Stankard and Kuhn discuss the collaborativework they have created for
15 years. Represented by
Ken Saunders Gallery, Chicago
11:15 am – 12:15 pm
Reflections on Nature:Inspirational Sources for the Clay Art of Koike ShôkoA pioneering woman ceramicist
from the postwar artistic wave in
Japan, Koike Shôko discusses her artistic process. Lecture will
be in Japanese translated by
Yasuko Otsue. Represented by
Joan B. Mirviss Ltd., New York
12:30 – 1:30 pm
A Theory of EverythingWalter McConnell discusses the evolution of his signature
works: towering assemblages
of cast porcelain and installations
of encapsulated moist clay.
Represented by cross mackenzie
gallery, Washington, DC
1:45 – 2:45 pm
ConversationsArtist Daphné Corregan presentsover 20 years of her work in
ceramics, her inspirations and
influences, and the dialogue
induced by these different
encounters. Represented by
Collection Ateliers d’Art de
France, Paris
3 – 4 pm
The Dichotomous MuseTravel the divergent paths taken
by Kait Rhoads as she utilizes traditional Italian glass patterning
techniques to create sculptures
and vessels that embody her
reverence for nature. Represented
by Chappell Gallery, New York
4:15 – 5:15 pm
50 Years of Glass – AlmostMarvin Lipofsky presents a visual survey of almost 50 years
working in glass factories and
studios throughout the world.
Represented by Schantz Galleries,
Stockbridge, MA
Saturday, April 17
Essays
Essays
Ruth Duckworth: True to Form
Time Present, Time Future
By Emmanuel Cooper
Finnish Ceramics
By Emma Crichton-Miller
Ruth Duckworth:True to Form
“The Ruth I knew was someonefiercely independent about herwork, who knew what she wantedto do and had the confidence to do it… I don’t believe artistscan become great artists if they don’t believe in themselves. Ruth believed in herself.”
Thea BurgerRuth Duckworth Memorial ServiceDecember 4, 2009
“I am quite sure that as an influence on pottery worldwideRuth Duckworth is of the greatestimportance. She influenced and leda whole generation of post-warceramic artists in Britain – HansCoper, Gordon Baldwin, Ian Auld,Gillian Lowndes, All Wallwork, Dan Arbeid and many others. All acknowledge their debt to her, especially for freeing themfrom tradition.”
Birks, Tony. kerameiki techni: International
Ceramic Art Review (1998): 48-49.
“Form is so much more important to me than color,” says Duckworth.
Ruth Lopez, “At 82, a Sculptor Remains True to Form (and to Energy),” The New York Times, January 3, 2002.
“Ruth Duckworth does not care to explain her work.Her ceramic sculptures are not representations. Nor does she seek meanings or justifications forthem in her personal history. She prefers viewers to develop their own interpretations… Has she tempered her scale over the years, as Agnes Martinhas by reducing her canvases because that’s whatshe can comfortably move herself? Duckworthscoffs: ‘That’s what you have assistants for, they’revery useful to move things,’ She adds, ‘I’m smaller,but my work’s not.”
Koplos, Janet. “Sources of Inspiration: The potter Ruth Duckworthdiscusses her life and work with Janet Koplos.” International Crafts
Magazine September/October (1999): 46.
21
22
Duckworth an adventurous and restless creator once said: “I would like to learn to scuba dive… to go down into that dark depth.”
The Times, London, UK, November 6, 2009
“My aim is direct, not to be new or shocking or provoke mystery,but rather to make the viewer feel good. I would say overall my works are meditative with a healing quality,” says Duckworth.
Brook Mason, “Artist’s Interview, Ruth Duckworth at 80,” The Art Newspaper, 68, May 1999, 92.
[Duckworth recalls]“One night … I was looking at the stars. Suddenly, I saw them not only beside each other, butbefore and behind one another, truly three dimensional. It almostpushed me into the ground, I became so small. But it was magnificent and awe-inspiring—the distances were staggering.”
McTwigan, Michael. “Ruth Duckworth.”American Ceramics 10/2 (1992): 20.
23
Ruth Duckworth, a sculptor in clay and bronze,
died on October 18, 2009 in Chicago at
the age of 90. A refugee from Nazi Germany,
she studied in England, where she was influ-
enced by Barbara Hepworth, Isamu Noguchi,
Lucie Rie among others. These influences made
her a pioneer in the development of sculptural and
nonfunctional ceramics in the United States. She
served on the faculty of the University of Chicago
from 1964–1977. She remained in the city
converting an old pickle factory into her studio
and loft. She is known for her large ceramic
murals, major bronze sculptures, as well
as smaller abstract ceramic pieces. A major
retrospective of her work, Ruth Duckworth,
Modernist Sculptor toured the country showing
at the Renwick Gallery in 2006-2007.
Brenda Erickson, Board Member
James Renwick Alliance
JRA Newsletter, November 2009
Ruth Duckworth’s artwork is represented at SOFA NEW YORK 2010 by Thea Burger
Time Present, Time FutureBy Emmanuel Cooper
A.
Time present and time pastAre both perhaps present in time future,And time future contained in time past.T.S. E l io t
When the Jesuit missionary Père Francois Xavier
d’Entrecolles1 wrote a vivid, first-hand account
of the manufacture of the ‘beautiful porcelain’ in
the city of Jingdezhen in China during the first
quarter of the eighteenth century, his closely
observed and detailed description of its manu-
facture helped fuel the popular interest in all
things Chinese in the West. More recently, the
invasion of (part of) the Terra Cotta Army at
London’s British Museum2 has added a further
dimension to understanding the power and force
of the ceramics of this artistically enterprising and
technologically accomplished country. Little wonder,
then, that so many people, and in particular
potters, continue to fall under its spell.
In August 2006 Felicity Aylieff arrived for a six
month residency in Jingdezhen, no starry-eyed
orientalist but with a specific project to make a
series of large, two metre high vessels. Calling
on her previous experience of, and success in,
handling large-scale objects, contact was made
with a family business that specialized in making
tall pots made from thrown sections that were
joined together to form one unified shape. To her
surprise, she discovered that these were made
by two potters working together throwing each
section very thickly. When bone dry, these were
luted together with slip and the entire outside
surface turned to the required shape.
The method she saw closely echoed that
described so diligently by the intrepid observer
Père d’Entrecolles; ‘The large objects of porcelain
are made in two pieces; one half is lifted on the
wheel by three or four men, who support it on
each side while it is being shaped; the other half,
which is almost dry, is put on to it, and they join the
two together with the same porcelain materials
diluted with water, which serves as a sort of mortar
or glue. When these pieces, so glued, are quite
dry the seam or join is polished inside and outside
with a tool, so that, with the help of the glaze, no
inequality is left. In this way, too, they put handles,
ears, and other pieces on to vases.’ Ambitiously,
Aylieff wanted even more large-sized vessels,
some with up to six sections.
The vessels Aylieff had in mind were tall and
cylindrical, some straight sided, some gently
swelling, others articulated by emphasizing the
joins of the different sections while some had a
shoulder to create a more bottle-like form. To
achieve maximum visual impact, all had to be at
least three metres tall when made, taking into
account the fact that the extraordinary porcelain
body contracted dramatically during firing.
Although she had a clear idea of the sort of forms
she wanted, these often had to be modified to deal
with the practical restraints imposed by the clay
and the shapes the potters were able to make.
As the pieces were assembled it was clearly fasci-
nating to see the final silhouette emerge as the
outside was turned, like a sculptor chipping
away stone or carving wood to reveal the form
beneath. The thick-walled throwing and heavy
turning was a testament to a clay body that,
while dictating its own limitations, could be
worked once its idiosyncrasies were accepted.
When decorating the forms, in theory, Aylieff
was able to exert more control but the scale
and absorbent, raw surface limited possibilities.
Preparation and research was extensive, for she
wanted to explore a variety of methods, ranging
from painting, low relief carving and linear deco-
ration to transfer printing. Aware of the long tradi-
tion of Chinese blue and white decoration, Aylieff
felt free to borrow the technique but use it in her
own way. The discovery of a supplier of beautiful,
hand-made Chinese calligraphy brushes provided
the necessary tools to approach the vast pieces
with confidence. After many tests of colours and
glazes, she settled for traditional mixtures of iron
and cobalt, which imparted a soft, muted, inky
blue – a dark blue-black – under a clear glaze.
Once the physical challenge of working on such
large vessels had been solved, Aylieff sought to
use the brush marks expressively, letting her hand
rove across and around the surface, avoiding
anything that looked representative or too self-
conscious. The process and the resulting marks
have much in common with the approach of
Tachiste artists who wanted the pigment to flow
directly from the unconscious, unthinking part of
the brain. On some pieces the result is a fluttering,
loose pattern of abstract, multi-layered marks
covering the surface that intensify awareness of
it while remaining fully in keeping with the form and
its scale. In the vessel Chasing Black, the brush
strokes build up an almost three-dimensional
effect of depth as they move over and around
the classic form.
A.
Felicity Aylieff
Hú Dié Jì Jié –
Butterfly Season, 2006
glazed porcelain,
onglaze enamel transfer
88.5 x 22.5 x 22.5
B.
Chasing Red, 2006
glazed porcelain,
cobalt and iron oxide,
onglaze enamel
76 x 26.25 x 26.25
C.
Three Brushes (left), 2007
glazed porcelain,
cobalt and iron oxide
73.75 x 25.75 x 25.75
C.
B.
25
D.
26
On other pieces, such as Three Brushes, the
marks of the brush are more wild and assertive,
the pigment more thickly applied so that it almost
seems to bite into the surface. The gently swelling,
slightly shouldered form is almost obliterated
by the broad cobalt and iron brush strokes that
virtually cover the entire surface. This is an artist
attacking the clay to bring it under control while,
paradoxically, liberating it from its formal constraints,
setting up a tension between form and surface
while creating an integrated whole. On the piece,
Chasing Red, Aylieff painted scarlet red enamel
decoration over the cobalt and iron underglaze
with the same sense of freedom. The brush-
strokes flicker and shift over the surface, the
marks subtly capturing the essence of form.
On other forms Aylieff has adopted a more
ordered approach, with the broad, energetic
brushstrokes following and intensifying their
structure. In pieces such as Chinese Ladders and
Fu Ru Dong Hai Shou Bi Nan Shan: Abundance
and Prosperity like the East Sea, Longevity like
Nan Mountain, take on a more architectural,
tower-like quality both in the form, in which one
section appears to grow out of another, and in the
assertive, defining brushstrokes. By heightening
awareness of the articulated form, Aylieff has
created a pattern-like quality that emphasizes both
the structure of the container and its surface.
In contrast to this Expressionist approach, some
pieces make effective use of the thick walls for
carved, low-relief decoration. To this end Aylieff
made a series of meticulous drawings of flowers
and plants, which were cut up and reassembled,
examined, photocopied and morphed together
to investigate decorative possibilities. Eventually
these were simplified into a design of multi-layered
natural forms that were intended to cover the
entire surface. Carving into the resilient porcelain
proved a challenge, but the outcome is light and
delicate. On some pieces, to add a further layer
of visual interest, stenciled linear designs were
added. In Lian Hua: Lotus Flowers, the abstract
elongated lotus leaf appears to move into and
out of the surface, which is further heightened
by delicate blue transfers. From a distance the
forms take on a soft texture, and it is only on
close inspection that the detail of the low relief
carving can be seen.
The paradoxes that Aylieff investigates so subtly in
these vessels – between tradition and innovation,
the floral and the abstract, precision and freedom –
is explored differently in Hú Dié Jì Jié – Butterfly
Season. This almost straight-sided cylindrical
form is turned into a summer celebration by
the addition of hundreds of brilliantly coloured
butterflies in blues, reds, pinks and greens that
flutter gracefully over the surface, a symbolic
expression of release and liberation. Crowded
and life-size at the base, they become smaller
as they move up the form, suggesting they are
flying away, freed to enjoy their short lives.
During a break in the making, Aylieff took time
off to visit Shanghai and the Museum of Quin
Terra Cotta Warriors and Horses Army in Xian,
where she, like other visitors, marveled at the
sheer scale of the enterprise and, despite their
apparent similarity, the individuality of each of the
figures. Unknowingly, the visit may have prompted
her to make four large vessels with shoulders,
which she describes as ‘a bit like a row of soldiers’,
an impression that all these tall figurative-like
vessel forms possess. The twelve vessels, majestic
and assured, are clearly members of the same
distinctive family but consist of unique individuals.
Subtly and quietly, to quote T.S. Eliot, they embody
time past, time present and time future.
1Père Francois Xavier d'Entrecolles, 1664 to 1741, wasa Jesuit missionary who traveled to China in 1698,where he studied some of the secrets of porcelain man-ufacture. His letters, written in 1712 and 1722 wereamongst the first accounts available in the West onChinese porcelain and helped to fuel the Europeancraze for porcelain and the search for its formula.
2The First Emperor: China’s Terracotta Army, BritishMuseum, London
Emmanuel Cooper is a potter, editor of Ceramic Review
and Visiting Professor at the Royal College of Art. He iscurrently working on a biography of the potter Lucie Rie.
Published in conjunction with Clare Beck at AdrianSassoon’s exhibition at SOFA NEW YORK 2010 andthe lecture Felicity Aylieff: OUT OF CHINA Monumental
Porcelain.
D.
Lian Hua: Lotus Flowers, 2006
carved porcelain, underglaze
blue transfers, selected
areas of glaze
88.5 x 22 x 22
E.
Chinese Ladders, 2007
glazed porcelain, ‘modern blue’
cobalt oxide
118 inches high
F.
Bo Yang Hu - Bo Yang Lake, 2006
thrown porcelain with under-glaze
blue transfers and selected areas
of glaze
88.75 x 22.5
F.
E.
27
Finnish Ceramics Kati Tuominen-NittyläKristina RiskaKirsi KivivirtaPekka Paikkar
By Emma Crichton-Miller
A.
A.
Pekka Paikkari
Protection, 2009
ceramic, bricks
and mixed media
59.5 x 46
B.
Kirsi Kivivirta
Brown Bowl I, 2008
stoneware
18.5 x 18.5 B.
The four artists brought together in Galerie
Besson’s SOFA NEW YORK exhibition represent
the pinnacle of contemporary Finnish ceramics.
All are well known both in Finland and abroad,
with many national and international honours
to their names. At the peak of their powers,
technically and creatively, they have forged out
of a common cultural inheritance, unequivocally
individual styles that speak to their own particular
concerns. At the same time—however, their
pieces vary widely in scale, texture and sources
of inspiration, encompassing vessel forms, wall
pieces and free-standing sculpture—there is an
underlying sensibility that they share.
These similarities are partly explained by education
– three of the artists (Kati Tuominen-Niittylä,
Kristina Riska, and Kirsi Kivivirta) studied at
the renowned University of Art and Design in
Helsinki. In addition, there is a shared attachment
to the particular landscape of Finland, and to its
difficult history wedged between the empires of
Sweden and Russia. All four revel in the natural
properties of their chosen material, eschewing
highly coloured glazes in preference either for
the colours of the clay body itself, or for natural
pigments and metallic oxides. These subtly various
creams and ochres, terracottas, blacks and rusts,
echo back and forth, suggesting imaginations
attuned to the restricted palette of the Finnish
countryside and to the limited materials – wood,
clay, wool, bone, paper – readily available. In
the ethereal, thin yellow light of the north, small
contrasts become magnified – the black and
white of birch bark, the blue of water beneath
the ice, wood or brick buildings in the snow,
the soft green of islands in vast blue lakes.
Three of the four artists (Kati Tuominen-Niittylä,
Kristina Riska and Pekka Paikkari) also work in
adjacent studios in the legendary Arabia Art
Department. Since 1937, high up on the ninth
floor of the Arabia (today Iittala) Factory Building
in Helsinki, select ceramic artists have been
invited to set up shop, simultaneously designing
pieces for manufacture and making unique, one-off
works. This respect for individual creativity has
been a cornerstone of Finland’s strong design
tradition, and has enabled these artists to move
freely between functional and non-functional
forms, between designing products to please
many and creating single pieces that allow them
fully to express themselves.
B.
29
For Kati Tuominen-Niittylä, a common thread in
all her work is simplicity. Her lovely forms are
inspired by the archetypal shapes of buckets,
sieves, bowls and baskets still found on some
farms, with solid, flat, bottoms and rounded
handles. Her high-fired, often coarse stoneware
clay, either thrown or hand-built, appears almost
geological. And yet the surfaces, patinated with
colouring oxides or carved with tools, revel in a
sophisticated interplay of colours and textures.
In Kristina Riska’s large-scale, hand-built forms
the highly expressive surfaces are matched by the
dynamism of the material itself. Her large vessels
echo back through time and place, recalling archaic
pots or carved out boats, while her pierced and
interwoven abstract pieces seem inspired as
much by the contemporary architecture of the
city as by more primitive dwellings. Architecture
inspires Kirsi Kivivirta’s work, also, both as context
and as subject matter. Her gentle ceramic surfaces
and mosaics, which play with simple, geometric
or organic shapes, enlivened by many small
variations in colour, shape and structure, hesitate
between abstraction and simple formalism. Her
Chamber series engages more directly with
illusion, and the pictorial potential of clay.
Haunted by pots, their long history and powerful
symbolism, Pekka Paikkari finds a different
creative freedom in his own wall and floor pieces.
Unapologetically a sculptor, Paikkari embraces
the accidents and raw facts of his profession,
leaving the marks of hands and tools on his clay,
working with, rather than against the uncontrol-
lable transformations of the kiln. Firing is the
dramatic process that gives birth to his cracked
and singed pieces, which sometimes incorporate
bricks and other building materials, as though
already freighted with history. This is ceramic art
as archaeology, resonant with time and place.
Emma Crichton-Miller is a freelance writer and journalist,who writes about the arts, craft and design. Her articlesappear regularly in the Financial Times, The
International Herald Tribune, Crafts Magazine andProspect Magazine, among other publications.
This essay was originally published in the catalogue for the ‘Ceramics from Finland’ exhibition at GalerieBesson, September 2009. Reprinted with permission inconjunction with Galerie Besson’s SOFA NEW YORK2010 exhibition.
C.
C.
D.
30
C.
Kati Tuominen-Nittylä
Rauta-aika III/3, 2009
stoneware
12.5 x 17.75 x 18
D.
Kati Tuominen-Nittylä
Rauta-aika III/4, 2009
stoneware
12.75 x 17 x 15.5
E.
Kirsi Kivivirta
Chamber II, 2008
stoneware
12.5 x 16.75
F.
Kristina Riska
Ruukku, 2009
handbuilt stoneware
53 x 20.5 F.
E.
31
A singular introduction to new artists,new works. Dedicated spaces forone-person and themed shows on
the cutting-edge of concept, technique or materials
Presented by SOFA NEW YORK dealers in addition to their booth exhibits
34
35
Clare Beck at Adrian SassoonFelicity Aylieff
Xia KünChóng-Summer Insects II & III, 2008
thrown and glazed porcelain with over-glaze enamel transfers, 84.5 x 22
made by the artist in Jingdezhen, China
Oval Glacier Vessel, 2009
stoneware, 8 x 22 x 12
36
Lacoste GalleryAni Kasten
ANIMA: AEGLE brooch, 2009
silver, 4 x 5 x 2
photo: Rob Versluys Amsterdam
37
OrnamentumRuudt Peters
Ex
Exhibitor Information
hibitors
Bernd Munsteiner, Reflecting Perspectives: Suite, 2009
platinum, aquamarine, 2.75 x 2.75 x 1.25; 1 x .5 x .25
40
Aaron Faber Gallery
666 Fifth Avenue
New York, NY 10103
voice 212.586.8411
fax 212.582.0205
aaronfaber.com
20th and 21st century jewelry; special SOFA focus Working in Metal: Three Women
Staff: Edward S. Faber; Patricia Kiley Faber; Felice Salmon; Jerri Wellisch; Jesse Freed; Alex Gadilov; Holiday Anderson
Exhibiting:Glenda Arentzen
Margaret Barnaby
Marco Borghesi
Barbara Heinrich
Lucie Heskett-Brem
Sydney Lynch
Enric Majoral
Brooke Marks-Swanson
Bernd Munsteiner
Tom Munsteiner
Earl Pardon
Tod Pardon
So Young Park
Susan Kasson Sloan
Ginny Whitney
Michael Zobel/Peter Schmid
So Young Park, Pin/Pendant, 2009
oxidized sterling, garnet, peridot, smoky quartz, gold left, 3 x 3 x .25
41
Ira Sapir, Untitled [009-07], 2007
welded and painted steel, 30.5 x 22 x 7
42
Adamar Fine Arts
4141 NE 2nd Avenue
Suite 107
Miami, FL 33137
voice 305.576.1355
fax 305.576.1922
adamarfinearts.com
Contemporary fine art paintings, sculpture and installations by internationally recognized artists
Staff: Tamar Erdberg, owner/director; Adam Erdberg, owner
Exhibiting:Brad Howe
Tolla Inbar
Zammy Migdal
Gretchen Minnhaar
Julian Opie
Rene Rietmeyer
Marlene Rose
Ira Sapir
Luis Efe Velez
Bernar Venet
Marlene Rose, Zapp Anthropology Triptych, 2008
cast glass, steel, copper, 38 x 59 x 9
photo: David Monroe
43
Oriane Stender, $2 Flowers (Pink, White, Blue)dollars, paper, pigment, 6.75 x 6
44
Allan Stone Gallery
113 East 90th Street
New York, NY 10128
voice 212.813.6861
fax 212.343.9312
allanstonegallery.com
Masterpieces of modern applied arts: wood, ceramics, textiles, mixed media
Staff: Gil Shapiro, show director; Donald Wood-Smith and Michael Klein, assistant show directors;
Abby Athanasopoulos; Jessica May; Lindsey King
Exhibiting:Robert Arneson
David Beck
Dennis Clive
Barry Cohen
Dan Falt
David Gilhooly
Dorothy Grebenak
Richard Haden
Bruce Houston
Bernard Langlois
Robert Mallory
Wayne Nowak
Vladamir Salaman
Kathryn Sins
Oriane Stender
Phillip Sultz
Roy Superior
William Umbreit
Chris Unterseher
John Woodward
Bruce Houston, Stella Truck, 1989
wood, metal, gesso, acrylic paint, 36.25 x 21 x 2
45
Bernard Zondo and Jabu Nene (Ardmore Ceramic Art), Leopard Urn, 2009
hand-painted ceramic, 27 x 14 x 11
photo: Peter Murdock
46
Amaridian
31 Howard Street
New York, NY 10013
voice 917.463.3719
fax 917.463.3728
amaridianusa.com
Contemporary ceramic art, vessels and sculpture from Sub-Saharan Africa
Staff: Fraser Conlon; Christiana Masucci; Alena Marajh; Robert Selby
Exhibiting:Ardmore Ceramic Art
Astrid Dahl
Katherine Glenday
Astrid Dahl, Dendrobium I and II, 2009
earthenware, 34 x 12 x 16
photo: Peter Murdock
47
Jim Rose, Housetop Quilt Cupboard, 2010
steel, natural rust patina, found colored panels, 31 x 72 x 14
48
Ann Nathan Gallery
212 West Superior Street
Chicago, IL 60654
voice 312.664.6622
fax 312.664.9392
annnathangallery.com
Contemporary figurative and realist painting, sculpture, and artist-made furniture by established and emerging artists
Staff: Ann Nathan, owner/director; Victor Armendariz, assistant director;
Jan Pieter Fokkens, preparator; Shannon Bonifas, gallery assistant
Exhibiting:Pavel Amromin
Mary Borgman
Gordon Chandler
Cristina Cordova
Michael Gross
Peter Hayes
Chris Hill
Jesus Curia Perez
Jim Rose
John Tuccillo
Jerilyn Virden
Cristina Cordova, Al Vientoceramic, resin, casein, varnish, concrete, metal, 59 x 29 x 13
49
Yui Higashibata, Awahana, 2007
Japanese lacquer on wood
photo: Hideto Nagatsuka
50
Art Front Gallery
Hillside Terrace A
29-18 Sarugaku-
Cho Shibuya-Ku, Tokyo 1500033
Japan
voice 81.3.3476.4868
fax 81.3.3476.4874
artfrontgraphics.com
Japanese contemporary and modern
Staff: Toshiyuki Fujimoto, director; Ei Okuno; Toshio Kondo; Yasunari Kumamgai
Exhibiting:Yui Higashibata
Niyoko Ikuta
Hironori Katagiri
Masatake Kozaki
Akira Nagasawa
Takuo Nakamura
Hiroshi Onishi
Takehiko Sugawara
Hironori Katagiri, Sleeping Heart, 2007
stone (Miyagi basalt), 15 x 13.5 x 2.5
photo: Shinichi Mori
51
Massimo Lunardon, Esseri, 2009
mirrored glass, installation, various sizes
photo: Francesco Allegretto
52
Berengo Studio 1989
Fondamenta Vetrai 109/A
Murano, Venice 30141
Italy
voice 39.041.739.453
fax 39.041.527.6588
berengo.com
Berengo Collection
Calle Larga San Marco 412/413
Venice 30124
Italy
voice 39.041.241.0763
fax 39.041.241.9456
ESQ Hiroo 2F
5-10-37, Minami-azabu
Minato-ku, Tokyo 106-0047
Japan
20th century glass has always been regarded as merely decorative, Berengo’s
vision of uniting artists with glass elevates it to the major medium it is today
Staff: Adriano Berengo, president; Marco Berengo, director; Elena Cimenti, sales
Exhibiting:Luigi Benzoni
Pino Castagna
Leonardo Cimolin
Massimo Lunardon
Silvano Rubino
Andrea Salvador
Silvano Signoretto
Wouter Stips
Leonardo Cimolin, physalia physalis - Medusa assassina, 2009
glass, 53 x 66 x 69
photo: Cristina Culetto
53
Les Namingha, Composition 1a, 2009
acrylic on clay, 8 x 7.5
54
Blue Rain Gallery
130 Lincoln Avenue
Suite C
Santa Fe, NM 87501
voice 505.954.9902
blueraingallery.com
Staff: Leroy Garcia, owner; Peter Stoessel, executive director; Denise Phetteplace, director
Exhibiting:Tony Abeyta
Rik Allen
Tammy Garcia
Shelley Muzylowski Allen
Les Namingha
Maria Samora
Preston Singletary
Richard Zane Smith
Rik Allen, Providence, 2009
glass, silver, steel, 29 x 11 x 11
photo: Peter Kuhnlein
55
Ritzi Jacobi, Floating Matter, 2009
cotton cables, acrylic paint on canvas, 53.5 x 53.5 x 4.75
56
browngrotta arts
Wilton, CT
voice 203.834.0623
fax 203.762.5981
browngrotta.com
Focusing on art textiles and fiber sculpture for more than 22 years
Staff: Rhonda Brown and Tom Grotta, co-curators; Roberta Condos, gallery associate
Exhibiting:Adela Akers
Dona Anderson
Jeanine Anderson
Jane Balsgaard
Jo Barker
Dorothy Gill Barnes
Caroline Bartlett
Dail Behennah
Nancy Moore Bess
Marian Bijlenga
Sara Brennan
Jan Buckman
Pat Campbell
Gali Cnaani-Sherman
Lia Cook
Chris Drury
Lizzie Farey
Ceca Georgieva
Mary Giles
Linda Green
Françoise Grossen
Norie Hatekayama
Ane Henricksen
Maggie Henton
Helena Hernmarck
Marion Hildebrandt
Agneta Hobin
Kazue Honma
Kate Hunt
Matsumi Iwasaki
Kiyomi Iwata
Ritzi Jacobi
Kristin Jónsdóttir
Christine Joy
Virginia Kaiser
Glen Kaufman
Ruth Kaufmann
Tamiko Kawata
Anda Klancic
Lewis Knauss
Masakazu Kobayashi
Naomi Kobayashi
Nancy Koenigsberg
Yasuhisa Kohyama
Irina Kolesnikova
Markku Kosonen
Lilla Kulka
Kyoko Kumai
Lawrence LaBianca
Gyöngy Laky
Sue Lawty
Jennifer Falck Linssen
Ase Ljones
Astrid Løvaas
Dawn MacNutt
Ruth Malinowski
Dani Marti
Mary Merkel-Hess
Norma Minkowitz
Judy Mulford
Keiji Nio
Mia Olsson
Simone Pheulpin
Valerie Pragnell
Ed Rossbach
Scott Rothstein
Mariette Rousseau-
Vermette
Axel Russmeyer
Debra Sachs
Heidrun Schimmel
Toshio Sekiji
Hisako Sekijima
Kay Sekimachi
Sylvia Seventy
Young-ok Shin
Hiroyuki Shindo
Karyl Sisson
Britt Smelvær
Jin-Sook So
Grethe Sørenson
Ethel Stein
Kari Stiansen
Aleksandra Stoyanov
Noriko Takamiya
Chiyoko Tanaka
Hideho Tanaka
Tsuruko Tanikawa
Blair Tate
Lenore Tawney
Jun Tomita
Deborah Valoma
Claude Vermette
Ulla-Maija Vikman
Kristen Wagle
Wendy Wahl
Lena McGrath Welker
Katherine Westphal
Merja Winqvist
Chang Yeonsoon
Jiro Yonezawa
Masako Yoshida
Carolina Yrarrázaval
Norma Minkowitz, Lady Birds, 2010
mixed media
photo: Tom Grotta
57
Kait Rhoads, Sideweed, 2009
blown glass hollow murrine woven with copper on steel wall mount, 16 x 26 x 15
photo: Robert Vinnedge
58
Chappell Gallery
526 West 26th Street
Suite 306
New York, NY 10001
voice 917.414.4755
chappellgallery.com
Contemporary glass sculpture
Staff: Alice M. Chappell, director
Exhibiting:Mary Ann Babula
Alex Gabriel Bernstein
Toshio Iezumi
Kait Rhoads
Takeshi Sano
Youko Sano
Naomi Shioya
Ethan Stern
Sasha Zhitneva
Alex Gabriel Bernstein, Blue Wing Disc, 2010
carved glass, 14 x 14 x 2.5
photo: Steve Mann
59
Stefano Marchetti, Necklace, 2009
silver, gold
60
Charon Kransen Arts
By Appointment Only
817 West End Avenue, Suite 11C
New York, NY 10025
voice 212.627.5073
fax 212.663.9026
charonkransenarts.com
Contemporary innovative jewelry and objects from around the world
Staff: Adam Brown; Lisa Granovsky; Charon Kransen
Exhibiting:Efharis Alepedis
Alidra Andre de la Porte
Ralph Bakker
Michael Becker
Liv Blavarp
Julie Blyfield
Sophie Bouduban
Florian Buddeberg
Anton Cepka
Yu Chun Chen
Moon Choonsun
Lena Christensen
Giovanni Corvaja
Annemie De Corte
Simon Cottrell
Ramon Puig Cuyas
Jaclyn Davidson
Saskia Detering
Daniel Di Caprio
Babette von Dohnanyi
Sina Emrich
Anna Frohn
Willemijn de Greef
Birgit Hagmann
Sophie Hanagarth
Anna Heindl
Mirjam Hiller
Marian Hosking
Reiko Ishiyama
Hilde Janich
Andrea Janosik
Mette Jensen
Eun Yeong Jeong
Meghann Jones
Machteld van Joolingen
Lisa Juen
Junwon Jung
Yeonmi Kang
Masumi Kataoka
Martin Kaufmann
Ulla Kaufmann
Jimin Kim
Christiane Koehne
Yael Krakowski
Gail Leavitt
Dongchun Lee
Felieke van der Leest
Nicole Lehmann
Kathrine Lindman
Nel Linssen
Susanna Loew
Robert Longyear
Sim Luttin
Peter Machata
Stefano Marchetti
Vicki Mason
Sharon Massey
Leslie Matthews
Christine Matthias
Wendy McAllister
Timothy McMahon
Sonia Morel
Melanie Nuetzel
Carla Nuis
Angela O’Kelly
Daniela Osterrieder
Barbara Paganin
Young Bin Park
Liana Pattihis
Natalya Pinchuk
Jo Pond
Sarah Read
Zoe Robertson
Anthony Roussel
Jackie Ryan
Lucy Sarneel
Isabell Schaupp
Marjorie Schick
Claude Schmitz
Karin Seufert
Debbie Sheezel
Roos van Soest
Elena Spano
Barbara Stutman
Janna Syvanoja
Salima Thakker
Joanne Thompson
Henriette Tomasi
Silke Trekel
Fabrizio Tridenti
Catherine Truman
Chang-Ting Tsai
Flora Vagi
Christel Van Der Laan
Lilli Veers
Peter Vermandere
Karin Wagner
Julia Walter
Yasunori Watanuki
Caroline Weiss
Francis Willemstijn
Jasmin Winter
Susanne Wolbers
Jung-Gyu Yi
Annamaria Zanella
Robert Longyear, Brooch Insular Eights, 2009
silver, steel, copper, insulation, romance novel pages, wax
61
John Garrett, Sand Man Diptych, 2010
mixed media, 24.5 x 26 inches overall
62
Chiaroscuro Contemporary Art
702 1/2 Canyon Road
Santa Fe, NM 87501
voice 505.992.0711
fax 505.992.0387
chiaroscurosantafe.com
Contemporary abstraction and contemporary Native American art in all media
Staff: John Addison, director
Exhibiting:Seth Anderson
Rebecca Bluestone
Ernst Gamperl
John Garrett
Kay Khan
Tracy Krumm
Chad Manley
Flo Perkins
Kay Khan, Talisman, 2009
silk, cotton, paper on hard hat, 28 x 15 x 12
photo: Wendy McEahern
63
Kate Malone, A Merry-Go-Round Gourd of Fruits and Seeds, 2010
crystalline-glazed stoneware, 22 x 14.25
64
Clare Beck at Adrian Sassoon
By Appointment Only
14 Rutland Gate
London SW7 1BB
United Kingdom
voice 44.20.7581.9888
fax 44.20.7823.8473
adriansassoon.com
Contemporary British studio ceramics, glass, silver and jewelry
Staff: Clare Beck; Adrian Sassoon; Andrew Wicks
Exhibiting:Felicity Aylieff
Michael Eden
Angela Jarman
Chris Knight
Kate Malone
Junko Mori
Adam Paxon
Colin Reid
Bruno Romanelli
Rupert Spira
Julian Stair
Hiroshi Suzuki
Rachael Woodman
Udo Zembok
Hiroshi Suzuki, Earth-Reki III, 2009
hammer-raised and chased fine silver 999, 15.75 x 15
65
Abby Modell, Rock Ice, 2009
blown glass, cut and polished, limestone base, 25.75 x 15
photo: Fred Marcus Photography
66
Clark Priftis Art LLC
By Appointment Only
New York, NY & Baltimore, MD
voice 917.647.6835
fax 212.877.0096
clarkpriftisart.com
A comprehensive fine art services firm representing luxury contemporary work
Staff: Ann Priftis, director; Ana Stjepanovic, deputy director
Exhibiting:Abby Modell
Abby Modell, Fractured Ice Bowl, 2009
blown glass, cut and polished, 15.5 x 11.5
photo: Fred Marcus Photography
67
Jean-Nicolas Gerard, Grand Plat Carré, 2008
slipware, 29.5 x 29.5
photo: Hervé Jezequel
68
Collection Ateliers d’Art de France
4 Rue de Thorigny
Paris 75003
France
voice 33.1.4278.6774
fax 33.1.4277.4201
ateliersdart.com
Contemporary French craft across a wide range of media
Staff: Anne-Laure Roussille
Exhibiting:Daphné Corregan
Jean-Nicolas Gerard
Daphné Corregan, Tête á Tête, 2009
stoneware, 13 x 7.75 x 10.25
photo: Gilles Suffren
69
Merete Rasmussen, Dark Double Loop, 2009
ceramic, 15.75 x 23.75 x 9.75
photo: Merete Rasmussen
70
Contemporary Applied Arts
2 Percy Street
London W1T 1DD
United Kingdom
voice 44.207.436.2344
fax 44.207.636.6269
caa.org.uk
Renowned for the best British applied arts for 60 years
Staff: Sarah Edwards, director
Exhibiting:Vladimir Bohm
Christie Brown
Helen Carnac
David Clarke
Katharine Coleman
Bob Crooks
Fiaz Elson
Sally Fawkes
Stephen Gillies
Katy Hackney
Kate Jones
Gabriele Koch
Jim Partridge
Ronald Pennell
Merete Rasmussen
Fiona Rutherford
Fiaz Elson, Obscure Clarity, 2010
glass, 15.75 x 2.5
photo: Simon Bruntnell
71
Dave Hicks, Raw Terra Cotta Composition, 2008
handbuilt, wheel thrown and extruded terra cotta, glaze, steel cable, 72 x 54 x 12
72
Cross Mackenzie Gallery
1054 31st Street NW Courtyard
Washington, DC 20007
voice 202.333.7970
crossmackenzie.com
Contemporary fine art ceramics
Staff: Rebecca Cross, owner/director; Max MacKenzie, partner
Exhibiting:Patrick Bermingham
Charles Birnbaum
Gary Erickson
Neil Forrest
Matthew Freitas
Jason Green
Chris Gustin
Dave Hicks
Jeff Irwin
Elizabeth Kendall
Maren Kloppmann
Tamara Laird
Walter McConnell
Lilianne Milgrom
Gregg Moore
Bret Price
Lars Westby
Diana Williams
Hyung Kyun Yoon
Michal Zehavi
Walter McConnell, A Theory of Everything: White Stupa, 2008
cast porcelain with crystalline glaze, 120 x 96
photo: Kevin Sizemore
73
William Morris, Ryton with Drum, 1997
blown glass, 20 x 21 x 7.5
74
Donna Schneier Fine Arts
By Appointment Only
Palm Beach, FL &
Claverack, NY
voice 518.441.2884
Modern masters in ceramics, glass, fiber, metal and wood
Staff: Donna Schneier; Leonard Goldberg; Jesse Sadia; Barbara Packer
Exhibiting:Rudy Autio
Rick Beck
Dale Chihuly
Viola Frey
William Harper
Sidney Hutter
Beth Lipman
Michael Lucero
Dante Marioni
Joel Philip Myers
Michael Pavlik
Adrian Saxe
Richard Shaw
Paul Stankard
Lino Tagliapietra
Toshiko Takaezu
Bertil Vallien
Peter Voulkos
Steven Weinberg
Michael Lucero, Seahorse, 2005
ceramic with wool
75
Beverly Mayeri, Vanishing Species/Western Face, 2006
clay, acrylics, 33 x 22 x 8
photo: Lee Fatherree
76
Duane Reed Gallery
4729 McPherson Avenue
St. Louis, MO 63108
voice 314.361.4100
fax 314.361.4102
duanereedgallery.com
Contemporary painting, ceramics, glass and fiber by internationally recognized artists
Staff: Duane Reed; Daniel McGrath; Merrill Strauss; Glenn Scrivner
Exhibiting:Cassandria Blackmore
Paul Dresang
Kreg Kallenberger
Margaret Keelan
Sabrina Knowles
Jiyong Lee
Beverly Mayeri
Jenny Pohlman
Verushka Vagen
Jiyong Lee, Green Cuboid-Leaf Sample, 2009
acid-etched glass, 9.75 x 9 x 5
77
Gordon Chandler, Shorty Red/Rusty, 2009
scrap sheet metal, paint, 38 x 34
photo: Ferrin Gallery
78
Ferrin Gallery
437 North Street
Pittsfield, MA 01201
voice 413.442.1622
fax 413.442.1672
ferringallery.com
Contemporary art and sculpture in all media, specializing in ceramics
Staff: Leslie Ferrin; Donald Clark; Julia Dixon; Michael McCarthy
Exhibiting:Chris Antemann
Christa Assad
Gordon Chandler
Raymon Elozua
Lucy Feller
Gerit Grimm
Sergei Isupov
Myungjin Kim
Emmett Leader
Anne Lemanski
Gerardo Monterrubio
Kelly Garrett Rathbone
Mark Shapiro
Mara Superior
Jason Walker
Kurt Weiser
Red Weldon-Sandlin
Christa Assad, Transformer Teapot, 2010
wheel-thrown and constructed white stoneware, oxides, glaze, 14 x 11.5 x 4.25
photo: Tom Story
79
Steve McCurry, Afghan Girl, 1984
photograph
80
Frederic GOT Gallery
64 Rue Saint Louis en L’île
Paris 75004
France
voice 33.1.4326.1033
fax 33.1.4326.1033
artchic.com
Contemporary original painting and sculpture
Staff: Frederic Got, owner; Gabriel Eid, art consultant
Exhibiting:Gonzalez Bravo
Alain Gazier
Veronique Guerrieri
Jacques Lebescond
Steve McCurry
Samuel Salcedo
Andrei Zadorine
Jacques Lebescond, Biblos & Libris, 2009
bronze
81
Shozo Michikawa, Twisted Form, 2010
stoneware, kohiki glaze, 21 x 7.75
photo: Yoshinori Seguchi
82
Galerie Besson
15 Royal Arcade
28 Old Bond Street
London W1S 4SP
United Kingdom
voice 44.20.7491.1706
fax 44.20.7495.3203
galeriebesson.co.uk
International contemporary ceramics
Staff: Matthew Hall, manager; Tessa Campbell
Exhibiting:Sebastian Blackie
Neil Brownsword
Claudi Casanovas
Hans Coper
Deirdre Hawthorne
Kirsi Kivivirta
Pekka Paikkari
Lucie Rie
Kristina Riska
Alev Ebüzziya Siesbye
Kati Tuominen-Niittylä
Hans Coper, White Spade Form, c. 1965
stoneware, 9.5 inches high
photo: Alan Tabor
83
Jean Ives Gosti, Pierreux, 2008
bronze edition of 8 + 4 ap, 15 x 6 x 7
photo: Jan Landau
84
Galerie Van Der Planken
Riemstraat 12
Antwerp 2000
Belgium
voice 32.3233.5458
fax 32.3227.2068
galerievdp.be
Specializing in modern and contemporary art since 1990
Staff: Cedric Van der Planken, founder & CEO; Nathalie Descheemaecker, director
Exhibiting:Moris Gontard
Jean-Yves Gosti
Erwin Peeters
Reinhoud
Eduard van Giel
Pieter Vanden Daele
Erwin Peeters, Yawning Panther, 2010
bronze edition of 6 + 4 ap, 21 x 18 x 70
photo: Jan Landau
85
Lars Calmar, Untitled, 2009
ceramic
86
Galleri Udengaard
Stockflethsvej 12
Ebeltoft 8400
Denmark
voice 45.86.259.594
galleriudengaard.com
Contemporary fine art
Staff: Bruno Dahl, owner
Exhibiting:Lars Calmar
Ned Cantrell
Björn Ekegren
Keld Moseholm
Keld Moseholm, Untitled, 2009
bronze, stone
87
Yoshiaki Yuki, Asymmetric Screen, 2009
silver leaf, hemp, pigment on Japanese paper, 71 inches high with various widths
photo: Tamotsu Kawaguchi
88
gallery gen
47-09 36th Street
Long Island City, NY 11101
voice 718.392.7717
fax 718.392.7716
gallerygen.com
yoshiakiyuki.com
A broad spectrum of contemporary art from Japan
Staff: Shinya Ueda; Masahiko Tasaki; Isa Sumita
Exhibiting:Jun-ichi Arai
Yoshiaki Yuki
Yoshiaki Yuki, Regression, 2009
silver leaf, hemp, pigment, 78.75 x 144
photo: Tamotsu Kawaguchi
89
Oben Abright, Alexis, 2009
mold blown glass, oil paint, cement, 53.5 x 20 x 28.5
90
Habatat Galleries Chicago
222 West Superior Street
Chicago, IL 60654
voice 312.440.0288
fax 312.440.0207
habatatchicago.com
Specializing in the finest contemporary sculpture
Staff: Karen Echt, owner/director; Michael John Hofer, assistant director;
Emily Henry, gallery assistant; James DeNoyer, preparator
Exhibiting:Oben Abright
Matt Eskuche
Shayna Leib
Mira Maylor
Clifford Rainey
Kelly Garrett Rathbone
Youko Sano
Kelly Garrett Rathbone, Mountain, 2009
ceramic, glass, 26 x 10.25 x 10.5
91
Lino Tagliapietra, Maui, 2009
glass, 19.5 x 14 x 7
photo: Russell Johnson
92
Heller Gallery
420 West 14th Street
New York, NY 10014
voice 212.414.4014
fax 212.414.2636
hellergallery.com
Exhibiting sculpture using glass as a fine art medium since 1973
Staff: Douglas Heller; Katya Heller; Michael Heller
Exhibiting:Lino Tagliapietra
Lino Tagliapietra, Venice, 2005
glass, 27 x 15 x .5
photo: Francesco Barasciutt
93
Irina Zaytceva, Last Day of Summer, 2010
porcelain, overglaze, 24k gold lustre, 10 x 7 x 3
photo: Ross Stout
94
Jane Sauer Gallery
652 Canyon Road
Santa Fe, NM 87501
voice 505.995.8513
fax 505.995.8507
jsauergallery.com
At the forefront of innovation and excellence in a variety of media
Staff: Jane Sauer, owner/director; Jorden Nye, gallery manager; Richard Boyle, communications director
Exhibiting:Giles Bettison
Latchezar Boyadjiev
Shane Fero
Katherine Glover
Noel Hart
Jan Hopkins
Gugger Petter
Lesley Richmond
Toland Sand
Nancy Scheinman
Janice Vitkovsky
Irina Zaytceva
Katherine Glover, Fission, 2008
handmade Khadi paper, birch plywood, gold leaf, acrylic, 46 x 46 x 2
95
Koike Shôko, Shiro no Katachi (White Form), 2009
glazed stoneware, 22 x 31.5 x 23.75
photo: Saiki Taku
96
Joan B. Mirviss Ltd
39 East 78th Street
4th floor
New York, NY 10075
voice 212.799.4021
fax 212.721.5148
mirviss.com
Fine modern and contemporary Japanese ceramics
Staff: Joan B. Mirviss, president; Nami Dunham, operations manager; Antonia Santiago,
gallery coordinator; Rie Nakano, assistant for Japanese correspondence
Exhibiting:Akiyama Yô
Fukami Sueharu
Fukumoto Fuku
Futamura Yoshimi
Hoshino Kayoko
Hoshino Satoru
Kaneta Masanao
Katô Yasukage
Katsumata Chieko
Kawase Shinobu
Kishi Eiko
Koike Shôko
Kondô Takahiro
Mihara Ken
Mishima Kimiyo
Miyashita Zenji
Morino Taimei
Nagae Shigekazu
Nakamura Takuo
Nishihata Tadashi
Ogawa Machiko
Sakiyama Takayuki
Sakurai Yasuko
Sugiura Yasuyoshi
Takegoshi Jun
Wada Morihiro
Ogawa Machiko, Red vessel with linear motif, 2009
stoneware with iron oxide glaze, 10.25 x 17.5 x 19.75
photo: Richard Goodbody
97
Chien-Wei Chang, Wounded Soul in Healing Process, 2009
silver, felt, 7 x 10
photo: Michael Harvey
98
Joanna Bird Pottery
By Appointment Only
19 Grove Park Terrace
London W4 3QE
United Kingdom
voice 44.20.8995.9960
fax 44.20.8742.7752
joannabirdpottery.com
Works in clay, silver and glass by leading international artists as well as works by early pioneers in the field
Staff: Joanna Bird, owner; Camilla Webb Carter, assistant
Exhibiting:Jacob van der Beugel
Michael Cardew
Fernando Casasempere
Chien-Wei Chang
Carina Ciscato
Hans Coper
Pippin Drysdale
Elizabeth Fritsch
Sueharu Fukami
Shoji Hamada
Bernard Leach
William Marshall
Annie Turner
Fernando Casasempere, Primordial Cavern, 2009
ceramic, 26.5 x 28.5 x 19.5
photo: Michael Harvey
99
Ritsue Mishima, Spin, 2008
glass, 14 x 19 x 15.5
photo: Ritsue Mishima
100
Katie Jones
By Appointment Only
68 Elgin Mansions, Elgin Avenue
London W91JN
United Kingdom
voice 44.20.7289.1855
fax 44.20.7289.1855
katiejonesjapan.com
Japanese artists working in metal, glass, ceramics and textiles
Staff: Katie Jones, director; Lesley Mallyon
Exhibiting:Shihoko Fukumoto
Koji Hatakeyama
Hiroki Iwata
Toru Kaneko
Taizo Kuroda
Ritsue Mishima
Takeshi Mitsumoto
Yasuyuki Oyama
Ayumi Shigematsu
Jun Tomita
Koji Hatakeyama, Ten Faces, 2008
cast bronze, 7 x 8.5 x 8.5
photo: Koji Hatakeyama
101
Jon Kuhn and Paul Stankard, Stankuhn No. 11, 2009
laminated glass, 11.25 x 7 x 7
photo: Jackson Smith
102
Ken Saunders Gallery
230 West Superior Street
Chicago, IL 60654
voice 312.573.1400
fax 312.573.0575
kensaundersgallery.com
The most important artists working in glass in the world
Staff: Ken Saunders, director
Exhibiting:Jon Kuhn
Paul Stankard
Jon Kuhn and Paul Stankard, Stankuhn No. 12, 2009
laminated glass, 11.25 x 7 x 7
photo: Jackson Smith
103
Ani Kasten, Jetty, 2010
stoneware, porcelain, 25 x 8 x 4
104
Lacoste Gallery
25 Main Street
Concord, MA 01742
voice 978.369.0278
fax 978.369.3375
lacostegallery.com
Contemporary ceramics
Staff: Lucy Lacoste; Alinda Zawierucha
Exhibiting:Anne Currier
Karen Karnes
Ani Kasten
Margaret Keelan
Nancy MacKenzie
Warren MacKenzie
Don Reitz
Tim Rowan
Mark Shapiro
SunKoo Yuh
SunKoo Yuh, Tiger Rider’s Dream, 2010
glazed porcelain, 25 x 18 x 17
105
Jan Huling, Poopyhead, 2010
glass beads, mixed media, 15 x 5.5 x 4
106
Jan Huling, Dunny, 2006
glass beads, mixed media, 11.5 x 4 x 4
107
Lyons Wier Gallery
175 Seventh Avenue at 20th Street
New York, NY 10011
voice 212.242.6220
lyonswiergallery.com
Contemporary realism
Staff: Michael Lyons Wier; Deanne Shashoua, director;
Hans Wolf, director of Art Bazaar; Laura Berlin, assistant
Exhibiting:Jan Huling
Tim Shockley, Old Ties, 2009
lost wax bronze casting of neck ties with patina finish, copper and mahogany frame, 56 x 41 x 7
108
Maria Elena Kravetz
San Jerónimo 448
Cordoba X5000AGJ
Argentina
voice 54.351.422.1290
mariaelenakravetzgallery.com
Contemporary different art with an emphasis in Latin American expressions
Staff: María Elena Kravetz; Raúl Nisman; Belén Menaldi and Matias Alvarez, assistants
Exhibiting:Lina Amariglio Weiss
Nathan Bennett
Silvina Bottaro
Elizabeth Gavotti
Patricia Gotthilf
Ana Mazzoni
Maria Moreno
Milton Paz Montes
Carolina Rojas
Tim Shockley
Feyona Van Stom
Nancy Ziegler Nodelman
Feyona Van Stom, Golden Girl, 2009
raku fired ceramic, handbuilt, 21 x 12 x 11
109
Lina Amariglio Weiss, Pace in Space Necklace, 2009
18k gold, Rudraksha beads
110
Maria Elena Kravetz
Nathan Bennett, Unveiled, 2009
patinated bronze plate with hand-carved wooden frame, 17 x 11
111
Nancy Ziegler Nodelman, Continuum, 2009
tea bags, acrylic, 14 x 14
photo: Eric Swanson
112
Maria Elena Kravetz
Silvina Bottaro, The Promise, 2009
mixed media on canvas, 12 x 12
113
Bettina Terepins, Untitled, 2005
18k gold, amber, 2 x 1.75 x 1.75
photo: Almir Pastore
114
Mariana Magtaz
By Appointment Only
Rua Madalena 223
São Paulo SP 05434-090
Brazil
voice 55.11.3813.2459
gemologiaoniline.com.br
Contemporary Brazilian jewelry
Staff: Mariana Magtaz, owner/curator
Exhibiting:Willian Farias
Vivien Feistauer
Reny Golcman
Thais Guarnieri
Camila Lovisaro
Sonia Pasetti
Yael Sonia
Bettina Terepins
Sonia Pasetti, Virada, 2007
18k gold, diamonds, 5.25 x 3.5 x 3.5
photo: Almir Pastore
115
Thais Guarnieri, Passion Fruit Flower, 2010
silver, 3.75 x 3.75 x 0.5
photo: Almir Pastore
116
Mariana Magtaz
Vivien Feistauer, Origami, 2010
18k white gold, silver, diamond, green beryl, 2.25 x 1.25 x 0.75
photo: Almir Pastore
117
Willian Farias, Cone, 2003
18k gold, dendrite, 2 x 1 x 0.75
photo: Almir Pastore
118
Mariana Magtaz
Yael Sonia, Spinning Top Curve, 2005
18k gold, quartz, 1.25 x 2.5 x 0.75
photo: Almir Pastore
119
Camila Lovisaro, Cubos, 2007
silver, diamond, wood, 2 x 0.75 x 0.75
photo: Almir Pastore
120
Mariana Magtaz
Reny Golcman, Tongue, 2007
silver, quartz, 6 x 3.25 x 0.75
photo: Almir Pastore
121
George Nakashima, Conoid Bench, 1976
American black walnut, 36 x 24 x 87
photo: Michael J. Joniec
122
Moderne Gallery
111 North 3rd Street
Philadelphia, PA 19106
voice 215.923.8536
fax 215.923.8435
modernegallery.com
Vintage and contemporary craft/studio furniture, ceramics and turned wood
Staff: Robert Aibel, president; Joshua Aibel and Chris Aibel, sales associates; Michael Gruber, designer; Cynthia Tyng, manager
Exhibiting:Arthur Espenet Carpenter
Wendell Castle
Michael Coffey
David Ebner
Wharton Esherick
Ken Ferguson
Sam Maloof
Emil Milan
Ed Moulthrop
George Nakashima
Rude Osolnik
James Prestini
Paul Soldner
Bob Stocksdale
Toshiko Takaezu
Robert Turner
Peter Voulkos
Pamela Weir-Quiton
George Nakashima, Conoid End Table, 1964
American black walnut, 21 x 34 x 31
photo: Michael J. Joniec
123
Erica Rosenfeld, Fulton Street 1:30 am, 2009
fused glass, hot-worked glass tapestry, 24 x 36 x 1
photo: Erica Rosenfeld
124
Mostly Glass Gallery
34 Hidden Ledge Road
Englewood, NJ 07631
voice 201.816.1222
fax 201.503.9522
mostlyglass.com
Contemporary art, novel and technically challenging
Staff: Sami Harawi, owner; Marcia Lepore, associate; Michael Martz, director of operations
Exhibiting:Christine Barney
Mary Ellen Buxton
Mary Darwall
Miriam Di Fiore
Karen Flowers
Elizabeth Hopkins
Hildegund Ilkerl
Vlastislav Janacek
Gabrile Kuestner
Kevin Kutch
Marcia Lepore
Gabriele Malek
Jillian Molettiere
Martie Negri
Fabienne Picaud
Gateson Recko
Madelyn Ricks
Erica Rosenfeld
Alison Ruzsa
Ira Tiffen
Sharmini Wirasekara
Martie Negri, Silver Garden 8 installation, 2009
glass, blown, fused and cold-worked, 4 x 8.5 x 4
photo: Nick Saraco
125
Leon Bronstein, Juggling Love, 2007
bronze, 50 x 25 x 19
photo: Amnon Yaniv
126
Old City Caesarea Gallery
Caesarea Port
The Old City, PO Box 5367
Caesarea 38900
Israel
voice 972.4.626.0198
fax 972.4.636.0178
caesareaart.com
Staff: Betty Bronstein; Danny Bronstein; Ilana Gal
Exhibiting:Leon Bronstein
Ioan Iacob
Leo Ray
Sasha Serber
Leo Ray, Bypassers, 2009
oil on canvas, 40 x 30
photo: Amnon Yaniv
127
Susan Helmich, Pendant101.85 cts aquamarine cut by Bernd Munsteiner, 18k white and yellow gold, 0.72ctw micro pave diamonds
128
Oliver & Espig
1108 State Street
Santa Barbara, CA 93101
voice 805.962.8111
fax 805.962.7458
oliverandespig.com
Museum quality gems from the mines of the world set by award winning goldsmiths and platinumsmiths
Staff: Marcia Ribeiro; Marilia Ribeiro; Tielle Larson; Frank Cuykendall; Naomi Firestone
Exhibiting:Karen Arthur
Ingerid Ekeland
Glenn Manfred Espig
Judith Evans
Greg Franke
Michael Good
Josh Helmich
Susan Helmich
Claudia Kretchmer
Steven Kretchmer
Nancy Linkin
Bernd Munsteiner
Tom Munsteiner
Etienne Perret
George Sawyer
Konstantino Sioulas
Robert Wander
Phillip Youngman
Philip Zahm
Alex & Lee/Greg Franke, Nacre Nebula Broochnatural abalone pearl, carved opals, baroque pearls, geode, opaline, 3 x 1.5 x 0.5
129
Mel Munsen, Polychrome bowl form with stripes, 2008
oval wrinkled, fused and slumped glass, murrini techniques, 7 x 13
130
Option Art/Galerie Elca London
Option Art
By Appointment Only
Montreal, Quebec
Canada
voice 514.501.9440
option-art.ca
Galerie Elca London
224 St. Paul Street West
Montreal, Quebec H2Y 1Z9
Canada
voice 514.282.1173
elcalondon.com
Work by outstanding contemporary Canadian mixed media, craft and Inuit artists; established in 1985
Staff: Barbara Silverberg, director; Philip Silverberg, Mark London and Dale Barrett, assistants
Exhibiting:Kenojuak Ashevak
Janis Kerman
Jim Lorriman
Jay Macdonell
Mel Munsen
Nuna Parr
Susan Rankin
Axangayuk Shaa
Brendan Tang
Jim Thomson
Ashevak Tunnillie
Janis Kerman, Necklace (N573), 2009
sterling silver, agate, tourmaline, cultured pearl, white moonstone, carnelian, smoky quartz, rutilated quartz, citrine
131
Bahram Shabahang, River and Rocks, 2010
fiber, 120 x 168
132
Orley Shabahang
241 East 58th Street
New York, NY 10022
voice 212.421.5800
fax 212.421.5888
orleyshabahang.com
326 Peruvian Avenue
Palm Beach, FL 33480
voice 561.655.3371
fax 561.655.0037
223 East Silver Spring Drive
Whitefish Bay, WI 53217
voice 414.332.2486
fax 414.332.9121
By Appointment Only
5841 Wing Lake Road
Bloomfield Hills, MI 48301
voice 586.996.5800
Contemporary Persian carpets
Staff: Geoffrey Orley and Bahram Shabahang, owners; Ashleigh Gersh, director
Exhibiting:Bahram Shabahang
Bahram Shabahang, Vecindario, 2010
fiber, 92 x 124
133
Tanel Veenre, Raven Necklace, 2007
leg of deer, tuning pegs, onyx, silver, 6.25 x 5.75 x 1.25
photo: Tanel Veenre
134
Ornamentum
506.5 Warren Street
Hudson, NY 12534
voice 518.671.6770
fax 518.822.9819
ornamentumgallery.com
Contemporary international jewelry
Staff: Laura Lapachin; Stefan Friedemann
Exhibiting:Sara Borgegard
Helen Britton
Peter Chang
Gemma Draper
Sam Tho Duong
Iris Eichenberg
Ute Eitzenhoefer
Jantje Fleischhut
Maria Rosa Franzin
Caroline Gore
Hanna Hedman
Stefan Heuser
Idiots
John Iversen
Sergey Jivetin
Dan Jocz
Jiro Kamata
Jutta Klingebiel
Beate Klockmann
Helena Lehtinen
Eija Mustonen
Ted Noten
Ruudt Peters
Camilla Prasch
Mary Preston
Katja Prins
Gerd Rothmann
Philip Sajet
Constanze Schreiber
Giovanni Sicuro
Silke Spitzer
Claudia Stebler
Julia Turner
Tarja Tuupanen
Petra Zimmermann
Sam Tho Duong, Look Brooch, 2010
silver, freshwater pearls, nylon, 2 x 3.25 x 4
photo: Petra Jaschke
135
Marvin Lipofsky, California Loop Series #17, 1970
glass, 9 x 27 x 18
photo: M. Lee Fatherree
136
Schantz Galleries
3 Elm Street
Stockbridge, MA 01262
voice 413.298.3044
fax 413.298.3275
schantzgalleries.com
Contemporary art glass
Staff: Jim Schantz, owner/director; Kim Saul, owner/marketing director;
Stanley Wooley, sales associate; Francine Britton, gallery administrator
Exhibiting:Sidney Hutter
Marvin Lipofsky
Charlie Miner
Martin Rosol
Steven Weinberg
Marvin Lipofsky, California Color Series #22, 1986-2000
glass, 11 x 16 x 13
photo: M. Lee Fatherree
137
Nelise Ometto, Mandala III, 2006
acrylic and ceramic on canvas, 39.5 x 39.5
138
Sciacco Studio
Rua Dr. Renato Paes
de Barros, 142/64
Itaim Bibi
São Paulo SP 04530-000
Brazil
voice 55.11.9618.9615
201.838.9248
fax 55.11.3168.9891
sciaccostudio.com
The diversity and the possibilities of art through different techniques and mediums
Staff: Tania Sciacco and Daniel Sciacco, directors
Exhibiting:Patricia Bagniewski
Rita Biagi
Alina Fonteneau
Daniel Fontoura
Beth Jabur
Paulo Mendes Faria
Bel Miller
Laura Neves
Nelise Ometto
João Ribeiro
Vera Lília Rocha Loures
Virginia Sé
Vera Lília Rocha Loures, Araucaria, 2009
resin, 23 x 18.5 x 7.5
photo: Daniel Fontoura
139
Ann Wolff, Pool, 2009
glass, 22.5 x 29 x 3.5
140
Scott Jacobson Gallery
114 East 57th Street
New York, NY 10022
voice 212.872.1616
fax 212.872.1617
scottjacobsongallery.com
Representing established artists in contemporary glass sculpture and studio art furniture
Staff: Scott Jacobson; Eric Troolin
Exhibiting:Garry Knox Bennett
Yves Boucard
José Chardiet
Scott Chaseling
KéKé Cribbs
Dan Dailey
David Huchthausen
Richard Jolley
Kreg Kallenberger
Linda MacNeil
Seth Randal
Tommy Simpson
Jay Stanger
Michael Taylor
Mary Van Cline
Steven Weinberg
Ann Wolff
Dan Dailey, Birds with Sapphires, 2009
22 x 26 x 12.5 each
141
Tina Rath, Wanderlux (partial detail of installation), 2010
maple, African blackwood, ultrasuede, copper, enamel, sterling silver,
mink, silk, smoky quartz, pearls, 120 x 120 x 72
142
Sienna Gallery
80 Main Street
Lenox, MA 01240
voice 413.637.8386
siennagallery.com
Contemporary art + object, specializing in studio jewelry
Staff: Sienna Patti, director
Exhibiting:Giampaolo Babetto
Jamie Bennett
Melanie Bilenker
Lola Brooks
Raissa Bump
Noam Elyashiv
Lauren Fensterstock
Susie Ganch
Gesine Hackenberg
Arthur Hash
Lauren Kalman
Anya Kivarkis
Esther Knobel
Monika Krol
Daniel Kruger
Myra Mimlitsch-Gray
Seth Papac
Tina Rath
Barbara Seidenath
Bettina Speckner
Tracy Steepy
Johan van Aswegen
Sayumi Yokouchi
Gesine Hackenberg, Kitchen Glass Brooches from the Still Life Collection, 2010
cut and ground glass jars, ruthenium, plated alpaca, 3 x 2 x .3 each
143
Amy Orr, Lady Liberty, 2009
credit card mosaic, 22 x 15
photo: John Woodin
144
Snyderman-Works Galleries
303 Cherry Street
Philadelphia, PA 19106
voice 215.238.9576
fax 215.238.9351
snyderman-works.com
Contemporary fiber, ceramic, jewelry, glass, wood, studio furniture, painting and sculpture
Staff: Rick and Ruth Snyderman, proprietors; Bruce Hoffman, director; Kathryn Moran, assistant director;
Francis Hopson, director, Works Gallery; Michael Bukowski, preparator; Leeor Sabbah, associate, New York
Exhibiting:Lucy Arai
Ines Arndt
Mary Bero
Karin Birch
Yvonne Pacanovsky Bobrowicz
Ruth Borgenicht
Sonya Clark
Nancy Crow
Kate Cusack
Marcia Docter
Steven Ford
David Forlano
Lindsay Ketterer Gates
Pat Hickman
Alex Irvine
Ron Isaacs
Bernie Leahy
C. Pazia Mannella
Bruce Metcalf
Jon Eric Riis
Joyce Scott
Barbara Lee Smith
Eva Steinberg
Grethe Wittrock
Ruth Borgenicht, Mirrored Plazas, 2010
stoneware, 10.5 x 34 x 13
photo: Joseph Painter
145
Katsushiro Soho, Morning Glow in the Forest, 2005
nemagaridake bamboo, 17.5 x 13 x 12.5
photo: Gary Mankus
146
TAI Gallery
1601 B Paseo de Peralta
Santa Fe, NM 87501
voice 505.984.1387
fax 505.989.7770
taigallery.com
Contemporary Japanese photography, bamboo baskets and sculpture; rare and beautiful textiles
Staff: Robert T. Coffland; Everett Cole; Steve Halvorsen
Exhibiting:Abe Motoshi Kiraku
Fujinuma Noboru
Fujitsuka Shosei
Hatakeyama Seido
Hayakawa Shokosai V
Hirasawa Noboru
Honda Syoryu
Honma Hideaki
Honma Kazuaki
Naoki Honjo
Kajiwara Aya
Kajiwara Koho
Katsushiro Soho
Kawano Shoko
Kawashima Shigeo
Kibe Seiho
Mimura Chikuho
Monden Kogyoku
Morigami Jin
Nagakura Kenichi
Nakatomi Hajime
Masaru Tatsuki
Tanabe Takeo/Shochiku III
Seiju Toda
Shono Tokuzo
Sugita Jozan
Tanabe Mitsuko
Tanaka Kyokusho
Tanioka Shigeo
Torii Ippo
Yoshihiko Ueda
Ueno Masao
Yamaguchi Ryuun
Yako Hodo
Yufu Shohaku
Fujinuma Noboru, Gentle, 2008
madake bamboo, rattan, 14 x 11
photo: Gary Mankus
147
Elisabett Gudmann and Kirk H. Slaughter, We Three, 2010
bronze with patina, 28 x 12 x 12
148
ten472 Contemporary Art
By Appointment Only
Grass Valley &
San Francisco, CA
voice 707.484.2685
fax 707.484.2685
ten472.com
Contemporary art
Staff: Hanne Sorensen; Catherine Conlin; Elisabett Gudmann
Exhibiting:Gino
Elisabett Gudmann
Kirk H. Slaughter
Elisabett Gudmann, Urban Relic: red 9, 2009
acid etched copper panel with chemical patinas, 36 x 32 x 2
149
Olga de Amaral, Strata V, 2007
fiber, gold leaf, acrylic paint, 85 x 42
150
Thea Burger
By Appointment Only
39 Fifth Avenue, Suite 3B
New York, NY 10003
voice 802.234.6663
fax 802.234.6937
ruth-duckworth.com
Staff: Thea Burger, director; Caron Levis, assistant
Exhibiting:Olga de Amaral
Ruth Duckworth
Ruth Duckworth, Untitled #992110, 2009
porcelain, 26 x 38 x 6
photo: Guy Nicol
151
Malik Bulut, Abyss of the Dream, 2008
marble, 21.75 x 6 x 4.75
photo: Ali Konyali
152
Turkish Cultural Foundation
1025 Connecticut Avenue NW
Suite 1000
Washington, DC 20036
voice 202.370.1399
fax 202.370.1398
turkishculturalfoundation.org
Devoted to promoting and preserving Turkish culture, art and heritage
Staff: Carol Ann Jackson, Boston; Nurten Ural, Detroit; Hulya Yurtsever, Istanbul;
Bonnie Joy Kaslan, Sonoma; Guler Koknar, Washington, DC
Exhibiting:Malik Bulut
Emel Vardar
Ilker Yardimci
Yilmaz Zenger
Emel Vardar, Roses, 2009
bronze, 10.25 x 9 x 7.5
photo: Mufit Cirpanli
153
Ilker Yardimci, Infinite Column, 2007
wire, 12 x 12 x 71
photo: Celal Bayak
154
Turkish Cultural Foundation
Yilmaz Zenger, Attached to Istanbul, 2004
composite resin, 9.75 x 9.75 x 5 to 19.75 x 19.75 x 9.75
photo: Yilmaz Zenger
155
Jessica Lloyd-Jones, Untitled, 2009
glass, neon, 23 x 9.5 x 9.5
156
UrbanGlass
647 Fulton Street
Brooklyn, NY 11217
voice 718.625.3685
fax 718.625.3889
urbanglass.org
UrbanGlass fosters innovative art and advances glass as a creative medium
Staff: Dawn Bennett, executive director; Becki Melchione-Kapelusznik, associate director;
Kristin Solomon, associate development officer
Exhibiting:Deborah Faye Adler
Charlene Foster
Jessica Lloyd-Jones
Helene Safire
Melanie Ungvarsky
Melanie Ungvarsky, Earrings, 2009
kilnformed glass, patinized brass, sterling silver, 1.75 x .75 x .25
157
Valentin Magro, Nautical Delight, 2009
carved white coral, red coral, 18k yellow gold
158
Valentin Magro New York
42 West 48th Street
New York, NY 10036
voice 212.575.9044
fax 212.575.9045
valentinmagro.com
Exquisite craftsmanship in creating unique and whimsical designs in precious and semi precious metals and
Staff: Valentin Magro, director; Terry Magro, assistant director
Exhibiting:Valentin Magro
Valentin Magro, Under the Sea, 2005
citrine, peridot, diamonds, 18k yellow gold
photo: John Timen
159
Timothy Coleman, Blonde on Blondecurly English sycamore, Japanese oak, copper, 34 x 46 x 17
160
William Zimmer Gallery
PO Box 263
Mendocino, CA 95460
voice 707.937.5121
williamzimmergallery.com
Superior studio arts with an emphasis on studio furniture
Staff: William Zimmer and Lynette Zimmer, owners
Exhibiting:Bennett Bean
Timothy Coleman
John Dunnigan
Rebecca Gouldson
Tom Hucker
Silas Kopf
Tai Lake
Hiroki Morinoue
Brian Newell
Richard Scott Newman
Elizabeth Rand
Kent Townsend
Tai Lake, Significant Other Benchkoa and wenge woods, 32 x 66 x 23
161
Adam Aaronson, Inner World 01.10, 2010
furnace cast, laminated and hot fused glass with blown and cut inclusions, cold-worked, 7 x 2.75 x 2.75
photo: Corinne Alexander
162
Zest Contemporary Glass Gallery
Roxby Place (end of Rickett Street)
London SW6 1RS
United Kingdom
voice 44.20.7610.1900
fax 44.20.7610.3355
zestgallery.com
Established and emerging British contemporary glass artists
Staff: Corinne Alexander; Jenny Starr; Adam Aaronson
Exhibiting:Adam Aaronson
Alison Kinnaird MBE
Tolly Nason
Yoshiko Okada
Marion Sterner
Yoshiko Okada, Shifting Sands, 2008
kiln cast glass, 7.75 x 14 x 3
photo: Ester Segarra
163
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KAORI TATEBAYASHI JILL FANSHAWE KATO CHRIS KEENAN ROBERT DAWSON VALLAURIS BIENNALE
CERAMIC REVIEW 241 January/February 2010 35
or don’t fit into the system. I’m also working on some pieces aroundthe idea of home versus property. I’ll be making a piece called There’sNo Place Like Property. I’m feeling my way around these thoughts withthe work…yes that’s exactly what it feels like – I’ve just realised that asI wrote it!’
The work is defined by its hybridity. Loder is something of amagpie for such influences; ideas are triggered by adverts, books,words and sayings, even Elvis. It seems that her aesthetic positioningbetween child and adult has created an entire outlook from whichshe examines the world. Some works simply defy reason; others usehumour as an effective tool to comment on more complex, evensinister matters. The work is truly post-modern and yet it would beremiss of the viewer to forgo the aesthetic experience of the workin and of itself.
As for many artists working in this most traditional of genres, theeyes hold greatest significance. That Loder’s faces often avert their gazeis all the more compelling. We are drawn into their animated world,brush marks shifting across their surface, creating a transient feel as ifmore apparition than corporeal; akin to a thought flickering throughthe mind, an expression of the process of thinking itself. On both anexpressive and contextual level, Loder’s ceramics speak of the act ofreflection. They are contemplative and introverted and yet they promptus to recognise the absurdity of our predicament and perhaps thenaïvety with which we usually accept the nonsensical in life.
CERAMIC REVIEW 241 January/February 201034
The portrait captures a moment in time, suspends breath andemotion, whilst the subject of the portrait can get up and walkaway. This suspension affords the viewer more time to contemplateproperties, to ignore social etiquette and stare into the eyes ofstrangers. For the artist, it allows the space in which to create. It is their province, their territory to explore the impact of style ortechnique on the features of the human body. Some artists remainclosely aligned to reality, seeking accuracy of form and colour; otherspush the boundaries of representation to expose more than merevisual likeness and, as with Loder’s artwork, make comment on our relationship with the world around us.
HUMOUR There is simplicity to Loder’s work, a naïve quality thatallows her to comment on matters as if through innocent eyes. Herheads have been stretched out of proportion, their features shrunkand simplified and the brush marks which encircle their cheeks anddraw their mouths are still visible, creating an uneasy balance betweentwo and three dimensions. It is almost as if a child’s self-portrait hasbeen given form and stepped off the paper to take a better look aroundthe room. They are humorous and intriguing, possessing qualitiesboth childlike and mature that are difficult to distinguish from oneanother. The work sits awkwardly within the conventions of formalor academic painting and, indeed, the history of ceramic portraitureand it is this that lends the work its disturbing edge.
By emulating childlike properties Loder is not attempting toreflect a visual ideal of childhood. Loder’s child is constantly under
Maybe It’s Maybelline
Natasha Mayo finds intriguing paradoxesin Claire Loder’s portrait heads.
Technical Information See page 68Forthcoming Exhibition Ceramic ArtLondon, Royal College of Art, London, 26-28February 2010. Web www.ceramics.org.ukStockist Atelier Abigail Ahern, Islington,London. Web www.atelierabigailahern.comEmail [email protected] www.claireloder.co.uk
1 Sean Shone, clay, slips, underglaze colours,matt glaze, 2009, H44cm 2 Maybe It’sMaybelline, clay, slips, underglaze colours,matt glaze, bristles, 2009, H24cm 3 Still,clay, slips, underglaze colours, matt glaze,2009, H15cm 4 Losing My Bloom, clay, slips,underglaze colours, matt glaze, 2009,H64cm 5 There’s No Place Like Property,clay, slips, underglaze colours, blackcopper oxide, matt glaze, 2009, H39cm
siege. Amongst more playful and contemplative work sit others that explore subjects such as mental health, the cosmetics industry,capitalism and feminism. A diversity of approaches is pivotal to Loder’spractice, blurring the naïve with self-awareness, the innocent withadult understanding; an ambiguity which can leave a viewer uncertainat times whether to smile or frown. All work appears as if createdthrough a child’s eyes, filled with wonderment, a sense of enquiryand the peculiar objectivity that characterises a child’s point of view.Under this guise, all that is absurd, ludicrous and nonsensical in ourenvironment comes to the fore.
THE SURREAL The juxtaposition of two different mental spheres clearlyemploys a surrealist tendency and the incongruity of this relationshipgives rise to both the work’s humour and sense of discomfort. Onfirst glance, for example, the piece Maybe It’s Maybelline can appear asimple imitation of a child’s drawing: a clear outline of the headand hairline, brush marks crudely denoting eyes, mouth and cheeks.Yet, rather than faithfully continuing in this pastiche, the eyelashesare exaggerated so far beyond the simple spider’s legs commonlyfound in children’s imagery, to approximately three inches longusing the bristles from old brooms, that they appear almost violent,causing you to blink. Loder explores logical impossibilities as ifemploying the hands of a child, which, together with its pointedand knowing title, gives the work potential for profound meaning.
‘The beauty industry adverts provide a fertile hunting ground for some of my more recent ideas and this is where the ridiculouseyelashes come from and the heads which support themselves onhair…“stronger looking hair” and all that! I’ve only recently startedto realise how important this influence is. Also I’m reading Affluenzaby Oliver James…thinking a lot about the recession and how I fit
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CERAMIC REVIEW 240 November/December 2009 47CERAMIC REVIEW 240 November/December 200946
In front of me on my desk are three bowls. Two have handles andsaucers. They are all designed by the same maker and two were madeby him. Each is celadon glazed. The designer/maker was David Leach.
The first cup and saucer is hand-thrown porcelain with flutedsides. The second is just the bowl with fluted sides. The third is acast copy of the cup and saucer, made with David’s guidance, byHighland Stoneware. What I know is that the bowl without a handlewas priced at some four times more than the hand-thrown cup andsaucer, which clearly took more time to make. The cast cup andsaucer is a beautiful form but it does not hold the intimacy of apersonal hand upon it. However, it was, and is, an affordable ‘DavidLeach’ piece.
What does this tell us? David Leach was committed to making potsto be used. All of the pots I have by him are used by me. But the bowlalone carried a status for him and for the purchaser, something thataccords it higher value. This basic fact is one reason that some makershave steered themselves away from making pots primarily for function;to eat and drink from and to sit beautifully on a shelf when not inuse. Unarguably, the tendency is to make things that, like David’sbowl, gain more perceived value by trying to grasp at art status.
LIFESTYLE Along with much else in our life, the way we eat and drinktogether has changed. Gone is the general acceptance of the desirabilityof lumpish mugs and plates just because they were handmade. Butis the skill of repeat throwing disappearing? Do people still want tobuy pots for use? Are student makers given the option of developingthrowing skills in colleges and workshops?
David Leach’s eldest son John, along with his team of assistants,continues to make wood-fired ‘standard ware’ at his pottery inMuchelney, Somerset. He can sell as much as he makes. A homelyand handsome range in which food looks good. The pots stand upto robust use and are sold in high-status shops such as David Mellorand Contemporary Ceramics. But John Leach, too, has been seducedinto making one-off ‘black mood’ pots, which claim a higher statusand bear his personal mark. Others like Richard Batterham (see
Domestic BlissAndy Christian offers a personal response to contemporary tableware and finds it still very much alive and relevant.
1 David Leach – Bowl, cup and saucer,celadon glaze, c.1990, Ø15cm max (Photo:Julia Bond) 2 Micki Schloessingk – Threeteapots, wood-fired salt glaze stoneware,2007, H18cm
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CERAMIC REVIEW 237 May/June 2009 45CERAMIC REVIEW 237 May/June 200944
Since the mid nineteenth century the history of British ceramics has been sprinkled with attempts to bring fine art and studio practicetogether with varying degrees of success. If nothing else, it leaves alegacy of rich pickings for collectors. Such initiatives involving studioceramics were severely restricted by the self-inflicted isolation from,and overt opposition to, ‘industry’ by the disciples of Bernard Leachand the sentiments of A Potter’s Book. While that is now largely a thingof the past, there is still a conceptual leap between the two types ofpractice that presents a challenge, but one taken up by what seems atfirst a bizarre pairing: Ken Eastman, maker of large, stoneware, abstract,slab-built vessels, each an exercise in single-handed individuality, andRoyal Crown Derby, a bone china factory making highly decoratedfigurines and tablewares in a tradition some two centuries old.
Factory FormedThe objects produced as a result of the collaboration between Ken Eastman and Royal Crown Derby impress Nicholas Oddy.
1
1 Selection of small pots, bone china, 2009,H10cm max (Photo: Michael Harvey)
This question remained unanswered for some months after thecollaboration began, neither party knowing exactly why Eastman wasthere. For his part Eastman found, and still finds, the culture of thefactory, with its carefully regulated working practices and divisionof labour, fascinating. Derby viewed Eastman as a shape-maker andhad to accommodate the fact that studio practice tends not to operatein this manner. They were (to use his own words) ‘slightly puzzled’by his taking on everything from rolling the clay to finishing thedecoration. However, Eastman thinks that their interest in shape isnot surprising. In a factory that specialises in naturalistic modellingand the tried-and-tested, Eastman’s exploration of form is so far fromthe factory’s conventional ways of working that it had the potentialto generate new ways of thinking about formal design at Derby.
DECORATION If shape was the pay-off for Derby, then decorationseems to be the one for Eastman. The factory’s pattern books andtheir use of modern transfer technologies to effect what were once
complex hand-paints in the Imari style fascinated him. Eastmanexperimented with applying transfer decoration to bone china shapes,which he continued to slab-build. To anyone familiar only withEastman’s current studio practice the idea of such a combinationmight seem unprecedented, but as a student at Edinburgh Collegeof Art in the early eighties he produced water-eroded raku plattersand jugs decorated with commercial earthenware glazes that baskedunder such names as Rooster Red, Cool Custard, Banshee Blue andTempting Turquoise, an early exercise in similar incongruity.
BONE CHINA As Eastman discovered, the bone china body isnotoriously plastic and given to flopping both before and duringfiring, while its high shrinkage is prone to cracking in studio-typecontexts. Usually, Eastman’s shapes are strictly controlled and madein rigid bodies, such as T material, which has small shrinkage and
FAST FORWARD Three years ago Louise Adams (a contemporary of Eastman’s at the Royal College of Art in the 1980s), art director at Derby, invited him to visit the factory. The 1980s were the periodPeter Dormer termed the ‘new ceramics’, initiating debates such asthose around the ICA exhibition Fast Forward, which attempted toreposition studio ceramics in a history that included the decorativeand the factory-made. In this intellectual context the idea of Eastmanand Derby seems unproblematic; indeed, if anything, emblematic ofthe sort of historical links and juxtapositions that such post-modernthought encouraged. However, Eastman’s work is distinctly ahistoricin its aesthetic and overtly studio in its making; it is not as if one candiscern any referencing to the likes of Derby in its conception orprocessing. Rather, Eastman seems to have been invited just becausehis work was so far from Derby’s output in every way that his verypresence would act as a challenge that might spark something… but what?
CERAMIC REVIEW 238 July/August 2009 35CERAMIC REVIEW 238 July/August 200934
There is simplicity to Linda Kieft’s ceramic figures, a straightforward-ness in their modelling and articulation into scenes that is somehowfamiliar and comforting. They have an archetypal quality, as if tappinginto a narrative already inherent within us that we simply recognise.This may be due to Kieft’s adaptation of well-known stories, myths orchildren’s tales, but we do not need to know these details in orderto experience the work. Regardless of names or places, the activityof our perception prompts us to put figures and props together andwe become the narrator; the story becomes ours to tell.
We are all raconteurs; it is part of our physiology. We understandour place in the world by projecting ourselves into situations, bymoving forwards or backwards in time, enacting roles or testing outpossibilities. It fulfils a basic human need to see ourselves reflectedin the environment around us. If an artwork is successful, it is thesesame mechanisms that enable us to fully experience its properties;inanimate stone can be changed into small worlds of experience butonly if a viewer is susceptible to its properties, can see themselvestransposed, reflected in its shapes and colours. That is to say, withinfigurative work, we might feel the rhythm of its contours and thesoftness of its flesh without actually touching, or the pressure ofweight and extension of limbs without actually moving.
Narrative art, as a specific genre, seeks to extend our experienceby moving from a fixed image toward a succession of events, by itsvery nature attempting to prompt connections and associations. Suchartwork becomes an experience in parts, an enactment unfoldingbefore us as we put the pieces together to discover what the story isabout. In psychological terms, its properties are taken further still;narrative is understood as an organising principle, a way in whichwe restore our sense of order and interconnectivity with the world.In this respect, such artwork can be seen as rendering the act ofinterpretation visible, a demonstration of ways that we can threadtogether events to forge understanding.
In Kieft’s Enkidu’s Dream, she adapts a scene from possibly the oldeststory known to man: the Epic of Gilgamesh. In this scene, Enkidu dreamsof his transition from life into death, seeing himself lying across thegateway to the netherworld, his arms bound like the wings of a bird,part transformed, as if wearing the same coat of feathers as thosecreatures already resident in the darkness. In Kieft’s adaptation it isobvious how we might see ourselves reflected, our form is mimicked,our corporality can be felt, but there is also enough difference inproperties to remove them from our reality. The work clearly portraysa fictitious scene, prompting a more fluid, lateral interpretation. Itsscale, in the first instance, dislodges it from our physical proximity
Dreams&Visions
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1 Enkidu: The Wild Man, H38cm 2 BullPair, H20cm 3 Balancing Act, H20cm 4 Bouldering, H31cm 5 Enkidu’s Dream,H37cm
Linda Kieft won the Zelli Porcelain prize in 2005 and 2008. Her work can be seenat Form Contemporary Craft, Blaenavon,Gwent. Web www.form-gallery.co.ukLinda Kieft Tel 01495 270178
Natasha Mayo explores the narrativeaspects in Linda Kieft’s figures.
5
and allows it to assimilate other characteristics; to adopt, in Kieft’swords, ‘otherworldliness’.
Simply, Kieft sets out the main elements of the story: the protagonist,his predicament and possible fate. The details of Enkidu’s form areminimised, he has no folds of flesh or effects of gravity, instead, thegentle undulation of his body is accentuated to lead us towards hisfeathered arm. Then, with an almost painterly approach to perspective,we are plunged downward and into the diminished, blackened figureswaiting below.
In being neither illustrative nor heavy with detail the simplicityof Kieft’s work generates a sense of time and space around it as weare prompted to build our own interpretation; enticed to become apart of the narrative at its source. In literary terms, it is often statedthat for the multitude of tales and endless variety in the telling, allnarratives are really variations of seven basic themes. Kieft’s workembodies that same sense of origin.
Perhaps here lies their sense of familiarity; such themes, ofcourse, take from life, distilling human interactions across historiesand cultures and we find ourselves within the work, incorporateourselves amidst that of the depicted figures and props. In this respect,our understanding does not remain fixed to Gilgamesh but, rather, thenotions of life and death, rivalry, god and religion that it encompasses,
can take on more personal and contemporary relevance. Kieft’s understanding of narrative is perhaps informed by her
work as an art therapist, an occupation where the activities of artand play are considered as bridging the gap between our inner andouter realities. Here, art is understood as creating a space in whichchildren, for example, can practise attachment and relationships withthe world around them. As therapist, Kieft facilitates and guides theircreative expression, providing a ‘holding environment’, a place ofsafety and trust in which such relationships might be tested out and explored.
But what of the capacity of an artwork itself? For a moment, atleast, it can entice us outside of our own world to experience otherpossibilities, new configurations, unusual sensations or emotions.Can this activity contain a similar kind of ‘holding environment’?Surely, in prolonging that participation, there is particular potentialin narrative art to be of therapeutic value. Kieft’s decision to employnarrative in her ceramics cannot be seen as purely incidental. Her workexamines our basic human need to see ourselves reflected in theenvironment around us; her art encourages those same mechanisms,allowing us to consider the historic Epic of Gilgamesh as if enacted inour own time, made contemporary by our own experience ofequivalent tales.
CERAMIC REVIEW 241 January/February 2010 67
Photography Barbara Tipton
CERAMIC REVIEW 241 January/February 201066
KNOWLEDGE MAKING SEQUENCE
Katrina Chaytor in Practice
1 Cutting slab from pattern 2 Cutting slab at an angle 3 Removing clay from slab 4 Rolling slab over mould
9 Rolling clay over texture plaster 10 Strips cut from clay form collar 12 Placing top slab
17 Slip on scored spout 18 Attaching spout 19 Cutting gallery for lid 20 Refining gallery
25 Adding rim with knob in place 26 Coil for handle 27 Rolling coil for handle 28 Cutting handle shape
11 Scoring the top slab
5 Slab and tile mould 6 Beginning the body 7 Scoring the top of the body 8 Trimming top slab to fit after cutting frompattern
13 Slab for spout with pattern from plastertile
14 Joining the seam on spout 16 Cutting strainer holes
21 Cut-out as lid pattern 22 Joining lid layers after scoring 23 Removing cut-out from lid 24 Trimming excess from lid
29 Attaching handle 30 Attaching handle 31 Securing handle seams 32 Finished teapot
15 Cutting excess from spout
The Magazine of Ceramic Art and Craft
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Index of Exhibitors
hibitors
206
AAaron Faber Gallery
666 Fifth Avenue
New York, NY 10103
212.586.8411
fax 212.582.0205
aaronfaber.com
Adamar Fine Arts
4141 NE 2nd Avenue
Suite 107
Miami, FL 33137
305.576.1355
fax 305.576.1922
adamarfinearts.com
Allan Stone Gallery
113 East 90th Street
New York, NY 10128
212.813.6861
fax 212.343.9312
allanstonegallery.com
Amaridian
31 Howard Street
New York, NY 10013
917.463.3719
fax 917.463.3728
amaridianusa.com
Ann Nathan Gallery
212 West Superior Street
Chicago, IL 60654
312.664.6622
fax 312.664.9392
annnathangallery.com
Art Front Gallery
Hillside Terrace A
29-18 Sarugaku-Cho
Shibuya-Ku, Tokyo 1500033
Japan
81.3.3476.4868
fax 81.3.3476.4874
artfrontgraphics.com
BBerengo Studio 1989
Fondamenta Vetrai 109/A
Murano, Venice 30141
Italy
39.041.739.453
fax 39.041.527.6588
berengo.com
Berengo Collection
Calle Larga San Marco 412/413
Venice 30124
Italy
39.041.241.0763
fax 39.041.241.9456
ESQ Hiroo 2F
5-10-37, Minami-azabu
Minato-ku, Tokyo 106-0047
Japan
Blue Rain Gallery
130 Lincoln Avenue
Suite C
Santa Fe, NM 87501
505.954.9902
blueraingallery.com
browngrotta arts
Wilton, CT
203.834.0623
fax 203.762.5981
browngrotta.com
CChappell Gallery
526 West 26th Street
Suite 306
New York, NY 10001
917.414.4755
chappellgallery.com
Charon Kransen Arts
By Appointment Only
817 West End Avenue
Suite 11C
New York, NY 10025
212.627.5073
fax 212.663.9026
charonkransenarts.com
Chiaroscuro
Contemporary Art
702 1/2 Canyon Road
Santa Fe, NM 87501
505.992.0711
fax 505.992.0387
chiaroscurosantafe.com
Clare Beck at
Adrian Sassoon
By Appointment
14 Rutland Gate
London SW7 1BB
United Kingdom
44.20.7581.9888
fax 44.20.7823.8473
adriansassoon.com
Clark Priftis Art LLC
By Appointment Only
New York, NY & Baltimore, MD
917.647.6835
fax 212.877.0096
clarkpriftisart.com
Collection Ateliers
d’Art de France
4 Rue de Thorigny
Paris 75003
France
33.1.4278.6774
fax 33.1.4277.4201
ateliersdart.com
Contemporary Applied Arts
2 Percy Street
London W1T 1DD
United Kingdom
44.207.436.2344
fax 44.207.636.6269
caa.org.uk
Cross Mackenzie Gallery
1054 31st Street NW Courtyard
Washington, DC 20007
202.333.7970
crossmackenzie.com
DDonna Schneier Fine Arts
By Appointment Only
Palm Beach, FL & Claverack, NY
518.441.2884
Duane Reed Gallery
4729 McPherson Avenue
St. Louis, MO 63108
314.361.4100
fax 314.361.4102
duanereedgallery.com
207
FFerrin Gallery
437 North Street
Pittsfield, MA 01201
413.442.1622
fax 413.442.1672
ferringallery.com
Frederic GOT Gallery
64 Rue Saint Louis en L’île
Paris 75004
France
33.1.4326.1033
fax 33.1.4326.1033
artchic.com
GGalerie Besson
15 Royal Arcade
28 Old Bond Street
London W1S 4SP
United Kingdom
44.20.7491.1706
fax 44.20.7495.3203
galeriebesson.co.uk
Galerie Van Der Planken
Riemstraat 12
Antwerp 2000
Belgium
32.3233.5458
fax 32.3227.2068
galerievdp.be
Galleri Udengaard
Stockflethsvej 12
Ebeltoft 8400
Denmark
45.86.259.594
galleriudengaard.com
gallery gen
47-09 36th Street
Long Island City, NY 11101
718.392.7717
fax 718.392.7716
gallerygen.com
yoshiakiyuki.com
HHabatat Galleries Chicago
222 West Superior Street
Chicago, IL 60654
312.440.0288
fax 312.440.0207
habatatchicago.com
Heller Gallery
420 West 14th Street
New York, NY 10014
212.414.4014
fax 212.414.2636
hellergallery.com
JJane Sauer Gallery
652 Canyon Road
Santa Fe, NM 87501
505.995.8513
fax 505.995.8507
jsauergallery.com
Joan B. Mirviss Ltd
39 East 78th Street
4th floor
New York, NY 10075
212.799.4021
fax 212.721.5148
mirviss.com
Joanna Bird Pottery
By Appointment
19 Grove Park Terrace
London W4 3QE
United Kingdom
44.20.8995.9960
fax 44.20.8742.7752
joannabirdpottery.com
KKatie Jones
By Appointment Only
68 Elgin Mansions
Elgin Avenue
London W91JN
United Kingdom
44.20.7289.1855
fax 44.20.7289.1855
katiejonesjapan.com
Ken Saunders Gallery
230 West Superior Street
Chicago, IL 60654
312.573.1400
fax 312.573.0575
kensaundersgallery.com
LLacoste Gallery
25 Main Street
Concord, MA 01742
978.369.0278
fax 978.369.3375
lacostegallery.com
Lyons Wier Gallery
175 Seventh Avenue
at 20th Street
New York, NY 10011
212.242.6220
lyonswiergallery.com
MMaria Elena Kravetz
San Jeronimo 448
Cordoba X5000AGJ
Argentina
54.351.422.1290
mariaelenakravetzgallery.com
Mariana Magtaz
By Appointment Only
Rua Madalena 223
São Paulo SP 05434-090
Brazil
55.11.3813.2459
gemologiaoniline.com.br
Moderne Gallery
111 North 3rd Street
Philadelphia, PA 19106
215.923.8536
fax 215.923.8435
modernegallery.com
208
Mostly Glass Gallery
34 Hidden Ledge Road
Englewood, NJ 07631
201.816.1222
fax 201.503.9522
mostlyglass.com
OOld City Caesarea Gallery
Caesarea Port
The Old City, PO Box 5367
Caesarea 38900
Israel
972.4.626.0198
fax 972.4.636.0178
caesareaart.com
Oliver & Espig
1108 State Street
Santa Barbara, CA 93101
805.962.8111
fax 805.962.7458
oliverandespig.com
Option Art /
Galerie Elca London
Option Art
By Appointment Only
Montreal, Quebec, Canada
voice 514.501.9440
option-art.ca
Galerie Elca London
224 St. Paul Street West
Montreal, Quebec H2Y 1Z9
Canada
voice 514.282.1173
elcalondon.com
Orley Shabahang
241 East 58th Street
New York, NY 10022
212.421.5800
fax 212.421.5888
orleyshabahang.com
326 Peruvian Avenue
Palm Beach, FL 33480
561.655.3371
fax 561.655.0037
palmbeach@
orleyshabahang.com
223 East Silver Spring Drive
Whitefish Bay, WI 53217
414.332.2486
fax 414.332.9121
whitefishbay@
orleyshabahang.com
By Appointment Only
5841 Wing Lake Road
Bloomfield Hills, MI 48301
586.996.5800
Ornamentum
506.5 Warren Street
Hudson, NY 12534
518.671.6770
fax 518.822.9819
ornamentumgallery.com
SSchantz Galleries
3 Elm Street
Stockbridge, MA 01262
413.298.3044
fax 413.298.3275
schantzgalleries.com
Sciacco Studio
Rua Dr. Renato Paes
de Barros, 142/64
Itaim Bibi
São Paulo SP 04530-000
Brazil
55.11.9618.9615
201.838.9248
fax 55.11.3168.9891
sciaccostudio.com
Scott Jacobson Gallery
114 East 57th Street
New York, NY 10022
212.872.1616
fax 212.872.1617
scottjacobsongallery.com
Sienna Gallery
80 Main Street
Lenox, MA 01240
413.637.8386
siennagallery.com
Snyderman-Works Galleries
303 Cherry Street
Philadelphia, PA 19106
215.238.9576
fax 215.238.9351
snyderman-works.com
TTAI Gallery
1601 B Paseo de Peralta
Santa Fe, NM 87501
505.984.1387
fax 505.989.7770
taigallery.com
ten472 Contemporary Art
By Appointment Only
Grass Valley &
San Francisco, CA
707.484.2685
fax 707.484.2685
ten472.com
Thea Burger
By Appointment Only
39 Fifth Avenue, Suite 3B
New York, NY 10003
802.234.6663
fax 802.234.6937
ruth-duckworth.com
Turkish Cultural Foundation
1025 Connecticut Avenue NW
Suite 1000
Washington, DC 20036
202.370.1399
fax 202.370.1398
turkishculturalfoundation.org
UUrbanGlass
647 Fulton Street
Brooklyn, NY 11217
718.625.3685
fax 718.625.3889
urbanglass.org
209
VValentin Magro New York
42 West 48th Street
New York, NY 10036
212.575.9044
fax 212.575.9045
valentinmagro.com
WWilliam Zimmer Gallery
PO Box 263
Mendocino, CA 95460
707.937.5121
williamzimmergallery.com
ZZest Contemporary
Glass Gallery
Roxby Place
(end of Rickett Street)
London SW6 1RS
United Kingdom
44.20.7610.1900
fax 44.20.7610.3355
zestgallery.com
A
Index of Artists
Artists
212
213
AAaronson, Adam
Zest Contemporary
Glass Gallery
Abe, Motoshi Kiraku
TAI Gallery
Abeyta, Tony
Blue Rain Gallery
Abright, Oben
Habatat Galleries Chicago
Adler, Deborah Faye
UrbanGlass
Akers, Adela
browngrotta arts
Akiyama, Yô
Joan B. Mirviss Ltd
Alepedis, Efharis
Charon Kransen Arts
Allen, Rik
Blue Rain Gallery
Amariglio Weiss, Lina
Maria Elena Kravetz
Amromin, Pavel
Ann Nathan Gallery
Anderson, Dona
browngrotta arts
Anderson, Jeanine
browngrotta arts
Anderson, Seth
Chiaroscuro Contemporary Art
Andre de la Porte, Alidra
Charon Kransen Arts
Antemann, Chris
Ferrin Gallery
Arai, Jun-ichi
gallery gen
Arai, Lucy
Snyderman-Works Galleries
Ardmore Ceramic Art
Amaridian
Arentzen, Glenda
Aaron Faber Gallery
Arndt, Ines
Snyderman-Works Galleries
Arneson, Robert
Allan Stone Gallery
Arthur, Karen
Oliver & Espig
Ashevak, Kenojuak
Option Art/Galerie Elca London
Assad, Christa
Ferrin Gallery
Autio, Rudy
Donna Schneier Fine Arts
Aylieff, Felicity
Clare Beck at Adrian Sassoon
BBabetto, Giampaolo
Sienna Gallery
Babula, Mary Ann
Chappell Gallery
Bagniewski, Patricia
Sciacco Studio
Bakker, Ralph
Charon Kransen Arts
Balsgaard, Jane
browngrotta arts
Barker, Jo
browngrotta arts
Barnaby, Margaret
Aaron Faber Gallery
Barnes, Dorothy Gill
browngrotta arts
Barney, Christine
Mostly Glass Gallery
Bartels, Rike
Charon Kransen Arts
Bartlett, Caroline
browngrotta arts
Bartley, Roseanne
Charon Kransen Arts
Bauer, Carola
Charon Kransen Arts
Bauer, Ela
Charon Kransen Arts
Bean, Bennett
William Zimmer Gallery
Beck, David
Allan Stone Gallery
Beck, Rick
Donna Schneier Fine Arts
Becker, Michael
Charon Kransen Arts
Behennah, Dail
browngrotta arts
Bennett, Garry Knox
Scott Jacobson Gallery
Bennett, Jamie
Sienna Gallery
Bennett, Nathan
Maria Elena Kravetz
Benzoni, Luigi
Berengo Studio 1989
Bermingham, Patrick
Cross Mackenzie Gallery
Bernstein, Alex Gabriel
Chappell Gallery
Bero, Mary
Snyderman-Works Galleries
Bess, Nancy Moore
browngrotta arts
Bettison, Giles
Jane Sauer Gallery
Bezold, Brigitte
Charon Kransen Arts
Biagi, Rita
Sciacco Studio
Bijlenga, Marian
browngrotta arts
Bilenker, Melanie
Sienna Gallery
Birch, Karin
Snyderman-Works Galleries
Birnbaum, Charles
Cross Mackenzie Gallery
Blackie, Sebastian
Galerie Besson
Blackmore, Cassandria
Duane Reed Gallery
Blavarp, Liv
Charon Kransen Arts
Bluestone, Rebecca
Chiaroscuro Contemporary Art
Blyfield, Julie
Charon Kransen Arts
Bobrowicz, Yvonne
Pacanovsky
Snyderman-Works Galleries
Bohm, Vladimir
Contemporary Applied Arts
Boieri, Daniela
Charon Kransen Arts
Borgegard, Sara
Ornamentum
Borgenicht, Ruth
Snyderman-Works Galleries
Borghesi, Marco
Aaron Faber Gallery
Borgman, Mary
Ann Nathan Gallery
Bottaro, Silvina
Maria Elena Kravetz
Boucard, Yves
Scott Jacobson Gallery
Bouduban, Sophie
Charon Kransen Arts
Boyadjiev, Latchezar
Jane Sauer Gallery
Braeuer, Antje
Charon Kransen Arts
Bravo, Gonzalez
Frederic GOT Gallery
Brennan, Sara
browngrotta arts
214
Britton, Helen
Ornamentum
Bronstein, Leon
Old City Caesarea Gallery
Brooks, Lola
Sienna Gallery
Brown, Christie
Contemporary Applied Arts
Brownsword, Neil
Galerie Besson
Buckman, Jan
browngrotta arts
Buddeberg, Florian
Charon Kransen Arts
Bulut, Malik
Turkish Cultural Foundation
Bump, Raissa
Sienna Gallery
Buxton, Mary Ellen
Mostly Glass Gallery
CCalmar, Lars
Galleri Udengaard
Campbell, Pat
browngrotta arts
Cantrell, Ned
Galleri Udengaard
Cardew, Michael
Joanna Bird Pottery
Carnac, Helen
Contemporary Applied Arts
Carney, Shannon
Charon Kransen Arts
Carpenter, Arthur Espenet
Moderne Gallery
Casanovas, Claudi
Galerie Besson
Casasempere, Fernando
Joanna Bird Pottery
Castagna, Pino
Berengo Studio 1989
Castle, Wendell
Moderne Gallery
Cepka, Anton
Charon Kransen Arts
Chandler, Gordon
Ann Nathan Gallery
Ferrin Gallery
Chang, Chien-Wei
Joanna Bird Pottery
Chang, Peter
Ornamentum
Chardiet, José
Scott Jacobson Gallery
Chaseling, Scott
Scott Jacobson Gallery
Chen, Yu Chun
Charon Kransen Arts
Chihuly, Dale
Donna Schneier Fine Arts
Choonsun, Moon
Charon Kransen Arts
Christensen, Lina
Charon Kransen Arts
Cimolin, Leonardo
Berengo Studio 1989
Ciscato, Carina
Joanna Bird Pottery
Clark, Sonya
Snyderman-Works Galleries
Clarke, David
Contemporary Applied Arts
Clive, Dennis
Allan Stone Gallery
Cnaani-Sherman, Gali
browngrotta arts
Coffey, Michael
Moderne Gallery
Cohen, Barry
Allan Stone Gallery
Coleman, Katharine
Contemporary Applied Arts
Coleman, Timothy
William Zimmer Gallery
Cook, Lia
browngrotta arts
Coper, Hans
Galerie Besson
Joanna Bird Pottery
Cordova, Cristina
Ann Nathan Gallery
Corregan, Daphné
Collection Ateliers
d’Art de France
Corvaja, Giovanni
Charon Kransen Arts
Cottrell, Simon
Charon Kransen Arts
Cribbs, KéKé
Scott Jacobson Gallery
Crooks, Bob
Contemporary Applied Arts
Crow, Nancy
Snyderman-Works Galleries
Currier, Anne
Lacoste Gallery
Cusack, Kate
Snyderman-Works Galleries
Cuyas, Ramon Puig
Charon Kransen Arts
DDahl, Astrid
Amaridian
Dailey, Dan
Scott Jacobson Gallery
Darwall, Mary
Mostly Glass Gallery
Davidson, Jaclyn
Charon Kransen Arts
de Amaral, Olga
Thea Burger
De Corte, Annemie
Charon Kransen Arts
Detering, Saskia
Charon Kransen Arts
Di Caprio, Daniel
Charon Kransen Arts
Di Fiore, Miriam
Mostly Glass Gallery
Dohnanyi, Babette von
Charon Kransen Arts
Docter, Marcia
Snyderman-Works Galleries
Draper, Gemma
Ornamentum
Dresang, Paul
Duane Reed Gallery
Drury, Chris
browngrotta arts
Drysdale, Pippin
Joanna Bird Pottery
Duckworth, Ruth
Thea Burger
Dunnigan, John
William Zimmer Gallery
Duong, Sam Tho
Ornamentum
EEbner, David
Moderne Gallery
Eden, Michael
Clare Beck at Adrian Sassoon
Eichenberg, Iris
Ornamentum
Eitzenhoefer, Ute
Ornamentum
Ekegren, Björn
Galleri Udengaard
Ekeland, Ingerid
Oliver & Espig
215
Elozua, Raymon
Ferrin Gallery
Elson, Fiaz
Contemporary Applied Arts
Elyashiv, Noam
Sienna Gallery
Emrich, Sina
Charon Kransen Arts
Erickson, Gary
Cross Mackenzie Gallery
Esherick, Wharton
Moderne Gallery
Eskuche, Matt
Habatat Galleries Chicago
Espig, Glenn Manfred
Oliver & Espig
Evans, Judith
Oliver & Espig
FFalkesgaard, Lina
Charon Kransen Arts
Falt, Dan
Allan Stone Gallery
Farey, Lizzie
browngrotta arts
Farias, Willian
Mariana Magtaz
Fawkes, Sally
Contemporary Applied Arts
Faye-Chauhan, Maureen
Charon Kransen Arts
Feistauer, Vivien
Mariana Magtaz
Feller, Lucy
Ferrin Gallery
Fensterstock, Lauren
Sienna Gallery
Ferguson, Ken
Moderne Gallery
Fero, Shane
Jane Sauer Gallery
Fleischhut, Jantje
Ornamentum
Flowers, Karen
Mostly Glass Gallery
Fonteneau, Alina
Sciacco Studio
Fontoura, Daniel
Sciacco Studio
Ford, Steven
Snyderman-Works Galleries
Forlano, David
Snyderman-Works Galleries
Forrest, Neil
Cross Mackenzie Gallery
Foster, Charlene
UrbanGlass
Frank, Peter
Charon Kransen Arts
Franke, Greg
Oliver & Espig
Franzin, Maria Rosa
Ornamentum
Freitas, Matthew
Cross Mackenzie Gallery
Frejd, Martina
Charon Kransen Arts
Frey, Viola
Donna Schneier Fine Arts
Fritsch, Elizabeth
Joanna Bird Pottery
Fujinuma, Noboru
TAI Gallery
Fujitsuka, Shosei
TAI Gallery
Fukami, Sueharu
Joan B. Mirviss Ltd
Joanna Bird Pottery
Fukumoto, Fuku
Joan B. Mirviss Ltd
Fukumoto, Shihoko
Katie Jones
Futamura, Yoshimi
Joan B. Mirviss Ltd
GGamperl, Ernst
Chiaroscuro Contemporary Art
Ganch, Susie
Sienna Gallery
Garcia, Tammy
Blue Rain Gallery
Garrett, John
Chiaroscuro Contemporary Art
Gates, Lindsay Ketterer
Snyderman-Works Galleries
Gavotti, Elizabeth
Maria Elena Kravetz
Gazier, Alain
Frederic GOT Gallery
Geese, Claudia
Charon Kransen Arts
Georgieva, Ceca
browngrotta arts
Gerard, Jean-Nicolas
Collection Ateliers
d’Art de France
Giles, Mary
browngrotta arts
Gilhooly, David
Allan Stone Gallery
Gillies, Stephen
Contemporary Applied Arts
Gino
ten472 Contemporary Art
Glenday, Katherine
Amaridian
Glover, Katherine
Jane Sauer Gallery
Golcman, Reny
Mariana Magtaz
Gontard, Moris
Galerie Van Der Planken
Good, Michael
Oliver & Espig
Gore, Caroline
Ornamentum
Gori, Daniella
Charon Kransen Arts
Gosti, Jean-Yves
Galerie Van Der Planken
Gotthilf, Patricia
Maria Elena Kravetz
Gouldson, Rebecca
William Zimmer Gallery
Grebenak, Dorothy
Allan Stone Gallery
Greef, Willemijn de
Charon Kransen Arts
Green, Jason
Cross Mackenzie Gallery
Green, Linda
browngrotta arts
Grimm, Gerit
Ferrin Gallery
Gross, Michael
Ann Nathan Gallery
Grossen, Françoise
browngrotta arts
Guarnieri, Thais
Mariana Magtaz
Gudmann, Elisabett
ten472 Contemporary Art
Guerrieri, Veronique
Frederic GOT Gallery
Gustin, Chris
Cross Mackenzie Gallery
HHackenberg, Gesine
Sienna Gallery
216
Hackney, Katy
Contemporary Applied Arts
Haden, Richard
Allan Stone Gallery
Hagmann, Birgit
Charon Kransen Arts
Hamada, Shoji
Joanna Bird Pottery
Hanagarth, Sophie
Charon Kransen Arts
Harper, William
Donna Schneier Fine Arts
Hart, Noel
Jane Sauer Gallery
Hash, Arthur
Sienna Gallery
Hatakeyama, Koji
Katie Jones
Hatekayama, Norie
browngrotta arts
Hatakeyama, Seido
TAI Gallery
Hawthorne, Deirdre
Galerie Besson
Hayakawa, Shokosai
TAI Gallery
Hayes, Peter
Ann Nathan Gallery
Hedman, Hanna
Ornamentum
Heindl, Anna
Charon Kransen Arts
Heinrich, Barbara
Aaron Faber Gallery
Helmich, Josh
Oliver & Espig
Helmich, Susan
Oliver & Espig
Henricksen, Ane
browngrotta arts
Henton, Maggie
browngrotta arts
Hernmarck, Helena
browngrotta arts
Heskett-Brem, Lucie
Aaron Faber Gallery
Heuser, Stefan
Ornamentum
Hickman, Pat
Snyderman-Works Galleries
Hicks, Dave
Cross Mackenzie Gallery
Higashibata, Yui
Art Front Gallery
Hildebrandt, Marion
browngrotta arts
Hill, Chris
Ann Nathan Gallery
Hiller, Mirjam
Charon Kransen Arts
Hinz, Leonore
Charon Kransen Arts
Hirasawa, Noboru
TAI Gallery
Hobin, Agneta
browngrotta arts
Honda, Syoryu
TAI Gallery
Honjo, Naoki
TAI Gallery
Honma, Hideaki
TAI Gallery
Honma, Kazuaki
TAI Gallery
Honma, Kazue
browngrotta arts
Hopkins, Elizabeth
Mostly Glass Gallery
Hopkins, Jan
Jane Sauer Gallery
Hoshino, Kayoko
Joan B. Mirviss Ltd
Hoshino, Satoru
Joan B. Mirviss Ltd
Hosking, Marian
Charon Kransen Arts
Houston, Bruce
Allan Stone Gallery
Howe, Brad
Adamar Fine Arts
Huchthausen, David
Scott Jacobson Gallery
Hucker, Tom
William Zimmer Gallery
Hughes, Linda
Charon Kransen Arts
Huling, Jan
Lyons Wier Gallery
Hunt, Kate
browngrotta arts
Hutter, Sidney
Donna Schneier Fine Arts
Schantz Galleries
IIacob, Ioan
Old City Caesarea Gallery
Idiots
Ornamentum
Iezumi, Toshio
Chappell Gallery
Ikuta, Niyoko
Art Front Gallery
Ilkerl, Hildegund
Mostly Glass Gallery
Inbar, Tolla
Adamar Fine Arts
Irvine, Alex
Snyderman-Works Galleries
Irwin, Jeff
Cross Mackenzie Gallery
Isaacs, Ron
Snyderman-Works Galleries
Ishida, Meiri
Charon Kransen Arts
Ishiyama, Reiko
Charon Kransen Arts
Isupov, Sergei
Ferrin Gallery
Iversen, John
Ornamentum
Iwasaki, Matsumi
browngrotta arts
Iwata, Hiroki
Charon Kransen Arts
Katie Jones
Iwata, Kiyomi
browngrotta arts
JJabur, Beth
Sciacco Studio
Jacobi, Ritzi
browngrotta arts
Janacek, Vlastislav
Mostly Glass Gallery
Janich, Hilde
Charon Kransen Arts
Janosik, Andrea
Charon Kransen Arts
Jarman, Angela
Clare Beck at Adrian Sassoon
Jensen, Mette
Charon Kransen Arts
Jeong, Eun Yeong
Charon Kransen Arts
Jivetin, Sergey
Ornamentum
Jocz, Dan
Ornamentum
Jolley, Richard
Scott Jacobson Gallery
217
Jones, Kate
Contemporary Applied Arts
Jones, Meghann
Charon Kransen Arts
Jónsdóttir, Kristin
browngrotta arts
Joolingen, Machteld van
Charon Kransen Arts
Joy, Christine
browngrotta arts
Juen, Lisa
Charon Kransen Arts
Juenger, Ike
Charon Kransen Arts
Jung, Junwon
Charon Kransen Arts
KKaiser, Virginia
browngrotta arts
Kajiwara, Aya
TAI Gallery
Kajiwara, Koho
TAI Gallery
Kallenberger, Kreg
Duane Reed Gallery
Scott Jacobson Gallery
Kalman, Lauren
Sienna Gallery
Kamata, Jiro
Ornamentum
Kaneko, Toru
Katie Jones
Kaneta, Masanao
Joan B. Mirviss Ltd
Kang, Yeonmi
Charon Kransen Arts
Karnes, Karen
Lacoste Gallery
Kasten, Ani
Lacoste Gallery
Katagiri, Hironori
Art Front Gallery
Kataoka, Masumi
Charon Kransen Arts
Katô, Yasukage
Joan B. Mirviss Ltd
Katsumata, Chieko
Joan B. Mirviss Ltd
Katsushiro, Soho
TAI Gallery
Kawashima, Shigeo
TAI Gallery
Kaube, Susanne
Charon Kransen Arts
Kaufman, Glen
browngrotta arts
Kaufmann, Martin
Charon Kransen Arts
Kaufmann, Ruth
browngrotta arts
Kaufmann, Ulla
Charon Kransen Arts
Kawano, Shoko
TAI Gallery
Kawase, Shinobu
Joan B. Mirviss Ltd
Kawata, Tamiko
browngrotta arts
Keelan, Margaret
Duane Reed Gallery
Lacoste Gallery
Kendall, Elizabeth
Cross Mackenzie Gallery
Kerman, Janis
Option Art/Galerie Elca London
Khan, Kay
Chiaroscuro Contemporary Art
Kibe, Seiho
TAI Gallery
Kicinski, Jennifer Howard
Charon Kransen Arts
Kilkus, Jeremy
Charon Kransen Arts
Kim, Jeong Yoon
Charon Kransen Arts
Kim, Jimin
Charon Kransen Arts
Kim, Myungjin
Ferrin Gallery
Kim, Seung-Hee
Charon Kransen Arts
Kim, Sun Kyoung
Charon Kransen Arts
Kinnaird MBE, Alison
Zest Contemporary
Glass Gallery
Kishi, Eiko
Joan B. Mirviss Ltd
Kivarkis, Anya
Sienna Gallery
Kivivirta, Kirsi
Galerie Besson
Klancic, Anda
browngrotta arts
Klingebiel, Jutta
Ornamentum
Klockmann, Beate
Ornamentum
Kloppmann, Maren
Cross Mackenzie Gallery
Knauss, Lewis
browngrotta arts
Knight, Chris
Clare Beck at Adrian Sassoon
Knobel, Esther
Sienna Gallery
Knowles, Sabrina
Duane Reed Gallery
Kobayashi, Masakazu
browngrotta arts
Kobayashi, Naomi
browngrotta arts
Koch, Gabriele
Contemporary Applied Arts
Koehne, Christiane
Charon Kransen Arts
Koenigsberg, Nancy
browngrotta arts
Kohyama, Yasuhisa
browngrotta arts
Koike, Shôko
Joan B. Mirviss Ltd
Kolesnikova, Irina
browngrotta arts
Kondô, Takahiro
Joan B. Mirviss Ltd
Kopf, Silas
William Zimmer Gallery
Kosonen, Markku
browngrotta arts
Kozaki, Masatake
Art Front Gallery
Krakowski, Yael
Charon Kransen Arts
Kretchmer, Claudia
Oliver & Espig
Kretchmer, Steven
Oliver & Espig
Krol, Monika
Sienna Gallery
Kruger, Daniel
Sienna Gallery
Krumm, Tracy
Chiaroscuro Contemporary Art
Kuestner, Gabrile
Mostly Glass Gallery
Kuhn, Jon
Ken Saunders Gallery
Kulka, Lilla
browngrotta arts
Kumai, Kyoko
browngrotta arts
Kuroda, Taizo
Katie Jones
Kutch, Kevin
Mostly Glass Gallery
218
LLaBianca, Lawrence
browngrotta arts
Lach, Elfrun
Charon Kransen Arts
Laird, Tamara
Cross Mackenzie Gallery
Lake, Tai
William Zimmer Gallery
Laky, Gyöngy
browngrotta arts
Langlois, Bernard
Allan Stone Gallery
Lawty, Sue
browngrotta arts
Leach, Bernard
Joanna Bird Pottery
Leader, Emmett
Ferrin Gallery
Leahy, Bernie
Snyderman-Works Galleries
Leavitt, Gail
Charon Kransen Arts
Lebescond, Jacques
Frederic GOT Gallery
Lee, Dongchun
Charon Kransen Arts
Lee, Jiyong
Duane Reed Gallery
Leest, Felieke van der
Charon Kransen Arts
Lehmann, Nicole
Charon Kransen Arts
Lehtinen, Helena
Ornamentum
Leib, Shayna
Habatat Galleries Chicago
Lemanski, Anne
Ferrin Gallery
Lepore, Marcia
Mostly Glass Gallery
Lindman, Kathrine
Charon Kransen Arts
Linkin, Nancy
Oliver & Espig
Linssen, Jennifer Falck
browngrotta arts
Linssen, Nel
Charon Kransen Arts
Lipman, Beth
Donna Schneier Fine Arts
Lipofsky, Marvin
Schantz Galleries
Ljones, Ase
browngrotta arts
Lloyd-Jones, Jessica
UrbanGlass
Loew, Susanna
Charon Kransen Arts
Longyear, Robert
Charon Kransen Arts
Lorriman, Jim
Option Art/Galerie Elca London
Løvaas, Astrid
browngrotta arts
Lovisaro, Camila
Mariana Magtaz
Lucero, Michael
Donna Schneier Fine Arts
Lunardon, Massimo
Berengo Studio 1989
Luttin, Sim
Charon Kransen Arts
Lynch, Sydney
Aaron Faber Gallery
MMacdonell, Jay
Option Art/Galerie Elca London
Machata, Peter
Charon Kransen Arts
MacKenzie, Nancy
Lacoste Gallery
MacKenzie, Warren
Lacoste Gallery
MacNeil, Linda
Scott Jacobson Gallery
MacNutt, Dawn
browngrotta arts
Magro, Valentin
Valentin Magro New York
Majoral, Enric
Aaron Faber Gallery
Malek, Gabriele
Mostly Glass Gallery
Malinowski, Ruth
browngrotta arts
Mallory, Robert
Allan Stone Gallery
Malone, Kate
Clare Beck at Adrian Sassoon
Maloof, Sam
Moderne Gallery
Manley, Chad
Chiaroscuro Contemporary Art
Mannella, C. Pazia
Snyderman-Works Galleries
Marchetti, Stefano
Charon Kransen Arts
Marioni, Dante
Donna Schneier Fine Arts
Marks-Swanson, Brooke
Aaron Faber Gallery
Marshall, William
Joanna Bird Pottery
Marti, Dani
browngrotta arts
Mason, Vicki
Charon Kransen Arts
Massey, Sharon
Charon Kransen Arts
Matthews, Leslie
Charon Kransen Arts
Matthias, Christine
Charon Kransen Arts
Mayeri, Beverly
Duane Reed Gallery
Maylor, Mira
Habatat Galleries Chicago
Mazzoni, Ana
Maria Elena Kravetz
McAllister, Wendy
Charon Kransen Arts
McConnell, Walter
Cross Mackenzie Gallery
McCurry, Steve
Frederic GOT Gallery
McKnight, Rachel
Charon Kransen Arts
McMahon, Timothy
Charon Kransen Arts
Mendes Faria, Paulo
Sciacco Studio
Merkel-Hess, Mary
browngrotta arts
Metcalf, Bruce
Snyderman-Works Galleries
Migdal, Zammy
Adamar Fine Arts
Mihara, Ken
Joan B. Mirviss Ltd
Milan, Emil
Moderne Gallery
Milgrom, Lilianne
Cross Mackenzie Gallery
Miller, Bel
Sciacco Studio
Mimlitsch-Gray, Myra
Sienna Gallery
Mimura, Chikuho
TAI Gallery
Miner, Charlie
Schantz Galleries
219
Minkowitz, Norma
browngrotta arts
Minnhaar, Gretchen
Adamar Fine Arts
Mishima, Kimiyo
Joan B. Mirviss Ltd
Mishima, Ritsue
Katie Jones
Mitsumoto, Takeshi
Katie Jones
Miyashita, Zenji
Joan B. Mirviss Ltd
Modell, Abby
Clark Priftis Art LLC
Molettiere, Jillian
Mostly Glass Gallery
Monden, Kogyoku
TAI Gallery
Monterrubio, Gerardo
Ferrin Gallery
Moore, Gregg
Cross Mackenzie Gallery
Morel, Sonia
Charon Kransen Arts
Moreno, Maria
Maria Elena Kravetz
Mori, Junko
Clare Beck at Adrian Sassoon
Morigami, Jin
TAI Gallery
Morino, Taimei
Joan B. Mirviss Ltd
Morinoue, Hiroki
William Zimmer Gallery
Moseholm, Keld
Galleri Udengaard
Moulthrop, Ed
Moderne Gallery
Mulford, Judy
browngrotta arts
Munsen, Mel
Option Art/Galerie Elca London
Munsteiner, Bernd
Aaron Faber Gallery
Munsteiner, Tom
Aaron Faber Gallery
Oliver & Espig
Mustonen, Eija
Ornamentum
Muzylowski Allen, Shelley
Blue Rain Gallery
Myers, Joel Philip
Donna Schneier Fine Arts
NNagae, Shigekazu
Joan B. Mirviss Ltd
Nagakura, Kenichi
TAI Gallery
Nagasawa, Akira
Art Front Gallery
Nakamura, Takuo
Art Front Gallery
Joan B. Mirviss Ltd
Nakashima, George
Moderne Gallery
Nakatomi, Hajime
TAI Gallery
Namingha, Les
Blue Rain Gallery
Nason, Tolly
Zest Contemporary
Glass Gallery
Negri, Martie
Mostly Glass Gallery
Neves, Laura
Sciacco Studio
Newell, Brian
William Zimmer Gallery
Newman, Richard Scott
William Zimmer Gallery
Nio, Keiji
browngrotta arts
Nishihata, Tadashi
Joan B. Mirviss Ltd
Noten, Ted
Ornamentum
Nowak, Wayne
Allan Stone Gallery
Nuetzel, Melanie
Charon Kransen Arts
Nuis, Carla
Charon Kransen Arts
OOgawa, Machiko
Joan B. Mirviss Ltd
Okada, Yoshiko
Zest Contemporary
Glass Gallery
O’Kelly, Angela
Charon Kransen Arts
Olsson, Mia
browngrotta arts
Ometto, Nelise
Sciacco Studio
Onishi, Hiroshi
Art Front Gallery
Opie, Julian
Adamar Fine Arts
Osolnik, Rude
Moderne Gallery
Osterrieder, Daniela
Charon Kransen Arts
Oyama, Yasuyuki
Katie Jones
PPaganin, Barbara
Charon Kransen Arts
Paikkari, Pekka
Galerie Besson
Papac, Seth
Sienna Gallery
Pardon, Earl
Aaron Faber Gallery
Pardon, Tod
Aaron Faber Gallery
Park, So Young
Aaron Faber Gallery
Park, Young Bin
Charon Kransen Arts
Parr, Nuna
Option Art/Galerie Elca London
Partridge, Jim
Contemporary Applied Arts
Pasetti, Sonia
Mariana Magtaz
Pattihis, Liana
Charon Kransen Arts
Pavlik, Michael
Donna Schneier Fine Arts
Paxon, Adam
Clare Beck at Adrian Sassoon
Paz Montes, Milton
Maria Elena Kravetz
Peeters, Erwin
Galerie Van Der Planken
Pennell, Ronald
Contemporary Applied Arts
Perez, Jesus Curia
Ann Nathan Gallery
Perkins, Flo
Chiaroscuro Contemporary Art
Perret, Etienne
Oliver & Espig
Peters, Ruudt
Ornamentum
Petter, Gugger
Jane Sauer Gallery
Pheulpin, Simone
browngrotta arts
220
Picaud, Fabienne
Mostly Glass Gallery
Pinchuk, Natalya
Charon Kransen Arts
Pohlman, Jenny
Duane Reed Gallery
Pond, Jo
Charon Kransen Arts
Pragnell, Valerie
browngrotta arts
Prasch, Camilla
Ornamentum
Prestini, James
Moderne Gallery
Preston, Mary
Ornamentum
Price, Bret
Cross Mackenzie Gallery
Prins, Katja
Ornamentum
RRainey, Clifford
Habatat Galleries Chicago
Rand, Elizabeth
William Zimmer Gallery
Randal, Seth
Scott Jacobson Gallery
Rankin, Susan
Option Art/Galerie Elca London
Rasmussen, Merete
Contemporary Applied Arts
Rath, Tina
Sienna Gallery
Rathbone, Kelly Garrett
Ferrin Gallery
Habatat Galleries Chicago
Ray, Leo
Old City Caesarea Gallery
Read, Sarah
Charon Kransen Arts
Recko, Gateson
Mostly Glass Gallery
Reid, Colin
Clare Beck at Adrian Sassoon
Reinhoud
Galerie Van Der Planken
Reitz, Don
Lacoste Gallery
Rhoads, Kait
Chappell Gallery
Ribeiro, João
Sciacco Studio
Richmond, Lesley
Jane Sauer Gallery
Ricks, Madelyn
Mostly Glass Gallery
Rie, Lucie
Galerie Besson
Rietmeyer, Rene
Adamar Fine Arts
Riis, Jon Eric
Snyderman-Works Galleries
Riska, Kristina
Galerie Besson
Robertson, Zoe
Charon Kransen Arts
Rocha Loures, Vera Lília
Sciacco Studio
Rojas, Carolina
Maria Elena Kravetz
Romanelli, Bruno
Clare Beck at Adrian Sassoon
Rose, Jim
Ann Nathan Gallery
Rose, Marlene
Adamar Fine Arts
Rosenfeld, Erica
Mostly Glass Gallery
Rosol, Martin
Schantz Galleries
Rossbach, Ed
browngrotta arts
Rothmann, Gerd
Ornamentum
Rothstein, Scott
browngrotta arts
Rousseau-Vermette,
Mariette
browngrotta arts
Roussel, Anthony
Charon Kransen Arts
Rowan, Tim
Lacoste Gallery
Rubino, Silvano
Berengo Studio 1989
Russmeyer, Axel
browngrotta arts
Rutherford, Fiona
Contemporary Applied Arts
Ruzsa, Alison
Mostly Glass Gallery
Ryan, Jackie
Charon Kransen Arts
SSachs, Debra
browngrotta arts
Safire, Helene
UrbanGlass
Sajet, Philip
Ornamentum
Sakiyama, Takayuki
Joan B. Mirviss Ltd
Sakurai, Yasuko
Joan B. Mirviss Ltd
Salamon, Vladamir
Allan Stone Gallery
Salcedo, Samuel
Frederic GOT Gallery
Salvador, Andrea
Berengo Studio 1989
Samora, Maria
Blue Rain Gallery
Sand, Toland
Jane Sauer Gallery
Sano, Takeshi
Chappell Gallery
Sano, Youko
Chappell Gallery
Habatat Galleries Chicago
Sapir, Ira
Adamar Fine Arts
Sarneel, Lucy
Charon Kransen Arts
Sawyer, George
Oliver & Espig
Saxe, Adrian
Donna Schneier Fine Arts
Schaupp, Isabell
Charon Kransen Arts
Scheinman, Nancy
Jane Sauer Gallery
Schick, Marjorie
Charon Kransen Arts
Schimmel, Heidrun
browngrotta arts
Schmitz, Claude
Charon Kransen Arts
Schreiber, Constanze
Ornamentum
Schuerenkaemper,
Frederike
Charon Kransen Arts
Scott, Joyce
Snyderman-Works Galleries
Sé, Virginia
Sciacco Studio
Seidenath, Barbara
Sienna Gallery
Sekiji, Toshio
browngrotta arts
Sekijima, Hisako
browngrotta arts
221
Sekimachi, Kay
browngrotta arts
Serber, Sasha
Old City Caesarea Gallery
Seufert, Karin
Charon Kransen Arts
Seventy, Sylvia
browngrotta arts
Shaa, Axangayuk
Option Art/Galerie Elca London
Shabahang, Bahram
Orley Shabahang
Shapiro, Mark
Ferrin Gallery
Lacoste Gallery
Shaw, Richard
Donna Schneier Fine Arts
Sheezel, Debbie
Charon Kransen Arts
Shigematsu, Ayumi
Katie Jones
Shigeo, Kawashima
TAI Gallery
Shin, Young-ok
browngrotta arts
Shindo, Hiroyuki
browngrotta arts
Shioya, Naomi
Chappell Gallery
Shockley, Tim
Maria Elena Kravetz
Shono, Tokuzo
TAI Gallery
Sicuro, Giovanni
Ornamentum
Sieber Fuchs, Verena
Charon Kransen Arts
Siesbye, Alev Ebüzziya
Galerie Besson
Signoretto, Silvano
Berengo Studio 1989
Simpson, Tommy
Scott Jacobson Gallery
Singletary, Preston
Blue Rain Gallery
Sins, Kathryn
Allan Stone Gallery
Sioulas, Konstantino
Oliver & Espig
Sisson, Karyl
browngrotta arts
Slaughter, Kirk H.
ten472 Contemporary Art
Sloan, Susan Kasson
Aaron Faber Gallery
Smelvær, Britt
browngrotta arts
Smith, Barbara Lee
Snyderman-Works Galleries
Smith, Richard Zane
Blue Rain Gallery
So, Jin-Sook
browngrotta arts
Soest, Roos van
Charon Kransen Arts
Soldner, Paul
Moderne Gallery
Sonia, Yael
Mariana Magtaz
Sørenson, Grethe
browngrotta arts
Spano, Elena
Charon Kransen Arts
Speckner, Bettina
Sienna Gallery
Spira, Rupert
Clare Beck at Adrian Sassoon
Spitzer, Silke
Ornamentum
Stair, Julian
Clare Beck at Adrian Sassoon
Stanger, Jay
Scott Jacobson Gallery
Stankard, Paul
Donna Schneier Fine Arts
Ken Saunders Gallery
Stebler, Claudia
Ornamentum
Steepy, Tracy
Sienna Gallery
Stein, Ethel
browngrotta arts
Steinberg, Eva
Snyderman-Works Galleries
Stender, Oriane
Allan Stone Gallery
Stern, Ethan
Chappell Gallery
Sterner, Marion
Zest Contemporary
Glass Gallery
Stiansen, Kari
browngrotta arts
Stips, Wouter
Berengo Studio 1989
Stocksdale, Bob
Moderne Gallery
Stoyanov, Aleksandra
browngrotta arts
Stutman, Barbara
Charon Kransen Arts
Sugawara, Takehiko
Art Front Gallery
Sugita, Jozan
TAI Gallery
Sugiura, Yasuyoshi
Joan B. Mirviss Ltd
Sultz, Phillip
Allan Stone Gallery
Sumiya, Yuki
Charon Kransen Arts
Superior, Mara
Ferrin Gallery
Superior, Roy
Allan Stone Galleryy
Suzuki, Hiroshi
Clare Beck at Adrian Sassoon
Syvanoja, Janna
Charon Kransen Arts
TTagliapietra, Lino
Donna Schneier Fine Arts
Heller Gallery
Takaezu, Toshiko
Donna Schneier Fine Arts
Moderne Gallery
Takamiya, Noriko
browngrotta arts
Takegoshi, Jun
Joan B. Mirviss Ltd
Tanabe, Mitsuko
TAI Gallery
Tanabe, Takeo/Shochiku III
TAI Gallery
Tanaka, Chiyoko
browngrotta arts
Tanaka, Hideho
browngrotta arts
Tanaka, Kyokusho
TAI Gallery
Tang, Brendan
Option Art/Galerie Elca London
Tanikawa, Tsuruko
browngrotta arts
Tanioka, Shigeo
TAI Gallery
Tate, Blair
browngrotta arts
Tatsuki, Masaru
TAI Gallery
Tawney, Lenore
browngrotta arts
Taylor, Michael
Scott Jacobson Gallery
Terepins, Bettina
Mariana Magtaz
Thakker, Salima
Charon Kransen Arts
222
Thomson, Jim
Option Art/Galerie Elca London
Thompson, Joanne
Charon Kransen Arts
Tiffen, Ira
Mostly Glass Gallery
Toda, Seiju
TAI Gallery
Tomasi, Henriette
Charon Kransen Arts
Tomita, Jun
browngrotta arts
Katie Jones
Torii, Ippo
TAI Gallery
Townsend, Kent
William Zimmer Gallery
Trekel, Silke
Charon Kransen Arts
Tridenti, Fabrizio
Charon Kransen Arts
Truman, Catherine
Charon Kransen Arts
Tsai, Chang-Ting
Charon Kransen Arts
Tuccillo, John
Ann Nathan Gallery
Tunnillie, Ashevak
Option Art/Galerie Elca London
Tuominen-Niittylä, Kati
Galerie Besson
Turner, Annie
Joanna Bird Pottery
Turner, Julia
Ornamentum
Turner, Robert
Moderne Gallery
Tuupanen, Tarja
Ornamentum
UUeda, Yoshihiko
TAI Gallery
Ueno, Masao
TAI Gallery
Umbreit, William
Allan Stone Gallery
Ungvarsky, Melanie
UrbanGlass
Unterseher, Chris
Allan Stone Gallery
VVagen, Verushka
Duane Reed Gallery
Vagi, Flora
Charon Kransen Arts
Vallien, Bertil
Donna Schneier Fine Arts
Valoma, Deborah
browngrotta arts
van Aswegen, Johan
Sienna Gallery
van der Beugel, Jacob
Joanna Bird Pottery
Van Cline, Mary
Scott Jacobson Gallery
Van Der Laan, Christel
Charon Kransen Arts
van Giel, Eduard
Galerie Van Der Planken
Van Stom, Feyona
Maria Elena Kravetz
Vanden Daele, Pieter
Galerie Van Der Planken
Vardar, Emel
Turkish Cultural Foundation
Veers, Lilli
Charon Kransen Arts
Velez, Luis Efe
Adamar Fine Arts
Venet, Bernar
Adamar Fine Arts
Vermandere, Peter
Charon Kransen Arts
Vermette, Claude
browngrotta arts
Vikman, Ulla-Maija
browngrotta arts
Virden, Jerilyn
Ann Nathan Gallery
Vitkovsky, Janice
Jane Sauer Gallery
Voulkos, Peter
Donna Schneier Fine Arts
Moderne Gallery
WWada, Morihiro
Joan B. Mirviss Ltd
Wagle, Kristen
browngrotta arts
Wagner, Karin
Charon Kransen Arts
Wahl, Wendy
browngrotta arts
Walker, Jason
Ferrin Gallery
Walter, Julia
Charon Kransen Arts
Wander, Robert
Oliver & Espig
Watanuki, Yasunori
Charon Kransen Arts
Weinberg, Steven
Donna Schneier Fine Arts
Schantz Galleries
Scott Jacobson Gallery
Weir-Quiton, Pamela
Moderne Gallery
Weiser, Kurt
Ferrin Gallery
Weiss, Caroline
Charon Kransen Arts
Weldon-Sandlin, Red
Ferrin Gallery
Welker, Lena McGrath
browngrotta arts
Westby, Lars
Cross Mackenzie Gallery
Westphal, Katherine
browngrotta arts
Whitney, Ginny
Aaron Faber Gallery
Willemstijn, Francis
Charon Kransen Arts
Williams, Diana
Cross Mackenzie Gallery
Winqvist, Merja
browngrotta arts
Winter, Jasmin
Charon Kransen Arts
Wirasekara, Sharmini
Mostly Glass Gallery
Wittrock, Grethe
Snyderman-Works Galleries
Wolff, Ann
Scott Jacobson Gallery
Woo, Jin-Soon
Charon Kransen Arts
Woodman, Rachael
Clare Beck at Adrian Sassoon
Woodward, John
Allan Stone Gallery
223
YYako, Hodo
TAI Gallery
Yamaguchi, Ryuun
TAI Gallery
Yardimci, Ilker
Turkish Cultural Foundation
Yeonsoon, Chang
browngrotta arts
Yi, Jung-Gyu
Charon Kransen Arts
Yokouchi, Sayumi
Sienna Gallery
Yonezawa, Jiro
browngrotta arts
Yoon, Hyung Kyun
Cross Mackenzie Gallery
Yoshida, Masako
browngrotta arts
Youngman, Phillip
Oliver & Espig
Yrarrázaval, Carolina
browngrotta arts
Yufu, Shohaku
TAI Gallery
Yuh, SunKoo
Lacoste Gallery
Yuki, Yoshiaki
gallery gen
ZZadorine, Andrei
Frederic GOT Gallery
Zahm, Philip
Oliver & Espig
Zanella, Annamaria
Charon Kransen Arts
Zaytceva, Irina
Jane Sauer Gallery
Zehavi, Michal
Cross Mackenzie Gallery
Zembok, Udo
Clare Beck at Adrian Sassoon
Zenger, Yilmaz
Turkish Cultural Foundation
Zhitneva, Sasha
Chappell Gallery
Ziegler Nodelman, Nancy
Maria Elena Kravetz
Zimmermann, Petra
Ornamentum
Zobel, Michael/
Peter Schmid
Aaron Faber Gallery
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