Street Furniture

7/12/2019 Street Furniture

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StreetFurniture



StreetFurniture

Chris van Uffelen



162 30 Adelaide Street East

Janet Rosenberg + Associates

16 4 Minato-Mirai Business Square

Earthscape

166 Relecting Pools

OLIN

16 8 De Inktpot

OKRA landschapsarchitecten bv

169 Fountain Cameon

Rainer Schmidt Landschatsarchitekten

with GTL Landschatsarchitekten

Garbage

172 Garbage Can Senior 954

Caesarea Landscape Design Ltd.

173 Garbage Can Kiryat Uno


174 Envac Disposal Chute

EBD architects ApS

176 Cylinder Waste Container

mmcité a.s.

178 BINA

Gonzalo Milà Valcárcel

Light and Sign

18 2 Wayinding and Interpretive

Graphics

Sasaki Associates

18 6 Signpost

Despang Architekten

18 8 Bargteheide Voice Shower

Matthias Berthold, Andreas Schön

18 9 York University Coordinated

Signage and Wayinding Program

Kramer Design Associates (KDA)

T E N T S

reace

ike and Play

reat Street Games

MA Creative Technology Ltd

iDondolo

itzi Bollani

D 003

overo Adrien Studio

ark Games Science Park

onaUno

IT IN

TORE MUU design studio

ood Mitigation Measures

rimshaw

élib and Mupi

gence Patrick Jouin

helter Imperia

ASTI GmbH

arguerite Bike Rack

HY design international

adhaus – Bicycle Station

sterwold & Schmidt – Exp!ander Architekten

yclo Bicycle Stand

ez+díez diseño

elo Bicycle Stand

mcité a.s.

oundary

ilarete Bollard

edro Silva Dias

aiku Bollard

ez+díez diseño

42 Heaven is a Place on Earth

d e signstudio regina dahmen-ingenhoven

46 Fence as Meetingpoint

Tejo Remy & Rene Veenhuizen

48 Bollard Elias

mmcité a.s.

50 Domplein


52 The Community Chalkboard

Siteworks-Studio

56 Platorm House

Ryo Yamada

57 Lace Garden

Anouk Vogel landscape architecture

13 Allermöhe Wall


60 Our Lights will lead the Way

Sungi Kim & Hozin Song

61 Animal Wall

Gitta Gschwendtner

62 Green Trap

Adrien Rovero with Christophe Ponceau

Ensemble

66140 BoomerangsStudio Weave

70 Center square, Rakvere

KOSMOS

72 Helga Eng Square, University o Oslo

Bjarne Aasen Landskapsarkitekt MNLA

74 Strossmayer Park

Atelier Boris Podrecca

78 National Harbor

Sasaki Associates

T E N T S

126 Sylvia Park

Isthmus

130 Kumutoto

Isthmus & Studio Pacic Architecture

134 South Boston Maritime Park

Machado and Silvetti Associates

136 West Los Angeles City College,

Pedestrian Promenade

SQLA inc. LA

138 HtO – Urban Beach

Janet Rosenberg & Associates,

Claude Cormier architectes paysagistes inc.

140 VivoCity

Sitetectonix Private Limited

14 4 Fountain Promenade at

Chapultepec Park

Grupo de Diseño Urbano

146 Horizons

Will Nettleship

147 Under Road

Vulcanica Architettura

148 Riva Split Waterront

3LHD architects with Irena Mazer

Plants and Water

154Godotdíez+díez diseño

156 Thousand Year Forest

Earthscape

158 A Tree that will grow Dreams

Earthscape

160 Chaariz Drinking Fountain

Estudio Cabeza

161 One North Wacker Drive

PWP Landscape Architecture, Inc.

190 Welcome!

Rainer Schmidt Landschatsarchitek

191 Avenue Honore-Mercier

Michel Dallaire Design Industriel – M

192 OliviO

West 8 urban design & landscape ar

194 Dragonlight


195 Weidenprinz Light Tree

Freitag Weidenart, Bureau Baubotan

196 LITA


197 Peak


198 Miguel Dasso Boulevard

Artadi Arquitectos

200 Linea

töper.bertuleit.architekten

Pavement

204 Nowy Square, Krakow

Biuro Projektów Lewicki Łatak

206 Centuries in turn

Will Nettleship

207Wolnica Square, KrakowBiuro Projektów Lewicki Łatak

208 Arizona Canal at Scottsdale W

JJR | Floor

212 Watermap

Stacy Levy

216 Ridge and Valley

Stacy Levy

218 Solarium, Parc des Prés de Lyo

BASE

82 Benches at Elwood Foreshore

ASPECT Studios

86 City Center, Zutphen


87 Gran Vía de Llevant

Arriola & Fiol arquitectes

88 Storaa stream


89 Central Park o Nou Barris


90 Sea Organ and Greeting to the Sun

Marinaprojekt d.o.o.

94 Chess Park

Rios Clementi Hale Studios

98 Quincy Court


102 Station square, Apeldoorn

LODEWIJK BALJON landscape architects

104 Bohaterów Getta Square

(Zgody Square)


108 Ksiazat Czartoryskich Square


110 General Maister Memorial Park

BRUTO d.o.o.

11 4Wellness Orhidelia BRUTO d.o.o.

116 In Factory

3GATTI

11 8 Kic Village

3GATTI

120 Lazona Kawasaki Plaza

Earthscape

122 City Heart, Palmerston North

CCM Architects, Ralph Johns & John Powell

Landscape Architects

˛ ˛´



35 0 Fukuoka Bank

Earthscape

352 City Mall, Christchurch

City Mall Alliance – Isthmus, Reset,

Christchurch City Council and Downer EDI

35 6 Boat Seat, North Shore City

Isthmus

35 8 Pier Place Square, Cape Town

Earthworks Landscape Architects

360 Pedestrian Zone Sala

PLEIDEL ARCHITEKTI s.r.o.

362 Benches at Indre Kai

Smedsvig Landskapsarkitekter AS

36 4 The Red Ribbon

Turenscape, Kongjian Yu

36 8 Nakasato Juji Project

Ryo Yamada & Ayako Yamada

369 Benches and Seats Rhodes


370 Anonymous Garden


372 Bubble Bench

OLIN

374 Glass Bench

OLIN

376Concrete ThingsKOMPLOT Design

Shelter

38 2 Veil Solar Shade

Buro North

38 6 Street Furniture Franchise

Grimshaw

390 Nicho PT

Pedro Silva Dias

hanghai Carpet

om Leader Studio

lace Aristide Briand

gence APS, paysagistes dplg associés

TE College East

itetectonix Private Limited

roduct Line

urleigh – Surboard Series

treet and Garden Furniture Company

uxtram

ischutz Davidson Sandilands

eo

ischutz Davidson Sandilands

ity o Toronto coordinated

treet Furniture Program

ramer Design Associates (KDA)

Mobilia

BD architects ApS

en

íez+díez diseño

ark Bench Radium

mmcité a.s.

ramway de Bordeaux

gence Elizabeth de Portzamparc

eating

inerlo

Mitzi Bollani

ondel Verses

nouk Vogel landscape architecture

okyo City Bench

tudio Makkink & Bey BV

treetscape Furniture

andellsandberg

25 0 The Big Bench

Buro Poppinga

25 2 Boom Bench

NL Architects

25 4 Topograico Bench

Estudio Cabeza

256 Patrimonial Bench

Estudio Cabeza

25 8 Encuentros

Estudio Cabeza

259 Miriápodo

díez+díez diseño

260 Solar Bench

Owen Song

261 cuc

Foreign Oce Architects (FOA)

262 Bird Bed

Nea Studio

26 4 Park Bench Swinger

Architektin Mag. arch. Silja Tillner

266 Bench Castle 717


267 SOL and NET

Diego Fortunato

26 8 Benches Martelo


269 Alil Set

Estudio Cabeza

270 West 8 Timber Seat

West 8 urban design & landscape architecture

272 West 8 Swirl Bench

West 8 urban design & landscape architecture

274 Benches at Pirrama Park

ASPECT Studios

276 Wirl

Zaha Hadid Architects

316 Modular Bench Naguisa

Toyo Ito and Associates, Architects

318 Y

Alexandre Moronnoz

320 Intererences

Alexandre Moronnoz

322 Muscle

Alexandre Moronnoz

324 Trottola Spinning Top

Mitzi Bollani

326 liquirizia

Aziz Sariyer

328 mariù

Aziz Sariyer

330 Nido Bench

Esrawe Studio

332 Reverb Chair

Brodie Neill

334 Regency Benches

Julian Mayor

336 Bag Stools

Gitta Gschwendtner

337 Chair that disappears in the Rain

Tokujin Yoshioka Design

338 Šentvid Urban Park

BRUTO d.o.o.

340 Marunouchi Oazo North Building

Earthscape

342 Two generations o Cherry Blossoms

Earthscape

344 Nature and City Bench

Earthscape

346 Earth Thermometer

Earthscape

348 Memory Chair

Earthscape

392 Cabine PT

Pedro Silva Dias

394 Newspaper Kiosks

Heatherwick studio

398 Urban Furniture and Equipme

Buenos Aires

Estudio Cabeza

400 Kubus EXPORT – The transpar

Architektin Mag. arch. Silja Tillner,

Pro. Valie Export

404 Regio Shelters

mmcité a.s.

406 Transer Stations, São Paulo

Bacco Arquitetos Associados

408 Texas Cowboys Pavilion

Miró Rivera Architects

410 Central Park, Parkstadt Schwa

Rainer Schmidt Landschatsarchitek

414 Pavilions or Smokers

BRUTO d.o.o. with Urban Švegl

418 Hortus urbanus

Corbeil + Bertrand Architecture de p

420 Butterly Pavilion

Della Valle + Bernheimer Design, LLP

422 The Amazing Whale Jaw

NIO architecten

424 Pergola, Le Havre

Claude Cormier architectes paysagis

426 City Toilet

Brähmig, Ströer

430 Trail Restroom


432 Architects Index

447 Picture Credits

44 8 Imprint

278 Leopold Square, Sheield

Broadbent

280 The Wave

Street and Garden Furniture Company

282 Mollymook


284 Twig


286 QIM

Michel Dallaire Design Industriel – MDDI

288 Sot Bench

Lucile Soufet

290 Bancs Circulaires

Lucile Soufet

292 Union Bench Collection

Jangir Maddadi Design Bureau AB

294 Tree Guard Bench

Benjamin Mills

296 Pleamar Bench

díez+díez diseño

298 Ponte

díez+díez diseño

300 Dove

díez+díez diseño

302 SIT Collection

Diego Fortunato

304 LINK

nahtrang

308 SILLARGA / SICURTA

Juan Carlos Ines Bertolin, Gonzalo

Milà Valcárcel

310 Botanic Bench

Street and Park Furniture

312 Tea Tree Gully Seat

Street and Park Furniture

314 SO-FFA

Baena Casamor Arquitectes BCQ S.L.P.

T E N T S



urnishing their streets by marketi

elements as advertising space (bus

making their use chargeable, such a

ully automated toilets, the Saniset

designed by him. Even though mos

urniture is produced in series, uni

designs are the second pillar o the

The unique pieces are usually much

conspicuous and intended to highl

specic location within the city, or

specic setting. Usually they do no

o single items o a specic type o

urniture, but o ensembles includi

benches, planters, bollards or pave

are analogous to the product lines

productions. These ensembles crea

environments and become sel-serv

individual location – a setting that

its own space. Just like a bench wit

the city square brings people toget

oers a communicative island in th

passers-by. Thus, in the times o “u

living, perhaps street urniture is t

contemporary and topical type o

However, it not only creates the setting o

our public lie between the “wallpaper” o

the building açades, but actually constitutes

a substantial part o urban identity. Usually

unnoticed, manhole covers and street signs

are repeated elements that create a typical

network or each city across its various

districts or streets, connecting the individual

buildings to a conglomerate with common

eatures. This was most obviously and

publicly successully implemented in the

Metro stations by Hector Guimard in Paris

around 1900. I only parts o the greenish,

plant-like metal shapes or maybe even the

lettering “Metropolitain” are glimpsed on a

picture, it is immediately apparent that the

setting is the French capital near the Seine.

Just as typical, but less renown are the

paddle-shaped signs describing the “Histoire

de Paris” (history o Paris), which were

designed by Phillippe Starck or JCDecaux

and set up around the city in 1998. Jean-

Claude Decaux revolutionized street urni-

ture by relieving cities rom the high costs o

Street urniture is a rarely observed topic

and an apparently absurd combination o

words. The term urniture is usually associ-

ated with the private sphere, while the street

is a public space. The combination is even

more bizarre in those Latin languages in

which the word urniture derives rom the

word “mobile,” i.e. something movable,

whereas street urniture is extremely

unmovable, as it is usually bolted or xed to

the foor. However, the derivation o “urni-

ture” rom the French “ournir,” i.e. “to

provide,” precisely describes its unction:

street urniture provides us with comort in

public spaces, giving us inormation, seating,

light, and protection. It thus serves similar

purposes as the regular urniture within the

home, rendering urban spaces livable.

Street Furnitureby Chris van Uelen

A C E

gg| Pieter Lucas Marnette, electrical

distribution box in the style o the Amsterdamschool, Amsterdam 1928

g| Norman Foster and Partners, serial

product “Abribus” bus stop or JCDecaux, Paris 1994

f| Santiago Calatrava architect and

engineer, individual designed bus stop at the

Satolas Station, Lyon 2002



B O U N D A R Y

E N S E M B L E

P L A N T S A N D W A T E R

G A R B A G E

L I G H T A N D S I G N

P A V E M E N T

P R O D U C T L I N E

S E A T I N G

S H E L T E R

B I K E A N D P L

A Y



Mitzi Bollani

NiDondolo

NiDondolo looks like a big nest and begins to rotate, twist and turn, and swingslight movement when in use. Children enter it crawling on all ours and saelylying down or sitting up. Its name comes rom a combination o two Italian w(nest) and Dondolo (swing). NiDondolo allows children to develop their sense ocoordination and creativity. The game oers extra interest and excitement owith mental, physical or multiple impairments too. The robustness o NiDondolows its use by adults to meet the needs o those parents who wish to share ththeir very small inant children, or with their older daughters and sons.

P R O J E C T F A C T S

Client: LEURA srl. Completion: 2009. Production: serial production. Design: indesign. Functions: playing. Main materials: steel, sot material.

ii| Game in action, Parco Galleana

i| A sot nest or playing

o| Sketch

KMA Creative Technology Ltd

E C T F A C T S

: The Great North Run Cultural Programme. Completion: 2009. Production: singleDesign: individual design. Functions: playing, interactive light installation. Main

ials: projected light, sound.

reat Street Games

eries o outdoor games used light projection and thermal-imaging technology toe jaw-dropping interactive playing arenas in which human movement triggered spec-ar light eects. The games took place simultaneously in large urban spaces o three-eastern UK locations. Participants in Gateshead, Sunderland and Middlesbrougheted against each other with no previou s preparation. The scale o the a renas created aesthetic impact on the urban environments in which they were placed, drawingnces quite oten by chance as people went about their daily lives. Curiosity drewe in, but it was the intelligence o the language within these games that held thec’s attention and engaged them in problem solving, play and social engagement.

gg| Arena in Gateshead

ii| Screen capture, rom a game

g| Playing on the interactive light instal-

lationi| Arena in Sunderland

A N D P L A Y



D 003sanne

bike rack can be described as a six bikes vs. one car. The rack uses one parking lot tommodate six bicycles and draws attention to the additional space that is required oraic. It has the silhouette o a car.

Rovero Adrien Studio

E C T F A C T S

ss: Place de la Cathédrale, 1000 Lausanne, Switzerland. Planning partner: Inout /Torres. Client: Inout. Completion: 2006. Production: single piece. Design: individ-

esign. Functions: bicycle stand. Main materials: galvanised steel.

g| Bicycle stand

ii| Elevation and plan

i| Street view

Park Games Science ParkConsisting o a series o devices to be positioned outdoors, the Science Park provteresting and enjoyable way o communicating concepts and principles on subjecing the natural sciences to art, music, architecture, and others. The connectionthe park’s interactive structures is their highly playu l nature. They stimulate plaintimate process o growth based on learning and experimentation in a stimularonment where natural and artiicial elements interact and become one. The potrinsic capacity o games to impart knowledge is used to discover science in ever

ZonaUno / Tobia Repossi


Client: MODO srl. Completion: 2009. Production: serial production. Design: prodFunctions: playing. Main materials: inbox.

ii| Rotating See Saw

oo| Semiball

i| Speak into the tube

o

| Spinning top

A N D P L A Y



P R O J E C T F A C T SSTORE MUU design studio

PIT IN

PIT IN is a street object that ulills several unctions that are useul in everyday lie inthe city. For pedestrians it is a pleasant bistro-table oering a practicable opportunity ora short stop. However the target group or this design table are cyclists. They can easilydock with their bikes while the saddles o their own bikes turn into seats. Several prob-lems aced by cyclists nowadays will be solved at one go. For instance, it won’t be neces-sary to carry a bike lock while going to lunch, because one does not need to leave one’sbike. The search or ree seats in crowded areas won’t be necessary either, as the own seatis mounted to the bike.

Completion: 2009. Production: serial production. Design: individual design. Functions: seating,bicycle stand. Main materials: steel, plywood.

T IN, bicycle stand and seating unit in one i| Seating position, eet and arms resting on

the structure

d| Plan and section

i| Side elevation, used as simple bike stand

s| Elevation, pedestrians and cyclists can use

the object

A N D P L A Y



P R O J E C T F A C T SGrimshaw / Casimir Zdanius

ood Mitigation Measuresw York City

nting excess storm water rom entering the subway system was the primary objec- this project. The designs are located above existing subway vents that in the pastnot exactly pedestrian traic riendly due to their oten deteriorated condition hov-above a signiicant void beneath. Designing elements that unction as bicycle racksenches added additional public value. Each unit is modular up to 1.5 meter incre-

s and extendable to match the tunnels beneath. The elements have enough transpar-o have a street presence even when not in use. Each bench seats up to three people

ach module holds up to eight bicycles.

Address: West Broadway between Chambers and Worth Streets, New York City, NY, USA. Planning

partner: Grimshaw Industrial Design, Billlings Jackson Design, HNTB, Systra, Scape. Client: The

Metropolitan Transit Authority o New York. Completion: 2009. Production: serial production. Design:

product line. Functions: seating, bicycle stand, raised grille to prevent stormwater rom entering sub-

way system. Main materials: stainless steel, galvanized steel rame, recycled regalvanized bar grating

i| Bicycle stand, detail o eight meter option

i| View o eight meter design

s| Part Elevation

ii| Bicycle stand and seating

i| Isometry

A N D P L A Y



Agence Patrick Jouin /

Patrick Jouin

P R O J E C T F A C T SAddress: Paris, France. Client: JCDecaux SA. Completion: 2007. Production: serial production.Design: individual design. Functions: bicycle stand. Main materials: cast aluminum.

élib and Mupis

et o urban urniture or the city o Paris was commissioned by JCDecaux. 1,400 sta-o Vélib, a contraction o the French words or velo – bicycle, and liberté – reedom,installed throughout Paris at a rate o one approximately every 300 meters, oering20,000 bicycles to the public. The success o these pieces o urban urniture is duet to the plant metaphor that inspires them. The sot curve o the attachment pointss the orm o grass, while the arch o the terminals resembles the shape o trees.egetal reerence, combined with the exclusivity o this series to the city o Paris,

subtle tribute to the arnaus urban contributions o Hector Guimard during the Arteau era.

i| Bicycle station

o| Attachment points

p| Inormation point MUPI (Mobilier urbain

pour l’inormation)

A N D P L A Y



i| Attachment point, with bike-locking

mechanism

f| Sketch

f| MUPI and attachment points

s| Bicycle station, MUPI and attach

V é L I B A N D M u P IA G E N C E P A T R I C K J O U I NA N D P L A Y



RASTI GmbH /

Klaus Bergmann

P R O J E C T F A C T SAddress: An der Mühle 21, 49733 Haren, Germany. Client: Rasti GmbH. Completion: 2005. Production

serial production. Design: individual design. Functions: shelters. Main materials: steel.

helter Imperiaen

mperia rooing system is a good opportunity or companies and cities to stylishlynt themselves. The patented „Made in Germany“ design can be produced in variousand colors. The core construction is made o hot-dip galvanized steel and a rooingo galvanized and grey-white coated trapezoidal sheet metal. Imperia can be used asonal shelter or multi-purpose rooing. It oers bicyclists a comortable and secure

ng and locking area. All variations can be adjusted to the respective urban designt harmoniously into the existing setting.

i| Basic construction, made o heat-

galvanized steel and proled sheeting roo cover

p| Fil igree shelter, with transparent roong

A N D P L A Y



S h E L T E R I M P E R I AR A S T I G M B H

i| Lattice-style version in grey

f| Imperia as a one-sided bicycle shelter

f| Protective roo or bicycles, m

cycles, etc.

s| Timeless and classic design

A N D P L A Y



P R O J E C T F A C T S YHY design international /

Yoann Henry Yvon

arguerite Bike Rack

oncept o the Marguerite bike rack seeks to motivate city dwellers to use the bike aso-riendly means o transport and is distinguished by a resh and appealing design.mpact mechanism oers enough parking space or numerous bikes in a limited Moreover, the innovative parking devices are very lexible as they can be placed inart o the city, depending on the requirement o the users and the space. The standws o bike holders which are shaped like petals coming out o a centerpiece. Manualment o its petals allows to easily park and lock your bike. The Marguerite bike racka combination o vivid colors, a deliberate mechanism, and eye-catching shapes.

Completion: 2008. Production: single piece. Design: individual design. Functions: bicycle stand. Main

materials: polythene, stainless steel.

i| Bike rack in use

i| Plan

s| Beautiul appearance in the cityscapei| Detail o the centerpiece

A N D P L A Y




Osterwold & Schmidt –

Exp!ander ArchitektenAddress: Bahnhostraße 22, 99084 Erurt, Germany. Planning partner: Torsten Braun (light design),Hennicke+Dr.Kusch (structural engineering), IBP Erurt (building electronics). Client: City o Erurt.Completion: 2009. Production: single piece. Design: individual design. Functions: shelter, bicyclestand, oce, workshop, rental. Main materials: polycarbonate panels, steel, ornament lm.

adhaus – Bicycle Stationrt

heme o a bicycle station promises mobility and dynamism in contrast with a ixedon. Based on this concept, a slim structure was developed and placed on a wedge-d plot o land. The bicycle parking station is the irst o its kind oering this par-r application combination in eastern Germany. A total o 270 parking places andxes are located underneath its roo. The translucent açade o the building measur-pprox. 70 meters was made o highly- insulated 8-chamber polycarbonate sheets,lemented by oil ornaments in shades o gold and silver. In addition to its unctionicycle parking station, the building also unctions as an “illuminated shed” to secure

viously unused residual area.

i| Attractive açade o the new bicycle station

p| Building ront, illuminated at twilight

A N D P L A Y



afostationErfurt 11GmbH

chtlich!

O S T E R W O L D & S C H M I D T – E X P ! A N D E R A R C H I T E K T E N R A D h A u S – B I C Y C L E S T A T I O N

i| Plan and section

f| Detail view, related ornaments at the açade

f| Inside the shelter, up to 270 bic

accomodated here

s| Bicycle station, with Erurt main

the background

A N D P L A Y



P R O J E C T F A C T Sdíez+díez diseño

yclo Bicycle Stand

combines two essential eatures o street urniture – it has an appealing designs to its rounded orms and is robust thanks to its concrete construction. It is thusul street element, able to resist the elements and vandalism. A main goal o the de-

rs in developing the bicycle stand was to honor and support the cyclists, who maketies and towns more livable with the simple gesture o their daily pedaling. Withersions, on drums or broad locations, or reestanding designed especially or smalls, Cyclo covers all the needs that any municipality, private developer or private citi-an have when parking their bicycles.

Client: Paviments MATA. Completion: 2009. Production: serial production. Design: product line. Func

tions: bicycle stand. Main materials: concrete.

i| Cyclo in use

i| Schemes o dierent models

s| Cyclo in use

i| Detail view

A N D P L A Y



P R O J E C T F A C T Smmcité a.s. /

David Karásek,

Radek Hegmon

elo Bicycle Stand

esign consists o a curved sheet o steel with support legs and spaces or the bicyclebetween two orked gussets that are connected via a pipe at the highest point. Theure o the Velo bicycle stand is simple and sturdy. O course, t here is a wide range o ls available in various colors and shapes that not only accommodate dierent num- parked bicycles, but also allow its use on one or two sides. Velo is a bicycle stand

a modern look and a great degree o practicality.

Client: mmcité a.s., City o Belast. Completion: 2000. Production: serial production. Design: individual design. Functions: bicyle stand. Main materials: galvanized steel.

i| Side Elevation

i| Detail view

s| Plans

i| Velo model VL140

A N D P L A Y



B O U N D A R Y

E N S E M B L E


G A R B A G E


P A V E M E N T


S E A T I N G

S H E L T E R

B I K E A N D P L A Y



g| General view

ii| Geometric construction

i| Detail

E C T F A C T S

ss: Sintra, Portugal. Client: City o Sintra. Completion: 2001. Production: serial pro-on. Design: individual design. Functions: bollard. Main materials: cast iron.

i| Bollards

o| Singel bollard

s| Rendering


Client: Tecnología & Diseño Cabanes. Completion: 2008. Production: serial prodDesign: individual design. Functions: bollard. Main materials: cast aluminum.

Pedro Silva Dias díez+díez diseño

larete Bollardra

ast iron bollard was commissioned by the City Council o Sintra, a World HeritageThe main idea o this project was to design an object without aces or edges. It has

ganic shape, some kind o bubble, which emerges rom the ground until it reaches itsunctional height. Its base plate ensures solid attachment to the pavement and giveslse impression that the object is standing on the ground, rather than buried in it.

Haiku BollardHaiku has been created to give some connotations o luency and naturalness torigid and monolithic element like the bollard, to acilitate its integration into puThe slight ascendant twisting o its triangular section creates a nice sensationment, similar to the one a light breeze would cause on a smoke column. Haiku isbe a piece that in its repetition becomes a kind o installation in the style o thby Christo and Jeanne-Claude.

N D A R Y




d e signstudio regina

dahmen-ingenhovenAddress: Swarovskistraße, 6112 Wattens, Austria. Planning partner: Baubüro Swarovski, 4to1 Licht-design. Client: D. Swarovski & Co., Wattens. Completion: 2008. Production: single piece. Design: indi-vidual design. Functions: ence, urban curtain. Main materials: metal mesh, stainless steel.

eaven is a Place on Earthtens

antastic veil has just been completed or the Swarovski works in Wattens, Austri a. Itaces the entire premises so that the entire entrance area becomes a “landmark” and aesis o the arts. It not only veils, but also unctions as a gate. The semi-transparential does not disclose the Swarovski secret. Instead, it allows the onlooker to surmise

en the opposite side o the street is incorporated in the shape o a grove lined withlimes. This creates a luid transition to the public space. Veil, landscaping, illumi-

n and the design o the space merge to become a breathtaking backdrop. The veil iso corrosion- and weather-resistant stainless steel mesh.

i| View along the Swarovskistraße at night

o| Veil and enclosed area illuminated

p| Semi-transparent metal mesh

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D E S I G N S T U D I O R E G I N A D A H M E N - I N G E N H O V E N h E A V E N I S A P L A C E O N E A R T h

i| View upwards

f| Situation

p| Veil mounted to sinuous steel tube

N D A R Y



P R O J E C T F A C T STejo Remy & Rene Veen-

huizen

ence as Meetingpointdrecht

nly are the protrusions and recessions o the playground ence eye-catching, butalso allow or more interaction between those on either side o the ence, providing

nooks and play areas or children. Instead o the initial concept o adding nothingschoolyard, an existing element was used and converted. Part o the ence was

ormed into lounge- and sitting spots or the students in order to create meetings. A distortion o the existing rhythm creates these meeting places on both sides o nce. The work, which covers ive ence parts, replicates the measurements and colorexisting Heras ence.

Address: Willem de Zwijgerlaan 2, 3314 NX Dordrecht, The Netherlands. Client: Primary school “HetNoorderlicht”, Dordrecht. Completion: 2005. Production: single piece. Design: individual design. Func

tions: seating, boundary. Main materials: steel, powder-coating.

i| Seating platorm, in the ence

i| Seatings in use

s| Fence

i| Perspective

N D A R Y




David Karásek,

Radek Hegmon

ollard Elias

are rarely noticed, the silent guards in urban areas that control driveways and de-he borders o speciic areas. This is because they belong to the class o urban ur- that should not be too prominently seen. The bollard Elias, however, combines itsunction with a street illumination unction and its time to shine is during dusk.

tructured as a rectangular steel pipe equipped with regular slots. This is where thescent tubes are placed in the illuminated models o the series. Elias is a guard thatstly holds back during the day only to shine at night.

Client: mmcité a.s., City o Prague. Completion: 2009. Production: serial production. Design: individual design. Functions: bollard, lighting. Main materials: steel.

i| Detail view, bollard with city arms

i| Plans

s| Illuminated bollard

i| Illuminated bollard

N D A R Y



P R O J E C T F A C T SOKRA landschapsarchitecten

bv / Christ-Jan van Rooij, Hans

Oerlemans, Martin Knuijt, Wim

Voogt, Boudewijn Almekinders


ompleincht

eart o the city o Utrecht is bui lt on top o a castellum. The potential o the Dompleinevitalize the signi icance o the origin o the city. The Ca stellum wall, at our metersground, acquires a reerence in the street and on the square. The dramatic potentialDomplein is intensiied with a clearly recognisable and mysterious dividing line.

marking is just as silent as the quiet archaeological witness underground. The line o s only interrupted at t he Castellum gates. Fragments o smoke come out o the guttermetal plates and reveal the presence o the ray o light. The line is even more visible

g rain or mist and ater darkness has set in.

Address: Domplein, 3512JE Utrecht, The Netherlands. Construction: Rots Maatwerk. Client: StichtingDomplein 2013. Completion: 2010. Production: single piece. Design: individual design. Functions: ogand light line. Main materials: corten steel, LED lighting.

i| Fog and light line in a museum

ii| Plan

i| Example machine producing og

s| Fog and light line in a street

i| Line in ront o the church

s| Marking by day

N D A R Y




Siteworks-Studio /

Pete O’Shea

he Community Chalkboardrlottesville, VA

ple wall o black slate extends rom Charlottesville’s pedestrian mall toward a publicitheater while orming a series o spaces between the street and city hall. Winnerhomas Jeerson Center or Free Speech competition, the monument celebrates the

amendment with a public chalkboard: a place or uninhibited expression and dis-e. The wall is joined by a podium set in a gathering area below sculptures o theAmendment’s authors. Facing Thomas Jeerson’s home, Monticello, the monumentnizes history while challenging us to move orward as a nation.

Address: City Hall, Charlottesville, VA 22901 USA. Co-designer: Robert Winstead. Client: ThomasJeerson Center or the Protection o Free Expression. Completion: 2006. Production: single piece.Design: individual design. Functions: monument. Main materials: natural clet Buckingham blackslate, stainless steel, ber optic lighting.

i| General view

p| Children writing on the board

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S I T E W O R K S - S T U D I O

i| Engraved text

f| An artist’s drawing o Lady Liberty

f| Detail o chalk tray, with youn

s| Perspective sketch

T h E C O M M u N I T Y C h A L K B O A R DN D A R Y



Ryo Yamada

atform Houseporo city

project, set up at a tram terminal, acts as a curtain to visually partition the terminaltwo areas, the sidewalk and the terminal as such. Anyone can reely access the rail-at the tram terminal, yet Platorm House visually helps people in saely getting intoailroad. It also serves as a sign to alert passengers they have arrived at the terminal.onspicuous-looking lattice design made o thin and long timbers sotly and naturally

tions the space without impeding the visibility o each area. The design is inspirede construction style o Japanese shrines in a method that allows people to subcon-sly have a sense o attachment to a nearby local shrine.

J E C T F A C T S

ess: Sapporo, Hokkaido, Japan. Planning partner: Sapporo City University Yamadaio. Client: Sapporo City. Completion: 2008. Production: single piece. Design: indi-al design. Functions: boards, signs, partition. Main materials: woods.

g| Platorm house, wooden side

ii| Perspective

i| Detail Lace GardenAmsterdam

The Lace Garden is the enclosed garden o an existing social housing block. It with a collection o white-lowering shrubs, perennials and bulbs that are intetween the existing and new trees. Along t hree o its edges the garden is deined bseparating it rom the surrounding private gardens. From the south, the garden visible through a standard metal wire mesh ence with a lacy twist. The ence by traditional lace expressed in modern orms.

Anouk Vogel landscape

architecture


Address: Van Speijkstraat 67, 1057 GN Amsterdam, The Netherlands. Planning

Demakersvan. Client: Ymere. Completion: 2009. Production: serial production.individual design. Functions: ence. Main materials: coated metal wire mesh.

ii| Lace Fence, rom Demakersvan

i| Design sketch

o| Echinops sphaerocephalus

N D A R Y



Matthias Berthold, Andreas

Schön


i| Design sketch

s| Wall with otoceramics

i| Way through the wall

Address: Railway station Allermöhe, Fleetplatz 1a, 21035 Hamburg, Germany. Client: KOKUS Kom-munikations- und Kunstverein Allermöhe e.V. Completion: 2007. Production: single piece. Design: individual design. Functions: wall, art work. Main materials: otoceramics.

ermöhe Wallmburg

project was launched to ix the destroyed wall, improve the quality o the building,ncrease the deterrent to a repetition o the applied violence. It was implemented withonal touch, emotions, creativity and in close contact to the local region. For this pur-the destroyed glass panes were replaced by individually designed ti les. The residentsasked in a competition to paint, draw, photograph to write entries on the topic o or who I love”. The entries were technically transerred onto tiles, giving every resi-he opportunity to easily participate in the project and contribute to the renovation.

i| Individual designed otoceramic

N D A R Y



Wind turbine

& Lighting

Reector

Battery & Power Generator


ur Lights will lead the Way

co-riendly road lights or the countryside will run on wind-generated electricityed by the passing traic. As a car passes by, the strong gush o wind it creates pro-lectric turbines that power the highway illumination system and load batteries thatthe electricity or use in nights without wind. Wireless data link sensors turn on theng o the roadway 50 to 100 meters ahead o an oncoming automobile.

E C T F A C T S

letion: 2009. Production: serial production. Design: individual design. Functions: nation, bollard. Main materials: polycarbonate.

g| Bollards on the road

ii| Technical sketch

i| Detail

Gitta Gschwendtner

Animal WallCentury Whar

The environmental impact o Cardi Bay’s extensive development is an ongoinand various measures have been taken to mitigate this. The approach taken owork was to assist wildlie and encourage urther habitation. The new housinment o Century Whar will provide 1000 new apartments; and the ’Animal match this with about 1000 nest boxes or dierent bird and bat species, integthe wall. Through consultation with an ecologist, our dierent sized animal hodeveloped, which have been integrated in the custom-made Woodcrete claddivide an architecturally stunning and environmentally sensitive wall or Centur


Address: Century Whar, Cardi Bay, United Kingdom. Architects for housing

ment: WYG. Client: WYG. Completion: 2009. Production: single piece. Design: idesign. Functions: nest boxes or birds and bats. Main materials: woodcrete.

ii| Close up

o| Overview

i| Front view

N D A R Y



Adrien Rovero with

Christophe Ponceau


i| Net, detail

s| View through the net

ii| Pont Bessiers

i| Elevation

Address: Pont Bessières, 1003 Lausanne, Switzerland. Client: Lausanne Jardins 2009. Completion:

2009. Production: single piece. Design: individual design. Functions: ence. Main materials: stainlesssteel.

reen Trapsanne

Trap was implemented or the Lausanne Jardins estival by Christophe Ponceaudrien Rovero. It is a giant net suspended under the Pont Bessières. Throughout theal, people could see the center o the net growing and going through all the cables.Trap is a dierent way o thinking o the green wall: not planted but growing ac-

ng to the given condition like spiders building their nets in line with their speciicons.

i| Pont Bessièrs, with the Green Trap

N D A R Y



B O U N D A R Y

E N S E M B L E


G A R B A G E


P A V E M E N T


S E A T I N G

S H E L T E R





Studio WeaveClient: London Architecture Biennale ‘06, City o London. Completion: 2006. Production: single pieceDesign: individual design. Functions: seating, exhibition space. Main materials: laminated veneerlumber.

40 Boomerangs

oomerangs is a project made up o modular Boomerang elements which may bebled in various permutations. It is able to create site-speciic, luid, playul ormsa simple element that is easy to assemble and reassemble. The irst home o theerangs was a helical timber structure, inhabited by children’s clay sculptures, which

ped the Peace ountain at the center o West Smithield during the London Architec-Biennale 2006. The second homes o the Boomerangs were as play-urniture in the

London and in the playgrounds o each o the three local schools that took partworkshops. Instead o creating one large body, the Boomerangs were used here in

er units.

i| Boomerangs in West Smithield

p| Bird’s-eye view

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S T U D I O W E A V E 1 4 0 B O O M E R A N g S

i| Plans or the use as benches

f| Seating urniture, during the London

Architecture Biennale

f| Modular arrangement o the B

angs resulting in diverse orms

s| Seating urniture, during the Lo

Architecture Biennale

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P R O J E C T F A C T SKOSMOS / Ott Kadarik,

Villem Tomiste, Mihkel Tüür

enter squarevere

estone circles divide the area o the square into dierent sections. A large lanternng over each section provides illumination. The squares vary in size and morphol-

A large concave rock-circle unctions as a ountain, while a circle in the center o thee unctions as a mounded playing area or children. The rest o the square is coveredcubical stones o dierent tones constituting a gray and black lively zigzag pattern.ne side the square is adjoined by a long halyard marking the position o a perspectiveng building with preerably a public unction. It serves as a recreational space ass the main venue or parades and other large-scale events.

Address: Rakvere central square, 44306 Rakvere, Estonia. Client: City o Rakvere. Completion: 2004.Production: single piece. Design: individual design. Functions: seating, illumination, pavement, play-ing, ountain. Main materials: basalt, granite, cobblestone.

i| Lanterns

i| Plan

s| Cobblestone circles, dividing the square

into dierent spaces

i| Seatings

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P R O J E C T F A C T SBjarne Aasen

Landskapsarkitekt MNLA

elga Eng Square,niversity of Oslo

entral part o the library complex at Blindern campus orms one large plan, romh the buildings shoot up. The area orms a terrace rom the north to the south. The

brary square and the Helga Eng Square are connected to the terrace at the southern the University Square. The external spaces at Blindern are grandiose and uniormms o both orm and material. This is relected and emphasized in the design o thepacious squares with gathering spaces, seating areas and bicycle parking. Granitethe old complex was reused as pavers on paths and squares around the new library.

Address: Blindernveien, 0316 Oslo, Norway. Planning partner: Erik Ruud, Peter Aasen. Client: Stats-bygg. Completion: 2000. Production: single piece. Design: individual design. Functions: seating, illu-mination, bicycle stand, sign, ountain. Main materials: granite, wood.

i| View o the campus duri ng winter,

richly illuminated

i| Site plan

s| Bicycle stands

i| Sinuous bench, made o natural stone and

wood

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P R O J E C T F A C T SAtelier Boris Podrecca

rossmayer Parkt

alace o the Roman emperor Diocletian is one o the most amous model examplesadaptation and transormation o a historical structure by subsequent user genera-The palace was turned into a city district and its rooms into homes. In the 19th cen-

a city park was created along the northern wall, which increasingly deteriorated andccupied by ringe groups. The redesign o the park with green islands that rameeserved trees includes extensive new urnishings with various street urniture ele-

s. Furniture such as stone benches and improved and newly designed elements suchntains and light poles additionally enhance the setting.

Address: 21 000 Split, Croatia. Client: City o Split. Completion: 2002. Production: single piece.Design: individual design. Functions: ountain, seating, lighting. Main materials: Dalmatian stone,metal.

i| Fountain

o| Waterall

p| Detail

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A T E L I E R B O R I S P O D R E C C A S T R O S S M A Y E R P A R K

i| Benches

f| Seating area

f| Site plan

s| Park view

M B L E




Sasaki AssociatesAddress: National Harbor, MD 20745, USA. Client: The Peterson Companies. Completion: 2008.Production: single piece. Design: individual design. Functions: seating, plant tub, sign, ountain. Main

materials: granite, aluminum, Teak wood, glass, stainless steel.

ational Harboronal Harbor

nal Harbor is a mixed-use community on the Potomac River near Washington, DC.edestrian spine, Grand Avenue, is inspired by Barcelona’s amed Las Ramblas andcases ountains, public art, vendor kiosks and retail storeronts. The Sasaki designednding system is unique, drawing rom the context o the site. Colors relect thenal pride imbued in the site. Details make abstract reerence to nautical themes, inng with the waterront location. National Harbor’s graphic identity is a combinationtoric typography paired with a contemporary boat icon which gives this new desti-n a sense o belonging to its surroundings.

i| Integrated seatwall

p| Granite ountain and urnishings

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S A S A K I A S S O C I A T E S N A T I O N A L h A R B O R

i| Plaza Plan or National Harbor

f| Streetscape elements emphasize linear

plaza

p| Benches at Harbor overlook

M B L E




ASPECT Studios

(Melbourne Office)Address: Elwood Foreshore, Elwood, VIC 3184, Australia. Planning partner: Martin Butcher LightingDesign. Client: City o Port Phillip. Completion: 2009. Production: single piece. Design: individualdesign. Functions: seating, illumination. Main materials: in-situ concrete, stainless steel.

enches at Elwood Foreshoreood, VIC

lwood Foreshore is the ocus o the beach activity in the Elwood area. The benchesa dual purpose o delineating the oreshore space rom the car park entry and sharedxit. This b order reinterprets the historical blue stone walls that have deined the ver-

ar o the suburban interace with Port Phillip Bay or more than 100 years. Illumina- the oreshore space was a primary concern and was incorporated into the benches,cted by a stainless steel screen. The construction method or the benches was devel-in cooperation with the contractor to incorporate the steel structure as shapes that

de ixing locations or lighting and steel panels to minimize wastage o materials.

i| Bird’s-eye view

o| Benches, serving as seating urniture and

delineation

p| Benches, dierent perspective

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f| Situation plan

s| Benches, illuminated at night

p| Night view

A S P E C T S T U D I O S ( M E L B O U R N E O F F I C E ) B E N C h E S A T E L w O O D F O R E S h O R EM B L E



OKRA landschapsarchitecten




ty Centerphen

ld Hanseatic city o Zutphen has a beautiul medieval cit y center with narrow streets,s and beautiully shaped squares. Today, the city-center is increasingly turning intoractive, lively place, and accordingly there is a growing need or high quality space.

e the design o public realm reinterprets the history o the ancient hanseatic city,sed urniture has a contemporary design. The small seating elements, which are justt or short breaks, are the monuments o the uture. When empty, they capture thein the dark streets. The choice o indirect lighting gives a airytale-like eect andeven diusion o the light in the street.

E C T F A C T S

ss: Gemeente Zutphen, 7201 DN Zutphen, The Netherlands. Client: City o Zut-Completion: 2005. Production: serial production. Design: product line. Functions: g, illumination, pavement. Main materials: stainless steel, red brick and bluestone.

g| Ziezo, a special developed seat

ii| Illumination

i| Street, detail

Arriola & Fiol arquitectes /

Andreu Arriola, Carmen Fiol

Gran Vía de LlevantBarcelona

This urban urniture is part o a set o multiple seating or table series that caor everything rom sitting down to doing homework, putting down backpackping bags. At the same time, they reer to the dimension o ancestral nature, thossils and shells. Due to their shape, dimensions and materials, these elemenare used to urnish squares like outdoor rooms, eature themes rom the animmineral reerences, and lying objects.


Address: Gran Vía Corts Catalanes, 08020 Barcelona, Spain. Client: GeneralitaCatalunya, Ajuntament de Barcelona. Completion: 2007. Production: serial prodDesign: product line. Functions: seating, illumination, shelters, ountain, garbadrinking ountain, acustic screens. Main materials: wood, cast stone, anodizedstainless steel, brick.

ii| Fountain Gran Via

oo| Bird’s-eye view Boomerang, urban ossils

i| Boomerang, urban ossils

o

| Details| Detail, Extasi

M B L E



E C T F A C T S

ss: Rådhuset, Kirkestræde 11, 7500 Holstebro, Denmark. Planning partner: SchulLandskabsarkitekter, Light- and Theatre Consultant Åsa Frankenberg. Client:

ebro city council. Completion: 2006. Production: single piece. Design: product line.ons: seating. Main materials: concrete, wood.


Address: Parc Central de Nou Barris, 08042 Barcelona, Spain. Client: Pro Nou BS.A. Completion: 2007. Production: serial production. Design: product line. Fun

seating, illumination, shelters, garbage can, drinking ountain. Main materials

precast concrete, anodized aluminium, stainless steel, brick, tiles.





oraa streamstebro

he municipality o Holstebro, the construction o a new cultural center served asspiration to give a new impulse to the structure o its public spaces. By being trans-

ed into an outdoor stage, the public spaces around the cultural buildings, like cinemaance theatre, provide the city with a new élan. The attractive public space acts as ast or urther development.

g| Seatings, next to a ountain

ii| Outdoor stage

i| Bench

Central Park of Nou BarrisBarcelona

Palms and turning orks were placed as abstract shapes playing with light, sound. They are graphic signs placed in high topographical distant points to actthrough the wide open spaces. Used as protection shelters and called ‘peinetas,’ become the symbol o Nou Barris. The Magic Flute series o urban urniture is inthe characters rom Mozart´s opera.

ii| Chair “G“

oo| Lampagena, Magic Flute series

i| Magic Flute series

o

| Lamp Trivoli

Arriola & Fiol arquitectes /

Andreu Arriola, Carmen Fiol

M B L E



Marinaprojekt d.o.o. /

Nikola Basic

P R O J E C T F A C T SAddress: Obala Petra Krešimira IV, 23210 Zadar, Croatia. Sound sea organ: Ivan Sta mac. Client: Cityo Zadar. Completion: 2008. Production: single piece. Design: individual design. Functions: urbaninstallations, production o electric energy. Main materials: stone, glass, photovoltaic cells.

ea Organ andreeting to the Sunar

rgan and Greeting to the sun are parts o a comprehensive project o reshaping theontory o the Zadar region. Sea organ is designed in the orm o stairs, inducinge to stop and come down to the sea. The stone staircase is divided into seven sec-containing polyurethane tubes o dierent diameters underneath in which the airhed and accelerated by the waves. Finally the air produces sounds, which come outgh mystic apertures. Greeting to the sun is a circular glazed surace o 22 meters di-r which, by means o built-in photovoltaic cells, changes solar energy into lighting

acle and turns the sound o the Sea organ into light sensations.

i| Sea organ

o| Circular glazed surace, Greeting to the

sun

p| Greeting to the sun

M B L E



S E A O R g A N A N D g R E E T I N g T O T h E S u NM A R I N A P R O J E C T D . O . O .

i| Greeting to the sun

f| Sea organ and Greeting to the sun

f| Sea organ

s| Sketch

M B L E




Rios Clementi Hale Studios /

Julie Smith-Clementi,

Mark Rios, Frank Clementi,

Bob Hale

Address: 227 N. Brand Boulevard, Glendale, CA 91203, USA. Client: City o Glendale. Completion:

2004. Production: single piece. Design: product line. Functions: seating, illumination, chess tables,low platorm stage. Main materials: trex (a recycled plastic and wood lumber product), canvas, con-crete.

hess Parkndale

ansorm this rectangular space – once an unused pathway – into a chess park, theners researched the game’s history and based the design on its playing rituals, strate-nd lore. Five playul light towers made rom recycled plastic-and-wood lumber ared with white synthetic canvas ormed in the shape o an abstracted chess piece. Theects reinterpreted the shapes to represent the evolution o the ancient igurines,

ng inspiration in Isamu Noguchi’s amous lamps and the abstract sculptures o Con-n Brancusi. The light towers emit a warm glow and are strategically placed aroundark, inspiring creativity and intellectual challenge.

i| Chess tables

p| 16 regulation-sized chess boards, sitting

among the light towers

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R I O S C L E M E N T I H A L E S T U D I O S C h E S S P A R K

i| South elevation

f| King Tower’s throne to welcome storytell-

ing perormances

f| Lighting is integrated into the tow

structures

s| Site plan

M B L E



P R O J E C T F A C T SRios Clementi Hale Studios /

Julie Smith-Clementi,

Mark Rios, Frank Clementi,

Bob Hale

uincy Courtcago

y Court, a remnant o an old downtown street, was transormed into an engaging,g-like sculptural gathering place. The new plaza eatures seven tree-like canopy ele-s made o steel and three tones o translucent acrylic panels that are lit rom abovedark. The “trees” are rooted by sandblasted concrete in an abstracted lea pattern.granite benches and pavers join existing seating and hardscape materials; while aite urniture language is introduced using concrete benches and translucent resinglowing with inner lighti ng. Four large leaves are situated on the ground, seeminglyred on the pavement, the “result” o a strong gust well known to the Windy City.

i| Concrete benches and glowing resin

tables

p| Steel bases with vibrant green translucent

panels

Address: Federal Plaza, Chicago, IL 60610, USA. Client: General Services Administration (GSA). Completion: 2009. Production: single piece. Design: product line. Functions: seating, illumination,tables, sculptural orms. Main materials: steel, translucent acrylic panels, white granite.

M B L E



i| Integrated lighting illuminates a canopy o

leaves at night

f| Fallen lea orms bringing an additional

graphic element to cement pavers

f| A playully placed lea that the

City” has blown rom the branches abov

s| Court plan

R I O S C L E M E N T I H A L E S T U D I O S Q u I N C Y C O u R TM B L E



LODEWIJK BALJON

landscape architects


i| Water eature

s| Tree grid

ii| Plan

i| Seating varieties

Address: Stationsplein, 7311 Apeldoorn, The Netherlands. Client: City o Apeldoorn, HeijmansVastgoed, BAM Vastgoed. Completion: 2008. Production: single piece. Design: individual design.Functions: water eature, skate pool, tree grid. Main materials: granite.

ation squareldoorn

and-colored paving and the pine trees in this shell-shaped space directly reer to thecape o the region. The elegant surace radiates quietness and exclusive simplicity.aving o yellow Portuguese granite runs up unto the tree trunks. Line drains, treeand lighting poles are integrated in a craquelure-like pattern. A series o elements

er enlivens the space. A young crowd is attracted by a dry pool or skaters. Anothertive object is a water table made o blue-gray granite. A red steel provision or thedeines an oversized tree grid and a number o robust seating elements are placedrystals in the polygon cracks.

i| Water eature

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Biuro Projektów Lewicki

Łk / P Lk,Kzmz Łk

P R O J E C T F A C T SAddress: pl. Bohaterów Getta, 30-547 Krakow, Poland. Client: City o Krakow. Completion: 2005. Pro-

duction: single piece. Design: individual design. Functions: seatings, illumination, shelters, plant tubsbicycle stands, garbage cans, signs, pavement, memory hall, shops. Main materials: syenite, basalt,porphyre and granite cobblestones, bronze, galvanized steel, concrete.

ohaterów Getta Squaregody Square)kow

43, ater the Nazis had liquidated the ghetto area, Zgody Square was ull o use-hings – a meaningul trace o the absence o their owners. Innumerable wardrobes,, sideboards and other urniture items had been abandoned there, which had beend rom one place to another no one knows how many times. By using the whole areasquare, the story o this place is now told. The remembrance o those who are no

r with us is expressed by an accumulation o ordinary objects. Chairs, a well with a, rubbish bins, tram stop shelters, bicycle stands and even traic signs, stripped o everyday practical unctions, have acquired a symbolical aspect.

i| Night view

o| Foggy athmosphere

p| Tram stop shelters with chairs

M B L E



B i u r o P r o j e K t ó w L e w i c K i Ł a t a K B O h A T E R ó w g E T T A S Q u A R E ( Z g O D Y S Q u A R E )

i| In the wintertime

f| Tree tub

f| During the Jewish Culture Fe

d| A monument, a sculpture, a p

urban urniture

M B L E




Łk / P Lk,Kzmz Łk


i| Pavement, old porphyre cobblestones and the

new granite onesi| Plan, section, axonometric view

s| Bench with a garbage can

i| Benches, with litter baskets

˛siazat Czartoryskich Squarekow

ew square was completely created rom stone. The dierentiation o the loor levelsates various unctional areas. The introduced stairs prevent cars rom blocking thein ront o the museum buildings. Stone urban urniture like benches with litter

ts, were created. The material o the relie is a porphyry road cube originating romnia near Krakow. The deposit was used up long ago. An appropriately chosen gran-d delicate graining was used as an addition to the porphyry surace. The richness o s provided by a single material and the possibilities o its dressing were used – romk, via a cut, to lamed, bush hammered and polished suraces.

´

Address: pl. Ksiazat Czartoryskich, 31-015 Krakow, Poland. Client: City o Krakow. Completion: 2006.Production: single piece. Design: individual design. Functions: seatings, illumination, garbage cans,pavement. Main materials: bohus granite, strzegom granite, old porphyre cobblestones, bronze.

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P R O J E C T F A C T SAddress: Ljubno ob Savinji 3333, Slovenia. Sculptures: Primož Pugelj. Client: General Maister society.Completion: 2007. Production: single piece. Design: individual design. Functions: seating. Main materi

als: stone, concrete, metal.

eneral Maister Memorial Parkbno ob Savinji

memorial park is designed as an abstract three-dimensional spatial illustration o orthern border mountain ridges, which Maister’s soldiers ought or in 1918. Thespace-deining elements are reinorced concrete preabricates. They separate singleular areas, raming the terrain as retaining walls. The whole embankment is se-against inundation with solid stone blocks, protecting the park like a stone shield.

ted parts o walls are transormed into benches, incorporating litter bins and lights.out o welded metal rods, the sculpture represents a stylized image o General Mais-lowed by his horse and soldiers.

i| Bench, at water access

p| Park on the riverbank

BRUTO d.o.o. / Matej KucinaˇM B L E



B R U T O D . O . O . g E N E R A L M A I S T E R M E M O R I A L P A R K

i| Sculpture, with ront wall

f| Illuminated sculpture

f| Night view, rom the bank

s| Cross section

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i| Fence

s| Bollards, benches and ence on the

promenade

i| Illumi nation bollards

BRUTO d.o.o. / Matej KucinaˇAddress: Zdraviliška cesta 24, 3254 Podcetrtek, Slovenija. Planning partner: ENOTA architecture. Cli-

ent: Terme Olimia d.d. Completion: 2009. Production: single piece. Design: individual design.Functions: seating, illumination, protecting ence. Main materials: wood (bench), steel poles (ence).

ˇ

i| Roo promenade

ellness Orhideliacetrtek

ew wellness center is situated in the densely built-up area o the health resort andcomplex Olimia. The colossal acility is entirely built below ground; thereore the area o the new complex is designed as an urban park. The luxuriant acility ei-y deines the space, which is lin ked to the surrounding area o other hotels and bathsgh slopes, stairs and terraces. The main elements are the paved entrance squares,sh pathway that leads across the roo o the underground building, the wooden ter-that sweep gently to the open-air pools, and the green areas o the roo complex.

ˇ

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3GATTI P R O J E C T F A C T S

i| Site plan

s| Bird’s-eye view

i| Benches, water bassins and plant tubs

creating horizontally aspects

Address: 1147 Kangding Rd, 200042 Shanghai, China. Client: Shanghai Shang ‘an Development andAdministration Ltd. Completion: 2006. Production: single piece. Design: individual design. Functions

seating, lightning. Main materials: corten coated with epoxy.

Factorynghai

ctory is a redevelopment project or an abandoned industrial area in the center o ase megalopolis. The suraces lie vertically and horizontally; they are opaque, trans-t (the eect o the “walls” created by a succession o metal rods), changeable (theican vine varies its aspect every season), but above all they relect the light (likeeated steel o the benches and the horizontal suraces o the “ceiling”). The resultpace which interacts with the density o the environment, particularly in the mainyard, where a touch o the rods can generate a vibrating sound, and where the la mps,ng at dierent levels, swing with the wind.

i| Mirror stainless steel benches

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3GATTI P R O J E C T F A C T S

ii| North elevation

i| Master plan

i| Wooden deck


Address: Block 8-2, Zhengmin Road, Yangpu District, 200433 Shanghai, China. Client: Shui On De-velopment Limited. Completion: 2009. Production: single piece. Design: individual design. Functions: seating, illumination, shelters, plant tub, boards, signs, hazards and traps. Main materials: woodendeck, acrylic board, steel structure.

c Villagenghai

bjective o this project was to redesign an angle o urban landscape in Shanghai.ces and solids are itted together. The suraces consist o olded slips o paper whichmaterialize into wooden ootboards, and the solids are advertising light boxes. These

create the spatial and unctional wealth o the project, as they could orm ramps,es, lounging chairs, traps, lower vases, rooing, luminous totems and even hazardsaps. The objective was to provide a certain danger element or the users o the area

k them awake rom the usual urban monotony and to stimulate them mentally andcally by making them interact consciously with their surroundings.

i| Mansard wooden urniture

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i| Entering the plaza


i| Perspective view, Lazona Kawasaki Plaza

Address: 72-1 Horikawa-cho Saiwai-ku Kawasaki city Kanagawa, Japan 212-0013. Architect: RicardoBoill Leví and Yamashita Sekkei Inc. Client: Toshiba / Mitsui Fudosan Group Ltd. Completion: 2006.Production: single piece. Design: individual design. Functions: seating. Main materials: concrete.

azona Kawasaki Plazawasaki

hopping mall, which celebrated its opening in September 2006, is located next tontral station and constitutes the center o the business district o the city o Kawa-

Alternating pavement patterns are used to create a vivid and colorul setting, under-by artistic ittings placed at several locations. Among the most remarkable eaturessetting and constituting a kind o signature o the designer are the white concretecutting through the dierent layers o pavement. This way, the concrete pathways

nate the structure o the area and establish its optical ocus.

Earthscape

i| Streets on the plaza, fanked by white seats

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CCM Architects, Ralph Johns

& John Powell Landscape

Architects / Guy Cleverley,

Ralph Johns

Address: Palmerston North, 4410 New Zealand. Client: Palmerston North City Council. Completion:

2007. Production: single piece. Design: individual design. Functions: seating, illumination, ountain,tree guards. Main materials: hardwood timber, stainless steel, granite, concrete.

ty Heartmerston North

master plan or the regeneration o the city’s central park was implemented in stag-palette o seating, lighting and structural urniture elements celebrates the uniqueical, spatial and experiential characteristics o each section. The main pedestrianughare eatures contemporary lighting that reerences the line o the railway thatto run through the city. At the core o the area the clock tower was ully restored,ased in height and creatively illuminated to reinorce its role as an urban monument.ng was integrated into the seating elements, tree guards and the ground plane as

as customized vertical elements to support a high level o amenity and ater darkhe Coronation Garden provides generous seating, with the geometry ocused on theted and restored stone ountain.


p| Combination o seating elements and

lighting

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C C M A R C H I T E C T S , R A L P H J O H N S & J O H N P O W E L L L A N D S C A P E A R C H I T E C T S C I T Y h E A R T

i| Group o public seats

f| Coronation Garden

f| Feature lights

s| Row o benches, at the edge o E

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Isthmus / David Irwin,

Tim Fitzpatrick, Grant

Bailey, Yoko Tanaka


ylvia Parkkland

main design elements are simple vertical steel poles, painted with vibrant colors thate and excitement to the space. These poles are populated randomly (like trees inst) with dierent heights and colors. Inormal gathering spaces are interspersed

n the poles to provide opportunities or weekend markets, arts, perormance andct displays. Organically shaped seats are also provided to urther contrast with the

bridge structure. The seating is hollow and made rom iberglass and using a two-mould. The Isthmus concept was designed and manuactured by Valentin Design.

Address: 286 MT Wellington Highway, MT Wellington, Auckland, New Zealand. Manufacturers: CSPPaciic, Valentin Design. Client: Kiwi Income Property Trust (KIPT). Completion: 2008. Production: single piece. Design: individual design. Functions: seating, ilumination, vertical steel poles. Main ma-

terials: berglass, steel.

i| Seats and colored poles

o| Pathway to the shopping center

p| Below the south-eastern arterial road

overpass

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I S T H M U S S Y L V I A P A R K

i| Vertical steel poles

f| Seat and colored poles

f| Lighting incorporated in selected

s| Concept model

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ishms & Sd Pf ah-tecture / D. Irwin, S. McDou-

gall, E. Williams, G. Marriage,

D. Males, P. Mitchell

umutotolington

utoto reconnects Wellington with its harbor, extending the cities urban grid to meetater. Traces o the past are preserved through robust urniture and a landscape

etic that echoes the maritime nature o Wellingtons waterront. At the Kumutotom mouth new pedestrian bridge strengthens the connection between the orgottencourse and the harbor and acts as an anchor point along the waterront promenade.uence o seating terraces spills down to the water’s edge allowing people to interactly with the water or seek shelter rom the wind. In the more sheltered urban spaces

cession o lighting towers overlook large loating timber and concrete rat seats de-d to accommodate multiple groups and uses.

Address: Kumutoto, Wellington Waterront, Wellington, New Zealand. Client: Wellington WaterrontLtd. Completion: 2008. Production: single piece. Design: individual design. Functions: seating, illumi-nation, shelters, bridge. Main materials: timber, concrete, steel.

i| Lighting and rat seats, Whar Plaza

p| Laneway lighting cubes

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I S T H M U S & S T U D I O P A C I F I C A R C H I T E C T U R E K u M u T O T O

i| Kumutoto bridge and terraces

f| Kumutoto Stream mouth

f| Kumutoto Plaza pallet seats

s| Kumutoto Bridge, seats and balu

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Machado and Silvetti

Associates


i| Pergola and caé

s| Elevation, caé with pergolai| Caé detail

Address: “D” Street and Northern Avenue, Boston, MA 02210, USA. Landscape architect: The Halvorson

Design Partnership. Interpretive graphics: Flanders + Associates. Artists: Ellen Driscoll in collaboration

with Make Architectural Metalworking (“Aqueous Humor”), Carlos Dorrien (“The Waves” and “Passage

rom the sea”). Client: Massachusetts Port Authority. Completion: 2004. Production: single piece. Design:

individual design. Functions: seating, pergola, caé. Main materials: granite, teak, ipe wood, copper.

outh Boston Maritime Parkon

ting rom collaboration with a local landscape architecture irm, the landscape andectural elements create a seamless and ully integrated overall design. The park isived as a single design with three distinct zones uniied through a consistent ma-palette and design methodology. The largest zone at the northern end o the park

des a raised lawn panel with a continuous staircase lining Northern Avenue. Twopergolas mark the transition to t he central zone. The middle zone contains a low caéure and outdoor seating areas, while the southern end o the park is conceived as aintimate area o benches and densely planted shade trees.

i| Seating area with artwork

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SQLA inc. LA / Samuel Kim P R O J E C T F A C T S

ii| Arts/Tech Patio, table, chair and umbrella

i| Benches, at inside parameterii| Sculpture Lawn

i| Arts Walk, rom south

Address: 10100 Jeerson Boulevard, Culver City, CA 90230, USA. Architect: ACSA inc. Client: WestLos Angeles City College. Completion: 2010. Production: serial production. Design: product line.Functions: seating, illumination, garbage can, patio tables, umbrellas. Main materials: metal.

i| Sketch north view, across Arts Walk to

Arts/Tech Patio

p| Sketch areial view o Arts Walk, Sculpture

Lawn to Arts/Tech Patio

est Los Angeles City College,edestrian Promenadever City, CA

roject represents the irst phas e o a 300 meter-long pedestrian promenade designednjunction with the new Science and Math buildings in the college. Most o the phaseortion consists o one portion o the promenade traverses in ront o the Fine Artslex Buildings, thus the names “Arts Walk”, “Sculpture Lawn”, and “Arts/Tech Patio”.oardwalk concrete paving pattern is bordered by concrete banding along the build-çades and provides modulation or the spacing o trees, pole lights, bollard lightsenches. The sunken “Arts/Tech Patio” paved in decomposed granite will acilitateaé Bar, planned or second phase. The site urnishings include benches, litter recep-, as well as patio tables with carousel seats and umbrellas.

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Janet Rosenberg & Associates,

Claude Cormier architectes

paysagistes inc. / Janet

Rosenberg, Claude Cormier


i| View to lake

s| HtO Plan

i| Promenade

Address: Queens Quay blvd, Toronto M5J2G8, Canada. Collaborator: Hariri Pontarini Architects. Cli-

ent: City o Toronto. Completion: 2007. Production: single piece. Design: individual design. Functions

seating, sun shades. Main materials: wood, perorated steel and stainless steel pole, concrete.

i| Adirondak chair

tO – Urban Beachonto

ucceeds in bringing people to the water’s edge while providing a space or dierento activities. It quickly became Toronto’s icon, giving an identity to Toronto rom

ater’s edge with its multiple yellow umbrellas. The name is a play on the ormula or, H20, as it brings water and the city together, eliminating any barriers between Lakeio and the downtown area. As visitors enter HtO, they walk uphill through greenplanted with willow trees and silver maples, then they descend down towards an

se o sand peppered with tall yellow umbrellas, and a wooden boardwalk literally atater’s edge to experience the connection to the water.

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Sitetectonix Private LimitedAddress: 1 Harbour Front Walk, Singapore, Republic o Singapore. Architects: Toyo Ito Architects.Client: Mapletree Investments Pte Ltd. Completion: 2006. Production: single piece. Design: productline. Functions: seating, plant tub, paving. Main materials: natural stones, granites, pebbles, timber,stainless steel.

voCitygapore

VivoCity development consists o an integrated mega-mall. The landscape conceptated site urniture like seating into the hardscape and sotscape design. Along theront, the North Plaza was conceptualized as a series o ground “waves” o earth-d lawn mounds that recall the sea by rhythmic ups and downs. The stone walls

me inormal seating while the lawn itsel constitutes a welcoming surace or relax-At the waterront promenade a series o amoebas ramble along the timber decking,

ding planting and seating opportunities. The amoeba-shaped planters contain earthds to separate the busy stone through-are on the promenade rom the tranquil at-here on the timber decking.

i| Wave pattern promenade, planting and

integrated seating

p| Seating planters, planted with Dalbergia

trees

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S I T E T E C T O N I X P R I V A T E L I M I T E D V I V O C I T Y

i| Section and elevation, showing integration

o planting, planters and seating along promenade

f| Aerial o North Plaza, with earth-orm

lawn mounds

f| Amoeba-shaped planters, alon

enade timber decking

s| Lawn mounds, used as casual sea

lounging

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Grupo de Diseño Urbano /

Mario Schjetnan


i| Plan and section o ountain promenade

s| Fountain promenade

i| Furniture, cascade detail

Address: Av. Reorma, Chapultepec Park, C.P. 11560 Mexico City, Mexico. Planning partner: MarcoArturo González. Client: Mexico City Government, Citizen’s Regent Group and Revive ChapultepecBoard o Donors. Completion: 2007. Production: single piece. Design: individual design. Functions: seating. Main materials: painted steel.

ountain Promenade athapultepec Park

ico City

rt o a second phase o its restoration, an enti rely new element has been added to theultepec Park at Mexico City. A ountain promenade orms a line rom the Museumthropology to the Tamayo Museum. Formerly, there had been no link between thesemportant institutions. Grupo de Diseño Urbano created a striking visual and pedes-connection with a 250 meter grade change and basins that loat independently to

mize earthquake damage. Between the basins are beds o blue agapanthus and blueplanted among preexisting junipers, Aleppo pines, eucalyptus, and casuarinas. The

ct eatures black concrete and basalt pavers; cobblestones are placed around trees tot iniltration.

i| Furniture detail and ountain, next to

Tamayo Contemporary Art Museum Plaza

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Vulcanica Architettura /

Eduardo Borrelli, Aldo di

Chio, Marina Borrelli

Under RoadNaples

Under Road is a project to complement the existing bridge that was interruptesquare in Capodichino-Naples. It is designed like a singular powerul piece o stture matching the existing hi storical square at its eet. Today, the lie o the squarchaotic: too much traic, parking everywhere, a bus terminal and subway undertion. While any new urban urnitu re project is useless at this location, the bridgitsel can be the shaping element o the urban context. The dynamism o the siteied by the design o the new bridge piers li ke modern obelisks bent by the speedboidal monoliths with a strong inclination enhancing the view o the historical s


Address: Piazza Di Vittorio, Naples, Italy. Client: City o Naples. Completion: onProduction: single piece. Design: individual design. Functions: shelter, illuminaMain materials: concrete, steel.

ii| Model

i| Pier under construction

o| Rendering, view rom the square

s

| Elevations

orizonston

project creates a gateway to a university campus on the pedestrian walkway rom theparking lot to the center o the ca mpus. Located in Dayton, Ohio, t he home o Orville

Wilbur Wright, the university is also the site o the Wright archives. In addition, theround Dayton was an important center o Native American culture. The project hasubjects: irst the imagination o the Wright brothers who aspired to look over theon, and second, the history o Native Americans in the lower Miami River Valley.

E C T F A C T S

ss: Wright State University, Dayton, OH, 45435, USA. Client: Ohio Arts CouncilWright State University. Completion: 2002. Production: single piece. Design: indi-

l design. Functions: pavement, gateway and connects to the campus. Main materi-

rick, concrete, glass block, glazed concrete block.

Will Nettleship

gg| Cloud gate, detail

ii| Pavement, detail

g| Cloud gate

i

| Detail

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3LHD architects with Irena

Mazer / Tanja Grozdanic,

Silvije Novak, Marko Dab-

rovic, Sasa Begovic

Address: Obala Hrvatskog Narodnog Preporoda, 21000, Split, Croatia. Urban elements: Numen / ForUse. Light design: Novalux. Client: City o Split. Completion: 2007. Production: individual design. De-

sign: product line. Functions: seating, illumination, garbage can, drinking ountain, sunshades. Main

materials: concrete, wood, steel.

va Split Waterfrontt

ty o Split and its Riva waterront promenade, the paradigm o its history and char-are among the most interesting and most unique sites in the Mediterranean – anized, public, open space, 1700 years old, situated in ront o Diocletian’s Palace. Thelar Roman orm o the palace became the ramework that shaped the city. Similarly,

nsions, materials and the modularity o concrete elements in Riva directed the posi-o all other elements o the public space. A total o 250 meters long and 55 metersthe Riva waterront is the main public square, the venue or all kinds o social

s, a promenade by day and a parade by night, the site o sport events, religious pro-ns, estivals and celebrations.

i| Benches

o| Sunshades with integrated illumination

p| Riva promenade

P R O J E C T F A C T SM B L E



3 L H D A R C H I T E C T S W I T H I R E N A M A Z E R R I V A S P L I T w A T E R F R O N T


f| Drawings o the benches

f| Benches, detail

s| Bird’s eye-view, with closed sun

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B O U N D A R Y

E N S E M B L E

P L A N T S

A N D

W A T E R

G A R B A G E

L I G H T A N D S I G H T

P A V E M E N T


S E A T I N G

S H E L T E R





odot

e the urban area as a place or casual meetings, expected dates and unexpected haz-a space or looking at both the past and the present, or or projecting dreams onto

orizon; a place or sharing our solitude or exploring pleasurable discoveries; an en-ment with tranquil isles oering rest to the stroller or reader and any other traveler.im o this project was to create squares where those who have recently arrived canand streets where those who are already here can discover other worlds. Thereore,

esigners created Godot, a sedate bench, intimately associated with timeless elementshe surrounding trees.

Client: ESCOFET 1886. Completion: 2005. Production: serial production. Design: individual design.Functions: seating. Main materials: concrete.

ii| Details o the internal anchor

i| Placement scheme

i| Detail

s| Seatings

i| Row o seatings

T S A N D w A T E R




i| Sketch

s| The light turns on when someone

approaches

i| Detail car ront

Address: Lazona Kawasaki, 72-1 Horikawa-cho Saiwai-ku Kawasaki city Kanagawa, Japan 212-0013.Client: Toshiba / Mitsui Fudosan Group Ltd. Completion: 2006. Production: single piece. Design: indi-vidual design. Functions: plant tub. Main materials: reinorcing bar.

Earthscape

housand Year Forestwasaki

e car park o the Lanzona development in Kawasaki’s redevelopment project, treesbeen planted into decorative modiied cars whose light turns on when someone ap-hes. Over time, the trees will grow bigger, and the cars will be covered in greenery.the symbol o single plants, the message that “a orest can begin here” is trans-

d.

i| Side elevation

T S A N D w A T E R




i| Plant tup, with olive tree

s| Hollowed out in the shape o a dove

i| Locks in the tree, the keys are buried in the

surrounding lakes

Address: Lazona Kawasaki, 72-1 Horikawa-cho Saiwai-ku Kawasaki city Kanagawa, Japan 212-0013.Client: Toshiba / Mitsui Fudosan Group Ltd. Completion: 2006. Production: single piece. Design: indi-vidual design. Functions: plant tub. Main materials: white marble.

Earthscape

Tree that will grow Dreamswasaki

ive tree was chosen as a symbol or the rebirth o Kawasaki city. It carries the mes- the whole Lanzona project. A ew dozen locks hang on the tree branches while theo these locks were buried in the surrounding lakes. Maybe you will be the one tohe key (to the uture), and unlock them! Inside the tree rame, hollowed out in theo a dove, cards in egg-shaped capsules with the wishes and messages o the sta

bers who worked on the Lazona Kawasaki project were buried. The positive thoughtsn these capsules will provide nourishment or the olive tree to grow and supportsaki city’s rebirth.


T S A N D w A T E R



hafariz Drinking Fountainrendering o the traditional neighborhood water spout, this dispenser solves the is- providing drinking water in public spaces. Ideal or rereshment ater park gamescling, or during summer walks, the Chaariz stands proud waiting or thirsty adultshildren. A totem and a user-riendly play object, its steps and grab holes on the sides

w children to saely climb up and drink.

J E C T F A C T S

t: public and private clients. Development team: Diana Cabeza, Leandro Heine,o Jarczak. Completion: 2001. Production: serial production. Design: product line.tions: drinking ountain. Main materials: cast iron, grit blastined and color polyes-hermosetting powder coating.

Estudio Cabeza /

Diana Cabeza

g| Use situation

ii| Paseo del Buen Pastor, Córdoba, Argen-tina

i

| Close up

PWP Landscape

Architecture, Inc.

One North Wacker DriveChicago, ILThe landscape or an oice tower in downtown Chicago is a block-long 12 mpedestrian passage which is visible through the glazed wall o the building’s lobbrunning just below the sidewalk precluded conventional tree wells – a problem special hemispherical armatures that sustain ground-covers and allow the roothe street trees to remain above ground. The raised tree wells – placed nine m– carved stone benches, and the lat lamed-granite cobbles o the pavement seinorce a human scale. The terrace at the North Franklin Street entrance contalarge bench planters, each with a treeless hemisphere loating in a pool o water


Address: 1 North Wacker Drive, Chicago, Il 60606, USA. Architects: Lohan CapGoettsch Architects. Client: John Buck Company. Completion: 2002. Production

piece. Design: individual design. Functions: Seating, plant tub, ountain. Main m

stone, granite.

ii| “Floating bench”, serving as a raised-tree

planter

oo| Underground vaults, required the creation

o a sophisticated system o raised soil andirrigation systems to support the trees.

i| Section, through raised hemispherical

planters

o| Planters, which seem to foat above the cobble

paving

T S A N D w A T E R



P R O J E C T F A C T SJanet Rosenberg +

Associates /

Janet Rosenberg

0 Adelaide Street Eastonto

nated by two majestic Gingko trees, this courtyard oers an intriguing counterpointgeometry o the surrounding architecture. A bold sweeping granite arc, lanked by

nt stainless steel walls, directs visitors to the main entrance o the building. Sawnio Limestone cubes, scattered along the water’s edge, are both a sculptural presenceseasons and an ideal place to sit, meet, and people-watch. A simple water ountain

ns out the noise o the surrounding city, while the monochromatic planted darkyews provide a strong contrast to the building. The highly detailed stainless steel

urnishings and planters were all custom-designed or this project.

Address: 30 Adelaide Street East, Toronto, ON, Canada. Planning partner: Quadrangle Architects. Client: Dundee Realty Management Corporation. Completion: 2002. Production: single piece. Design: individual design. Functions: seating, ountain, plant tub, public plaza. Main materials: sawn lime-stone, stainless steel.

i| View into the courtyard rom the street

i| Custom designed planter

s| Layout plan

i| Fountain

T S A N D w A T E R



Earthscape P R O J E C T F A C T S

i| Pathway, crossing the water bassin

s| General view

i| Floor plan

Address: 3-6 Minato-Mirai Nishi ward Yokohama city Kanagawa, Japan. Planning partner: MitsubishiEstate. Client: Tokio Marine & Nichido Fire Insurance Co., Ltd. Completion: 2004. Production: singlepiece. Design: individual design. Functions: ountain. Main materials: stone, concrete.

inato-Mirai Business Squareohama

hama grew up with the sea. These days, it is still growing towards the sky throughonstruction o high rise buildings on landills. This pond exists on the boundaryen the sea and the sky. On the pond, the words relating to the sky will appear, re-d in the water’s mirror surace, and disappear. The words relating to the sea willr rom the bottom ater the water has gone. This way, people can rethink their ownnce by reminding themselves o their origins – people originate rom the sea andup on land.


T S A N D w A T E R



P R O J E C T F A C T SOLIN / Lucinda R. Sanders

i| Cyclist cooling o with one o the poolsi| Site plan o the Museum o Jewish Heritage

s| Elevation showing how the water fows over

the pools

eflecting Poolsw York City

Museum o Jewish Heritage was in need o a new landscape to connect the East Wingsion to its surroundings. OLIN’s design creates a place unique to the Museum yettive o the larger Hudson River landscape. At the ront entrance, relective poolsished black granite set a contemplative mood. Water slowly rises rom open jointsgranite ten centimeters below the surace. As the water lows over, it clings to the

o the ountain and runs through a custom-made stainless steel trough where theis captured and recycled below ground. The relecting pools oer an attractive anding amenity while also serving as an inconspicuous vehicular barrier to meet the

um’s security needs.

Address: 36 Battery Place, New York, NY 10280, USA. Planning partner: R.J. Van Seters. Client:

Museum o Jewish Heritage. Completion: 2007. Production: single piece. Design: individual design.Functions: ountain, vehicular barrier. Main materials: polished granite, stainless steel, concrete.

i| Refecting Pools at Battery Place

T S A N D w A T E R







e Inktpotecht

hly requented area, the use o the railway grounds, and the desire to create a lei-area came together in this project, starting with the modular loor. It oers a varietyes in an area with limited space and lighting. Movable urnishings, such as mobileers on rails and loose patio chairs, create a dynamic setting. Whenever more seatinguired or more privacy is needed, the urnishings can be moved accordingly. I thevehicle requires more space, everything can be simply pushed aside. In addition,objects, such as a patio loor with movable chairs and parasols, enhance the lex-o the space.

E C T F A C T S

ss: Gebouw De Inktpot, Moreelsepark 3, 3511 EP, Utrecht, The Netherlands. Client:

l. Completion: 2004. Production: single piece. Design: product line. Functions: seat-lant tub, ountain. Main materials: concrete, granite.

gg| Fountain and plant tub

ii| View over ountain and plant tub

g| Bird’s-eye-view

i

| Movable plant bins

Rainer Schmidt Land-

schaftsarchitekten with GTL

Landschaftsarchitekten

Fountain CameonNeubiberg

Within the scope o the general planning o Campeon, the new headquarters oin the Unterhaching district o Munich, a rooed caé area was created or visemployees within the site‘s green space. A reduced water pool serves as a lararea as well as a contemplative design element. The water table is ramed by a n made o Corten steel. Linear seating elements along the length o the pool invito linger near the water.


Address: Am Campeon 1–12 , 85579 Neubiberg, Germany. Planning partner: TELA, USA. Client: Mo To Projektmanagement GmbH. Completion: 2006. Product

single piece. Design: individual design. Functions: seating, water bassin. Main m

Cortensteel, wood.

ii| Bench, detail

i| Pool with benches

o| Campeon pool

T S A N D w A T E R



B O U N D A R Y

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Caesarea Landscape

Design Ltd.

arbage Can Senior 954square-shaped garbage can with stainless steel cover its best in modern orthogonalonments. It has a square casing holes pattern that reveals its metal thickness o just

millimeters, while the upper reinorcement inner ring and the rounded lower basemade o metal that is our millimeters thick. Concealed legs in rubber inish and a gal-zed, oven-painted, 0.5 millimeters thick, inner container in pure polyester completeesign.

J E C T F A C T S

t: “G” Kar Saba-shopping center. Completion: 2009. Production: serial production.gn: product line. Functions: design solutions or collection o garbage. Main materi-

perorated metal, stainless steel.

g| Garbage can, with ashtray

ii| Situated next to a wall

i| Next to a bench

Garbage Can Kiryat UnoThe decorative wastebasket has a unique design pattern with a cylindrical volmetal cover is galvanized and enameled. There are versions with rubber ootinment base..


Client: Prestigious Mall in the city Kiryat Uno. Completion: 2008. Production: sduction. Design: product line. Functions: design solutions or collection o garbmaterials: laser-processed casing metal.

Caesarea Landscape

Design Ltd.

i| Caesarion 948LK, detail

o| View o garbage can in a shopping mall

B A g E



P R O J E C T F A C T SEBD architects ApS

nvac Disposal Chute

’s disposal chute or mobile suction was designed or the disposal o householdand o waste in urban spaces. It is both physically smaller and much simpler to

te than previous solutions. The chute is one small part o the extensive mobile suc-nstallation. The hatch is easy to open and enables two-handed delivery, while the the opening minimizes the risk o accidentally entering garbage that is too large.roduct is easy to match with the given surroundings. The curved horizontal bars iny steel serve the dual purpose o giving the product an architectural identity andng o vandalism without appearing aggressive.

Client: ENVAC Denmark A/S. Completion: 2008. Production: serial production. Design: product line.Functions: garbage can. Main materials: painted steel, stainless steel.

i| View o the urban model

i| Detail, protection bars and opening

s| Street model, view with contexti| Plans “street” and “urban” version

B A g E




David Karásek,

Radek Hegmon

ylinder Waste Container

mbling an oversized layered cake or bobbin, the exterior o the Cylinder waste con-is a pleasant alternative to its more bulky counterparts. Its ribbed outer casing iso black polyethylene. The waste container hidden inside is made o sturdy steelas a smooth surace or easy cleaning. A concrete base or steel eet can be attachedcontainer body. In addition, the container body can also be attached to a steel pipe.

der is available in two diameters.

Client: mmcité a.s., Santa y Cole. Completion: 2000. Production: serial production. Design: individualdesign. Functions: garbage can. Main materials: black polyethylene, concrete, galvanized steel.

i| Cylinder in a park area

i| Model with concrete oot

s| Plans

i| Model with larger diameter

B A g E



Gonzalo Milà Valcárcel /

Martina Zink, Gonzalo Milà

Valcárcel


i| Sketch plan

s| Garbage cans on Barceloneta beach,

Barcelona

i| Detail

Client: Santa & Cole. Completion: 2004. Production: serial production. Design: individual design.Functions: garbage can. Main materials: polyethylene.

NA

main part o this two-piece polyethylene garbage bin is a container which holds thege bag pinned to a sae astening device. The lid is locked by means o a metal pegayonet itting, which prevents unauthorized manipulation. The article’s unctionalresides mainly on this lid since it prevents the waste rom spilling and reduces theive visual impact o a container illed to the brim. There are two dierent models –riginal model is designed or beach installation and eatures a tapering body andt-illed bottom that guarantees stability when buried in the sand; the second modeligned to be directly astened to the ground.

i| Bird’s-eye view, Barceloneta beach,

Barcelona

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B O U N D A R Y

E N S E M B L E


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Sasaki AssociatesAddress: Baton Rouge, LA, USA. Planning partner: Washer-Hill Lipscomb Architects, Covalent Logic,Inc. Client: City o Baton Rouge. Completion: 2007. Design: product line. Design: individual design.Functions: sign. Main materials: aluminum, glass.

ayfinding and Interpretiveraphicsn Rouge

e City o Baton Rouge, Sasaki created the program, design, and implementation o a

town wayinding system to better serve visitors. Imbued with a rich heritage stem-

rom a succession o French, English and Spanish rule and Native American culture,

esigners drew rom the city’s rich visual vocabulary. District identity icons were de-

d as well as inormation kiosks, street name signs, and interpretive graphics with

contemporary interpretations o the city’s history and culture. More than simply way-

g, the elements, shapes, patterns, and details oer a visual display o the city’s his-

Heritage trail markers with historic commentary add additional depth to the system.

i| Kiosk, the design is adapted to the context

p| Signage detail, inormation is given about

the history o Baton Rouge

T A N D S I g N



S A S A K I A S S O C I A T E S w A Y F I N D I N g A N D I N T E R P R E T I V E g R A P h I C S

i| Arrival circulation diagram

f| Sign detail

p| Fingerpost

T A N D S I g N



Despang Architekten P R O J E C T F A C T S

i| Sketch

s| Detail

i| Prototype

s| Tramway station

Address: City, 31275 Karlsruhe, Germany. Client: Karlsruher Verkehrsbetriebe. Completion: 2002.Production: serial production. Design: individual design. Functions: sign. Main materials: steel, brass,stainless steel, LED.

i| Station square

gnpostsruhe

ublic realm with its sensory overload is subject to increasingly new demands. Theor comort and orientation o the modern mobile society take their toll. A small ob-

which is ound repeatedly in the city o Karlsruhe, emerged rom the complexity o icity. A hard outer casing o made o U-300 structural steel with a lexible unctionalencompasses the installation. The visualization o the tectonic principle is imple-ed through the materialization o the surace properties. The outer casing consists o gh micaceous iron ore coating and the illing o processed brass, which increases theort o the venue through the application o LED light technology.

T A N D S I g N



Matthias Berthold, Andreas

Schön

argteheide Voice Showergteheide

oned purely as a sculpture in a park or public square, this shower may be initiallying, yet it is much more t han meets the eye. T he shower head does not release water;

ad, it has a loudspeaker installed inside. With the push o a button, the shower pres-exts and sound recordings on the topic o water by residents o Bargteheide. Theycollected and created during various interactions initiated by the artists. On therm underneath the shower, glistening metal letters are chaotically displayed, look-

ke drops let over rom the last use. Playing with the shower becomes a spectacle orone spending time at the park.

E C T F A C T S

ss: Rathausstraße / Mittelweg, 22941 Bargteheide, Germany. Client: City o Bargte-Completion: 2008. Production: single piece. Design: individual design. Functions:

oject. Main materials: audio electronic, high-grade steel, concrete.

gg| Shower head

ii| The shower, next to the village pond

g| Base

i

| Start button

ii| Pedestrian wayinding, map directory

oo| Pedestrian wayinding, nger blades

i| Vehicular wayfinding, parking or build-

ing IDo| Vehicular wayfinding, destination

York University Coordinated

Sgng nd wyfndng PgToronto

KDA was responsible or designing a new vehicular and pedestrian wayindinand a comprehensive interior sign program or the 55-acre university that was cleato use, communicated the university’s new brand identity, respected the a rchiteccampus, and presented a consistent and timeless esthetic. KDA’s design addresconcerns, provided more navigational night routes, and relected the tradition o iand green-space openness o this contemporary learning and research institution

Kramer Design Associates

(KDA) / Jeremy Kramer


Address: 4700 Keele Street, Toronto, ON M3J 1P3, Canada. Client: York Universpletion: 2003. Production: serial production. Design: individual design. Functio

Main materials: powder coated steel poles, cast connectors, screen printed mes

T A N D S I g N



elcome!nich

xhibition sign was conceived within short notice or the exhibition o the Bayerischesonalmuseum entitled “The House o Wittelsbach and the Middle Kingdom – 400 yearshina and Bavaria”. It consists o the word “Welcome!” in Chinese characters. The over-

characters were erected on the lawn-covered ground loor o the museum’s rontwhich was also designed by Rainer Schmidt Landschatsarchitekten and completed05. The characters consist o 3-dimensional wooden elements mounted on a steelIn addition to its use as a popular photo moti or Chinese visitors, the construct islar among children and adolescents who enjoy playing and sitting on it.

J E C T F A C T S

ess: Prinzregentenstraße 3, 80538 Munich, Germany. Planning partner: Atelier. Client: Bayerisches Nationalmuseum. Completion: 2009. Production: single piece.

gn: individual design. Functions: sign. Main materials: steel, wood.

g| Side view, welcome sign in springtime

ii| Chinese photo session

i| School excursion, the large seating area

s

| Photo montage, design sketch

ii| Bird’s-eye view, rendering

oo| Top decorations

i| Perspective, rendering

o

| General view, impression o a sailing ship

Michel Dallaire Design

Industriel – MDDI

Avenue Honore-MercierQuebec City

The purpose o this project was the transormation o the ormer Duerin-Monhighway access to Quebec city into a more accessible and riendly boulevard owhile respecting the historical status o the city as designated by UNESCO. Thtual approach was intended to express the military, historical and maritime chQuebec. The boundary stones in black granite evoke cannon barrels while the wimasts recall the 3-mast vessel that is the symbol o Quebec city.


Address: Avenue Honore-Mercier, Quebec City, Canada. Planning partner: WAA – w

asselin ackaoui. Client: City o Quebec. Completion: 2005. Production: serial product

Design: product line. Functions: illumination, bollard. Main materials: granite, stainl

berglass.

Rainer Schmidt

Landschaftsarchitekten

T A N D S I g N



West 8 urban design & land-

scape architecture


i| Artist impression OliviO, Jubilee Gardens,

London, UK

o| Artist impression OliviO or Noorderpark,

Amsterdam, The Netherlands

i| OliviO, Town Square Middlesborough, UK

Planning partner: Se’lux. Client: dierent governmental and private organizations. Completion: 2000current. Production: serial production. Design: set o parts. Functions: illumination.Main materials: aluminum.

iviO

OliviO range o luminaries and poles was developed in collaboration with the Ger-manuacturer Se’lux and has been installed or several West 8 projects throughoutorld. OliviO was born out o a desire or an energy eicient, timeless, universal out-source o illumination. OliviO is now available in a ull range o sizes, pole or wallted and in various colors. The conical shape combined with a spherical top gives thent a rotund and happy appearance. The lamp can be rotated by means o a structur-

djustable hinge in which the power supply cables have been integrated invisibly.

i| First OliviO, Bridges Kanaaleiland Bruggen,

Belgium

p| OliviO, Town Square Middlesborough, UK

T A N D S I g N



ragonlightenhagen

nlight was designed as part o the Amerika Plads neighborhood. The inspiration o xisting dragon lighting columns led West 8 to design a more abstract version, henceng a unique version, which helps to give the quarter a strong and evocative atmo-e. The light itting, which allows the light to come out o the beak o the Dragon, is

uced by Se’Lux, who is also responsible or the specially dimensioned poles. In totalwill be around 25 Dragonlights located at Amerika Plads.

E C T F A C T S

ss: Amerika Plads, 2100 Copenhagen, Denmark. Planning partner: Metaalgieterijin Bergen op Zoom and Se’Lux. Client: City & Port o Copenhagen. Completion:

Production: serial production. Design: product line. Functions: illumination. Main

ials: aluminum, magnesium, steel.

West 8 urban design &

landscape architecture

g| Dragonlight at night

ii| Dragonlight during the day

i| Detail paw

Freitag Weidenart,

Bureau Baubotanik

Weidenprinz Light TreeHartenholm

The light tree is a botanically structured light sculpture made o living plants. I

unction, the light tree combines a conventional street lamp with any kind o city

equally suitable or decorating public squares as well as other public venues in w

ventional illuminants are diicult to integrate in the natural context. A light tree

grows roots and thus makes any type o oundation superluous. In the course o

the plants interweave and the membrane’s mounting rings grow inside the plant


Address: private garden, 24628 Hartenholm, Germany. Planning partner: FerdiLudwig, Bauer Membranbau. Client: private. Completion: 2006. Production: serproduction. Design: individual design. Functions: illumination. Main materials

wooden plants, stainless steel rings, PVC membrane, high-voltage neon tube.

ii| Top o the lamp

i| General view

o| Detail

s

| Sketch

T A N D S I g N



TAlight installations can be used as street urniture to illuminate open spaces and

but they can also serve or private gardens to illuminate the path to the entrance ortting area on the terrace. This peculiar lighting “milestone” results in a very pleas-ect thanks to its marble screen that projects a light which is both unobtrusive and

e. These traits liken it to a domestic beacon. The lights are also especially appropriateatural spaces because with their neutral color and their inconspicuous design they dosrupt the natural appeal o the surroundings. As they are available in dierent sizes

can be individually adapted to the environment.

E C T F A C T S

: Macaedis. Completion: 2003. Production: serial production. Design: individualn. Functions: illumination.Main materials: Blanco Macael’s marble.


g| Lights

ii| Sketch

i| Detail

s

| Plan


Client: dierent governmental and private organizations. Completion: 2000. P

serial production. Design: product line. Functions: illumination. Main materials

minum, galvanized steel and (semi-)translucent plastic.

Peak

The Peak is a light ixture or the outdoor illumination o parks, squares and othsettings. The design consists o both a pole and a luminairy at a total height o 5The main material o the luminair y is cast aluminum and galvani zed steel or thglass is made out o translucent or semi-translucent plastic. The irst Peak was dePark JB Lebas in Lille, France and has been used subsequently in several West 8

West 8 urban design &

landscape architecture

ii| Peak at Lippenplein, Knokke, Belgium,

2007

o| Detail

i

| Street view

T A N D S I g N



Artadi Arquitectos /

Javier Artadi


i| Site plan

s| Colored pavement

i| Green columns, at night

Address: Miguel Dasso Street, San Isidro, Lima, Peru. Client: Municipality o San Isidro. Completion:

2007. Production: single piece. Design: individual design. Functions: illumination, pavement. Main

materials: concrete bricks, marble, steel structures, acrylic.

iguel Dasso Boulevarda

el Dasso Boulevard is one o the most traditional streets o San Isidro. Its urbanure is divided into three sections with controlled perspectives at both ends; next topular caés and bookstores these create an urban area that is unique to the district.esign proposal can be summarized in two basic interventions o great impact: a pav-sign which uniies both ronts o the urban space, and the incorporation o a “green

mns” chain, which would act as the new symbols constituting the boulevard’s spine.

i| Green column

T A N D S I g N



töpfer.bertuleit.architekten P R O J E C T F A C T S

i| Mittlerer Ring Leipzig

s| Linea variations

i| Detail

Client: hess AG. Completion: 2006. Production: serial production. Design: product line. Functions: illumination. Main materials: aluminum, steel, glass.

nea

is distinguished by simple elegance and versatile application possibilities. It is basede reduction o the appearance to the key elements: pole and extension. Its clear andact shape allows its application in various urban situations. The lamp can be used inent variations. With light point heights located at our and a hal, six, and eight me-t can be used as street lighting in all standard situations. The light casing consists o num, while the pole is made o galvanized painted steel, and the light cover, whiche opened without tools, is made o single-pane tempered saety glass.

i| Various lamps, Mittlerer Ring Leipzig

T A N D S I g N



B O U N D A R Y

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Łk / P Lk,Kzmz Łk


i| Concrete pavement

s| Studying the past

ii| Square plan

i| Cross section, view o the south açades

Address: pl. Nowy, 31-056 Krakow, Poland. Client: City o Krakow. Completion: 2011. Production: sin-gle piece. Design: product line. Functions: seating, illumination, shelters, bicycle stand, garbage can,clocks, signs, pavement, temporary vending stands. Main materials: concrete with basalt gravel.

owy Squarekow

dentity o a place consists o orms, materials and views, as well as people’s memo-The matrix o identity o Nowy Square is an attempt to record those memories. Bass– a stamp and an engraved picture initiates a projection rom past times. There willign-board o “Ziarno” company and the logo o the now non-existent Youth Culturee, personages o councilors and dodgy legends o the local underworld. Some signse pressed in horizontal and vertical plains o the surace during construction, othersppear later. The material o the images will ade in time and there will be new onesring in their place instead.

i| General view o the square

M E N T



enturies in turnon

project or the center o a university campus reshapes the land orms and createstral courtyard or a new art building plus an entrance plaza or an old theater andeters o walkway. The university has an “Ivy Ceremony” or entering students dat-

ack to the nineteenth century. The project represents the ivy ceremony with ivyssed in geometric paving patterns, abstract sculptures, and literal images stampedwalkways.

E C T F A C T S

ss: William Woods University, Fulton, MO 65251, USA. Client: William Woodsersity. Completion: 1999. Production: single piece. Design: individual design. Func-

seating, pavement. Main materials: paving brick, concrete, earth orms.

Will Nettleship

gg| Courtyard

ii| Central post, a geometric version o ivyleaves

g

| Walkway to lakei| Ivy circle

s| Sketch, seating area


Łk / P Lk,Kzmz Łk

ii| Square plan

i| Place or exhibitions, concerts, meetings

o| General view

s| Sculpture-ountain, with seatings on thebase Wolnica SquareKrakow

The most suitable looring material or this setting, given its attraction to userand quality, is exotic teak hardwood. The wood will be prepared in the orm o large-sized slabs, roughened at the surace to prevent slipping. The basic elemea bench – a pile o planks stapled together that transorms into a glass lamppolength the bench will change the angle o the seat and the back, oering varioupossibilities. A stand or bikes and the pedestal or the ountain with a Bronisławsculpture will be constructed on the same basis.


Address: pl. Wolnica, 31-060 Kra kow, Poland. Client: City o Krakow. Completion:

Production: single piece. Design: set o parts. Functions: seating, illumination, shel

tub, bicycle stand, ountain, garbage can, pavement. Main materials: exotic wood,

M E N T




JJR | Floor /

Kristina Floor, FASLA

izona Canal atcottsdale Waterfronttsdale, AZ

sdale Waterront is a high density mixed use development comprised o a seriesblic plazas that link retail and residential components with public art installationsa linear park in ront o the Arizona Canal in the heart o downtown Scottsdale,

na. The design uses the bold orms and colors o native cactus lowers such as sa-, prickly pear, barrel cactus, and ocotillos within the hardscape patterns to uniy thend create dynamic spaces. These abstracted lowers deine plazas, courtyards andring areas where orms are cast into vibrantly colored concrete paving, seat wallsountains.

Address: Scottsdale, AZ 85251, USA. Production: Weitz Construction. Client: Golub & Company, Cityo Scottsdale, Opus West Architects. Completion: 2007. Production: single piece. Design: individualdesign. Functions: hardscape plazas. Main materials: colored concrete.

i| Cactus lower plaza

o| Cantilevered stage, at public amphitheater

p| Donald Lipski’s “The Doors” sculpture,

aligns with Cactus

M E N T



i| Conceptual site plan

f| Stylized prickly pear blossom

f| Sandblasted thorn paving, det

s| Prickly Pear Plaza and Amph

A R I Z O N A C A N A L A T S C O T T S D A L E w A T E R F R O N TJ J R | F L O O RM E N T




Stacy Levy

atermapnnewood

rmap details a section o the Delaware River watershed surrounding the Friends’al School. Tributaries o the Delaware and Schuylkill Rivers are deeply sandblastedluestone pavers. The names o the waterways and surrounding towns and cities ared into the stone. The terrace is sloped slightly s o that rainwater will run i nto the run- the tributaries and then into the largest runnel o the Delaware River. Freshwaterorganisms ound in local waterways are blasted into the bench tops, with brackish

marine organisms blasted on the teaching bench. This way the outdoor classroomathering space contains two views o the local watershed – one miniaturized andreatly enlarged.

Address: Fannie Cox Center or Science, Math and Technology, Friends’ Central School, WynnewoodPA 19096, USA. Building Architect: Graham Grund. Client: Friends’ Central School. Completion: 2003.Production: single piece. Design: individual design. Functions: seating, ountain. Main materials: sandblasted Pennsylvania Bluestone.

i| Bench detail

p| Watermap with kid

M E N T



S T A C Y L E V Y w A T E R M A P

i| Girl sitting on bench

f| Bench detail

f| Bird’s-eye view

d| Map detail

s| Drawing o Watermap

M E N T



Stacy Levy

dge and Valleynsylvania

ocal Spring Creek Watershed o the Ridge and Valley region is recreated in a blue-terrace, punctuated by three boulder ‘ridges’ that rise rom the terrace and createg walls. All local streams and waterways are depicted with runnels carved six mil-

er deep into the stone. When it is dry, this terrace is a scale map o the geology andshed o this area. But when it rains the visitors‘ pavilion roo drains onto the terracehe rainall lows across the carved waterways, creating a miniature watershed. Therk is both a sculptural object and an engineering system, allowing visitors to cel-

e the hydrological cycle.

i| Overall view, dry


i| Ridge and Valley plan, with waterfow

s| Seating detail

i| Just ater a rainstorm

Address: The Arboretum at The Pennsylvania State University, University Park, Pennsylvania, PA16802, USA. Planning partners: Philip Hawk & Co Stone Masons, MTR Landscape Architects. Client:

The Pennsylvania State University. Completion: 2009. Production: single piece. Design: individualdesign. Functions: seating, ountain. Main materials: sandblasted Pennsylvania bluestone.

M E N T



BASE P R O J E C T F A C T S

i| Wooden pathway

s| Relaxing zone, with lightingsi| Detail, backside

Address: Parc des Prés de Lyon, 10600 La Chapelle-Saint-Luc, France. Planning partner: AAVP + ON. Client: Community d’Agglomération Troyenne. Completion: 2007. Production: single piece. Design: individual design. Functions: sun deck. Main materials: wood.

olarium, Parc des Prés de LyonChapelle-Saint-Luc

ask was to restore the public park, which was originally created in the 1970s. For thisse, the paths, entrance areas, most o the plants and the recreational acilities, whichimarily aimed at young people, were renovated and expanded. In addition, a skat-

ark, more playgrounds, a miniature gol course, a itness trail and much more wasned and added to render the entire setting more attractive and diverse. On an unusedn at the center o the park, a 170 squaremeter solarium with a relaxation zone wasd, turning the park into the setting or an overall exciting but also relaxing experi-

i| Wooden deck, acing south

M E N T



hanghai Carpetnghai

esign ocuses on the contrasts between state-o-the-art digital media and the humbleials o daily lie. Most o the new outdoor spaces are located as an “excavation” ives below street level. Overhung by SOM’s crystalline boxes, the design o the ground

ves digging to uncover a new place rich with historic, rustic and recycled materials,as metal, stone, brick, and timbers. Organizing the center is a very compressed ver-o this idea, a graphic “carpet” o these materials carved as a 200-meter bas-relie anded by a Timber Bamboo orest.

E C T F A C T S

ss: Shanghai University District, Shanghai 200444, China. Architects: SOM San Fran-

Client: Shui On Properties. Completion: ongoing. Production: single piece. Design: in-

ual design. Functions: pavement. Main materials: stone, brick, bamboo, stainless steel.

Tom Leader Studio

gg| Model, detail

i| View o “data stream”

g| Car parking, model detail

s

| Section, tower plaza

Agence APS, paysagistes

dplg associés

Place Aristide BriandValence

Facing south and the setting sun, protected rom the Mistral, the place Aristienjoys a privileged location in the town center o Valence. The project revealscal nature o such a place by installing a palm grove on a “carpet o wood” aevoking the “Mediterranean” spirit o Valence. Under twenty-six Chinese palmcomortable seats are arranged in groups o two or three, inviting the passer-by the rays o the sun as it sets behind the mountains o the Ardèche in complete twhile still in the center o town. In the middle o the square a small stream ecity’s cultural heritage.


Address: Place Aristide Briand, 26000 Valence, France. Planning partner: Ateliemière, Cap Vert Ingenierie. Client: City o Valence. Completion: 2007. Producti

piece. Design: individual design. Functions: seating, ountain, pavement, bolla

ii| Bird’s-eye view

oo| Bollards

i| Square view

o

| Wooden deck, details| Section

M E N T



P R O J E C T F A C T SSitetectonix Private Limited

ITE College EastSingapore

The paving design originates rom the social and interactive Central Forum gatheringspace at the heart o t he site. Flanked by three bui ldings, the “Tropical Sun” icon generatesrays on the pavement that radiate out along the three landscape concourses, each with itsown character. The outwardly radiating intent strongly presents the holistic identity o the site, pulling one’s attention towards the major central gathering space. This pavingslides down the seats and steps o the amphitheater around the Forum Stage. Above, aroo garden is created with the same “Sun Ray” patterning originating rom the skylight

which directly overlooks the origins o the paving on the ground level.

Address: 10 Simei Avenue, Singapore 486047, Republic o Singapore. Architect: RSP Architects, Sin-gapore. Client: Institute o Technical Education. Completion: 2005. Production: single piece. Design: individual design. Functions: paving, seating. Main materials: natural stones: granites, pebbles, lime-stone, slate, stainless steel.

ersection o Paving “Rays”, with

r bandi| Urban orest walk, towards the central

orum

d| Section

i| Paving and planting pattern

s| Central orum amphitheater

M E N T



B O U N D A R Y

E N S E M B L E


G A R B A G E


P A V

E M E N T

P R O D U C T L I N

E

S E A T I N G

S H E L T E R




P R O J E C T F A C T SStreet and Garden Furniture

Company / David Shaw

urleigh – Surfboard Serieseigh Heads, QLD

alia’s Gold Coast is an iconic tourist location and home to some o the world’s mostus suring beaches. In developing the site or Burleigh Heads it was the intention ton a series o urniture items that relect elements o the suring culture. The overall

make direct reerence to surboards, with the choice o colored timbers relecting50’s board designs that were prevalent during the period when the site emerged as

or suring destination. The support rames or the seats and tables are reerences toic orms, and are manuactured rom stainless steel or maximum protection againstrrosive nature o the environment.

Address: Burleigh Heads, Gold Coast, QLD 4220, Australia. Client: Gold Coast City Council. Comple-

tion: 2003. Production: serial production. Design: product line. Functions: seating. Main materials: stainless steel, timber wood.

i| Surboard setting, including a table and two

benches

i| Sections o a bench with backrest and a table

s| Rear view o bench with backresti| Side elevation o bench with backrest

D u C T L I N E



Lifschutz Davidson

Sandilands


i| New tram station, on Avenue de la Liberté,

Luxembourg

uxtramembourg

cheme or the revival o Luxembourg’s tram system is inspired by the city’s topogra-nd transport heritage. It is based on three simple ideas: irst to remove unnecessaryr, second to install high-quality paving with street urniture and inally to conigure

oulevards and public spaces to respond to the surrounding buildings rather than to traic. Restoring simplicity and sensitivity to the streets will activate the publicwith caés and shops. The architects o the line had the urther opportunity to re-the city’s squares, working alongside the City o Luxembourg to create a new stan-

o urban space or Europe.

i| Totem display unit, with real time inorma-

tion display

s| Exploded tram shelter, showing the

modular elements

ii| Elevation o the new tram station, at

Place de Paris, Luxembourg

i| Seat design, using stainless steel and ormed

natural stone seats

Address: City o Luxembourg, Luxembourg. Client: Luxtram. Completion: 2014. Production: serialproduction. Design: product line. Functions: seating, illumination, shelters, garbage can, signs, tramshelters, digital displays, catenary system. Main materials: bronze, stainless steel, stone.

D u C T L I N E



P R O J E C T F A C T SLifschutz Davidson

Sandilands

Geo

Geo is a coordinated street urniture system that provides a coherent and elegant way o servicing public space; opposed to the usual visual pollution o urban streetscapes. Geois a modular, post-based system comprising three technically and aesthetically integratedcategories o lighting, urniture and signage. The design is easy to maintain, minimal anddurable and maximizes the potential o each element to accommodate existing require-ments and emerging technologies. Each element is also designed or easy maintenance,security and cleaning. The range includes lighting, bus stops, bus shelters, seating, bol-lards, cycle racks, telephone boxes and cans.

Manufacturer: Woodhouse plc. Completion: ongoing. Production: serial production. Design: productline. Functions: seating, garbage can, illumination, bicycle stand, sign, shelter, bollard. Main materi-

als: stainless steel, wood.

nches o the Geo system, simple orms

evations, showing some o the elementsi| Garbage can

s| Detail view, illuminated bollardi| Finger post and bollards

D u C T L I N E



Kramer Design Associates

(KDA) / Jeremy Kramer

P R O J E C T F A C T SAddress: Toronto, ON, Canada. Client: City o Toronto. Completion: 2008. Production: serial produc-tion. Design: product line. Functions: transit shelters, waste receptacles, benches, public washrooms,bike racks, inormation columns, public posting columns and multi-publication structures. Main

materials: TPO composite plastic, aluminum cast pedal (waste receptacle), polycarbonate, aluminumsaety glass (shelters).

ty of Toronto coordinatedreet Furniture Programonto

its street urniture design, KDA contributed to the evolution o city streetscapes.omprehensive design was selected or the city o Toronto’s irst-ever, 20-year streeture contract. KDA’s powerul designs included transit shelters, waste receptacles,es, public washrooms, bike racks, inormation columns, public posting columns

multi-publication structures. More than 26,000 individual pieces o urniture will beyed over the next twenty years. Additionally, KDA has designed a program o coor-ed street urniture amenities or the City o Toronto including bollards, tree grates,g systems, wayinding signs, street lamps, planter boxes, and kiosks.

i| Bus shelter and waste receptacle

p| Bus shelter

D u C T L I N E



K R A M E R D E S I G N A S S O C I A T E S ( K D A ) T O R O N T O C O O R D I N A T E D S T R E E T F u R N I T u R E P R O g R A M

i| Shelter elevations

f| Waste receptacle

f| Inormation column

s| Transit shelter

D u C T L I N E



P R O J E C T F A C T SEBD architects ApS

Mobilia

Mobilia is urban space inventory developed as a building set o components that unite thequality o industrial production with the opportunity or individual layout in relevance tothe actual project. The b ench is a component that by itsel or added to a course o lines a ndcurves becomes an integrated part o the urban space. The bench is produced in moduleso two meters length in straight or curved sequences with the smallest diameter o ourmeters. This provides entirely new geometric options related to industrially produced in-ventory or urban spaces. The dustbin is developed with a ocus on simpliied expressionwhile simultaneously giving the product unctionality.

Client: GH orm. Completion: 2002. Production: serial production. Design: product line. Functions: seating, table, garbage can, toilets, signs. Main materials: cast iron, steel, wood.

ble and benches o the Mobilia line

ctions o the bench

i| Dustbin

a| Mobilia bench

i| Dustbin, detail view

D u C T L I N E



díez+díez diseño P R O J E C T F A C T S

i| Placement scheme

s| Individual banks

i| Individual bank, detail

Client: mago:URBAN. Completion: 2010. Production: serial production. Design: product line. Func-

tions: seating, plant tub, boards. Main materials: concrete.

en

ppears like a piece o urban urniture, used like an individual bench or architecturalr, coupled with a totally innovative character. It exhibits a calm spirit and balanceould be deined as essentialist. This element has been created rom a process o ab-ion reerring to the idea o rock as a natural shape. It can be easily integrated intoal and architectural spaces. Its geometry diers rom the prevailing rationality and

malism, and can even be considered organic. Zen establishes a luid communion be-n the environments where it is installed and the potential user. Since it is based on a

Zen has no predeined orientation.

i| Inographic o the total program,

currently in development

D u C T L I N E




Park Bench Radium

The key element and highlight o the design o this park bench is the basic rame moldedout o a single sheet o metal. Seen rom the ront, this gives the bench a very delicateand slim appearance. The metal basic rame can also be equipped with wooden seats andbackrests. In addition, there are various surace structures available that allow matchingthe bench to a variety o settings. The series includes benches with and without back rests

as well as stools in simple yet exciting designs.

mmcité a.s. /

David Karásek,

Radek Hegmon

Client: mmcité a.s., Prague Airport, City o Pecs. Completion: 2005. Production: serial production.Design: product line. Functions: seating. Main materials: galvanized steel, metal sheet or solid wood-en boards.

dium Bench, with wooden backrest and

ans o the models LR130 and LR160

i| Stools, also part o the Radium line

s| Radium bench in a park areai| Detail view, dierent suraces are used

D u C T L I N E



Agence Elizabeth de

Portzamparc /

Elizabeth de Portzamparc


i| Shelter, lights and garbage can

s| Product line

i| Lights and shelter by night

Address: Bordeaux, France. Client: CUB (Communauté Urbaine de Bordeaux). Completion: 2004.Production: serial production. Design: product line. Functions: seating, illumination, shelters, garbagecan, boards, sidewalk barriers. Main materials: cast iron, glass, wood.

amway de Bordeauxdeaux

eth de Portzamparc designed a complete product line or the new Tramway de Bor-. The irst development phase included a 44.6-network o 124 stations. It relectsmporary public traic with an elegant and modern design. With gentle, thin ormsenerous use o glass it stays modestly in the background, drawing attention only oncond glimpse. Made o milled and welded steel sheet as well as cast aluminum, thediscrete and eminine shape is sturdy enough or everyday use.

i| Shelter

D u C T L I N E



B O U N D A R Y

E N S E M B L E


G A R B A G E


P A V

E M E N T


S E A T I N G

S H E L T E R




Mitzi Bollani

nferlo

rlo is a small, colorul low seat, which “pops up” to meet a variety o seating require-

s. Finerlo takes up very little space and thus can provide an amusing rest at bus stops

lters. It oers a resting place or weary travelers in areas where there are no benches.

mber o seats can be arranged together to create an inormal relaxation place.

E C T F A C T S

: MODO srl. Completion: 2005. Production: serial production. Design: individual

n. Functions: seating. Main materials: iron.

g| Sketch,seating

ii| Red chanterelles, in Bibbiena

i| People at a bus stop, in Poggibonsi


Address: Vondelpark, Oud Zuid, Amsterdam, The Netherlands. Planning partne

Selbing. Client: City o Amsterdam. Completion: 2011. Production: serial produ

sign: individual design. Functions: seating. Main materials: cast iron, coated wo

Anouk Vogel landscapearchitecture

Vondel VersesAmsterdam

The inal step in the renovation o the Vondelpark is the replacement o the p

ture, which today consists o an agglomeration o standard elements rom die

ods. Vondel Verses takes its inspiration rom the original ideas o the Vondelp

is designed in a romantic English landscape style. The park contains a medley o

characters that come together as a whole. This variation is relected in the appl

dierent motis in the rames o the benches, inspired by the lora and auna o

tion. The vegetal motis are continued in the design o the lamp p ost, which sub

a daodil bud, and the kiosk, which is covered by a pattern o ivy.

ii| Sparrow bench

i| Lime bench

o| Pairs of bench profiles

I N G



Studio Makkink & Bey BV

okyo City Benchyo

ripper is based on a study o the dierent postures people assume on the street dur-

day, while learning, sitting, or squatting. Seven postures were ixed and shaped in

ave-like orm o this work. More ormal pieces o “urniture” were integrated in this

– like a dining table or chairs. Working initially rom an appreciation o European

and culture, in this case the designers have chosen to abricate the works using a

o iberglass, printed with a white lower pattern on pink-colored polyester.

J E C T F A C T S

ess: Tokyo, Japan. Planning partners: Silvijn v/d Velden, Christiaan Oppewal.

t: Droog Design. Completion: 2002. Production: single piece. Design: individual

n. Functions: seating. Main materials: wood, berglass, polyester.

gg| Main elevation

ii| Detail, integrated dining table and chair

g| Production process

i| Side elevation

sandellsandberg /Thomas Sandell

Streetscape FurnitureTokyo

Roppongi hills, one o Japans largest integrated property developments, stem

the concept o living, working and shopping in close proximity to eliminate

ing time. Thomas Sandell and sandellsandberg were commissioned to design

lation or one o the outdoor spaces and decided to create a seating arrangeme

shape and material that correspond to the modern, playul and inviting eel o t

streetscape.


Address: Roppongi Hills, Tokyo, Japan. Client: Mori Building Society. Completi

Production: single piece. Design: individual design. Functions: seating. Main ma

thermoormed Corian, with injected polyuretan oam.

ii| Total view

i| Site image, with people

o| Detail

s| Sketch

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P R O J E C T F A C T SBuro PoppingaClient: Grijsen park & straatdesign. Completion: 2007. Production: serial production. Design: individu

al design. Functions: seating. Main materials: coated cast aliminum, hardwood.

he Big Bench

ig Bench by Buro Poppinga was developed or Grijsen park & straatdesign as a dura-

oduct or contemporary public spaces. Great eort was exerted to make it look good

the ront as well as the back. It is meant to be a modern version o the classic park

made rom castings and shelves. It has an H-shaped proile and consists o 90- to

m boards. A particular distinguishing detail o the bench is that not all o its wood

pped between the castings. The ront shel o the seat and the top shel o the back

nue across the entire length o the bench. These ree b oards are attached to the bench

her boards, the seat and backrest, which in turn are connected to the castings.

i| The Big Bench, perspective view

i| Side elevation

a| Looking beautiful rom the back as well as

rom the ront

i| Isometric drawing

I N G



P R O J E C T F A C T SNL Architects

oom Bench

xtraordinary street object is a crossover o a hi-i unit and a bench and caters to the

to enjoy one’s own music in public. It especial ly appeals to the younger generation

ike to share their music. The Boom Bench eatures eight 60-watt co-axial speakers

wo subwooers that can be accessed through Bluetooth. The Boom Bench is a type

per-sized docking station. Everyone can connect his/her player or cell phone to the

ier to play his/her music with 95 dB high-quality sound. It is a new kind o street

ure that will not only shape the public visually but also acoustically.

Planning partner: Scott Burnham. Client: Droog Design. Completion: 2008. Production: serial produc-

tion. Design: individual design. Functions: seating, hi- unit, docking station. Main materials: ply-

wood, stainless steel.

i| Boom Bench with integrated hi- system

i| Group of kids enjoying the acoustic bench

s| Front view

i| Bench in use

I N G



P R O J E C T F A C T SEstudio Cabeza /Diana Cabeza

ii| Close up

i| Layouts

Client: Government o Buenos Aires and private clients. Development team: Diana Cabeza, Martín

Wolson, Diego Jarczak. Completion: 2003. Production: serial production. Design: individual design.

Functions: seating. Main materials: pre-cast concrete with color aggregate, natural nishing.

opografico Bench

us, unsymmetrical and irregular, this bench’s undulating surace slides like the

glides like wet sand and draws watermarks like on a still damp surace. Its topo-

ic expression evokes subtle ergonomic qualities, while its concrete materiality is

riendly. Consisting o a basic module 1.80 x 0.70 x 0.40 meters with or without a

est, it can be conigured in numerous and varied ways, or example matched side-to-

back-to-back or in combinations o both with chemical or mechanical anchors.

i| Area version and row lay out

i| Bench, with backrest row

s| Bench, without backrest row

I N G




atrimonial Benchnos Aires

bench was especially designed or the historical center o Buenos Aires. It is made

e-cast concrete with an incorporated o-white color aggregate, typical o turn-o-

ntury Buenos Aires açades. With or without a backrest and a base unit measuring

meters in length, it can be installed in individual units or assembled into a long

nuous row o benches. Furthermore, as benches with or without backrests can also

mbined to be approached rom either side, very singular conigurations may be ob-

d. The bench is ixed to an on-site concrete base.

Address: Historical center o the City o Buenos Aires, Argentina. Development team: Diana Cabeza,

Alejandro Venturotti, Diego Jarczak. Client: Government o the City o Buenos Aires. Completion:

2008. Production: serial production. Design: individual design. Functions: seating. Main materials:

pre-cast concrete with color aggregate, natural nishing.

i| Bench, with and without backrest row

p| Use situation

i| Layouts

s| Close Up

Estudio Cabeza /Diana Cabeza

I N G



ncuentrosnos Aires

uentros” is inspired by the rocks o “Playa Negra”, a black South Atlantic beach on

oast o Tierra del Fuego. It pays homage to the end o the world and acts as a bridge

n distant places o the earth, celebrating the encounter with nature and the eeling

knowledgement and delight. “Encuentros” proposes an evocative encounter place, to

to rest, to see and be seen and eventually to come in touch with onesel and nature.

J E C T F A C T S

ess: Tribuna Plaza, Casa Foa 2009 Edition, City o Buenos Aires, Argentina.

lopment team: Diana Cabeza, Alejandro Venturotti. Client: City o Buenos Aires.

pletion: 2009. Production: single piece. Design: individual design. Functions: seat-

Main materials: red and brown Sierra Chica Argentine granite.

i| Different compositions

p| Detail, red and brown granite

i| Singel, double and tripple seats

díez+díez diseño

Miriápodo

The bench was created as a potentially ininite seat element that, in a lateral wa

across spaces, cities and ields, squares and buildings, accommodating people

erent needs, allowing diverse uses while being in a continuous metamorphosis

satility o its composition and unction lies in the completely ree modulation o

basic elements that orm the initial program, which are the leg and the slat. Both

articulate and ix around a joint once the desired position is set. This allows t

rom a basic seat o 50 cm to seats o any length, adopting curved, straight, mix


Planning partner: Trem diseño industrial. Client: Tecnología & Diseño Cabanes.

tion: 2005. Production: serial production. Design: product line. Functions: seatin

materials: cast aluminum.

ii| Bench, with backrest

i| Infographic, dierent possibilities o

compositions

o| Detail


I N G



olar Benchul

Bench rees itsel rom the design concepts o traditional benches. It is a new ap-

h to the concept o a bench. While serving the traditional unction, this bench be-

s a Wi-i hot-spot also oering nightly illumination through its thin-ilm solar bat-

Eco-riendly, it is made o aluminum and recycled plastics in addition to the solar

y. It oers the public utilization o natural electricity charged by sunlight. Eventu-

t is an element o an “Eco City”.

E C T F A C T S

ss: Nonhyun-dong, 70-7, 135-010, Seoul, South Korea. Planning partner: Byungmin

Seonkeun Park. Client: Samsung Electronics. Completion: 2008. Production: single

Design: individual design. Functions: seating, Wi-Fi, lighting. Main materials:

c, solar panel.

Owen Song

g| Solar benches

ii| Variations in colors

i| Detail, Wi-Fi spot

s| Plan

cucThe bench cuc can be constructed at any desired length by assembling the mo

ments in a row. The c urved silhouette o the seating area is convexly/concavely in

also enabling a change o direction within the row. cuc was designed or the Par

ditoris de Barcelona as part o the Forum de les Cultures Barcelona 2004. The i

concrete elements, weighing 229 kilos each, are available in light grey or sa nd y

Foreign Office Architects(FOA) / Farshid Moussavi,Alejandro Zaera-Polo

ii| Row of seats

i| In use

i| Single element


Manufacturer: mago:group. Client: Barcelona Park. Completion: 2005. Productio

production. Design: individual design. Functions: seating. Main materials: conc

I N G




Client: private. Completion: 2006. Production: serial production. Design: product line. Functions: seat-

ing. Main materials: aluminum.

d bed in use

an and section

p| Bed of alminum wings, dierent versions

Nea Studio /Nina Edwards Anker

Bird Bed

The Bird Bed, a piece rom the Arctic Furniture Line, is a daybed or two. Its durable sur-

aces make it ideal or relaxing in urban streets and parks. The daybed lexes comortably

under the body’s weight. Its proile resembles a bird in light whose ‘wings’ carry the user

so that he seems to be hovering in mid-air. There are two dierent versions o the seating

object available. The garden version is dug into the ground (preerably medium hard soil

or a sidewalk), while the version with a base can be bolted into the ground. Fabricated o

2.5 millimeter-thick high gloss painted aluminum, it appears slender and light.

I N G



P R O J E C T F A C T SArchitektin Mag. arch.Silja Tillner

ark Bench Swinger

ench “Swinger” was developed as part o the revitalization o the Gürtel ring road o

na. Its dynamically curves correspond to the new spirit and image o the central ring

area, while its ergonomic shape invites passers-by to sit down and relax. The battens

ergonomically rounded back and seat are made o cedar wood, while t he basic rame

de o lat bar steel. Whether standing on its own or as part o a group, the bench

onderul addition to the appearance o the city. Its mix o esthetics and sturdiness

s it an ideal city urniture item.

Client: City o Vienna. Completion: 1998. Production: serial production. Design: individual design.

Functions: seating. Main materials: wood, steel.

i| Park bench “Swinger” in the city o Vienna

i| Elevations

s| Close-up view

i| Delicate and simple form

I N G



Caesarea LandscapeDesign Ltd.

J E C T F A C T S

t: Park in Ceasaria. Completion: 2010. Production: serial production. Design: prod-

ne. Functions: seating. Main materials: cast iron, wooden beams.

ench Castle 717bench with an elegant and unique look its into a dyna mic context. Legs and arm rests

made o high-quality cast iron GGG-40 in the colors gray, black and blue. Eight boards

able in dierent kinds o wood connect the cast-iron sides. It is available in various

: 1.40, 1.10 or 0.70 meters.

g| Side elevation

ii| Perspective

i| Detail

Diego Fortunato

SOL and NETSOL consists o a 35-kg cha ir made o UHPC, h igh perormance concrete. The sea

placed on a single narrow tube structure, which is bolted to the ground. It has has

nism that allows the chair to turn arround like an oice chair. Available in black a

it is acid treated and water repellant. The waste basket/ashtray NET with the sam

structure is made o reinorced cast stone.


Client: ESCOFET 1886. Completion: 2005. Production: serial production. Design

line. Functions: seating, garbage can. Main materials: polymer concrete (chair),

orced cast stone (garbage can).

ii| Urban chair SOL

i| Plan, seat

o| Garbage can NET, in combination with chair

SOL

I N G



enches Martelo

modern-looking, smooth-lined metal bench and the wavy, comortable bench without

upport have a square seat p eroration pattern. It is galvanized and enameled in pure

ster and matches the RAL color key. Available in dierent combinations, the dier-

ptions include anchoring to the pavement, rubber ootings, and solid cement legs

a rough texture in white or gray as well as handles.

gg| Bench Martelo 791 and garbage can

Caesarion 958BM

ii| Benches Martelo 792

g| Benches Martelo 791

i| Bench Martelo 746


E C T F A C T S

: Gold Internet, municipality o Aula, shopping center in Carmiel. Completion:

Production: serial production. Design: product line. Functions: seating. Main mate-

perorated metal, decorated stone base in dierent shades.


Alfil Set

The built-in chess board is ideal or parks and other recreational areas where u

indulge in games, such as chess, checkers, cards, etc. Its color combination ren

pre-cast reinorced unit lexible applicable or a number o dierent uses and

options while requiring very little maintenance. Embedding bases are included

or two, three or our seats. Without the base, the elements can be embedded in

built-in concrete. When an adequate base is provided they can also be embedde

ground on a suitable substratum.


Development team: Diana Cabeza, Mario Celi, Diego Jarczak. Client: public and

clients. Completion: 2000. Production: serial production. Design: product line. F

Set o table and seats, drinking ountain. Main materials: precast reinorced co

with black color aggregate, natural nishing.

i| Sets of tables and seats

oo| Table, with chess board

o| Sets and singel seats

I N G



West 8 urban design &landscape architecture


i| Long linear Timber seat at Schouw-

burgplein, Rotterdam, The Netherlands, 1993

s| Timber seat at Leidsche Rijn Park, The

Netherlands, 1993

i| Timber seat at Neude, Utrecht, The

Netherlands, 1998

Client: dierent governmental and private organizations. Completion: irst version 1993. Production:

serial production. Design: product line. Functions: seating. Main materials: wood, steel.

est 8 Timber Seat

y, 20 years ater the long linear timber seat was constructed on the Schouwburg-

in Rotterdam, the bench concept as an outdoor meeting place continues to be a suc-

The monumentality o the seat relates well to the scale o its environment, while its

ming character invites passersby to linger. Ergonomically, it provides comort and

ction. The design principles have stood ‘the test o time’ and are now eagerly copied

anuacturers o street urniture. The speciic orm and the scale o seat and backrest

tute the basis o a amily o benches, regularly used in other West 8 projects. They

remarkable outdoor objects and readily relate to their varying contexts.

i| Timber seat at Lippensplein, Knokke,

Belgium, 2006

I N G



West 8 urban design & land-scape architecture


i| Segment of swirl-bench, dierent

conguration

s| Artits Impression Swirl-bench, Libarary

University o Utrecht

ii| Swirl-bench in Luxury villag

1995

i| Different configurations

Client: various. Completion: irst version 2005. Production: serial production. Design: set o parts.

Functions: Seating. Main materials: polyester concrete.

est 8 Swirl Benchbench‘s generous circular shape, made up o dierent segments, can be easily placed

ariety o locations. Due to its size it can accommodate quite a ew people at once. The

n the middle allows people to sit down acing either inwards or outwards, provid-

ther a little intimacy or the possibility to turn away rom the others and take in the

undings. The seat is relatively low and wide and thereore comortable to sit on. The

’s “belly buttons” act as little drainage holes. Each segment is made out o two cast

that are joined together and that are available in various colors and textures. In ad-

to the donut shape, other conigurations are also possible.

i| Swirl-bench, Libarary University o Utrecht

I N G



P R O J E C T F A C T SASPECT Studios(Sydney Office)

5 5

enches at Pirrama Parkney, NSW

rie or the Pirrama Pa rk was to develop a new public park or a post-industrial piece

d on the Pyrmont peninsula. The prime location o the site on Sydney’s waterront

d the opportunity to create a memorable public park area or local residents and the

community. The brie also required appropriately scaled community acilities and

c realm elements including shade canopies, benches, a kiosk and toilets to be included

n the design. The custom-designed benches are part o a suite o urniture designed

e site. The bench eatures recycled timber a s the seat and backrest, ixed to a solid but

nt piece o concrete that wraps around to become a ‘mat’ or the users’ eet.

Address: Pirrama Rd, Pyrmont, Sydney NSW 2009, Australia. Planning partner: Hill Thalis Architec-

ture, Urban Projects, CAB Consulting. Client: City o Sydney Council. Completion: 2009. Production:

single piece. Design: individual design. Functions: seating. Main materials: concrete, timber.

i| Robust park bench o timber and concrete

i| Site plan of Pirrama Park

s| View at twilight

i| Side perspective

I N G



Zaha Hadid Architects P R O J E C T F A C T S

i| Sculpture, usable as a bench

s| Side view, center part

i| Back side

Address: City Art Square, 1 Yuen Wo Road, Sha Tin, N.T. Hong Kong, China. Planning partner: Patrik

Schumacher. Client: Sun Hung Kai Properties Ltd. Completion: 2008. Production: single piece. Design: in-

dividual design. Functions: seating, sculpture. Main materials: EPS oam reinorced with fberglass shell.

irlg Kong

s a typical piece o art that unctions as street urniture. It was conceived to relect

tensity o a hyper-acceleratory orce within an elastic tactile orm. As the curvature

surace dynamically and seamlessly twists and turns, dynamic orm and unctional

hings are seamlessly integrated. Swells provide areas or seating while stretches in

rm urnish opportunities to recline. A generous upward sweep provides shade and

s present views o the surroundings. Dierent-sized voids allow or a variety o

iential possibilities o entering into and interacting with t he sculpture or visitors o

es, who are always surrounded by a cloud o swirling orces liting o the ground.

i| General view

I N G



P R O J E C T F A C T SBroadbent /Stephen Broadbent

eopold Squareeld

nning collection o grade II la ndmarked Victorian school buildings in Sheield, Eng-

were careully renovated and contemporary new buildings added to this mixed-use

opment, with a new public square at its heart. Broadbent was commissioned through

ndscape architects Planit-ie to produce sculptura l seating units or the public square,

h would celebrate some o the lie and history o the old Sheield Central School.

bent engaged ormer pupils who provided personal memories, either as written

ments or drawings. These were modeled and cast into the bronze seating units.

Address: Leopold Square, Sheield S1 1RG, United Kingdom. Landscape Architects: Planit-ie. Client:

Ask Property Developments. Completion: 2007. Production: single piece. Design: individual design.

Functions: seating. Main materials: bronze.

i| Detail of typography

i| Graffiti proposal

s| Leopold seats and fountain

i| Overview of Leopold Square and seats

I N G



P R O J E C T F A C T SStreet and Garden FurnitureCompany / Surya Graf

The WaveAlexandra Headland

While having an obvious unction, the brie or the Wave bench was to be a ocal point

along the boardwalk while itting harmoniously into the oreshore landscape. The design

took direct inspiration rom its coastal location, relecting many aspects o this environ-

ment and liestyle. The overall orm, the shaping details in the timber, and the curved

metal leg details are all reerences to aspects o the ocean. In addition, the design allows

various users to individually decide how they wish to use the seat. Relying on CAD tech-

nology to produce a quality product in a quick and cost eective manner, the design uses

timber and metal components, which are durable and easy to maintain.

Address: Pinch Point, Alexandra Headland, QLD, Australia. Client: Sunshine Coast Regional Council.

Completion: 2007. Production: single piece. Design: individual design. Functions: seating. Main materi

als: timber, steel.

ew at sunrise, showing the right bench

an

i| Timber shaping detail

s| The Wave at Boardwalk Lookout

i| Steel leg and curved framing

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P R O J E C T F A C T SStreet and Garden FurnitureCompany /Miranda Lockhart

s| Backrest detail

ollymooklymook Beach

ts o the coastal location along with unctional considerations became the key ele-

used to develop the Mollymook designs. The platorm seats allow or a variety o seat-

sitions or users to enjoy views, breezes and the sun as conditions change throughout

y. The laser-cut pattern details in the steel backrests resemble the shapes let by wave

n in sand. This eect is enhanced by the back to back seating arrangement, which plays

ight and shadow eects that change according to the viewers’ position. Just as wave

n continually changes patterns in the sand, this sense o change is emphasized with

ovement o the sun creating shadow eects when light passes through t he pattern.

Address: Mollymook Beach, Mollymook, NSW 2539, Australia. Client: Shoalhaven City Council. Com

pletion: 2006. Production: serial production. Design: product line. Functions: seating. Main materials:

stainless steel, timber wood.

i| View of the bench against sunset

i| Reflections and patterns in the backrest

s| Elevations

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P R O J E C T F A C T SStreet and Garden FurnitureCompany /Alexander Lotersztain

wig bane

is a modular seating system designed or public spaces that encourages diversiica-

nd interaction among people. The single component modular design allows or a

y o positional combinations, and t he creation o “conversation pockets” throughout

osen landscape. The design is extremely robust and ea sily maintained, which makes

l suited to high-wear outdoor environments. While the Twig is manuactured rom

st concrete, the roundness o the orm suggests a visual sotness. Twig is a very

ural element that blurs the boundaries between the built orm and external space,

uggests new ways o ormal and inormal outdoor living.

Address: Southbank Institute o Technology, 66 Ernest Street, South Brisbane, QLD 4101, Australia.

Client: Southbank Institute o Technology, Cox Rayner Architects, Gamble McKinnon Green Land-

scape Architects. Distribution: Street and Garden Furniture (North America, Oceania), Escoet (EU,

middle East, Asia). Completion: 2007. Production: serial production. Design: individual design. Func-

tions: seating, plant tub. Main materials: concrete.

i| The Twig, robust and appealing

i| Possible layout plans

s| Double function as planter and seating unit

i| Detail view

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P R O J E C T F A C T SMichel Dallaire DesignIndustriel – MDDI

Mntreal

main objective o this project was to design a complete amily o urban urniture that

y identiies, distinguishes and valorizes the Quartier international de Montreal. Ad-

d material technologies were used, with aluminum as the basic material in a variety

nsormation processes, such as extrusion, sand-casting, pressurizing, die-casting,

umerical machining. The thematic visual vocabulary was inspired by the contrast o

rcle with the absolute vertical rectitude. The project includes a variety o elements

dem lighting ixtures and posts, street and park benches, bicycle holders, trash-bins,

ign supports, and special hardware components.

Address: Daoust Lestage Inc, 3575 St Laurent, Montreal, QC H2X 2T7, Canada. Client: QIM. Comple-

tion: 2003. Production: serial production. Design: individual design. Functions: seating, illumination,

bicycle stand, garbage can, signs. Main materials: aluminum, IPE wood.

i| Seating, view rom back

i| Seating, side view

s| Seatings, overview

i| Seating backside, lamp and garbage can

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Lucile Soufflet P R O J E C T F A C T SPlanning partner: TF France. Client: TF France. Completion: 2008. Production: serial production.

Design: individual design. Functions: seating. Main materials: steel.

i| Soft Bench, view rom above

o| Sketch

p| Soft Bench, with undulating seat

oft Bench

Bench is a street object with a amiliar line which suddenly undulates and twists to

lexible and relaxed seating on a hal o its length. Used or seating in the classical

on or or a casual horizontal position, its design allows users to take the time to en-

to the object and its unctionalities. It raises the issue o public and private spaces,

shape o appropriate urban urniture that allows relaxing and contemplating the

and the landscape. Its simple but unusual orm and its delicate rame constitute the

al character o this bench.

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P R O J E C T F A C T SLucile Soufflet

Bancs Circulaires

The irst bench was commissioned by the Brussels city council in 2003 or a little square

in the center o Brussels. The city council required a metallic railing around a tree in the

middle o the square that could also unction as a bench. The designer proposed to enlarge

the railing and simply to maintain the theme o sitting around a tree. This bench unolds

in a circle, extends itsel and returns around the tree. Part o the concept was to play with

the making process and produce a circular shaped element in the bench. At each end, the

proiles gradually deorm themselves and back rests slowly appear to create seats acing

each other. Dierent models o the bench based on the same pr inciple were created later.

Client: Cities o Brussels, Mons, Luxembourg. Completion: 2003. Production: single piece. Design:

individual design. Functions: seating. Main materials: steel.

cular benches on Grand Place, Mons

ctions o dierent parts o the bench

i| Plan

s| Grand Place, dierent perspective

i| Different arrangement o the bench

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Union Bench Collection

Designer Jangir Maddadi knew that to create a piece o public urniture would require a study

o the public itsel. Ater th ree years o intensive research into seating behavior, Maddadi

melted the need or individualism and the desire or social contact in a product that heralds

a revolution in the traditional street bench by changing its physicality altogether. The subtle

simplicity o this piece o urban urniture constitutes an elegant contrast to the robust

concrete and wood construction. The island-like arrangement o up to three semi-spherical

seats gives users a 360-degree v iew no matter where they choose to sit. A widespread seat-

ing area creates comort when sharing the bench with strangers or riends.

Jangir MaddadiDesign Bureau AB

Completion: ongoing. Production: serial production. Design: product line. Functions: seating, plant

tub. Main materials: concrete, wood.

ion Bench 8-seater with plant tub

ns

i| The black collection, scattered on a public

square

s| 12-seater, in orthogonal arrangement

i| 12-seater, arranged around a tree

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P R O J E C T F A C T SBenjamin Mills

Tree Guard Bench

Tree Guard Bench is designed to provide both tree protection as well as an elegant seating

solution. The unexpected appeal o the design lies in its ability to transorm. Tree Guard

Bench is intended to change intuitively with the needs o the space in which it occupies,

seamlessly shiting orm to coincide with the rising and setting o the sun. This provides

extra tree protection at night and enhances the use o its surroundings in the day. The

role o street urniture is considered in a holistic manner here, resulting in a mesmerizing

and sculptural design that aims to challenge our perceptions o how public seating should

look and perorm.

Completion: 2009. Production: single piece. Design: individual design. Functions: seating, tree guard.

Main materials: aluminum.

ee Guard Bench, seating position at

e

y to night transformation

i| Exploded section

s| Transformation sequence

i| Tree Guard Bench in a public square

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eamar Bench

dea o this bench model was inspired by a rock, or recovering o “the natural” in

ban environment. It combines the heavy characteristic o rock with a luid pattern

surace – bringing two dierent elements together in one body. The bench has a

lar structure and consists o two main elements. The irst element is straight, mea-

g two meters in length and 80 centimeters in width. The second element is curved

overs 45 degrees. In combining both elements the most dierent bench orms can

anged – rom circular via curved to linear compositions. The single elements weigh

ximately 1,500 and 1,000 kilograms. They are placed immediately on the loor.

Client: GITMA. Completion: 2006. Production: serial production. Design: individual design. Func-

tions: seating. Main materials: concrete.

i| Elevation, robust concrete bench

i| Scheme, possible arrangement

s| Modular structure, the bench can be

adjusted to its environment

i| Elevation

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ii| Plan

i| Small bench

d| Combination of two long benches

i| Chairs

s| Perspective

Client: Paviments MATA. Completion: 2009. Production: serial production. Design: individual design

Functions: seating. Main materials: concrete.

díez+díez diseño

Ponte

Ponte managed to create a precise balance in developing a bench with contemporary

orms. Reined with a touch o classicism, it can be easily integrated into areas such as

traditional urban centers, historical sites, parks and gardens, where the placing o more

innovative concepts would be problematic. Its longitudinal curvature coupled with the

downward inclination o the seat that is shaped like a drainage duct acilitates the re-

moval o water trapped in the seating area. As a result, the bank contains areas with seat

heights that dier by three centimeters rom its middle towards the ends, allowing people

with dierent heights to ind their ideal seat.

ng bench

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díez+díez diseño P R O J E C T F A C T S

i| Placement scheme

s| Curve of seats

i| Linear composition

Client: Paviments MATA. Completion: 2007. Production: serial production. Design: individual design.

Functions: seating. Main materials: concrete.

ove

ove program consists o two seating elements with attachments, one concave and

her convex, and a third lat piece that unctions in both o the other two positions.

be said that Dove is a amily o benches with the same genetic proile. These three

nts have an incredible versatile composition and can be placed individually or in

s, as well as in curved rectilinear or mixed, opened or closed ormations. It is an

ic element with smooth and pleasant suraces that invites to stop and rest, to medi-

r simply to relax. The elements are made o concrete and can be combined by simply

ng them side by side.

i| Row of concave and convex seats

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P R O J E C T F A C T SDiego Fortunato

T Collection

IT Collection is a modular system o concrete seating elements that are special not

n their rounded suraces but also in the way they are combined. It consists o cubic

g elements o dierent length that orm benches or stools. Backrests o dierent

h can join the seating elements. They are shaped to be simply placed behind the

es or stools and provide a comortable public seating accommodation. The rounded

o the bodies not only gives them a beautiul countenance but also prevents the

urniture rom getting soiled, as rainwater can easily drain o.

Client: ESCOFET 1886. Completion: 2005. Production: serial production. Design: product line. Func-

tions: seating. Main materials: concrete.

i| SIT Collection at Maison de Quartier in

Sédan, France

i| Elevations

s| SIT Collection in Sant Pere Pescador,

Girona

i| Long backrest and bench in black

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nahtrang / Ester Pujol,Daniel Vila

P R O J E C T F A C T SClient: ESCOFET 1886. Completion: 2009. Production: serial production. Design: product line. Func-

tions: seating. Main materials: steel, concrete, bamboo wood.

NK

INK bench is an extremely light, urban-style seating element, with a high ormal

nt. Its structure, recalling the essence o the popular classic olding stool, is simple,

tive and balanced, with echoes o the East. A modest little gem whose proportions

it easy to integrate into the environment. LINK’s subtlety o orm and smart com-

on o materials – steel and concrete or steel and bamboo wood – make it a balanced

nt in the urban landscape or or contract urnishing. The series includes the LINK

, LINK stool, LINK table and LINK wall seat models, all with two seat options, made

ncrete or bamboo.

i| Bamboo wood stool, placed indoors

o| Perspective view, bamboo wood bench and

stool

p| Bamboo wood bench and stool

I N G



N A H T R A N G L I N K

i| Frontal view of the set

f| Concrete bench and stool, perspective

view

f| Bench diedric and sketch

s| Side view in perspective

I N G



Juan Carlos Ines Bertolin,Gonzalo Milà Valcárcel


i| La Marbella beach, Barcelona

s| Barceloneta beach, Barcelona

ii| La Marbella beach, Barcelona

i| Sketch

Client: ESCOFET 1886. Completion: 1996. Production: serial production. Design: product line. Func-

tions: seating. Main materials: steel-reinorced reconstituted stone.

LLARGA / SICURTA

urban chaise longue is made o steel-reinorced reconstituted stone, which was spe-

ly designed or this project. The object is destined or gardens, promenades, rest

and parks or comortable sitting and enjoying the surrounding nature. The ergo-

c design eatures an inclined backrest and slightly inclined leg s upport. Both o these

ons are intended to improve the blood circulation, or example ater exercise. Sil-

provides a decent and deinitely laid-back way o sitting in public spaces.

i| Benches, Forum, Barcelona

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P R O J E C T F A C T SStreet and Park Furniture /Michelle Herbut

Botanic Bench

The Botanic Bench was designed to suit a speciic site in South Australia. Inspired by the

growth and organic nature o the plants at the Botanical Gardens, the aim was to simulate

the bench ‘growing’ out o the ground and to take advantage o the resulting curve. This

adds another possibility to the ways the bench is utilized, by using it as the much sought

backrest that nature so oten omits. The resulting bench is unique in its appearance, with

its round and organic orms it blends harmoniously into the background o a park land-

scape. The design company o Street and Park Furniture was asked to help the designer

with production and manuacturing issues.

Client: University Project. Completion: 2004. Production: single piece. Design: individual design.

Functions: seating. Main materials: aluminum, timber, stainless steel.

i| Deatil view

s| Perspective view

ew of Botanic Bench

fferent elevations

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P R O J E C T F A C T SStreet and Park Furniture

ea Tree Gully Seatdbury

ity o Tea Tree Gully is moving orward with dynamic developments. One o these

opments was to create a visual impact with a uniquely designed range o street ur-

e, introducing modern and innovative techniques into local constr uction and design.

and Park Furniture worked in collaboration with a design irm to create a range o

ng urban urniture, including seats, tree guards, bins, bollards, encing and banner

The Tea Tree Gully Seat displays an astonishing cu rved rame structure t hat creates

t and vivid countenance despite the robustness o the materials.

Address: 571 Montague Road, Modbury, SA 5092, Australia. Planning partner: Arketype. Client: City

o Tea Tree Gully. Completion: 2004. Production: serial production. Design: product line. Functions:

seating. Main materials: hardwood timber, aluminum, galvanized mild steel.

i| Seat with curved supporting rame

i| Side elevation

s| Front view

i| Side view o the seat

I N G



Baena Casamor ArquitectesBCQ S.L .P. / Toni Casamor,David Baena


i| Elevations

s| Flexible arrangement of the space,

adapts to the users habits

i| Furnitures, like a ew blocks o black basalt

Address: Illa 10 urban development in Sant Cosme, Carrer Anoia, Cardener, Ronda Sud, Avgda. Onze

de Setembre, 08820 El Prat de Llobregat, Barcelona, Spain. Manufacturer: ESCOFET 1886 SA. Client:

Incasòl. Completion: 2007. Production: serial production. Design: product line. Functions: seating.

Main materials: cast stone.

i| SO-FFA elements, t together to allow any

combinations

O-FFArat de Llobregat

FA benches were originally designed as neutral pieces o urniture or any location

e the designers thought a ew blocks o black basalt would it. In non-urban areas,

ing can be u sed to sit, a low wall, a trunk tree or a rock. Since there were no properly

stones or the project, they were built tak ing care with angles and h ow they could it

her to allow any combination. The designers were also interested in the way young

e use a bench; or example when sitting on the back with their eet on the seat. So

oup o ‘stones’ was supposed to accommodate all these positions and any others.

urban elements were built with simple geometries and o solid concrete, so they

be used as ree-standing elements.

I N G



P R O J E C T F A C T SToyo Ito and Associates,Architects

Client: Escoet. Completion: 2005. Production: serial production. Design: individual design. Functions

seating. Main materials: reinorced cast stone.

odular Bench Naguisa

urniture made o concrete was designed to serve as a bench that can adapt to the

o towns or large parks. It can have sot curves like the low o the river, with an

ling dignity that arouses people’s imagination. For the design o this urniture, cir-

arc pieces o about our meters in length are used as modules. The curved surace

e they are gouged serves as the seating side and the organically consecutive shape

ons as a backrest allowing users to lean their backs or rest their arms to ind their

avorite seating position.

i| Benches in urban context

i| Benches in park context

s| Plans

ii| Bench, completely closed like a ring

i| Bench, sot curves like the fow o the river

I N G



Alexandre Moronnoz P R O J E C T F A C T S

5090°

120°

150°

6 0

D = 200

D = 120

D = 250

D = 150

48

1 0 0

1 5 0

1 2 5

plans Y bois rétifié (en mm)

i| Plan

s| Detail

i| Scalable park and garden furniture

Production: Prototype Concept. Technical partner: RETItech. Client: VIA, prototype. Completion:

2006. Production: single piece. Design: individual design. Functions: seating. Main materials: laser-cu

retied wood, mechanical assembly.

a design or scalable park and garden urniture: its length can be deined reely

s base width is also variable. This unconventional outdoor seating idea consists o

es o vertical slats o laser-cut wood. They are linked together by adjustable assem-

xings, oering a wide range o coniguration options. The quality o the “retiied”,

mally treated) wood allows the urniture to withstand outdoor weather conditions.

named or the geometric shape o its basic module, which is thus transormed rom

al moti into a unctional orm.

i| Detail

I N G




i| Plan

d| Design studies

i| Detail

s| Bench

Address: Les Jardins du Fleuriste, Av. Sobieskilaan and Av. de Robiniers, 1020 Brussels, Belgium.

Planning partner: Parkdesign / Pro Materia. Client: BGE-Brussels-Environnement. Completion: 2007.

Production: serial production. Design: individual design. Functions: seating. Main materials: laser-cut

bent and soldered steel, electroplated zinc, epoxy paint.

Alexandre Moronnoz

InterferencesBrussels

The unique urban park bench, installed in Les Jardins du Fleuriste, has a calm and organic

exterior and a renetic, moving, exposed interior. A balance between order and disorder,

movement and stability characterizes the volume. Equally at home amidst urban bustle or

swaying grasses, Intererence is an eye-catching addition to any landscape. The dimen-

sions may be extended to suit each setting. At once urban and organic, relective o its

environment (a public space marked by constant movement), this park bench balances

order with chaos in a spirit conducive to riendly encounters.

side, detail

I N G



Alexandre Moronnoz P R O J E C T F A C T S

i| Detail

s| Design sketch

i| Making of

Address: Cité du Design, 42000 St-Etienne France. Completion: 2008. Production: serial production. De-

sign: individual design. Functions: seating. Main materials: steel, primary zinc epoxy powder coating.

uscletienne

ectacular to gaze at as it is comortable to rest on, Muscle is a counterproposal to

ional sti and motionless street urniture thanks to its dynamic orms and puri-

nes. It is a piece that compliments both contemporary architectural structures and

rn landscape designs. The bench oers the possibility o sitting or lying down in

nse to the surace’s relie. Like the ibrous structure o a muscle, the cut metal sheets

with compression and tension to maintain the rigidity o the resting platorm. The

th gun metal gray epoxy inish relects the light and adds to the sense o lightness.

e sun passes through the metal bars, the shadows mix with the actual piece, adding

other dimension.

i| Bench

I N G



P R O J E C T F A C T SMitzi Bollani

ottola Spinning Top

unusually shaped urniture resembles a spinning top, whose sot and playul shape

s in intriguingly with parks or playgrounds and invites older dwellers to rest and

as a seat whereas children are encouraged to use it as toy. Its biomorphic design

dierent possibilities or sitting or lying down as people like, it can be a lexible,

or rotating seat where a number o children can play together, discovering how the

hey move directly aects the movements o the top. It is a street object which not

ombines dierent uses but also unites dierent age groups.

i| Trottola, as part o a public playground

i| Sketches

s| Organic form blends perect with green

spaces

i| View of Trottola within a backyard

Client: MODO srl. Completion: 2005. Production: serial production. Design: individual design. Func-

tions: seating, play. Main materials: ber glass.

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P R O J E C T F A C T SAziz Sariyer

uirizia

izia is a multi-unit bench that can be combined in a modular manner to create a va-

o dierent orms. It can be adapted to the location in which it is used, regardless o

her it is an open plaza or a narrow courtyard. The cross-section o each element dis-

a horizontal and a vertical axis melting into a cross with sot and rounded shapes.

orizontal axis orms the seating whereas the vertical axis constitutes both the back-

nd the oot. The curvature o the whole structure does not only prevent the bench

overturning but also gives the object a slender and playul appearance. liquirizia is

o aluminum and can be delivered in dierent colors and inishes.

Client and manufacturer: altreorme. Completion: 2008. Production: serial production (limited edi-

tion). Design: product line. Functions: seating. Main materials: aluminum.

i| liquirizia, modular seating urniture

i| Possible arrangements

s| Front elevation

i| Detail view, section

I N G



P R O J E C T F A C T SAziz Sariyer

ariùis a console table with a stately size and surprising sot and elegant shapes. Its slen-

urved shape gives the structure a warm and eminine appearance. However, stability

o gained rom this geometry – a sinuous curve providing balance and enabling the

ure to rest on a very small oot surace. Visually, the table surprises the perceiver

changing looks according to the viewer’s position and angle. mariù is made o alu-

m and is well balanced, sel-supporting its wide igure with harmony on only one

meter thick S-shaped line. It is a harmonious designed piece o public urniture that

robustness while being esthetically appealing at the same time. mariù can be deliv-

n dierent colors and inishes.

Client and manufacturer: altreorme. Completion: 2008. Production: serial production (limited edi-

tion). Design: individual design. Functions: console table. Main materials: aluminum.

i| Perspective view

i| Slender countenance, side elevationi| Detail view, sharp edge and emblem

s| Concept rendering

I N G



Esrawe Studio /Hector Esrawe


i| Sketch

s| Perpective view

i| Bench in use

s| Detail

Address: Paseo de la Reorma avenue, C.P. 06600 Mexico City, Mexico. Client: City o Mexico City.

Completion: 2007. Production: single piece. Design: individual design. Functions: seating. Main materi

als: coated metal.

do Benchico City

ench was developed based on an invitation to artists, architects and designers to de-

an urban bench is placed at the Paseo de la Reorma. The proposal was or an element

would “embrace” the user, generating a rather intimate space in relation to the outside.

on sketches and models, a random structure was approached that evokes a “nest”

ymbol o protection and isolation. The exhibition ‘Diálogo de Bancas’ at the Paseo de

orma was a success. When this urban urniture was placed there, the citizens made

ar use o it to rest their eet, to meet someone, or just to sit there or a while.

i| The form of the bench evokes a nest

symbol

I N G



P R O J E C T F A C T SBrodie Neill

everb Chair

old, emerging geometry o the Reverb Chair is the striking new edition o the ever-

ssive urniture orms by Brodie Neill. Hand-ormed and mirror-polished rom sheet

num, the single inverted skin is unctional, yet poised in a sculpturally dynamic

The highly relective surace ampliies the tapering typology through a transition

curvaceous seat into the elliptical vortex o the back stabilizer. Inspired by the re-

ration o sound, the Reverb Chair’s membrane lows outward beore returning back

tsel. Born rom the pursuit to push materials to their limits, the luting orm is both

ess in structure and in surace.

Client: The Apartment Gallery. Completion: 2009. Production: single piece. Design: individual design.

Functions: seating. Main materials: nickel plated aluminum.

i| Highly reflective surface

i| View from back

s| Side view

i| Design sketches, screen shots

s| Detail

I N G



P R O J E C T F A C T SJulian Mayor

egency Benchesdon

enches at Regency Apartments can be seen as a mixture o seating urniture and

ure. Their orm was developed as a reaction to the site, a luid series o volumes

ed by their position near the water and to the layers o history contained within.

uraces are made up o a complex series o planes that act as angled mirrors to the

nt light, allowing the shapes to react to light conditions and the color and brightness

sky. The artwork on the benches was created by students at the nearby Millbank

ry School as part o a series o workshops exploring the history o the area. Art,

n, education and public use are melted in this well-thought out project.

Address: Regency Apartments, Regency Street, Pimlico, London SW1P 4AD, UK. Client: Westminster

City Council, London. Completion: 2006. Production: single piece. Design: individual design.

Functions: seating, sculpture. Main materials: stainless steel.

i| Sculpture and seating furniture

i| Elevations

s| Perspective view

i| Deatil view, artwork on the planes

I N G



Gitta Gschwendtner

ag Stoolsdon

ask was to investigate the tangible link b etween design and the city in an insta llation

e Design Museum Tank exploring the theme “Consume”. In reerence to material

mption, Gitta Gschwendtner created Woodcrete stools cast rom moulds based on

shopping bags. Their individual, irregular orm evolves during the casting process

he Woodcrete is made up rom a mixture o concrete and wood ibers which make it

t and environmentally-riendly material. The stools provide the visitor with a place

oy the view o London, taking in its sights and sounds and presenting an alternative

materialistic consumption prevalent in our lives today.

E C T F A C T S

ss: temporary installation at the Design Museum Tank, Shad Thames, London

YD, United Kingdom. Client: Design Museum. Completion: 2008. Production: single

Design: individual design. Functions: seating. Main materials: woodcrete.

g| River view

ii| White Bag Stool

i| Tank view Chair that disappears in the RaTokyo

The “Streetscape Project” – to which 11 designers were commissioned to design

urniture – has been completed in 2003 in the Roppongi Hills in Roppongi, Tok

that disappears in the rain” was designed as part o that project by Tokujin Yo

the rain this chair exhibits a similar eect as shards o glass that are dropped

with their outlines gradually disappearing. The chair is made rom a massiv

glass that is crated by special techniques, the same cutting relex plate materi

giant observatory telescopes.


Address: Roppongi 6 chome (Keyakizaka St.) Tokyo 106-0032, Japan. Client: M

ing. Completion: 2002. Production: single piece. Design: individual design. Fun

seating. Main materials: glass.


i| Seat, in use

oo| Perspective view

o| Piece of glass

I N G




i| Promenade with passage

s| Wood bench detail plans

i| Benches on the promenade

Address: 1000 Ljubljana, Slovenia. Tunnel and bridge architecture: Elea iC. Client: DARS. Completion:

2010. Production: single piece. Design: product line. Functions: seating, garbage can. Main materials:

wood (seating), steel, plastic, concrete (garbage can).

BRUTO d.o.o. / Matej Kucinaˇ

entvid Urban Parkljana

ramework o the park is based on a pattern o cycle tracks, pedestrian paths and

verse concrete walls that constitute the ribs o the coniguration. The individual ex-

ons along the communication axis create lat areas in orm o tectonic interruptions

basic construction that can be used or dierent urban programs. Th is arrangement

the impression o visually broadening the space and at the same time constitutes

ment o articulation or creating the inner program-areas. Due to its spatial concept

oadside position, the park deinitely has an urban character which is relected in the

street graphics, bright colors, urban street equipment, and lighting elements.

i| Wooden bench and garbage can

I N G




i| Site plan

s| Steps with leaves


Address: 1-6-5 Marunouchi Chiyoda-ku Tokyo, Japan 100-0005. Architects: Mitsubishi Jisho Sekkei

Inc., Nikken Sekkei Ltd., Yamashita Sekkei Co. Ltd. Client: Mitsubishi Estate Co. Ltd., Marunouchi

Hotel, Nippon Lie Insurance Company. Completion: 2004. Production: single piece. Design: individu-

al design. Functions: seating, signs. Main materials: black granite.

Earthscape

arunouchi Oazo North Building yo

oal o this project was to inscribe memories into the land and make a connection

the uture. The rectangles etched into the exterior and the irst loor entrance are

plans o two o the previous uses o this location, a Hosokawa Family Samurai

e, and the Transit Authority Building, recreated in their original positions. Sceneries

each o these two time periods were engraved above them. The objects positioned

e landscape (such as benches) were intended to remind people o the memories o

y and the land, such as grasslands, orests, and ields o lowers, while also evoking

ture, as well as the present, allowing them to once again recognize the connections

en the past and the uture.

i| Steps with flowers

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i| Plan


i| Black granite, engraved with the history o

the actory, and the old actory landscape

Address: Lazona Kawasaki, 72-1 Horikawa-cho Saiwai-ku Kawasaki city Kanagawa, Japan 212-0013.

Client: Toshiba / Mitsui Fudosan Group Ltd. Completion: 2006. Production: single piece. Design: indi-

vidual design. Functions: seating. Main materials: black granite.

Earthscape

wo Generations of herry Blossomswasaki

our cherry trees that used to blossom in the Toshiba Horikawa-cho actory site were

planted to the entrance o Lazona Kawasaki, and now serve to greet people as they

the acility. The black, ring-shaped bench positioned around one o those trees is

ved with the history o the actory, and the old actory landscape. Additionally, a

rom this bench is located on the ar side o the river. It has been engraved with a

o cherry blossoms in ull bloom, while a cherry blossom sapling was planted here

p people imagine the uture landscape.

i| Seating bench, around an old cherry tree

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ii| Color conept, nature bench

i| Cross section, nature bench

s| Nature bench

ii| Color conept, city bench

i| City bench

s| Nature bench, by night with light sculpture

Address: Lazona Kawasaki, 72-1 Horikawa-cho Saiwai-ku Kawasaki city Kanagawa, Japan 212-0013.

Architect: Ricardo Boill Leví and Yamashita Sekkei Inc. I llumination: Sola associates. Client: Toshiba

/ Mitsui Fudosan Group Ltd. Completion: 2006. Production: single piece. Design: product line. Func-

tions: seating. Main materials: DuPont Corian.

ature and City Benchwasaki

wo kinds o benches constitute part o “the axis o the city” and “the axis o nature”

Kawasaki plaza. The city bench was decorated with urban motis, while the nature

was decorated with natural motis. For this purpose, the colors o the urban land-

s o Kawasaki city and the surrounding nature were analyzed and applied to the

s, which have either a geometric or an organic proile.

Earthscape

i| Lazona Kawasaki, nature benches (let) and

city benches (right)

I N G





ii| Detail

i| White cubes, symbolizing summer

Address: Central Gov‘t Bldg. No.7, 2-2-3 Kasumigaseki Chiyoda-ku Tokyo, Japan 100-8959. Architect:

Kume Sekkei, Taisei Corporation,Nippon Steel Corporation. Landscape: Ohtori Consultants. Client:

Kasumigaseki No.7 PFI. Completion: 2007. Production: single piece. Design: individual design. Func-

tions: seating. Main materials: various stone.

Earthscape

arth Thermometeryo

ting on and touching this chair, you can experience the temperature (seasonal and

-warming) o the earth. The bench, which is a minimalist cube made rom stones

gray scale between white and black, reveals the minute dierences between each

s relexivity and absorptive capacities, and demonstrates the relationships between

and color, and the heat energy that light possesses. In summer, the white cubes

letely relect light waves, and are pleasingly cool to touch. In winter, the black cubes

b plenty o light, providing warmth to people who sit on them. In this way, people

ave their own conversations with the sun through the personal experience o sitting

e cubes.

i| Black cubes, symbolizing winter

p| Earth thermometer, experience by sitting

on and touching the stones with dierent colors

I N G




i| Sketch

s| General view

i| The engraved shadow, overlapped with the

shadow o the current buildings and plants

Address: Central Gov‘t Bldg. No.7, 2-2-3 Kasumigaseki Chiyoda-ku Tokyo, Japan 100-8959. Architect:

Kume Sekkei, Taisei Corporation,Nippon Steel Corporation. Landscape: Ohtori Consultants. Client:

Kasumigaseki No.7 PFI. Completion: 2007. Production: single piece. Design: individual design. Func-

tions: seating. Main materials: black granite.

Earthscape

emory Chairyo

Memory Chair preserves the shadow o the ormer Ministry o Education Building

s plants as it stood on July 11th, 2003, 1:47 PM and 15 seconds, the moment it was

ked down. This engraved shadow overlaps with the shadow o the new Central Gov-

ent Building and plants, and brings to mind memories o the location and the low

e.

i| Shadow of the buildings and plants,

rom July 11th, 2003, 1:47 PM and 15 seconds

I N G




i| Sketch

s| The five benches

i| Detail of the panels, based on the silk and

Hakata-style textiles

Address: 2-13-1 Tenjin Chuo-ku Fukuoka, Japan. Architect: MHS Planners, Architects & Engineers.

Client: Fukuoka Bank. Completion: 2008. Production: single piece. Design: individual design. Func-

tions: seating. Main materials: black granite.

Earthscape

ukuoka Bankuoka

benches are installed in the main branch o the Fukuoka Bank, in the Hakata Re-

o the Fukuoka preecture. For the benches, panels based on silk and Hakata-style

es that are traditionally produced in this region were used. Lights are built into the

es, which illuminate the traditional patterns at night.

i| Slits of the light

I N G




City Mall Alliance – Isthmus,Reset, Christchurch CityCouncil and Downer EDI

Address: 222-282 High Street, 76-166 Cashel Street, Christchurch, New Zealand 8011. Client: Christ-

church City Council. Completion: 2009. Production: single piece. Design: individual design. Functions

seating, illumination, plant tub, barrier. Main materials: granite, hardwood timber, stainless steel.

ty Mallstchurch

hristchurch City Mall redevelopment is an upgrade o the central city pedestrian

nto a shared street. Conceptually the project draws on the rich garden city history

ristchurch and the broader alluvial plane landscape. A collection o custom-designed

ure elements was developed using local stone materials along with stainless steel

ardwood timber. Lighting was included to create visual highlights and meet saety

rements. The streetscape design contains a number o coordinated elements includ-

e Stewart Plaza Seats, Hack Circle Seats, Cashel Mall Seats, Planter Boxes, a Stage,

ightpole Climbers.

i| Stewart Plaza Seat, with integrated

illumination

p| Hack Circle Seats, placed along the tram

line

I N G



C I T Y M A L L A L L I A N C E C I T y M A L L

i| Drawing o the Stewart Plaza Seat

f| Deatil view o the Hack Circle Seat

f| Detail of natural stone used o

Circle Stage

s| Perspective view o Cashel Stree

I N G



P R O J E C T F A C T SIsthmus / Evan Williams

Boat SeatNorth Shore City

The Boat Seat is inspired by the small timber boats oten ound pulled ashore in clusters

along Auckland’s harbour edge. Rather than mimic the boats orms the seats have a dis-

tinctively modern aesthetic distinguished by a ‘wandering’ stainless steel channel. This

uniying element orms part o the mounting rame that the ‘vitex’ hardwood timber

boards are ixed upon. Slatted timber closing panels to the ends o the seating elements

allow access to the mounting points on the concrete plinths. The dynamic arrangement o

the seating allows or inormal seating and or groups to gather within the plaza spaces.

Address: Beach Front Lane, Browns Bay, North Shore City, Auckland 0630, New Zealand. Client:

North Shore City Council. Completion: 2008. Production: single piece. Design: individual design.

Functions: seating. Main materials: hardwood timber, stainless steel.

ght view towards seaside

etch o Boat Seat

i| Boat Seat perspective

s| Night view over the plaza

i| Detail, Boat Seat

I N G



P R O J E C T F A C T SEarthworks LandscapeArchitects

Pier Place SquareCape Town

The oreshore area o Cape Town was built on land claimed rom the sea. The concept or

Pier Place Square was to design a space that is didactic in its relection o history while

at the same time commenting on the current users and inner city lie in Cape Town.

Charcoal cobbles were used in a sea o white to resemble tiny bits o marine and other

debris let ater the waves pull back and lines in underwater sand ripples, debris-cobbles

will also accumulate around the sculptures like energy particles. The sculptures resemble

lie in the surrounding buildings and people living on the streets o the oreshore. The

benches reer to sand dunes loating above the ground plain.

Address: Pier Place Square, Heerengracht Street, Cape Town, South Arica. Artists: Egon Tania (sculp

tures), Andrew Phillips (benches). Client: City o Cape Town. Completion: 2008. Production: single

piece. Design: individual design. Functions: seating, illumination, sculpture. Main materials: galva-

nized steel, wood.

ulpture, seated on a curved bench i| Curved bench, viewed rom abovei| Perspective drawing

s| Arrangement of benches

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PLEIDEL ARCHITEKTI s.r.o. P R O J E C T F A C T S

i| Site plan

s| Benches in line

i| Garbage can and benches

s| Benches on the square

Address: main square and main street, City o Sala, Slovak Republic. Client: City o Sala. Completion:

2007. Production: serial production (seating, garbage cans, lights), single piece (sculpture “3 Epochs”,

ountain, podium). Design: product line (by mmcité a.s.), individual design (by Imrich and Ondrej

Pleidel). Functions: seating, illumination, garbage cans, bicycle tracks, inormation boards and columns,

drinking ountain, sculptures, ountain with podium. Main materials: stone, concret, metal, wood.

edestrian Zone Sala

pedestrian zone was created as a part o the larger town center o Sala. The main

se o the architectural work was to solve an inconvenient transport situation con-

ng transit in the direction o the town center. The aim was also to create new public

s or citizens and visitors. The public spaces are itted with special equipment or

ent public activities, e.g. a podium with a water surace and street urniture. The

space is interlaced with greenery.

i| Pillars, representing the three prehistorical

epochs

I N G



Smedsvig Landskaps-arkitekter AS /Arne Smedsvig



s| Site plan, detail

i| Detail bench

Address: Indre kai, 5525 Haugesund, Norway. Planning partner: Prosjektkonsult AS, Cowi AS. Client:

Municipality o Haugesund. Completion: 2008. Production: single piece. Design: individual design.

Functions: seating with lighting inside. Main materials: Norwegian oak.

enches at Indre Kaigesund

esund is a small west-coast town o 30,000 inhabitants. The inner quay is situated close

town center, and is requented by erries with several departures a day. The quay with

taurants and workshops is also a popular harbor or private yachts along the coast. The

vement o the quay was built in our sequences, the remaining stages consisting o a

round and an amphitheater connecting the southern parts with the town main street.

ew design includes an outdoor loor o granite, cobblestones and wood, as well as new

ure such as wooden benches, lighting, and acilities or private yachting.

i| Wood bench

I N G



Turenscape / Kongjian Yu P R O J E C T F A C T SAddress: east bank o Tanghe river between Gangcheng street and Beihuan street, Qinhuangdao City

China. Planning partner: Lin Shihong. Client: The Landscape Bureau, Qinghuangdao City, Hebei Prov

ince, China. Completion: 2008. Production: single piece. Design: individual design. Functions: seating

illumination. Main materials: ber steel.

he Red Ribbonhuangdao City

d ribbon” spanning ive hundred meters extends against a background o natural

n and vegetation, which integrates the unctions o lighting, seating, environmental

pretation, and orientation. While preserving as much o the natural river corridor

ssible during the process o urbanization, this project demonstrates how a minimal

n solution can achieve a dramatic improvement to the landscape.

i| The red ribbon runs across a for mer

garbage dump and has a strong contrast with the

native wol tail grass.

p| Running through the grove and bendingwith the terrain

I N G



T U R E N S C A P E T h E R E d R I b b O N

i| Site plan

f| Sunset

f| The red ribbon in snow

s| Concept sketch

I N G



E C T F A C T S

ss: Juji Nakasato Tokamachi-city Niigata, Japan. Client: Art Front Gallery & Niigata

cture. Completion: 2006. Production: serial production. Design: product line. Func-

seating, table. Main materials: scrapped woods.


Client: City o Ramat Hasharon, Capital Jerusalem. Completion: 2009. Producti

production. Design: product line. Functions: seating. Main materials: perorated

decorated stone base in dierent shades.

akasato Juji Projectamachi-city, Niigata

roject created a roadside public park in an agricultural region. The site had previously

occupied by an old house that was demolished as a part o road extension construc-

Thematically, the architects sought to memorialize the character and spirit o the de-

hed home and other traditional homes in the area, and to capture the essence o the

munity. Much o the material used was drawn rom what was let o the demolished

, while space has been provided or local residents to plant lowers and grass.


gg| Bench, in ront o a house

g| Seating, next to a memorial

i| Layout plan

g| Combination of seatings

Benches and Seats RhodesThe densely perorated seats o the Rhodes series generate a transparent look

peroration pattern has a metal thickness o two or three millimeters and or

boid holes. The bench is carried by 2.5“ tubular legs in variations with rubber

or anchored on cement in gross texture. All reinorcements and components

o six-millimeter-thick metal. Galvanized and oven-painted in pure polyester,

matches the RAL color key.

ii| Benches Rhodes 756, with waste baskets

Ceasarion BM958 and pergola Marquess 439/1

oo| Seats Rhodes 767

i| Benches Rhodes 756

o| Seats Rhodes 767


I N G





i| Seating

s| Plan and plan detail

s| Different levels, creating seatings and tables

Address: Shower Street Sapporo, Japan. Client: Sapporo City. Completion: 2008. Production: serial

production. Design: individual design. Functions: seating, boards, table. Main materials: wood.

nonymous Gardenporo

welcoming outdoor space can be utilized not only by one person, but by a whole

. Like the sense o reedom provided by park benches, the lexibility o these ar-

ments oers a sense o peace and can be pleasantly shared by many people. Re-

d simple patterns allow this arrangement to adapt to uture changes as the design

pt took into consideration the inclusion o additional pieces o urniture and simple

ications. Mass-produced wood materials were used to allow easy maintenance and

e application in other areas. All the works including planning, designing and con-

ion were completed by the architect Ryo Yamada.

i| Several seatings

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P R O J E C T F A C T SOLIN / Richard Roark

ubble Benchmana Bay

na Bay is a vibrant community on Grand Cayman with a sustainable, urban mis-

The Bubble Bench, designed by OLIN speciically or the project, contributes to the

ic antasy theme o its downtown Gardenia Cinema Courtyard. Azure blue, glowing

e and deep sea green colors recall the plants and corals ound in the dramatic rees

unding Grand Cayman. At night, the Bubble Benches have an iridescent glow, with

reminiscent o water ripples and spheres at varying heights like air bubbles rising

the deep. The eect celebrates the otherworldly beauty o the sea, which so many

to Grand Cayman to experience. The Bubble Benches provide playul, unique seat-

rectly inspired by natural beauty.

Planning partner: Epoch Product Design. Client: Cayman Shores Development Ltd. Completion: 2009.

Production: single piece. Design: individual design. Functions: seating, illumination. Main materials:

thermo-ormed acrylic, stainless steel.

i| Bubble Bench in use, comortable or lying

and sitting

i| Bubble Bench assembly

s| Benches and illuminated fountain

i| View at dusk, illuminated bench

I N G



P R O J E C T F A C T SOLIN / Lucinda R. Sanders

ass Benchw York City

only blocks rom Ground Zero, the Museum o Jewish Heritage required a peri-

, including an entry plaza, to secure the landscape around the building while simul-

usly welcoming and complementing its institutional mission. The solution was an

ent contradiction: glass benches as security. Generous translucent benches made

ycled glass were designed to be welcoming, delicate and ephemeral, masking the

nal structure which unctions as an impenetrable security barrier. Set deep into the

ete below, imperceptible steel posts within the benches perorm like bollards, pre-

ng vehicular access. At night the benches are illuminated and create a hauntingly

iul and memorable blue glow.

Address: 36 Battery Place, New York, NY 10280, USA. Planning partner: Domingo Gonzalez Architec-

tural Lighting Design, Joel Berman Glass Studios, Dewhurst Macarlane & Partners. Client: Museum o

Jewish Heritage. Completion: 2007. Production: single piece. Design: individual design. Functions:

seating, illumination, barrier. Main materials: ipe wood, stainless steel, textured cast glass, concrete.

i| Curved Glass Bench

i| Glass Bench assembly

s| Night view, Glass Bench spreads blue light

i| Light fixtures resting below the wood top

I N G



KOMPLOT Design / BorisBerlin, Poul Christiansen


Address: Rigshospitalet, Copenhagen University Hospital, Blegdamsvej 9, 2100 Copenhagen, Denmark

Planning partner: Danish Technological Institute. Client: NOLA Industrier AB, Sweden. Completion:

2009. Production: serial production. Design: individual design. Functions: seating, plant tub, space or-

ganizing, açade protection. Main materials: sel tightening concrete, powder coated stainless steel rod.

oncrete Thingsenhagen

ete Things is a series o outdoor concrete urniture dealing with the relation be-

n the individual and the collective in public space. They consist o simple geometric

s with a pavement-inspired grid that takes on the shape o the user, keeping the

ory o somebody once seated in them. Draining holes in the bottom o the cavity on

tersections o the grid pattern o “channels” keep the seating surace dry. Drawn in

r by thin lines o steel rods it becomes a weightless “wirerame” ghost-image o the

, very “material” concrete chair.

i| Chairs and tables, in ront o air ground o

CODE 09, Copenhagen

p| Close up view

I N G



K O M P L O T D E S I G N C O N C R E T E T h I N G S

i| Waiting area, at the Copenhagen University

Hospital

f| Concrete chair

s| Wireframe, ghost version o Concrete chair

f| Chairs and tables

s| Close up view

I N G



B O U N D A R Y

E N S E M B L E


G A R B A G E


P A V

E M E N T


S E A T I N G

S H E L T E R





Buro North / Soren LuckinsClient: Victorian Eco – Innovation Laboratory. Completion: ongoing. Production: serial production.

Design: individual design. Functions: shelter, solar collection, education. Main materials: aluminum,

membrane.

eil Solar Shade

Veil Solar Shade is a concept or Australian primary school yards to integrate solar

y harvesting in a both pragmatic and evocative orm. Utilizing inormation about

mption and energy as an educational tool, this interactive concept explores the vi-

onnection between energy and the environment. It eatures a broad solar panel

ce that is rotated throughout the day by children to best suit the position o the sun.

nderside o the shade provides visual eedback to instantly indicate the quantity o

y being collected. Correct solar orientation will generate a positive visual message,

rect orientation will indicate a low amount o power collection.

i| Solar shades rom kid’s perspective, showing

visual eeadback LEDs

o| Solar shade can be easily rotated towards the

sunp| Detail view

T E R



f| Sketch

s| Elevation

p| Solar shades in a school yard

B U R O N O R T H V E I L S O L A R S h A d ET E R




Grimshaw / NicholasGrimshaw

Planning partner: Grimshaw Industrial Design, Billlings Jackson Design, STV. Client: Cemusa Inc.

Completion: 2007. Production: serial production. Design: product line. Functions: seating, toilet, shel-

ter, newsstand. Main materials: steel, glass.

reet Furniture FranchiseYork

haw worked with Cemusa on an exclusive range o street urniture to be installed

perated in New York City over the next 20 years. The range comprises a bus shelter,

stand, and automatic public toilet. Robustness and durability were key design driv-

n order to allow the urniture to endure an unremitting street environment. Con-

ed rom recyclable components, including high-resistance tempered laminated glass

tainless steel, the high quality urniture is made o sel-inishing materials which

withstand heavy use. Contextually, the design needed to be distinctive whilst blend-

to the urban landscape with minimal visual or spatial intervention.

i| Bus Shelter, perspective view

p| Newsstand, perspective view

T E R



G R I M S H A W S T R E E T F u R N I T u R E F R A N C h I S E

i| Side elevations, bus shelter

f| Bus shelter, perspective view

f| Toilet

s| Bus shelter, ront view

T E R



P R O J E C T F A C T SPedro Silva Dias

cho PT

ublic telephone column was irst conceived or the 19 98 Lisbon World Fair (Expo’98),

ater applied all across Portugal. Initially, the project consisted o a triangular plan

n with rounded aces. The glass shelter is a geometrical development o the basic

An interior steel structure supports a modular system o stainless steel panels. The

ure develops in three vertical modules and three horizontal modules reaching a total

e. The horizontal module development permits the application o one, two or three

hones to the central panels. The signage elements are applied on the superior pa nels,

the inerior panels allow access to the interior o the column.

Client: Portugal Telecom. Completion: 1998. Production: serial production. Design: individual design.

Functions: telephone column. Main materials: stainless steel.

i| Nicho telephone column at Lisbon Expo’98

i| Detail view

s| Exploded perspective, dierent models

i| Public telephone in use

T E R



P R O J E C T F A C T SPedro Silva Dias

abine PT

aining the morphological line and materials used on the public telephone column

ously created or the same company, the aim o this project was to design an object

at transparency that can it into any urban typology. The plan, based on a triangle,

hereore adapted to the unctional needs o a small interior space. Putting the tele-

e in one o the triangle corners reduced the residual space needed or the standard

angular plan equipment. The body o the telephone booth consists o the two glass

s involving the stainless steel column. The curved outline visually reduces its di-

ons, while allowing more versatile orientation in public spaces.

Client: Portugal Telecom. Completion: 2007. Production: serial production. Design: individual design.

Functions: telephone booth. Main materials: steel, glass.

i| Steel column, ramed by curved glass wings

i| Exploded perspective

s| Detail view, glass wings mounting

i| Cabine PT, perspective view

T E R




Heatherwick studioClient: Royal Borough o Kensington & Chelsea. Completion: 2007. Production: serial production. De-

sign: individual design. Functions: kiosk. Main materials: wood, glass, patinated brass.

ewspaper Kioskssington & Chelsea

ew kiosks designed or selling newspapers at a number o locations throughout the

gh o Kensington & Chelsea will replace the dull rectangular boxes with roller shut-

hat render them dead and unwelcoming by night and with lat suraces that make

a target or graiti. The aim was to design a kiosk without lat suraces on the out-

hat looks good at night as well as during the day, with a dierent kind o opening

osing mechanism to make the vendor’s lie easier. The new kiosk thus has a distinc-

orm – the result o a more ergonomic arrangement o magazine shelves which also

rs the outside a less obvious target or vandalism.

i| Newspaper kiosk closed

p| Rear view

T E R



H E A T H E R W I C K S T U D I O N E w S P A P E R K I O S K S

i| Detail view

f| Stepping-outward form

f| Isometric view

s| Front elevation, showing kiosk h

T E R



P R O J E C T F A C T SEstudio Cabeza /Diana Cabeza, LeandroHeine, Martín Wolfson

ban Furniture and Equipmentnos Aires

n elements must respond to the geographical and cultural environments that sur-

them and be able to blend with its general disposition and particularities. These

nts are intended to be placed on sidewalks. Endowed with a ront and a back part,

llow people to walk throughout their perimeter and use them in dierent ways and

dierent directions. This creates continuity between the private realm and the open

c space and coners a more dynamic perception o the city while avoiding the urban

ways that these elements usually generate. The project ocuses on preserving the his-

l heritage o the city, while providing modern urban elements or everyday lie. The

system o urban elements was created with the idea o accessibility.

Address: City o Buenos Aires, Argentina. Graphic design: Osvaldo Ortiz, Gabriela Falgione, Pablo

Cosgaya, Marcela Romero. Client: Government o Buenos Aires. Completion: 2005. Production: serial

production. Design: product line. Functions: shelters, signs. Main materials: cast iron, painted steel,

steel structure, laminated green glass with translucid PVB.

i| Bus shelter

i| Plans and views

s| Bus shelteri| Signage system

T E R




Architektin Mag. arch. SiljaTillner, Prof. Valie Export

Address: Gürtel Boulevard, Brücke Friedmanngasse 3, 1160 Vienna, Austria. Planning partner: Inge-

nieurbüro Vasko & Partner, F&A Fenster-Glas-Sonderkonstruktionsbau GmbH. Client: MA 57, Frauen

büro. Completion: 2000. Production: single piece. Design: individual design. Functions: artwork,

exhibition space, stage. Main materials: glass.

ubus EXPORT –he transparent Roomnna

Glass Room” is an independent transparent room which was inserted under a bridge

Gürtel main ring road in Vienna. It is intended or use by art exhibitions in the

est sense. On the side acing the ring road, a door has been installed. The p ermeabil-

the bridge towards both ring road sides is emphasized by the absolute transparency

glass construction. The bearing elements are our glass rames, which consist o two

and a binding beam located on top. The glass panes made o laminated saety glass

xed in between. For the cube to appear to “ loat”, it is illuminated rom the inside by

t strip positioned on the loor.

i| Glass structure below the bridge

p| Transparent glass cube

T E R



A R C H I T E K T I N M A G . A R C H . S I L J A T I L L N E R , P R O F . V A L I E E X P O R T K u b u S E X P O R T

i| Night view, the cube is illuminated rom

ground level

f| Section and plan

p| Night view, the structure seems to hover

weightlessly

T E R



P R O J E C T F A C T Smmcité a.s. /David Karásek,Radek Hegmon

Regio Shelters

The Regio bus shelters with their glazed exteriors only minimally impact the appearance

o the urban landscape. Curved bearing structures provide them with a modern and rath-

er delicate style. The Regio series includes several models, which are all made o wood,

glass and steel. From an open system without side walls to shelters enclosed rom three

sides, all public transportation requirements can be ulilled. The structure o the roo

varies also within the system rom plan lat roos, via tilted roo structures, to wing-like

variations. As a modern piece o urban urniture, Regio combines esthetics with simplic-

ity and durability.

gio bus shelter, total view

ans of Regio Rg210b

i| Detail view, rame and glazing

s| Detail view, wooden bench and glazing

s| Deatil view, glazing xture

Client: mmcité a.s., TEC Gembloux. Completion: 1998. Production: serial production. Design: product

line. Functions: shelter. Main materials: steel, glass, wood.

T E R



P R O J E C T F A C T SBacco Arquitetos Asso-ciados / Jupira Corbucci,Marcelo Consiglio Barbosa

ansfer StationsPaulo

esign o the transer stations emerged rom the synthesis between the problems

by the municipal administration and a project idea that sought to change some

tablished concepts. It was proposed that the stations should not “have a açade”

nimize intererence with the neighborhood. Working with the longitudinal section

s the problem o modules and intererence with the neighborhood with a dierent

ective and another way to oer shelter. The portico is designed with two curves in

tremities, creating continuity between loor and roo and deining the concept o a

d and aerodynamic object – automotive aesthetics coupled with image technology.

Address: Av.9 de Julho, Av. Rebouças and others, São Paulo, SP, Brasil. Client: SPTrans. Completion:

2004. Production: serial production. Design: product line. Functions: bus stop shelters. Main materi-

als: steel.

i| José Maria Lisboa stop

i| Getúlio Vargas stop, detail

s| Bird’s-eye view, station on 9 de Julho avenue

ii| Types of arrengements of the primary

module

i| Designed curve

T E R



P R O J E C T F A C T SMiró Rivera Architects /Juan Miró, Miguel Rivera

xas Cowboys Paviliontin

addition to the alumni center grounds extends the uses o the acility by creating an

or pavilion amidst the trees. Flanking the ootball stadium, it oers a location or

ame events and post-game parties, lectures and presentations. The speakers, A/V

ctions and moveable spotlights provide lexibility or various events, which thanks

egral ans, indirect lighting and roll-down sunshades, can occur all year round and

y time o day. The expressive structure o the pavilion takes its roots rom the ex-

alumni center trellises. The beams, trusses and glass roo orm a system balanced

two brick columns and stabilized by post-tensioned stainless steel cables.

Address: The University o Texas at Austin, Austin, TX, USA. Client: The Texas Exes. Completion:

2004. Production: single piece. Design: individual design. Functions: multi-unction outdoor pavilion

Main materials: steel, glass and brick.

i| Side elevation

i| Section

s| Side elevation at night, with the shades

down

i| Close up view of the steel structure

s| Pavilion at night, with the University o

Texas ootball stadium in the background

T E R



Rainer SchmidtLandschaftsarchitekten

P R O J E C T F A C T SAddress: Oskar-Schlemmer-Straße, 80807 Munich, Germany. Planning partner: André Perret Archi-

tekt, Munich. Client: City Tec, Munich. Completion: 2002. Production: single piece. Design: individual

design. Functions: pavilion. Main materials: steel.

entral Park, Parkstadtchwabing nich

entral park o Parkstadt Schwabing is ramed by six to ten-loor service buildings.

eate human proportions, large pergolas measuring 10 x 10 x 10 meters structure the

Allocated to the pergolas, thematic gardens create small-scale leisure areas in the

park space. The thematic gardens relect the vicinity and visual connection to the

The themes include a rock garden, a orest garden, a mountain lake garden, or an

e oothills garden.

i| View along the main axle of t he central

park

p| View of the pergola, near the orest garden

T E R



f| Overview plan

d| Perspective view of the moun

garden

i| Draft sketches

f| Layout

R A I N E R S C H M I D T L A N D S C H A F T S A R C H I T E K T E N C E N T R A L P A R K , P A R K S T A d T S C h w A b I N GT E R



P R O J E C T F A C T SAddress: Vojkova 78, 1000 Ljubljana, Slovenia. Client: Mobitel d.d. Completion: 2008. Production: sin-

gle piece. Design: individual design. Functions: shelters, seating. Main materials: steel construction,

composite decking, polycarbonate plates.

BRUTO d.o.o. with UrbanŠvegl / Matej Kucina

ˇ

avilions for Smokersljana

new restricted indoor non smoking rules it became necessary to design a smoking

on or a big Telecom company. Series o mobile modular units were designed, which

e combined on dierent structures. All units are made o 3 x 3 x 3 meter steel cube

ures and they have various membranes and details. They can be joined together and

ned in several ways and sizes to build a modular pavilion structure.

i| Steel cube in green, small structure unit

o| Big structure unit

p| Pavilion interior, big structure unit

T E R



B R U T O D . O . O . W I T H U R B A N Š V E G L P A V I L I O N S F O R S M O K E R S

i| Site plan

f| View through the pavilion

f| Single unit

s| Design sketch

T E R



Corbeil + BertrandArchitecture de paysage

P R O J E C T F A C T SAddress: Old Montreal, Montreal, Canada. Graphic design: FEED. Landscape designer: Stéphane Ber-

trand, Jasmin Corbeil. Designer “Tête-à-tête” black furniture: Ineke Hans. Client: Flora International

Montréal. Completion: 2007. Production: single piece. Design: individual design. Functions: shelter.

Main materials: galvanised steel, recycled polymer, translucent synthetic abric, remnants o slate,

Canadian hemlock lumbers.

i| General site plan

s| View from the back, with hemlock board

walk

i| Inside view, with Humulus japonicus (Hop)

wall

s| Side view, with printed screen

ortus urbanusntréal

e a hortus conclusus (cloistered garden), this proposal more closely resembles a

s apertus (open garden) or hortus urbanus (city garden), anchored in a resolutely

mporary setting – a signiicant indicator o which is the residual land that is its

ation. Hortus urbanus experiments with vegetation and common place materials,

posing them in a creative collection a nd diverting them rom their intended vocation

onstruct their meaning. Wood, galvanized steel, recycled polymer, translucent syn-

abric, remnants o slate, a nd birch trees come together to orm a whole.

i| Front view, with the board walk transormed

in bench at the rear

T E R



Della Valle + BernheimerDesign, LLP


i| Sketch

s| General view

i| Interior

s| View of trees through laser-cut steel

skin

Address: Philbrook Museum o Art, 2727 South Rockord Road, Tulsa, OK 74114, USA. Client: Phil-

brook Museum o Art. Completion: 2005. Production: single piece. Design: individual design. Func-

tions: shelter. Main materials: steel.

utterfly Paviliona

Valle Bernheimer’s design or a garden structure at the Philbrook Museum o Art is

on the spirit and etymology o the word “pavilion”, which is derived rom the French

on, meaning butterly. The cocoon-like Butterly Pavilion is also inspired by the en-

ogical transormation o the silkworm into the butterly. During metamorphosis, the

orm pupates, spinning itsel an intricate chamber. The Butterly Pavilion resembles a

n, not spun o silk but etched and cut rom plate steel. Using laser cutting technology,

inutive 8’ x 16’ pavilion was abricated rom wood decking and steel tubes.

i| View through laser-cut steel skin

T E R




NIO architecten

i| The shelter is giving a frame to the

adjacent buildings

s| Plan and elevations


he Amazing Whale Jawddorp

beginning o the year 2003, a bus station was built on the orecourt o Hooddorp’s

ne Hospital. Located in the middle o a square, this acility block is a public area in

rm o an island that serves as a junction or the local bus service. The design o this

o building is generally neutral, but here the aim was to create a strong, individual

that was less austere and generic. Hence, the building was designed in the tradition

car Niemeyer as a cross between white Modernism and black Baroque. The building

mpletely made o polystyrene oam and polyester and constitutes the world’s largest

ure made o synthetic materials (50 x 10 x 5 meters).

Address: Voorplein Spaarne Ziekenhuis, 2130 AT Hooddorp, The Netherlands. Client: Schiphol

Project Consult. Completion: 2003. Production: single piece. Design: individual design. Functions: bus

stop. Main materials: polystyrene oam, polyester.

i| Sitting area

T E R



Claude Cormier architectespaysagistes inc.


i| Making of

s| Swarms of pink, purple, green, blue

balls, bluring with the existing fourish o

climbing leaves

i| Interior view

Address: City Hall, 76084 Le Havre, France. Curator: Claude Gosselin, Centre Internationale d’art con

temporain de Montréal. Client: Le Havre Biennale d’art contemporain. Completion: 2006. Production:

single piece. Design: individual design. Functions: pergola. Main materials: plastic Christmas balls.

ergolaHavre

he inaugural year o Le Havre’s Contemporary Art Biennale, Claude Cormier de-

d a pop art piece or the City Hall’s grand pergola. Pergola is a tribute to Le Havre-

artist Monet, oreather o impressionism: 90,000 plastic balls are arranged into an

o the wisteria blooms that igure in many o the artist’s oeuvres. The balls come in

ivid colors – an abstracted impressionist palette – and climb towards the abundant

ght, creating an exuberant play o color, light and shadows underneath. As with

o the designers‘ projects, the deliberate insertion o the artiicial shakes up precon-

d ideas – but the insta llation also aims, more simply, to delight visitors.

i| The Grand Pergola, in ront o the City Hall

(by Auguste Perret, 1957)

T E R




Brhmig, Strer /Lutz Brhmig, Udo Müller

Client: Ströer Out-o-Home Media AG. Completion: 2008. Production: serial production. Design: indi-

vidual design. Functions: toilet. Main materials: stainless steel, polycarbonate.

ty Toilet

ity Toilet was developed in compliance with the highest saety and hyg ienic require-

s. It is equipped with a separate clean ing unit in which the entire WC bowl is cleaned

ried ater every use. The handicap-accessible acility eatures two toilet bowls that

eaned alternately, always keeping one available or use. A separate cabinet also con-

two urinals, allowing the city toilet to be used by three persons simultaneously. The

o both cabins is cleaned and dried automatically in adjustable cycles. Prior to every

ng process, sensors ensure that no one is inside the acility.

i| Discrete esthetics, appearance o the City

Toilet

p| Interior view, one o two toilets

T E R



B R ä H M I G , S T R ö E R C I T y T O I L E T

g| Floor cleaning

i| Toilet bowl cleaning

f| Section

f| Interior view

s| Detail view, urinals

T E R



P R O J E C T F A C T SMiró Rivera Architects /Juan Miró, Miguel Rivera

ail Restroomtin

estroom was conceived as a sculpture in a park, a dynamic object along the active

It consists o vertical Corten steel plates whose width and height vary in size. The

s orm a spine that coils at one end to orm the restroom walls. The plates are stag-

in plan to control views and to allow penetrating light and resh air. Door and roo

abricated rom steel plates as well. The restroom is handicap-accessible and, in ad-

to a chest o drawers, urinal, sink and bench inside, it includes a drinking ountain

hower outside. The plumbing ixtures are made o heavy duty stainless steel and

is no need or artiicial light or mechanical ventilation inside.

Address: Lady Bird Lake Trail, Austin, TX, USA. Client: The Trail Foundation. Completion: 2008.

Production: single piece. Design: individual design. Functions: toilets. Main materials: Corten steel.

i| View looking down on restroom

i| Interior

s| Entrance area

i| Elevation and restroom plan

s| Close up of Corten steel panels

T E R



ArcIndex

ArchitectsDesigners andManuacturers



Via D. Vitali, 329121 Piacenza (Italy)T +39.0523.757086F [email protected]

p 13, 324, 246

BRÄHMIG GmbH

Robert-Bosch-Straße 1001454 Radeberg (Germany)T +49.3528.4197900

F [email protected]

p 426

Broadbent

Droppingstone Farm, New Lane, HarthillChester CH3 9LG (United Kingdom)T +44.1829.782822F [email protected]

p 278

BRUTO d.o.o.

Mesarska 4d1000 Ljubljana (Slovenia)T +386.1.2322195F [email protected]

p 110, 114, 338, 414

BASE

259, rue Saint-Martin75003 Paris (France)T +33.1.42778181F [email protected]

p 218

Bureau Baubotanik,Storz Schwerteger GbR

Innerer Nordbahnho 170191 Stuttgart (Germany)T [email protected]

p 195

Bauer Membranbau

Neulandstraße 1985354 Freising (Germany)T +49.8161.4965565F [email protected]

p 195


Palmaille 2822767 Hamburg (Germany)

[email protected]

p 58, 188

Mitzi Bollani

Artadi Arquitectos

Camino Real 111O 701 San Isidro Lima (Peru)T [email protected]

p 198

ASPECT Studios (Melbourne Oice)

Level 1, 30–32 Easey StreetCollingwood, VIC, 3066 (Australia)T +61.3.94176844F [email protected]

p 82

ASPECT Studios (Sydney Oice)

Studio 61, Level 6, 61 Marlborough StreetSurry Hills, NSW, 2010 (Australia)T +61.2.96997182F [email protected]

p274

Bacco Arquitetos Associados

Rua General Jardim 645, cj 21São Paulo, SP (Brasil)T [email protected]

p 406

Baena Casamor ArquitectesBCQ S.L.P.

C.Sant Magí 11–13, 1r08006 Barcelona (Spain)T +34.93.2372721

F [email protected]

p 314

LODEWIJK BALJON landscapearchitects

Cruquiusweg 101019 AT Amsterdam (The Netherlands)T +31.20.6258835F [email protected]

p 102

BAM Vastgoed

Runnenburg 93981 AZ Bunnik (The Netherlands)T +31.30.6598988

[email protected]

p 102

TTI

Ciancaleoni 34Rome (Italy)

0645.221358978.2299321gatti.com

gatti.com

118

D architects

arevica 13/4HR-10000 (Croatia)1.23202001.2320100hd.comhd.com

e Aasen LandskapsarkitektA

ien 1aslo (Norway)[email protected]

ro Adrien Studio

ITECTS INdEX

Chemin des roses 111020 Renens (Switzerland)T [email protected]

p 14

altreorme

viale Alcide de Gasperi, 1623801 Calolziocorte (Italy)T +39.0341.6381F [email protected]

p 326, 328

Agence APS, paysagistes dplg associés

31, Grande rue2600 Valence (France)T +33.4.75785353F [email protected]

p 221


Carrer Mallorca 2898037 Barcelona (Spain)T +34.93.4570357F [email protected]

www.arriolaol.com

p 87, 89



ITECTS INdEX

C/ José de Cadalso, 68, 2ºD28044 Madris (Spain)T +34.91.7069695F [email protected]

p 34, 41, 154, 238, 259, 296, 298, 300

Droog Design

Staalstraat 7a/b1011 JJ Amsterdam (The Netherlands)T +31.20.5235050F [email protected]

p 248, 252

Earthscape

2-14-6 Ebisu Shibuya-kuTokyo, 150-0013 (Japan)T +81.3.62773970F [email protected]@earthscape.co.jp

p 120, 156, 158. 164, 340, 342, 344, 346, 348, 350

Earthworks Landscape Architects

Po box 48205, KommetjieCape Town 7976 (South Arica)T +27.21.828708517earthworks@tiscali.co.zawww.earthworkslandscapearchitects.com

p 358

EBD architects ApS

Struenseegade 15A, 22200 Copenhagen N (Denmark)T +45.32.965700F [email protected]

p 174, 236

Michel Dallaire Design Industriel –MDDI

322, Peel StreetMontreal, QC H3C 2G8 (Canada)T +1.514.2829262F [email protected]

p 191, 286

Della Valle + Bernheimer Design, LLP

20 Jay Street, Suite 1003Brooklyn, NY 11201 (USA)T +1.718.2228155F [email protected]

p 420

Despang Architekten

Am Graswege 530169 Hanover (Germany)T +49.511.882840F [email protected]

www.despangarchitekten.de

p 186

díez+díez diseño

Corbeil + BertrandArchitecture de paysage

T [email protected]

p 418

Claude Cormier architectespaysagistes inc.

5600, De NormanvilleMontreal, QC H2S 2B2 (Canada)T +1.514.8498262F [email protected]

p 138, 424

CSP Paciic

306 Neilson St, OnehungaAuckland 1642 (New Zealand)T +64.9.6341239F +64.9.6344525www.csppacic.co.nz

p 126

d e signstudio reginadahmen-ingenhoven

Plange Mühle 140221 Düsseldor (Germany)T +49.211.30101200F [email protected]

p 42

North

35 Little Bourke Streetrne, VIC 3000 (Australia)

[email protected]

dio Cabeza

1249DEY Buenos Aires (Argentina)1.477261831.47770811

studiocabeza.comtudiocabeza.com

254, 256, 258, 269, 398

area Landscape Design Ltd.

70ea 30889 (Israel)4.62630064.6263062

aesarion.co.ilesarion.co.il

173, 266, 268, 369

Architects

2182ton (New Zealand)[email protected]

ENVAC AB

Fleminggatan 7, 3 tr112 26 Stockholm (Sweden)T +46.8.7850010www.envacgroup.com

p 175

Epoch Product Design

810 NW Wallula Ave.Gresham, OR 97030 (USA)T +1.503.6674100F [email protected]

p 372

ESCOFET 1886 SA

Ronda Universitat 2008007 Barcelona (Spain)T +34.93.3185050F [email protected]

p 154, 267, 284. 302, 304, 308, 314, 316

Esrawe Studio

Culiacan 123 Piso 5Colonia Hipódromo Condesa (Mexico)T [email protected]

p 330

Pro. Valie Export

www.valieexport.at

p 400

Foreign Oice Architects (FO

55 Curtain RoadLondon EC2A 3PT (United Kingdom)T +44.207.0339800F [email protected]

p 261

Diego Fortunato

Rosselló 25508008 Barcelona (Spain)T +34.629.778107F [email protected]

p 267, 302

Freitag Weidenart

Gartenstraße 2185354 Freising (Germany)T +49.8161.91576F [email protected]

p 195

GH orm

Bækgaardsvej 644140 Borup (Denmark)

T [email protected]

p 236

GITMA

Sangroniz 248150 Sondika (Spain)T +34.94.4710613F +34.94.4536121www.gitma.es

p 296



hess AG

Lantwattenstraße 2278050 Villingen-Schwenningen (Germany)T +49.7721.9200F [email protected]

p 200

Isthmus

PO Box 90366Auckland 1142 (New Zealand)T +64.9.3099442F [email protected]

p 126, 130, 352, 356

Toyo Ito and Associates, Architects

Fujiya Building, 1-19-4,Shibuya, Shibuya-kuTokyo, 150-0002 (Japan)T +81.3.34095822F +81.3.34095969www.toyo-ito.co.jp

p 140, 316

JCDecaux SA

17, rue Soyer92523 Neuilly-sur-Seine (France)T [email protected]

p 20

JJR | Floor

1425 N. First Street, 2nd FloorPhoenix, AZ 85004 (USA)T +1.602.4621425F [email protected]

p 208

GTL Landschatsarchitekten

Grüber Weg 2134117 Kassel (Germany)T +49.561.789460 F [email protected]

p 169

Zaha Hadid Architects

Studio 9, 10 Bowling Green Lane

London EC1R 0BQ (United Kingdom)T +44.20.72535147F [email protected]

p 276

Heatherwick studio

364 Gray‘s Inn RoadLondon WC1X 8BH (United Kingdom)T +44.20.78338800F [email protected]

p 394

Heijmans N.V.

Graasebaan 655248 JT Rosmalen (The Netherlands)T +31.73.5435111

F +31.73.5435220www.heijmans.nl

p 102

en park & straatdesign

straat 13H Winterswijk (The Netherlands)43.51695043.513050ijsen.nljsen.nl

shaw

ade Street

rk, NY, 10013 (USA)2.79125012.7912173imshaw-architects.commshaw-architects.com

86

o de Diseño Urbano

do Montes de Oca 4, Col. CondesaCity, 06140 (Mexico)[email protected]

Gschwendtner

2–4 Southgate RoadN1 3JJ (United Kingdom).072492021ttagschwendtner.com

ttagschwendtner.com

36

ITECTS INdEX

Agence Patrick Jouin

8, Passage de la Bonne Graine75011 Paris (France)T +33.1.55288920F [email protected]

p 20


224-1010 Chungmu-APT, Jaegung-dong, Kunpo-siKyounggi-do [435-764] (Republic o Korea)T [email protected]

p 60

KMA Creative Technology Ltd

12 St Denys Court York, YO1 9PU (United Kingdom)T [email protected]

p 12

KOMPLOT Design

Amager Strandvej 502300 Copenhagen S (Denmark)T +45.32.963255F [email protected]

p 376

KOSMOS

Rävala Pst. 8-808Tallin 10143 (Estonia)T +372.6.312050

F [email protected]

p 70

Kramer Design Associates (KDA)

103 Dupont StreetToronto, ON M5R-1V4 (Canada)T [email protected]

p 189, 232

Tom Leader Studio

1015 Camelia StreetBerkeley, CA 94710 (USA)T +1.510.5243363F [email protected]

p 220

LEURA srl.

Via Vitali, 329100 Piacenza (Italy)T [email protected]

p 13

Stacy Levy

576 Upper Georges Valley Rd,Spring Mills, PA 16875 (USA)

T [email protected]

p 212, 216

Biuro Projektów Lewicki Łata

ul. Dolnych Młynów 7/731-124 Krakow (Poland)T +48.12.6335920, T +48.12.6338693F [email protected]

p 104, 108, 204, 207

Lischutz Davidson Sandilan

Island Studios, 22 St Peter‘s SquareLondon W6 9NW (United Kingdom)T +44.208.6004800F [email protected]

p 228, 230



aedis

la del Río, Macael, Km 1,7Macael (Spain)50.12637050.126078acaedis.comacaedis.com

hado and Silvetti Associates

rrison Avenue, Suite 301

MA 02118 (USA)7.42670707.4263604achado-silvetti.comachado-silvetti.com

r Maddadi Design Bureau AB

ånggatan 38(Sweden)

8.41046066angirmaddadi.seangirmaddadi.se

o:group, mago:URBAN

ustrial Masia d‘en Barreres, s/n - P.B. 25Vilanova (Spain)3.8148661agogroup.com

agogroup.com

261

o Makkink & Bey BV

ITECTS INdEX

Overschieseweg 52 a3044 EG Rotterdam (The Netherlands)T +31.10.4258792F [email protected]

p 248

Marinaprojekt d.o.o.

M. Krleze 1Zadar (Croatia)T +385.23.333716F [email protected]

p 90

Julian Mayor

106 Sclater StreetLondon E1 6HR (United Kingdom)T [email protected]

p 334


c/ Fusina 6, ent-1º08002 Barcelona (Spain)T [email protected]

p 178, 196, 308

Benjamin Mills

T [email protected]

p 294


505 Powell StreetAustin, TX 78703 (USA)T +1.512.4777016F [email protected]

p 408, 430

mmcité a.s.

Bílovice 519687 12 Bílovice (Czech Republic)T +420.572.434290F [email protected]

p 36, 48, 176, 240, 360, 404

MODO srl.

S.S.Padana Superiore 11, n°2820063 Cernusco sul Naviglio (Italy)T +39.0292.592024F [email protected]

p 15, 246, 324

Alexandre Moronnoz

67, rue de Paris93100 Montreuil (France)T [email protected]

p 318, 320, 322

nahtrang

c/ Arcs 8, 2n-1a c.p.08002 Barcelona (Spain)T +34.93.3427844F [email protected]

p 304

Nea Studio

110 Bleecker Street, No 4 DNew York, NY 10012 (USA)T [email protected]

p 262

Brodie Neill

57–60 Charlotte RoadLondon EC2A 3QT (United Kingdom)T [email protected]

p 332

Will Nettleship

526 Pinehurst AvenuePlacentia, CA 92870 (USA)T +1.714.5793636F [email protected]

p 146, 206

NIO architecten

Schiedamse Vest 95a3012 BG Rotterdam (The Netherlands)T +31.10.4122318

F [email protected]

p 422

NL Architects

Van Hallstraat 2941051 HM Amsterdam (The Netherlands)T +31.20.6207323F [email protected]

p 252

NOLA Industrier AB

Repslagargatan 15b118 46 Stockholm (Sweden)T +46.8.7021960F [email protected]

www.nola.se

p 376

Numen / For Use

Canisiusgasse 13/161090 Vienna (Austria)T [email protected]

p 148


Oudegracht 233511 AB Utrecht (The Netherlands)T +31.30.2734249F [email protected]

p 50, 86, 88, 168

OLIN

Public Ledger Building, Suite 1123,150 South Independence Mall WestPhiladelphia, PA 19106 (USA)T +1.215.4400030F [email protected]

p 166, 372, 374

Osterwold & Schmidt – Exp!aArchitekten

Brühl 2299423 Weimar (Germany)T +3643.7736580F [email protected]

www.osterwold-schmidt.de

p 30

Studio Paciic Architecture

Level 2, 74 Cuba StreetTe Aro 6011 (New Zealand)T +64.4.8025444F [email protected]

p 130



ments MATA

1 Zona Industrial del SudEsparreguera (Spain)3.77713003.7771704

mata.comvimentsmata.com

98, 300

DEL ARCHITEKTI s.r.o.

Sala (Slovak Republic)31.7704913

@salamon.skeidel-architekti.sk

er Boris Podrecca

adgasse 8enna (Austria).427210.4272120

[email protected]

Poppinga

sstraat 145 hsE Amsterdam (The Netherlands)0.6811637

oppinga.nlppinga.nl

ce Elizabeth de Portzamparc

104 rue Oberkamp 75011 Paris (France)T +33.1.53633232ino@elizabethdeportzamparc.comwww.elizabethdeportzamparc.com

p 242

PWP Landscape Architecture, Inc.

739 Allston WayBerkeley, CA 94710 (USA)T +1.510.8499494F [email protected]

p 161

RASTI GmbH

An der Mühle 2149733 Haren (Germany)T +49.05934.70350F [email protected]

p 24

Tejo Remy & Rene Veenhuizen

Uraniumweg 173542 AK Utrecht (The Netherlands)T +31.30.2944945T [email protected]

www.remyveenhuizen.nl

p 46


639 N Larchmont Blvd.Los Angeles, CA 90004 (USA)T +1.323.7851800F [email protected]

p 94, 98

Janet Rosenberg + Associates

148 Kenwood AvenueToronto, ON M6C 2S3 (Canada)T +1.416.6566665F [email protected]

p 138, 162

Adrien Rovero withChristophe Ponceau

Chemin des roses 111020 Renens (Switzerland)T [email protected]

p 62

Samsung Electronics

Samsung Main Building. 250,Taepyeongno 2-ga, Jung-gu, Seoul (Republic o Korea)T +11.82.2.7277114F +11.82.2.7277985www.samsung..com

p 260

sandellsandberg

Östermalmsgatan 26A114 26 Stockholm (Sweden)T +46.8.50653100F [email protected]

p 249

Santa & Cole

Parc de Belloch Ctra. C-251, Km. 5,6

08430 La Roca (Spain)T +34.938.619100F [email protected]

p 178

Aziz Sariyer

Acisu Sk Cem Ap. No.11 D.3 34357 BesiktasIstanbul (Turkey)T +90.212.3271585F +90.212.2588032

p 326, 328

Sasaki Associates

64 Pleasant StreetWatertown, MA 02472 (USA)T +1.617.9263300F [email protected]

p 78, 182

Rainer Schmidt Landschats-architekten

Klenzestraße 57c80469 Munich (Germany)T +49.89.2025350F +49.89.20253530mail@Schmidt-Landschatsarchitekten.dewww.schmidt-landschatsarchitekten.de

p 169, 190, 410

Pedro Silva Dias

Travessa das Necessidades 9, 2°135-220 Lisbon (Portugal)T [email protected]

p 40, 390, 392

Sitetectonix Private Limited

22 Cross Street, #02-52/54 China Square CentralSingapore 048421 (Singapore)T +65.6327.4452F [email protected]

p 140, 222

Siteworks-Studio

826 C Hinton AvenueCharlottesville, VA 22901 (USA)T +1.434.9238100F +1.434.2956611wilson@siteworks-studio.comwww.siteworks-studio.com

p 52

Smedsvig Landskapsarkitekt

Øvre Korskirkesmau 2b5018 Bergen (Norway)T +47.55.210470

F [email protected]

p 362

Owen Song

2 College Street No. 2373Providence, RI 02903 (USA)T [email protected]

p 260

Lucile Soulet

7 rue de la Hutte1495 Sart-Dames-Avelines (Belgium)T +32.71.954553F [email protected]

p 288, 290

ITECTS INdEX



ITECTS INdEX

inc. LA

lino Street No. 204eles, CA 90013 (USA)3.38317883.6130878inc.comlainc.com

RE MUU design studio

211 Shinkoiwa katsushikaku240024 (Japan).58799085

3.58799086oremuu.comoremuu.com

et and Gardenture Company

3662risbane, QLD 4101 (Australia).38441951.38449337

streetandgarden.com.au

reetandgarden.com.au

280, 282, 284

et and Park Furniture

/ 19 Heath Streete 5160 South Australia (Australia)

8.832967508.83296799streetandpark.com.aureetandpark.com.au

312

Ströer Out-o-Home Media AG

Ströer Allee 150999 Cologne (Germany)T +49.2236.96450F [email protected]

p 426

Tecnología & Diseño Cabanes

Parque Industrial Avanzado Avenida de la Ciencia, 7

3005 Ciudad Real (Spain)T +34.926.251354F [email protected]

p 41, 259

Architektin Mag. arch. Silja Tillner

Margaretenplatz 7/2/11050 Vienna (Austria)T +43.1.3106859F [email protected]

p 264, 400


9-1 Daikanyama-cho, Shibuya-kuTokyo 150-0034 (Japan)T +81.3.54280830F [email protected]

p 337

töper.bertuleit.architekten

Am Friedrichshain 210407 BerlinT +49.30.53214780F [email protected]

p 200

Turenscape

Zhong Guan Cun Fa Zhan Da Sha,12 Shang Di Xin Xi Road,Haidian DistBeijing 100085 (China)T +86.1.3801193799F [email protected]

p 364

Valentin Design

T [email protected]

p 126

Anouk Vogel landscape architecture

Nieuwe Teertuinen 17-XI1013 LV Amsterdam (The Netherlands)T [email protected]

p 57, 247

Vulcanica Architettura

Piazza Matteotti 780133 Naples (Italy)T +39.081.5515146F +39.081.5515146studio@vulcanicaarchitettura.itwww.vulcanicaarchitettura.it

p 147

WAA – william asselin ackaoui

55 Mont-Royal Avenue West, Suite 805

Montreal, Quebec, H2T 2S6 (Canada)T +1.514.9392106F [email protected]

p 191

Studio Weave

33 St. John‘s Church RoadLondon E9 6EJ (United Kingdom)T [email protected]

p 66

West 8 urban design & landscapearchitecture

Schiehaven 13m3024 EC Rotterdam (The Netherlands)T +31.10.4855801F [email protected]

p 192, 194, 197, 270, 272

Woodhouse plc

Spa Park, Leamington SpaWarwickshire CV31 3HL (United Kingdom)T +44.1926.314313F [email protected]

p 230

Ryo Yamada

2Jo- 9Chome, 5 -1-202, Hiragishi Toyohira

Sapporo (Japan)T +81.11.8879487F [email protected]

p 56, 368, 370

YHY design international

Terenzio 12Milan 20133 (Italy)T [email protected]

p 28

ZonaUno

Via Mazzini, 720123 Milan (Italy)T +39.0289.690231 F [email protected]

p 15



Andrzej Pilichowski-Ragno, Krakow Piston Design, Austin (TX) 408, Sabine Puche 318, 319Laia Puig, Barcelona 178 (po

196 (portrait), 308 (portrait), 30Shen Qiang, Shanghai Kiran Ridley Mariela Rivas Sabina Saritz, Vienna 40Anne von Sarosdy, Düsseldor Michael Schoner Ryan Schude, Los Angeles (CA)

Se‘lux 193 a. r., 193 b., 194 l., Scott Shigley, Chicago (IL) Helen Smith-Yeo, Singapore, Sitetectonix

Juliusz Sokołowski, Warsaw 108 (portrait), 204 (portrait),

Christian Spielmann, Hamburg 58 (Rupert Steiner, Vienna Stipe SuracUrban Švegl

Daniel Swarovski & Co. töper.bertuleit.architekten, Berlin Roel van Tour Chris van Uelen, Stuttgart 8, 186, 187visualh ouse, London 229 a. l., 22Matt Wain, London 228 (portrait), David Walker, ©2002, PWP Landscape

Architecture, Inc. Herbert Wiggerman Wilky Photography Ed Wonsek, Arlingto n (MA) 80Woodhouse plc, Leamington Spa Wright State University, Dayton (OH) Casimir Zdanius / Grimshaw New York

Hernan Zenteno 255 a. l., 255

All other pictures, especially portraits and plamade available by the architects.

Cover ront: ??????????????Cover back: let: ??????????????

Martin Hogenboom 422 (portrait)Bjorn van Holstei n 250–251João Jacinto, Lisbon 40 (portrait), 390 (portrait),

392 (portrait)Mario Jelavic, Split 148, 149 b., 150 a., 151 b.Zoé Jobin 62 (portrait)Richar d Johnson, Toronto 232–233Pernille Kaaber, New York (NY) 262–263Ott Kadarik 70–71Miran Kambic 110–115Rik Klein Gotink, Harderwijk 103 a., 103 m., 103 b.KMA Creative Technology Ltd 12 b. r.Nelson Kon, São Paulo 406–407Pawe_ Kubisztal, Krakow 105–109Craig Kuhner, Arlingto n (TX) 78–79, 81Alain Laores t 286–287Stephan Lee 134–135Andrew Lloyd, Melbourne 82–85Soren Luckins, Melbourne 382 (portrait)Björn Lux, Hamburg 58–59Equipo Macaedis, Macael Almería 196mago group 261Dan Males, Isthmus, Wellington 132

Ezio Manciucca, Lecco 326–329Beat Marugg, Barcelona 87 a. l.Brian McCall, KDA 189Paul Mccredie 122–125Ana Mello, São Paulo 406 (portrait)Peter Mitchell, SPA, Wellington 133Mori Building 337 r. a., 337 r. b.Ben ter Mull 51, 86 a. r.Ramon Muntades 308, 309 a. l.Robert Newald, Vienna 264 (portrait), 400 (portrait l.)Adam van Nieuwenhuizen and Zeenat Johnstone

358–359Monika Nikolic, Kassel 264–265Lorena Noblecilla 198–199North News & Pictures Ltd 12 a. l., b. l.Mustaa Nuhoglu, Istanbul 326 (portrait), 328 (portrait)Daniel Nytot, Berlin/Copenhagen 379 a.Markn Ogue 394 (portrait)Masahiro Okamura 337 (portrait)OKRA and Schul & CO Landskabsarkitekter 88Koji Okumura / Forward Stroke, Tokyo, Courtesy o

Earthscape 120–121, 156,159 a. r., 161 a. r., 344–345

Andres Otero 62–63Christobal Palma 394–397Hans Pattist 422Jacque s Perron 424–425

Je Ahn, London 66–69Shigeki Asanuma, Tokyo, Courtesy o Earthscape

157 a. r., 157 b., 158, 159 b., 160, 161 b.,164–165, 340–343, 346–349

Paul Bardagjy Photography, Austin (TX) 409 b. l.,409r., 430

Valerie Bennett 261 (portrait)S. Bertrand, Montreal 418–419studio bisbee 288–289Domagoj Blazevic, Split 149 a.Tom Bonner, Los Angeles (CA) 94–97Nicolas Borel 242–243Chris Brown 208–211Radek Bruneck y 422 a. l., 422 a. r.Dolores Cáceres 160Lana Cavar, Zagreb 148 (portrait)Cemusa Inc. 386–387Chuck Choi, Cambridg e 213, 215 a., 215 b. r.Josep Codina, Toni Casamor 314–315Julio Cunill, Barcel ona 178, 179 b.Mike Curtain, Brisbane 226–227Dart Realty (Cayman) Ltd. 373 b.Simon Devit t, Auckla nd 126–131, 352–357

Ryan Donnell 166 (portrait), 374 (portrait)Steve Double 276 (portrait)Epoch Product Design 372Escoet 87 a. r., b. l., 316–317Damir Fabijanic , Zagreb 74–77, 151 a.Enrico Fantoni 254Fillioux&Fillioux 319 a. r.Neil Fox, Toronto 139-139, 162, 163 l.Je Gahres / Grimshaw New York 19 b.GH orm 236–237B. Gigounon 288 (portrait)Glowrog Studios, London 228Francisco Gomez Sosa 144–145Florian Groehn, Sydney 224 (portrait), 275 b.,

280–285, 284 (portrait)Iann Gross & Emilie Müller 14Steen Groß, Weimar 30–33Jeppe Gudmundsen-Holmgreen, Copenhagen

376 (portrait), 378 b. l., 378 b. r.V. Tony Hauser, Toronto 138 (portrait l.), 162 (portrait)Philip Hawk, Lemont 217 b.Luke Hayes, London 336Olivier Helbert 218–219Irena Herak 110 (portrait), 114 (portrait),

338 (portrait), 414 (portrait)hess AG, Villingen-Schwenningen 200Barrie Ho Architecture Interiors Ltd 276–277

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