The 2011 NAACP Awards: A Showcase of Geo-Initiatives to Edify the

African-American Community’s Biggest Organizations Not Yet Coalition Partners About What the A7AI’s Going

to Achieve With Their Help

It may have come well after the original Fiefdom treatise research was complete – the discovery of institutionalized and globally proliferating racism based on the color of one’s skin – but the benefit of that

lateness was having a complete analytical understanding of just how disgusting Canadian political and corporate cultures were to modern sensibilities.

It sure didn’t take long to show there was another addition to the string of

award shows since early 2008 that were dedicated to advancing what all

partners have been working towards.

Co-host Holly Robinson Peete strode onto the stage attired in an uber-

fashion dress that incorporated a coalition identifier and prison certainty.

She and her partner Wayne Brady then shared geo-responsibilities. To his

“Welcome to…” she executed two Alicia Ms. and then a Cowell and Diaz M. to

greet the Canadian lawyer watching the live program. Moments later she

added “[CBS M.] [A]s a matter of fact Wayne and I would like to sing a little

song about some very [O-S M.] special promises that we can all make right

here”, referring to how partners continue to assure him that what’s been

contracted and guaranteed will come to pass.

She employs the lexicon throughout the song to underscore that

representation, such as a Diaz-Oprah-Taylor M. to “we promise to stop

gettin’ face tattoos, publicly referring to a performer that has them. She

adds an O-S M. to the coalition identifying lyric “Oh, oh, oh”.

To announce a presentation segment Holly states with the lexicon “[Cl.M.]

She can soon be seen in the details and his new film is the ‘Adjustment

Bureau’ – here are Kerry Washington and Anthony Makie...

... referring to international publicity about the Canadian lawyer’s two

decade predicament and how the coalition’s going to “adjust” Canada’s

institutional dysfunctionalities. The two award presenters deliver the geo-

script as follows to add another entry to the isolation-deprivation category of

the archive:

Kerry: Ah, what a beautiful crowd. Anthony: Absolutely. […] Kerry: We had a unique opportunity to tell a story about a period

in black history. Anthony: I agree. So [Cl.M.] once again let me make history

tonight. [NBC M.; drops to one knee] Kerry: [acts shocked at the proposal]

Regina King taking the stage to receive an award was her chance to

announce her coalition membership. She got diplomatically coercive,

employing an Execution M. during her remarks: “Thank-you very much [Erin

M.] NAACP; thank-you for this moment [Ex.M.]; it’s so wonderful to share

with …”.

Another presenter emerged wearing an in-your-face prison certainty

reminder:

What would be a major coalition event without recognition of its two-time

‘Partner of the Year’? Producers arranged the texting number for joining a

special organization to be “62227”, a Taylor Identifier and triple ‘two’

coalition identifier. The digits add up to a China identifying 19.

An American presenter was paired with a high profile Canadian comedienne,

Russell Peters, to import a reference to one half of the Chinada threat; used

just like Justin Bieber and Celine Dion were in recent weeks and months. It

will be recalled the former was a multiple contributor during the end of

January when on his movie promo circuit. And the latter was used during

the Oscars to coercive-ize the ‘In Memoriam’ segment. The comedienne was

scripted to insert the lexiconic constituent that represents two decades of

being an enslaved, tortured lab monkey:

Her: The NAACP is all about people of color and of course that includes Canadians.

Him: I know most of you thought I was the accountant or some

guy from ‘Outdoors’. But, um, I’m Canadian.

[audience laughter] Her: Here are the nominees for outstanding actor in a daytime

drama. Him: Also known as an award Indian people won’t be

nominated for for the next twenty years.

Former Chairman of the Joint Chiefs of Staff, Secretary of State and Four

Star General – and lexicon creator of the ‘we’re gonna f _ _ k you up real

good’ Maneuver – Colin Powell was honored; and he used his time on the

stage to prove once again how angry the partnership is that gains made by

the civil rights movement are in jeopardy. As the presenter, Halle Berry,

delivered the introduction to a segment on his life and acceptance speech an

audience member behind him was choreographed to employ the gesturing

constituent of the lexicon to highlight the military option. He didn’t just

Clooney Maneuver – he Cl.M.-ed in a most embellished fashion - flicking his

finger across his nose the first time to make it clear on a general that there

are many amongst the trepidatious who fully believe in using the most

unpalatable means of achieving stated objectives since diplomacy didn’t

deliver anything but arrogant belligerence; and the inserted lexicon was to

service the Canadian lawyer’s international persona by directing attention to

his former role as Deputy Secretary of Defense in 2006, his Medal of Honor

distinction in early 2007 and being elevated to the status of Lieutenant

General in December 2007.

His American journey has taken him [Cl.M.] from the streets of the South Bronx to the highest echelons of our nation’s Armed Forces [Cl.M.]

THEN

Scripted in Morgan Freeman’s segment voiceover there were two geo-

relevant moments. The first was a clip of the veteran military man effecting

what became a Stewart M. timed to “He oversaw 28 separate crises

including the 1991 Persian Gulf War to remind everyone of President Bush’s

publicly undeclared and Congress-approved economic conflict with China and

Canada. That was followed by “Powell opposed invading Iraq without having

a clear objective and an [Brown M.] exit strategy”.

During his acceptance speech the General employed the lexicon once to

describe the global of community democracy, rule of law, human rights and

free market advocates he joined on January 21, 2008, timed to “I also pay

tribute to all the leaders in the civil rights revolution who broke the doors

open for me; and no organization [O-S. M.], no institution was more

important than the AACP”.

Lastly came another communiqué in the purge category of diplomacy.

Sophia Vergara presented and upon the conclusion of the nominees montage

executed a profiled double Clooney M. to turn Samuel L. Jackson’s movie

script remark “Since you landed here I can’t tell if I’m comin’ or goin’” into a

“you’re going Chinada” confirmation.