274
The Art and Artistry of A Midsummer Night’s Dream An Illustrative Summary and Performance History By Thomas Canfield, Dramaturg Heart of America Shakespeare Festival

The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Embed Size (px)

Citation preview

Page 1: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

The Art and Artistry of

A Midsummer Night’s Dream An Illustrative Summary and Performance History

By Thomas Canfield, Dramaturg

Heart of America Shakespeare Festival

Page 2: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Note: This PowerPoint is

intended for

educational use only.

Because many images

may have copyright

protection, this

PowerPoint is not to

be downloaded onto

any hard drive or

made available for

access through

devices that might

permit duplication.

Page 3: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 4: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 5: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Puck and the

Moth

by

Edward

Hopley

(1816-1869)

Page 6: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Puck and Fairies from “A Midsummer Night's

Dream” by Joseph Noel Paton (1821-1901)

Page 7: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Friar Puck

by Henry Fuseli

(1741-1825)

Page 8: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Part I:

A Sampling of

Artistic

Representations

and Illustrations

Page 9: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Act I

Faun and the

Fairies

by Daniel

Maclise

(c. 1834)

Page 10: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Illustration by

Arthur Rackham

Theseus:

“And then the moon, like

to a silver bow

New bent in heaven, shall

behold the night

Of our solemnities.”

Page 11: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 12: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Helena overhears the

audience with the Duke

Illustration by Arthur

Rackham

(1908)

Page 13: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Illustration of

Hermia and

Helena

by

W. Heath

Robinson

Page 14: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Hermia and

Helena

by

Washington

Allston (1818)

Page 15: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Edward John

Poynter

Helena and

Hermia

(1901)

Page 16: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 17: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Helena and

Hermia

Illustration

by Arthur

Rackham

(1908)

Page 18: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Illustration by

Arthur Rackham

(1908)

Page 19: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Bottom makes his

case:

“I will make the

duke say, ‘Let him

roar again,

let him roar again.’”

Page 20: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Act II

Midsummer Eve

(1908)

by

E.R. Hughes

Page 21: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Illustration of

Puck, from

Robin

Goodfellow, His

Mad Pranckes

and Merry Jests

(1639)

Page 22: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Puck

by

Sir Joshua

Reynolds

(1789)

Page 23: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Puck, by Henry Fuseli

(ca. 1810-20)

Page 24: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Puck,

as depicted in a

book illustration

by Arthur

Rackham

Page 25: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

John Atkinson Grimshaw, Spirit of the Night (1879)

Page 26: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

“How now spirit, whither wander you?”

Illustration by Arthur Rackham (1908)

Page 27: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Titania

by

Joseph Kenny

Meadows

(1790-1874)

Page 28: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

“I do wander every where,

Swifter than the moon’s

sphere . . .”

Puck and a fairy,

by Arthur Rackham

Page 29: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Puck admits to his

reputation:

“I am that merry

wanderer of the night.”

Illustration by Arthur

Rackham

(1908)

Page 30: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Titania and the

changeling child

Page 31: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

The Indian

Boy’s Mother

by

Joseph Noel

Paton

Page 32: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

The Changeling

by Joseph Bouvier

(fl. 1839-88)

Page 33: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

“She never had so

sweet a

changeling.”

Titania and the

changeling

by Arthur Rackham

(1905)

Page 34: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Titania and

the Indian

Boy

by

Joseph

Noel Paton

Page 35: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Illustration by

Arthur Rackham

(1908)

Page 36: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Francis Danby (1793–1861)

Scene from A Midsummer Night’s Dream (1832)

Page 37: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Another version by Danby

Page 38: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

“Ill met by moonlight, proud Titania.”

Illustration depicting the meeting of Oberon and

Titania by Arthur Rackham

Page 39: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Titania and Oberon

quarreling

by Arthur Rackham

(1908)

Page 40: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Joseph Noel Paton, The Quarrel of Oberon and Titania

(1849-50)

Page 41: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 42: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Artist’s

representation

of the

confrontation

between Titania

and Oberon

Page 43: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

“ Fairies, away!

We shall chide

downright, if I

longer stay.”

Illustration by

Arthur Rackham,

(1908)

Page 44: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Douglas

Harvey

(fl. 1853-72)

Oberon and

the Mermaid

Page 45: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Joseph Noel

Paton

Oberon and

the Mermaid

(1883)

Page 46: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Oberon and

Puck Listening

to the

Mermaid’s

Song

by

David Scott

(1806-49)

Page 47: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Illustration

by

Arthur Rackham

(1908)

Page 48: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 49: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

“And maidens call it, love-in-idleness.”

Illustration by Arthur Rackham (1908)

Page 50: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Oberon and

Puck

“Fetch me that

flow’r; the herb I

showed thee

once . . .”

Page 51: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

John Simmons

Titania

(1866)

Page 52: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 53: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

John George Naish, Midsummer Fairies (1856)

Page 54: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Titania Lying on

a Leaf

by John

Simmons

(1823-76)

Page 55: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Frederick Howard Michael, Titania (1897)

Page 56: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Titania welcoming her fairy brethren.

Painting by Pre-Raphaelite artist Henry Meynell Rheam

(1859-1920)

Page 57: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Illustration by

Arthur Rackham

(1908)

Page 58: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Illustration by

Arthur Rackham of

the fairies singing

Page 59: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Gustave Doré

A Midsummer

Night’s Dream

с.1870

Page 60: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Illustration by

Arthur Rackham

(1908)

Page 61: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 62: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Titania slumbers

(at bottom),

while the fairies play

music.

Illustration for Tales

from Shakespeare by

Charles and Mary

Lamb

(1905 edition)

Page 63: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Titania by Emma Whitney (c.1881-84)

Page 64: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

The Fairies: A Scene from Shakespeare

by Gustave Doré (1832-83)

Page 65: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Titania

by

John

George

Naish

(1824-

1905)

Page 66: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Richard Dadd, Titania Sleeping (1841)

Page 67: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 68: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Titania

nods off

with the

changeling

child

sleeping in

her lap.

Page 69: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Titania and the Changeling by John Anster Fitzgerald

Page 70: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Titania

by

Joseph John

Jenkins

(1811-85)

Page 71: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

John

Simmons

(1823-

1876)

Titania

Sleeping

in the

Moonlight

Protected

by Her

Fairies

Page 72: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

“One aloof, stand

sentinel.”

Illustration by

Arthur Rackham,

(1908)

Page 73: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Frank Cadogan Cowper, Titania Sleeps (1928)

Page 74: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 75: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Arthur

Rackham

Titania Asleep

(1908)

Page 76: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

John Simmons, There Sleeps Titania (1872)

Page 77: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 78: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Robert Huskisson (1820-1861)

Midsummer Night’s Faeries

Page 79: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

A

Midsummer

Night’s

Dream

by

Sir Joseph

Noel Paton

(1821-1901)

Page 80: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Oberon

and

Titania

Page 81: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 82: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Oberon applying

Cupid’s flower to

the eyes of the

sleeping Titania

Page 83: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Oberon and

Titania

by

Valentine

Walker

Bromley

(1848-1877)

Page 84: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 85: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Oberon

and

Titania

by

Gabriel-

Joseph-

Marie-

Augustin

Ferrier

(1847-

1914)

Page 86: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Lysander and Hermia in the forest

Page 87: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

John

Simmons

Hermia and

Lysander

(1870)

Page 88: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Robert Smirke

Lysander Declaring

his Passion to Helena

(ca. 1820-25)

Page 89: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Illustration by

Arthur Rackham

1908

Page 90: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Hermia

awakens from

her nightmare.

Page 91: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

John Simmons

Hermia and

the Fairies

(1861)

Page 92: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Act III

Page 93: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

“O monstrous.

O strange.”

Page 94: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

“We are haunted; pray masters, fly masters, help.”

Illustration by Arthur Rackham (1908)

Page 95: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

“O Bottom,

thou art

chang'd!

What do I see

on

thee?”

Page 96: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

“Bless thee

Bottom, bless

thee! Thou art

translated.”

Illustration by

Arthur

Rackham

(1908)

Page 97: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

“I will sing, that

they shall hear I

am not afraid.”

Illustration by

Arthur Rackham

(1908)

Page 98: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Bottom sings,

while the

fairies

observe in

the

background

Page 99: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Bottom wakes

Titania

by Arthur

Rackham

Page 100: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

“What angel

wakes me from

my flowery

bed?”

Illustration by

Arthur Rackham,

(1908)

Page 101: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 102: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Titania and the

Clown

by

Frances

Brundage

Page 103: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

John Byam

Liston Shaw

(1872-1919)

Titania and

the Clown

Page 104: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Titania and

Bottom

by

Arthur Rackham

Page 105: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Illustration by

Arthur Rackham

(1908)

Page 106: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Titania,

as portrayed

by

John Simmons

(1823-76)

Page 107: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

“Lord, what

fooles these

mortals be!”

Illustration by

Arthur Rackham

(1908)

Page 108: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

HELENA:

“She was a vixen

when she went to

school.”

Illustration by

Arthur Rackham,

1908

Page 109: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

“Up and down, up

and down, . . .

Goblin, lead them

up and down.”

Illustration by

Arthur Rackham

(1908)

Page 110: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Another

representation

of the same

scene

Page 111: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Illustration by Arthur Rackham (1908)

Page 112: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Puck

corrects the

mistakes of

the night

with Dian’s

bud

Page 113: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Act IV

Puck and the

fairies dancing.

From an

1873

illustrated

edition of

Shakespeare’s

works

Page 114: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Puck

by Sir Joshua

Reynolds

(1789)

Page 115: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Bottom and

his fairy

attendants

Page 116: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 117: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

As depicted in Children’s

Stories from Shakespeare

As depicted in The Land of

Happy Hours

Bottom and Titania

Page 118: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Joseph Noel Paton, Titania (1850)

Page 119: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Arthur

Rackham

Scene from

A Midsummer

Night’s Dream

Page 120: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 121: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Titania and Bottom by John Anster Fitzgerald

Page 122: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Another version by Fitzgerald

Page 123: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Henry

Fuseli,

Titania and

Bottom,

(c. 1790)

Page 124: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 125: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 126: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Le Reveil

De Titania

by Henry

Fuseli

Page 127: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Edwin Landseer, Titania and Bottom (1848-51)

Page 128: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 129: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

“Sleep thou,

and I will wind

thee in my

arms . . .”

Illustration by

Arthur

Rackham

(1908)

Page 130: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Titania

Caressing the

Drowsy Bottom

by

John Cawse

(1779-1862)

Page 131: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

19th Century

Book

Illustration

Page 132: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Henry Fuseli, Titania Awakening

(ca. 1785-1790)

Page 133: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 134: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Joseph Noel Paton, The Reconciliation of

Titania and Oberon (1847)

Page 135: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Oberon

and

Titania

reconciled

Page 136: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Oberon and

Titania,

by

Thomas

Stothard

(1755-1834)

Page 137: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Notice the

lovers and

Bottom

sleeping in

the

foreground

Page 138: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

David Scott

Puck Fleeing from the Dawn (1837)

Page 139: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

The

hunting

party

surprises

the

sleeping

lovers in

the forest.

Page 140: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

The

Disenchantment

of Bottom

by Daniel

Maclise

(1832)

Page 141: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Act V

William Blake, Oberon and Titania on a Lily

Page 142: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Book

illustration

of Bottom

performing

the role of

Pyramus

Page 143: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Illustration for

the tale of

Pyramus and

Thisby from a

1538 edition of

Ovid’s

Metamorphosis

Page 144: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Thisby, or the

Listener

by John William

Waterhouse

(1909)

Page 145: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Pyramus and

Thisby (1530)

by

German artist

Hans Baldung

(Grien)

Page 146: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Painting

depicting

Pyramus and

Thisby

by

Lucas

Cranach the

Elder

(1472-1553)

Page 147: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Painting by

German

artist

Niklaus

Manuel

Deutsch

(1520)

of Pyramus

and Thisby

Page 148: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Pyramus and

Thisbe by

Italian painter

Gregorio

Pagani

(1558-1605)

Page 149: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

17th

century

depiction

of the

story of

Pyramus

and

Thisby

Page 150: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Illustration by

W. Heath

Robinson

Page 151: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Reunited,

Oberon and

Titania preside

over fairy

revels

Page 152: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

William Blake,

Oberon, Titania and Puck with Fairies Dancing (c. 1786)

Page 153: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Part II:

Some Famous

(and Not-So

Famous) Actors

and Productions

Page 154: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

16th century English woodcut of Robin Goodfellow

Page 155: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Samuel Pepys

(1633-1703)

Page 156: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Henry Purcell

(d. 1711)

Page 157: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

David Garrick

(1717-79)

Page 158: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Jane (Jenny)

Barsanti

(fl. 1778, died 1795)

as Helena,

(Act III, scene i)

Portrayed by John

Roberts in Bell’s

Edition of

Shakespeare’s

works

(1776)

Page 159: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 160: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Another

depiction

of

Barsanti

as Helena

Page 161: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Portrait of

Thomas

Alphonso

Hayley

(1780-1800)

as Puck

(c.1790)

by

English artist

George Romney

Page 162: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Portrait of Emma (Lady Hamilton) as Titania

with Puck and Changeling (1793)

by George Romney

Page 163: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 164: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

English

actress

Elizabeth

Farren

(1759?-1829)

in the role of

Hermia

Page 165: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

The caption

states, “MISS

FARREN in the

character of

HERMIA

(Starting from

Sleep).”

Page 166: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Elizabeth

Farren

Page 167: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

A Midsummer

Night's Dream

17 January 1816

Theatre Royal,

Covent Garden

Page 168: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

John Duruset as

Oberon

(published 1819)

Page 169: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Portrait of

Charlotte

Cushman

(1816-76)

Page 170: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

W. E.

(William

Evans)

Burton

(1802-1860)

as Bottom,

in Act

IV, scene ii

Page 171: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 172: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

.

Page 173: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Eliza Vincent

(1815-56)

in the role of

Oberon

Page 174: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

-1840-

Madame Vestris

(1797-1856)

as Oberon (right)

Page 175: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

“Breeches”

roles

Julia Harland

as Oberon and

a Miss

Conquest as

Puck

1851

Page 176: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Lizzie Weston as Oberon

Page 177: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Samuel Phelps

(1804-78)

Page 178: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Left: Fanny Cooper

(1819-72)

as Helena

Page 179: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Charles Kean

(1811-68)

Page 180: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Charles Kean as

Mamillius and Ellen

Terry in her stage

debut (at the age of

eight) as Leontes in

in The Winter's Tale

(1856) at the Princess

Theatre.

That same year, she

also went on to play

Puck in Kean’s

production of A

Midsummer Night’s

Dream.

Page 181: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Dame (Alice)

Ellen Terry

(1847-1928)

Page 182: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

.

Page 183: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Playbill for a

performance of

A Midsummer

Night’s Dream

on

9 March 1858

Page 184: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Bottom, as

portrayed in

Kean’s

production

Page 185: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Carlotta Leclercq

(1838-93)

Page 186: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Leclercq as

Titania

Page 187: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Kean’s production

Page 188: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 189: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 190: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Ada Rehan

(1857-1916)

in the role of

Helena

Page 191: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 192: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Postcard image of Daly’s production.

Page 193: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 194: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

James

Lewis

(1837-96)

as Bottom

Page 195: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 196: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Lillian Swain

Page 197: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

F.R. Benson

Playbill advertising Benson’s

production at the Globe, 1890

Page 198: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Playbill for a

performance of A

Midsummer Night's

Dream on

16 December 1901

featuring Benson’s

company.

Theatre Royal,

Birmingham

Page 199: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Benson as Lysander

Page 200: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

(1908)

Lady Constance

Benson as Titania

in front of the wall

at the

Shakespeare

Theatre in

Stratford

Page 201: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Annie Russell (1864-1936) as Puck

Page 202: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 203: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Harley Granville-Barker

(1877-1946)

Page 204: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

The palace of Theseus in Granville-Barker’s

production

Page 205: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Donald Calthrop as Puck (left)

Page 206: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Advertising

card for

Wallack’s

Theatre in New

York, featuring

Lillah McCarthy,

the wife of

Granville-

Barker, in the

role of Helena.

Page 207: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 208: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Wilkinson’s

costumes for

Helena, and

Oberon in the

production

(left)

Page 209: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Christine Silver

(1883-1960) as

Titania (left)

Page 210: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 211: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Ernest Cossart

(1876-1951)

as Bottom

(left)

Page 212: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Vivien Leigh as

Titania at the

Old Vic

(1937-38)

Directed by

Tyrone Guthrie

Page 213: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 214: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 215: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

-1949-

Oberon and

Titania in a

Bristol Old

Vic

production

Page 216: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

-1949-

Royal Shakespeare Company production

Page 217: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Oberon (William

Squire, upper

left) and Puck

(Philip Guard,

upper right)

examine the

sleeping Bottom

(John Slater) and

Titania (Kathleen

Michael)

Page 218: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

David

O’Brien as

Puck

Page 219: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Puck (David

O'Brien, left)

returns with the

magic flower for

Oberon (Powys

Thomas, right) to

enchant

Titania’s eyes.

Act 2, Scene 1

Page 220: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Bottom

attended by

Titania and

her fairies

Page 221: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Anthony

Quayle

(1913-1989)

as Bottom

Page 222: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 223: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Peter Hall’s 1959 outdoor staging at Stratford

Page 224: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Charles Laughton as Bottom

Page 225: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Scottish actress

Mary Ure

(1933-1975)

as Titania (right)

Page 226: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 227: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 228: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 229: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 230: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 231: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 232: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Bottom,

altered

Page 233: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 234: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 235: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

-1962-

(Peter

Hall)

Page 236: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 237: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Bottom

(Paul

Hardwick)

grapples

with a

fairy.

Page 238: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

The lovers quarreling

Page 239: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 240: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Set design sketch by Sally Jacobs for Peter

Brook’s 1970 production

Page 241: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Bottom and company in Brook’s production

Page 242: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 243: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Puck (John Kane, left) and Oberon (Alan

Howard, right)

Page 244: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Sara

Kestleman as

Titania

Page 245: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 246: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 247: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Puck on a

trapeze,

airborne.

Page 248: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 249: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 250: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Hermia

(Mary Rutherford)

lost in the woods

Page 251: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

David Waller,

as Bottom

“transported,”

dances.

Page 252: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 253: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 254: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 255: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 256: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 257: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 258: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Helena, Demetrius, Lysander and Hermia

bicker amongst themselves.

Page 259: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Puck

(Leonard

Preston, left)

and Oberon

(Patrick Stewart)

Page 260: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 261: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 262: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 263: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 264: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 265: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Oberon (Gerard Murphy)

and Titania (Janet McTeer)

Page 266: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Richard

McCabe as

Puck

Page 267: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Oberon (John Carlisle, left) and Puck (Richard McCabe, right)

Page 268: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 269: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History
Page 270: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Bottom

pleads

for more

parts

Page 271: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

.

Page 272: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Titania

(Clare Higgins)

and Bottom

(David

Troughton)

accompanied

by fairy

attendants

Page 273: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

Marc Chagall’s

painting of A

Midsummer

Night’s Dream

(Songe d'une

nuit d'été)

(1939)

Page 274: The Art and Artistry of "A Midsummer Night's Dream": An Illustrative Summary and Performance History

The End