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CAST Solange DEREK MCLUCKIE Claire WILLIAM BRENNAN Madame RICHARD PEARS Directed by ................................... Pauline Goldsmith Design ................................................... Colin O’Hara Producon Manager ................................. Ray Love Producon Assistant ................... John Paul Murray Produced by ................................... Steven Thomson a a a THE MAIDS is the murderous tale of two sisters, envious servants to the wealthy, self-centred and imperious Madame. In her absence Solange and Claire plunder their mistress’ coveted wardrobe and act out the grotesque rituals of dominance and submission. The illegimate and abandoned child of a Parisian prostute, Jean Genet was a vagabond, a rent-boy, a criminal poet genius and perhaps the greatest prose writer of the Tweneth Century. The Maids is inspired by a brutal murder case involving the Papin sisters that shocked 1930s France. JEAN GENET was born in 1910, the illegimate son of a Parisian prostute, and orphaned seven months later. At the age of ten, he was accused of stealing. Although innocent but having been described as a thief, the young boy resolved to be a thief. “Thus,” wrote Genet, “I decisively repudiated a world that had repudiated me.” At the age of thirteen, aſter being a ward of the state, he began a life of crime and adventure. From 15 to 18 Genet was in the Meray penitenary, a place of hard labour, where a code of love, honour, gesture and jusce was enforced by the inmates, and where his sexual awakening occurred. He then joined the French Foreign Legion in Syria. He deserted and spent more periods in prison living by pey theſt, begging, and homosexual prostuon. By the age of 23, Genet was living in Spain, sleeping with a one-armed pimp, lice-ridden and begging - a period which became the basis for The Thief’s Journal, his record of a journey, in which no aspect of suffering, sordidness, and degradaon was spared him. Between 1930 and 1940, he wandered throughout Europe and he eventually, he found himself in Hitler’s Germany where he felt strangely out of place. “I had a feeling of being in a camp of organised bandits. This is a naon of thieves, I felt. If I steal here, I accomplish no special act that could help me to realize myself. I merely obey the habitual order of things. I do not destroy it.” At age 32, while in prison, he started wring his first manuscript, Our Lady of the Flowers. It was discovered and destroyed. Genet rewrote it from memory. This handwrien manuscript was smuggled out of his cell and eventually came to the aenon of Cocteau and Sartre, who lobbied vigorously for a pardon from a life-sentence. More than forty intellectuals and arsts peoned the French government on Genet’s behalf. Ignoring tradional plot and psychology, Genet’s work relies heavily on ritual, transformaon, illusion and interchangeable idenes. Genet’s stature as an original and important writer was cemented with Sartre’s study of him in the book Saint Genet. Genet wrote a number of theatrical pieces which further established his success, beginning with the producon of The Maids, and followed by the other classic plays: The Blacks, The Balcony, and The Screens. Genet, believed the theatre should be an incendiary event, and was precise about how his works should be produced. Genet wrote of the gay world, without apology or explanaon, revealing beauty in the harsh world in which his characters lived loved and died. He deeply felt a sense of solidarity with thieves, and society’s dispossessed. In later life, Genet championed the causes of the Black Panthers in the United States and Palesnian soldiers in Jordan and Lebanon. His final work, Prisoner of Love, is a record of his years spent with these two groups. He died on April 15th 1986. BY JEAN GENET A Glasgay! Producon Directed by Pauline Goldsmith Tron Theatre , 4-13 November 2010

The Maids 2010

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Programme for "The Maids" by Jean Genet in 2010

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CAST

Solange DEREK MCLUCKIEClaire WILLIAM BRENNAN Madame RICHARD PEARS

Directedby...................................PaulineGoldsmithDesign...................................................ColinO’HaraProductionManager.................................RayLoveProductionAssistant...................JohnPaulMurrayProducedby...................................StevenThomson

a a a

THE MAIDS isthemurderoustaleoftwosisters,enviousservantstothewealthy,self-centredandimperiousMadame.InherabsenceSolangeandClaireplundertheirmistress’covetedwardrobeandactoutthegrotesqueritualsofdominanceandsubmission.TheillegitimateandabandonedchildofaParisianprostitute,JeanGenetwasavagabond,arent-boy,acriminalpoetgeniusandperhapsthegreatestprosewriteroftheTwentiethCentury.The Maids isinspiredbyabrutalmurdercaseinvolvingthePapinsistersthatshocked1930sFrance.

JEAN GENET wasbornin1910,theillegitimatesonofaParisianprostitute,andorphanedsevenmonthslater.Attheageoften,hewasaccusedofstealing.Althoughinnocentbuthavingbeendescribedasathief,theyoungboyresolvedtobeathief.“Thus,”wroteGenet,“Idecisivelyrepudiatedaworldthathadrepudiatedme.”Attheageofthirteen,afterbeingawardofthestate,hebeganalifeofcrimeandadventure.From15to18GenetwasintheMettraypenitentiary,aplaceofhardlabour,whereacodeoflove,honour,gestureandjusticewasenforcedbytheinmates,andwherehissexualawakeningoccurred.HethenjoinedtheFrenchForeignLegioninSyria.Hedesertedandspentmoreperiodsinprisonlivingbypettytheft,begging,andhomosexualprostitution.Bytheageof23,GenetwaslivinginSpain,sleepingwith

aone-armedpimp,lice-riddenandbegging-aperiodwhichbecamethebasisforThe Thief’s Journal,hisrecordofajourney,inwhichnoaspectofsuffering,sordidness,anddegradationwassparedhim.Between1930and1940,hewanderedthroughoutEuropeandheeventually,hefoundhimselfinHitler’sGermanywherehefeltstrangelyoutofplace.“Ihadafeelingofbeinginacampoforganisedbandits.Thisisanationofthieves,Ifelt.IfIstealhere,Iaccomplishnospecialactthatcouldhelpmetorealizemyself.Imerelyobeythehabitualorderofthings.Idonotdestroyit.”

Atage32,whileinprison,hestartedwritinghisfirstmanuscript,Our Lady of the Flowers.Itwasdiscoveredanddestroyed.Genetrewroteitfrommemory.ThishandwrittenmanuscriptwassmuggledoutofhiscellandeventuallycametotheattentionofCocteauandSartre,wholobbiedvigorouslyforapardonfromalife-sentence.MorethanfortyintellectualsandartistspetitionedtheFrenchgovernmentonGenet’sbehalf.Ignoringtraditionalplotandpsychology,Genet’sworkreliesheavilyonritual,transformation,illusionandinterchangeableidentities.Genet’sstatureasanoriginalandimportantwriterwascementedwithSartre’sstudyofhiminthebookSaint Genet.

Genetwroteanumberoftheatricalpieceswhichfurtherestablishedhissuccess,beginningwiththeproductionofThe Maids,andfollowedbytheotherclassicplays:The Blacks, The Balcony,andThe Screens.Genet,believedthetheatreshouldbeanincendiaryevent,andwaspreciseabouthowhisworksshouldbeproduced.Genetwroteofthegayworld,withoutapologyorexplanation,revealingbeautyintheharshworldinwhichhischaracterslivedlovedanddied.Hedeeplyfeltasenseofsolidaritywiththieves,andsociety’sdispossessed.Inlaterlife,GenetchampionedthecausesoftheBlackPanthersintheUnitedStatesandPalestiniansoldiersinJordanandLebanon.Hisfinalwork,Prisoner of Love,isarecordofhisyearsspentwiththesetwogroups.HediedonApril15th1986.

BY JEAN GENET

AGlasgay!ProductionDirectedbyPaulineGoldsmith

TronTheatre,4-13November2010

COLIN O’HARA (Design)ColinO’HaraisaGlasgowbasedArchitectandInteriorDesignerwithhisowncompany,cohdesign.ThisishisthirdfullscaletheatredesignforGlasgay.In2008hedesignedTennesseeWilliam’sAnd Tell The Sad Stories of the Death of Queens. In2009hedesignedMemory Cells byLouiseWelsh.ThisishisfourthproductionforthefestivalhavingrecentlydesignedPanic Patterns byZoeStrachan&LouiseWelshattheCitizensTheatreinOct2010.HisworkcanalsobeseenattheGFTcafé[email protected]

RAY LOVE (ProductionManager)Aperformingmusiciansince1978,Rayquicklymovedontosoundengineeringandhasovertheyearsdevelopedexperienceofawiderangeofthetechnicalaspectsofliveevents.Nowpredominantlydoingtechnicaltheatreroles,Rayalsocomposes.

JOHN PAUL MURRAY (ProductionAssistant)JohnPauliscurrentlystudyingatQueenMargaretUniversity,Edinburghonaoneyeardirectingcourseafterpreviouslytrainingandworkingasanactor.HeperformedinGlasgay!in2007in3 Minutes.

THANKSKarenBryce,JoMasson,DavidSneddonandallattheTron;GrantConnell;GraemeAlexander-Young;RoddyMcDonald;RhianWilliams;PavelandSallyLatimer.

PRODUCED BY GLASGAY! t/aGALAScotlandLtd87-91Saltmarket,GlasgowG15LETel01415527575/[email protected] | www.glasgay.comALtdCo.Reg.SC157153CharitySCO23620VATReg797386359

BIOGRAPHIES

PAULINE GOLDSMITH (Director)Paulineisanactress,directorandwriterfromBelfast.RecenttheatreincludesThe Beggars Opera andLittle Otik (VanishingPoint)The Snow Queen (DunfermlineTheatre),Bliss (TronTheatre),Sparr (Fablevision),This Piece of Earth (Ransom)Elizabeth Gordon Quinn (NationalTheatreofScotland).HerfilmworkincludesBoy (2010),Peacefire (2008),Hikkimori (2008),Map with Gaps (2007),16 Years of Alcohol (2003),The Magdalene Sisters (2002).Shewonthe2004BestActressAwardattheEdinburghFringeFestivalforherperformanceinSamuelBeckett’sNot I.Pauline’swritingcreditsincludeJohnny Ringo (2009),Should Have had the Fish (2006)andBrightColoursOnly(2001).ThisisPauline’sthirdproductionforGlasgay!,lastappearinginAlan Bennett’sTalking Heads (2007)andasMissVivienLeighinDerekMcLuckie’sElysian Fields: The Life and Curious Death of Tennessee Williams (2008).Paulineisalsoanoccasionalstandupcomedian.

DEREK MCLUCKIE (Solange)DerektrainedatAcademyofLiveandRecordedArtsLondonandRSAMD,Glasgowintheearly1980’s.HealsotrainedMimeandDancewithLindsayKempandtouredinEuropepriortotakingupanMAinTheatreStudiesandHistoryofArtattheUniversityofGlasgow.HisrecenttheatreworkincludesKiss of the Spiderwoman (2005),The Bacchae (2003),The Devils, Blood and Water, Cagliari (1996),Arsenic & Old Lace (1995).HehasalsoworkedforHopscotchTheatre,XTCDanceCoTheatreworks,FablevisionandAtsimevu.Derekwritesandregularlyperformshisownpoeticworks.HissoloworksNight Twisted Tales (2006),andNight Sullied Flesh (1998/9)appearedatGlasgay!,theEdinburghFestivalFringeandtheDublinFestival.DerekwascommissionedbyGlasgay!in2008towriteanddirecthisfirstfulllengthplayElysian Fields: The Life and Curious Death of Tennessee Williams (2008).Derek’ssolowork‘NightTwistedTales’canbeseenonYouTube.

WILLIAM BRENNAN (Claire)WullieBrennanisaGlasgowbasedactorwhorecentlyappearedasSirWalterScottinBBCScotland’sA History of Scotland.FilmCreditsincludeDavidMcKenzie’sYoung AdamandKennyGlennan’sGas Attack.WulliehasworkedextensivelyinScottishTheatre–aregularwithKyboTheatreandheisduetoappearasBerthaBawheidinHopscotch’sPuss In Boots.

RICHARD PEARS (Madame)RichardplayedWilliamHolmanHuntintheBBCFOUR’sThe Pre-Raphaelites: Victorian Revolutionaries.HeiscurrentlydirectingashortfilmcalledAubergineforFilmGandisdevelopingthescriptfora2ndshortfilmCravewhichissettofilmthisDecember2010.RichardsawhisprofessionalactingdebutwithDerekMcLuckie’sElysian Fields: The Life and Curious Death of Tennessee Williams (2008).SincethenRichardhasbeenthedirectorforthePatterMerchantsTheatreCompany,theirproductionsinclude:Abigail’s Party (2009)andThe Glass Menagerie (2010).ThePatterMerchant’sreforminthenewyearwithaproductionofWho’s Afraid of Virginia Wolf (2011).Richardalsoworksincommunitytheatredeveloping,writinganddirectingoriginaltheatreandissettostartuphisownTheatreCompany-DithyrambTheatreofDrama–whereheaimstoteachtheatreandfilmmaking.