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page 2
TheWorld's
First
This issue, an overdue salule 10 our far-awayfiends across the Big Pond . . . Hammer Fi. ms ofGreat Britain. An entire issue dedicated to thestudio that brought back to the screen suchtraditional terrora as Frankenstein's Monster the
Chris Lee Dracula, the ma)nolent Mummy, ~ e i r d
Th. ·Mons.... t J ~ ~
Volume 1,No.8
PAG3 HORROR OF DRACULA:A f right -filled f i lm. a fantas ti c feature articleon the grand-daddy of the Hammer vampire fl ix .
Werewolf and the arand old Phantom of the HAMMER HORROR HISTORY:~ ~ ~ ~ ~ ~ ~ W ~ h ~ k ~ t ~ w ~ i l l u r k s ~ ~ e ~ e a k e ~ ~ a n ~ ~ H a m m e f l ''3!linq,this pnllqhtening chrcniGle.The
feature article inour
HammerIlSUe is on
the vampire film Bram Stoker would have beenmost likely to love . . . HORROR OF DRACULA.One of the most monstrous monsters of all time;the father of all Hammer Horrors, the role thatbrough Chris Lee fame, fortune and fangs.
By the way , there's a new face around the
Monster Times office; namely me, your new editor
AUan Ashennan. You 've read my articles in TMT'searlier issues (THINGS TO COME, STAR TREK ,etc.)
Chuck McNaughton, due to personal reasons (Asickly uncle in Transylvanja?) is taking a leave of
absence. He will continue to treat us to rus creativearticles, starting in . . .
The SPECTACULAR, EXCITING, HORRIFICIssue # 10, entirely devoted to the classic E.C.Comix of the 1950's. Sci-fi , the most horriblehorrors ever pictured, along with mystery andimmortal monsters. E.C.; the people who made
comix a fine art, and created new meanings for theword FEAR, with stories by Ray Bradbury and artby FrazeHa, Krenkel, WiUiamson , Wood andothers.
Getting back to me for the moment . . . I'm a
fan of everything within the realm of TMT;science-fiction, horror, fantasy, comu , etc . I'll do
my best to cover all these fields and more . . .
whatever YOU want to !lee .I' d like to get to know you all; what you like,
and want to see in print (and photos). So keepthose cards and letters coming in, folks.Remember that we are here for YOU , our readers.
See you next ish! AlI»,\-
9
10
12
14
1619
TIlE HAMMER HERITAGE:Come see the Hammer Horrors. compared with their pastthe Unusuals of Universal.
YE OW E COMPLEAT HAMMER HORROR CHECKLIST:What's the good and what's the bad . . . and the ugly?Names. dates and mini-rwiews.
TIlE CURSE OF TIlE WEREWOLF:Carlos Garzon (artist) and the Great Gerani (writer) combine
to tell the frightening story of this woeful wolfman.
INTERVIEW WITH CHRISTOPHER LEE :Who dared to visit the house of Dracula and returned to
tell you about it? Borst and WnofOski, the Bobbsi Twins, that's who!
DRACULA DOUBLESPREAD:See the Count return to life. as Bill Nelson 's masterful artwork
lights up your mind in livid living color.
TERROR TOYS LOOSE IN LONDON TOWN:What are little toys made of? Don't be too sure uyou've see these little goodies.
20B.EAUI1ES OF THE BEAST:The beautiful harem of Hammer.TMT rweals them in all the ir goulish. girlish glory .
22
25
27
TIlE MONSTER TIMES TELETYPE:Once again, reporter Bill Feret digs up the facts of
com ing Hollywood Horrors.
HORRORS! :Drake Douglas' book is reviewed for all ou r readers.in all its horrendous. horrible details.
DRACULA HAS RISEN FROM THE PHONOGRAPH:A fine record album .. . But does anyone know where to buy i t?Find out what and who. in our product test of the issue. .
THIS ISSUE'S COVER is a fascinating piece of fantasmagorial fright . Chris Lee as Count Dracula,
in DRACULA HAS RISEN FROM THE GRAVE . An exerpt our centerfold. drawn by talented, Virginiaartist Bill Nelson. Monstllr Times readen will _ more of his wori< in ou r coming issues.
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-MOnster Times ..
OF DRACULA was the
.It had mood, and relative·It had a fearfully.
up and downstairs three at ae you'd expec t a vampire
the anemic, weak-kneed staticBela ' Lugosi, Chris
Lugosi, the screen's first talking DraaJla,the way for Chris Lee's portrayal of the
.
the count's ferociousAfter. all, the prince of
to be going pretty
just as (we believe) Bramof DRACULA,
do, were he aroundthe film . . . .
May 18, 1812
he coach neared its destination, the
rider gazed ou t across the warmcountryside and wondered if the
sun shower could ever fully· what unnamed evils lay only
morning's white curtain.Harker left the coach at the
and. began the climb to Castleon foot. Not at all the awesomehe had grown to expect, the
to )lj.S
at last the journey had ended.home for so distinguished a
. to be sure, but generouslyand aesthetically mature
open the huge front.entered what appeared to be
. Draped in quiet majesty,huge chamber beckoned him
On a table in theof the room was a prepared meal
casually brushed aside the tray with hisarm and knocked it to the floor. Kneelingdown to recover the fallen plates, asudden tiilgling crept up his spine. He was110 longer alone, in the chamber.
A young woman stood over him with
pleading eyes."You will help me, won't you?" she
cried. "He keeps me here against mywill. "
"Who keeps you .here? CountDracula?" he asked incredulously.
The girl suddenly tightened, drew awayfrom him and ran from the room. Harkerfelt . .
.spectator. i j i ~ $ c P e e r e 4 s l o w ) y upward .
to the head"ora ·great staircase, arid thenhe saw the giant.
"Mr. Harker, I am Dracula," the voiceechoed powerfully through the hall. "I
welcome you to my home."
The enormity of the man wasastounding. He looked to be seven feettall as he came bounding down thosestairs. Harker might have placed his handin a vise for the strength of his host'shandshake.
"I'm sorry that I could not be herewhen you arrived," Dracula apologised."I trust that you found the meal I left foryou satisfactory?" .
Having completed the accustomedsalutatory courtesies, Dracula suggestedthat they adjourn to the upper levels of
the castle where Harker might unpack
and begin organizing the library. Afterall,that was why he had come to CastleDracula, wasn't it? He had been hired aslibrarian in the Count's employ. _
The Count lifted his bags with amazingease and led him quickly up the stairs to amoderately sized bedroom. These wouldbe his living quarters for the duration of
his stay. As Harker unpacked hisbelongings Dracula left the room insearch of candles and a eandelabrum.Upon his return he noticed. that Harker·had placed the picture of a young womanon the dreSSing table.
"Your wife?" he asked ."My fiance," he explained. "Her name
is Lucy Holmwood."
page 3
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......
"She's lovely," remarked the Count."Mr. Harker, as 1 shall be away much of
the time 1 think it best that you confineyour exploring to this room and to thelibrary. These corridors are very old andhold hidden dangers for those unfamiliarwith them."
"I shall respeCt your wishes," Harkeranswered, and with that the Count left.The door was bolted securely from theoutside. The Count was taking fewchances, it seemed.
Now Harker set about transcribing thisinitial meeting with Dracula in his note
book : "Dracula has welcomed me into hishome and accepts me as a librarian. Hedoes not suspect my true purpose. 1 willdestroy the propagator of unspeakableevils, and end this man's reign of terrorforever. "
Below his window, Dracula preparedyet another terrible night of slaughter.
CHAPTER 2:
AT STAKE
The slow turning of the door handlewoke him from a cautious sleep, yet hefound the out !!r co rridor completelyempty when he found the courage to pullopen the door. Harker crept down thestairs and entered the library. The door
closed abruptly behind him, leaving himM . i:.<b.P. . . . : ... " . ,ioU I ' ........... _ i
''Please help me. You must," she cried.
"Please take me with you. 'I'm a prisonerof Dracula. You cannot know what anevil man he is."
Harker was touched by hervulnerability and drew her to him .
"I'll help you," he smiled. She felt thewarmth of his chest , and came still closer,
No one is safefrom th e avli of Dracula.
Come in to my ,parlor, said the spid.,. to the fly, thinlcl Dracula _ he sizes up the bloocttYp8 Of
Harteer, his next unwitting victim.
lips. He flung her back in horror as the
pain tore threw him. This girl, this sweetpleading girl thirsted for his blood. Shewas a vampire. A female vampire.
, An outer door burst open and with itflew a demon from the bowels of hell. Itwas Dracula, his face twisted beyond any
dream of sanity, consumed by the hatredof centuries. An animalistic, gutturalscream emanated from somewhere deephis body. Pools of blood slobbered fromhis lips as he jumped ,onto a table and
then down to the floor, tearing hismistress from her unwilling prey. They
tore at each other savagely until the
Count overpowered her and forcefUllylessened the numbers of this awful cultby one. Harker fainted" and the memoryof this night slept with him bu t he knew
that Dracula would return shortly . . . forhim.
He awoke in the late afternoon. A
moment of sweet forgetfulness, and thenthe realization. How had he gotten backto his room? Had it all been a dream? Hefelt longingly about the skin on his neckand lifted a small hand mirror. There they
were, the two small bruises near the
throat. It wasn't a dream, but anightmare. Now he belonged to Dracula.
, Would he soon roam the countryside at
night in search of human prey? But, wait.I'm still Jonathon Harker, he thought. Itis daylight and 1 am awake. The
transformation 'had not been completed.Now, while he still retained some control
over his body, he must seek ou t and
discovered the female vampire. Some sixfeet further on was the resting place of
Dracula. He lay there, smugly confident,
asleep in his earth box:
"I'll soon end that," thought Harker.He removed a long, sharp stake .from hisbag with a hammer, and placed them over
the heart of the one who had asked forhis help in the library. He would grant it
now in the only way that he COUld. The
hammer came crashing down and plungedthe stake deep into her body. Her screamsobliterated the silence, jolting the- Count
from his sleep. His eyes opened wide with
horror until a natural shadow p ~ d over' his face from the window and brought a
hideous smile to his ancient lips. Harkerhad delayed for too long. Sunset hadcome.
The coffin was empty. Harkerstruggled to catch his breath as he saw the
h\lle shadow descending the stairs. Count
Dracula stood before him, blocking any
hope of escape. The blackness of his capegrew ever darker as he slammed shut the
door and blocked out the daylight fromJonathon Harker forever.
CHAPTER 3:
FRIENDSHIP AT STAKE
When a certain Doctor Van Helsingarrived at Castle Dracula, he found ttdeserted. Together with Harker, he haddevised his plan for gainlngentrance to
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. :
, -....-. .", ..
. lymeta
TrnosyIvania!The giant,
undead frame
of Dracula
floats forth
to satisfy-
his curse;
eternal
bloodlust.
slightest hint of fangs protruding from'hi s
lips. Van ReIsing lifted the r e m a i r i ~ n g stake from the floor and griihlypositioned ' it over Harker's body. I:fisfriend would have wanted it this way.' :, '
Arthur ' Holmwood only knew thathisbeloved sister, Lucy, was , dead ; "liewanted no excuses. A strange series '.Qf
events had led to this most recent andheartbreaking tragedy, and now th is man,this Dr. Van Helsing was trying to td l
him an improbable fairy tale of modernday vampirism. Wasn't it enough that
Lucy had suffered at the queer death :of
her fiance, imd then taken suddenly il l
herself had died? Now this charlatan, was
trying to tell him that Lucy was not trulydead , that she walked at night , preyingupon the life's blood of helpless victims.Well, Arthur Holmwood had no patiencefor such rot. Not until the housekeeper'slittle girl was found roaming about th e
neighborhood after dark , in hernightgown, and was brought home by aconsiderate constable. The girl had told-abizarre story of being lured from he r
room by a ' lady who promised her asurprise, but the lady's hand was cold and
she was frightened. Mina Holmwoodshared her husba nd's disbelief.
"But who was this lady, dear," 'sJieasked? , ,
And the child replied, "I t was A ~ l l t LucY." _ '
It wasn't a pretty_.story -for H ~ J m ~ d-:to -hea r.....buH).e listened anyway, listened
and knew Of the _plot to kill Drac,u!1J,knew of Harker's terror on that last- evilnight and knew of Dracula's plan ' ,tosubstitute his beloved sister, LucYI (or
Harker's lifeless corpse. So when the :lit.tlegirl met ' her strange playmate on .tl1efollowing evening there were .twouninvited observers waiting at the crypt
to greet them.
' \Arthur, dear brother ," she squealedwith delight, racing toward him to
- embrace his warm, full-blooded body.
Van Helsing was between them in aninstant, warding her of f with the smallgolden cross that he held in his ·hand. Shebacked away from him, hissing andscreaming like a cornered animal. Whenhe pressed the body of the cross to herforehead it burned ,a mirror image into
the skin. and she fled, whimpering, intothe crypt. After seeing the child back to
the safety of her bed, the pair returned to
the crypt and gave Lucy the eternal peaceshe had been denied.
Continued Oil page 28
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c.ic
page 6
To th e
MONSTE:R r : ~ : tOl"•••
Box 595 Mr:S
Old ChelsNew y ea Sta
Ol"k 10011 •
SUPERFAN! ! !
Dear Sirs,
When I saw your magazine on myneighborhood newsstand I was veryhappy to see ' that another monsterpublication was just starting . Since then IhoIv!: all the issues and liked everyone ofthem. . .
I especially liked issue numberfour's feature stoty, THE BRIDE OF
FRANKENSTEIN, which I though waswell-written. I ·would also like to see an
issue devoted entirely to BORISKARLOFF, and maybe a future issuefeaturing a_ story on the famous
SUPERMAN comics. Good luckyour new magazine.
Scott SilvermanBrooklyn, New York
Keep your eyes peeled, Scott. Right now 'your dauntless MT staff is preparingAIl·Superman issue. Watch your
newsstands.
...
Dear Gentlemen,I would like to know · why THE
MONSTER TIMES is no t published eac hweek. THE MONSTER TIMES is so goodthat why should I wait for it to comeout? As it is I did not get THEMONSTER TIMES No. I and No . 2. Imissed two good TIMES as I was told bymy friends . I know that there's a goodanswer to this problem but I still thinkthat it's that good.
Henry HerberNew York Cit'y
Good Lord, Henry! One monster pubcomes out 3 times a year . One once or
HALF WAY FOR MT
Dear Editor,I have tried your magazine. It's
terrific. It's the greatest thing sinceGodzilla . I gave up half of my allowancethat I was saving for a vacation for it. ButI loved your magazine. -I may send in asubscription for a birthday present .
Paul GeitzNew York City'
Thank!!, Paul. We really appreciate your
devotion to us. And don't worry about
your vacation. We heard thatTransylvania isn't that great this time of
year anyway.
•••EVERYBODY LOVES US!
Dear Editor,Bravo! I received the first four issues
of THE MONSTER TIMES today, and Iwas very pleased! Your publication isexcellent. After being satisfied with therapid decline of FAMOUS MONSTERSand CASTLE OF FRANKENSTEIN,your magazine became the proverbialmanna from heaven.
I particularly like your layouts. Theyare very pleasing to the eye. Also, THETIMES co ntains much go od reading. Issuetwo was my favorite, probably becauseI'm an avid Star Trek fanatic.
Keep up the exemplary work, andinclude as much material as possible on
th e OI,.D material - you know,1920-1940:--You're doing a fine job .
Mike Ontko
Thanks, Mike. We'll try to oblige and getin as many old movies as -we can . ManyTMT staffers are digging and digging to
get the old stuff, but it's not too easy to
get . Meanwhile, we'll just keep FM andCOF breathing hard.
c -- _ 5
DINOSAUR LOVER!
Dear Monster Times,
I would like to read more about
dinosaurs and 'dinosaur movies. I read the
The Monster Times
TH E MONSTER THAT DEVOURED
CARNARSIE?
Dear Monster Times,
Can you tell the monsterS to please .destroy Carnarsie in Brooklyn? 'There isno t much exdtement in Carnarsie, socould you please write an article about
Godzilla b u ~ n i n g up Carnarsie? Can youalso have Rodan knocking down
. buildings, and Mothra and Gammera at
the Bronx chasing imimals at the BronxZoo? Would it be possible for Ghidrah to
knock .dowJl_ planes. in. Queens at the
?
write more about dinosaurs and somemovies of them. Nicolas Catalano
Never feaf, Nicky boy. Right now thedevious little men that put out THE
airport? Finally, could the Behemoth teardown Georgetown?
Johnny I\apeluszBrooklyn, N.Y.
You got it, Johnny. As soon as we got
your letter, we assigned the one and onlymagnificent Dean Lattimer to write astory about: THE MONSTER THATDEVOURED CARNARISE. I t will beappearing very SOon, and ' aU of us .t M'rare in your debt for giving us a great story'idea.
75 Cents FOR M Dear Sirs,
So far I have seen three issues of your
magazine and I must say that it is indeedfantastic , much better than FAMOUSM 0 N STERS. I have a couple of
complaints, though: isn't 75 cents it trifleexpensive every two weeks, consideringthe size of your magazine? Also: being a
serious fan I find it VERY DIFFICULTto keep the issues from getting ripped inth e newspaper format. Could you
possibly publish it in a version that's
easier to manage?Donald Lorribardo
Fairport, N.Y
You are absolutely right, Donald. 75cents is much to expensive for TMT.
;That's why we only charge 50 cents for. it. I f your newsdeaier is selling it for 75cents let him know the right price, 'causehe's breaking the law by charging morethan 50 cents. And, yes, we'll think about
the changing of the newspaper format.But just remember, if we change from
newspaper size', what's going to .happen toour gruesomely great centerfold? Our
giant comix? Our monsterously largepictures? Our· . . .
Send us so m a n y letter s.
pos t ca rds , boosts. detractions.
bomb threats, et c . that the Pos t
Office will have to deliver ou r mail
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Monster Times
trademark to
in the opening'or sci-fi filfTI, or
hQuSe... or rather, pack,movie h o u ~ , with passles of
-patrons of de-pravedscurrying,
psyChos- grabbingthe
scruffof
their; -trlcera ops ana rontosaurii
,ar veins, putty-facedin the,r
of blood, and blood and
al ish. But they'veout so much blood andout so much pulpy plastic
that it's , hard to tell thethe baddies. Thafs
Mark Frank to weed out'of the gross dross, and fill us
more notable efforts ofhorror cycles
• . . . .
its beginnings as a distributionn the 1940' s,Ha mmer Films
the most successfulWhile
',they all make money. From an
, point of view, however, Hammer
so consisten t. Hamnierout classics and chaff with
of brilliance on some occasions,giving new meaning to the word
on others.of Executive
The poor fellow with the
hairy Mods has feltTHE ' REVENGE OFFRANKENSTEIN.Pe18r
,Cushing, wOikingwith
his young...mant on
• moiln. .y braintranspI ... . prOveS ous diet FRANKENSTEINMUST BE DESTR'OYED.
and goshawful gore are added for spice,often seasoned with a pinch of sadism.
Throw in colorful settings and a dramaticmusical score, and you have anotherHammer box-office blockbuster, grossinghundreds of thousands per week in local
theaters and drive-ins across our greatland . . .
Without apparent ,concern for the oldadage that you can, indeed , suffer from
etc., each initial entry being followed byseveral sequels of generally diminishedquality.
AND HAMMER SAID:LET THERE BE FRANKENSTEIN!
After producing a number of
forgettable dramas and a couple of
low-budget . experiments with science .
CURSE 0 FRANKENSTEIN was born.
For the first time the exploits of theparanoiac Baron Frankenstein were
depicted in pulsating color as he piecedtogether bits of dead flesh to create hisimmortal Monster. Peter Cushing wassuperb as the aristocratic genius whosedream of creating life leads to a deathsentence. In the role of the Monster,
Christopher Lee displayed only an iotaof
the talent which he was to unleash inlater pictures.
Terence F i ~ h e r . directed with a slant
toward dynamic action and long,lingering closeups of such goodies as
disembodied eyes floating in
formaldehyde.Two years later, in 1958, the Baron
was back and burning at both ends inREVENGE OF FRANKENSTEIN.Picking up just where CURSE had ended,
we learn that Frankenstein (Cushing,
again) has managed to elude the gallowsby having a priest executed in his stead.An intelligent screenplay by JimmySangster has him succeed in creating anear-perfect man - _ until, that is, his
creation degenerates into a half-paralyzedcannibal that terrorizes the countrysideuntil it is fmally destroyed. In the lastreel, the Baron himself falls victim to ahorde of sick and injured men whom hehad used in his experiments. Broken and
bleeding, his body is carried to the lab byhis assistant, Dr. Cleeve (FrancisMatthews), who transplants the Baron's
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page 8
"Are these th e hands of a murderer?" asks the Monster in HORROR OF FRANKENSTEIN. displaying nimble digits to unconvinced companion.
absent from the production of THE EVIL
OF FRANKENSTEIN, although directorFreddie Francis and the consistentlyremarkable Mr. Cushing did what they
could with a weak script by John Elder (ap ~ e u d o n y m for producer AnthonyHinds) . Returning to ,the castle of his
original experiments, the Baron discoversand revives what is supposedly his original
creation: Kiwi Kingston in makeup that
would have had the man Who designedBoris Karloff's · FRANKENSTEiN
o, " ; " . ' , r " . " ' . •O l a k e , . u p > - ~ , ~ ~ k .. , 1!ierce;1, \Il stltches..., " , , ~ '- "- .
who tracks down and mutilates thoseresponsible for the boy's death. In thecapable directorial hands of Terence .Fisher, this entry was considerably moreinteresting than THE EVIL OF
FRANKENSTEIN, though not up to parwith the first and second films of theseries.
The fmal film to fea ture Peter Cushing
as the bad Baron, FRANKENSTEINMUST BE DESTROYED, displayed thecharacter as far less sympathetic than he
had been ~ p ! ~ v i o u s films. : 1 ! ~ ~ ! ~
portrayals in films such as TASTE THE
BLOOD OF DRACULA, made his debutas Baron Frankenstein in HORROR OFFRANKENSTEIN. Bates is arrogantenough in the role, but is hardly the
accomplished actor his predecessor is. Infact, the entire film appears to be alavishly produced joke that strives forhumor but succeeds only in making
.Frankenstein and his creation little morethan a bad vaudeville ,' comedy teain.
5.exual - e n c o h t e r ~ and - r ~ ' ( i e <louQl,e
; : J ~ ~ ~ { 7 o t ~ ~ ~ _ ~ ~ g ~ 1 ~ cannot help but wonder if this is tlie -
ignoble end of the FrankensteiIl series;hardly a fitting demise for the vehicle-'
that began the Hammer horror cycle.
HAMMER'S DRACULA
GREW ANEMIC
By far, Hammer's most popular and
successful horror series has been its"Dracula" pictures, and other filmsrelated to the vampiric legends. The first
movie in the series, HORROR OFDRACULA, made an indelible impression
on audiences everywhere. Directed byTerrence Fisher, HORROR OFDRACULA contained the sort of
dynamic action that Hammer was tobecome famous for, and stood in sharp
contrast to the sedate, "stage play"quality of the Tod Browning DRACULAof .1931. Christopher Lee chose to instill
a truly demoniac dimension into hisUndead Count, and it remains one of hisfinest performances. Peter Cushing wassimilarly striking as the vampire's
nemesis, Dr. Van Helsing. Everythingabout the film, from the art direction byBernard Robinson to the musical score byJames Bernard was handled with a
.professionalism that makes the film
"But. . . bu t I hardlY even know you!"
deserving of the praise it has receivedfrom fans the world over. Many consider
-. it to be Hammer's finest achievement;others actually rate is as the best horrorfilm ever made.rotests shy vi.ctim upon receiving THE KISS OF THE VAMPIRE, . .
Apparently burned to death in a fieryconflagration, three years later he wasrevived again for FRANKENSTEIN
CREATED WOMAN. The major menacein this film was not a creature piecedtogether by the Baron, but rather, abeautiful young girl (Susan Denberg)"created" by Frankenstein from the
crippled body of the village imikeeper's
off heads and - in a sequence cut fromthe American print - rapes lovelyVeronica Carlson. The "monster", on the
other hand, is portrayed by Freddie Jonesas a victim of unfortunate circumstances.The unwitting recipient of a braintransplant, Jones evokes much pathos asthe confused victim of the Baron'sexperiments. Trapped once again in a
Fisher followed with a direct sequel
three year later, in 1 9 6 P Though titledTHE BRIDES OF DRACULA, the Counthimself was conspicuously absent fromthe proceedings. Cushing, however, was
on hand as Van Helsing, this time battlingthe evil Baron Meinster (David Pee!), ahandsome young disciple of the King
Vampire. Generally less exciting than theoriginal, BRIDES climaxes with a thrilling
.of
The Monster Ti
In' 1963, Hammer enlisted Don Sharpto direct THE KISS OF THE VAMPIRE
-from a Screenplay' by John Elder. NoelWillman was cast as the sinister leader of
a vampire cult in exotic Bavaria. Though
on the surface the plot is fairly routine, it
reaches interesting depths and, at times,extends the limits of the vamp.re legendsdeveloped . in previous pictures· .. TheU n d e ~ d in this film fort;xample., a r q u i t e capable of moving a b o u t . d u i ~ n g the day,though they shun the direct raY$ of thesun. Ravna (Willman) alludes to tho fact
that he has become a v a m p i r ~ due to ascientific experiment that "went wrong:"No other fIlm before it did as much to
explore the deep-rooted sexualsymbolism of vampirism as did THE KISSOF THE VAMPIRE.
In 1965 Hammer ingeniously revived
Count Dracula himself, reunitingChristopher Lee and director TerenceFisher for DRACULA -- PRINCE OF
DARKNESS. Opening with the climaticsequence from HORROR OF
DRACULA, the sequel went on to showhow the vampire's servant, Klove (PhilipLatham), uses the blood of a fresh victim .
to unify the powdered remains .of his~ " : " " ; . . . .master. Walking the earth once a g a mhissing monster -who d,oes not speak: a .
--'isulgle -·,.ow-0ld>,: ",qurmg"" Ute- _ i r : ' .~ 1 ' i t i r t i a t e ' 1 Y 4 i f ( j w n ~ l : l ' - , ..the . running water of his awn . JnOlltt ;'
Though -it suffers in compa,rison tot h ~
original ·1)RACULA - PRINCE OR
DARKNESS is still a ftpe example of
sincere horror filni production.
The Thirsty Count lay buried beneaththe ice-covered moat for three years, until .
the blood of an injured priest happenedto pass his frozen lips. Soon thecountryside was resounding with the cry:DRACULA HAS RISEN FROM THE
GRAVE! But, by this time, Lee'scharacter had been reduced in stature and -screen time, the bulk of the actioncentering around cliched romantic
entanglements. By the time were allinvited to TASTE THE BLOOD OFDRACULA, in 1970, Chris Lee held whatamounted to a bit part.
The latest in Hammer's Lee/Draculaseries, SCARS OF DRACULA, is a notch
above TASTE but still a mere shadow of
the first entries. Some intriguing technical>touches (Dracula scaling the steep walls
Continued on page 24
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lo n Chaney Sr. and Herbert lo m
in th e 1925 and 1962 versions of
PHANTOM OF THE OPERA.
Chaney had no rna.n n en ,
and lo m liked jumping off high balconies.
DaCle 9
THE HAMMER
HERITAGEMonsters were n't always a part of
our lives. 'Way ba ck in the 20's
-Universal Pix here in the good 01'
U.S.A. started the blood-coveredcameras cranking . .: 1 f l e ystill cranking the m out here, and
in Great Britain have inspired
Hammer to retail the tales of the
American monste rs as if they have
always been British citizens.
Here are their versions of OUR
furry, demented fiends.
Karloff's Universal portrayal of THE 1932
MUMMY had him speaking 8nd seeking a lostlove. The 1968 Hammer Mummy just groaned
whenever the director told him and bandaged asmany people as he could.
Kartoff as the
Monster in the 1931
FRANKENSTEIN was asimple-person wh o
just wanted to be
friends. Unfortunately
he was ugly, and had ..
terrible temPer.Chris lee's Monster
of the '57 CURSE OF
FRANKENSTEIN was amurderous creaturetrom the start. He
started Ooe F rankenstain on the road to
the guillotine and
future atrocities.
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pag.-10
Aduet of ;'By the Light of the Silvery Moon?"
or maybe she just didn't agree that he's the greatest Werewolf ever filmed
From all dark realms they come,
slinking, crawling on their
bellies, flapping their wings,
treading on their claws, these
contributors to THE MONSTER
TIMES. Word got out that we
were doing an all-Hammer issue,
and from the unholy hamlet of
Mattagrosso, Pennsylvania (of all
places!) came into our Post
Office Bo x this ,rather
unsolicited manuscript, a '
checklist of -the best and most
often seen and forthcoming
Hammer Horrors. Well, we hadoriginally planned an interview
with Peter Cushing's tailor (the
guy r who makes all thoSe Van
Helsing vests into which
watch pockets Mr. Cushing
always resides his thumbs), but
at the last minute, when / this
checklist came, we postponed
the slated tailor's article for
another issue. Like sometime in
1995. Hencely, we now proudly
present new MT contributor
Steve Wynn's contribution . . .
YeDlcle,CompleatHammerOlecklist
Compiled by Steve Wynn
Key to Ratings: * - Poor•• - Fair
•• • - Good•••• - V ery Good
. . . . . . . - Excellent!
THE ABOMINABLE SNOWMAN OF
THE HIMILAYAS (1957)-lntel·I igently conceived bu t generally
slow·moving account o f search fo r
legendary "Yet i" with Peter Cushingand Forrest Tucker as your guides.
" M o n s t e r . s " make br i e f
soft-snow·shoe appearance at
finale. ..THE ANNIVERSARY fT968}-Since
Bette Davis made WHA T EVER
HAPPENED TO BABY JANE?
producers have sought to star her in
various "horror hag" roles; this one,in w h i c h sh e p l a y s ' a
mbnsterish-acting, one-eyed mom is
strictly for Bette Davis fans. %•
Kharis? Those days ar:e gone, fOIi
Ham m er has b e a ~ t i f u l an d
voluptuous Valerie ~ e o n as their
latest "Mummy" and its her beautiful
spirit (reincarnated in the form of a20th Century lass) who's killing of f
the desecrarors of her tomb. No t
released in U.S.
TH ·E BRIDES OF DRACULA
(1960)- Typically elaborate Hammer
atmosphere sustains suspense
throughout this early followup to
HORROR OF DRACULA. Cushing
once again uncovers Vampirism in
Central Europe.And a young discipleof he "undead" Dracula. *•• •
C O U N T E S S D R A C U L A
",971)-based on the legendaryElizabeth Bathory of the Middle
Ages, who murdered dozens o f girls
that she might remain forever
youthful, bathing in their bl ood.
Recently filmed and modernized as
DAUGHTERS OF DARKNESS, this
Hammer adaptation . follows the
original legend and gets in the swim
o f hings. .. .CREATURES THE WORLD
FORGOT (1971)-A new low for
Hammer. Clipping from the cutting
room floor. It 's Ifke watching ON EMILLION YEARS B.C. without any
d.i n osaurs whatsoever, some
nice-lookin' girls, and a lo t more
senseless brutality and eating of raw
flesh. .%
TH E ' CREEPING UNKNOWN
(1956)-First major Hammer success
(and first in their "Ouatermass"
series with Brian Donlevy as
deteriorate into a, huge, pulsating
shapeless, planNike monstrosity.
Slow-goings at first, bu t stick withit ! ......%
CRESCENDO 1t970}-1f you've seen
this one, count yourselllfJS among the
unfortunate fewl Watner Bros.picked this loser up fbr US release
and after a few early playdates found
they had a bomb. This was a
predictable remake of Hammer's
earl ier PSYCHO'inspired film,
PARANOIAC. %"
THE CURSE OF FRANKENSTEIN
(1957)-Hammer's remake of the
Karloff r:;ANKENSTEIN, the first
THE CURSE OF THE MUMMV"S
- TOMB fT964}-Story of mummy's
tomb being discovered I by
archaeologists who live (but no t too
long) to regret their trespassing(sound familiar?). .. .
THE CURSE OF THE WEREWOLF
(196T)-Thbught fu l , restrained
adaptation of Guy Endore's TheWerewolf of Paris. One of Oliver
Reed's first starring roles and a film
considered by many to be' the btlst
Lycanthrope picture eiler made.
Beggar rapes a Inute girl and the
off-spring becomes werewolf. Film
traces the unfortunate lad's life into
manhood and his inevitabledestruction. .. ......%
THE DEVIL'S OWN (1967)-Who
would eve, suspect .that witchcraft
could exist in this day an d Bfle insuch a quiet Comish village? ......
D I E ! D I E I MY DARLING
fT965}-Over-iong and often tiring
story of young widow's visit to
secluded country home of her
mother-in-law only to discover the
ol d lady's a religious fanatic who will
stop at nothing to cleanse the girl's
soul • •. even if it means a blood
sacrmce! Ho hum! Watch fo r Donald
(M·A"*S·H) Sutherland in the
supporting role of the lumbering
handyman • •%
DR. JEKYLL AND SISTER HYDE
( 1 9 7 1 } ~ H a m m e r ' s newly-discovered
"horror man," Ralph Bates, stars in
this new'takfHJff of the Robert Louis
Stevenson concocted tale of aVictorian doctor who seeks to
separate the good and evil from his
soul. The twist in this version is that
through the use o f female hormones,
the good doctor transforms into
beaut i fu l bu t wicked Martine
Beswick. Reports from abroad are
surprisingly favorably towards this
permissive adaptation of the classic
novel. To be released here later this
. change by the time it ' turns up in the
s ta tes s o m e t i ~ e o·ne"ir t year.
Someth ing l ike DRACULA:
CHELSEA 73 . Film marks the sixth
Hammer·Dracula for Christopher Lee
bu t differs from the previous outings
because of its contemporary settIngin mod, no t merry old England. Plot
has a group of young black magic
practitioners raising the Count's spirit
back from the grave. Unreleased,un·rated.
DRACULA HAS RISEN FROM THE
GRAVE (1968}.,. . .Sequel to
D R A C U L A - P R I N C E OF
DA R KNESS even lacks the
excitement of that first followup to
Hammer's originat HORROR OF
DRACULA by containing DrlllCula in
the claustrophobic surroundings ofan old dank cellar with highlights
ranging from the highly unlegendary ·
ability of the vampire to yank a stake
from his own heart, to the twO
heroines bickering over who 'will
unzipper their boyfriend's pantsl Still
and all, Lee manages to come
through and save the proceedingsfrom total mediocrity. • • •
D R A C U L A - P R I N C E OF
DARKNESS (1965}-Hammer's
sequelto
their classic HORROR OFDRACULA is often unfairly
maligned by those who would
'compare it with . the original.
Actua l ly , ' it 's a well.mou'!ted,
excellently cast and exciting horror
film, bu t with its best sequences
lesser variations on those. fromHORROR OF DRACULA. • .. .%
THE DEVIL'S BRIDE (1968}-Blsck
magic, hypnotism, nightmares, n i l
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ster Times
.>
Lookl Up in the sky . . • it's a Bird .. • it's a PIIIM .. •
F R O M S P AC E
in the "Quatermass"o f sf-horror (following THE
UNKNOWN) with
. moments being lOme
&tIqIHNJCBS feeturing anBLOB-lilce mIJU
mBllkind's extinction.
IntBl/igent fo r this typeIHHrffI.\ ••• '
EVIL OF FRANKENSTEINthe . seemingly
horrific adventures ofn Frenkenstei/1 (Cushing) wh o is
p,tr , f!IIiVing BIId co-ordinatingn Qfhis homef1llldB monster.h_ to be
MILLION YEARS TO EARTHthis film was originally
it wa s qlI ic lc ly
by Kubrick's 200t and
OF THE APES, althoughis far more Intriguing than
thOMl two pictuIK Third
IIIst "OuatetmllSS" lIKitlS find.
indtimiteble professor combating
tribe from Mars who
originally responsible fo r
mlllJ's age-old belief in theno t to mention
ow n intelligence, also.script culminates with
of the horned "dellil"
RBCBntly telecast on CBS• • • • •
U R·SIDED TRIANGLEand silly SF about
who can't hllllB the girl of
so he creates a double of
The joke is that the thing'sIKiouslyl ."
CREATED
(1966)-Only the Baron
could take a deed boy's
and a deformed girl's body, andthe two in the personage of
atumni Susan Denberglusual, he couldn't foresee the
consequences as ' the
only
is to kill those who werefo r the boy's death.
bu t sustained by
wi t and polish_ ..
dilembodied heads,' horrible lIisagesand o t h e r i n cong ruous
sensationalistic thrills. .. "
THE . GORGON (1964)-Leisurely
paced, wel/-mede yam with aJekyll-Hyde/werewolf slant. Youngwoman becomes snake-haired
mythological creature whOle gaze
turns men to stone on nights of thefu l l moon. Stars Lee an dCushing • • • •
HANDS OF TH E RIPPER
(1971)-Yet unseen by Americanaudiences is this most unusual of all
"Jack the Ripper" films. Premise hasJack the Ripper murdering his wife infroni of their young daughter to stop
her f rom denouncing him.
Subsequently ' he lIanishes, only to
return years later supernaturally to
force the daughter to take up wherehe left off. Unreleased, un-ratBd_
.....
T H E HORROR O F
FRANKENSTEIN (1970)-We never
thought we'd see the day Hammer
would make a film so wretched. Asemi-satiric remake of their originalCURSE OF FRANKENSTEIN.
Cushing is replaced by Ralph Bateswho is often more interested inseducing his housekeeper thananything else, although he does
manage to create a monstBrreminiscent of the same in JESSEJAMES MEETS FRANKENSTEIN'S
DAUGHTER. Bad interiors and poor
cllsting doem't help. " •
T H E H O U N D
BASKERVILLES
OF THE
( 1959)-After
seeing the latest TV-made lIersion
with Stewart Grainger as Sherlock
Holmes, this Hammer lIersion nearlyemerges 8s .a classic! Cushing makesfo r an excellent detectille one notch
below Basil Rathbone, and Lee isquite conllincing as Si r HenryBaske",ille. • • • •
H O U S E O F F R I G H T
(1960) -Hammer's lIersions of
famous nOllels (this one being aversion of Stevenson's Jekyll-HydeJ
..... '1
NO. it's Herbie "PHANTOM OF THE OPERA" Lom leaping his last in the '62 Hammer remake
very debonair Mr. Hyde, bu t theuniquentlSl could no t elellate the film
to the stature of the Frederic
March-John Barrymore or Spencer
Tracy lIersions. .. "
HYSTERIA ( t965)-Tr i te, bu twe/I-made little shocker loaded with
the usual Mysterious Voices and ellena shower-murder obll iously
"inspired" by PSYCHO. ..
THE KISS OF THE VAMPIRE( t 963) -Young honeymooning
couple become inlloilled with 'lIampirecult in tum-of-the-century Ballaria.
Sounds commonplace, but far aboveallerage due to sensuous and eroticdellelopment o f the Undead.
Released to TV butchered (with
additional ly-fi lmed scenes by
Unillersal), re-titled KISS OF
EVIL ....
LOST CONTINENT (1968)-Terrible
effects and childish ,edllentures on a• "moMttH-ridden" continent (you71''''lje surprised to learn that this
continent is abouta mile square!) is athrow-back to the darlc ages of
cinema macabre. Really a stinker and
hardly a worthy adaptation of DennisWheatley's novel Uncharted Sea •
LUST FO R A VAMPIRE
(1971)-Terrible miscasting of
lIampires (who aren't abolle making
love to humans to the tune of"Strange LOlle"), week production
lIalues and n e ~ t to no thrills in thisdisappointing followup to far better
VAMPIRE LOVERS. .. "THE MAN WHO COULD CHEATDEATH ft959)-Elaborage restagingfo r the better o f 1944 chiller. THE
MA N IN HALF MOON STREET. Aphysician prolongs his life by over ahundred years through glandtmnsplanrs. • • •
MANIAC (1!J63)-You71 become 8maniac if you're forced to sit throughthis drawn-out mess. It is . •• oncemo re . •• in the PSYCHO
"tradition." " •
THE REPTILEw. once a beautifulyoung woman, bu t
nOw just another
sn•• n-the-gr_.
thanx to .. upper_ t ide reptil.
worshippingdevil cult.
MOON ZERO TWO (t970}-Would
you believe a space horse-opera ofsorts? That's what this essentially is
and it's no t worth Sitting through fo r
free, hBllllen forbid paying to see it l
GawrJ.awful special effectsl ."
TH E MUMMY (1959}-First of
Hammer's · lamentable "mummy"
ser ies i, nea r ·exce l len t
conglomeration o f ' plot elementsl ifted from the old Karloff-ChaneyJr. fil ms. Lee is the monster ; Cushing
his nemesis, and the settings arepar t icu la r ly eerie in theiratmosphere. • • • •
TH E MUMMY'S SH RO U D
(196B)-/f compared . to the filmab o ie, this f i lm prollides anindication of ho w much Hammer has
slipped in ten yean. The zipper
running down the mummy costumeis plainly lIisible and although there
are a couple o f 'horrifically inspiredmoments, chalk this one up as anover-all colossal dudl
THE NANNY (1965)-The first film
Bette Davis did for Hammer is farsuperior to THE ANNIVERSARY.
She's a "nanny" who's responsiblefo r the accidental death of one o f her
charges. The demile she's blamed on
the girl's older brother. Back· from
school, the boy is placed ' in thewoman's care onee more, and a duel
of wits commences, to see who canmurder the other first. • •
NIGHT CREATURES (t962}-a
much more terrifying lIersion of the
same story about smugglers and
pirates which Disney more recently
did on TV as "The Scarecrow o f
Romney Marsh. ,. Features PeterCushing. • • •
NIGHTMARE (t963}-The ol d
familiar drive-the-young-heiress-m«i
story benefits from some fine black
and white photography. .. "TH E OL D DARK HOUSE
(t963)-Any similarity between thisWilliam Castel co-production with
Hammer and the classic Karloff film
o ft 32 is purely accidental.
Un-funny in the extreme. ."
ONE MILLION YEARS B.C.(1966)-We a:l know that callemenand dinosaurs lilled ages apart from
one another bu t who really cares,especially when we halle RaquelWelch on the one hand and RayHarryhausen's bril l iant dinosauranimation on the other? It pu t' anaudience in every theater, and a girlin ellery dinosaur. • • • •
PARANOIAC (1963)-ls the figure, the young lady sees at night her
long-dead brother returned from the
grave or someone ou t to drive her
mad? It won't take you long to figureout. • •
THE PHANTOM OF THE OPERA
(1962) -qlYl' , '. hoqi,fyjng- - makeup of Lon Cf)aney; gone is 'the
beautiful romantic orchestral scorefrom the Claude Rains version; " , .
third time around fo r this Gaston
Leroux story is crude and insulting.laced with cheap blood and gore
thrills. Herbert Lam's Phantom i.
decidedly and deleriously dull. • - "
THE PLAGUE OF THE ZOMBIES(1966)-Abolle-allerage Hammer,
about inexplicable deaths occurring na small Cornish lIi11age traced to alocal Voodoo Cult. The zombie
makeup is horrendously ollerdone,almost comic, bu t the script and
performers make up fo r thedeficiency. • • • •
.RASPUTIN - THE MAD MONK(1966)-One of Christopher Lee's
most memoreble roles as ·the Russian
monk who sought to contror the
nation through its Czarina lackshistorical details and concentmtBs onthe supposedly superhuman powersof the insane clergyman. A preacherfeature. • • • •
THE REPTILE f t966)-A man ispunished ,by a stiange c,ult which
causes his beautiful daughterto change into a snake
woman. The repti l ian makeup
scaled new frightS. • • •
Continued onpage 24
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The Monster Times
HE .WAS BORN INTO AN ' AGE OF SUPERSTITION AND FEAR . . . A TIME OF MYSTERIOUS L:EGENDS
AND H I D D ~ N TRUTHS. HE WAS A MAN LIKE NO OTHER MAN, FOR HE WAS LEON, AND HE BORE THE
MANY YEARS AGO A BEGGER CAME TO A SMALL
SPANISH, VILLAGE IN SEARCH OF CHARITY. HE
FOUND HIS WAY INTO THE HOME OF THE VILLAGE
MARQUIS, ONE OF THE RICHEST-AND
CRUELEST-MEN IN THE LAND.
OF COURSE,
, BUT YOU MUST
BEG FOR IT!
BEG,DOG!
BEG FOR YOUR DINNER!
UNKNOWN •TO THE MARQUIS AND
UNHEEDED BY HIS SADISTIC GUARDS,
THE CELL THE YOUNG GIRL WAS
LOCKED IN WAS NOT EMPTY! TWAS
THE HOME OF A LONG FORGOTTEN
I'RISONE.R .. .
THE MARQUIS FINALLyc: .qEW
TIRED OF HIS "PET" AND HAD HIM
THROWN INT O ONE OF THE
DUNGEONS, . '
YEARS PASSED AND THE BEGGER WAS LONG
FORGOTTEN. THE MARQUIS' ILL·TEMPER HAD
LOST HIM THE FEW FRIENDS HE HAD, AND HE
BECAME A WITHERED RECLUSE. ONE DAY,
THE MARQUIS EYED THE VOLUPTUOUS
SERVANT·GIRL OF .HIS CASTLE.
WAIT A MOMENT, , .
I'VE SEEN YOU BEFORE!
YOU'RE THE MUTE GIRL
WHO WORKS BELOW
IN MY DUNGEONS!
COME HITHER, WENCH!
I WISH US TO
HAVE A
"TALK", . .
DON ALFREDO, I'M FRIGHTENED!
SUPPOSE . . . SUPPOSE THE CHILD
IS BORN ON CHRISTMAS DAY???
YOU' DO NOT K ...OW OF
THE CUR.SE! WOMEN OF
MY VILLAGE BELIEVEA CHILD BORN ON
CHRISTMAS DAY
IS A DEMON . ,.
. .. AND HE WAS NAMED LEON!
/ '
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FATHERI .. • I HAVE
HORRIBLE DREAMSI
I FIND MYSELF HUNTING
THE FORESTS AT NIGHT.
SEARCHING FOR ANIMALS .
SEARCHING FOR PREYI
OH, HELP ME FATHER,
HELP MEl '
YOUR SON, DON ALFREDO,
IS A WEREWOLF!
ONLY YOUR LOVE
AND CARE CAN SAVE HIM
FROM A HORRIBLE FATE! .. .
INSPECTOR, MY SON CANNOT REMAIN
IN YOUR JAIL!
TO BE BRUSHED ASIDE.
TONIGHT WHEN THE MOON
HAS FULLY EMERGED,
NO BARS CAN HOLD HIM!
YOU MUST PERMIT ME
TO TAKE HIM AWAY!
/SENOR YOU ARE MADI
GpODDAYI
\
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pa ge '14 The Monster Times
R.R
LEE INAN E X C L U S I V EONSTER INTERVI
2
MONSTER TIMES contributingeditor, Ron V. Borst knows of whathe speaks when it comes to
, vampires, an d partiC;l;IlarlNHammer's head vampire, C"ris lee,
._d ~ t r . l , . e e fearfully ; r i e n d l y . ~ q J j ! t ~ Y . J i 9 .. ~ ; ~ ~
British actor's household severaltimes, interviewing Mr. le e atlength, in preparation for a book,forthcoming. Chris lee's residenceis not so much an abominableg o t h i ~ decorated in gri.stle and hide,~ f ,. ii , U da t .e, d . . l g . c ~ J t s . $
s
brownstone ' in london. How littleMr. lee's 'neighbors suspect, thatliving right down the street fromthem, that fellow who golfs avidlyon weekends and always keeps hisJaw.n neatly cut, during 'the workingj veek ..llrai,n,s ...t h ~ ~ J o o d J romVQunggirls" tortures children, slinks aboutin' graveyards, pieces together hunksof dismembered corpses intoliving-dead monstrosities, and sings -opera.
But what's most intriguing to
In
T A S T ETHE BLOOD
OF DRACULA,Dracula tasted
the blood of others.
As the
Terror of
the Orient,used rickshaw salesman
Chris playsTHE FACE
OF FU MANCHU.
Mr. and Mrs. Chris ·Lee
relax in their London home.
readers of TMT, we suspect, is notso much of the gratuitous gore
.Chris' le e has spilled, as whatfuture masterworks of fear ' andfantasy Chris lee 's .been
perpetrating. So, Ron Borstswitches on his tape-recorder, andlets Mr. le e Hammer away withamusing and queasving quotes . . ;
TMT: Since your European remake otStoker's Dracula, COUNT DRACULA, iscurrently tied up in litigation here (SeeTMT No.4, "Dracula Goes to Court," by
Jim Wnoroski, Editor.) perhaps you couldtell us you r views on the film?
MR . LEE: The film was made in ,Spain,mainly. There was talk of doing some of
Following in her pa's footsteps,Christina Lee beckons menacingly(?1
it in Czechoslovakia and Germany . I'm
not quite sure whether they did some of
the exteriors. Made in Barcelona. Jess
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"Stop using that greasy it's to o late,warns Chris in THE CURSE OF FRANKENSTEIN."
Harker, is played by a purewith the slightly improbable
of Fred Williams. I think he mayto chanle that! Dr. Van Helsing is
.Cameraman is Manolowho's done most of the T o ~ e r s
""excellent _ameraman. Good
uiIle, 'a9od quality. Some ofvery 1000. WIi'lt I've
"D,i stil1a l ~ o k s
very~ o d .
.ci Q oply iay that it comes nearer to
DRACULA, than my other
. I've made about thisc h a r a ~ t e r . It's a1ao n e ~ e r to the
the special effects are like, I haveidea. I, in my appearance, am
DRACULA the way he wroteas an old man and getting
to the
although, of course, it's
to makebook into a film would need
the film wouldfor two and a half hours. Indeed, a
of mine, but whether or not you'd
the inspiration for Bill Nelson'sof this issue .
the money up for a picture of that
don't know. It goes back to thethat for a film of this kind they
won't spend more than so much
They're not interested, quiteof this
they term in a somewhatfilm-for more
of money. Theywon't, it's as simple as that. With the
at theof making a
picture; J .haven't 'apne my dubbing and.post s y n c h i n g ~ so I )e not seen anythingon the screen.
I suppose it will be successful, I onlyhope so. It still isn't the fuU .def"mition of
what Stoker w r o t ~ , bu t it's the nearest, Ithink, that 's e.vei- been to it. I don't go
. ushing . around · in cape and absurdevemng ; ~ ' d i e l f S 1ird . t " ' e ~ a o r d ~ . fDd
Years ago, someone told THE MUMMY to go
dry up •• • and he did! (Chris in 1959)
things like that because I think it's really
spoiling the story.I go aroun'" wearing a black frockedcoat, and an Inverness-a short capedcoat-a top hat and moustache. I saysome of the things Stoker wrote. So, at
least we made a brave attempt.
TMT: What are your favorite horrorfilms? Short horror stories?
MR. LE E : Horror films . . . ConradVeid t ' s M AN WHO LAUGHS,
NOSFERATU-the greatellt vampire filmever made, I think. George Clouzot'sWAGES OF FEAR, very definitely ahorror film. PSYCHO, perhaps. It aUdepends on what category you pu t horrorinto. Looking back to the Germandays-THE GOLEM, the second version Ithink. (See TMT No : I and articles on
NO S F E R A T U a n d THE
GOLEM-Editor.) THE FLY, in someways; was a very exceUent film I thought.Very weU done, indeed. It's not reaUy ahorror film, but very horrifying-CarlDreyer's DA YS OF WRATH-a Danishpicture which appeared some years ago,based on witchcraft. Many of the picturesmade by Lon Chaney, the greatest masterof them all. PHANTOM OF THEOPERA, HUNCHBACK OF NOTRE
page 15
EXcerpted from an article prepared fo r PHOTON magazine. Copyright (C), 1972 by Mark Frank .
anything by Poe, Machen, Lovecraft,Bradbury or Bloch. You can take your
pick. Very difficult to answer as I'vehundreds of books of short 'horror stories.Maupassant, Balzac. Every great writerhas contributed to this vein. Blackwood,of course. Bierce, E.F. Benson-"The
Room In the Tower." Montague RhodesJames, fomer provost of Eton College,who actu.uy interviewed .me in 1935 formy schol8rship at Eton. I suppose "The
Ghost Story of an Antiquary." Almostanytbing he wro.te. "Whistle QIId I7l
Come to You My 'Llld," "The A. h Tree,""Count MtIg1Iul." For sheer terror andsuperl> w r i ~ , I dOD't think you caD"re8llv b'ftfhim.-
TMT: You've often ,stated that you havetried to "ring a ~ e r t a i n sadness .or
loneu.tess to your portrayill of Dracula.Where is this loneliness particularlyevident in HORROR OF DRACULA?
MR. LEE: It's only exprel8ed in anoccasional way of sayma something. It's
Jlot in the ~ o g u e itself of course. Thesadness may not have come to me in thecourse of doing the first HammerDRACULA . Perhaps it was somethin8that strock me later, I don't exactlyrecall. There was certainly much more
speed in the first one because I was muchyounger at that time and did more things I
physicaUy.
TMT: Do you have a stuntman whoregularly serves you in the capacity of a"double?"
M R . L E E : Y e s , E d d i e
Powell . . . charming chap; very good! He j
was in a smaU part in SHE as well as thetitle character in THE MUMMY'SSHROUD.
TMT: One of Hammer-s better fJJ.ms inrecent years has been THE 'DEVILRIDES OUT (U.S.: THE DEVIL'SBRIDE). Would you agree .with . that .assessment?
. .CASTLE OF -THE LIVING DEAD.
MR.. bEE: Except in one respect-specialeffects. They llkimped OD ·. .specialeffects which were not convincing, bu t itwas a good looking f"Ilm. It mJdealot ofmoney in Eqland; but it WItS badly
promoted and presented in- Americaunder a different title because one of theAmerican exhibitors sa.id everyone willthink it 's a western!
TMT: Could you eiaborate on some of
the accidents or amusfug anecdotes duringthe course of your career'!
Continued on page 27
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The! Monster Times page 1, -
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18
OF THE 1950!S'Olm Ihe l i it nd clo,< theI i
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An exciting hi-monthly publication dedi
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Comic strips h"yc never been the same
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'1'1 IRB U'1'1ES yJimWnoroski
OIinks
Berova
shows usTHE
VENGEANCE
OF SHE
HAMMER'S HAREM:THE PRETTY LADY
DEPARTMENT
Ever since England's Hammerits
of horror films inCURSE OF
cinematic female beauty. Each
ma yor may no t bebu t in
you can be sure that anamount of flesh will be bared
the current starlet-even more so· years due to the
reater permissiveness.
But returning to the early years,o of the first girls to enter into
of pulchritude
\
'IIIEBFASI'
Gaunt, whothe first two horror remakes,CURSE OF FRANKENSTEIN and
HORROR OF DRACULA, both ofwhich are now considered screenclassics.
Miss Gaunt played a curvaceousservant maid in CURSE and then
became the sinister vampire girl inDRACULA; while Miss CoUrt hadthe more conventional heroine part
in the former film. Mter / theseinitial outings, Miss Gaunt dropped
ou t of the pictu,:e as it were, butbeautiful Hazel went on to suchother fine productions as TH EMAN WHO COULD CHEATDEATH and the Poe-Corman films.
The sexual affixation continuedalong a somewhat subdued line infollowing films such" as TH EMUMMY, HOUND OF THEBASKERVILLES, and KISS OF
Valerie Gaunt
conjures up ideas other than just
horror or terror), while elements.such as assaults and worse stuff inCURSE OF THE WEREWOLFindicated a step toward more overtsensualism.
But the first female to really usea Hammer film as a stepping stone
to bigger and better things wouldhave to be the great s ~ r e e n beauty
Ursula Andress in the role of theevil temptress SH E. The film, whichalso starred Peter Cushing and
. Christopher Lee, was on e of themore lavish of Hammer'sofferings-although the MGMpicture simply failed to live up to
its projected expectations. Andnow even the show's superb violentscenes are cu t for TV, with onlyMiss Andress remaining to treat theeye!
And following SHE, the order of
All wired to go; SuSan Denberg
& Peter Cushing
in FRANKENSTEIN
CREATED
WOMAN
beast shifted drastically in offern lib, with the films being more ashowcase for actresses rather than
promoting horror content. Playboy
Playmate Susan Denberg appearedin FRANKENSTEIN CREATEDWOMAN in 1965; a borderlinepiece saved only by the talents ofPeter Cushing and character actor .Tho r l e y Wal t e r s who
tongue-and..cheeked it all the way.Even the publicity stills were"flesh" primed with body shots no t
even from the motion-picture.
Th e next Hammer femaleextravaganza was the first in a longline of prehistoric epics basedloosely on the Hal Roach work of1940 starring V ictor Mature. ONEMILLION YEARS B.C.; the filmthat no doubt catapulted RaquelWelch to world wide sexual
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Raquel Welch
prepares to get
a new fu r coat in
MILLION YEARS B,C,
and
have a sure hit-and it
So Hammer kept th e BCsets standing until they
squeeze ou t a quickie entitled
WOMEN, with
co-star Martine
and a then new coming sext Edina Ronay. But even these
o great figures, as well as all th e
extras, could no t dispele lack of talent and Ray
model animation that
Don Chaffey's B.C.
Also at this time, Hammer wasthe lesser known starlets
quick as th e young lasses reached
proper age; giving them just
billing rather than th e
"Beauty and the Beast." An inseperable couple, ever since Carl Denham sent his camerasinto the jungle to photograph Fay Wray and King Kong. Movie producers now know
that horror is more horrible, monsters more monstrous if there are beautiful womenaround to reveal true horror (and themselves) to the audience. But even though th e
creature and the girl are now an accepted fact in movie lore, only one studio seems to
have made the selection of their women a fine art. Finding gorgeous, buxo m Europeangirls and turning them into sensual, sex-symbol women is a sideline that probably provesas interesting to Hammer Films 'personnel, as it is profitable in box-office terms.Recruiting little-known models and actresses, or those already on the roadto fame , s a formula that may account for the fact
that Hammer almost never loses money on any of their films.
Veronica Carlson
doing the
Bunny Hop
with Peter Cus hing in
FRANKENSTEIN
MUST BE DESTROYED
were next to abyssmal.Carita had to fight th e sight oflocation trucks in th e background
shots in THE VIKING QUEEN, and
her measurements kept ·most of th e
viewer's eyes in th e foreground
anyway. Buxom Dana Gillespiemade a wonderfully envelopingappearance in TH E LOSTCONTINENT . . . to o bad it was
he r last. Andf i n a l ~ y
cool beautyElizabeth S e l l e r s ~ e p t even th e
Pharoah's blood boiling in THEMUMM'f"S SHROUD.
Then, toward the end of the
sixties, with permissivenessbecoming the order of the day ·inth e U.S., the new beauties begandisrobing a great deal faster an d
showing a great deal more.
TH E GRAVE, following with
FRAN 'KENSTEI-N MUST BEDESTROYED, an d SCARS OF
DRACULA. Although she never
went "all th e way", she stands asone of the best Hammer Beauty
Queens-she could ac t as well aslook good to the male audience.
Then in 1970 came THE
VAMPIRE LOVERS, Hammer's
first venture into the skin scene.Th e film boasted Peter Cushing aswell as five of th e most sensuallyexciting females to come along insome t ime- the prettiest of whowas Swedish born Ingrid Pitt. Both
Miss Pitt's screen · charisma and
measurements (not necessarily inthat order) prompted Hammer
If SHE
DRIPPED BLOOD, and people in
the know are predicting a bright
future fo r her in horror/suspense
films.Bu t in th e true Hanuner tradition
of churning out the quickies, theear ly seven t i es sa w such"masterp ieces" as DOCTORJEKYLL AND SISTER HYDE an d
HANDS OF THE RIPPER hi t the
British screens. Victoria Vetri andfriends bounced their way to fame
and f o r t u n e in WHENDINOSAURS RULED TH EEARTH, and Julie Ege of Bond
film fame doffed al l for he r starring
role in Columbia's CREATURES
THE WORLD FORGOT.So the curves and smiles and long
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· . . Print8 news. reviews, previews,frUe3-(lashes . ferrel$d ou t by BILL
FERET. Monsterdom's aJUJWeT toROM Barret. BUI ill in IIhow-biz; aBinger, dtmcer. IlCtor and has mimycontact8 in the dorruJin ofEntertainment; fUrm. TV, live. m g e ~ and al l like that. Where otfiermonsterpubs ge t news to yo umonths after a fUm's already bee,.relea8ed, BiU ~ r e t ' s ~ L E T Y P E lWes up to its name, and reveals toyo u info, of horror ( l i z" ceterawhen they're stUi only in
production. ImpreSB friend andfiend alike with inside info on
monster movies that haven't evenbeen made yet! GosIuuootie, gang!
Watch fo r an Italian flick withth e rather strange title of WHEN
WOM EN LOST THEIR TAILS. Ithink it's a horror . . . film.
H.G. Clouzot has filmed FredericDard's novel, INITIATION TOMU RDER. It's a thriller about aclairvoyant who has murder willed
through another person. Soundslike an epi.sode of ABC-TV's tHE
..sIXTHSENSE.
Another Italian epic will be thepsycho-suspenser DEVIL IN THE
H.G. Wells' immorta(cineclassic,TIDNGS TO COME (see MT No .1 )and the Robbie Robot vehicle,FORBIDDEN PLANET are beingrun at the Christoper Center 12 E.48th St. N.Y.C. at 5:30 PM, April
19th (THINGS) and April 26(PLANET). But th ey demand $2.00
contributions ($1.00 for students).Their showings are called IMAGESOF THE FUTURE, and they'veshown animated cartoon versions ofANIMAL FARM by George Orwell.
The gothic supernatural playstarring Julie Harris and RichardKih!y, previously .announced. as, A
BRAIN. Kei r Dul lea o f
2001-SPACE ODYSSEY, stars.
DATE CONVENTION LOCATION
THE SECOND SUNDAYSTATLER·HILTONPHIL SEULING33rd ST & 7t h AVE.MAY 14 2883W.12NEW YORK CITYB'KLYN, N.Y. 11224
May 26·29 E.C. FAN·ADDICT CONVENTION HOTEL McALPIN
FRI , SAT, 2623 Silver Court Broadway & 34th Street
SUN & MDN East Meadow, N.Y. 11554 New York City
PULP-CON COLONY HOTELJUNE 9·11 ED. WESSEL
713GBON HOMMEFRI., SAT., SUN. BOX 15853, OVERLAND BRANCH
Clayton, Mo.ST. LOUIS, MO. 63114
NEW YORK COMICONSTATLER·HILTON
JULY 1·5 PHIL SEULING33rd ST & 7th AVE.
SAT. THRU WED. 2883W.12NEW YORK CITY
B' KL YN, N.Y. 11224
T he CON·CALENDAR is a special exclusive
feature of THE MONSTER TIMES. Acr .. lS thisgreat land of ours are quaint and curious
Detractors of such events put them down by
saying that they're just a bunch of cartoonists
and science fiction writers and comic book
GHOST STORY, and after that,
nounced as THE OTHERS, hasopened under the title VOICES(unless it changes before this hitsthe stands).
I never ever though I'd have adio blurb, but, bu george, I've got
nee There is a radio station in LosAngeles, KPFK-FM, that is runningsome of the classic radio shows ofall time. Would that we could havethem here too. ARE YAH
READYYYYYYYYYY.,
SUSPENSE, X MINUS ONE (supersci-f i). GANGBUSTERS, 13epis 0 des of FRANKENSTEIN,BBC's WAR OF THE TRIFFIDS,THE THIN MAN, and . . . er . . .Katp Smith.
, SILENT" RUNNING is doin
' fantastic bUSiness in Los Angeles .
I t 's a space, robot, future,
spectacular ala 2001 and BruceDern's performance is somewhatenigmatic, nonetheless, i t 'sworthwhile seeing, if fo r no ot herreason, that this type of film isbecoming a rarity these days.
LOST CITY OF THE MAYAS isset fo r lensing - by a new film
company caHed Pocimaya. It 'll beshot in Panavision and have abudget of $640,000. If a success,the sequel will more-than-likely becalled MAY AN'S DAUGHTER.
Shelly Winters and GeneHackman are set to star in Irwin
Allen's new production called THE
PRICE FEATURES
$1.00 CeMlCBOOK
(10 A.M. to DEALERS & COLLECTORS
4 P.M.) No Special Guests
Various Prices THE GREATEST
Write Con Fo r HORROR COMIX
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$2-Sprt.PULPS & AUTHORS·
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Info. NotMeet Comic Book an d
AvailableComic Str.ip Artists, and
Write Con.THOUSANDS of Fans Lik'!
Yourselffor5 DAYS!
or if you wish to see classic horror an d sciencefiction films, or meet the stars of old time
movie serials, or today's top comic book artist
POSEIDON ADVENTURE.Mamie Van Doren may do her
thing in the film THE MAN WHOGREW YOUNGER. Funny, with
Mamie on the scene, you'd th .,nkhe'd age very quickly.
ATLANTA - Cami Produ!=tions'.proposed suspense feature NIGHTOF GORE has undergone a titlechange: it will now be calledSCREAM IF YOU CAN.Production starts in spring onlocation throughout the metropolis
of Atlanta, Georgia. The Producersare .still keeping undercover thestoryline and the cast, but promisea ta le in the HitchcockPsycho-style. . . . We hope they
don't mean to say they "WOUldn'thurt a f ly !"
When we last mentioned' the
color Teleseries UFO, it had beensold to only three televisionstations. Now it's been sold to
stations all over the country, sokeep an eye o.ut fo r it soon, in your
area. ' Let's hope it meets our
standards.
Political& Satirical Cartoons
AtThe \MlizzbangGallery59012 Markham Street,Toronto
April 8th -April 30th 1972
If you're passing through Toronto,
Canada, be sure to visit The WHIZZ
BANG GALLERY. It's, run by
Canadian Book dealer Captain
George Henderson and is located at
590% Markham Street. It's all .
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01' Dr. McCoy of STAR TREK,
DeForest Kelley, has joined JanetLeigh, and Stuart Whitman incombating RABBITS, which iscurrently lensing in Arizona.
You may also add Red Buttons
and Ernest Borgnine to IrwinA II en ' s THE POSE IDONADVENTURE. We alreadymentioned Shelley Winters andGene Hackman having roles in the20th Cen'tury-Fox presentation.
The Organic Theatre in Chicagois presently showing WARP! whichis descriped ,as "The World's FirstSc ience-Fiction Epi<; AdventurePlay in Serial Form." It's doingsmash business, and if it's theysay it is, might come onway.
If you didn't catl:h 5,000,000
YEARS TO EARTH, on the telly afew weeks ago, make sure youcatch it next time around. I wasturned off by the title, before Ifound ou t it was the Quatermass III
experiment, and is at least equil tothe first two if not superior. Keepan eye on those CBS-TV late nightmovies, . every now and then they
come up with a top-class recentclassic.
AlP's FROGS, had its WorldPremiere in Panama City, Florida afew weeks ago, so watch for it inthe N.Y. area any day, if it's not
here already. They're already sellingthe posters at some of the localhead shops.
BEWARE! THE BLOB! Not theold Blob, not th e old Blob withSteve McQueen from several yearsago, but . . . the . . . NEW Blob, thenew blob from BEWARE! THE
BLOB. And whatta cast-Robert
Walker, G O d ~ r e y mbridge, CarolLynley, Shelle erman, RichardWebb (Cap In Midnight). andLarry (I Dream of Jeannie)Hagman, who is also handling thedirectorial chores. It will be
ne throughout
Ray Milland , ( T H ~ MAN WITa
X-RAY EYES, PREMATUREBURIAL, FROGS) and FrancisLederer (RETURN OF DRACULA)will be among the recipients of the"Count Dracula Society Awards."
Presentation will be made on April22 in the Victorian Milieu of theAlexandria Hotel in Los Angeles.
Arch Oboler's 3-D science-fictionfilm, THE BUBBLE, will bere-issued shortly by Sherpix. Th is
one will require no special glassesdue to its prism process of
projection, consequently it'll be th e
first 3-D film that will be able toplay drive-ins. Michael Cole (ModSquad), Johnny Desmond andDeborah Walley are toplined.
Florida seems to be the sitelately of a lot of location filming.Currently lensing down there isAmerica Picture Corp's production
of SCREAM BLOODY MURDER.Should be maybe HORRID-AH? . •
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stuff. These things have a place
, , .HE MOVES ,EASILY,AND
THE MISSLE STREAKS BY HIS
HEAD , . .BU T,THE FORCEOFTHE THROW PULLS ME
FORWARD ANO THE HEAVY
CHAIN ENCIRCLES HIS
THROAT , . .r CATCH THE PRO-
JECTILE WITH THE SAME HAND
THAT LOOSED IT , AND HOLD
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DEATH WILL BREAK . . .
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. . .THE OGRE GASPS
AND STRUGGLES BUT rCLING TO HIM LIKE TH E
WOLF TO THE BEAR, . .
THE SWEAT BEADS AND
ENCIRCLES MY BROW AND
THE OGRE SCREAMS, , .
HIS MOVEMENTS SLOW
AND FINALLY CEASE . , ,
TILL HE DROWNS IN HIS
OWN BLOOD . . ,
Tw o panels from BADTIME STORIES, by Berni Wrightson.
Badtime StoriesBane fu l Berni Wrightson's
brough ou t a bashingly brill an tbook; BADTIME STORIES.
Regular readers of THE MONSTERTIMES know wrenching Wrightsonfrom his immortal color poster of
Boris Karloffs FRANKENSTEIN
in the centerfold of MT No, 1, andyour bottom dollar can be bet that
you'll be seeing more of his morbidphan tasmagorically creepish,
circusful of ghouls and goblins,freaks and fiends, and doom shdemons in future issues of thiswonderful monster newspaper.
Wright, son! Monster-sized (8W' x11 ") , and monster-oriented, withcolor paintings on the front andback covers, and spine-chillingblack and white artwork inside, it's
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we're asking. (Though we won't tellyou who's stealing from whom!)
So fill ou t the coupon below,and send it into THE MONSTERTIMES folk. Would we ever steeryou wrong?r-----n
Wright-on! Wrightson's writhinglyweird workmanship whets my I
I wish-craft for his woebegone worlds!ut in the meanest of whiles,though, you can have a 48 page,permanently-bound slick-papersoftcover creep sh classic of sixSOUl-annihilating solo stories of
mystery and macabre, Berni'sweirdly-wrought, wright-onBADTIME STORIES. We reviewedthem in MONSTER TIMES NO . 6, I
Rush copies of BADTIMEI STORIES at $5 .00 per copy plus I
504 postage & handling ($5.50
total) to
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NAME ___________________
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page 24
Continued from page 8
of his castle ; telepathically commanding a
vicious monster-bat; etc.) are marred byextremely low production values. Lee is
anemic as Count Dracula, covered with
pasty makeup and trying his best to rise
above the material he has been forced to
work with. Here in the United States, we
are still awaiting the release of his
COUNT DRACULA, what is rumored to
be a far more faithful re-telling 'of the
Dracula legend than any of the Hammer
products (See DRACULA goes to court,
in ·MT No.4-Ed.).Simultaneously with its "Dracula"
films, Hammer initiated the first of a
series of movies centered around thevampire created by J. Sheridan Le Fanu
in his Carmilla. Released in 1970 as THEVAMP fRE LOVERS and produced bythe dedicated team of Harry Fine and
Michael Style, the ftIm starred sensuous
beauty Ingrid Pitt as one of the survivingmembers of the vampiric Karnstein
family. Containing a t m o s p h ~ i i c settings,fme acting (especially 'by MiSs Pitt and
Peter CJJshing) and a few.novel touches,THE V AMPIRE LOVERS was a
refreshing variation on the typical
Hammer vampire fare . Jt followed
with an immediate sequel; LUST FOR A
VAMPIRE, with. the less talented (i fequally VOluptuous) Yutte Stensgaard as
QarrniUa.lUJph . B ~ i e s J l l ! l k l ! ; notable: - a p ~ .. . a, fapp.isJt. dent::o£·the
occult: and there' is enough bare femaleanatomy on view to compensate for itsplot deficiencies. .
MONSTERS FROM AGRAB-BAG
, qJRSE OF THE WEREWOLF (1961)presented Oliver Reed as one of the most
Continued from pag& 15
MR. LEE : I've had terrible accidents inall of them, practically. I've broken ribs,and pulled muscles; pulled the muscles in
my back and shoulders in THE MUMMYand cracked my kneecaps in that swampwith aU that machinery that provided the
bubbles an d jets of water in the samefilm. The dog bit me at the end of THEHOUND OF THE BASKER VILLES. InHORROR OF DRACULA, during thescene when I was to throw MelissaStribling's double in the hole in theconclusion, I, lost my balance and fell inon top of her the first time!
THE GORGON was the funniest insome respects. In this, Peter Cushing andI bad a lot of fun. We're great kidders andboth of us caught the habit of making theother one laugh, which is, sometimes,quite disastroUs. In THE GORGON,Peter was called Dr . Namaroff. So, oneday I called him Dr. "Nasty Cough." Wew ~ e f'mished for the rest of the film.
Everytime I said Dr. Namaroff, he lookedaway_ I said it looking up in the air-we
just couldn't look at each other!Same with Vincent Price and myself in
THE OBLONG BOX. There I was,spoIlting blood aU over the place and hehad this huge cape on. He couldn't get upbec:ause I had rolled over on it , so he said,"Yoa're ou my train!" I had to roll overapia .
ferocious lycanthropes ever offered, as
well as an interesting story based on Guy
Endore's The Werewolf of Paris. Our
special MONSTER TIMES comic strip
this issue is . CURSE OF THE
WEREWOLF, incidentally.One fmal horror .series worth
mentioning concerns psychologi«;:althrillers, such as MANIAC (1962),NIGHTMARE (1962) and DIE! DIE! MY
DARLING! (1965.), all patterned after
the WHAJ EVER'HA.PPENED TO_P , , -YJANE-type psycho drama iliat we 'ye aU
become too familiar with over the years.
SCIENCE FICTION,BRITISH STYLE
In 1952 Terence Fisher directedHammer's first sci-fi flick, FOUR-SIDED
TRIANGLE, based on the William F.
MR. LEE: Ruined by the appearance of
the demon! I think that things like thedemon's tongue sticking out and firec'oming out were quite unnecessary. Inthat director's earlier film, THE CA T
PEOPLE, one of the most frighteningscenes I've ever seen was the one with thegirl in th e darkened swimming
pool . . . because you never knew exactlywhat was menacing her! That's theanswer to how to make good films of thiskind-what you don't see is what's not
behind the door. or is!
TMT: You completed a film in Spainprior to COUNT DRACULA which hasbeen released abroad as THE BLOODYJUDGE or THE THRONE OF FIRE.Could you give us a preview of what it'sabout?
MR. LEE: I play the part of Lord JusticeJeffries-Baron George Jeffries of Wem,who was Lord Chief Justice of Englandduring the reign of James II. Heultimately became Lord Chancellor ofEngland, something' he particularlywanted to be . He was a very complex, .
very confusing character. He was a greatman in many ways, a man of immensewit, great charm, great intelligence,brilliant brain.
At the same time, the judge was a manwho, as they say, "frequented lowcompany, drank greatly and was oftenseen in the company of loose women!"Also, a man who was capable of violentgusts of temperment and anger. One
Is it the bird man of Alcatraz ?no it's a flyinl! Pteradactyl
from WHEN DINOSAURSRULED THE EARTH.
Temple novel of the same name. It was a
rather boring little tale of a scientist who
creates a machine that can duplicate
anything and decides to make a double of
the girl he loves, having lost the real thingto a rival. Fisher also directed '
SPACEWAYS the following year, with an
equally unimpressive. result.
With THE CREEPING UNKNOWN in
1956, Haffimer broke . into the worldm a r k e t 'for the fust time and found
themselves p e r - h i t First in the
series.created bf the fertile mind of NigelKneale about Prof. Bernard Quatermass,
the picture was a cerebrally satisfying
blend of science fiction and horror. Itssequel, ENEMY FROM SPACE, had
Brian Donlevy repeating his role as Prof.Quatermass, this time fighting an alien
invasion which has taken root in a secret
hemorrhoids. This may have contributedtowards the lJloody Judge's savageattitude towards the prisoners in the dockand towards his refusal to let them plead.They were damned before they evenopened their mouths; "You rogue, youdog, you will hang!"
"How Can I kill thee . . . Let me Count the ways,"
This is historical fact and a great dealof what I say in the picture is actuallytaken from the trials themselves, whichare quoted in books of the period. I canonly say that I did my best within theconfines of the script to create a
government installation. It was ten years
before the third and fmal Quatermassfilm FIVE MILLION YEARS TO
EAihH , reached the screen. Andrew Keir
inherited the role of "Prof. Q" the
forceful scientist, and Nigel Kneale
provided his most brilliant screenplay yet;a faSCinating premise that juxtaposed thethreat of Martian invasion with the
terrifying thought that we had already
\ been invaded - millions of years ago bydying Martians who had mutated our
simian ancestors in an attempt to create acolony by proxy on our planet. The fmal
reel depicts the conjuring up of the living
image of the devil, .hundreds 0'£ feet high,draWing on the unconscious minds of thepeople aroun d it for its power.
HAMMERING AWAY WITHA STONE AXE
This fmal category covers a multitude
_of sins, such as the ftlmic adaptations of
H. Rider Haggard's SHE (with UrsulaAndress) and THE VENGEANCE OF
SHE (with Olinka Berova); the awful
THE LOST CONTINENT, based on a
novel by Dennis Wheatley; _and _the_
prehistoric problems encountered by such
lovely ladies as Raquel Welch and
Victoria Vertri in ONE MILLION
YEARS B.C . and WHEN DINOSAURS
RULED THE EARTH, respectively •. Ofcourse, despite the obvious special effects
provided by the heroines, the main claimto fame of these otherwise plain saoo'&stone epics are the marvelous visual·accomplishments of Ray H a r r y h a u ~ n and Jim Danforth, d i n o ~ u r ' experts;both.
cO.ur bd ef:survey H a R l I l l e r a ! t l i a S , by no . means, intended to ·pr6vide ' thereader with a comprehensive listing of the
fantasy ftlms made by that studio over
the past twenty years. Rather, it was our
desire to skim over the type of fare
Hammer has been offering us and, with
the proper prospective, look to what theypromise us in the future . •
don't know what they mean by that. Imaintain that the test comes with a badpart, because if you can surmount the
difficulties that are against you and not inyour favor and still do something which isrecognizable and create a character,you've overcome great disabilities and
disadvantages and I thinkthat is
moreto
your credit if you can achieve this. . .
Thus ended this first interview. ChrisLee was to give several' more interviews to
Jim Wnoroski and myself, over the courseof the next two years. I have since beencompiling a book [rom them, which willbe published in a few months, and
probably be reviewed in THE MONSTER
TIMES.
Then we were given a picturesque tour
of Chris Lee 's mini-manse, poring over hisgothic library of ancient bound volumesof forgotten horror lore, and saw some
beautiful photos and paintings whichgrace his walls.
Finally at the end o f the day, thelov ely Mrs. Lee offered us some
refreshment and drink and young
Christina gave us each a "sweet" whichwe la te r post-dubbed, "Chris Lee
Candy " - ke eping the charm as asomewhat special souvenir o f the day.
So all in all, it was a quite eventfulafternoon for the both of us as wegrudgingly said farewell to the
Christoph er Lee household, bu t we both
k new th e thrilling memories would linger .on and on! As we trudged back to our
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the Monster Ti'mes
HORRORS by Drake DouglasPublished by John Baker,Pall Mall, London, S.W. 1
"Dear Reader:Lay in a stock of silver bullets,
necessary for killing werewo lves. Openth e ,window to the sunlight thatvanquishes vampires. You are about tomeet the most terrifying assortment of
beings ever to stalk the pages of a book orto cause an audience to squeal in horror.
' Many of these charmers first appeared
in classics of literature, later to star inclassics of the films. Dracula, for instance,
ot his first taste . ot blood in BramStoker ' s novel and was then
unforgettably portrayed by Bela Lugosi
in. th e movies. Mary Shelley'sKarloff with
Elsa as THE BRIDE OF FRANKENSTEIN.
his masterly role as th e monster, to befollowed by many other actors, althoughhe remains at the head of th e class . Therewere Frankenstein sequels ad
infinitum - and, in the case of a littlenum ber called I Was a Teen-agedFrankenstein, ad nauseam. JohnBarry more made his first big motion .picture success in Dr. Jekyll and Mr.Hyde; Lon Chaney, Sr. made history asthe Phantom of the Opera. Edgar Allan
approach to his bizarresubject is Ugh thearted but his research is
vast, into both the llterature of horrorand its translation into fi lm s. He hasproduced the definitive compendium ofhorror entertainm ent, and a handyvolume to have by yo u to settle
arguments about, for example, the nameof Frankenstein's monster (Adam) andthe first true horror movie (The Cabinetof Dr. Caligari, in 1919). Eight pages of
macabre photoJ;raphs add to th e fun. "
. • nice introduction . . . makes you
thinK you're going to enjoy the book,
Right? Wrong! That's the selling copy on
the book's dust jacket.
Published in Great Britain in 1966
(Remember . . . this is an 'Everything
English' issue), HORRORS (and we do
mean Horrors) seems to be a rushed-out
product of the British . horror-cycle
war!<edby!hl! Hammer F,ilm .factofY,,,
page 25
flick, then sat down and realized he
didn't know too much about it. However,
determined man, this didn't stop
him from wanting to do a book_ So he
decided write a "serious history" in a
funny sort of way. Unfortunately, the
two extremes don't come off too well,
and we're left with a book that's no t
much fun , has some errors, and is no t
likely to hold any place of importance onanyone's bookshelf. . .
Tre author goes through the different
types of monster, and is very careful no t
to mention too many specific years (for
instance, he mentions Universal's 1932
version of THE MUMMY as dating "f rom
the early 'thirties"). The knowledge he
used in his book seems to come mostly
from seeing the films, and are filled with
his personal, and somewhat cockeyed
, Drake D o ~ g l a apparently set ' out to
make a detailed histofy of the horrorChaney J,:s hair today and gone'tomorrow if the-moon don"t shine on ·THE WOLFMAN.
recollections (Maybe he- wrote the booklate one ·night).
Some at tempt at giving the
background of the monster films is made,
with historical descriptions of vampires,
ancient Egypt, voodoo, but with the lack
of information on the films, this
background just becomes boring and
disconnected from the real purpose 'of the
book.
The real mistakes are in the fotos.
First off,' there should have been many
more pix (there are only 12 in the entire
book of 32 6 pages). Douglas should have
realized that good pix could have mac!e
his book as interesting as the writing
SHOULD have made it.
The photos that were chosen are ones
that are commonly seen in all th e otherbooks. They are also uninteresting shots,
not showing the action or the main idea
of the film. As supplemental iIIos they
would have been fine. But as th e only
stills in the book, they just don't work.
The captions are filled with errors.. For
instance, a portrait of Karloff as
Im-Ho-Tep in "The Mummy" is credited
as being a photo of Karloff as "the first
Karis."
A still from the 1941 version of Dr.
Jekyll and Mr. Hyde (MGM, starring
Spencer Tracy) mentions it is from the
1954 version of the film.
The book sells in England for 30
shillings. We don't know how much that
is in American loot, but if its mol l ! than
the 2 bucks we go t it for in a New Yorkbooks hop, then it isn't worth the price
Douglas' lack of accuracy makes his
book unsuitable as a reference WOI"k on
th e subject. But they also make
HORRORS enjoyable in a non-serious
way. F or those who want light reading on
the monsters themselves, and the films
they appeared in, this reviewer finds
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26
FULL COLORPOSTERS
POSTERS BY 18", 2FRANK FRAZETTA. J
awakens your sense of
awe and fascination. The
For mood and tone and colors and details are reo
anatomy and stark por- produced magniiicently.
traits of wonder, Frazetta Breathtaking to see and
is the master! Each poster
A WEREWOLF (cover
painting for CREEPY 4) .Silhouetted against anorange inoon is the raven·ing beast of our nightmares, about to pounceon the victim who has un·fortunately discoveredhim! . .. $2.50
B. $IIIN DIVER (coverpainting for EERIE 3).
There is aJe treasurechest, spilling its richesinto the ocean depth inwhich the awed skin-diverhas discovered it. Butwhat is that fearful, monstrous thing rearing upbehind it? . . . .. $2.50
C. BREAK THE BARBARIAN VSO THE SORCERESS (}(,t/;;/)'!(cover painting for Paperback Ubrary paperback).
Brak, with sword and ·on bolSebadl, 10000s upinto murk, skies to seeis it a vision of a woman?Is tU t evil she seems toconvey? Or menace .$2.50
D CONAN OF CIMMERIA(cover painting for Lancerpaperback)
Toe to toe, Conan fightswith brute savagery, deathin every axe-stroke, againsttwo frost giants. Thescene is a blazingly whitemountain top under anice-blue sky! Thoroughdrama! .$2.50 .
E. CONAN TitE CONQUEROR (cover paintingfor lIItc:er paperback)
BIIrstiq like a fire_ _ .. . lIIit1st Of -a-
hilUsllbattle , Conancoatis, astride his maddened cllarger, deaving '
his bloody way! The background is fire and deathand Slvagery . . . .$ 2.50
AU. AVE FRAZETTAPOSTERS .. .. ,$10.00
(POSTERS AlE MAILED INSTRONIll CARDBOARDTUBES)
L A C K M A. R K .of poor
t ion. thisexperiment
no t available to a. Now thestock has
and it is
than abook; because it
a science-fictionAnd it is more
a novel. beaJase of
- 8 n (j - sorcery- hundreds of
of graphicOriginally
at 75c, it is still low price ofnow at the •.............. 1.00
LITTLE BOOK KIRBY UNLEASHED.J a c k Kirby is the comic
e Big Little Books book artists' artist, andublished in the 1930's this book salutes his
1940's, alphabeti- years of creative geniusally listed. How many in· comic books. A Life
Flash Gordon titles Magazine-sized bookthere? Which films featuring dozens of
put into BLB illustrations. and someAn excellent pages blaZing withand reference color! Kirby. Kirby,
item. and more Jack KirbyI'. .....•... . .... 1.00 ••............. 4.00
L WI LLIAMSONFind ou t
th e publishedof this master
has appeared,in comic book.or newspaper
There a re manyllustrations whlch
make this book botheautiful and a bargain.•.•.....•..... 1.00
BOOK OF
OMICS. Hundreds an dundreds of comic strip
land comic
ALL IN COLOR FORA DIME. Paperbackedition of the expensive
hardcover book! Manywriters share their
memories with yo u ofwhat comic books·werelike in th e 1940's. Theyinclude Roy Thomasand Harlan Ellison.. . . . . . . .. .... . . ,1.50
PHASE 1. A bi gwell-filled comic artmagazine feat ur iilgcolor cover and a storyby Ken Barr. a new and
CAPT . MIDNIGHT th e original radioRADIO PREMIUM program. Second. youSET. N ow when get a Flight Comman
de-coder badges from der's certificate fromthe 1930's are selling th e Secret Squadron .fo r $2 5.00 each land An d finally a colormore! I, we can offer reproduction ' in raisedthis reproduction of cardboard of a Captain
a u t h e " t i c C apt . Midnight de -coder
Midnight radioprogram
badge! Allthree
itemsgiveaways! First, there make one set!is a 45 rpin recording of .........•..... 3.50
FLASH GORDONWRIST WATCH. Ac h a n c e to buy
t o m o r r o w ' s bi gnostalgia item today!Here's a new. beautiful;full -color Flash Gordonwatch in its owndecorated box! Thewatch face and displaybox illustration are byGray Morrow! Are you ·sorry· you didn't haiteth e chance to bu y a1930's Mickey MoUsewatch before they wereworth $300.00? , Well.what are yo u waitingfo r now! -.............. 15.00
RADIO PREMIUMS ILLUSTRATEDo
Origina1 Box-T op Prem ium Offers Of RarifY From RadiO's
ClasSIC Adven tu re Serials or The 1930'<; A"d 1940's
RADIO PR EMIUMS comic sections. AndILLUSTRATED. When this book reproducesyour favorite radio those big pictorial adsadventure hero offered with all th e originalyo u rings, or de-coders, bounce! Dozens of ads!o r sp y -scopes, or Want to see th e Kixpedometers, th'e same Atomic Bomb Ringoffers were ulUally again?repeated in th e Sunday • . • • • . . . . • . • . _ • 3.50
HERO PULP INDEX.
Weinberg & McKinstry,ed•. . . . . . . . .. . $3.50Where did the Black
Hood appear before comicbooks? When did the longand incredibly successfulShadow series begin? Howlong did Doc Savage run?The pulp magazines withcontinued adventure herofeatures are listed in thiscompact and efficient reference book.
; The Monster Times
LUGOSI.Alan Barbour, ed•. $4.00
Th' world's favoriteDracula Is seen in a bookful of photos of BelaLugosl in his weirdestroles. Softcover twin volume to the Karloff book.Excellent stills from thegreat Lugosi horror films.and plenty of them.52-pages.
L
FANTASTIC.Alan Barbour, ed .$4.00Boris IIarloff was the
magniiicent master of disguise and menace. Youcan see dozens and doz- 'ens of photographs of hisvarious roles in this 52-page all-photograph softcover book. Each photo isfull-page size (8l1z x 11)and is clear and vivid. Ahorror·film fan's prize.
A JOB FOR SUPERMAN.Kirk Alyn . . . . . . $5.00The first actor ever to
play the part of Supermanhas written this memoir.It is filled with film-making stories (how he caughtfire while flying), good humor, and many, manyphotographs. Fun reading,even for non-fi:m fins.
H I s : r O R Y OF THE COMIts.Jim Steranko . . .$3.00There is a series in
volved here, and this 1;-volume one. You can findfew better descriptions ofhow comic books evolved(from newspaper stripSand pulp adventure magazines), and there are hundreds of photos andillustrations. Nilty reading;
l l W 0 1 J ~ I ~ i 0 1 B i great art - poster-sizedABYSS 1. k full-color cover by th, ·
Jones et aI., ed• .$2.00 author.
VIRGIL FINLAY.Donald M. Grant .. $12.00
Beautiful h.ardcoverbook, limited memorialedition, including a magnificent sampling of theart of this great sciencefictioa illustrator. Mostlybladl-and -white and ieoutstanding color pi .Also contains a full Ii :ng
'of Finlay's work and where
to find it, and his bio '.Proves again and
again, page after pagethat Finlay did for horror& sci-fi 'what NormanRockwell did for The Saturday Evening Post.
This deadly magazinecomic book was th, cooperltive effort of Jeff Jones,Mike Kaluta, Bruce Jones,and Berni Wrightson. Theyexperiment with stories ofthe ocId and the macabre,in spidery, Gothic style!Moody and dramatic andhigh quality.
LImE NEMO IN SLUMBERLAND.Winsor McCay .. $3.00
This softcover, thinbook is an amazing lookat the art nouveau "psy-
THE GREAT COMIC BOOK ' DARK OOMAIN.HEROES. Gray Morrow . . . -$4.00Jules.Feiner _ . .$5.00 Asketchbook of acomic
A frank and nostalgic art master featuring fan-backward look at a chl:d - tasy, science-fiction i I ~ u s -hood of comic book read- trations and visual delightsing. And then adventure delights such as girls,after (oriiinal ) comic book monsters, swordsmen, andadventure showing us the girls! This volume is retcomplete origin stories OIIImended for seriousof Batman, Superman, students of art,illustraand Green Lantern, and tion, .science fiction, fanepisodes in the careers of tasy, swordsmen monstersthe Spirit, Flash, Hawk- and of giris-but overman, and more! All · n age IS.beautiful color! Dynamite!
covers 'SOme of- black ," d wbite .Ijneworli
by this super-artist, Frank
chedelic" comic strip art- Frazetta. Each figure showswork of Winsor McCay. detail, mass, strength, andNemo appeared in the - drama. For collectors ofearly 1900's, and is stili the best••• . You must bethe best visual fantasy 18 to buy this volume.ever to appear on a comic State age when placingpage! order.
TARZAN AND THEVIKINGS.Hal Foster . . . . . . $7.00Here is one of the
greatest adventure stripsever drawn, by the finestartist the comic art worldhas ever produced! Evenbefore beginning his 33-year Prince Valiant career,Hal Foster did the Sundaypages of Tarzan, and thisbook (softcover, LifeMagazine-sized) reprints55 pages ofTarzan's story.Where else can this "lost"work be seen?
TARZAN ILLUSTRATEDBOOK ONE.
Hal Foster . . . . .. $5.00
The first ·Tarzan ever toappear in comics formwas a dail, strip drawn bJHal Foster with the text .,1,the book printed beneatheach panel. Designed torun for a few weeks, Tar- ·zan has now been goingfor forty years. But thisbook contains the first 'strips ever drawn, reprinted in dear lines In al
wrap-around soncoverbook. Good value.
•••••••••••••••••••••••••••••••••••••••• THE OLD ARANDONED VllAREIIOUSE P.o. Box 595, Old Chelsea 8.__ Station, New York. N.Y. 10.011 •
• The proverbial Old Abandoned Warehouse house Enterprises presents the most AWEful, NOTE: Add 20; postage and handling per · •• which you've heard about in so many comics. AW[-inspiring AWEsome AWEtifacts AWEvail- item for orders totalling less than $20.00. •
•movies and pulp adVenture and detective able at AWE-striking' AWE-right prices! Indi- Make checks and money orders payable to: •novels is open for business. Abandoned Ware - cate which items you want ABANDONED WAREHOUSE
• •FRAimAPAINTINGS _ LUGOSI, $4.00 . .JIADIO PREMIUMS ILLUSTRATED . S3.00 NAME .•$2.50 each or .11 tive for $10.00 -..It JOB FOR SUPERMAN $5.00
_ -K IRB Y U N L t ~ S H E O 54 .00 I I_ (A) WEREWOlF ~ ' , ~ , ! : ~ O T ~ ~ ~ ~ ~ : ~ = $3 .00 _J!IG LITTLE BOOK CATALOG. SI .00 ADDRESS
• __ B) SKIN DIVER _ TARZAN & THE VIKINGS $7.00 .. A L WILLIAMSON CHECKLIST. S1.00 - - - - - - - - - - - - - - - - - - •
• : ~ ~ ~ : ~ N T : ~ M ~ : : , : ~ A I I _ TARlAN ILLUS BOOK 1 $5.00 _..PENGUIN BOOK Of COM ICS , S4.95 •
_ (E) CONAN CONQUEROR _ FwmA OLIO 52 .SO (Stlte Ige) _ BLACKMARK . $1.00 CITY
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_ -----AlifiveSlO .OO _ VIRGil FINLAY S12.00 __ CAPT. MIDNIGHT PREMIUM SET , S3. 50 --------- - .------ - - - - ._ HERO PILP INOEX $350 _ PHASE '. 53 .00
•
_ -.J BYSS = . $2.00 __ THE GREAT COMIC BOOK HEROS $5.00 __ FLASH GOR DON WRIST WA TCH. S15.00 STATE •__ FANTASTIC (KARlOF F), $4 .00 _ OARK OOMAIN, $4.00 (Sl alea•• . .ALL IN CO LOR FOR A DIME. 51.50 Sales Tax: For delivery in N.Y.C. add 7% . delivery elsewhere in
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Brave-robbing may be ou t of style, bu t fan exploitation isn't. Monster fans deserve a reliable
market-test to rely upon before sending money to all-too monstrous manufacturers. Therefore, to dull
the fangs of some vampires of our industry, we at MT innovate The Monster Market to product test
items, and report accurately on them - and about the bargains, too!
IMPORTANT! If 'we are really going to be able to keep the monster magnates in line, we'll need
'pur help. Please write in and tell us of your experience. in the monster market, whether it be good,
bad or none of the above. Write to THE MONSTER TIMES, clo The Monster-Market, P.O. Box 595,
Old Chelsea Station, N.Y, 10011.
Obviously, the album wasreleased about the same time as the
bomb film, D.P.O.D., hoping to
pick up on its publicity. No suchIu c k . . . and doubtless to the
eventual obscur i ty of th e
HIS
MONSTERS'
DRACULA . . . but every othercharacter in the whole book. A tour
of forceful voice control, that.Johnathan Harker, Dr. Van Helsing,
old Slavic peasants, Englishmen,
aged, withered witchlike crones,
page 27
lifted from the soundtrack mastertape of some Hammer horror flick.
The record is a fun but unfunny
record, slowly paced on side one,
setting you up . . . on sides two and
three, the plot has gotten quite
compl icated, with DRACULA
stalking the streets of London,
sucking blood .. from its teemingmillions, building an army of the
undead . . . or trying to . . . you
soon find yourself caught up in the
exci tement as DRACULA is
thwarted . . . bu t escapes to his
native Transylvania . . . and the
thunderous chase across Europe is
chronicled to its (yeah, I'l l say it ,
cause it really is a) thrilling '
conclusion. One Chris Lee, one
Stoker novel, and one manic-Iyintoxicated orchestra equals one.shivering evening.
TH E ORIGINAL
STORY, Portrayed by
l ee, 2 records.by Craig Tennis.
V O I C E ~ ~ ~ ~ - : r 4 record . . . which is at least betterthan the f i lm . . . for several
reasons.
everyone. It boggles the mind. Butthis bi t of information is smuggledin at the tail-end of theliner-notes . . . after that lengthy
synopsis of the story which only aspoilsport would read.
To sum up, the 2-record Chris
Lee DRACULA is pretty darngood . . . bu t if you're really into
spoken word, scour the sciencefiction and comix conventions . . .
there's at least one outfi t there
by: Stamford Records,
Summer Street, Stamford,
06906
, . e first thing one recognizes
the album jacket is itsof information. The
tells us that Chris LeeThen there's a
misleading -reference, to
First and foremost, it's a ratherfai thful adaptation of Bram
Stoker's novel . . . bu t again, here
that al bu m ~ k e t defeats
itself . . . for it synopsizes the story
of DRACULA on the back . . . readit and you ruin half the fun for
yourself. And it doesn't make clearthat 'this is a faithfUl adaptation.O p e ~ up the jacket (it's a
wrap-around') .. and yo u ~ t a r ~
The production of the album is
credited to Russ Jones and Roy
Taylor.
that sells a 1 hour tape of OrsonWelles' Mercury Theater version of
DRACULA, produced in the late1930's. We saw it there the last dayof the Luna-Con SF Convention, acouple of weeks back, but wererushing somewhere, and didn't have
a C' .h a n c e t o p i c k it
up . . . well . . . more of that, some
other product test . . . probably-tt l
o ~ ~ sRec,iaL DR.A.<;..lJ!.A i ~ s ~ " ,TM '#iI'lft"S • 'RAClJL A .
.-" --- . ,__ :c . Ji _ c . ~ . .•
b-e m u s e.d I y a t 0 v e-r y.
What's , intrigu ng about therecording (aside from Chris Lee'sdoing every voice) is the music(which is also uncredited) which is
v G , .rrtu 5 ' ... screec mg, shrieking
OF DARKNESS; wfiictJ,s ,notfl'ing whatsoever to do, with
e 2 records in the album sleeves,than Chris Lee, who happens
be star of that picture.
informational pieces ofl>lack paper.Yeah, plain black pa 'per. Moody
Stuff, I suppose.The jacket notes do tell you that
Christopher Lee not only · portrays
s t't.l f.," - .' ee-r fe - \ffO'Ii n s a rl'd
h u r ricanes of cacophonous
cat-yelping orchestrations. Who
composed it , we shall probably
never know, though possibly it was
(And : if. an 'y of our readers'know
where this set of records can be
obtained [and its cost] please write
us the information. Thanx.-E;d.)
OlOE COMPLEAT
HORROR
from page 11
HE R EV ENG E OF
f1958J.,-lm
to THE CURSE OF
The good ol d
scientist-nobleman
in
city under the alias of "Dr.
Exceptionally intelligentbu t fails in delivering any
• • •
(1949J-The Fi m
Horror Film. One which is
although it hasseen on American televiSion,
It's a low-budget versionf Marie Belloc-Lowndes' "Jack the
novel, The Lodger hampered
a plodding screenplay. Perhaps it
best forgotten!
OF DRACULA
sequel to TASTE
E BLOOD OF DRACULA.
remindful of HORROR OF
bu t the overall quality
you just can't make a really
horror film without adequate
A couple of young lovers
become involved at Dracula's castle
before Drack makes an ash ou t of
himself via a lightning bolt!
Christopher Lee's pasty-white
complexion and slicked-down wig
give him appearance of a sick BelaLugosi! ••
SCREAM OF FEAR (961) - Trouble
with the Hammer PSYCHO
"thril lers" is that they're all the
same! As if you haven't guessed by
now! This is one of their first ones,
and still one of their best. Youngheiress' dead uncle's body seems to
tum up in the most illogical places,
including at the bottom of a
swimming pool before the old-hat
Plan To ' Drive The Girl Crazy isrevealed. . . ~
THE SHADOW OF THE CAT
(1961J-Greedy relatives murder old
dowager. Her pe t cat is the only
witness to the crime. To free their
consciences, they attempt to destroy
the animal bu t meet grisly ends
instead. Imaginative photography
often portrays the action through thecat 's eyes. • ••
portrayed here by Ursula Andress.
Able support from Peter Cushing and
Christopher Lee can't save it from
being below average. Exciting
spectacular climax, good music;
beware of cuts in TV version. .,,"
THE SNORKEL (1958!-Unmystify
ing murder-mystery in which a man
kills his wife and plans to use the
same gimmick on his step-daughter.Stink or swim. *%
SPACEWAYS (1953J-Eariy SF-spymelodrama about man's first space
exploration with special effects by EICheapo (the folks who do so l ittle so
often!) Originally 'labeled as
England's first SF f i lm... i t
wasn't!
TASTE THE BLOOD OF DRACULA
0970J-Chris Lee's total screen time
in this "vampire" adventure is about
eight minutes; film prefers to lovingly
dwell on the perverse adventures of a
trio of dirty old men. When they
murder Dracula's diSCiple, the
vampire gains his vengeance on them
through their children. Do dirty old
men have children? • •
before his Fu Manchu films. The
. daughter of an English sea captain ismurdered by a Tong society in Hong
Kong, and the man is determined to
revenge her death at any cost. ••
THESE AR E THE DAMNED
f1961J-Highbrow Hammer SF about
an American playboy who becomes
involved with a beautiful woman, her
hoodlum brother and a group of
experimental radioactive children
who are the British government's
answer to post-WW II I survival.Builds slowly to an unexciting
climax; if you're looking fo r typical
Hammer horror this one is definitely
not for you" • • •
TWINS OF EVIL (19711-Peter
Cushing stars as the fanatical leader
o f a gr o up 0 f Puritanical
witch-hunters on the trail of the
vampiric Karnstein family in what is
rumored to be one of Hammer's bestto date! We probably. won't see it
unti l early nex·t year. Unreleased.
Un-rated. Twin s related.
THE UGLY DUCKLING
(1959)-Before Hammer decided to
make a serious version of Jekyll-Hyde(HOUSE OF FRIGHT), they fiimed a
comical parody on the Stevenson
classic which was sadly n ever released
here, bu t seen by this luckyreviewer! ••
VAMPIRE CIRCUS
(972)-Vampires, vampires, and
more vampires in a film which is
scheduled to be released in Britain
sometime this year. In America,
maybe next. Sure sounds better'n
Ringling Brothers, Barnum & Bailey!
On the sound of t: * . * ~
.- C.M. Richards
novella Car milia features Ingrid Pitl
as a not-quite natural (even fo r a
vampiress) vampiress. First 01
Hammer films to contain a sampling
of nUdity, bu t tastefully done and
restrained. Peter Cushing is featuredin a proper supporting role. .* ••
THE VENGEANCE OF SHE
(1968)-Mediocre sequel to Ursula
Andress' SHE is notable only in its
lack of support from Cushing and
Lee and in its larger-chested Olinka
Berova. * ~ ,
WHEN DIONSAURS RULED THE
EARTH (1970)-Hooray! Although
Ray Harryhausen's achievements
have been continual/y ignored by the
Academy ,of Motion Pictures year
af te r year, Jim Danforth's
stop-motion effects fo r this film have
been nominated this year! Majority
of effects are superbly animated,with failings obviously due to rushed
production schedule. Forget the plot,
it's the same old caveman meets
cavegirl nonsense. . ' " ' '
X-THE UNKI'JOWN f1956J-ln the
mid-fifties, before the flew horror
cycle caught on, Hammer felt the
money was in making SF-horror; this
one is similar to THE CREEPING
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page 28
from
5
Y a n Helsing was spending much of his
time at Holmwood's dwelling now as they
went over their calculations again and
again. T4e answer had to be in there
somewhere. Where was Dracula??? The
shipping clerk who had handled th e
count's baggage could be bribed easilyenough but his information had come to o
late. The .undertaker wh o receiVed the
earthbox of Count Dracula found, upon
their arrival, that it had been removed
during the early morning houI'S. HadDracula left any further clue that they
had somehow overlooked?
Holmwuod interrupted the discussionlong enough to remove a tiny crucifix
from his vest pocket and ask: that Minawear it to insure his peace of mind. She
was looking paler than usual, he noticed,
and seemed somehow reluctant to accept
it . When he insisted, she relented and
succumbed to his wilL The pain was too
much for her. She fainted when the
charm seared th e skin on her hand .Tragedy had struck, closer than
Holmwood ha d' ever imagined. His own
wife had become prey for the Undead.
How had Dracula gotten to her, he 'wondered? Did he take her when they were ou t tracking him? What bitter irony.
In any event , this musn't be allowed to
happen again.
'" '" '"Holmwood an d Van HeIsing positioned
themselves about th e grounds that
evening. I f Dracula tr ied to enter th e
house tonight, they would be waiting fo r
him. In he r bed-chamber Mina paced the
floor anxiously. She had tasted th e horror
of Dracula, ye t found herself strangelydrawn to it, caught in some queer exotic
At dawn, satisfied that the da nger hadbeen averte d this night , HolmwGQd andVan Helsing ret urned to the warm th of
the house for a cup of Brandy and some
needed rest. Holmw ood bid his f riend to
relax wh ile he che cked on Mina. Hisanguished cries bro ugnt th e doctor
running to his side. Th ere, carelesslydraped over th e side of th e bed, lay MinaHolmwood in a poo l o f her own blood.
She was still alive , h It barely . Helsingarranged fo r an immedia te transfusion of
blood . Holmwood, hi mself, was the
donor. When th e ope ration hadsuccessfully concluded , the two
companions repaired to the study , now
thoroughly exhausted. Bewildered, they
struggled for some glimpse of reason.
How had Dracu la gotten into th e housewithout their knowing it? His earth box
must be hidden som ewh ere near. BUT
WHER E?Holmwood recalled th at he and Van
Helsing had no t ye t had the opportunity
to taste the Brandy. A drink now would
be soothing so he asked th e housekeeper ,Gerda, to fetch a bottle for them.
"Oh, Sir, I don't like to ," she replied."But why not, Gerda," he asked.
"Madame said th at 1 must, under no
circumstances, go down to the cellar."
The realization hi t Van Helsing like athumterb 'ol t . He , ou t of his .chaiLin.an -
cry -o:f t he ->-"
vampire.,The ed , lOCKing the
door behind hi m. Helsing placed his crossin the _ earth box and flew after his
The Monster Times'
Van Helsing teaches his little friend how
croSs the street safe from vampires.!
adversary. His fists pounded on the door
as he screamed for Holmwood. When
-Holmwood came at last , all signs of the
Count had vanished. God,'-had they lost
him again? '
"Where . . ; Where," Helsing pleaded.Gerda was screamIng-in the bedroom.
Helsing leapt over th e staircase and burst
into th e room. She was hysterical, and -babbling almost incoherently.
"He picked her up just like she was ababy, and carried her out," she sobbed.'
Dracula carried Mina away as insurance
fo r his survival."There's only one place he _ an heaq
/ for now," Van - H e l s i n ~ explaind. "His,heme." "'" ',< . -- '
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The Monster Times
If Dracula doesn't break your heart,Van ReIsingwill!
Count Drarula. the only man to become an legend in his own lifetime. prepares to draw the soul from a bloody good woman.
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A wisp of air blew into the room fromthe outside and cleansed the evil.
In the court yard, Arthur and MinaHolmwood found 'each other again.Arthur looked at her hand and smiled.
.The scar had disappeared and, with it, the
last ves!ige of evil. Dracula was no more.
)CHAPTER 4:
Come to Stake a bat on de ending?
Two great stallions ran ' valiantly"through the night, carrying the desperate·companions to a final test of strengthwith Satan. At the end of the road lay
their destinies.It was nearly dawn when their coach .
pulled up in front of Castle Dracula.Mina's screams brought them running to .the castle doors where Dracula, in a mad,frenzied attempt at revenge, had thrownher into an open grave and hurriedly
' begun , burrying her alive. Holmwood ,attended to his wife, while Van Heising
"I always knew you didn't agree
with mi, bu t THIS is ridiculOus,"
croaks the crumbling Count.
chased Dracula back into the castle. The
chase ended abtuptly at the foot of the ,stairs with Van ,Helsing hopelessly lost.Dracula knew the castle. Helsing 'did not.
How had he escaped? He was only just
a h e ~ d of me a moment ago, he thought.The doctor retraced his steps and ran
into the library. There, with one foot
alteady through the door, was Draculapreparing his escape through a chamberbeneath the floor paneling.
His eyes filled with hatred, he hurled aheavy golden · candlestick at the brazenmortal intruder and attacked him with
fury undreamt of. ' Van Helsing foughtwildly for his life, but his was no t astrength to match Dracula. There on the
floor he fainted while Dracula's hugehands closed tightly about his throat.
That awful smile appeared on the Count'sface once again. In a moment; Heisingwould belong to him.
Van Helsing opened his eyes and 'kicked Dracula away from him. As hebacked off, Van Helsing noticed themagnificent windows of the library andthe massive draperies needed to ' coverthem. He jumped atop the long tabie, ran
. The
- its length and then lunged for the
curtains, tearing them off of their hinges
as he fell. . / .
Sunlight streamed through the
windows and ' bume'd the library withdramatic intensity! '
Dracula fell to the floor in agony,writhing out of its path. -
Helsing raced toward a pair of candlesticks and crossed them into the shape of
a crucifix. He stood there and watchedtire vampire's death throes. -.
It wasn't a pretty sight, and he soongrew nauseous. 0
Dracula was turning to dust before hiseyes.
in.
:rhe aqualine noble nose collapsed.The cold eyes disintegrated.The cheeks, once ruddy and p roud, fell
The fingers crumbled in pain.o A chilling hiss whistled in the hall as
the vampire's chest sank into nothingness.The air was vile and putrid with the
smell of death. ' •
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#7 GOOZILLAI Sl .
et em while they last ! Backof THE MONSTER TIMES
doing the Invisible Mag
, disappearing rapidly fromsight. Already issues number 12 are valued at $2.00. . . a nd f o r goo d. . . they 're rare co llector 's
s. All succeedin g issues are
apiece .. . but when we run
em . . .fact , th ere's a guy who kee ps
TMTBACK
I ~ D E P f . know . . . Before th is guy getsth em all, fill in th e cou ponbelow . . .
~ - - - - - - - - ..----- 6 C h o o b ~ ~ . - n R - r - . .O.__0 I 0 I ~ _ _V .... II.V.'...,'En d o s e d t i S -
fo r beck . . . . N _______
THE MONSTER TIMES FAN FAIR is another reader service of MT .Car.e to buy, sell or trade movie stills, old comics or tapes of oldradiO programs? Or maybe buy or advertise a fan · producedmagazine? An ad costs only 10 cents per word (min imum , 25 words) .
Make all checks and money orders payable to THE MONSTERTIMES, and mail your clearly printed or typewritten ad on thecoupon below, to : THE MONSTER TIMES, Box 595 , Old ChelseaStation, New York, N.Y. 10011 . We reserve the right to refuse adswhs:h would no t be deemed appropr iate to our publication .
Wa n ted : Marvel Com ics, need mostly 1964
and o lde r issues. Send lisl, se ll ing p ri ce an d
comic's cond it ion. John Ditte r, 42 /lltarieAve ., Everett. 0 2149
F rom Britain : Comic Media con ta ins
a rtwork and articles by British and
American fans and pros (Adams, Kubert .
etcJ BOd. 4718 N 9th St., Phila . Pa. 19 141 .
MOV IE posters, lobby cards, and
memorabilia. Very o ld or very new.
Literally thousands and thousands of good
items. Comprehensive new catalog, jammed
wi th merchandise (much at unde r 1.00).
only 50 cents. SPEC IAL : 100 different 11 x14 lobby ca rds, 1950- 197 0 $ 16.50 100 8 11110 glossies same, $9.50. Miscella neous Man,1728 Tha mes Street, Baltimore, Maryland21231
PHOTON is the filmzine tha t fa ns find
fabu lous! Devoted to the serious study ofthe fantasy film , eac h issue contains an8x 10 glossy st ill . All offset . One dollar toMa rk Fran k. 801 Av enue " C", Brooklyn.N.Y. 11 218
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WE ' LL THANK YOU IN PR INT I- I",allowing us to run some of your rare stills inTHE MONSTER TIMES. COLLECTORS.we are on the lookou t fo r rare monste r,horror, sci·fi and fan tasy st ills, pressbooks,lobby ca rds, pos te rs, and oth er visualgoddies with which to exot ically embellish
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o f our collections to us, P.O. Box 59 5 Old
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For the ser ious fan of horror andscien c e f iction movies. Or iginalMonsters Magazine is for you . SOc ani 5sue. O riginal Monster sf8ox 25Lakewood. N.J . 087 01 .
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STAR TRE K LI VES and you can also
relive it just as if yo u were one o f the
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sound. You'll see and hea r Crea tor Gene
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