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The Rehearsal Process

The Rehearsal Process

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The Rehearsal Process. 1. Read Through. Read once for plot, again for stage directions and a third time for motivation and detail. 2. Blocking. Plan the movement-then do it the same way every time. 3. Working. (Memorization completed). - PowerPoint PPT Presentation

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Page 1: The Rehearsal Process

The Rehearsal Process

Page 2: The Rehearsal Process

1.

Read Through

2.

Blocking3

.Working

4. Polishing5. Dress

(Memorization completed)

Read once for plot, again for stage directions and a third time for motivation and detail.

Plan the movement-then do it the same way every time.

Memorize on your own time. When working with your partner ACT the scene and do the blocking.

Fixing all the minor things and getting as close to perfect as possible.

Use this time to rehearse costume changes and practice makeup routine.

Page 3: The Rehearsal Process

1.

Read Through2

.Blocking

3.

Working

4. Polishing

5. Dress

2-3 weeks, maybe

2-3 weeks, maybe

2-3 weeks, maybe

3 days is usually all you can afford

1 or maybe 2 days

Musical 8-10 weeks totalPlay 5-6 weeks total

Page 4: The Rehearsal Process

1.

Read Through

2.

Blocking3

.Working

4. Polishing5. Dress

(Memorization completed)

Read once for plot, again for stage directions and a third time for motivation and detail.

Plan the movement - then do it the same way every time.

Memorize on your own time. When working with your partner ACT the scene and do the blocking.

Fixing all the minor things and getting as close to perfect as possible.

Use this time to rehearse costume changes and practice makeup routine.

Page 5: The Rehearsal Process

Blocking Notation

Page 6: The Rehearsal Process

Blocking notation is a way to record your planned movement – a shorthand for writing it fast and accurately so you remember it.

Doing the same movement every time helps you recall the words and the words help you recall the blocking.

Before you begin to block, you need another piece of information. What is it?

You need to know (or decide) what the set looks like: where the doors and stairs and furniture are placed.

Page 7: The Rehearsal Process

This is an OVERHEAD view.

Audience

Page 8: The Rehearsal Process

This is an OVERHEAD view.

Audience

Page 9: The Rehearsal Process

Ambiguous Dialogue #9

A: Excuse me, can you tell me where this place is?B: Down that way.A: Which way?B: Down that way --- to the right.A: Thank you very much.B: You’re welcome --- but I don’t think you should go down there.A: Well, why not? Aren’t they open?B: Yes, however, I was told that it’s --- well, it’s…A: (interrupting) It’s what?B: Shhh! Would you keep it down?A: I am. What is it? Please, I haven’t got all day.B: Okay, listen, you can’t go --- I don’t think you should go.A: Why?B: Because the people there are…they’re…A: They’re what?B: Never mind. It’s not important. Just don’t go.A: I’m going in there, so please…B: NO. You can’t. Can’t you just…A: Good bye. Thanks for the chat.B: No. Come back.A: AAAUGGHHH!

Page 10: The Rehearsal Process

This is an OVERHEAD view of the set for Ambiguous Dialogue #9.

Audience

Page 11: The Rehearsal Process

This is an OVERHEAD view.

Audience

BA

Page 12: The Rehearsal Process

A: Excuse me, can you tell me where this place is? X C

B: Down that way.

A: Which way?

B: Down that way --- to the right.

A: Thank you very much. X R

B: You’re welcome --- but I don’t think you should go down there.

A: Well, why not? Aren’t they open? turns back

B: Yes, however, I was told that it’s --- well, it’s…

A: (interrupting) It’s what?

B: Shhh! Would you keep it down? stands

A: I am. What is it? Please, I haven’t got all day.

B: Okay, listen, you can’t go --- I don’t think you should go. X to A

A: Why?

B: Because the people there are…they’re…

A: They’re what?

B: Never mind. It’s not important. Just don’t go. grabs A’s arm

A: I’m going in there, so please… X R

B: NO. You can’t. Can’t you just… B follows A

A: Good bye. Thanks for the chat.

B: No. Come back.

A: AAAUGGHHH! from off stage

(X C means cross to center stage)

(So, X R means cross to stage right)

(Means cross to person A)

Page 13: The Rehearsal Process

A: Excuse me, can you tell me where this place is? X C

B: Down that way.

A: Which way?

B: Down that way --- to the right.

A: Thank you very much. X R

B: You’re welcome --- but I don’t think you should go down there.

A: Well, why not? Aren’t they open? turns back

B: Yes, however, I was told that it’s --- well, it’s…

A: (interrupting) It’s what?

B: Shhh! Would you keep it down? Stands looks both ways

A: I am. What is it? Please, I haven’t got all day.

B: Okay, listen, you can’t go --- I don’t think you should go. X to A

A: Why?

B: Because the people there are…they’re…

A: They’re what?

B: Never mind. It’s not important. Just don’t go. grabs A’s arm

A: I’m going in there, so please… X R

B: NO. You can’t. Can’t you just… B follows

A: Good bye. Thanks for the chat.

B: No. Come back.

A: AAAUGGHHH! from off stage

BA

A

A

A

A

A

B

B

B

B

B

BA

Page 14: The Rehearsal Process

A: Excuse me, can you tell me where this place is? X C

B: Down that way.

A: Which way?

B: Down that way --- to the right.

A: Thank you very much. X R

B: You’re welcome --- but I don’t think you should go down there.

A: Well, why not? Aren’t they open? turns back

B: Yes, however, I was told that it’s --- well, it’s…

A: (interrupting) It’s what?

B: Shhh! Would you keep it down? Stands looks both ways

A: I am. What is it? Please, I haven’t got all day.

B: Okay, listen, you can’t go --- I don’t think you should go. X to A

A: Why?

B: Because the people there are…they’re…

A: They’re what?

B: Never mind. It’s not important. Just don’t go. grabs A’s arm

A: I’m going in there, so please… X R

B: NO. You can’t. Can’t you just… B follows

A: Good bye. Thanks for the chat.

B: No. Come back.

A: AAAUGGHHH! from off stage

BA

A

A

A

A

A

B

B

B

B

B

BA

Page 15: The Rehearsal Process

A: Excuse me, can you tell me where this place is? X C

B: Down that way.

A: Which way?

B: Down that way --- to the right.

A: Thank you very much. X R

B: You’re welcome --- but I don’t think you should go down there.

A: Well, why not? Aren’t they open? turns back

B: Yes, however, I was told that it’s --- well, it’s…

A: (interrupting) It’s what?

B: Shhh! Would you keep it down? Stands looks both ways

A: I am. What is it? Please, I haven’t got all day.

B: Okay, listen, you can’t go --- I don’t think you should go. X to A

A: Why?

B: Because the people there are…they’re…

A: They’re what?

B: Never mind. It’s not important. Just don’t go. grabs A’s arm

A: I’m going in there, so please… X R

B: NO. You can’t. Can’t you just… B follows

A: Good bye. Thanks for the chat.

B: No. Come back.

A: AAAUGGHHH! from off stage

BA

A

A

A

A

A

B

B

B

B

B

BA

Page 16: The Rehearsal Process

A: Excuse me, can you tell me where this place is? X C

B: Down that way.

A: Which way?

B: Down that way --- to the right.

A: Thank you very much. X R

B: You’re welcome --- but I don’t think you should go down there.

A: Well, why not? Aren’t they open? turns back

B: Yes, however, I was told that it’s --- well, it’s…

A: (interrupting) It’s what?

B: Shhh! Would you keep it down? Stands looks both ways

A: I am. What is it? Please, I haven’t got all day.

B: Okay, listen, you can’t go --- I don’t think you should go. X to A

A: Why?

B: Because the people there are…they’re…

A: They’re what?

B: Never mind. It’s not important. Just don’t go. grabs A’s arm

A: I’m going in there, so please… X R

B: NO. You can’t. Can’t you just… B follows

A: Good bye. Thanks for the chat.

B: No. Come back.

A: AAAUGGHHH! from off stage

BA

A

A

A

A

A

B

B

B

B

B

BA

Page 17: The Rehearsal Process

A: Excuse me, can you tell me where this place is? X C

B: Down that way.

A: Which way?

B: Down that way --- to the right.

A: Thank you very much. X R

B: You’re welcome --- but I don’t think you should go down there.

A: Well, why not? Aren’t they open? turns back

B: Yes, however, I was told that it’s --- well, it’s…

A: (interrupting) It’s what?

B: Shhh! Would you keep it down? Stands looks both ways

A: I am. What is it? Please, I haven’t got all day.

B: Okay, listen, you can’t go --- I don’t think you should go. X to A

A: Why?

B: Because the people there are…they’re…

A: They’re what?

B: Never mind. It’s not important. Just don’t go. grabs A’s arm

A: I’m going in there, so please… X R

B: NO. You can’t. Can’t you just… B follows

A: Good bye. Thanks for the chat.

B: No. Come back.

A: AAAUGGHHH! from off stage

BA

A

A

A

A

A

B

B

B

B

B

BA

Page 18: The Rehearsal Process

A: Excuse me, can you tell me where this place is? X C

B: Down that way.

A: Which way?

B: Down that way --- to the right.

A: Thank you very much. X R

B: You’re welcome --- but I don’t think you should go down there.

A: Well, why not? Aren’t they open? turns back

B: Yes, however, I was told that it’s --- well, it’s…

A: (interrupting) It’s what?

B: Shhh! Would you keep it down? Stands looks both ways

A: I am. What is it? Please, I haven’t got all day.

B: Okay, listen, you can’t go --- I don’t think you should go. X to A

A: Why?

B: Because the people there are…they’re…

A: They’re what?

B: Never mind. It’s not important. Just don’t go. grabs A’s arm

A: I’m going in there, so please… X R

B: NO. You can’t. Can’t you just… B follows

A: Good bye. Thanks for the chat.

B: No. Come back.

A: AAAUGGHHH! from off stage

BA

A

A

A

A

A

B

B

B

B

B

BA

Page 19: The Rehearsal Process

A: Excuse me, can you tell me where this place is? X C

B: Down that way.

A: Which way?

B: Down that way --- to the right.

A: Thank you very much. X R

B: You’re welcome --- but I don’t think you should go down there.

A: Well, why not? Aren’t they open? turns back

B: Yes, however, I was told that it’s --- well, it’s…

A: (interrupting) It’s what?

B: Shhh! Would you keep it down? Stands looks both ways

A: I am. What is it? Please, I haven’t got all day.

B: Okay, listen, you can’t go --- I don’t think you should go. X to A

A: Why?

B: Because the people there are…they’re…

A: They’re what?

B: Never mind. It’s not important. Just don’t go. grabs A’s arm

A: I’m going in there, so please… X R

B: NO. You can’t. Can’t you just… B follows

A: Good bye. Thanks for the chat.

B: No. Come back.

A: AAAUGGHHH! from off stage

BA

A

A

A

A

A

B

B

B

B

B

BA

Page 20: The Rehearsal Process

A: Excuse me, can you tell me where this place is? X C

B: Down that way.

A: Which way?

B: Down that way --- to the right.

A: Thank you very much. X R

B: You’re welcome --- but I don’t think you should go down there.

A: Well, why not? Aren’t they open? turns back

B: Yes, however, I was told that it’s --- well, it’s…

A: (interrupting) It’s what?

B: Shhh! Would you keep it down? Stands looks both ways

A: I am. What is it? Please, I haven’t got all day.

B: Okay, listen, you can’t go --- I don’t think you should go. X to A

A: Why?

B: Because the people there are…they’re…

A: They’re what?

B: Never mind. It’s not important. Just don’t go. grabs A’s arm

A: I’m going in there, so please… X R

B: NO. You can’t. Can’t you just… B follows

A: Good bye. Thanks for the chat.

B: No. Come back.

A: AAAUGGHHH! from off stage

BA

A

A

A

A

A

B

B

B

B

B

BA

Page 21: The Rehearsal Process

So, you need a script

A pencil (not a pen)

A scene design

A planBA

ByeI’m

thirsty.