This list is Supplementary to the Main Record Catalogue

NEW SYMPHONY ORCHESTRA

(conducted by LANDON RONALD) zz-inch record 5s. 6d.

2-0561 Judex "Mors et Vita" Gounod

G OUNOD'S operatic achievements some- what overshadow

his other works. Yet the

composer of "Faust "

wrote as successfully and earnestly in the sacred vein. His setting of the Ave Maria ranks with Schubert's and will echo on through the ages.

Landon Ronald His sacred work "Mors Camera Portrait by Hoppe

et Vita " (Death and Life) contains a very impressive page in the Judex excerpt, which Landon Ronald has chosen to perpetuate in this glowing record.

The spirit of melancholy which necessarily per- vades music dealing with so profound a subject is tinged at times with rays of hope that make

the reproduction one of effective and artistic contrast.

The melody is simple and sweeping. The

orchestration is organ-like in effect, preserving the atmosphere of the work. The flow of the

music is natural and spontaneous, revealing Gounod at the height of his powers as composer of simple and direct music-drama.

The matchless tone of the strings of the New Symphony Orchestra is heard in all its glorious roundness in this performance.

Passages, or rather interpolations, for brass instruments occur with the arresting effect peculiar to the introduction of the motifs in Parsifal. There is real feeling in the way these bars are played and conducted. The serene flow of the music is brought to a close with poignant notes from the harp, followed by an Amen-like phrase of restful beauty.

Landon Ronald and his artist-company have here given us work of grand feeling. The re- production is sympathetic and faithful. (Speed 80)

Published b) Auvelio Co., Ltd.

Madame ALMA GLUCK (soprano) (with orchestral accompaniment)

zo-inch record 4s. 6d.

When love is kind Moore

it is useful to recall that -Mina Gluck is a Rou- manian - American with a Russian husband (Zimbalist, the violin virtuoso).Taken

from Bucharest

at the age of six, she has

received all her musical

N offering yet another I new record of this delightful soprano,

education in America, where she is now a su- preme favourite, being a popular prima donna at the Metropolitan Opera House, New York, as well as a concert-singer of renown.

Her concert appearances in England in 1913 sent the critics into paeans of praise of a voice and art which were compared boldly with the attainments of Melba and Patti.

In Moore's favourite air, "When love is kind," Alma Gluck displays that soft loveliness of tone- colour which distinguishes her art. Her render- ing of the appealing melody is piquant and charming. (Speed 79)

Mr. JOHN McCORMACK (tenor) (with orchestral accompaniment)

io-inch record 4s. 6d.

4-2579 Because Guy d'Hardelot

THAT most talented of T song - writers, Guy d'Hardelot, has given

us no more vital piece of melody than " Because." Tenors, good, bad and in- different, essay it. Its simple flow attracts the singer as much as it impresses the audience.Here,

at last, is " Because " by an ideal performer-John McCormack. The world- favourite tenor gives to the song a new verdancy, such is his earnest attack. Im- passioned notes leap forth as the course of the song ispursued. The finely-held high notes thrill one as the orchestra works out the final bars against that clarion vocal Because you come to me with naught save love. declamation. And hold my hand, and lift mine eyes above.

A wider world of hope and joy I see, The superbly Because you come to me. clear diction pe- Because you speak to me in accents sweet,

I find the roses waking round my feet, culiar to McCor- And I am led through tears and joy to thee,

mack can here be Because you speak to nte. Because God made thee mine I'll cherish thee,

enjoyed in per- Through light and darkness, through all time f ection.

tote' And pray His love may make our love divine,

(Speed 79) Because God made thee mine. (Tesahemacher)

Words printed by Permission of the Publishers, Chappell & Co., Ltd.

Mr. HUBERT EISDELL (tenor) (with pianoforte accompaniment)

zo-inch record 3$. 6d.

4-2612 The little white town Guy fHardelot

A NOTHER pretty little ballad by Guv d'Hardelot

to words of Ada Leonora Harris. The sweet pianoforte ac- companiment strikes a note of originality from the first. When the appealing voice starts its story of the little white town "away from the world" one is held under the spell

There's a little s hire tow, not far from the sea. VL all 2tt LIJL OL And away from the world, where I fain would be : peerlesS inter-

There's a little white town That runs up hill and down, p r e ta t i v e

There's a little white town in my own countrie.There's a little white house. and if I were freeTo make my choice, I would rather be Eisdell'svoice

In that haven of rest With the one I love best, is in wonderful

Than dwell anywhere else in the whole countrie. There's a little white gown that is more to nie

condition. The

Than all other gowns in the world could be flexibility dis- There's a little white gown Being sewn in the town played in the

That is dear to my heart in any own countrie. i,,,,,., F. t,,...For when the last stitch has been sewn- you see.That little white gown -will be wont forme, note to high is

Chat runs`up

hüi anä äown, a sheer wonder By the daintiest bride in the whole countrie. each time it

(Ada Leonora Harris)occurs. The refinement of phrasing and utterance places the record in a niche of its own. (Speed 78) Words printed by permission of the publishers, Chappell & Co., Ltd.

Saucy Songs by clever young Entertainer

Miss MAY LESLIE STUART (wish orchestral accompaniment and pianoforte by

Mr. LESLIE STUART) rz-inch double-sided record {s. od.

new songs in the piquant Don't Blaine Eve " and " Jack and Jill." Entertainment unbeatable.(Speed

80)

C 590 1 Don't blame Eve Jack and Jill

HER second recc,rri, bids fair to equa the enormon-

success of her initin: efforts. May and Levi: Stuart, stars of the bill in "

.5064 Gerrard" Revue, give us rattling flue

Published by Francis, Dar & Huwler

Accomplished combination in breezy numbers

AMERICAN QUARTETTE (with orchestral accompaniment)

to-inch double-sided record, zs. 6d.

B 514 ý The Red, White and Blue Hirsch Tip Top Tipperary Mary Carroll

THE American Quartette have no peers in

quartette singing. Their grand, crisp style is well known to "His Master's Voice"

audiences. Here are two rattling tunes given with rare aplomb and beauty of ensembie.(Speeds

80)

Leslie Stuart Leslie Stuart

Mr. CHARLES TREE (baritone) (with pianoforte accompaniment)

C HARLES TREE in

a saucy ditty of love-making. The

versatile baritone rings out the diverting story of Margery Green's dilemma

-and her woman-like solution-like the trouba- dour he is. His grand, manly voice is full of

Not far from the -, a 1:,,ttingdeau, There lived a maid named Margery Green; Pretty and sweet, and seventeen.

Or maybe a trifle older. Though many a heart she held in thrall. Both young and old, and great and small, The two she favoured most of all.

Were a sailor lad and a soldier. "Riddel-maree, maree," quoth she,

" Which of the two is the true one? I'd like," she said, " the lover in red,

If I weren't so sweet on the blue oue! The sailor lad was merry and free (As sailor lads are wont to be), And many a kiss to spare had he

When in his arms he'd fold her. 'Twist red and blue her fancy lay. Though never a one got "yea" or "nay"; For did she love the tar to-day,

To-morrow she'd love the soldier Riddel-maree, maree," q u o t h she. " Jacket of red, or the blue one ?

If one I choose, then one I lose, And I'll possibly lose the true one."

Now what was Margery Green to do, Her heart so wavered 'tween the two- For the lad in red, and the one in blue,

The very same tale had told her! So sore perplexed was Margery Green, Who couldn't tell which to choose between, That she went and made love to a jolly marine,

Who was neither a sailor nor soldier. Riddel-maree, maree, maree, Which of the three is the true one?

I'll bother myhead no more," she said, For I'll just go and marry the new one."

(Francis Barron)

io-inch record 3s. 6d.

Margery Green Beresford

humour as he depicts the in- decision of Margery, who, unable to make up her mind whether to take Jack or Tommy, found a way out in a lad who was neither sailor nor soldier -a marine !

Perhaps no singer could give point to such a song as cleverly as Charles Tree.

(Speed 80)

Words printed by per- mission of the pub- lishers, J. B. Cramer ans Co., Ltd.

A great tenor in four unequalled favourites

Mr. CHARLES W. HARRISON (tenor) (with orchestral accompaniment)

so-inch double-sided records as. 6d.

(I hear you calling me Marshall

B 512 Published by Boosey f Co. A little love, a little kiss Silesu

(A Dream Bartlett B 511 -

Published by Enoch f- Sons (Little Grey Home in the West Löhr

Published br Chappell & Co , Ltd.

E 'vTHRALLI\G singing of operatic airs in

English introduced us to a great American tenor, Chas. NV. Harrison, a while ago. His

is the McCormack style. His velvety voice is magnificent in tone, volume and artistry. We have the honour to offer no less than four gems of song by this star in our double-sided category. Each one is a performance of perfection. (Speeds 79)

Sweet soprano in cloying morceaux

Miss EVELYN HARDING (soprano) iii-inch double-sided record 4s. od.

Christina's Lament (Humoreske) (with orchestral accompaniment)

C 587J Dvorak, arr. by Mrs. Waller Creyke Angels guard Thee (Jocelyn) Godard

(with pianoforte accompaniment and 'cello obbligato by Mr. Cedric Sharpe)

"CHRISTINA'S LAMENT" is sung to the famous Dvorak Humoreske air, and makes

a memorable song. Miss Evelyn Harding brings to the rendering the talents of a fine concert artist.

The other title needs no intro- duction. The renowned Berceust is carolled with exquisite beauty of tone. (Speeds 79)

Mr. STEWART GARDNER (baritone)pianoforte accompaniment)

::-inch record 5s. 6d.

Content Needham

WONDERFULLYexpressive and telling lyrics,

Ly James Whitcomb Riley, set to finely

,riginal music. A -;:mng of this kind is especially suitable for Stewart Gardner, whose sincerity of style and nobility of voice finds scope in a fervent air.

I crave : l;,nl No boundless hoard. Of gold and gear.

Nor lands, nor trine. Nor jewels fine.

Nor treasure-heaps of anything ; Let but a little but be mine. Where at the hearthstone I may hear

The cricket sing ; And have the shine

Of one glad woman's eye to make. For niy poor sake,

Our simple home a place divine; Just the wee cot-the cricket's chirr- Love, and the smiling face of her. I pray not that Men tremble at

My power of place And lordly sway;

I only pray for simple grace To look my neighbour in the face

Full honestly from day to day: Yield nee his horny palm to hold

And I'll not pray For gold And so I reach,

Lear Lord, to Thee. And do beseech

Thou givest me The wee cot and the cricket's chirr, Love, and the glad sweet face of her,

(James Whitcomb Riley)

He titters the prayer- like lines with sig- nificant emphasis. One follows with enchained interest the simple, almost humble, wish of one who begs no hoard of gold, but " just the wee cot- the cricket's chirr love, and the smiling face of her."

The last devo- tional verse is given with moving pathos and feeling.(Speed

79)Words printed by permission ci the publishers, Boosev & Co.

Miss FLORA WOODMAN (soprano) (with orchestral accompaniment)

12-inch record 5s. 6d.

03423 Spring's Awakening

S ANDERSON'Slovely "Spring's

Awakening" has the compliment paid to it of a rendition by fa- mous Flora Woodman. In truth, the singer makes a peculiarly - happy choice in this selection, as the floating, ethereal passages which give the song its vernal atmosphere could be executed by few other sopranos to-day with quite the same insouciance and apparent ease.While

one enjoys the song for its delightful flow and melodic charm, this performance is, moreover, a study in the art of breathing. Such effortless vocal leaps are a miracle.

In the elaborate cadenza which Miss \Voodman introduces there is a display of vocal gymnastics that holds one spellbound. No coloraturist of Grand Opera could surpass the ease and skill of delivery.Withal,

there is that delightful pastoral tone- colour with which the soprano invests so en- chantingly a song of this kind. (Speed 78)

Ynbdishe,d by Boosey Co.

Miss MARGARET COOPER at the piano

xz-inch record gs. 6d.

03432 Come down to Brighton Sterndole Bennett

F OR sheer vitality this

breezy ditty would be hard to beat.

Popular Margaret Cooper has been bringing down

the house with it wher-

ever she has appeared

recently. ThevastLondon Coliseum audience in par- ticular gave her a nightly

ovation for it a few weeks ago. The piquancy of the quaintly-strung verses is

brought out with unrivalled charm by this accom- plished songs-at-the-piano star. Notwithstanding

the breathless delivery she gives rare point to the lines, showing herself a past master (or is it past mistress?) in the art of vocal nuances.

Incidentally, it's a grand piece of singing. And

the crisp self-accompaniment completes a per- formance the essence of which is enthusiasm and rare technical skill. Every word is beautifully

clear. (Speed 7i) Published by Walsh, Holmes & Co.

CARUSO (with orchestral accompaniment)

xo-inch record 8s. od.

7-32006 Serenade de Don Juan

A 'OTHER one of those incomparable- sere- nades in Caruso'

most entrancing style. This is by Tschaikowskv, though the opening for orchestra has a Grieg atmosphere with it.

The serenade is sun4 with all that fire and in--

petuosity that belong to the Camera Portrait by Hoppe

art of the Prince of Song. No bell of beaten gold could give forth so mellow a sound as a "held"

note of Caruso. The phases of the serenade air are depicted and contrasted with the skill of the master.

No matter how often one hears the high notes of the great Italian, one experiences unfailingly the thrill of first hearing. That silken tone and rich timbre magnetise one.

To essay a description of the singing were to

attempt the impossible. There is but one Caruso in the flesh, although his thousands of records are each a Caruso. (Speed 78)

Madame ALMA GLUCK, CARUSO

and Metropolitan Opera Chorus (with orchestral accompaniment)

zo-inch record xas. 6d.

7-54006 Brindisi-" La Traviata" Verdi

T HIS record is especiall}- notable, being the first

one of Gluck in com- bination with Caruso. There is

also the support of the chorus of the Metropolitan Opera, New York.

Act I of " Traviata " reveals a gay revel in

progress in Violetta's house. Alfredo (Caruso) breaks in on the merry-making

with a rousing drinking-song in which Violetta joins, the chorus giving tuneful approval.

Caruso attacks the air "A bumper we'll drain "

with careless gaiety. The famous old tune seems to live again when sung by this incomparable

voice. Gluck's part is done with clelightful ease; she contributes fully to the spirit of merriness and conviviality.

The whole record is instinct with breeziness and gaiety.(Speed

79)

KREISLERand

ZIMBALIST iacc. by String Quartette,

-inch record 9s. od.

2-07920 Concerto in D minor for Two

Violins-Part I. Bach

N O greater recording achievement stands to

our credit than the performance of the complete Bach Double Concerto in D minor

for two violins-played by virtuosi of the world- fame of Kreisler and Zimbalist.

It is no mean feat to secure the presence together

of two such artists at one time in the Recording Laboratory. When they consented to play the Bach Concerto together, they were conferring a boon on the musical world.

Their joint performance shows the intricacies of this great work in the most interesting guise. The

two master-violins breathe out their mellowness to the ravished ear. One distinguishes without diffi-

culty the characteristic tone and method of each famous performer, so faithful is the reproduction.

This First Part of the Concerto will undoubtedly give intense pleasure to musicians. (Speed 79)

More novelties-amazing accordion solos

PIETRO DEIRO (accordion) :o-inch double-sided record as. 6d.

B 510 {This is the Life-Medley Irving Berlin Italian Favourites

P IETRO DEIRO has been called the King of the Accordion. This Italian wizard makes his instrument equal the effect of a large

orchestra with organ, so full and detailed is his playing.The

elaborate keyboard has hundreds of keys, fingered with amazing dexterity. This first record by Deiro contains exhilarating melodies played superbly. Don't fail to hear these unique solos.

(Speeds 79)

Popular actor narrates a unique experience

Mr. KENNETH DOUGLAS One of the survivors of the "Arabic" Outrage, relates

his experience is-inch double-sided record 4s. od.

Experiences on "The Sinking of the Arabic"

C 591 Miss ELSIE BAKER and Mr. FREDERICK WHEELER

The Lord is my Light Dudley Buck

M R. KENNETH DOUGLAS the favourite actor, now playing for a change in a musical show, "The Only Girl," was aboard

the "Arabic" when she was torpedoed. Fortunately for the stage he was rescued He relates his very interesting escape in this splendid talking record.

Coupled with it is an exquisite duet rendition of a lovely religious air. {Speeds 78)

"Opera in Englisb" Miss NORA D'ARGEL (soprano)

(with orchestral accompaniment conducted by Mr. Hubert Bath)

,o-inch record 3s. 6d.

2-3118 Antonia's Song "Tales of Hoffmann" -Act III. Offenbach

E VERYONE will welcome another contribution in

our English Opera series by silver-voiced Nora d'Argel, whose success at the last Courtneidge Operatic Season was perpetu- ated and carried on in the notable issues of "His Master's Voice " records by the prima donna. .

Among her greatest personal successes were her impersonations of leading r6les in " Tales of Hoffmann."The

Nuremberg student, Hoffmann, had three love adventures, which he relates to the bosom friends gathered in the tavern. The first two adventures concerned Olympia and Guilietta respectively : the third, Antonia.

This young singer has become the victim of consumption. Forbidden to sing by her father, she is urged on to sing in Hoffmann's presence by a Svengali-like Dr. Miracle ; in this song she literally sings herself to death and dies in Hoffmann's arms.

The performance of this difficult song is distin- guished by sure intonation and extreme flexibility.(S¢eed

80)

" Opera in Englisb "Miss VIOLET ESSEX (soprano)

(with orchestral accompaniment conducted by Mr. Hubert Bath

is-inch record ss. 6d.

03424 Ah, was it he! (Ah fors' e Iui !- PART II.) " La Traviata" Verdi

W E add three more items to our 1915 collection

,f operatic selections in HInglish. Last month we had Violet Essex' offering of Part I. of the celebrated Traviata air, " Ah, fors' e lui," but, of course, sung in l;nglish. We now offer the second and final part of this excerpt, beginning

What folly." Many operatic

sopranos regard the part of Violetta merely as a background for vocal display. Miss Violet Essex, while neglecting no opportunities for coloratura, brings to the part a human tenderness and a pathos which are affecting.

The feats of execution are astonishing, especially in so young an artist, and the trills on top notes are accomplished in the most masterly fashion.

The orchestral accompaniment is very beautiful, serving to pervade the whole performance with the atmosphere of grand opera. (Speed 79)

" Opera in Englisb "THE GRAND OPERA COMPANY

(with orchestral accompaniment)

:s-inch records Ss. 6d.

04617 Gems from " Aida "-Part I. Verdi

04618 Gems from "Aida "-Part II. Verdi

addition to the operatic vocal solos by Miss I Violet Essex and Miss Nora d'Argel offered in this supplement, we are happy to be able

to give two records embodying the finest airs from Verdi's " Aida," by The Grand Opera Company.

The opera was first produced in Cairo over forty years ago, and was written by request of the Viceroy of Egypt, who wished to celebrate the

opening of his new Opera House at Cairo by

the production of a work upon an Egyptian subject from the pen of the most popular composer of the time.

The opera has no overture. The inspiring gem of Act I., " Heavenly Aida," occurs almost im-

mediately after the curtain rises.

All the most stirring and picturesque melodies from this striking opera are included in the finely

sung gems here presented, which give the opera in

a nutshell.The ensembles are gorgeous. (Seeds 80)

Ren awned Russian Virtuoso makes his bow

ZACHAREWITSCH (violin) (with pianoforte accompaniment)

ro-inch double-sided record zs. 6d.

The Sunshine of your Smile Lilian Ray Published by Francis, Day S. Hunter

B 517 (a) Dance of Ivan IvanovitchZacharewitsch

(b) A Don Cossack's Dance Zacharewitsch T famous Russian violinist, whose success

1 at London concerts has been so great, has given us two pieces of great contrast for

his first record. The popular " Sunshine " tune is given with exquisite feeling, and the dashing Cossack Dances are bowed with astonishing skill. This world-famed artist will become a big favourite on records. (Speeds 79)

Grand Contralto Singing by Stars

Miss PALGRAVE TURNER (contralto) with orchestral accompaniment)

ca-inch double-sided record as. od.

(a) Dearest and best Clarke (b) Through the Sunrise Nutting

Published by Cary & Co. C 588 Miss ALICE LAKIN (contralto)

The Call of the Homeland Teschemacher Published by Boosey & Co.

T WO beautiful short songs are sung with fine artistry in the rich contralto of Miss Palgrave Turner, who shows herself an

interpretative artist of exceeding skill. Another fine contralto song is given with it-

The Call of the Homeland," by Miss Alice Lakin, whose organ-like tone is reproduced magnificently.(Speeds

79)

Miss PERCEVAL ALLEN and Mr. JOHN HARRISON

(with pianoforte accompaniment)

:z-inch record ss. 6d.

04132 Dear love of mine Goring Thomas

A S a touch of variety amid solo records, a vocal

duet conies with refreshing enjoyableness. There are few duettists who can combine with

such harmony as Mr. John Harrison and Miss

Perceval Allen, who give us for November

Goring Thomas' melodious " Dear love of mine."

It opens with tenor solo, sung in the honeyed

accents of John Harrison. This great English

vocalist imbues his part with real lyrical feeling. He sings with graceful fluency and much warmth of tone.

Perceval Allen comes in with brilliant respon-

siveness. The sweet soprano voice is beautifully 11 recorded."

The two voices together are blended with match- less purity.

The finale is performed with rare delicacy and

restraint. (Speed 78) Published by Boosey & Co.

PHILHARMONIC STRING QUARTETTE

08043 Death and the Maiden Schubert (Variations in D minor)

T HE second offer- ing of this famous instrumental

quartette, led by Mr. Cedric Sharpe, is Schubert's soulful inorceau, "Death and the Maiden." These variations are played with a wealth of feeling

and expressiveness by the four fine artists who here collaborate.

The strings are opulently round. The sus- tained passages are of rare beauty. The varia- tions for solo violin are crisply and sweetly performed. (Speed 79)

A Lovely Waltz and a Grossmith Hit

MAYFAIR ORCHESTRA %2-inch double-sided record 4s. od.

My Dance-Waltz Wilson Hallam JULIA JAMES and

C 584j GEORGE GROSSMITHBoots and Shoes," To-night's the Night"Rubens

/ý Y dance " will become a big favourite this 1ý1 winter. Coupled with it is the inimitable

performance by Geo. Grossmith and Julia James of " Boots and Shoes," from the ever- running Gaiety hit " To-night's the Night."(Speeds

78)

THE BELLS 0' BOURNVILLEThe finest carillon in Britain. By kind permission of the Bournville Village Trust, the Cadbury Model Village

1 THE spirit of "The Factory in a Garden " at

Bournville is concentrated in the exquisite Carillon presented to the Bournville Village

Trust by Mr. George Cadbury. Undoubtedly this Carillon is the finest in Britain. The several renowned Carillons of Belgium are in jeopardy from the invading hordes-some, like that of Malines already destroyed. Carillon Bells are played from a keyboard, not swung as in the case of ordinary church bells. The Bournville set has been pro- nounced the best in the kingdom by the leading authority. Below are the records of them we have made, each one an interesting performance.

We have issued a special descriptive pamphlet of the Bournville Carillon, which all interested should secure.zo-inch

double-sided records zs. 6d.

((a) Killarney Balfe B 507-

(b) Eileen Alannah Thomas i (a) blue Bells of Scotland (b) Annie Laurie

(Lead, Kindly Light (tune-Sandon) B 508 Purday

Harvest Home Huntsman's Chorus B 509 ; ,.,

C 586'ý - ------ J---- THE TRINITY ORATORIO CHOIR

It came upon the midnight clear Willis (Speeds 78)

ii,nange on iu oeiis :z-inch double-sided record 4s. od.

Evening bells, 4 to 6 o'clock, intro- ducing " The day thou gayest, Lord, is ended "

.Sehnllfeld

Records of the New Apollo Hit

"THE ONLY GIRL"

PRODL CED a few weeks ago, the new musical play, by Victor Herbert, has repeated in London its great New York success. The

Apollo is the Mecca of all London. We lose no time in issuing orchestral selections

of this tuneful work, as well as the fine Waltz Hesitation, and a delightful vocal number by a first-rate soprano.

The gems of the piece are woven deftly into the sparkling pot-pourri. The playing is very fine indeed.

All should have the fetching Waltz Hesitation which shows Victor Herbert's work at its point of greatest originality.

12-inch double-sided record 4s. od.

,The Only Girl-Selection I.Herbert, arr by Sandford.

" Here's how," " Equal rights," " When you're away," " You have to have a part," "Personality "

C 58 The Only Girl-Selection II. Herbert, arr. by Sandford

" The more I see of others, dear," " Tell it all over again," " When you're wearing the ball and chain," "Dance," "You're the only girl for me," " When you're away," " Here's to the land we love, boys"

(Speeds 79)

"THE ONLY GIRL" METROPOLITAN ORCHESTRA

rz-inch double-sided record as. od.

The Only Girl-Waltz Hesitation

C 583 Herbert MAYFAIR ORCHESTRA

Masindi-Valse Bahm (Speeds 79)

Published by Francis, Day & Hunter

Miss OLIVE KLINE (soprano) (with orchestral accompaniment)

:o-inch double-sided record zs. 6d.

(When you're away-" The Only Girl " B 516 Herbert IIsle d'Amour Edwards

(Speeds 78)

Photo: Foulsham S 13anfleld.

BAND OF H.M. COLDSTREAM GUARDS (conducted by Capt. J. MACKENZIE-ROGAN, M.V.O.,

Mus. Doc., Hon. R.A.M.)

so-inch double-sided record zs. 6d.

Regimental Marches-The Kings, Nor- folk Regiment, Lincolnshire Regt.

B 518Regimental Marches-The Buffs, King's Own, Royal Warwickshire Regiment

W HAT could be more popular with Englishmen and Englishwomen, proud and doubly proud of their gallant Tommies, than the

distinctive regimental marches of celebrated regi- ments ? The Coldstreamers, under the master baton of Capt.Mackenzie- Rogan, give an extraordinarily fine medley performance of these brisk marches.(Speeds

80)

METROPOLITAN MILITARY BANDxz-inch double-sided record 4s. od.

England Expects Bull Published by Francis, Day & Hunter

C 582 Through the Panama Canal-Descrip- tive Fantasia

xo-inch double-sided record os. 6d.

(Fall in Line Hawn

B 506, METROPOLITAN BAND The Whistlers-Intermezzo Reiterer

ENGLAND EXPECTS " is, of course, in the martial vein-and right well played, too. "Through the Panama Canal" is replete

with touches that bring to the mind the wonderful achievement of dividing a continent. The fan- tasia is very alluring. (Speeds 79)

IN ENGLISH again opens in London

.v Once more has Mr. Robert Courtneidge ventured to present Grand Opera sung in English to the Shaftes- bury Theatre audiences. His opening night, with our own Robert Radford as Mephistopheles in Faust, was a big success. Again we are encouraged to draw attention to our superb Opera-in-English records recently issued. Hear these without fail.

Softly awakes, "Samson and Delilah" The Secret (Il Segreto), " Lucrezia Borgia "

Habanera, "Carmen" When all was young, "Faust" EDNA THORNTON

Musetta's Song "La Boheme" Ah, was it he (" Ah, fors' e lui "-Part I.) " La Traviata"

VIOLET ESSEX

Doll's Song, "Tales of Hoffmann" Valse Song, "Romeo and Juliet"

NORA D'ARGEL

Hear me, g-ntle Maritana, "Maritana" He who treads the path of duty, "The Magic Flute"

ROBERT RADFORD

Gems from " Carmen " Gems from " Traviata " Parts I. & II. GRAND OPERA COMPANY

OR CHEST R A L-12-inch record 5.. 6d. NEW SYMPHONY ORCHESTRA (cond. by LANDON RONALD)

2-0560 "William Tell "-Storm Ross ni VOCAL

12-inch record 20s. Od. 2-054043 Dio the pell' alma (God in my

Soul) "Don Carlos"Caruso and Scotti

12-inch record 16s. 6d. 2-054062 Good Night (Folk Song)

Dinh Gilly and Destinn 12-inch record 12s. 6d.

03361 The Kerry Dance Mme. Schumann-Heink

12-inch record 9s. Od. 2-052099 Serenata Martinelli

12-inch records 5s. 6d. 02600 Ninette Hubert Eisdell 03416 Let the bright seraphi-,"Samson"

Miss Flora Woodman 03417 Nymphes et Sylvains

Miss Nora D'ArFel 03418 Ah, was it he (" Ah, fors a lui

12-inch records 5s. 6d.-continuer?

C4619046203995

4-26054-26064-26084-26092-31174-2607

When all was young "Faust" Madame Edna Thornton

Gems from "Traviata"-Part 1. Gems from "Traviata"-Part 11.

Grand Opera Company 10-inch record 4s. 6d. Song of the Chi r es (Cradle Song)

Madame Alma Gluck10-inch records 3s. 6d. Out of the Night "A Song of Life" Robert Radford In Sunshine and ShadowHarry

Dearth The Road to your Heart

Stewart Gardner Dawn Skies Ivor Walters Mifanwy Miss Carmen Hill The Admiral's BroomCharles

TreePart 1.) "La Traviata" 12-inch record 5s. 6d.

Miss Violet Essex 02601 Doughie the Baker 12-inch double-aided records 4s. Od. H.-I...der

C 580 { Is That You, Mr. O'Reilly? Miss May Leslie Stuart Heligoland

C 581 { The Fortune Teller The Wedding of Becky Strauss

10-inch double sided records 2s. 6d. B 492 { Wonderful Foxtrot Girl

The Dixie Bazaar B 494 { Little Silver Ring

Irish Love SongI May I send you this balloon ? l

B 496 Chini Town, my China Town "Push and Go"- } Miss Gwendoline Brogden Hippodrome Revue 111

B 497 { The Nightingale } Julian Kimbell You are My Darling from a Gipsy Melody) B 504 Phil the Fluter's Ball Denis O'Neill

When Love Calls Ernest Crampton B 495 { Down Vauxhall Way "Songs of Old London"

1 Miss Evelyn Harding Gretna Green "Songs cf Merrie England"

B 493 J Boy and Girl "The Country Girl" 1 Miss Dori. Cowan and 1 Dance with me' Betty" f George BakerINSTRUMENTAL

12-inch record 5s. lid. 10-inch record 3s. 6d. 07884 The Broken Melody 8101 Minuet Cedric Sharpe Philharmonic String Quartette

12-inch double-sided records 4s. Od. C 410 5 Less than the Dust "Four Indian Love Lyrics" 1 De Groot and The

Kashmiri Song, "Four Indian Love Lyrica ( Piccadilly Orch. C 579 { Olivette-Selection I.Coldstream Guards Olivette-Selection 11.

10-inch double-sided records 2s. 6d- B 498 ( Nearer my God to Thee

Eternal Father B 499 { JeannetteHappy

Memories B 500 { YearningSous

lea ponts de Paris

B 501 5 Love's Garden of Roses

"To-nights the Night"-One-step B 502 { I wonder if love is a dream

A la Hongroise B 503 1 Pickles and Pepper Rag

(The African 400

} Yorke and Adams

} Miss Clara Beck} Miss Alice Lakin

1 Charles Hopkins 1

} Miss Dorothy Forster } Mayfair Orchestra

De Groot and The Piccadilly Orch.

Mayfair Orchestra De Groot and The t Piccadilly Orch,

1` Pryor's Band